#probably one more part

[kentocalls]

the morning after | ryomen sukuna nsfw. spicy. lots of pet names. oral, p in v. probably ooc cuz i like my men sweet. part 1

he's up before the sun, a tight hold on your form, cheek squished into his shoulder. mind blank, washes the deep blue sky turn orange, your head twitches, tries to shuffle away from the light. that's the moment he allows himself to be free from your warm body. wanders around your bedside, drags the curtains forward until the sun is blocked from annoying your face. pads over to your bathroom, collecting his shoes and belt, he's got plenty on his plate. figures a slice of toast and he's off.

he notices a very captialized 'grocery list' with messy writing before opening the refridgerator to be met with one unopened jar of cherry jam. one smoke and then he's off.

eyes taking in the street you live on, questioning the structural integretiy of your balcony before he spots a 'grocery mart.'

-

your head hurts. no amount of rolling around the bed is going to rid the vibrating pain dancing in your skull. you blink open your eyes and shuffle your body upright. a shower, a nice warm shower and something to settle your gut. you spot two pills and a glass of water next to your charging phone and whoa. late night drunk you is such a smart gal. you thank her for good decisions and promise not to dwell on the rest.

heavy steps to your bathroom and a nice warm stream of water hits your face. his face flashs in your mind, his deep voice "tired?" you groan, the hottest man on earth was in your place and you were too sleepy to do anything. you're not sore, no aches or marks. minus the headache thats fading.

you slip out, dry your skin, use your favorite lotion, wash your face dilgently. and shake your head at your reflection; sighing. "didn't even ask his name!" you have a soft white robe on, know you're low on laundry and head to your kitchen.

and he's still there.

nods at your stool and places a slice of toast and orange juice in front of you. he's on the phone, talking loudly and you're too caught up in the fact that he's still here. take a bite of the bread, a sip of juice. when did you buy this?

"i've got company." hangs up instantly, eyes taking in your very clean face. you look better than earlier. he kinda hates. knows he should leave but there you are with a "thank you, for last night and breakfast."

so polite.

toast hardly counts as food. but your diety habits are not his concern. he nods, another name on his phone screen distracting him. you're not fiddling with your hands, you finish the toast, drink the juice start to clean the plates and inspect the bread. when did you buy this?

"it's been nice." he leans against the counter, sincere with his words. he needed the rest, feels refreshed and ready to haggle at tiny men in suits.

it should be awkward now, as you're supposed to shuffle out of his way and he leaves without looking back but you're frowning. take a step towards him, head slightly tilted up. "you didn't even kiss me."

he chuckles, shaking his head "don't kiss one night stands." keeps the word angel at the tip of his tongue.

"but it's the morning now." you counter, inching forward. tilting your head to the side, confused and hopeful. he isn't sure if you've fully sobered up. the scent of your clean skin close. he's tempted.

you're being bold, moving closer, your robe meeting his very fine silky clothes, his hands find your hips but he doesn't stop you. you're not going to find someone like him again, that's what you say when you push onto your tip-toes inching closer.

his lips brush yours before he's moved away, noses at your neck. "nope." fine, fine, fine. you won't kiss his lips, settle for a his collarbone. he pulls you closer, lifting you up a bit.

sukuna is absolutely sure your countertop cannot support the weight of two people. and he has time, he doesn't need to be at his meetings until noon. you pull him to your bedroom, his eyes on your thighs ; can't wait to bite and grip.

"no kissing, got it. can i leave a mark here? please." your fingers burn at his neck. so fucking polite, has him nodding along, hand already under your loosely tied robe as he takes in your scent.

feels you smile against him, feels your soft lips and wet tongue and teeth grazing. "please fuck me before you go."

yeah, he has time for this.

hands on your bare skin, he kisses down your neck, down your chest, nuzzles as your stomach before continuing down down down and the way your body shudders but he never reaches the destination.

comes right back up, latches onto nipple and sucks, bites, teases. pinches your other breast with his thumb and index finger, alternating until you're begging for more. no matter your babbling he doesn't let up, heat coiling inside you but the man isn't in a hurry. "please," fuck what is his name? you try to remember when he told you, last night, it was sultry the way he said it. "please su...sukuna..."

that has his attention, loves the way it sounds. "already close?" you whine in protest, "what, need you to say what you want." "please touch me, please." you know he already is, but it gets his hands moving to your hips and thighs and his thumb faintly brushes your clit, has you gasping. calling his names, eyes pleading and he likes it.

sukuna wants to hear more, has his lips trailing wet, hot, messy down again until he latches on where you want him and nothing is keeping him away from you now.

and despite all the moaning and gasping you're still polite. still formulating sentences. you don't need to ask him but gosh your voice rings a sinful alarm, "please, can I touch your hair?"

has him silently promising to ruin every other guy for you, kissing your wrist, he places your hand on his head, comes up to adjust an arm around your hips, spreading you open. "you'll be good now right? stay open like this, no pulling."

he's about to lean in but hasn't heard the crescendo of yes falling past your lips so he pauses. your hips try to push up unsuccessfully but that's not enough affirmation. waits for your eyes to land on his, "yes?"

"yes please." "you want this?" "yes yes, please sukuna, want this. please. thank you" so polite, so very polite. he hasn't even started and you're already such a mess. twitching and shaking. tongue laps at your wet heat. so sweet, so warm, so eager.

"perfect."

+

first it was his tongue, then a thumb brusing your clit so slowly while he sucked new marks down your chest. and now he has you spreading open on two fingers. insistent you need three to take him, he's not here to hurt you.

you pull at his shirt, need to feel his skin against yours. his tattoos peak out and set another fire in your belly. how the fuck is he so perfect? "can i touch here too please? can i scratch?"

too polite, you're too polite, pushes his skin closer to yours, your hands delicate at first then nails digging deep, dragging him in. pulling him close.

and you're such a good girl, leaving chaste kisses on his jawline, down his neck. not trying to kiss him, not trying to rush him. he can hear his phone ringing the kitchen, falling off the counter and he's not leaving now.

he finally slips in a third, reminds you to breathe, when it's shaky his face finds yours. "too much?"

"it's...ah, it's good. thank you." and if he kisses the corner of your mouth it's cuz he's pulling you higher, adjusts your position. it's not on purpose. he doesn't need to know how soft your lips are.

now with three he moves even slower, the stretch burns and he's so fucking deep. your fingers are never going to reach this far. you moan into his neck, scratch down his back, your hips bucking up. but the pace is still slow, you can feel his heat on your leg. why the fuck does he have such good control?

