#rappa kendou

[stchisaki]

DAY XIX. — FACE-SITTING

cw: Face-Sitting, Teasing, Attempt at Humor, Fem! Reader. 18+ Only!

author's note: This is for a good friend of mine! I hope you guys enjoy. I think Rappa's very funny.

word count: Approximately 1.2k words.

The door nearly slams off of its hinges, creaking and swaying haphazardly, before a large figure trudges in and closes it—albeit not gently at all. You would have nearly jumped out of your skin, but you’re used to this by now. An aggravated sigh rings around the room before the lumbering figure starts stalking closer. You swivel around on your office chair, hands steepled and brows raised. 

“Everything okay, Kendou?” 

Another sigh of frustration. 

“No. Of course not.” 

Kendou’s answer is curt, and it translates into his movements. He’s quick to tear his mask off and toss it towards a bedside table, and his gloves are clicking and following immediately after. You rise out of your seat carefully, sure not to make too much noise because Kendou becomes a little mean and cold whenever he gets agitated and pissed off. You would tease him usually, but he seems unusually mad. Whenever he notices that you’re approaching him, Kendou’s shoulders sag a little and he meets you halfway. He exhales, but there’s no emotion behind it, and he clasps his hands. 

“Sorry. It’s nothing that you did. I was just tryna do what Overhaul said, but I got duped.” 

You tilt your head, reaching out and placing a gentle hand on Kendou’s forehead. 

“What happened?” 

Finally, Kendou sweeps his hands out in a grand gesture before he flings his body backwards, groaning the entire way down. His back connects to the bed that oh-so thankfully happened to be behind him, and the springs scream out in protest before his body bounces heavily a few times. He’s like jelly, and the sight of it makes your eyes bulge out of your head. Your mouth is open, ready to question him until— 

“It’s that damn new Overhaul’s girl. Everybody thinks she’s Quirkless, but I know the truth! It’s unbelievable the things I’ve seen.” 

Oh, this again. Kendou has ranted about Overhaul’s new sweet thing multiple times now. You’ve not had the pleasure to meet her personally, but you’re not really sure you want to. Apparently she’s managed to convince everyone pretty well… or perhaps Kendou’s just hallucinating. 

“Yes, you’ve mentioned her quite a bit lately. What did she do this time?” 

A strange mix between a strangle laugh and a choked sob reverberates in the back of his throat before he wails his answer out boisterously. 

“Those three blond boys again! She keeps summoning them! And she’s using them to slip past me to escape. The bathtub. The bathtub!” 

You blink. 

“Right, yeah. How could I forget the bathtub?” 

You shift your eyes because you’re not sure what response to supply, but Kendou just emits another strange sound and waves his hands around. 

“Forget the dame! I need some stress relief, babe.” 

Immediately you face him again. 

“Oh?” 

Kendou’s hands flop back down. 

“Yeah. Sit on my face right now.” 

The way Kendou doesn’t ask lets you know that he’s serious, so you don’t even attempt to refute him. He’s impatient, so you’re not even going to have a chance to hop in the shower or anything, so you just wince slightly before you start to peel your clothes off. Kendou tilts his head up a little so that he can watch, and you make sure to wipe the wince off and give him a coy little smile before you teasingly remove your top. Your bra easily catches along, and both articles of clothing are on the floor before your thumbs hook underneath the band of your bottoms and you start to sashay your hips while you lower them down your thighs. They fall the rest of the way to your ankles, but you don’t stop twirling your hips the entire way. Your hands are trailing up your belly whenever you casually step out of your bottoms and stalk towards him. 

Kendou’s already hard—you can see his erection straining against his baggy jeans the closer you approach. Seeing his cock already pulsing to life has electricity tingling underneath your nerves, so you pick up the pace. Your hands are on Kendou’s knees before you tap your fingertips against their curves, and then you start to fondle up his thighs while you crawl up and over him. Kendou loosely lets his hands splay across you, feeling and caressing whatever flesh he can while you cross him. It makes you bite your lip, one incisor poking out and the other rubbing against your mouth. His calloused hands feel terrific on you, the way they hiss, the way they feel so heavy and real against you, the way he grabs you. Kendou’s got your blood boiling, and your coy smile turns a little predatory. You chuckle. 

“You’re so eager, big boy. Have you been thinking about this?” 

Kendou grunts.

“All damn day. I hate being assigned to her. You’re an angel compared to that.” 

His comment sends more thunderstorms crackling down your body, and you moan quietly before you start to shimmy up. You straighten, attempting to fluidly lock your legs around his shoulders and neck without looking awkward. Kendou watches you, those golden hues on his face brilliant and shining. You can see emotions brimming to life in those pools of honey, and you can’t help the heat that blooms in your heart and blossoms out to your groin. Another moan, and your palms are sensually rolling down your breasts, thumbs flicking pert jewels, and then down your abdomen before they reach Kendou’s jawline. He leans into your touch, chest heaving and breath speeding, and your smile returns to its kindness whenever you coo and start to cradle his face. 

“I’ve been daydreaming about having you all day, too, Kendou. Can’t believe we both get what we want.” 

You wink, and Kendou releases a genuine chuckle and he smiles. He looks so handsome, broad and chiseled, whenever he does, and you flutter. Your cunt clenches, and you can already feel glaze smearing along your cunt’s lips. 

“Like a dream come true, doll. Now c’mon, I hate waiting.” 

Impatient like always, but you don’t mind indulging him after such a rough and arduous day. Your toes curl in delight, so you lift up on your knees and slowly ease your way down onto the lower half of Kendou’s face. He soon disappears, lidded eyes open and glossy with excitement. Kendou’s gaze never leaves yours, and the intimacy has you gasping—especially whenever he kisses your cunt. He fondles your lips, pulling and tugging, letting his tongue slip out of his mouth to swipe a few loose licks. Gasps keep slipping out of you, so you bite the inner wall of your bottom lips and groan into sealed teeth. 

