#print on demand company

[sgkprinters]

What is the standee size of a roll up banner?

They consist of a printed graphic panel that is attached to a retractable mechanism housed within a base. The banner can be easily set up by pulling the graphic panel up from the base and attaching it to a support pole or stand.

Standard Sizes

While roll up banners can be customized to various sizes, there are several standard sizes that are widely used in the industry. The most common standard sizes for roll-up banners include:

850mm x 2000mm (33.5” x 78.7”): This is one of the most popular sizes for roll-up banners. It offers a good balance between portability and visibility, making it suitable for a wide range of applications including trade shows, exhibitions, retail displays, and presentations.

1000mm x 2000mm (39.4” x 78.7”): Slightly wider than the 850mm version, this size provides additional space for larger graphics and more content. It is often chosen when extra visibility and impact are desired, such as in high-traffic areas or larger exhibition spaces.

1200mm x 2000mm (47.2” x 78.7”): This is the widest standard size available for roll-up banners. It offers even more space for graphics and text, making it ideal for situations where maximum visibility and impact are required, such as in large exhibition halls or outdoor events.

Factors to Consider

When choosing the standee size of a roll up banner, it’s essential to consider several factors to ensure that it meets your specific needs and requirements:

Venue and Space: Consider the size of the venue where the roll-up banner will be displayed. If space is limited, a smaller size may be more appropriate to avoid overcrowding. On the other hand, larger venues may require a bigger banner to ensure visibility from a distance.

Audience and Visibility: Think about the intended audience and how far away they will be from the banner. A larger size may be necessary for outdoor events or locations with high foot traffic to ensure that the message is visible from a distance.

Content and Design: Evaluate the amount of content you need to display on the banner. If you have a lot of information or detailed graphics, a larger size may be necessary to prevent overcrowding and maintain readability.

Portability: Consider how easily the banner can be transported and set up at different locations. Larger banners may be more challenging to transport and require additional support to ensure stability.

Budget: Keep in mind that larger banners may be more expensive to produce than smaller ones due to the increased printing and material costs. Consider your budget constraints when choosing the size of the roll-up banner.

Custom Sizes

When opting for a custom size, work closely with your printing provider to determine the dimensions that best suit your needs while ensuring optimal print quality and visual impact. Provide them with detailed specifications and artwork files to ensure that the final product meets your expectations.

Conclusion

However, custom sizes offer flexibility for tailored solutions to specific requirements. By carefully considering these factors and working closely with your printing provider, you can choose the right size roll up banner to effectively promote your brand and message in any setting.

[fulfillplex]

The Print on Demand Fulfillment Process and Top Strategies

Knowing the components of an efficient eCommerce fulfillment system can help you make the best decisions about structuring your supply chain's order fulfillment arm. A functional and efficient print on demand fulfillment strategy is one of the most important components of a successful business. It isn't much of an issue if you own a retail store; customers can take what they need right off the shelf. However, if you rely on shipping to deliver products to customers, the eCommerce order fulfillment process can become much more difficult. Fortunately, a streamlined and optimized strategy combined with a warehouse management system can help. Let's take a closer look at the print on demand fulfillment.

Order Fulfillment Process + 3 Tips To Do It Right

Print on demand fulfillment encompasses the entire process, beginning with the sale and ending with delivery to your customer. The process of receiving, packing, shipping, and delivering an order to a customer is known as order fulfillment. A successful retail print on demand fulfillment process is critical for eCommerce businesses to remain competitive and build customer loyalty.

1. Your receiving processes are key.

If you are in charge of the receiving portion of your order fulfillment processes, you should ensure that it is optimized so that you can act quickly. Any shipment should be processed as soon as possible so that your customers can receive their orders as soon as possible.

2. Have a backup strategy in place.

When it comes to shipping products, there are many avoidable shipping mistakes to avoid, but there are also many external factors over which you have no control. Goods may be damaged; carriers may decide to raise their fees. Unusual weather conditions may impact your delivery, and so on. A solid backup plan for order fulfillment can help you avoid late deliveries.

3. Make every effort to anticipate demand.

To keep up with demand, you must keep adequate supplies in your inventory. If this is not your first year in business, you could begin by analyzing your previous year's data (orders, inventory, etc.) to see any seasonality in your market.

Print on Demand Fulfillment Strategies to Take Advantage Of

1. Adopt Alternative Shipping Methods 

As more customers place online orders this year, keeping your order cycles short may become increasingly difficult. As shipping carriers become overburdened, a backlog of orders can form, turning what could have been a few days of waiting for customers into a week or more. Fortunately, you can add alternative methods to your arsenal to make the shipping faster and easier this holiday season. Dropshipping your products, for example, may require you to rely more heavily on your suppliers' shipping network. Alternatively, if the bottleneck is the final leg of the shipping route, you may involve a print on demand service provider to share the load.

2. Embrace Last Mile Tracking 

While it has previously been popular, it should come as no surprise that the prospect of last-mile tracking is gaining traction this holiday season. It is because last-mile tracking allows customers to see exactly where their package is and predict when it will arrive with a reasonable amount of certainty. As a result, there is less chance of package theft or frustration and wondering. Incorporating last-mile tracking or upgrading your current version to be more user-friendly and detailed can significantly improve your customers' perceptions of your business and increase the likelihood that they will continue to buy from you.

3. Spread Inventory Strategically Across Your Organization 

If you ship all of your inventory from a single location, many customers may not receive their orders for an extended period. However, if you receive a large volume of orders at the end of the year, this extended waiting period may quickly become unacceptable to your customers. However, by analyzing your customers' purchasing habits, you can more accurately predict future sales across your organization and choose the best locations to store your inventory — a regional warehouse or local brick-and-mortar locations. As a result, regardless of where your customers want their print on demand products shipped, you can ship inventory faster and more cost-effectively.

4. Simplify Logistics for Reverse Fulfillment

When there is an increase in online orders, there is also an increase in product returns. That means your reverse logistics must run like a well-oiled machine. Otherwise, it can clog internal processes and make inventory management a nightmare. An order management system that can easily log products back into your general inventory, whether scanned by an in-store POS system or barcode or RFI scanners in your warehouses, is one way to make reverse fulfillment easier for your team. At the same time, an omnichannel OMS can provide your customers with free shipping labels, making returns much easier.

