#promoting your work WORKS

[everythingcomesbacktoyou]

still wrapping my head around the fact that just 9 days after the release of heaven, he has already moved 103 spots up in spotify..

like a hundred and three. in nine days. with just one single.

niall horan the man that you are!

[jewreallythinkthat]

Something I really don't understand is this obsession the anti-Israel crowd (in the West) have with death and martyrdom. All they care about is dying, and often killing for their cause; I see nothing about building a better future that isn't based on the murder of 9 million Israelis.

It's easy to die for a cause. The challenge is living to make a better tomorrow.

[zaruba-needslove]

Due to recent issue with some people arguing about how ‘AO3 should have algorithm’ and such... I feel like these tweets need to be shared out more. Saw this tweets thread by chance and I had to admit it's a great advice esp on fic writing or fanworks in general.

[Edit] Also since I noticed this post blowing up, if anyone ever tell you that AO3 doesn’t have a function to RECCOMMEND fics you like to others or read other people’s fic recs on the site point them to this post.

[Edit 2] Check source for the original tweet.

[Edit 3] Not OP, but usually when ppl talk about ‘rude or demanding comments’ it usually refers to those that tend to message fanwriters to write according to what they want to be either on the flow of the plot, shipping, etc to the point of harrassment/toxicity. And that would make writing not be fun anymore for some. 

[canisalbus]

You mentioned before that the people who would have access to Machete's bedchamber would likely already know about Vasco. How did that come up in your mind? Did they get caught in the act or was the subject broached with enough trust? How did those people handle it? Sorry if this is a bit vague but I thought about it today and I'm very interested. :)

I think it just has to be the case, I can't imagine how they could manage to hide the fact Vasco is bunking with him from everyone, for years and years. Machete doesn't live alone, he has staff and servants who do his housekeeping and run his errands. Even if Vasco didn't stay there for any extended periods of time and snuck out the back door to avoid attention, I'm assuming at least the people who do his laundry and change his sheets would eventually detect that some sort of funny business had happened. But the number of people who are in on it is still very very small and tightly controlled. His assistant Vittorio definitely knows and helps to manage this situation, so does his personal doctor, and on top of that maybe a handful of most trusted high-ranking emplyees, which he has vetted extremely carefully and pays handsomely for their discreetness and prudence.

[fnaf-sxc]

Let's go on an Adventure! 🎉

Check out FNaF World The Resurrection on Gamejolt

[sunshine-dies]

I BROUGHT FOOD!!!!!

just read @nyoomerr's new drabbles today and they inspired me to draw this lovely coquettish little Bingwife. read them, they're super good!!!!!

[technicolourcowboy]

RAAAAH this lil metal au has got me in a chokehold,,,, I’m making the content I want 2 see in the world

Had to doodle the gals 😔 my mind wouldn’t be stopped

Daria belongs to @frenchfry99, Riley belongs to @wampabampa, and nina belongs to @evillillad! Drawing them was so fun I love bug ocs sm <333

Full (ish) versions in the cut below :] vvv

[sims-jonathan]

one of my favorite things abt gwen is that it would have been easy to make an ambitious arrogant character who thinks she knows better than everyone and give her the best track record in the office. but she's literally all that AND bad at her job

[trenchcoatimpala]

Fic writers (and all content creators actually, let's open this up) use this post to share a fic, artwork, edit, etc that you're really proud of that you wish had gotten more recgonition but didn't.

I'll start:

I was so proud of this fic but it didn't seem to take so here I am trying again.

[satorhime]

i don’t get being scared or shy to reblog the fics you read. no one is judging you. no one thinks it’s embarrassing. and the creators don’t think you’re annoying for promoting or commenting on their work, we want that! i will read the nastiest, sluttiest, sloppiest smut and reblog that shit with me screaming in the tags about how my titties grew two sizes and my coochie did a backflip reading it and y’all are SCARED to reblog even the cute fluff you read? STAND UP.

[bitchlessdino]

I’m gonna be so mean and upfront I don’t give a fuck. Anyone that doesn’t give a fuck about DINO please leave my page forever.

[thelaurenshippen]

this is a genuine question not at all meant as a rude gotcha, but I feel like I've seen lots of people cite the relatively low barrier of entry as a huge advantage of podcasts as a medium, "if you have access to decent audio tech you can make a podcast" etc etc. So where does the need to sell a script come in? Is it a financial thing, and IP thing, something else?

this doesn't read like a rude gotcha at all, it's a really good question! there is a much lower barrier to entry when it comes to podcasts compared to tv, film, theater, etc. (though not as low as writing a book if we're talking about hard resources - you can technically write a book with just a laptop and a dream and then self publish! though as a writer who has written a lot of scripts and four books (3 published) writing a book is a much bigger psychological burden imo lol).

the need to sell a script, for me, is entirely a financial thing. if I had the money to produce podcasts at the level I want to entirely independently, I would! I know how to do it! but, unfortunately, I really only have the funds to produce something like @breakerwhiskey - a single narrator daily podcast that I make entirely on my own.

and that show is actually a great example of just how low the barrier is: I actually record the whole thing on a CB radio I got off of ebay for 30 bucks, my editing software is $50/month (I do a lot of editing, so this is an expense that isn't just for that show) and there are no hosting costs for it. the only thing it truly costs me is time and effort.

not every show I want to make is single narrator. a lot of the shows I've made involve large casts, full sound design, other writers, studio recording, scoring, and sometimes full cast albums (my first show, The Bright Sessions had all of those). I've worked on shows that have had budgets of 100 dollars and worked on shows that cost nearly half a million dollars. if anyone is curious about the nitty gritty of budgets, I made a huge amount of public, free resources about making audio drama earlier this year that has example budgets in these ranges!