"now? please, i-ah, i-'m so..." wet, messy, ready. he curls his fingers up, brushing purposefuly on that bundle of nerves and you're biting into his shoulder. legs twitching, body shaking, a flush going down your face and neck and all he does is whipser perfect into your ear over and over again. until you see stars.

+

are you breathing? sukuna's hand is on your stomach, "deep breaths angel, there you go." watches your eyes flutter back open, kisses your forehead, your temple, your jawline and chin. let's you orient back to the room, back to him. your hand finally releases it's tight grip on his arm. "ready?"

"can..." you swallow drly, "can I please have water?" you're ready to hear a soon or just one more. know there's a limit to how tender and paitent a partner can be. he's made you cum four times now and feel so fucking good.

you don't realize he slipped away until he's back, helps you sit up, cool glass of liquid at your lips, your hand on his wrist looks comincally small. when you're done he takes a quick sip himself, catches your eyes watching him.

and it's too soft, the way he thumbs at your cheek, concerned. it's not needed, you feel very present and very ready. "i have condoms somewhere..." you start

he scoffs.

"you do now" he points at a box sitting on your nightstand, you don't recognize it. when did you get this?

he holds a packet with his teeth, his hands reaching for his slacks, you stop him "let me, let me please."

you do your best to move your hands at a normal place, but it looks eager anyways, has him smirking, dropping the condom packet into your palm as you do a very perfect job of not looking nervous at the girth or length of his dick.

you get why he insisted on three fingers, he grabs a pillow and places it behind you, "lay back."

"yes yes yes, thank you." as you watch him lean forward, muscles moving in a coordinated dance, rubs himself through the wet of your previous release. you both moan.

he still. takes. his. time.

moves his cock up and down your pussy lips, touching your sensitive nub, driving you insane. your hips buck up at nothing, want more friction, need him inside you.

"please, please, you're so close, please."

"please what angel?"

"put it inside, please fuck me."

and he's not slow when he does, that chant of 'thank you' will be embarassing tomorrow because everything feels right now. he's so big, you're stuffed so full and he's moving at such brutal pace.

you want to hold out longer, you're already so sensitive, you're biting your lips, trying to find purchase on his back, nails deep scratching, biting at his neck.

his name mixed with your please and thank you is putting him in a trance.

you're impossibly tight. sukuna's thrusting faster than he wanted, harder than he wanted. had planned a build up, wanted to make you beg over and over but he's already there. pulling him deep, gripping him tight. the sounds echoing in off the bedroom walls are filthy.

"so good for me, so perfect for me."

"told..ah, told you..." you're slipping, the familiar twitch in your hips, you're close again and he hasn't even cum once, has he? "with you, please, please, together please? sukuna please."

he picks up the pace, the hand on your hip will leave a bruise, the lovebites on your body glow red. he's so close, "with me, look at me, come on angel." you're both so close, hips rolling to match his thrusts.

your lips are so plush, mouth open a silent scream pushes you over the edge as he follows. hips stuttering, grinding, heavy. he let's his weight fall on you, hand grips the back of your neck and brings your lips to his.

so fucking soft, so willing. he pulls off to catch a breath, spit connecting your lips and silently you trail after his lips, he kisses you slowly. moves his hips slowly, still hungry, ready to feel you again. "thank you sukuna" you say between broken kisses, your eyes lidded, body heavy, just like last night.

too trusting when your body softens against him, too vulnerable when you nuzzle into his neck, another whisper of "thank you." and you have to be his. no one can hear you like this, see you like this. no one can touch your skin like he does, no one can know how absolutely etheral you are drifting off to sleep.

his lips dance over your face, he whispers "mine" into your temple, into the crook of your neck, at the center of your chest, above your sore nipples, into your bellybutton, above your sensitive clit, down your legs and he sits on his up.

comitting you to memory won't be enough.

he'll do this again. and again. and again.

+

part 3

[wtfforged]

my campaign hiatus has gone on for too long so to cope ive combined my interests at their maximum potency and had some dnd-strawhats thoughts

thoughts in depth under read more... :)!

this is SO self indulgent. their designs literally did not change. but i am a firm believer that dnd doesnt have to be european high fantasy. and also one piece literally IS fantasy. no changes are necessary to fit into dnd. ive already imagined plenty of campaign/oneshot ideas inspired by one piece. so this was basically just an exercise of trying to replicate their canon abilities in dnd 5e as much as possible without totally homebrewing everything. well. aside from luffy. you just cant take away or change his stretching.

LUFFY: (human monk. drunken master subclass. outlander)

the only plain human of the crew to balance out with the fact that he still has rubber powers. obviously a monk. but drunken master subclass specifically because i think the flavor(not the fact that its about being a drunkard) and abilities both fit him really well. this line in the subclass' flavortext especially fits him: "A drunken master often enjoys playing the fool to bring gladness to the despondent or to demonstrate humility to the arrogant, but when battle is joined, the drunken master can be a maddening, masterful foe."

ZORO: (tiefling fighter. samurai subclass. bounty hunter)

a fighter with the samurai subclass is so very incredibly obvious... but i actually had a lot of fun geeking out while comparing the abilities to what he can do in canon; Fighting Spirit, Rapid Strike, and Strength Before Death especially! tiefling is also pretty on the nose for his demon pirate hunter shtick and asura form, but i thought he'd be really human-passing for a tiefling and theorized about his tail getting cut off at some point or another before joining the strawhats. initially wasnt gonna give him a feat, but i gave sanji a feat so i thought itd be unfair to not give him one as well, so sentinel fits the bill pretty well i think!

NAMI: (tabaxi rogue. arcane trickster subclass. criminal)

cat burglar -> full grown literal humanoid cat. this one is INCREDIBLY self indulgent... i love... cats... theres nothing deeper to this and no other reasoning. i took cat burglar and ran with it. can you tell that i love izutsumi dungeon meshi? rogue for the aforementioned burglar-ing as well, and the arcane trickster subclass for when she picks up climatact! the mage hand will be very useful for her pickpocketing. in the future as she levels up with timeskip, i can totally see her multiclassing into wizard as well! weather wizard!

USOPP: (lightfoot halfling artificer. artillerist subclass. urchin)

I HAD SO MUCH FUN THINKING ABOUT HIS CHARACTER SHEET. halfling's Naturally Stealthy ability lets him hide behind his crewmates since theyre (almost) all bigger than him, so its perfect for hiding behind zoro or sanji all the time. Lucky is also perfect for him, and I think Brave fits pretty well too when he puts on the sogeking mask. artillerist artificer is also very fun! tinkering and making magic items for his crew, and i think Eldritch Canon or Arcane Firearm could both be easily reflavored as kabuto or any of his inventions. for emphasizing his sniper-ness, the spell sniper feat was also necessary. i think hes my favorite of all the concepts. big ears and long nose combo is so cute to me.