5. Implement Slotting Optimization

This strategy is difficult to implement, but it is also one of the most effective. The goal of slotting is to manage the picking processes in your distribution centers. NetSuite defines slotting as "managing and determining available slots from which items can be picked and packed." Slotting optimization is storing your products efficiently to speed up the picking process. To speed up the print on demand fulfillment process, a popular and effective solution is to place popular items near shipping areas. Furthermore, storing these popular items in locations that don't require a lot of bending or reaching can help things move along quickly.

Key Takeaway

Maintaining a smooth print on demand fulfillment process is critical to the health of supply chains and businesses. Consider what your company requires to thrive, and then develop a strategy that works for you.

Leave order fulfillment to the pros.

Need help with order fulfillment? Fulfillplex is a top eCommerce fulfillment company that stores inventory, packs boxes, and ships orders for eCommerce businesses of all sizes. Contact us to see if we're a good fit for your company's specific requirements. Request a price quote right now.

[kalpanahandmadepaper]

[scyaxe]

lowkey how hard would it be to get a web store running

[printbrix]

printing services in Noida

PrintBrriix, we’re dedicated to bringing your creative visions to life through high-quality custom printing services. From business cards to banners, invitations to promotional materials, we’ve got you covered with our state-of-the-art printing technology and expert craftsmanship. Whether you’re an individual looking to make a statement or a business seeking to elevate your brand, trust PrintBrriix to deliver exceptional results every time. Explore endless possibilities with PrintBrriix today!” printing services in noida

[printanica]

With a reputation for quality and innovation, Printanica offers a seamless and user-friendly platform for creating personalized t-shirts that reflect your unique style and preferences. Whether you're designing shirts for a special occasion, a promotional event, or simply for personal expression,our online customization options and high-quality printing ensure your vision becomes a reality.

[printchester]

The moment is right to earn from print-on-demand dropshipping. But where do you even begin? The most reliable place to start is Printchester. Create your own designs and use them to enliven items. Get them printed to your specifications. Think twice before stocking up on inventory. You only need to add your margins; the rest will be effectively handled by our team. Call one of the top websites of print on demand India right away.

[laredopublishing12]

Get Creative Printed Copies of Your Book with Best Printing Service on Demand

If you've ever wanted to print your books, but couldn't figure out how to make it happen then this post is for you. It will teach you everything you need to know to get started publishing your books on demand. Print-on-demand is a hot topic in the publishing industry. Authors are often left with the difficult task of creating and marketing their books. Instead of creating printed copies of your book, you can now use Quality Print on Demand (POD) to get rid of those pesky trees.

Printing Books on Demand are a great way to get your work out in the world, but it's not easy. It requires a lot of planning and organization, and much of the time, you're just hoping it works out. Laredo Publishingis a great way to get your books printed at a reasonable price. Laredo Publishing is a Print on Demand Colouring Books publisher. We offer the best printable coloring books for children, teens, and adults who love to color. Our books are printed in paperback and hardcover. We will re-print as many runs as required at no additional cost to you.

We are a publishing company that offers all of the services an author needs to get published, such as editing, book layout, book cover design, illustration, softcover and hardcover printing, and distribution. We can help you to become Self Publisher from start to finish. We publish all authors whose book projects have the potential to inspire, entertain, and educate readers.

Our books are made from the highest quality paper, with a beautiful cover and thick, sturdy pages. You can color your designs or choose from a variety of picture books with different themes. If you're looking for a gift idea for a child who loves to color in, then look no further! Laredo Publishing has many different titles to choose from including princess stories, animals, superheroes, and fairies!

We offer a 100% satisfaction guarantee on all of our products. We want to assist you in creating a stunning book that will be remembered for years to come. For more information about our services or to contact us directly, please call +1. 4806242599 or visit our website at https://www.laredopublishing.com/. 

[gootarts]

as of 8/3, the most recently updated version of this post is here (it's a reblog of this exact post with more info added)

as a lot of you know, limbus company recently fired its CG illustrator for being a feminist, at 11 pm, via phone call, after a bunch of misogynists walked into the office earlier that day and demanded she be fired. on top of this, as per korean fans, her firing went against labor laws---in korea, you must have your dismissal in writing.

the korean fandom on twitter is, understandably, going scorched earth on project moon due to this. there's a lot currently going on to protest the decision, so i'm posting a list here of what's going on for those who want to limit their time on elon musk's $44 billion midlife crisis impulse purchase website (if you are on twitter, domuk is a good person to follow, as they translate important updates to english). a lot of the links are in korean, but generally they play nicely with machine translators. this should be current as of 8/2.

Statements condemning the decision have been issued by The Gyeonggi Youth Union and IT Union.

A press conference at the Gyeonggido Assembly will occur on 8/3, with lawmakers of the Gyeonggi province (where Project Moon is based) in attendance. This appears driven by the leader of the Gyeonggi Youth Union.

The vice chairman of the IT union--who has a good amount of experience with labor negotiations like these--has expressed strong support for the artist and is working to get media coverage due to the ongoing feminist witch hunts in the gaming industry. Project Moon isn't union to my knowledge, but he's noted that he's taken on nonunion companies such as Netmarble (largest mobile game dev in South Korea) by getting the issue in front of the National Assembly (Korea's congress).

Articles on the incident published in The Daily Labor News, Korean Daily, multiple articles on Hankyoreh (one of which made it to the print edition), and other news outlets.

Segments about the termination on the MBN 7 o' clock news and MBC's morning news

Comments by Youth Union leaders about looking into a loan made to Project Moon via Devsisters Ventures, a venture capital firm. Tax money from Gyeonggi province was invested in Devsisters in 2017, and in 2021, Devsisters gave money to Project Moon. The Gyeonggi Youth Union is asking why hard-earned tax money was indirectly given to a company who violates ESG (environmental, social and governance) principles.

Almost nonstop signage truck protests outside Project Moon's physical office during business hours until 8/22 or the company makes a statement. This occurs alongside a coordinated hashtag campaign to get the issue trending on Twitter in Korea. The signage campaign was crowd-funded in about 3 hours.