He’s fluid like always, kissing you in ways that you would have never thought possible until you met him. That eager tongue doesn’t waste any time cleaning you before his mouth shifts, catching your now throbbing clit into his maw. It’s too much, and you cry out. Both of your eyes squint in ecstasy, but you don’t miss the mirth and twinkle that sparks alive in Kendou’s gaze. You moan.

“Kendou, don’t you mess with me or I’ll—” 

He slurps, cutting you off, and you soon regret your words—

After all, he’s quite the hungry man. 

[bnhaobservation]

Ultra Age bits: the interview

So I'm going to try and look in deep at the various bits of the fanbook, at least those that look potentially interesting to see if there's something new and comment on my finding or lack thereof. Beware, my comments might not be positive.

So next I've been looking at the interview done to Horikoshi and his five editors, especially since I read somewhere it said something about Himiko's death. As we're talking about 11 pages of interview for once I'm not going to add the scans of the pages and I'll warn you the interview was translated by Google translate so take this with a grain of salt. I'll include the images from the interview, but I'll skip the 'memorable quotes' (the interview highlights some memorable quotes said in it by repeating them in a box).

SPECIAL RELAY TALK

A LOOK BEHIND THE SCENES OF “MY HERO ACADEMIA” PRODUCTION!

(WRITER) HORIKOSHI KOHEI X (PAST) EDITOR IN CHARGE

THE STRONGEST SIDEKICKS ARE GATHERED TOGETHER!

THANKS.

FIN.

FIRST PERSON IN CHARGE: KOIKE HITOSHI

STARTING FROM A DIFFICULT SITUATION!? THE STORY BEHIND THE BIRTH OF “MY HERO ACADEMIA”

----I understand that Koike-san has been involved with “My Hero Academia” since the series’ inception.

Koike: The first time I met with Horikoshi-sensei after I became his editor, he told me that he wanted to turn a one-shot he had written a long time ago, called “My Hero,” into a serialized work. I also liked that one-shot, so I was all for it. After that, we talked about how “if we want to serialize it, it should be set in a school.”

Horikoshi: Was that so? I don’t really remember (laughs).

Koike: That was 10 years ago (laughs).

Horikoshi: However, I remember that Koike-san was extremely helpful to me. At the time, I was stuck on writing the manga... After I started preparing for the serialization of “My Hero Academia”, we had meetings once a week, but there were many times when the storyboards were not completed.

Koike: “It’s okay if it’s not ready yet, but let’s just meet face to face and talk for an hour or two,” I said, and we had a meeting.

Horikoshi: I remember him encouraging me by saying, “Horikoshi-san, I think this is really good.” I felt really bad about showing up when there hadn’t been any progress.

Koike: I had to force him to come just for that part (laughs).

Horikoshi: Looking back now, that was a turning point. If Koike-san had given up on me, I probably wouldn’t have drawn manga again. But Koike-san never gave up on me, and thanks to him, I was able to create the work that is “My Hero Academia.”

Koike: But I’m not such a kind person. However, I’m a contrarian, so when Horikoshi-sensei said, “I can’t draw it,” I wanted him to draw it instead. I was like, “I’ll definitely get him to draw it!” (laughs). In that sense, I think Sensei and I got along well.

----What specifically were you struggling with?

Horikoshi: It took a year from the first meeting for “My Hero Academia” to complete chapters 1-3, but the first 7-8 pages of chapter 1, where the world view is introduced and Mt. Lady appears, were redrawn dozens of times.

Koike: The next scene after Mt. Lady is set in Deku and Bakugō’s middle school days, but there were actually a number of different scenarios to consider when deciding how to portray these two.

Horikoshi: I couldn’t think of a satisfactory development, so I got stuck there. There was a scenario where the two of them had already entered U.A., and also, the Villain rampaging on the first spread was a Nōmu.

----Was it planned for him to appear from the first chapter?

Horikoshi: Of course, they were just one of the normal Villains, with a completely different setting from the current Nōmu, but the Nōmu design was reused later. It was difficult at the time, but looking back now, I think I was saving up ideas for constructing “My Hero Academia” over that year.

Koike: But the climax of the first chapter, the scene where Deku, before he receives his “quirk”, rushes out to save Bakugō who is being attacked by a Villain, was solidified early on. I was shown that scene in advance, and I thought, “This could be an amazing piece.” In a normal new serialization, the highlight of the first chapter is when the main character awakens to his power and defeats the enemy, but I was shocked to see that “you can get catharsis without defeating the Villain.”

Horikoshi: I remember that Koike-san praised me for that scene.

Koike: The second chapter, in which Deku trains while cleaning up the coastline and receives “One for All” from All Might, was originally supposed to be depicted as a flashback during the U.A. entrance exam arc in chapter 3. However, we decided to split it up because we felt that there were too many elements packed into one chapter.

Horikoshi: That’s why it inevitably feels like a lead-up to chapter 3.

Koike: I also thought, “Isn’t just cleaning up the coastline too plain?” and asked if we should do something more flashy. But Horikoshi-sensei said, “No, picking up trash is a good idea for Deku’s first hero activity.”

Horikoshi: I was a bit worried too, but I thought it would be better if Deku was a bit plain, so I went for it.

Koike: So I asked him to make it even more exciting.

Horikoshi: But I didn’t know how to liven things up either, so I just wrote the words “entrance exam,” “the day,” “morning,” and “six o’clock” in really big letters in the monologue about the day of the exam (laughs).

Koike: I think he added a bit more muscle to Deku (laughs). But contrary to our worries, the survey results for the second chapter were also good. Usually, new serializations drop off drastically in the second chapter. I was so happy that I called Sensei. I told him, “We can have confidence in this work called ‘My Hero Academia.’”