SANJI: (half-elf monk. drunken master subclass. guild artisan (cook!))

race was mostly based on vibes i wont lie. squints. and that vinsmoke balogna or whatever too ig. but mostly vibes. along with the idea that i think a dwarf zeff raising him would be really funny and cute. monk is also obvious, and same subclass as luffy for mostly the same reasons. though the flavor fits him much less, i think the abilities still fit him perfectly, and this blurb specifically; "Your martial arts technique mixes combat training with the precision of a dancer." i really wanted to give him a different subclass from luffy, but i dislike all the other monk subclasses a lot and i found none of them fit him as well anyways, so to try and give them SOME differences, i gave him the crusher feat.

CHOPPER: (awakened deer(shifter statblock) cleric. life subclass. hermit)

this ones definitely a mouthful im sorry. awakened deer for obvious reasons, but due to magic instead of devil fruit stuff. when i was struggling with his race, i looked a lot at shifter because of his forms, but it occurred to me that itd be super cool if he could shift between all of the different shifter options instead of being stuck with just one to replicate his rumble balls. something like heavy point/guard point=beasthide, horn point/arm point(?maybe?)=longtooth, walk point/jumping point=swiftstride, and brain point=wildhunt. hed definitely need some kind of nerf though to balance out that homebrew... and cleric for class. duh.

ROBIN: (high elf wizard. order of scribes subclass. criminal)

robin is definitely the one i struggled the most with just because of her class. elf came pretty easily- shes very elegant and i think shed look cute with super long ears- and i landed on high elf instead of wood elf for the int-based abilities. i was really on the fence between sorcerer and wizard for her because i knew shed be a full spellcaster, but i didnt feel that any of the subclasses really fit her. i ended up going with wizard for order of the scribes since it focuses on texts and knowing everything. but also because robin with a flying talking sentient book would be crazy cool. it could also be similar to how she spawns mouths and eyes places to talk to or watch people. my "fuck it, why not. this would be rad. its my house" mindset kicked in with her i will admit. also the One with the Word ability made me cackle out loud when i read it. thats the funniest ability ever. anyways, i cant really think of a way to replicate her powers, but maybe we could just reflavor a bunch of spells to be her limbs or clutch; hold person, maximillian's earthen grasp, or evard's black tentacles. thatd probably work okay, and theres a handful of spells to replicate her ability to spawn eyes or mouths. unrelated, but i imagine nico olvia to be a drow. why? her hair is white. i am a simple man!

[chloesimaginationthings]

If Vanny is in the digital circus.. where’s Pomni?

[egophiliac]

don't think I'm not still deep in the episode 7 brainrot. because OH BOY AM I

(also one more extremely, obnoxiously self-referential thing, I'm -- I'm so sorry)

[ilumin]

I'm crying, they're so silly

[sp0o0kylights]

Steve Harrington was wearing a Hellfire t-shirt.

It was far too tight on him, the name of the club stretched wide over his chest. The sleeves dug into his biceps, making them pop even more than they usually did, and that was before he crossed his arms. 

Worse?

It was short.

Which meant the damn shirt was constantly riding up to give everyone a nice show of the smattering of hair that trailed down past the band of Harrington's jeans. 

The same hair that Eddie was determinedly not looking at. 

“Henderson, a moment?” He crooked a finger, a smile on his face that was more feral than welcoming. 

Rather than cower or even acknowledge that Eddie was two seconds away from murder, Dustin just gave him a gummy grin, all too pleased with himself and his scheme. 

“Sure Eddie. Steve, don't just stand there, go help set the booth up!” Dustin gestured to Hellfire’s sad little table, crammed all the way in the back of the gym. 

Jeff and Gareth both reacted to the suggestion like a rabid squirrel had been set upon them, nervously inching towards the other side of the booth as Harrington sighed and--shockingly--did as he was told.

‘What,’ Eddie thought angrily, ‘in the everloving fuck.’

“Do you guys mind if I set this down on the table?” Eddie heard Harrington ask as he stormed away, Dustin on his heel. 

They wandered just around the corner, out of sight and hopefully, out of the fallen king’s hearing range.

Eddie wasn't sure if Harrington would try and white knight the very much deserved dressing down he was about to give. 

Didn’t want to chance it, considering the downright weird relationship he had with Hellfire's freshmen.

(While he’d heard many a tale at his table regarding King Steve since the newest recruits had joined Hellfire, most of them dissolved into arguments without ever really going anywhere.

 Best anyone could figure out was that Dustin and Lucas had a bad case of hero worship, while Mike owned a begrudging amount of respect that hailed from a series of misadventures. 

The very same misadventures that, despite all protests to the contrary, was clearly some sort of babysitting gig for Harrington.) 

Either way, plenty of the King’s court would have loved to take this opportunity to fuck with Hellfire.

Given that Henderson was absolutely too old to require a babysitter at fourteen, Eddie would bet his lunch money that was what Steve was here to do.

Something the club couldn’t afford since they were forever and always two seconds away from being stripped of club status and banned from school grounds. 

“I would love to know what went through that all A’s brain of yours when I said,” Eddie whirled on Dustin when they were firmly in the clear, voice low and furious.  “no Henderson, do not invite King Steve to help, he is an invading force and would ruin our peaceful kingdom!?”

He clasped his hands behind his back before leaning into Dustin’s face. “Because clearly whatever you heard wasn’t that.” 

To Eddie’s continued frustration and confusion, Dustin did not treat this like the threat it was. 

None of the freshmen had ever truly treated Eddie like a threat--had somehow skipped that part of the usual onboarding ritual entirely.

Eddie, town freak and drug dealer, who had cultivated his looks and craziness to such a degree that most everyone steered clear, wasn’t used to it. 

Everyone had been afraid of him at some point in this shitty school. Jeff, Gareth, hell even half the staff--and that the dorky trio of fourteen year old's clearly thought this all was play-acting made his eye twitch.

Even if it was--maybe, sometimes--welcome. 

“I know what you said, but I’m telling you I’m right.” Dustin argued immediately, and oh God, he was using that tone again. 

A hand went up into the space between them and Eddie groaned aloud, knowing what was coming.

“First,” Dustin ticked a finger up, “Hellfire really needs the money. Even thirty dollars would get us new figures, but more than that, if we don’t fundraise, we can’t go to Gen Con!” 

