#please tell me u did

[134340am]

have a good day yuna!!

oh!!! you too, dearest val (*^▽^*)

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[xiewho]

could i get a fabian pretty pls… possessed would be cool but anything with him is fine

based on that one fake bad kids twt thread that i Cannot find for the life of me

[vcrnons]

WE ARE LIKE FLOWERS THAT BLOOM IN MAY. RAINDROP ON ME, ON ME.

[crumb-crumblet-s-crumbington]

alcina dimitrescu KILLS her maids and drinks their blood

karl heisenberg tried to use a BABY as a weapon

ethan winters is WHITE

mother miranda tries to STEAL someones daughter

at the end of the day, your favorite resident evil 8 characters are terrible people

[stuckinapril]

A major annoying thing about being in a male dominated stem field (chemistry for me) is you basically work w guys 99% of the time & they ALL think you have a crush on them if you’re even fleetingly nice. And so far I’ve refused to water down my personality to compensate for it but it’s so annoying knowing I’m inadvertently feeding into someone’s unchecked ego

[viviarts-c]

spite

[lynn-tged-posting]

so i've been working through the tged webnovel (really, really slowly) (but im getting there!) (it's been REALLY fun i love their banter so so much i wish there was more of it in the webtoon)

and i keep thinking back to chapter 43, where lloyd is surveying the wetlands and arcos comes with him

i don't really have much new insight, i just think about their interaction in this chapter a lot, especially since it's one that doesn't show up in the webtoon adaptation

arcos going out of his way to spend time with his son, and making him a lunch that he knows his son loved, all as an unspoken apology

because "how could he", right? how could a father hate his son and only start to love him again when success has been found? that's so haunting to realize; that someone you loved so much, someone you raised and nurtured, someone you knew the favorite foods of and why, could become someone you hate. and then, the son you once raised, the son who became a stranger, went and grew up without you.

did i give up too soon? did i abandon my own son? ... what kind of father does that? ... right?

and so he does what he can to offer repentance. he takes time out of his day to engage with what his son is doing. he shows that he still remembers his son, the boy who would rather eat boiled eggs and tomatoes over any other dish. he offers it all in a basket, carrying the love he feels he should've given to lloyd a long, long time ago.

... and it's not even the original lloyd frontera who receives it.

we don't get to know what suho is thinking in this moment, but i think his silence speaks volumes.

... because "how could he", right? how could this fraud in another man's body accept this silent apology that isn't truly owed to him? this man, this baron, this father, is asking for forgiveness when he had every right to be angry with the original owner of this body. and he doesn't even realize, because how would he possibly know his original fate? only you do.

this wasn't meant for me ... right?

but suho doesn't reject him, either. he doesn't interrupt arcos, he doesn't leave. they sit together and eat boiled eggs with honeyed tomatoes in silence.

it makes me wonder what suho is thinking about, what he's feeling, what he's remembering...

because (and call me crazy, call me speculative) heaven knows the love language of an asian parent.

here's some cut fruit. here's your favorite snack. here's dinner. i've brought it here to you.

you're working so, so hard. i'll support you, i'll be here. don't worry about anything else, just keep growing.

i love you, i love you, i love you, attached to every plate.

"this was your favorite food when you were young. ... i should have given you as many boiled eggs and tomatoes as you wanted."

and again, it's a little bit of speculation from me, but i think that's why suho doesn't say no, why he lets arcos make this apology. it's a piece of what he misses most.

and so they both leave a little bit healed. "the basket was lighter on the way home. and albeit very slightly, their steps became lighter as well." it might not have been between the right souls, but it's a weight lifted nonetheless.