EVEN POPULAR AUTHORS ARE RAVING ABOUT IT!

Horikoshi: I was also really happy that Kishimoto-sensei, the creator of “NARUTO”, praised the second chapter.

Koike: That’s right, Kishimoto-sensei spoke to me and said, “The second chapter of ‘My Hero Academia’ was really good!”

Horikoshi: Kishimoto-sensei said, “The second chapter was even better than the first!” He especially liked Deku’s line, “I’m so blessed that All Might has done so much for me...”

Koike: It’s a good line. It’s something that Horikoshi-sensei would say, or rather, it’s a line that’s in sync with the author’s words. This is true of most shōnen manga, but the personality of the author, Horikoshi Kohei, fits perfectly into the main character, Midoriya Izuku.

Horikoshi: I don’t intend to draw manga characters as alter egos of myself, but my human side inevitably comes out.

Koike: During an early meeting, Horikoshi-sensei said, “I’m drawing it from Deku’s perspective, with the stance of how he can be recognized by All Might.” That made me want to check out the work from the standpoint of, “If I were All Might, what kind of efforts by Deku would move me?”

Horikoshi: So we both created the work from Deku’s and All Might’s perspectives, right?

Koike: The third chapter, which depicts the entrance exams for U.A. High School, felt promising even during our meetings, and I thought, “This one’s a winner!”

Horikoshi: At the end, there was a cathartic moment when Deku used the power of “One For All” for the first time to defeat the test robot, so I thought it would be okay.

Koike: There were only a few other scenes where Ochako appeared, but when Deku almost fell over, he was saved by her “quirk.” That scene was also good. I fell in love with this girl just from that scene.

THE UNEXPECTED DEPARTURE OF THE EDITOR COULD HAVE LED TO THE END OF “MY HERO ACADEMIA”?!

Horikoshi: But due to the increased workload of Koike-san, Koike-san left his position after the third chapter. To be honest, I thought, “My Hero Academia is over...” That’s how big of a presence Koike-san had in my mind, and I thought of him as a pillar of My Hero Academia.

----It’s like Deku and All Might.

Horikoshi: That’s absolutely true.

Koike: I was also disappointed because it was a personnel order that I was removed from my position. What made it complicated for Horikoshi-sensei was that I was in charge of another work, and I was ordered not to be removed from that one. It was an order, but I also swallowed it, thinking, “If both works are to be successful, this is the only option.”

Horikoshi: I was so jealous that I thought to myself, “I won’t lose to the work that Koike-san is in charge of,” and for a while I felt a burning competitive spirit (laughs).

----As the first editor, what were your thoughts on the final chapter?

Koike: I was involved up until the appearance of All Might, Deku, Bakugō, Ochako, Īda, and Present Mic, so I was moved by how they all tried their best until the very end and came up with their own answers. Also, it’s a classic for a boys’ magazine to have strong heroes like Bakugō and Todoroki play an active role in battles, but I was also very moved by how Īda and Ochako played an active role in the final stages, not in battles, but in the direction of “saving people.” As a reader, I was happy to see the success of both heroes who save people and heroes who fight (laughs).

SECOND EDITOR: MONJI KENGO

RELATIONSHIPS OF TRUST BUILT THROUGH “HONEST WORK”

----Monji-san was in charge of the story from chapter 4 up until just before the school festival arc.

Horikoshi: Even now, I feel sorry that I may have been rude when the responsibility was handed over from Koike-san to Monji-san.

Monji: No, I didn’t think you were rude at all. But you did have a sad look on your face (laughs).

Horikoshi: I was really shocked when Koike-san was replaced (laughs).

Monji: Of course, it would be unpleasant to have the person who started the serialization be replaced so soon after it started. But when we started the meeting, I could sense Horikoshi-sensei’s desire to “work together,” so I felt relieved that he didn’t think “compared to Koike-san, this guy is no good” (laughs).

Horikoshi: I hadn’t thought about that at all (laughs).

Monji: As the person in charge at the time when “My Hero Academia” was starting to grow, it was fun to have the opportunity to experience various things such as the TV anime and movie adaptations. However, working with Horikoshi-sensei, I felt that he was a very anxious person. His humble attitude did not change even after “My Hero Academia” became a hit.

Horikoshi: A certain author once told me, “Once you become popular, you’ll be able to hold your head high and walk confidently in the middle of the street!” But I couldn’t feel that way at all, and I thought, “That’s a lie.” Even after I’d risen once, I was nervous as I drew “My Hero Academia,” thinking, “I have to make sure I don’t fall back!”

Monji: Horikoshi-sensei, you’re not the type to be greedy, but you do seem to be very particular about the surveys.

Horikoshi: I was nervous about the survey results every week (laughs). But one day, I made up my mind. Just before the WBC finals, Ōtani Shōhei said, “Let’s stop looking up them (to the US national team),” and at one point, I also thought, “Let’s put ‘My Hero Academia’ and ‘ONE PIECE’ on the same stage!” “We’re rivals! Let’s stop looking up to them!”

----What kind of person was Monji-san in your opinion, Horikoshi-sensei?

Horikoshi: He was a very reliable person. Even when I was stuck writing, he would cheerfully say, “It’s okay,” and it was a great relief.

Monji: I didn’t mean to give him any consolation, and I honestly thought “It’ll be fine” because “My Hero Academia” was really interesting. Also, I don’t want to lie to the author as much as possible. Even if the quality of the name is not satisfactory from the editor’s point of view, I can say “This is good enough” and pass it on, and that’s easy. But if I do that, I think the writer will realize that “This editor is lying.” So I told Horikoshi-sensei things like “Let’s fix this part.”