Dustin's eyes bored into Eddie’s, full of fire and conviction

“Yes,” Eddie said through gritted teeth, “but--”

“Second!” Dustin cut him off, and God the little shit even threw him a look while he did it, like Eddie was the one being ridiculous here!

“We had to fight just to get our table! Principal Higgins was in algebra today practically begging the mathletes to show up, but then tried to tell us we couldn't be here? That’s messed up!” 

As if denying them a spot to fundraise was the worst thing that asshole had ever done.

Eddie sighed, breath blasting out of his mouth like a dragon’s. 

“Because people think we’re freaks and satanists, Henderson. You don’t typically invite freaks and satanists to the school’s annual Holiday Bazaar. Especially not when all the local moms are paying to hawk their bullshit crafts and tupperware!” 

It was more than that of course. The Hawkins High Holiday Bazaar was a tradition spanning several years now. Starting in the gym and spilling clear into the parking lot, everyone from local artists to even some local shops came to host a small table for the day, thus growing the event from a small school fundraiser to a Hawkins' “must-do.” 

Half the fucking town was here to sell, and the other half was here to shop, which meant Principle Higgins had wanted Hellfire banned from the fucking premise. 

Eddie had been forced to pull out one of his trump cards he’d been saving--blackmail on Higgins that related to the man’s not--so--legal addiction to Percocet that he relied on Reefer Rick for. 

(And bless Rick, that hadn’t been the only tidbit he’d shared with Eddie about Higgins. That information, however, Eddie needed just so the asshat wouldn’t give him the boot from school entirely.) 

The only reason Eddie had pulled it out to secure their rightful spot, was because of Gen Con. 

It was Hellfire's White Whale, their grand adventure, and this was going to be his year to take his friends on one last epic quest to make memories of a lifetime surrounded by people who understood them.

Come hell or high water, Eddie was going to Gen Con--but being able to fundraise by selling wares and baked goods at the stupid Holiday Bazaar would go a long way to help.

Even if he had to listen to the band repeatedly play ear-bleeding renditions of Christmas songs.

“All the clubs get to have a table, and we’re a club!” Dustin continued, like it was that simple. “But you know, I get it. We look scary.” 

He gestured down to his own Hellfire shirt, before gesturing towards Eddie’s entire outfit.

Like Eddie didn't know what he looked like, let alone that he'd made this outfit specifically to scare people away from him.

(And maybe add some rockstar flair to this dinky little hick town.)

“You know who doesn’t look scary?”

Dustin held out his hands and swiveled his body like he was presenting a prize instead of gesturing in the vague direction of; 

“Steve!”

Eddie’s left eye twitched.

‘You can't kill him, you need his character for the campaign.’ He told himself firmly, even if he envisioned strangling Dustin like a chicken.

Cartoon squawking and all. 

“The King isn’t going to help us fundraise, Dustin.” Eddie said, in an effort to break down why Harrington couldn't be here. “He's just going to cause us problems that we can’t afford to have.” 

So many problems, half of which Eddie couldn't think of because if he did, he'd start spiraling.

“Really? Because as you keep saying, Steve used to be the King. People love him, Eddie! Mom’s love him.”

Eddie had pulled himself black up to his proper height a while ago, and now rocked back on his heels while he ran a hand down his face.

There was no getting through to Henderson when he was like this. 

Not unless Eddie really lost it, and it was practically club lore that he only lost it when someone missed an important game. 

One cannot keep a herd of sheep if their flock is terrified of them, after all. 

(“Perhaps you’re just a giant fucking softie.” Tiff, one of Hellfire’s graduating members, told him once. “Honestly dude, I bet you throw up stuffing.”

“Shut up Tiffany, your choker is on backwards again.” He'd spat back, completely offended and not at all trying to distract from how true that was.) 

“We can’t be satanic if Steve’s the one selling cookies!” Dustin finished doggedly. 

“We’re not even selling cookies--that’s not the point!”” Eddie shook his head, hair flying. He was not going to be sidetracked, he wasn’t!

 “Harrington is going to end up siding with all the moms about how we’re all wasting time with D&D, if he even spends the whole time at the table. Is that what you want?” 

He stuck out a ringed finger, poking at Dustin’s chest.

“Every single person who comes by our table has to be convinced D&D is a writing and math based game. Good for the mind and souls of growing, impressionable children. A game that got a bad rep because of  a few silly images.” 

A pitch he and Tiff had come up with during the third or fourth time they had to convince an adult that no, just because their shirts had a dragon on it, didn’t mean they were summoning demons in the drama room. 

“Harrington can’t do that because Harrington doesn’t even know how to play!” 

This Eddie punctuated by throwing his hands in the air. 

Given the startled look of the mother-daughter duo passing him by, clearly was louder than he’d intended--but screw it!

He was right!

Hellfire was in a precarious position to both fundraise and do a little damage control among the slightly smarter members of this shithole small town, and Harrington rolling his eyes and gossiping about how stupid it was would hinder that.

“Okay, first of all, Steve’s played D&D with me and he didn’t even kill his character.” Dustin said it like he was unveiling a smoking gun and not lying through his ass--which Eddie would absolutely be calling him on the second he was done talking. 

Because King Steve? Play D&D?

'Ha!'

“And he’s not gonna say shit because we--me, and Lucas and even Mike!--asked him to help, and he helps when its serious. I know you have some weird grudge with him, but I’m telling you Eddie he’s our golden ticket to Gen Con!” 

“You’re killing me. You are standing here, acting as a friend, when you are bringing a-- a dark force into the midst our of mission--” Eddie hissed, because he was losing the fucking fight and he knew it.

Dustin Henderson was not a man easily swayed. 

Had never been, even when the odds were stacked against him (and Grant and Gareth were howling in his ear.) 

The set of his shoulders and the glint of the little shithead’s eye meant Eddie wouldn’t be able to use him to oust Harrington--if he even could get him out without the dick causing a massive scene anyway. 

As always when outgunned, Eddie flipped to dramatics.

“Betrayed! By my own chosen heir no less!” He moaned, pressing the back of his hand over his eyes as Dustin scoffed.

"Don’t be so dramatic! Steve will help, I promise! Just don’t be a dick to him.” 

 Conversation apparently over, Dustin turned around to head back to the table

Snidely, he added over his shoulder: “Plus we’ve all caught on to the heir thing Eddie. You tell everyone that so they do what you want.” 

The dick.

“You’re too fucking smart for your own good. I’m gonna start feeding you paint chips to bring that IQ down.” Eddie muttered angrily as Dustin went back to their little table.