A full boycott of the Limbus Company app, on both mobile and PC (steam) platforms. Overseas fans are highly encouraged to participate, regardless if whether they're F2P or not. Not opening the app at all is arguably the biggest thing any one person can do to protest the decision, as the app logs the number of accounts that log on daily. For a new gacha such as Limbus, a high number of F2P daily active users, but a small number of paying users is often preferable to having a smaller userbase but more paying users. If the company sees the number of daily users remain stable, they will likely decide to wait out any backlash rather than apologize.

Digging up verified reviews from previous employees regarding the company's poor management practices

Due to the firing, the Leviathan artist has posted about poor working conditions when making the story. As per a bilingual speaker, they were working on a storyboard revision, and thought 'if I ran into the street right now and got hit by a car and died, I wouldn't have to keep working.' They contacted Project Moon because they didn't want their work to be like that, and proposed changes to serialization/reduction in amount of work per picture/to build up a buffer of finished images (they did not have any buffer while working on Leviathan to my knowledge). They were shut out, and had to suck it up and accept the situation.

Hamhampangpang has a 'shrine' section of the restaurant for fans to leave fan-created merch and other items. They also allow the fans to take this merch back if they can prove it's theirs. Fans are now doing just that.

To boost all of the above, a large number of Korean fanartists with thousands of followers have deleted their works and/or converted their accounts from fanart accounts to accounts supporting the protests. Many of them are bilingual, and they're where I got the majority of this information.

[note 1: there's a targeted english-language disinformation campaign by the website that started the hate mob. i have read the artist's tweets with machine translation, and they're talked about in the second hankyoreh article linked above: nowhere does she express any transphobic or similarly awful beliefs. likewise, be wary of any claims that she supported anything whose description makes you raise eyebrows--those claims are likely in reference to megalia, a korean feminist movement. for information on that, i'd recommend the NPR/BBC articles below and this google drive link of english-language scholarly papers on them. for the love of god don't get your information about a feminist movement from guys going on witch hunts for feminists.]

[note 2: i've seen a couple people argue that the firing was for the physical safety of the employees, citing the kyoani incident in japan. as per this korean fan, most fans there strongly do not believe this was the case. we have english-translated transcripts of the meeting between the mob and project moon; the threats the mob was making were to......brand project moon as a feminist company online. yes, really. male korean gamers aren't normal about feminism, and there's been an ongoing witch hunt for feminists in the industry since about 2016, something you see noted in both the labor union statements. both NPR and the BBC this phenomenon to gamergate, and i'd say it's a pretty apt comparison.]

let me know if anything needs correction or if anything should be added.

[charliemwrites]

Mm today I’m thinking about kidnapped-by-Simon scenarios.

Specifically, I’m thinking about this big scary man essentially treating you like a well-loved zoo animal. Like a rare specimen that needs to be protected. And he is your keeper.

He feeds you, waters you, grooms you. You’re obviously not allowed to roam around! But you’re “enclosure” (an admittedly comfortable but heavily modified safe house) is big and full of enrichment to keep you “happy” and warm and safe.

He knows wild animals are to be treated with respect, even if they’re fragile. They’ll lash out when scared, they just don’t know better, it’s not their fault. So, he’s endlessly patient with you, coos when you get your teeth in his hand, gently croons “oh I know, you’re big and scary” when you scratch at his arm. When you demand he lets you go, he soothes “it’s not safe out there, you have to stay here.”

He uses his stealth to his advantage to just watch you wander about your pretty cage sometimes. Curled up with books. Picking through the pantry for snacks. Running off frustration on a treadmill. Putting together puzzles or watching tv.

Sometimes he just sits. At first you skitter off to another room, shocked he doesn’t follow and impose himself. Soon you realize it’s safe to stay, but keep a healthy distance, eyeing him in distrust. He’ll speak at you without expecting a response, never tries to coax you closer or approaches.

Eventually YOU get curious about HIM. You start to respond when he speaks, even if you glare when he smiles like you’re a cute chattering bird. You inch closer and closer, because he speaks so quietly and there’s only so much you can stand your own company.

One day he comes in with a bunch of bags. You poke your head around the kitchen door, eyes narrowed as he pulls things out. Flour, sugar, vanilla….

“Are you baking?” It’s the first time you’ve initiated. He carefully doesn’t look up.

“You are, if you want.”

A long beat of silence. “What am I baking?”

“Whatever you like. I’ll pull up a recipe.”

You decide on a cake. You want something sweet. He prints out a recipe from his phone and lets you snatch it from his hand, stands back to watch you work. You even let him mix for you when your arm gets tired, backing only just out of reach this time.

And when the cake is done, you let him have a piece, muttering a sullen “thank you” that he’s quick to reward with a gentle “good girl”. Your nose scrunches, but he notes the way your cheeks flush as you flounce off in a fit of haughty embarrassment.

[sgkprinters]

Best Flex Print Advertising Services in Delhi, India

In the dynamic landscape of advertising, flex printing remains a stalwart method for businesses to reach their target audience effectively.

With its versatility, affordability, and eye-catching appeal, flex printing continues to be a popular choice for outdoor and indoor advertising campaigns in India. However, with numerous flex printing advertising services available, selecting the best one can be daunting.

This comprehensive guide aims to assist businesses in navigating the selection process and identifying the top flex printing advertising services in India.

Understanding Flex Printing Advertising:

Flex printing involves the use of flexible vinyl material known as PVC (polyvinyl chloride) to create visually compelling banners, hoardings, signage, and other promotional materials. The process typically employs large-format printers capable of producing high-resolution prints on the flexible substrate.

Flex printing offers several advantages, including durability, weather resistance, vibrant colors, and cost-effectiveness, making it an ideal choice for both short-term and long-term advertising campaigns.

Factors to Consider When Choosing Flex Printing Advertising Services:

Experience and Expertise: Evaluate the experience and expertise of the flex printing advertising service provider. Look for agencies with a proven track record in delivering successful campaigns across various industries. Experienced providers are adept at understanding client requirements, suggesting innovative ideas, and executing projects efficiently.

Portfolio and Reputation: Review the portfolio of the flex printing advertising service provider to gauge the quality and diversity of their work. Pay attention to the design aesthetics, printing quality, and overall impact of their previous projects. Additionally, consider their reputation in the industry, including client reviews, testimonials, and awards received for excellence in advertising.