Horikoshi: I had an awful lot of trust in Monji-san. If he had even once said to me, “We don’t have much time left, so I’ll give the OK even with this quality,” I don’t think I would have trusted him at all.

Monji: But I was convinced that Horikoshi-sensei’s manga is not just about technique and story structure, but also has soul, so it’s definitely interesting. I was thrilled when I read the manuscript for “Todoroki Shōto: Origin.”

Horikoshi: I wrote that chapter with momentum and emotion (laughs).

THE SECOND EDITOR’S EFFORTS HELP HIM OVERCOME HIS SLUMP!?

Horikoshi: Another time I felt that Monji-san saved me was the chapter in the Intern arc with Kirishima & Fat Gum and Rappa & Tengai. In fact, Monji-san drew the reference name for this chapter.

Monji: No no, actually Horikoshi-sensei made quite a few revisions to it and it became quite interesting, so it was just a rough scribble of the idea.

Horikoshi: No, I’d like to say that that’s definitely not the case. At the time, I was stuck on my writing, but when I saw the spread of Kirishima drawn by Monji-san, I realized, “This is what My Hero Academia needs right now!” and “This is what a shōnen manga is all about!”

Monji: I’m glad to hear you say that.

Horikoshi: It takes a lot of courage to draw a double page spread. Because it’s the scene where you have to decide the most. Back then, I would put the brakes on at that point.

Monji: I liked both Kirishima and Fatgum, so I thought, “It would definitely be fun to tell a story like this.”

Horikoshi: From that point on, it started to get fun, and the image of the battle between Mirio and Chisaki that was planned to follow came to mind, so I drew just that part first.

Monji: I was surprised when he suddenly said to me, “I’ve drawn 15 pages of storyboards” (laughs).

Horikoshi: That’s why I was definitely saved by Monji-san at that time.

Monji: I’m happy. When the chapter about Kirishima was made into an anime, I suddenly got a LINE message from Horikoshi-sensei saying, “I want Monji-san to be credited in the original story for this episode,” and I was really touched. “You remembered me.”

Horikoshi: It was such a big event for me.

----As the second editor, what did you think of the final chapter of “My Hero Academia”?

Monji: In the chapter “A Young Woman's Declaration,” the story changed from “The story of how I became the greatest hero” to “The story of how everyone becomes the greatest hero,” and he declared, “This is the story of My Hero Academia.” I think that mindset was carried through to the very end, to the final battle. In the final chapter, Deku loses his “quirk” power, but he is resurrected as a hero with the armored suit that everyone made for him. I was very moved by that development. “You don’t become a hero alone, you become a hero together with the others.” I thought that this was one of the answers that the work “My Hero Academia” gave. I was also happy when Bakugō called out to Deku at the end, “Come on, Deku.”

THIRD EDITOR: YORITOMI RYŌSUKE

MAGICAL CREATIVITY

----Yoritomi-san, I heard that you were in charge of the Aoyama Anomaly arc through to the middle of the All-Out War Between Heroes and Enemies arc.

Horikoshi: After Yoritomi-san came, I changed the way I treated my editor a little. Before that, Koike-san, who was my first editor, was older than me, and Monji-san was the same age as me, but I’m younger than Yoritomi-san. They’re from a generation that knew about “My Hero Academia” before they joined Shueisha, so I realized that I can’t rely on them and call “editor-saan!” like I have in the past. I had to be more confident.

Yorifumi: But Horikoshi-sensei listened carefully to what I had to say even though I was younger than him, and our meetings were always very friendly, so it was easy to work with him.

----Yorifumi-san, what kind of author is Horikoshi-sensei in your opinion?

Yorifumi: Horikoshi-sensei has amazing ideas and the ability to absorb new ideas. Right after I became his editor, a character called Gentle appeared in the school festival arc.

Horikoshi: When I was meeting with Yorifumi-san at a karaoke bar, I said, “Since it’s the school festival, I want to make it a light-hearted story,” and “I want the enemy to be as stupid as possible, a foolish gentleman.”

Yorifumi: At that point, Horikoshi-sensei had already sketched Gentle’s visual, and he had already solidified his image. When we asked each other, “So how can we introduce his foolish gentlemanliness?”, I happened to be watching the TV drama “Aibō”, so I said, “How about pouring tea from a high place like Ukyo-san, so that it gets all sopping wet?” and it was included in the manuscript. What’s more, La Brava wasn’t even there at the meeting stage, but then she was standing next to Gentle with tea on her head (laughs). I was happy that my idea was adopted, and by having the character La Brava standing next to him, it emphasized Gentle’s foolish gentlemanliness. I thought he was a person with an incredible amount of creativity.

Horikoshi: Isn’t that just me getting ideas from other people?

Yorifumi: No, it’s just that Sensei has a great ability to absorb essences from the outside world into his work. I like soccer, but the sensei wasn’t a soccer fan at the time. But when I told him an episode from Messi’s childhood, it was translated into an episode from Hawks’ childhood, and the visual of Hawks drawn on the back of the comic was inspired by the earrings worn by Cristiano Ronaldo. The World Cup was being held at the time, but the sensei was busy, so he didn’t watch it closely. But he found cool essences in the limited time he had and incorporated them into his work.

IMAGE

Horikoshi: I didn’t have a lot of ideas, so I picked up things outside of my scope from casual conversations with my editor.

Yorifumi: We both like comedy, and one day we were talking about a certain comedian, and a character based on that person appeared in the story (laughs). I thought the process of creating a character was like magic. Even during meetings, Sensei is drawing something in his sketchbook. Sometimes a character is born from that. I think it’s amazing that he continues to draw in his free time even though he’s busy writing at work.

Horikoshi: No, it’s just to give the impression that something is being drawn.

