#presentation core

[goodstockimages]

There has to be some freudian shit in this one idk

[emilycastlevania]

I did 😁

[chimerafeathers]

party pov of the Siffrinless run through the House during the Loop hangout has a hold on me rn…

i spoke broadly about it in this post but each of them would have much more personal conflicts and thoughts about Siffrin just…..disappearing without a word on the day of the final battle.

i was gonna talk about all of them in one post but i kept having more to say about Mirabelle. and i don’t talk about Mirabelle in depth as much as she deserves. so!

Party POV of Loop Hangout Day - MIRABELLE EDITION

we don’t see the clocktower interaction play out after Siffrin agrees to hang out with Loop, but there’s no reason to believe it goes much differently than usual without the friendquests changing things. which means this probably happens

We’ll stay with you, Mira. Siffrin says it every time this conversation happens.

Mirabelle offers them all a final opportunity to back out. she’s felt guilty, this entire time, dragging everyone along with her on a quest that feels doomed to fail, and that more than half of the party shouldn’t even really be involved with—a child, and two travelers risking their lives for a country that isn’t theirs, just because they had the misfortune to be in the wrong place at the wrong time.

they should be allowed to leave. she may not have a choice, but the rest of them do. so she tries to offer them this escape, even though the thought of what’s ahead fills her with dread, even if she’s terrified she was the wrong choice for something this important and may not be able to protect them, or even succeed at all. and it’s such a relief and a comfort that they all choose to stay anyway, and she doesn’t have to face the House alone. she has support, company, friends to rely on. people who believe in her even when she doesn’t believe in herself.

except when they wake up the next morning, Siffrin is nowhere to be found. not in the clocktower, not in the town. how long do they search? how long does it take them to decide this must be his real answer to the question Mirabelle posed the night before?

Mirabelle takes Siffrin’s act 5 behavior…very personally. in her hurt and anger, she decides that if nothing’s wrong, if he thought it was okay to say something like that in that moment, they must have always been a worse person than she thought they were. she was always uncertain of his motives, his attitude. she reassures herself that their teasing is friendly, like it’s something she has to convince herself is true.

but some part of her really did believe that he saw himself as better than the rest of them—even if she never treated them with anything other than kindness! she didn’t let her uncertainty or anxiety get in the way of treating him with warmth, ignoring the potential bad-faith explanations of his behavior and trusting that they had better intentions than her fears would lead her to believe…until she had evidence that, just maybe, those fears weren’t so unfounded.

the Housemaiden in the Prologue even says that she thought they were mean, at first. uncaring. an impression that didn’t turn around until Siffrin got hurt protecting Bonnie. maybe it’s cheating a little bit to bring Prologue dialogue into an ISAT discussion since they’re not perfectly identical timelines, but i think it lines up with ISAT Mirabelle thinking Siffrin saw themself as “better” than her.

Prologue:

ISAT:

she applies this judgement not just in the moment, but retroactively. whatever goodwill and trust she had read into their behavior before, it’s gone. the person she reassured herself that he was would never do something like this, so she must have failed to understand him entirely, from the very beginning.

there’s no confrontation, in the Hangout loop. just a silent disappearance. they have no context or explanation for what happens. no heightened emotions from the immediacy of insults and anger thrown in their faces. but whatever emotions bubble up have time to simmer.

i can imagine Mirabelle’s thought process might be quite similar to how it is in Act 5.

something must be wrong, for them to act like this. to disappear without a word after promising everyone that they’d stay.

but if nothing’s wrong…she must have been wrong about them. he isn’t the person she thought he was. how could they leave now, after what they already sacrificed defending Bonnie? or was it because of what he lost defending them—that he had given all he was willing to give, and no more?

did they finally decide Mirabelle wasn’t a person worth believing in anymore? that her mission wasn’t important enough to waste his life in its pursuit? that someone like them shouldn’t bother following someone as weak as her?

she gave them the option to leave. she feels guilty that it hurts so much that he took it. angry and betrayed that he would lie to their faces and leave without a goodbye, when for all they know they’ll never see each other again. did they all really matter so little to him?

or was he scared, and unable to face them out of shame? can she really blame them for that, knowing her own terror at what entering the House will bring? maybe he’s just as scared as she is, even if he never shows it like she does. it’s their choice. he has no responsibility here, no obligation to stay and put himself in danger for their sakes. she offered them this. she offered them this. they’re allowed to change their mind. what right does she have to be angry? she would have understood if they’d just!! said something!!! it would have hurt, still, but, but—

did she ever really understand them at all, if she couldn’t see this coming?

[tridentkickflipper123]

this is what we are, and we will not be changed you can look for unseen order, you're gonna find that chaos reigns we will not be saved

[firstkhao]

"I hope my best friends will be safe and happy, eat well, drink well, always get a good night's sleep, have plenty of choices, and meet friendly people. Even if we are miles apart, we will still shine when we don't see each other."

— WHEN I FLY TOWARDS YOU 当我飞奔向你 (2023) dir. Mao De Shu happy (belated) valentine's day dear nía ♡ @algtrs insp

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[shrimperini]

au doodles :3

gladys’ badly concealed bias towards chell + mayadys stuff. the more i draw them the more i love them

[g3othermal3scapism]

I wanted to make a silly video about how I see regulus so :33 this is her. if u even care

tw s/h mention?? sorta kinda? vaguely idk,, its just an edgy audio clip from Gingersnaps

[bornetoblood]

G5 Iguazu legit one of my favourite characters in anything ever. WHAT is his problem.

[hana-no-seiiki]

TEACHER: How do you define true love?

YANDERE! BOYFRIEND: . . .

YANDERE! BOYFRIEND: Harassment.

[pinksunshineee]

Gwyn mixes metals.

She has Autumn in her and its basically canon that they wear gold. Plus lakes and rivers carry gold, it seems rather fitting.

I also see her wearing silver too, to tie in with the Nesta bestieness and also her general moonlight vibe.

I can also see her wearing copper, like her hair, and rose gold.

[jupiterlandings]

Ectober Day 23: Heat Death

[madge-nius]

So the whole section where cass identifies herself through the batfam members which I seem to remember someone criticising as like the fanonisation of cass isn’t what’s happening?!?!!! To me, it seems like brombal is building an arc of cass finding herself and her own identity outside of the bats or being a killer

[kaissauce]

you gotta learn when to QUIT.

[ghostpajamas]

with the tide

[fenharel]

SMOOCH ATTACK!!!!

a little commission done by the lovely @sehaniine of my favorite girl alva and her eternally sad bf 🥰