... all this to say that i am absolutely MOURNING that this didn't make it into the adaptation!!!

i understand that with comic adaptations, there are going to be some cuts to ensure pacing and workload stays reasonable, but this would've been absolutely devastatingly emotional (/pos) to witness visually,

because what would lloyd's (suho's) face look like? what expression would he make, can we visually see how he feels? and arcos, what does he see when he looks at his son? fatherly love and solemn regret, painted all over his face, what does that look like to the adapter? to the artist? to us?

and in general too, we lost the characterization and relationship of arcos to suho; i really, really wish it made it in :(

end post

[lilacthebooklover]

me, looking at the most toxic, awful, horrendously unhealthy fictional relationship in the world: why can't i have what they have? :(

[ping-ski]

not enough people talk about "dont turn the lights off" ngl. this song + the daycare theme song have been ON LOOP for me. on loop while i draw. on loop while i do chores and cook. on loop while i work. on loop if i need to concentrate on something- no ANYTHING. it's such a comfort to me. this song has a DEATH GRIP on me. WHIMSY UNMATCHED. you don't understand how much this song fuels me to keep creating DCA content for myself ohhh my god.

"lights on" doesn't even compare for me (WHICH OFC i like the song + with the recent release of "best friend" im still giddy)

which, i feel the need to add, this song is pivotal for my motivation to write EBY (wip dca fic im working on rn). like idk i feel invincible when this song plays ig lmao.

[hurglewurm]

vent art season babes ! the springtime crazies !

[inkskinned]

oh you know it's all latestage capitalism but the thing is. how are you supposed to be a person inside of this. a person trying to be a better version of yourself.

oh, you started working young, which was kind of hard, but it's just the way stuff works sometimes. and it was 2008 and your family couldn't afford heat. but it's fine, you grow a spine and get used to the professional world and besides it was the suburbs we're talking about here, like, your life could have been actually hard, so what if your father lost his job and you can't afford to move or turn the lights back on. and once you start making money, it's good. you keep doing that. because now they're relying on you. so you have to do that.

oh you were in thousands of dollars of debt at 17 years old so that you could go to school, because you have to go to school if you want to get a "real" job. you even did it "right", you worked parttime and attended community college before you transferred to a public school. you were under so many merit scholarships.

which is fine. you pick yourself up and you say like, okay. i graduated college. i'm holding down a job. i'm doing the Adult Thing, which looks and acts like this, according to all the books i've read. you start with the shitty job and then you climb that corporate ladder.

but the shitty job doesn't cover rent and you stretch yourself too-thin so you get sick. good luck with that. the shitty job no longer pays for your meals. everyone asks why you don't just move, but there's nowhere to move to. and with what money are you going to be moving? and then the loans come back, because they were never going to forgive them, because you were 17 and trying to do the right thing, which was stupid. people are now saying you shouldn't have even gone to school.

which is fine. but because you have no other option, so you do the shitty job, and you apply every day for like 5 new ones, and despite the fact everyone says "there's no one who wants to work!" it's actually just that nobody is fucking hiring so you can either work for 13 dollars an hour in the shitty place you know (where at least you have a passingly friendly relationship with the manager) or you can start from scratch again with a different 13 dollars an hour without knowing how much abuse from the new job you'll be taking.

and if you quit you lose your insurance. if you quit you lose your housing. if you quit, you'll be another burnout kid. the lazy ones. these assholes, look at them!

and you come home to a family dinner and you hear from your father the same old thing. how he worked hard at his job and yes it sucked for a while but he was able to provide for the family and then the house and the dog and the rest of barbie's dream vacation. how the insurance did cover some of it. how you just really need to start speaking up more in manager conversations so they know you're a go-getter. you want to tell him - did you know we're actually doing more now hourly than any previous generation? - but you can't remember where you heard that statistic, and you're far too tired for the fucking argument. and then he starts in on his usual bit. where's the house? where's your kids? where's your ambition.

the same job the same money the same hours doesn't do it anymore. the same nose-to-the-grindstone now just shreds your face off. there's no such thing as upwards mobility, not really. and as far as you're aware, the money certainly is not trickling. you do the soulless stupid shit you signed up for because you fucking have to or else you literally risk your life (food, the apartment, the insurance), but it's not getting you anything. you download the stupid "save more" app and you budget and you do every right thing and then the price of eggs is 7 dollars and you say - oh great! another thing i have to fucking worry about now!