Printing Technology and Equipment: Inquire about the printing technology and equipment utilized by the advertising service provider. Opt for agencies equipped with state-of-the-art printing machinery capable of delivering high-resolution prints with precision and clarity. Advanced printing technology ensures superior color reproduction, sharpness, and durability of the final output.

Customization and Design Capabilities: Assess the customization and design capabilities offered by the flex printing advertising service provider. Look for agencies that provide tailored solutions to meet specific client needs and preferences. Evaluate their design team’s creativity, attention to detail, and ability to translate concepts into visually compelling artwork.

Material Quality and Durability: Consider the quality and durability of the materials used for flex printing. Ensure that the advertising service provider utilizes premium-grade PVC flex material that is weather-resistant, UV-stabilized, and tear-resistant. High-quality materials ensure longevity and maintain the visual appeal of printed advertisements over time.

Turnaround Time and Logistics: Evaluate the turnaround time and logistics offered by the flex printing advertising service provider. Choose agencies that can accommodate tight deadlines without compromising on quality. Additionally, inquire about installation services, transportation, and logistical support for the timely deployment of printed materials at designated locations.

Cost-effectiveness and Budget: Compare the pricing structure of different flex printing advertising services to ensure cost-effectiveness. Request detailed quotations that include printing costs, design charges, material expenses, and any additional fees. Balance cost considerations with the quality of services offered to maximize the return on investment (ROI) for your advertising campaign.

Top Flex Printing Advertising Services in India:

Aditya Flex Printing Solutions: Aditya Flex Printing Solutions is a leading provider of flex printing advertising services in India. With over a decade of experience in the industry, they specialize in custom-designed banners, hoardings, signage, and promotional displays. Their state-of-the-art printing facility and skilled team ensure high-quality prints that captivate audiences and drive engagement.

Shri Guru Kripa Printers & Advertisers (SGK Printers) : SGK Printers offers premium flex printing advertising services tailored to businesses’ unique needs. With years of expertise, they deliver high-quality banners, signage, and promotional materials that captivate audiences. Using state-of-the-art printing technology and premium materials, SGK ensures vibrant colors, durability, and weather resistance. Their skilled team combines creativity with precision to produce visually compelling designs that leave a lasting impression. From concept to installation, SGK Printers provides end-to-end solutions, making them a trusted partner for businesses seeking effective and impactful flex printing advertising campaigns in India.

Printland Digital India Pvt. Ltd.: Printland Digital India Pvt. Ltd. offers comprehensive flex printing solutions tailored to the unique requirements of businesses across various sectors. Their cutting-edge printing technology, coupled with a commitment to innovation, enables them to deliver visually stunning and impactful advertising materials. From large-format banners to custom signage, Printland Digital India Pvt. Ltd. is a trusted partner for advertising success.

Flex Printing India: Flex Printing India is renowned for its expertise in producing premium-quality flex prints for advertising campaigns of all scales. With a focus on customer satisfaction and attention to detail, they deliver exceptional results that exceed client expectations. Flex Printing India offers a wide range of customization options, ensuring that every project stands out and makes a lasting impression.

Vijay Flex Printing & Advertising: Vijay Flex Printing & Advertising is a prominent player in the flex printing industry, known for its reliability, creativity, and commitment to excellence. Their team of skilled professionals combines artistic flair with technical expertise to deliver visually striking and impactful advertising solutions. Whether it’s outdoor banners, vehicle wraps, or retail signage, Vijay Flex Printing & Advertising ensures maximum visibility and brand exposure.

ColorJet India Ltd.: ColorJet India Ltd. is a leading manufacturer of digital inkjet printers and provider of flex printing solutions in India. Their cutting-edge printing technology and eco-friendly ink formulations enable them to produce vibrant, high-resolution prints on a wide range of substrates. ColorJet India Ltd. offers end-to-end printing solutions, including design, printing, and installation services, making them a preferred choice for businesses seeking quality and reliability.

Conclusion:

Selecting the best flex printing advertising services in India requires careful consideration of various factors, including experience, reputation, printing technology, customization capabilities, material quality, and budget.

By evaluating these factors and exploring the top providers in the industry, businesses can make informed decisions and ensure the success of their advertising campaigns. Whether it’s promoting products, services, events, or brand awareness initiatives, partnering with a trusted flex printing advertising service provider is essential for achieving maximum visibility and impact in today’s competitive market landscape.

[fulfillplex]

Print on Demand Supplements: Everything You Need to Know

Print on demand fulfillment is a competitive business model in which every online retailer attempts to drive traffic to their online store in order to increase profits. As a result, it is advantageous to consider products with high demand that will continue to grow. If you decide to sell print on demand supplements, there are a few things you should keep in mind when setting up your e-commerce store and offering potential customers the products they want.

The Market for Nutritional Supplements Continues to Grow

According to Precedence Research, the global nutritional supplements market was valued at US$ 335.24 billion in 2021 and is expected to exceed US$ 624.7 billion by 2030, growing at a 7.1% CAGR between 2022 and 2030. 

The changing consumption pattern, increased fast-food consumption, sedentary lifestyle of the consumer, busy and hectic schedule, and lack of proper diet maintenance are the factors responsible for the growing need for nutritional supplements. Growing health consciousness, rising disposable income, rising consumer expenditure on health and wellness products, and demand for a healthy and active lifestyle are the major factors driving growth in the global nutritional supplement markets.

The outbreak of COVID-19 in 2020 increased consumers' consumption of nutritional supplements to maintain strong immunity. The demand for nutritional supplements increased dramatically in North America and Europe in 2020, and this trend is expected to continue throughout the forecast period.

Benefits of Selling Print on Demand Supplements?

1. Supplements are an ideal fulfillment product. 

Supplements are an excellent fulfillment product because they are so simple to store, pack, and ship. This is because they are small, lightweight, and non-perishable. The more heavy, bulky, and perishable a product, the more difficult it is to make it profitable in the eCommerce fulfillment model.

2. Nutritional supplements have high retail prices. 

Remember that you want a product that will give you a good return. In other words, you need a high-profit margin to make selling a product worthwhile. If the margin is razor thin, selling it to customers may not be in your best interests. Fortunately, nutritional supplements can be highly profitable if you find a print on demand fulfillment provider with the right wholesale pricing.