back in the beginning of my career, I asked actors to work for free or sound designers to work for a tiny fee, because I was doing it all for free and we were all starting out. I don't like doing that anymore. so even if I'm making a show with only a few actors and a single sound designer...well, if you want an experienced sound designer and to pay everyone fairly (which I do!), it's going to cost you at least a few thousand dollars. when you're already writing something for free, it can be hard to justify spending that kind of money. I've sound designed in the past - and will be doing so again in the near future for another indie show of mine - but I'm not very good at it. that's usually the biggest expense that I want to have covered by an outside budget.

but if I'm being really honest, I want to be paid to write! while I do a lot of things - direct, produce, act, consult, etc. - writing is my main love and I want it to be the majority of my income. I'm really fortunate to be a full-time creative and I still do a lot of work independently for no money, but when I have a show that would be too expensive to produce on my own, ideally I want someone else footing the bill and paying me to write the scripts.

I love that audio fiction has the low barrier to entry it does, because I think hobbyists are incredible - it is a beautiful and generous thing to provide your labor freely to something creative and then share it with the world - but the barrier to being a professional audio drama writer is certainly higher. I'm very lucky to already be there, but, as every creative will tell you, even after you've had several successes and established yourself in the field, it can still be hard to make a living!

anyway, I hope this answers your question! I love talking about this stuff, so if anyone else is curious about this kind of thing, please ask away.

[beekeeperspicnic]

The emotional rollercoaster of this article:

An article in German about my game! I wonder if my German is good enough to understand it?

Huzzah, I CAN understand it! I guess all the hard work I've put in to improve my reading comprehension in German over the past few years is working out!

Then I get to the comments and...

Although there are some nice comments too, but oh dear-! At least one person is very grumpy about my art. And mildly misogynistic? That might just be me not picking up on the nuances of the language but they keep bringing my gender up and that feels weird.

(For the record if anyone wants to write about my name I'd prefer you use my penname 'Jabbage')

[beesinspades]

Pairing: Vash the Stampede/Nicholas D. Wolfwood

Rated: Teen and Up Audiences

Tags: Canon Compliant, Bathing/Washing, Angst, Emotional Hurt/Comfort, Nudity, Non-Sexual Intimacy, Touch-Starved, Bittersweet, Fluff, Post-Tristamp Finale, basically tristamp timeline but like kinda trimax-flavored, POV Nicholas D. Wolfwood, Asexual Character, Asexual Vash the Stampede, there's some fluff at the end for Healing because i'm merciful, [slaps their asses] these bad boys can fit so much guilt and love and lack of self-worth

Word Count: 3.7k

read on AO3

[snakebites-and-ink]

Can I just. summon whump writers to shamelessly self promote? I wanna hear about what y'all are making.

[heph]

Hey, I remember you mentioning on your IG something about two types of popular artists and one being good at social media and the other being good at art or something like that (I can't really remember lol). But it got me thinking, any tips for how to be good at social media? Cuz I'm certainly not even after posting art for six years lol

Heya!

What I meant by that is that there are traits that allow you to grow on social media, and traits that determine what a highly skilled artist is, and those traits do not always necessarily overlap.

I've seen so many amazing artists that post artwork that blow my head off, and yet they don't have many likes. On the other hand, some artists at the same skill level who draw more popular things will get way more attention.

That is not to say that either is the correct way to create art, but there is definitely a formula to social media that is in play.

There are a lot of posts about how to grow a social media account, particularly on TikTok, YouTube and Instagram art spheres, and imo you really need to examine what you want from your art before jumping into social media mode

The stuff you create to pander to social media might not be art that you want to create at all - I'm lucky, because I am less artist more storyteller, and what I enjoy is telling jokes and silly stories to liven up people's moods :] this, of course, conveniently does well on social media. On a personal note, I have a history of being a recluse and not connecting well with people, and art is my way of trying to communicate my feelings, one way or another.

So of course, if you draw for any reason other than my own, my approach to art and it's relation to social media might be inappropriate for you.

All that being said, if u take a look at those "get big on social media" videos they always cite the same few points... And you can look into that, for sure, but this video sums up how I feel about all that.

I spent like 20 minutes drafting words after the above paragraph, but I really ended up regurgitating sentiments from the video... So really don't listen to me, listen to that video

EDIT:

I just realised I didnt actually answer the question with my anecdotal experience, so here's a list of things I did

1. Posted like 3 doodles a day on social media

I did this for 6 months on a side account on Twitter recently and got the account to 11k followers... And I did this for 3 months on Instagram a few years ago and I think got 3.5k followers. Of course, do not spam maliciously and make sure your art is still of good quality, but for those artworks I posted quickly, I did not colour, and mostly did clean sketches. This also trains you in the matter of line confidence haha. Again, this worked for me because of my set of circumstances (love for the media, want to tell stories, simple art style)

2. Focus on my favourite aspects of media

This helps with respect to burnout - kinda hard to burnout when you love what you're making! For me, it's character interactions and comics. I want to see my blorbos kiss and if I'm not the one drawing it who will?!

3. Interact with people

People eat up work that they can interact with. A choose your own story situation, one of those like/rt to strip a character 😭 those do numbers for a reason.

Additionally, if you post stuff people love, people will respond to it with comments, maybe their own headcanons, adding on to the work... I've gone into long looong Twitter thread conversations with people who added onto my ideas that I threw up onto the screen and I think it's also a nice thing to do to respond to positive comments haha... I'm not very good at this (read: bad at communication)

I think that's the key points... Hope this helps!