#puddle—wonderful

[chellestrash]

Okay, given a recent post of yours I saw: Pedro Pascal or Wagner Moura?

…girl…

girl

cmon now i

…

*sigh*

I MEAN I- IDK WHAT DO YOU WANT ME RO SAY LIKE I JUST ISJJSSKK

im fine its okay im normal about this

[chelseasdagger]

It’s your birthday?? HAPPY BIRTHDAY DEAR

AAAAA THANK YOU BABY!! 🥰 it means a lot!!

[ultrainfinitepit]

Moon Cycle 2 - a redraw of this piece.

[crocmr]

Some more doodles I made just now to make up for being dead ASDKJASKJSSKDJKSJD

I love these little bugs <3 I can't stop drawing Beta he's just too fun to draw and I need to start drawing Og because it's like he's not even apart of the family no more ajskdjaakds

[ssomepersonn]

many thoughts about these guys

[deadlysoupy]

i'm feeling awful so here's a reminder to everyone and myself

so sad. so poetic. i fucking hate them give me more

[wizardpink]

I think it's important people know that the original interview happened in 1973, Alice told Daniel she was pregnant in 1985, and Silver Springs by Fleetwood Mac was released as a b-side to the Go Your Own Way single in 1976.

[wyfy-meltdown]

I'm betting my PMMM Tumblr posting permissions that Mabayu is Itzli.

Although Itzli definitely wasn't designed with the intent to be Mabayu's witch (because that was many years ago and they definitely weren't planning Scene 0 that far back), Mabayu seems like she was designed with the intent to be Itzli's magical girl.

Mabayu's dress pattern (and most official art depicting her with film rolls), matches well with the trim of Itzli's film roll (specifically the side edges of the film). This prominent film roll theme sticks out to me, as Team Madoka/MagiaRecord is good at avoiding unintentional similar themes between witches and magical girls to avoid confusion on their true magical girl/witch forms. Unless the film stuff is a BIG BIG COINCIDENCE, they are intented to look similar through the film reel themeing.

Itzli's description (from the wiki):

"The witch of oblivion, with a vengeful nature. A witch who is said to have originally been a magical girl who came from the end of the galaxy. She has shown herself now in order to forget about all the magical girls from this universe."

Itzli's description implies she wishes to be killed to finally forget about something. What could she be trying to forget? Homura's timeloops.

Mabayu has the unique ability to remember past timelines as well as move around when Homura stops time. Mabayu knows of what happens to magical girls. Mabayu sees everytime her friends die and/or become witches and has no goal to distract herself like Homura does. Mabayu becomes erased from existence; presumably only remaining in the incubator's memories (hence the far reaches of the galaxy) and being erased by Madokami's witch annihilation. Mabayu wants to forget the pain of the timeloop, and by extension, herself as a magical girl and her friends as magical girls ("she has shown herself now in order to forget about all the magical girls from this universe").

ALSO Itzli is the oblivion witch. Oblivion is the void, the void is nonexistence, IT'S ALL CONNECTED

ALSO ALSO The "vengeful nature" could possibly be towards Homura (or even Madoka) because of the timeloop taking away Mabayu's sanity, daily life, friends, and even existence.

It's not to hard for me to believe that Mabayu became Itzli at some point due to the stress of the timeloop; her sanity would decay and she'd be powerless to stop it. Even Homura, with all her time magic, eventually succumbed to being a witch simply because she couldn't hold on anymore. Mabayu, with no goal to hold onto, and no way to end the timeloop or at least to stop herself from remembering, would crack too (if not sooner and/or worse).

The connection to Walpurgisnacht exists both in Itzli and Mabayu. Itzli's familiars are nearly identical to Walpurgisnacht's, and Itzli is said to only show herself after Walpurgisnacht. Mabayu being in the timeloop is a direct result of Walpurgisnacht (since that's when/what starts Homura on her time shenanigans), and it can be presumed that Mabayu would have fought against Walpurgisnacht at some point.

The final point I'll talk about (at least for now) is the appearances: Mabayu's hair tips look like Itzli's roots, and her green moppy hair evokes the feeling of Itzli's surrounding brain goo(?). They both have a primarily green + purple palette (again, BIG COINCIDENCE if unintended). The ribbons on Mabayu also remind me of the stem and head(?) accessory on Itzli. (The brain shape is heavily connected to the concept of memory; with memories of Homura and other magical girls depicted on the side rolls.)

It's not hard for me to believe that they would give an interesting witch a magical girl in a movie because it's already happened before; Nagisa was only created for Rebellion after fans loved Charlotte. Itzli being one of the most interesting and lore-filled witches more than gives the chance that her magical girl could be featured in a movie.

In conclusion, if Mabayu isn't confirmed/revealed to be Itzli I. will. RIOT. They are perfect matches for eachother, and it will be extremely irrational to not have them be the same. (I will only accept Mabayu not being Itzli if she is instead revealed to be Walpurgisnacht).