3. Consumers are likely to become repeat customers.

Dietary supplements, like food, are a product that is consumed daily. That's fantastic news! If you provide an excellent customer experience, reasonable prices, and customer service, one-time visitors will likely become repeat customers. They will continue to shop at your store and come to you for the goods.

What You Need to Watch Out For

1. Not every supplement supplier is good.

There is no doubt that some suppliers are superior to others. To run a profitable supplement business. You must select the right supplier. This includes a supplier with a large inventory, competitive wholesale prices, and tools to help you track sales and store growth.

2. You have an extra responsibility for your customers’ health. 

You bear an additional responsibility for your customers' health if you sell print on demand supplements. That means you must be careful to only provide high-quality products on which your customers can rely - they are putting their trust in you, so give them the best!

3. Print on demand can be a crowded marketplace. 

Because the print on demand model is so simple to implement, it can be extremely competitive. Everyone wants a good deal, and there is much print on demand companies to choose from. That means you must prioritize providing good prices and connecting with your customers - the most important aspect of your store.

Conclusion

It's important to remember that consumers prefer natural options over synthetic ones when printing on demand supplements. Remember that there is a general trend toward healthier products, and most consumers are willing to pay a premium for natural and organic products. This maintains your profit margins and keeps your e-commerce store busy!

Choose The Right Print on Demand Service Provider!

So, now that we've established that print on demand is a fantastic business model and supplements are a fantastic product, let's talk about finding the right partner. This is the most crucial step in the process of establishing your print on demand operation.

What qualities do you need in a print on demand company? You'd like them to have the following:

Great wholesale prices 

A comprehensive inventory

Customer service is available around the clock

Tools and metrics to help you track your business's progress

Dedicated account managers

Seamless eCommerce integration software

Expert order and shipping management

With these criteria in mind, Fulfillplex is an excellent service provider for selling print on demand supplements. We are a top eCommerce fulfillment company that offers a full fulfillment and shipping solution that fits your company's needs and budget. Contact us now. 

[midnightarcheress]

Simon has a new assignment.

pairing: bodyguard!ghost x actress!reader 1 | gold rush masterlist.

after years exhausting his body in the military and too many losses to count, Simon decided to retire. goodbye extensive deployments, food and sleep deprivation, constant adrenaline pump in his veins, hours spent washing the blood off of his fingernails. except he didn’t truly retire. life as a civilian again was too strange, too boring. he thrives in following orders and being the best at it. he missed having a purpose, even if it’s far from saving the world.

so, because of that, he agreed on joining a private military company as a contractor. never takes the dirty, mercenary-like jobs though – despite being rusted, his moral compass is still there, so he usually sticks with the security, training, bodyguarding type of work. easy enough to not take a toll on his body, and to not strain his conscience with the worry of ending innocent lives to cover up some bastard’s filth, but demanding enough to keep his mind out of his own life for a while.

the guy on the other side of the line doesn’t tell him much about the new task. bodyguard for an actress, indefinite time, details via e-mail. a few minutes later, the computer screen lights up with the case information and his eyes skim through the text; famous actress, has been receiving threatening letters and who ultimately has a stalker. a seemingly uncapturable one, as the police have not been able to trace them for months. incompetent wankers. in his prime he would locate terrorists with ease; nothing he couldn’t do right now, but his contract was strict – keep her safe and keep to yourself.

he doesn’t recognize the name, but the small picture attached to the message is slightly familiar, maybe from one of the times he spent hours flicking through the channels on the telly while battling a crippling insomnia. his brows knit together when he peers at the set of rules that accompanies the e-mail. no talking, no touching unless extremely necessary, must keep distance at all times.

in the months he’s been working in the company, he never had a job with an actual celebrity – mostly politicians and businesspeople, extremely straightforward and simple to execute, usually for a short period of time. he’s convinced that it will be the longest mission of his life, probably dealing with an entitled rich woman who’s used to having everybody begging at her feet.

dread fills his mind as he watches the trees quickly passing by his window on the car. the drive to the meeting is short enough to contain the rate of the antipathy brewing on his chest, but long enough to make him question accepting the assignment.

he pulls up on the driveway and walks towards a tall, modern building, filled with frantic people walking from side to side. glancing at his phone, he re-reads the details of the reunion; second door on the 23th floor, her manager will be expecting you. his fingers tap on the side of his thigh as the lift raises to the office level, eyes glaring at the mirror in the back of the platform. the image on the glass differs from the one on his past – military buzzcut and skull-printed balaclava replaced by messy blond locks and a neck gaiter, still covering a bit of his face even after all this time. old habits die hard.

the doors pry open right after the number appears on the screen and he walks down the hallway to the office, stopping on his tracks as he notices a feminine voice coming from inside the room. “i’m scared just as much as you, but is this really necessary?” she’s in there too? wasn’t the meeting only with the guy?

“yes, princess, it is necessary. do you want to make the front-page news as a corpse?” another voice can be heard responding, this time, male. must be the manager.  “in case you've forgotten, i’m also your friend, and i’m merely concerned about your safety. we cannot let that stunt from last week happen again.” stunt. he recalls part of the information on the file, depicting how she was almost assaulted by a weirdo that followed her on the street; however, the creepy prick was cleared from being the stalker and left the station on bail. great justice system. 

“we’ve already increased the security on your house, he was just hired to keep you safe on the outside.” he decides to stop eavesdropping and knocks sharply on the door. “must be him.” the man says, and he listens as footsteps approach the entryway.

“well, hello there. please, come in,” he steps aside, allowing Simon to enter the room. the office is fairly average, leather couch on one corner, portraits on the wall of what he assumes are the man’s clients, but all of the attention goes to the large windows showing a perfect view of the city. “so, i’m Daniel, the great manager as you may know," he smugly speaks, "and of course you already know her.” he gestures to the woman on the armchair.

the woman from the picture. the woman from the late night movie he was absentmindedly watching on a late night. you. you look the same as he'd seen before, but somehow entirely different. the warm sunlight coming through the glass shines on your skin when you stand on your feet, golden flecks twinkling in your irises as you offer him your name and extend a hand to greet him, sweetly mouthing “and you are?”

he shakes your hand with a firm grasp, stirring away the sudden void in his brain and swallowing the lump on his throat that hindered his words. “Ghost.” easy detachment. his gruff voice reverberates in the space as he repeats the orders in his head, the sense of doubt starting to cloud his judgement. keep to yourself. maybe the job won’t be as bad as he thought.

been a bit obsessed with this idea so i decided to write it and see how it goes.