Yorifumi: But Agoyamato Tsutsutaka-kun, that character was born from a sketch. I was wondering “Who is this guy?”, and then he appeared in the manuscript, so I was surprised. There were many other wonderful character designs, so I thought “Are they going to use this guy!??” (laughs).

Horikoshi: Isn’t it cool? The space battleship shape of the face is based on the Space Battleship Yamato, which is brilliant.

Yorifumi: That’s why I think not many people realize that he has the name Yamato. He gets a concussion every time he shoots the Wave Motion Gun from his jaw, right? Why do I remember a setting like this that is never shown in the main story...?

Horikoshi: He is really good at his job.

Yorifumi: Is it okay to have so many stories like this? (laughs) But Sensei had an outline of the scenes he wanted to depict in his mind, and we struggled during our weekly meetings to come up with a way to get the story to that point.

Horikoshi: It was hard to connect the dots in the story. When Deku and Bakugō were almost killed by Shigaraki in the All-Out War arc, I was really stuck on what to do next. But then, talking with Yorifumi-san, we thought, “It would be great if Gran Torino came to the rescue,” and we thought, “That’s it!” I got really excited (laughs).

Yoritomi: I remember that Horikoshi-sensei was very happy when his worries were resolved.

Horikoshi: That meeting was fun (laughs). Also, when we had to choose between two options at important turning points in the story, we had a lot of discussions about what to do and which way to go.

Yorifumi: We had discussions like, “Can we stop killing off these characters?” Especially All Might and Endeavor.

ENDEAVOR AVOIDS DEATH WITH A SINGLE MOVE

Horikoshi: Endeavor was supposed to die somewhere after the High-End Nōmu fight in volume 21.

Yorifumi: That’s right. At first I was also like, “No, that’s too much...”, but then I gave up and thought, “It will be what it will be,” and then Endeavor’s turnaround was so amazing that he survived.

Horikoshi: As I was drawing it, I thought it would be wrong for Endeavor to die here.

Yorifumi: Endeavor will continue to carry that cross and atone for his past mistakes.

Horikoshi: I think it was around this time that I started to think that I wanted to make a story with as few deaths as possible. I love the tension of life and death, and it’s necessary, but I wanted to keep it to a minimum in “My Hero Academia.”

Yoritomi: But on the other hand, they end up suffering serious injuries in the fierce fighting, so they end up in a terrible state.

Horikoshi: I made sure that it would definitely leave a scar.

Yorifumi: But it’s precisely because the characters are struggling like this but are still doing their best that their words are more persuasive and I felt even more encouraged reading them.

----As the third editor, what did you think of the final chapter of “My Hero Academia”?

Yoritomi: The story has taken many twists and turns since we first discussed it, and there have been many changes.

Horikoshi: Yes, I once told Yoritomi-san that “My Hero Academia will end in one more year,” but it ended up continuing for five years (laughs).

Yorifumi: In the beginning, there was a plot where All Might was killed by Shigaraki, and then Bakugō tried to kill Shigaraki, but Deku stopped him.

Horikoshi: That was one idea.

Yorifumi: Even though there were many changes, I think we stuck to the theme of “the greatest hero” that we set out in the first chapter until the very end, and I think that gave the readers a push in the right direction, making it a positive and fantastic final chapter!

FORTH EDITOR: TAGUCHI HIKARU

DEALING WITH MASS DEATHS SOON AFTER TAKING CHARGE

----I heard that Taguchi-san was in charge of the period from the middle of the all-out war to the beginning of the second decisive battle.

Taguchi: Up until the point where Endeavor and Hawks start fighting All For One together.

Horikoshi: I remember that every time we finished a meeting, Taguchi-san and I would play a certain Super Smash Bros. game (laughs).

Taguchi: A certain bird character that Horikoshi-sensei uses is very strong (laughs).

Horikoshi: At the time I was very busy with the original art exhibition and the third movie.

Taguchi: Over the New Year holidays, we asked him to draw some pictures for an original art exhibition…

Horikoshi: That was a tough deadline.

Taguchi: The line drawing of the B1-sized picture is finished with only two days left, and then we start coloring from there.

Horikoshi: I’m sorry for the inconvenience.

Taguchi: No, no. Not only the third film, but even the fourth film after I was put in charge by Imamura-san, it was amazing how they were able to handle the amount of material, including the special booklets for visitors…

Horikoshi: Since they were going to take the trouble to make it, I wanted the people who had worked so hard to be rewarded as much as possible. As a result, I ended up making the editor work twice as hard.

Taguchi: No, no. Going back to when it was being serialized, it was the time when the all-out war ended and many heroes, including Midnight, died. Soon after I took over, I remember having a discussion with Horikoshi-sensei like, “Should this character be on the death list?” Specifically, Majestic.

Horikoshi: We often had discussions like, “Is this development going a bit too far?”

Taguchi: There were many difficult decisions to make, but it was a refreshing experience to imagine the readers’ reactions and discuss which parts I wanted to include and which parts I wanted to suppress.

----Are there any other memorable episodes?

Taguchi: After the all-out war, when Deku wanders off and returns to U.A., Ochako cries out, “Please let this be his Hero Academia!!” That part was the only one that Horikoshi-sensei had shown me about a month before.

Horikoshi: I often draw an exciting image first. When I’m putting together a story, I get excited and scribble down the scene. I get stabbed with the strongest spear, told to draw this week’s storyboard before that, but having this helps me to keep the excitement going on the path to get there.

Taguchi: When I saw that scene, I had a premonition that “this chapter will be amazing.” When it was published in the magazine, the response to the survey was very positive, and I even got a message from Koike-san, who was in charge of the original, saying “Why not do it?”

TOGETHER WITH THE SUFFERING OF THE TODOROKI FAMILY

Horikoshi: Taguchi-san helped us out with the tough developments towards the end.