He gave himself a moment to get his shit together and stomp a foot like a child when Dustin was around the corner and thus couldn’t witness it, before following his wayward sheep back.

Could only pray to any deity listening that Henderson’s meddling didn’t blow up in Hellfire’s face.

[tibby-art]

hitman au save me .. its been seven years ..

haven’t been able to draw/write much of this au lately but i want to write a few little scene snippets i have stored my brain :’D ill include them under cut

=+=

“This better be something good,” Scar muttered to Cub as they stepped out of the elevator. The hitman, while bound to his contract, considered ‘boring’ missions to be a waste of his time.

“I hope so,” Cub hummed. “Hope so.”

The ConVex swung open the doors to the NHO conference room, not bothering to check if their bosses were actually ready for their meeting.

“Holy mother of—! Knock next time, will you?” A man setting files down on the conference table jumped visibly as the doors slammed open.

“The Vex require a dramatic entrance, Beef,” Scar said casually. Cub snickered.

“Sure, whatever.” Beef furrowed his brow, used to this behavior. He didn’t have time for this. “Okay. Doc was supposed to do this briefing, but he’s busy with his machines I guess, because of course he is, so.” He huffed, composing himself. “Your new top-secret project. This one’s a doozy. Have a look.”

Beef slid the folder across the table. The hitmen flipped it open, absorbing its contents with hungry eyes.

What caught their eyes immediately were the photos. The person of interest looked nothing like a powerful crime boss or a dangerous anomaly. A young adult with glasses, dark eyes and short, sandy brown hair stared back at them.

“Who’s this?” Scar raised an eyebrow. Is the NHO asking them to assassinate some normal-looking university student?

“That is Grian,” Beef explained, both hands planted firmly on the table. “Grian has been with us at the NHO for months.”

“I’ve never seen him before,” Scar remarked.

“Grian’s case is top-secret. He’s been staying in high-security, private quarters… as well as our research laboratories.”

“I thought you guys seemed super suspicious lately! I knew they were hiding something from us, Cub,” Scar nudged his partner with a grin. Cub did not budge as his sharp eyes combed through the documents. He hadn’t heard a single word spoken to him.

“Cub? What’s the deal?” Scar asked. He preferred to let Cub read their mission files and summarize it for him, anyways. Dyslexia and top-secret government files were not a great mix. Oh, what would he do without Cub?

“Watchers?” Cub finally spoke, looking up at Beef with a quizzical frown. The other man nodded slowly. “You’re kidding.”

“After months of testing and analysis, we can confirm that this individual is the only currently documented case of a mortal possessing Watcher abilities,” Beef nodded slowly.

Scar had heard whispers of the Watchers only a handful of times. As a vex, he knew plenty about the realm of magic, the divine, the fae, you name it! But Watchers were said to be ancient entities, perhaps as old as time itself. So old that they were widely considered to be a myth.

“So this is not a hit,” Scar said after a moment.

“This is not a hit, Scar, good lord, do not kill this person,” Beef put both hands on his forehead and let them slowly drag down his face.

“Mortal, you say?” Cub raised an eyebrow.

“Yep,” Beef said. “She was a completely normal citizen until he got these abilities in some freak accident. Lucky for everyone involved, the NHO was able to take control of the situation before anything… dangerous happened.”

“So,” Scar narrowed his eyes slightly, “If this isn’t a hit, then what do you want from us?”

Beef sighed. “After months of testing to determine Grian’s situation, the NHO has decided that he is too important to return to life as a normal citizen at this time. Instead, we’d like to utilize his abilities in our goals to maintain order in Hermit City, and we need someone to train her how to be a special agent in the field.”

“You want the ConVex to train a Watcher how to be a hitman,” Cub said with a slight smirk at just how insane that sounded.

“Yep.”

“Huh.” Scar put both hands on his hips. “Well, that’s not what I was expecting.”

“I suppose we could give it a shot,” Cub said. Although the ConVex were bound by a fae contract to work for the NHO, the vex took every opportunity to feign control over their situation. There was no choice here. Beef had given them an order.

“Sure, sure! We are very good at our jobs, after all,” Scar grinned. Whatever happened, good or bad, would at least be entertaining, surely.

“You’ll come back here to meet her tomorrow morning,” Beef instructed. “Hand me that file back and be here by 9, will you?”

“Sure thing,” Cub replied coolly, sliding the file back to the man. Scar couldn’t help but grin wider when he noticed Cub’s hand casually in his pants pocket, some folded white paper barely visible in his grip.

“Don’t be late. I’m serious this time,” Beef called out as the hitmen turned and exited the conference room.

=+=

The conference room was tense that morning. Towards the end of the table sat the NHO - Beef, Doc, Etho, and Bdubs. On one side sat Cub and Scar. Across from them, Grian sat alone.

“So, how about introductions?” Doc clapped his hands together. “Er… Cub and Scar, this is Grian. Grian, this is Cub and Scar. You guys already know the deal. Grian is going to come with you on missions from now on.”

The ConVex hadn’t taken their eyes off of Grian since they entered the room, unable to resist their curiosity. They had both read the files, but still found it hard to believe the person before them was a Watcher. Grian sat rigid in his chair, fiddling with his hands, looking tense and exhausted. She eyed the vex curiously as well.

“Well hello there,” Scar greeted. “I’m Scar, and this is Cub.”

“Hey, hey,” Cub said quietly.

“Hello,” The corner of Grian’s mouth twitched in a possible attempt at a smile.

The three continued to stare at each other until Bdubs cleared his throat.

“Wonderful introduction. Now that we’ve broken the ice, let’s talk about your next mission.” The man picked up a small remote, and the large screen on the wall behind them illuminated.

“Before we send our agents out into the field, we meet like this to discuss the details and ensure that the mission is clearly understood,” Doc explained to Grian, throwing a disapproving glare in the ConVex’s direction.

A lengthy file on some high-profile criminal appeared on the screen, as Bdubs proceeded to read off the information. Scar slumped back in his chair. These mission briefings were the worst. It was time to zone out and have Cub tell him the details later with all the fluff cut out.

At about ten minutes in, Scar yawned absentmindedly.

“Oh, are we boring you, sir?” Doc interrupted Bdubs to shoot a piercing stare at Scar.

“Oh, not at all!” Scar said cheerfully, but slumping in his chair slightly lower.

“As I was saying,” Bdubs continued loudly.

Scar glanced over at Grian. Her eyes quickly darted back to the presentation when they made eye contact. Scar looked over at Cub and found he had still not taken his eyes off of Grian. Hopefully Cub was at least somewhat paying attention, because he sure wasn’t.