[mostlysignssomeportents]

It was all downhill after the Cuecat

Sometime in 2001, I walked into a Radio Shack on San Francisco’s Market Street and asked for a Cuecat: a handheld barcode scanner that looked a bit like a cat and a bit like a sex toy. The clerk handed one over to me and I left, feeling a little giddy. I didn’t have to pay a cent.

The Cuecat was a good idea and a terrible idea. The good idea was to widely distribute barcode scanners to computer owners, along with software that could read and decode barcodes; the company’s marketing plan called for magazines and newspapers to print barcodes alongside ads and articles, so readers could scan them and be taken to the digital edition. To get the Cuecat into widespread use, the company raised millions in the capital markets, then mass-manufactured these things and gave them away for free at Radio Shacks around the country. Every Wired and Forbes subscriber got one in the mail!

That was the good idea (it’s basically a prototype for today’s QR-codes). The terrible idea was that this gadget would spy on you. Also, it would only work with special barcodes that had to be licensed from the manufacturer. Also, it would only work on Windows.

https://web.archive.org/web/20001017162623/http://www.businessweek.com/bwdaily/dnflash/sep2000/nf20000928_029.htm

But the manufacturer didn’t have the last word! Not at all. A couple of enterprising hardware hackers — Pierre-Philippe Coupard and Michael Rothwell — tore down a Cuecat, dumped its ROM, and produced their own driver for it — a surveillance-free driver that worked with any barcode. You could use it to scan the UPCs on your books or CDs or DVDs to create a catalog of your media; you could use it to scan UPCs on your groceries to make a shopping list. You could do any and every one of these things, because the Cuecat was yours.

Cuecat’s manufacturer, Digital Convergence, did not like this at all. They sent out legal demand letters and even shut down some of the repositories that were hosting alternative Cuecat firmware. They changed the license agreement that came with the Cuecat software CD to prohibit reverse-engineering.

http://www.cexx.org/cuecat.htm

It didn’t matter, both as a practical matter and as a matter of law. As a practical matter, the (ahem) cat was out of the bag: there were so many web-hosting companies back then, and people mirrored the code to so many of them, the company would have its hands full chasing them all down and intimidating them into removing the code.

Then there was the law: how could you impose license terms on a gift? How could someone be bound by license terms on a CD that they simply threw away without ever opening it, much less putting it in their computer?

https://slashdot.org/story/00/09/18/1129226/digital-convergence-changes-eula-and-gets-cracked

In the end, Cuecat folded and sold off its remaining inventory. The early 2000s were not a good time to be a tech company, much less a tech company whose business model required millions of people to meekly accept a bad bargain.

Back then, tech users didn’t feel any obligation to please tech companies’ shareholders: if they backed a stupid business, that was their problem, not ours. Venture capitalists were capitalists — if they wanted us give to them according to their need and take from them according to their ability, they should be venture communists.

Last August, philosopher and Centre for Technomoral Futures director Shannon Vallor tweeted, “The saddest thing for me about modern tech’s long spiral into user manipulation and surveillance is how it has just slowly killed off the joy that people like me used to feel about new tech. Every product Meta or Amazon announces makes the future seem bleaker and grayer.”

https://twitter.com/ShannonVallor/status/1559659655097376768

She went on: “I don’t think it’s just my nostalgia, is it? There’s no longer anything being promised to us by tech companies that we actually need or asked for. Just more monitoring, more nudging, more draining of our data, our time, our joy.”

https://twitter.com/ShannonVallor/status/1559663985821106177

Today on Tumblr, @wilwheaton​ responded: “[T]here is very much no longer a feeling of ‘How can this change/improve my life?’ and a constant dread of ‘How will this complicate things as I try to maintain privacy and sanity in a world that demands I have this thing to operate.’”

https://wilwheaton.tumblr.com/post/698603648058556416/cory-doctorow-if-you-see-this-and-have-thoughts

Wil finished with, “Cory Doctorow, if you see this and have thoughts, I would LOVE to hear them.”

I’ve got thoughts. I think this all comes back to the Cuecat.

When the Cuecat launched, it was a mixed bag. That’s generally true of technology — or, indeed, any product or service. No matter how many variations a corporation offers, they can never anticipate all the ways that you will want or need to use their technology. This is especially true for the users the company values the least — poor people, people in the global south, women, sex workers, etc.

That’s what makes the phrase “So easy your mom can use it” particularly awful “Moms” are the kinds of people whose priorities and difficulties are absent from the room when tech designers gather to plan their next product. The needs of “moms” are mostly met by mastering, configuring and adapting technology, because tech doesn’t work out of the box for them:

https://pluralistic.net/2022/05/19/the-weakest-link/#moms-are-ninjas

(As an alternative, I advocate for “so easy your boss can use it,” because your boss gets to call up the IT department and shout, “I don’t care what it takes, just make it work!” Your boss can solve problems through raw exercise of authority, without recourse to ingenuity.)

Technology can’t be understood separately from technology users. This is the key insight in Donald Norman’s 2004 book Emotional Design, which argued that the ground state of all technology is broken, and the overarching task of tech users is to troubleshoot the things they use:

https://pluralistic.net/2020/04/29/banjo-nazis/#cuckoos-egg

Troubleshooting is both an art and a science: it requires both a methodical approach and creative leaps. The great crisis of troubleshooting is that the more frustrated and angry you are, the harder it is to be methodical or creative. Anger turns attention into a narrow tunnel of brittle movements and thinking.

In Emotional Design, Norman argues that technology should be beautiful and charming, because when you like a technology that has stopped working, you are able to troubleshoot it in an expansive, creative, way. Emotional Design was not merely remarkable for what it said, but for who said it.