Taguchi: There were a lot of heavy chapters related to the Todoroki family. In the chapter where the Todoroki family somehow managed to come together and face the future at the hospital, Sensei was worried and said, “This is serious...I wonder if this is okay.”

Horikoshi: It was extremely tough and difficult, so Jeanist saved me.

Taguchi: Sensei had been talking for a long time about how Endeavor shouldn’t be forgiven, so this development was the result of much consideration, and it was very moving for me.

----What did you think of the final chapter?

Taguchi: I was in charge of a lot of the dark developments towards the end, so when I left I was worried, “Will a lot of allies die?” But in the final chapter, even though everyone was wounded, I think it was a classic ending for a shōnen manga. Sensei was unsure whether to have a scene where Shigaraki appears in the background at the end, so he maintained a stoic attitude until the end, and I feel like I really appreciate his hard work.

FIFTH EDITOR: IMAMURA TAKURŌ

ENDEAVOR WILL FACE OFF AGAINST “RURIDRAGON”!?

----Imamura-san, is it true that you were in charge from the middle of the final battle onwards?

Imamura: In the story, Endeavor fights All For One, and in the collected volumes, it’s around volume 36. When I first became his editor, Horikoshi-sensei pointed to Endeavor and said, “This is my Ruri-chan.” I didn’t understand what he meant at the time, but it was just sensei’s own playfulness (laughs).

Horikoshi: At that time, “RuriDragon” had just started, and it was incredibly popular from the beginning, and I liked it too. Ruri-chan can breathe fire from her mouth. So I felt a sense of rivalry and tried to make Endeavor breathe fire in that chapter. I thought, “I have a character who can breathe fire, too!” Of course, no one knew about it.

Imamura: In terms of the story, from the final battle to the end, it was the most difficult period for Sensei.

Horikoshi: But Imamura-san was very helpful because he gave me objective opinions. When I asked him, “This is what I think, what do you think?” I interpreted his response as probably being close to the general reader’s point of view.

Imamura: Shōji-kun’s Heteromorph discrimination story, which I took over soon after, was written with particular care and consideration.

Horikoshi: It’s a story where even one wrong line could hurt someone in real life, so I was grateful for Imamura-san’s objective perspective.

Imamura: Thank you. I’ve realized once again since I became your editor that Sensei’s manga is insanely interesting. However, you also linger with care about the names and the illustrations (laughs). I was wondering, when did the popularity poll anniversary illustrations start to have that density? There are an incredible number of characters, aren’t there?

Horikoshi: I think it started when I drew 20 students from Class A plus two teachers for the first anniversary. Once I drew it, I didn’t want to lower the density of the image any more. I once tried reducing the number of people, but I really regretted it.

Imamura: From the reader’s perspective, it’s nice to have a lot of characters (laughs). What I found amazing about working with sensei was his spirit of service to his readers. He fills the blank pages of the comics with original illustrations, and there are pictures not only on the back of the cover but also on the back of the obi. I’ve never seen anything like this (laughs). The character introduction pages also have a playful variety.

Horikoshi: I’m sorry for causing you so much worry regarding the progress of the project (laughs).

The sudden announcement of Bakugō and Toga’s deaths

----Is there a chapter that left a lasting impression on you, Imamura-san?

Imamura: The chapter where Bakugō is on the brink of death in the fight with Shigaraki, and the chapter where Toga dies. When it was Bakugō, it was right after I took over, and I was surprised when he said, “Imamura-san, Bakugō is going to die, but is that okay?” But at that time, the plan for Bakugō’s revival had already been made.

Horikoshi: I didn’t want to kill the character, but I also wanted to express Shigaraki’s overwhelming strength. So I killed him off, with the intention of reviving him later.

Imamura: When I asked him, “When will he wake up?” he said, “About a year or a year and a half later in the real world.” I couldn’t immediately reply, “That’s fine.” I knew Bakugō would come back to life, but fans would have to wait a year (laughs).

Horikoshi: Imamura-san actually consulted with an emergency medical technician.

Imamura said, “Theoretically, if we could sew the patient up the moment the heart explodes, he might be able to survive.”

Horikoshi: I was able to depict it with peace of mind because I was told that it was a possibility. It was really helpful that Imamura-san was able to do things like this quickly and with agility.

Imamura: And the chapter where Toga dies. Originally, she wasn’t supposed to die. She was supposed to get caught and serve time in prison.

Horikoshi: I was going ahead with that concept, but then I changed my mind halfway through.

Imamura: I was walking around Shinjuku when I got a call from sensei, who asked, “Is it okay for Toga to die after all?” I thought, “This is no joke,” so I canceled all my plans for the rest of the day and spent about three hours with Sensei discussing whether or not he should die. We explored various scenarios.

Horikoshi: Actually, there was an idea that Toga was still alive... Sometimes Ochako would go to the forest where the battle had taken place and leave a syringe full of her own blood there. Then the next day it would be gone.

Imamura: It does seem to hint at her survival.

Horikoshi: But in the end, we decided not to do that because it would mean no one would take responsibility. In the end, Imamura-san also gave us the OK.

Imamura: I also had a hard time deciding whether death or survival was better.

Horikoshi: But thanks to you, this chapter received high marks in the reader survey.

Imamura: After finishing the manuscript, Sensei would do a self-check. Then, in the final scene, he added an exclamation mark to Toga’s monologue about being an “ordinary girl” and made it “an ordinary girl!” Just that one thing changed the nuance completely, and it gave me goosebumps. It made the reading experience completely different. The end of the girl, Toga Himiko, became sad but bright.

Horikoshi: Doing things like that ends up delaying the manuscript (laughs).

----Imamura-san, during the final chapter that you were in charge of, was there anything that stood out to you?