Finally, I understand that Itzli is implied to be an alien magical girl, so please do not reblog/comment about the alien implications. I think that's pretty interesting, but Mabayu seems like such a perfect fit and my theorist brainrot must be fed.

[sugarpasteltmnt]

YALL ARE TOO AMAZING AND SWEET AND SKILLED AND AHHHHH 🩵😭😭😭🩵💗💘‼️😭

[chellestrash]

Your lil analysis on that Sweet Virginia gifset. YES. Maybe it’s because I watched it right after I’d finished the Punisher, so I had Frank and his big bag of issues, but I always interpreted it as a manifestation of his self-deprecation. Which IS selfish, in so far as it’s a self-centered way of moving through relationships. It highlights the way that doing the whole “I’m not good enough for you” is not the compliment that it might seem. Sam might be looking out for eyes on them because he doesn’t want to be a source of shame for her, but goddamn it Sammy, look at your girl!

sorry i didn’t respond yesterday hun i fell asleep!

OKAY AH! YES! absolutely like, even just in the first scenes with him it’s blandly obvious how low he thinks of himself and i think that plays a significant role in the way he treats Bern and to me that like…Sam is at a completely different level of self hearted when it morphs from „i’m not good enough for her, she can’t be seen with me” to a „i can’t be seen doing this”. Like he already thinks so negatively about himself he can’t have peoples opinions about him adding to it.

The way that to him it’s more important that Bern hasn’t been seen going into his room than the fact that she’s actually there? Or how he refuses to stay with her longer despite her asking him to become again, to me, it’s him going „i can’t be seen leaving a widows house early in the morning, people will know”.

It’s tragic that the way he thinks about himself turns into him hurting other people because even if it’s unintentional it can weight so heavy on others, Bern in particular.

Idk i just really really love to think about the negative side of sam and how it plays into the movie, and especially how significant the last few scenes with them feel because of it?

The scene after the break in? when he holds Bern so so tight despite all the people who could potentially see them together like that? or the last one where they’re at the front porch together?? i just AHHH the character development i stg. the way he allows himself to be seen being happy with her, the fact that they both work through their lose and just GOOOOD

like hello do you have a week? cause i can also talk about my theories on his accident or literally anything else about him i think i just kinda…overanalysed his character in my head

SO ANYWAY

[the-moon-files]

Zelda: I’m very excited to see the technology that humans have! I wonder how advanced their machines are, given the fact that Earth has no traces of Magic!

The Technology that humans have:

So real, the first thing came to mind when i thought abt this was shit like string lights lol

And cars, but this shit is funnier and also would be like the first thing id show Zelda lmao

Peace out connoisseur gardener,

🌙

[alluralater]

"can't believe i was so childish back then" talking about something i did three days ago

[procrastinationaccount]

AU where almost everything is exactly the same but Wake's revenant screamed out Pyrrha's name

[ultrainfinitepit]

25. The Lost

This one was tough but I settled on Atlas as the Lost. For much of his story, Atlas is struggling to find his way in the world. The things he wants to do don't seem to be what people need from him. He runs away from home and is literally lost for a while. I'd like to think Atlas will find his perfect fit someday, but at the moment even at his happiest he doesn't have everything he wants.

[crimsonfeatheredraven]

You know what? I think Jason should be a bit more unhinged about his death. I'm not talking about death jokes or "did you die?" comments or even the angst filled moments that we've been getting, which I respect in their own right.... but I'm thinking more along the lines of him carrying dirt from his grave around in a little pendant that he wears around his neck 90% of the time... using his coffin as a table or bookshelf...having a stain glass window in his actual apartment that has a depiction of the angel that stands over his grave...

I wish he would be allowed to actually enjoy his second life more...but I also think it be interesting to see him have a more macabre fascination with his death without linking it to Bruce...

[incompleteninny]

The sixty-eighth free, unedited chapter of my upcoming book, “The Heist at Cordia Aquarium” is now available on its website (or click here to read from the beginning).

Valerie's office is foreboding at night. Shadows creep down the walls, cast by the vines of plants. Tons of them — nestled in pots — dangle from the ceiling by chains. At the slightest shift of air, they sway and their chains rattle, filling the room with a haunting melody. The melody of a a gaol-bound lich; of armored skeletons marching.

It sends goosebumps crawling over Avery's skin and resonates with the pain of her dislocated shoulder. She sinks further into the sofa — unable to do more than exist. I'm safe here. I'm safe.

Her usual internal contrarian fails to prod her: maybe it's too exhausted to carry on torturing her. Still, her thoughts aren't silent. They wax and wane, just like the moonlight outside shimmering through shifting clouds. Hazy, ethereal, unstable. Teasing the outskirts of sleep.

With a few more seconds, she's gone. Falling through her mind. She jolts up, out from the depths of the cushion's warmth and onto the edge of the sofa. No! I can't sleep. Not yet. Not until the police get here.

[...]

This week, how about we repost this bisexual disaster’s character concept sheet?