Donald Norman, after all, was the author of the hugely influential 1998 classic The Design of Everyday Things, which counseled engineers and designers to put function over form — to design things that work well, even if that meant stripping away ornament and sidelining aesthetics.

https://www.basicbooks.com/titles/don-norman/the-design-of-everyday-things/9780465050659/

With Emotional Design, Norman argued that aesthetics were functional, because aesthetics primed users to fix the oversights and errors and blind spots of designers. It was a manifesto for competence and humility.

And yet, as digital technology has permeated deeper into our lives, it has grown less configurable, not more. Companies today succeed where Cuecat failed. Consolidation in the online world means that if you remove a link from one search engine and four social media sites, the material in question vanishes for 99% of internet users.

It’s even worse for apps: anyone who succeeds in removing an app from two app stores essentially banishes it from the world. One mobile platform uses technological and legal countermeasures to make it virtually impossible to sideload an app; the other one relies on strong-arm tactics and deceptive warnings to do so.

That means that when a modern Coupard and Rothwell decides to unfuck some piece of technology — to excise the surveillance and proprietary media requirements, leaving behind the welcome functionality — they can only do so with the sufferance of the manufacturer. If the manufacturer doesn’t like an add-on, mod, plug-in or overlay, they can use copyright takedowns, anticircumvention law, patent threats, trademark threats, cybersecurity law, contract law and other “IP” to simply banish the offending code:

https://locusmag.com/2020/09/cory-doctorow-ip/

Many of these laws carry dire penalties. For example, distributing a tool that bypasses an “access control” so that you can change the software on a gadget (say, to make your printer accept third-party ink) is a felony under Section 1201 of the DMCA, punishable by a $500k fine and a 5-year prison sentence.

If Cuecat’s manufacturers had simply skinned their firmware with a thin scrim of DRM, they could have threatened Coupard and Rothwell with prison sentences. The developments in “IP” over the two decades since the Cuecat have conjured up a new body of de facto law that Jay Freeman calls “felony contempt of business model.”

Once we gave companies the power to literally criminalize the reconfiguration of their products, everything changed. In the Cuecat era, a corporate meeting to plan a product that acted against its users’ interests had to ask, “How will we sweeten the pot and/or obfuscate our code so that our users don’t remove the anti-features we’re planning to harm them with?”

But in a world of Felony Contempt of Business Model, that discussion changes to “Given that we can literally imprison anyone who helps our users get more out of this product, how can we punish users who are disloyal enough to simply quit our service or switch away from our product?”

That is, “how can we raise the switching costs of our products so that users who are angry at us keep using our products?” When Facebook was planning its photos product, they deliberately designed it to tempt users into making it the sole repository of their family photos, in order to hold those photos ransom to keep Facebook users from quitting for G+:

https://www.eff.org/deeplinks/2021/08/facebooks-secret-war-switching-costs

Companies claim that their lock-in strategies are about protecting their users: “Move into our walled garden, for it is a fortress, whose battlements bristle with fearsome warriors who will defend you from the bandits who roam the countryside”:

https://locusmag.com/2021/01/cory-doctorow-neofeudalism-and-the-digital-manor/

But this “feudal security” offers a terrible temptation to the lords of these fortresses, because once you are inside those walls, the fortress can easily be converted to a prison: these companies can abuse you with impunity, for so long as the cost of the abuse is less than the cost of the things you must give up when you leave.

The tale that companies block you from overriding their decisions is for your own good was always dubious, because companies simply can’t anticipate all the ways their products will fail you. No design team knows as much about your moment-to-moment struggles as you do.

But even where companies are sincere in their desire to be the most benevolent of dictators, the gun on the mantelpiece in Act I is destined to go off by Act III: eventually, the temptation to profit by hurting you will overpower whatever “corporate ethics” once stayed the hand of the techno-feudalist who rules over your fortress. Under feudal security, you are one lapse in corporate leadership from your protector turning into your tormentor.

When Apple launched the Ipad 12 years ago, I published an editorial entitled “Why I won’t buy an iPad (and think you shouldn’t, either),” in which I predicted that app stores would inevitable be turned against users:

https://memex.craphound.com/2010/04/01/why-i-wont-buy-an-ipad-and-think-you-shouldnt-either/

Today, Apple bans apps if they “use…a third-party service” unless they “are specifically permitted to do so under the service’s terms of use.” In other words, Apple specifically prohibits developers from offering tools that displease other companies’ shareholders, no matter whether this pleases Apple customers:

https://developer.apple.com/app-store/review/guidelines/#intellectual-property

Note that clause 5.2.2 of Apple’s developer agreement doesn’t say “You mustn’t violate a legally enforceable term of service.” It just says, “Thou shalt not violate a EULA.” EULAs are garbage-novellas of impenetrable legalese, larded with unenforceable and unconscionable terms.

Apple sometimes will displease other companies on your behalf. For example, it instituted a one-click anti-tracking setting for Ios that cost Facebook $10 billion in a matter of months:

https://www.cnbc.com/2022/02/02/facebook-says-apple-ios-privacy-change-will-cost-10-billion-this-year.html

But Apple also has big plans to expand its margins by growing its own advertising network. When Apple customers choose ad-blockers that block Apple’s ads, will Apple permit it?

https://www.wired.com/story/apple-is-an-ad-company-now/

The problem with app stores isn’t whether your computing experience is “curated” — that is, whether entities you trust can produce collections of software they vouch for. The problem is when you can’t choose someone else — when leaving a platform involves high switching costs, whether that’s having to replace hardware, buy new media, or say goodbye to your friends, customers, community or family.

When a company can leverage its claims to protecting you to protect itself from you — from choices you might make that ultimately undermine its shareholders interests, even if they protect your own interests — it would be pretty goddamned naive to expect it to do otherwise.

More and more of our tools are now digital tools, whether we’re talking about social media or cars, tractors or games consoles, toothbrushes or ovens:

https://www.hln.be/economie/gentse-foodboxleverancier-mealhero-failliet-klanten-weten-van-niets~a3139f52/

And more and more, those digital tools look more like apps than Cuecats, with companies leveraging “IP” to let them control who can compete with them — and how. Indeed, browsers are becoming more app-like, rather than the other way around.