Imamura: I was quite naïve during the writing the final chapter.

Horikoshi: I was worried about whether readers would accept the story of Deku, who has lost his “quirk” and grown up eight years later, receiving an armored suit from his friends and going off on a date. I was worried that it would ruin the story so far. But while I was in that state, all of my past editors came to my workplace...

Imamura: We had planned to meet up from the start, but I contacted all the previous editors and said, “Sensei is feeling anxious about the final chapter, so could you please come earlier?” and they came to Sensei’s workplace.

Horikoshi: It was incredibly encouraging when everyone read the draft of the final chapter and said, “It’s fine, isn’t it?”, and thanks to that I was able to finish drawing the story called “My Hero Academia”...!

[number1villainstan]

Ok. I have a random question. Going on the basis that Rappa joined the Hassaikai before pops was put in a coma, how do you think the two would interact?

In my version of canon, at least, I honestly don't think they'd interact much at all--in my mind Pops knows very little about the Precepts/Kai's 'side' of the Hassaikai (or Kai at all). If they did interact, possibly through either Rappa wandering over to the 'main' Hassaikai base (as opposed to Kai's mostly-underground wing) or Pops wandering into Kai's wing, I think that he'd be kind of surprised and off-kilter from actually meeting someone Kai had taken under his wing, and from talking with Rappa about the rest of the Precepts would be a little surprised that they seem to be both so devoted to Kai and so...well, normal. Happy, even. Pops would probably end up reevaluating some of his assumptions about his adopted son, and Rappa would go back and tell the other Precepts about it and something about that--whether it was something Rappa said about Pops or what he said or Kai's reaction to finding out that Rappa talked to Pops--would probably make the rest of the Precepts seriously concerned.

As for personality, Rappa would probably think that Pops was boring and stuck-up, if nice about it, and Pops would likely be a bit overwhelmed from Rappa's boisterous-ness and general overbearing and enthusiastic presence. He'd also find Rappa's general dismissiveness of authority uncomfortable and yet morbidly impressive, and wonder just how someone like that could live as long as he has underneath Chisaki's command. They wouldn't be antagonistic towards each other, but I don't think they'd like each other as people.

[lupines-slash-recs]

Rec: Diametrically Opposed by Slumber

Title: Diametrically Opposed Author: Slumber Canon: My Hero Academia Pairing: Kendou Rappa/Taishirou Toyomitsu Rating: Teen [PG] Word Count: 5,714 Summary: In which Fat takes on the responsibility of being Rappa’s probation officer, but accidentally ends up

Continue reading...

[ao3feed-kiribaku]

The Mummy of BNHA Returns

read it on AO3 at https://ift.tt/rUn40s6 by KiribakuFan4ever2120 Basically a story about The Mummy Returns (2001) only with My Hero Academia characters in it! Words: 57429, Chapters: 7/7, Language: English Fandoms: 僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia (Anime & Manga) Rating: Teen And Up Audiences Warnings: Creator Chose Not To Use Archive Warnings Categories: M/M Characters: Bakugou Katsuki, Izumi Kouta, Kaminari Denki, Todoroki Shouto, Midoriya Izuku, Tokoyami Fumikage, Kurogiri (My Hero Academia), Shinsou Hitoshi, Shigaraki Tomura | Shimura Tenko, Dabi | Todoroki Touya, Rappa Kendou, Hikiishi Kenji | Magne, Bubaigawara Jin | Twice, Kirishima Eijirou Relationships: Bakugou Katsuki/Kirishima Eijirou, Midoriya Izuku/Todoroki Shouto Additional Tags: Alpha/Beta/Omega Dynamics, Alternate Universe - No Quirks (My Hero Academia) read it on AO3 at https://ift.tt/rUn40s6

[deusvervewrites]

Uncle Might x Uncle Rappa x Mighty Vigilante:

Yagi and Kendou go out doing... boy stuff... pretty often.

It's good that they're getting along :D

[ao3feed-izch]

A Death in the Family: A Hitoshi Shinsou Mystery

by Anon9876, EmoPikachu

Hitoshi Shinsou has never been much for caring, not since he got kicked off the force. You had to be a cynic to make it in his world. They called Los Angeles the City of Angels, but he knew for a fact that was a lie. His job now, as a private investigator, was to expose the misdeeds of others on behalf of the spiteful and jealous.

But when his old commanding officer is shot dead in some alley in what appears to be a mugging gone wrong, everything changes for the intrepid PI. He finds himself wrapped up in a conspiracy that stretches from the fanciest boardrooms in high-rise office buildings to the seediest speakeasies in the dangerous parts of town. Who is behind it all? What do they have to gain?

And most of all, who really shot Tensei Iida?

Words: 4721, Chapters: 1/?, Language: English

Fandoms: 僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia (Anime & Manga)

Rating: Mature

Warnings: Creator Chose Not To Use Archive Warnings

Categories: F/M

Characters: Shinsou Hitoshi, Iida Tenya, Toga Himiko, Aizawa Shouta | Eraserhead, Midoriya Izuku, Akaguro Chizome | Stain, Kirishima Eijirou, Yaoyorozu Momo, Death Arms (My Hero Academia), Snipe (My Hero Academia), Todoroki Shouto, Chisaki Kai | Overhaul, Yotsubashi Rikiya | Re-Destro, Hanabata Koukuu | Trumpet, Tokoname Tatsuyuki | Slidin' Go, Tengai Hekiji, Rappa Kendou, Shie Hassaikai | Eight Precepts of Death, Meta Liberation Army (My Hero Academia)

Relationships: Shinsou Hitoshi/Toga Himiko, Midoriya Izuku/Uraraka Ochako (background)

