#production art

[wreckham]

opinion on the cancelled Beverly Hills Chihuahua series?

it was the predecessor of the recent cult classic Bluey but with gender stereotypes, romantization of the high class "realities" and basic plots. and also Tad Stones was the creator.

no fuckin way man roflmao you don't know what you've done by sending this message

i love shitty talking dog movies. i love lost/cancelled animation. i love the first Beverly Hills Chihuahua and i intend on watching the rest as soon as i have more booze in the house. i love jack saint's video essay on how fucked up films like this are when you deconstruct them. and every miserable day of my pointless life i writhe in agony on the floor bc this series never came to be

i swear there's more concept art of this show out there, like hand to god i have memories of more, perhaps by stones himself? (tho that could be the dog-related neurosis talking). anyway i've known about, and wanted more of, this DOA show since 2014 when concept artist Genevieve Tsai shared some of her work on the BHC Pilot:

my opinion is disgustingly, unreasonably positive

and thanks to this anon i now know THE PILOT ITSELF WAS FOUND VERY RECENTLY. LADIES AND GENTLEMEN WE GOT EM. the 10 year old in me is qwacking in his boobs. i am beyond happy

and just to throw it out there bc when the fuck else am i gonna have an excuse to discuss it none of this is even scraping the surface of my love for the OG film's development

[soranatus]

Olrocks, Rockter Belmont, Jamette, & Mariyeah ✨ By Kat, an animator on Castlevania: Nocturne

[scurviesdisneyblog]

Background art for Cinderella (1950) from the Walt Disney Animation Research Library

“Cinderella's background paintings remind me of grand stage sets for a Viennese Operetta by Johann Strauss. Everything is exaggerated in order to enhance a dreamlike, sentimental mood. The movie was made on a shoestring budget, yet its visual presentation is opulent and luscious. You combine that with rich storytelling, and you get a classic for the ages.” - Andreas Deja

[retroscifiart]

Concept art by Ralph McQuarrie for Close Encounters of the Third Kind (1977)

[weirdlandtv]

Art by Georges Méliès for A TRIP TO THE MOON (Le Voyage dans la Lune), 1902.

[galoogamelady]

Some WIPs, unused stuff and production art for Red Flags

The 3D assets were modeled by @cameronaugust, I just did the texture paint on the Centipede house (hey, it only had to look good from that one angle!)

[rulersreachf4n]

THANKS TO THEM PROMO

AMELIA LORENZ

[yazzydream]

Key Frame Animation by @/20001000sss

[art-of-arcane]

ARCANE | Various Background Matte Paintings | Geoffroy Thoorens

[diabloindigo]

Concept art for Goldilocks and the three bears.

[art-of-vox-machina]

THE LEGEND OF VOX MACHINA | 2x07 Backgrounds

By Addison Bell

[soranatus]

Mizu character design concept, expression sheet, & pose sheet concept art, by Ryan O'Loughlin, a designer, story artist, & episode director for Blue Eye Samurai

[douglasbradburyverne]

Character Art from "X-MEN: EVOLUTION" (2000 - 2003)

[retroscifiart]

Production art by George Jenson for Close Encounters of the Third Kind (1977)

[weirdlandtv]

TINTIN animation art from the 1950s-1970s. The best (and the most faithful) adaptation of the original comics has to be the 1990s animated series. Yet there’s a charm to the earliest attempts— the sacred source material packaged as a Saturday morning cartoon!—and the 1970s films have the distinction of being blessed by Tintin’s creator, Hergé, and can therefore be considered as additions to the original comics.