Grian continued to fidget with his hands. Scar felt a pang of pity for him. The vex were used to this sort of environment, but according to the NHO, Grian had a completely normal life up until a few months ago. Now suddenly, he gains these terrifying powers and spends months in a top-secret lab having tests run on her all day. Who wouldn’t be overwhelmed?

Scar yawned again, this time more intentionally. He earned another death glare from Doc, but Bdubs droned on. He glanced over and saw Grian rubbing a hand on his cheek to help hide a grin.

The art of annoying your boss was a delicate one. Timing is everything. Let enough time pass until they’ve forgotten, or they think you’ve stopped, to continue the game. Scar lets about ten minutes pass before his next yawn, bigger this time.

“Quit it,” Beef hissed. Even Etho glanced over. Doc kept his eyes on the screen, but his jaw was clenched. Grian let out a cough that sounded suspiciously like a laugh.

Five minutes later, Cub clears his throat rather loudly. Bdubs stutters over his words for a second, but because Cub is Cub, none of the NHO seems to be able to tell if that was a deliberate cough or not, and they decide to ignore it. Cub shows no emotion.

After an hour that felt like an eternity of Bdubs explaining every possible detail about the case, it seemed to be almost concluded. That was, until a rather loud yawn was heard throughout the conference room.

“WILL YOU LET ME FINISH, FOR GOODNESS SAKE?!” Bdubs finally erupted, whipping around in his chair to face Cub and Scar.

The hitmen stared back blankly. They glanced over across the table, and Bdubs followed their gaze, where Grian sat with both arms over her head in a large stretch.

“Sorry,” Grian said simply when all eyes were on him, lowering his arms. “Just had to stretch a bit.” He stared back at Bdubs innocently.

The NHO stood there, confused. Bdubs was at a loss for words, unable to get a read on the new recruit. He sighed and turned back to the screen. “Well, regardless, I think we’ve about summed things up,” he grumbled.

Scar made eye contact with Grian once again. The two cracked a smile at one another for a second, too quick for the NHO to notice.

Scar had a feeling that him, Cub and Grian were going to get along just fine.

=+=

[baldursgate3tempobsessed]

Astarion Jealousy Part 2

The graphic extension to this but a lil less serious and definitely not sfw.

CW: Jealous spawn astarion who is still a sweetheart, but the drow twins get under his skin. graphic sex scenes, oral, relatively tame honestly. The sex part will be under the cut btw which is m/f. Also vampire man drinks blood. mentionable incorrect language for sex workers

~

It was odd, being home in Baldur’s Gate without the threat of Cazador always looming. Odd, but equally as wonderful. It had been so thoughtful, if not a little idiotic for Cazador to end up being your first stop in the city. The fight itself had been a blur, a barrage of intense emotions and bloody violence. Astarion had come so close to losing himself back there, losing everything that made him better than the man who almost ruined him. But then… you stopped him. You saw something more in him, a chance for a better life. A more meaningful life, away from the shackles of vampiric power obsessions. 

He was officially free. Now he could exist without any fear of his disgusting master’s retribution. He could just… be. Well… not including his darling’s own myriad of enemies that seemed to follow them about everywhere. And there was still the matter of defeating the elder brain, and lord knows if any of you made it through that alive. But at least his personal demons were slain and out of the picture.

Every little step counted after all. Perhaps some of your delusional hopefulness had finally started to rub off on him, but Astarion was actually starting to look forward to his future. Your future, together. All he had to do was get through a few more perilous adventures and then he’d really have you all to himself. 

All that said, Astarion could really go without the frequent visits to the local brothel. Was it the best place in the city for gathering information? Yes. It seemed that every walk of life in Baldur’s Gate found their way into Shar’s Caress and if you were going to find alternative passage to the underworld, this would be the best place to find it. But that didn’t mean he had to like it. For one there were the unwelcome advances to his own person, the concept of grace and personal space apparently left at the door. He was so very close to breaking the hand of the next person who thought it was appropriate to grab his ass. And if they could afford to get kicked out he would have by now. Your verbal, angry tirades in his defense could only scare off so many. 

But as terrible as his own discomfort was, it was nothing in the face of how often you were being fawned over. What was it about you that seemed to drive everyone mad? Yes you were objectively attractive, but this was frankly getting out of hand. First there was the green skinned druid doing something sensual to your mind, then there were the general stares and whispers as you walked by, and now a pair of gorgeous drow twins trying and failing to proposition you. 

It was getting tiresome. There were only so many times a man could take his lover being offered “free” services before he snapped. 

On one hand, he could respect the dedication they had to the craft. He could be considered something of a hired whore himself in his time, the old, “the first one’s free” was a tried and true trick. And he also knew, vaguely, that no one was actually trying to steal you from him. But on the other, he couldn’t help the fact that he wanted to claw their eyes out for looking at you so brazenly.

He hadn’t expected the eyes of the woman to wander over to him, like she was just noticing the possessive arm he had wrapped around your waist, “Is that your partner with you? How would you both feel about having a little fun?”

Absolutely fucking not. Maybe the old Astarion would have smiled and nodded, ready to do whatever was asked of him. But the man from that wretched era had died, or at the very least was dying. And he would be damned if he let you lay with another, never less participate in it. 

Astarion interrupted your overly-polite attempts stuttering of a refusal. He glared at them both, a sneer painted on his face, “We’ll be passing on that. You’d think the first no would have sufficed, but I suppose it’s not fair to expect everyone to have basic language comprehension. Now as illuminating as this conversation has been, we have places to be. Excuse us.”

Then he was pulling you away, happy to ignore the offended huffs of indignation he had left in his wake. 

“We’re supposed to be investigating, remember?” You said with a giggle, not even questioning him as he dragged you to the second floor, “Being rude is not the way we’ll find travel to the hells.”

“I highly doubt they would have been of use,” Astarion said as he pushed you into the first empty room he could find. He felt off, maybe even a little crazed as he turned to you, “Tell me darling, what is it about you that makes you so irresistible, hm?”

He crowded you against the closed door, ducking his head into the crook of your neck to breath you in. You smelled heavenly, you always did. He could trace the barest whiff of your blood from beneath your skin, always calling to him. You were the sweetest thing he ever tasted. Delicious even, for more reasons than one. 

“T-They just wanted my coin,” You gasped when he started to suck bruises into your skin, “That’s all.”

“I think they wanted a bit more than that,” Astarion bit out as he shoved his thigh between your legs, “What will it take for others to realize you’re mine.”