and you go to your stupid job and everyone in your father's generation just tells you to be better about being an adult. they have their homes and their savings account and their bailout and they say. well have you tried not drinking starbucks. well your generation just spends too much on clothing. well you might just be too addicted to travelling. and you - because you need the job - you bite your tongue and don't say i am being held prisoner and you're suggesting i stop pacing my cell if i don't like the scenery and you don't say what the fuck do you think i've been doing with my money and you don't say i haven't spent a cent on something nice in literally forever much less coffee you arrogant asshole. you open and close your bank app and check your loans and check your credit score and check fucking zillow and ziprecruiter and apartments.com just one time more. and still they give you that demeaning little grin and say - see, what you need is -

what you need is for your meds to stop being so fucking expensive. what you need is for the housing bubble to explode into dust. what you need is for billionaires to choke on their wealth. what you need is actual help. what you will get is more economic advice from people who are older-and-wiser.

and above you, almost in a glimmer, you can see the wedged smile of your debt getting toothier, wider.

[malacandrax]

I found so many cool things in the fields today! Mal is probably for malton but STILL. I also found my first ever pipe stems 💪😤. Also a squashed thimble, and a cute marble!

I washed them in the stream and left a few behind after thinking abt it haha. I do love the beige and browns but they're very common here, I also found a few more blue rimmed pieces but I've already got a lot!

[monsterfuckermilligan]

thinking about the fact that up until s15 the story always ends with older sibling killing the younger sibling, who basically was a parent to the younger sibling. it’s cain and abel. michael & lucifer. dean & sam. they all parallel the darkness & the light, who are the original siblings. however by the end of the show, michael is the only one who fulfills his ‘role’ by killing lucifer while both of their vessels (adam milligan and nick) are already dead. (michael also subsequently fills the role of chuck’s abraham and isaac, father killing his son obsession by chuck killing michael personally instead of him just being erased during the rapture like everyone else.) as for the originals, the darkness and her vessel (amara schneider) get consumed (eaten) by the light, essentially killing both the darkness and amara. and with the winchesters, dean is the one dies in the last episode while sam, aka the younger sibling, survives which means that the light is the one who survived. we know this because jack says “we’re in harmony” when asked about TD!amara, so he is referring to light/dark. but the power transfer with jack still leaves behind chuck shurley, aka the light’s former vessel, and jack says TL!chuck’s power is not his anymore, so it’s possible it’s not a full consumption, but simply another possession.

[otrtbs]

Twitter people complaining about art heist baby and how u gave the women no personality whatsoever

there is not a single fanfiction in the marauders fandom that someone on twitter hasn't complained about. i know that this ask wasn't sent with good intentions whatsoever (along with the slew of other ones that you or others have been sending me since december) but i am going to say this. one time.

to paint ALL of the women in art heist baby as underdeveloped w no personality is extremely reductive. to say that all of the male characters in art heist baby were perfectly developed and fully fleshed-out characters is also reductive. i DO think that some of the characters are undeveloped in art heist. but not exclusively the women. to make that claim as some sort of moral argument/virtue signalling call for justification on why art heist is bad or why you are so much better than somebody else for not liking it is ridiculous and i would argue, unfounded. it is okay not to like things just because you don't like them.

furthermore, fanfiction is a place for BEGINNERS and AMATEURS to try out writing and to explore storytelling as hobby. nobody is going to be perfect at it their first go, and i certainly wasn't. sometimes it's not an "art heist baby is misogynist" issue and it's more of a "nat was trying to write 11 different characters all at the same time as a first time writer" issue. some of my characters were undeveloped, yes. but not just the women. but how is this, in any way, encouraging new people, or even repeat fanfic authors, to write stories if the baseline demand is that they be perfect at it? if the initial assumption is that the author has some moral or ethical failing for making common writing mistakes as a beginner? it hardly encourages anyone to try again or to try at all.

at the end of the day, people on twitter are going to complain and pick apart and be generally negative because that's how they get the most interaction and engagement. and i can talk until i'm blue in the face about how consumption of media in any form but ESPECIALLY fanfic consumption is not political praxis. nor is it a substitute for political praxis, but again, the target audience for that rant would not give a fuck. and finally. art heist baby is a jegulus fanfiction first and foremost. of course all the other characters are going to be fucking background side characters. they are not the stars of the show. enough of this.

[dazais-guardian-angel]

Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.

When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?

Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?

I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.

I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.

An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.

So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.

Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