Back in 2017, the W3C took the unprecedented step of publishing a DRM standard despite this standard not having anything like the consensus that is the norm for W3C publications, and the W3C rejected a proposal to protect people who reverse-engineered that standard to add accessibility features or correct privacy defects:

https://www.eff.org/deeplinks/2017/09/open-letter-w3c-director-ceo-team-and-membership

And while we’re seeing remarkable progress on Right to Repair and other policies that allow the users of technology to override the choices of vendors, there’s another strong regulatory current that embraces companies’ ability to control their users, in the hopes that these big companies will police their users to prevent bad stuff, from controversial measures like filtering for copyright infringement to more widely supported ideas like blocking child sex abuse material (CSAM, AKA “child porn”).

There are two problems with this. First, if we tell companies they must control their users (that is, block them from running plugins, mods, skins, filters, etc) then we can’t tell them that they must not control their users. It comes down to whether you want to make Mark Zuckerberg better at his job, or whether you want to abolish the job of “Mark Zuckerberg.”

https://doctorow.medium.com/unspeakable-8c7bbd4974bc

Then there’s the other problem — the gun on the mantelpiece problem. If we give big companies the power to control their users, they will face enormous internal pressure to abuse that power. This isn’t a hypothetical risk: Facebook’s top executives stand accused of accepting bribes from Onlyfans in exchange for adding performers who left Onlyfans to a terrorist watchlist, which meant they couldn’t use other platforms:

https://gizmodo.com/clegg-meta-executives-identified-in-onlyfans-bribery-su-1849649270

I’m not a fan of terrorist watchlists, for obvious reasons. But letting Facebook manage the terrorist watchlist was clearly a mistake. But Facebook’s status as a “trusted reporter” grows directly out of Facebook’s good work on moderation. The lesson is the same as the one with Apple and the ads — just because the company sometimes acts in our interests, it doesn’t follow that we should always trust them to do so.

Back to Shannon Vallor’s question about the origins of “modern tech’s long spiral into user manipulation and surveillance” and how that “killed off the joy that people like me used to feel about new tech”; and Wil Wheaton’s “constant dread of ‘How will this complicate things as I try to maintain privacy and sanity.”

Tech leaders didn’t get stupider or crueler since those halcyon days. The tech industry was and is filled with people who made their bones building weapons of mass destruction for the military-industrial complex; IBM, the company that gave us the PC, built the tabulating machines for Nazi concentration camps:

https://en.wikipedia.org/wiki/IBM_and_the_Holocaust

We didn’t replace tech investors and leaders with worse people — we have the same kinds of people but we let them get away with more. We let them buy up all their competitors. We let them use the law to lock out competitors they couldn’t buy, including those who would offer their customers tools to lower their switching costs and block abusive anti-features.

We decided to create “Felony Contempt of Business Model,” and let the creators of the next Cuecat reach beyond the walls of their corporate headquarters and into the homes of their customers, the offices of their competitors, and the handful of giant tech sites that control our online discourse, to reach into those places and strangle anything that interfered with their commercial desires.

That’s why plans to impose interoperability on tech giants are so exciting — because the problem with Facebook isn’t “the people I want to speak to are all gathered in one convenient place,” no more than the problem with app stores isn’t “these companies generally have good judgment about which apps I want to use.”

The problem is that when those companies don’t have your back, you have to pay a blisteringly high price to leave their walled gardens. That’s where interop comes in. Think of how an interoperable Facebook could let you leave behind Zuckerberg’s dominion without forswearing access to the people who matter to you:

https://www.eff.org/interoperablefacebook

Cuecats were cool. The people who made them were assholes. Interop meant that you could get the cool gadget and tell the assholes to fuck off. We have lost the ability to do so, little by little, for decades, and that’s why a new technology that seems cool no longer excites. That’s why we feel dread — because we know that a cool technology is just bait to lure us into a prison that masquerades as a fortress.

Image: Jerry Whiting (modified) https://en.wikipedia.org/wiki/File:CueCat_barcode_scanner.jpg

CC BY-SA 3.0: https://creativecommons.org/licenses/by-sa/3.0/deed.en

[Image ID: A Cuecat scanner with a bundled cable and PS/2 adapter; it resembles a plastic cat and also, slightly, a sex toy. It is posed on a Matrix movie 'code waterfall' background and limned by a green 'supernova' light effect.]

[printanica]

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[hotwaterandmilk]

I was recently fortunate enough to win an auction for a piece of Wedding Peach merchandise I've been unsuccessfully trying to win online for years (at this point, literally decades) and it got me thinking about how lucky I am to not be starting my collection today.

Prices for all older, more obscure magical girl items have ballooned over the past ten years but Wedding Peach merchandise is definitely one of the worst offenders. It's not uncommon to see single manga volumes going for 10k yen, 20k yen or more for the picture books, and let's not even touch on the amount the toys go for (literally several thousand dollars a pop).

In an ideal world we'd have better access to the series itself at least (the Japanese release of the DVDs and manga, for example, are in high demand due to the manga being out of print for something like 28 years and the DVDs being a relatively limited run from 25 years ago). I understand it's unlikely that we'll be getting more fun toys or merchandise for the series, but it is truly bleak when people can't even access the series itself.

This isn't some lost media type thing, this is just capitalism and it solidifies why I feel a sense of duty to ruin my own collection in order to archive what I have. If my house burns down or washes away in a flood, I truly don't think I can restart my collection and have a fraction of what I have now ever again. It's too expensive and too time-consuming, I simply don't have another 25 years up my sleeve to dig through every possible website to try and find scraps of 90s Ciao magazine issues.

In that sense I feel like I should share what I have with others while I have the opportunity. Even if a teenager today falls for Wedding Peach like I did as a kid, they would need to be extremely wealthy to get these pieces together and I just don't think your ability to own the core of a series should come down to wealth alone.

Goodness knows I'm not wealthy and I had very little growing up, hence my collection took decades to get where it is now. I don't want people to have to endure all that just to see a picture book from 30 years ago or to see an obscure illustration from a Ciao paper bag given away for free in 1994.

The efforts of fans keep series like this alive long after most companies have dismissed their long term profitability (although I do see you Germany with your beautiful hardback manga editions and I thank you).

Not everyone wants to break down their collection for the benefit of others and I respect that (there are some things in my collection I don't want to pull apart either), but I appreciate the efforts of those who do and aspire to do better with my own archiving as I work to get Weddingpeach.net updated to celebrate 30 years of the manga series.