His hands were wandering, resting low to grip your hips. He was using them to move you, forcing you to grind against his thigh. You grasped at his shoulders, trying to bite back a moan as you stared at him with wide eyes, “You want to do it here? Does that door even lock?”

It looked like it didn’t, not that Astarion cared. Maybe walking in on him ravishing you would finally start getting the point across of who you belonged to. Astarion shrugged, "There are less appropriate venues than literal whore houses."

“But-”

“But I can tell you want it,” Astarion interrupted with a smirk, his hands barely working to move your body anymore. But that wasn’t stopping you from rubbing yourself all over him, “Just look at you darling. Desperate little thing. But if you really don’t want to…”

Astarion made a lazy attempt to step back, laughing out loud when your desperately pulled him back, your desire finally winning out over your common sense. But you were glaring at him, obviously annoyed that he was so good at riling you up. He had seen that look before, the one that just screamed that you were scheming something. 

He just hadn’t expected you to drop to your knees in front of him, huffing as you started to undo the fastenings to his pants, “Has anyone ever told you that you’re a bit of a shit?”

“Maybe,” Astarion said with a strained laugh, his breath catching when you pulled his half-hard cock out, “But it seems to keep getting me the things I want.”

You rolled your eyes before licking a wide strip up his cock, like you weren’t directly proving his point. You looked amazing own there, you’re half-hearted glare morphing into a blissful haze. 

Gods, how were you real? Astarion wasn’t quite sure why you were such a fan of getting him down your throat, but he knew that he was a lucky bastard for it. 

“Sweet girl,” Astarion sighed, letting a hand drift down to tangle in your hair, “Sweet girl with a perfect mouth. And you’re all mine, aren’t you?”

You made a small, affirmative noise around his cock, taking him in deeper as you clutched at his thighs. You were so good at this, so well-trained after months of being together. He loved the soft, wet sounds that would escape your lips as you swallowed him down, the pretty way your eyes would water as you encouraged him to fuck your throat, how you would squirm in place on your knees, no doubt ruining your panties with how wet you were getting. 

And no one else would ever know. No one would get to see you like this again, feel you like this. Needy, desperate, and his. Oddly enough, that thought was what sent him over the edge. He came down your throat, groaning as you eagerly swallowed around him. 

You pulled off of him slowly, panting while you smiled up at him. There was the smallest string of spit mixed with his come, connecting from the head of his cock to your lips. You licked it up, still clinging to his thighs as you hazily stared up at him. Sweet enough to make his heart skip a beat, and his dick give a valiant twitch.

He pulled you to your feet, not wasting any time in smashing your lips together. He spun you around, pushing you towards what he prayed was a clean bed. 

He pushed you back onto the sheets, making quick work of tearing your pants down your legs as he grinned down at you, “Your turn.”

He kneeled in front of you; spreading his hands over your splayed thighs to peel off your underwear. The core of you was already glistening, slick enough to make Astarion’s mouth water. He licked his lips as he spread your legs further apart, shameless as he feasted on you with his eyes. 

You were shaking in his hold, biting your bottom lip when you whined, “Stop staring already…”

“But you’re so pretty here my sweet,” Astarion cooed, tracing a single finger over the seam of your cunt, “And you’re dripping. Poor thing, have I kept you waiting too long?”

You nodded excitedly above him, your hips bucking when he let his fingers dip in further between your pussy lips. He lightly traced your clit, softly laughing at the way the simple touch made you whine.

It was his own fault that you were so needy, a fact that brought a smirk to his lips. You always got so wet after you had him down your throat, soaked and gorgeous. 

Astarion dove right in, loudly moaning as he licked into your folds. He dragged his lips upward to suckle on your clit, basking in all the cries and whimpers escaping you.

He licked back down, teasing your hole with his tongue as your legs quivered around his head. He let the sharpness of his fangs scrape against you as he started to fuck you with his tongue, threatening your most intimate places.

He knew you liked that; little minx that you were. The slight risk of pain that was always looming. It made him want to sink his fangs in you for real, a hunger that he'd sate after he had you gushing into his mouth.

You were already close, he could tell from the way your cunt was tightening around his tongue; too worked up from the thrill of being in public and the taste of him still lingering on your tongue. Astarion trailed talented fingers up to rub against your clit, his tongue still curling inside of you as you cried out. Finally falling over the edge. But that wasn't stopping him from continuing to play with you.

You had to tug on Astarion’s hair for him to finally pull away, too over sensitive to handle his talented tongue. You were still trembling by the time he leaned back, licking his lips. He rested his head on your thigh, obviously pleased with himself as he grinned up at you. He could feel your heart racing against his cheek, the sound of your blood pumping singing through your veins. It had his mouth watering for a completely different reason. 

He let his fangs drag against the delicate skin of your inner thigh, looking up at you through his lashes, "Can I?"

A superfluous question. Not when he already knew the answer before it escaped your lips.

“Y-yeah," You mumbled, lovingly gazing down at him. He would never tire of seeing that look on your face, "But be gentle? Please?” 

"Of course my love," Astarion murmured, before promptly sinking his fangs into your flesh. He had to hold you down from the way you were still trembling, your quivering only getting worse at the pleasure mixed with pain. He didn’t let himself go rabid, just enough to get a taste. He was pulling back too soon, smiling to himself at the little whine you let out. He gently licked over the wound before standing, not yet swallowing the last drops on his tongue.

Instead he leaned forward to kiss you, more than happy to share the sweet taste of your blood as he slipped his tongue into your mouth.

“Thank you my dear,” Astarion sighed as he pulled away, “That was exactly what I needed. Now I think that’s enough investigating for one day.” 

You sighed, taking the time to card your fingers through his hair, “Agreed. Though you might have to carry me out of here now.”

Wasn’t that a wonderful idea?

Astarion hummed as he pulled your clothing back on, “I think I like the sound of that," He didn't give you time to respond, too busy sweeping you up in his arms with a grin, "I'll be taking you up on that."

You squeaked when he hefted you up, bridal style, “I wasn’t being serious!”

But it was too late, Astarion was already kicking the door open. He shrugged at you, completely shameless as he winked at a few onlookers, "Then you shouldn't have suggested it."

You groaned, hiding your face in his shirt as he happily took you outside, “I’m going to get you back for this. I hope you know that.”

Astarion laughed as he kissed the top of your head, “I’m sure you will.”

It was a childish stunt, borderline on par with a jealous tantrum, but gods, did it feel good. Good enough to sate Astarion's obsessive tendencies for an impressive amount of time. Under normal circumstances. 

But what about your lives were normal?

[peachhoneii]

I was always so confused as to why Lucifer was thrown off by Alastor's design. You'd think as the King of Hell he'd be more receptive to grotesque imagery, but a video essay summed it up perfectly.

"He's the King of Hell with a mind of an angel."

You can take Lucifer out of Heaven, but you can't take the Heaven out of Lucifer. He's still an angel, albeit a fallen angel. He probably adheres, to some extent, to Heaven's aesthetics.

His outfit is primarily white with red trimming, a sharp contrast to Charlie's primarily red outfit with some white.

I could be reaching too deeply, but it could be symbolic about how they perceive Hell at this point in the story. The dude sees Hell as a mistake, as the sum of his failures and a punishment.

Charlie sees Hell as her responsibility. She serves Hell because Hell is her kingdom. She exists to help her people. Even by the end of the first season, Lucifer drops his coat. He doesn't wear it in the finale.

I wonder if this is a symbolic gesture that Lucifer is finally embracing himself as the King of Hell and all of its responsibilities. He's begun the process of shedding his identity as an angel of Heaven.

I’ll say it’s easier to do construction work without the jacket. Charlie took off hers too but wears hers later in the finale number. He never wears his again.

His coat is similar (not identical but pretty close) to the robes he wore in Charlie's introduction.

I wonder if he'll update his wardrobe as the story continues. It's impressive how loud yet subtle the animation designs are. They can tell their own stories sometimes.

But I’m probably overthinking it.

[turtleblogatlast]

Every day I’m haunted by the fact the boys happily swim in sewer water

Even if it’s filtered somehow there’s no way it’s not still nasty 😭 Bet they can defeat any of their villains just by accidentally giving them diseases I swear

[pettydollie]

Dad Bakugo x mom reader - I need more children in my life 😭✋🏾

def calls his kid "squirt" and "buddy"

in mY universe, he has a boy and a girl bc he needs the best of both worlds

CALLS YOU "MA" GOODNIGHT

we all know he wakes up really early, earlier than you even, so he's the one to check on the babies/kids every morning to see if they're ok :)

definitely keeps schedules of you and your kids days like exams, report cards, if they're going to a friend's house, etc

yk how most kids tend to be like "ewwww" whenever their parents kiss?? not ur kids nono. first of all, your son is the quieter one. not that he's not talkative, he just has a little bit of a hard time expressing himself. anyhow, his sister is very loud. but either way, they both think its sweet. your daughter even said something like "i hope my husband kisses me like that" once (when she was an older kid tho lol)

your son goes to talk to you a lot. he adores you so so much. but one day when he wanted to hang out with you, you weren't home. you were busy running errands while katsuki was at home watching tv. your son started crying and katsuki was like wtf?? eventually, your son grew accustomed to speaking to katsuki. as he got older, he actually talked to him more than you.

teaches your son how to be a man :,) katsuki knew he was bitchy in his younger years and he didn't want either of his kids to be like him. he taught them both manners and how to properly have a conversation.

little pitter patter of their feet ran into your guys' shared bedroom on christmas morning and began jumping your bed. katsuki groaned and rubbed his eyes aggressively. "it's christmas, mommy!" your little boy shouted. "wake up daddy!!" your daughter shouted in his ear. "alright alright you rugrats"

at your daughter's kindergarten graduation (idk if everyone had this but i did lmao), katsuki was tearing up and although he tried to hide it, he had to remain the strong one while comforting you while you bawled your eyes out.

p.s your daughter is the oldest

when she brought home her first boyfriend... ooo chile

i see a lot of people writing how katsuki would act up but tbh in his older years, i think he'd be a lot more mature. he'd greet the dude politely and treat him like he would any of her friends

btw lemme just say: your daughter is a mommy AND daddy's girl. she loves u both insanely

honestly while eating dinner with the boyfriend or something, katsuki would be very blunt and not pay too much mind to him LMAOO he'd be like "'tis is great, doll" as if you don't cook dinner every week and it's only when your daughter brings up how he wants to work at katsuki's angency, where he perks up

"oh shit, no kiddin'?" and you smack his arm lightly.

well this changes everything! he practically gave the kid his blessing. "welcome to the family son"

your son doesn't really care about them together, he just doesn't wanna see his big sis get hurt. lets say that your son is 15 and your daughter is 17. "so, bf/n. have you fucked her?"

you almost spit out your drink like a cartoon. your daughter is shook, katsuki's rage from UA is all coming back to him, and the boyf is scared for his life

you, katsuki, and your daughter have a little talk after dinner

"use condoms" kats stated. "i- WH- nono you can have sex next year." you corrected but ur daughter is like huh?? "wha why next year?" you scoff. "because you'll be a legal adult thats why." "no offense, momma, but that's really dumb. when did you and dad start having sex?" she folded her arms. katsuki shrugged. "like i said, use condoms."

you and your daughter gossip like crazy alr?? ur like the gilmore girls except you're married and didn't get pregnant at 16 (almost)

and this is nothing new to katsuki, he's heard u guys gossip trillions of times. but when he found out you guys talked abouy HIM TOO??

he busts into the room. your daughter squeals and runs behind you. "hi honeyy-" he shushes you, "you guys talkin' shit 'bout me?" "nope" you guys say in unison. "there's this other guy, uh.."

[biscuit-boy-n]

Tail Wraps!

[skeletoninthemelonland]

a glimpse of what their early dynamic looks like

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes�� first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[egophiliac]

@enderfore replied to your post “What do you think of Rook's savanaclaw card? <333”:

Chenya pic where???? I can barely see anything in that room there so much going on, rooks such a lil freak (affectionatr)

​he's under the row of flags on Neige's side of the room, next to the big Neige poster with the yellow background (look just to the right of the hand holding the apple)! he's REAL little; once you know he's there you can kind of see him in-game, but I only noticed him in the first place because I took a screenshot and was having fun zooming in on all the details!

I think that's either Hop or Snick and Dominic on either side of Neige, but if the others are meant to be anyone in particular I don't recognize 'em. though I do love all the absolutely terrifying implications of Rook having this. was this some kind of officially-published merchandise (and if so, why) or did Rook like...go hunting through the RSA trash to find this random student lineup just because it included Neige, and has had it hanging proudly on the wall ever since. (I mean, he definitely did do this, I don't know why I'm asking. the real question is why he hasn't cut out little pictures of his own face and stuck them over everyone else's yet.)

there is seriously SO MUCH in this room. how did Rook manage to keep this hidden for three years. also, somebody give this background artist a raise immediately.

[artsy-1diot]

that one trend I seen on tik tok wahoo