Additional Tags: Detective Noir, Private Investigator Hitoshi Shinsou, Alternate Universe - Police, Alternate Universe - Prohibition Era, Police Officer Aizawa Shouta | Eraserhead, Police Officer Kirishima Eijirou, Police Officer Midoriya Izuku, Detective Aizawa Shouta | Eraserhead, Detective Kirishima Eijirou, Detective Midoriya Izuku, Everyone's Police (Mostly), Alternate Universe - No Quirks (My Hero Academia), Journalist Todoroki Shouto, Conspiracy Theorist Todoroki Shouto, Organized Crime, Speakeasies, Addiction, Angst, Wowwwwwwwww A Noir Story is Angst!? I'm shocked, Drama & Romance, Romance, Femme Fatale, Labor Unions, Political Drama, Thriller, Surprisingly author is alive, his readers know exactly which fucker added that tag, Nothing in this fic necessarily reflects the political views of the authors, Except Nazis being bad

source: https://archiveofourown.org/works/63872965

[stchisaki]

Could I request letter yarrow or zinnia of the yandere flower thing for Rappa? Though he seems more like a 'babe' and not 'darling' type akdjfsk -

Also lily for Overhaul would be SO fitting if you're interested in one for him 👀 thank you!!

cw: Yandere Themes, Mentions / Allusions to Violence / Past Violence, Injury / Injury Imagery, Possessive Behavior, Isolation / Allusions to Isolation, Hinted Kidnapping, Unhealthy Relationships, Uncomfortable Scenarios, General Dark Themes not Suitable for Immature Audiences, Gender-Neutral Reader — Read at your own discretion! 18+ Only!

author's note: This is my first request! I hope that you enjoy. It was fun attempting to write Rappa—I enjoyed it! I also did your request for Overhaul, but I will post that fic in a separate post. This was a prompt from "Yandere Prompts Flower Language" and can be found here . REQUESTS ARE STILL OPEN—READ TAGS! I do not condone unhealthy behavior in any sense! This is strictly fiction! Do not force yourself to read if you're uncomfortable.

PROMPT: Yarrow (Healing): "Let me heal your wounds, darling."

word count: Approximately 1k.

His stare burns into you.

Even though that floppy mask covers his face, drenches his eyes, it’s like they’re present, ever watching. You’ve always kind of felt like that everlasting gaze would just follow you everywhere you go. It would lurk in the backdrop, golden eyes a syrupy mess that was too thick to swim through. But they’re hidden, so you’ll never be able to see what emotions are dancing around before him. All you can do is bare yourself to him, arms outstretched and turned upside down. The flat of your forearms seem to glisten with sweat, with tears, and you have to curl your bottom lip in to bite down.

“What’d ya do to yourself, doll?”

You don’t want to answer him. The truth will get you in trouble, but a lie will get you even more in trouble. There’s not an option that sounds nice, and you swear you see his knuckles turn white. They squint, brighter and brighter, rich diamonds that offer zero security. You wonder how long it’ll take for those diamonds to encrust the wall, to stud strange patterns with each thrust.

He’s waiting for an answer, but his patience isn’t safe.

“I—I… I fell down the stairs.”

That wasn’t a lie but it wasn’t the truth. No. What had happened was you managed to slip through the guards posted around this underground base. You had meticulously studied every little twist and all of the alcoves this place offered, tucked it away, and stewed on a plan to escape. Months, it had taken months, and you had finally concocted something that you believed would work. It would have. It would have, but that damn freak in the white lab coat had unlocked that hidden doorway to descend the stairs at the very same time you had begun to ascend. Panic had eaten you alive, electricity that had no ending, and you slipped. Crashing and falling, each right angle had cut into you in ways you’d never known before, rattling your bones, knocking your organs from the inside out. And you know he noticed you, but he hadn’t said a word at the time. But there’s an inkling inside of you that your tumble didn’t stay secret for long.

Kendou doesn’t like your answer.

His fists, clenched, begin to unfurl until they’re long tentacles, stretching, thick, and you’re afraid they’re going to wrap around your throat to snap your neck. He’s never truly hit you. He’s too chivalrous for that—but everyone has a threshold. Everyone has a specific amount of chemicals that can be tossed on the neurons of their brain, birthing through axons and receptors, clicking and clicking before they snap.

“That it? Ya ain’t got nothing else to tell me?”

That lab coat freak snitched on you. There’s fury and rage burning behind your teeth, but you can’t do anything. You can’t even grit your teeth, nothing, but it doesn’t stop the broiling. Why did that freak tell Kendou? The two of them never talk! You’ve never seen them interact. The only people you have ever seen Kendou interact with is that Tengai or the boss of this whole underground lair. You must be shaking, that’s why your vision starts tunneling. There’s no other explanation. You’re spinning, everything is, and you’re trying hard to make sure your feet don’t stumble and sway out from underneath you.

You shakily hum.

“N-No. Nothing at all.”

He’s going to ask why you were so close to the exit, that you know. There’s no excuse in the world that you could conjure that would explain that. Kendou knows that you know that. And now that you’ve failed, forever and ever, you’re sure things are never going to be the same. Whatever little freedoms and trust you’d garnered evaporated, completely gone, and there’s no rewinding that. Kendou is never letting you leave this room again—after all of your hard work. Frustration isn’t even a word that can fully encompass all of the vibrations in your muscles, brewing your marrow, making you so very conscious of your state of being. You’re alive, you can feel it, and you can feel all of the times Kendou’s palms have traced over your flesh, have brought you closer to him, have twisted the locks to your chains. This is it. You’re through.

Kendou exhales, and it’s almost a laugh.

“Right. ‘M not even gonna attempt to argue with you on this. Sit on the bed now, and get rid of all’a the clothes covering where you’re hurt.”

Even though you want to kick and scream, even though you want to throw yourself onto the floor and never move again, even though there are tears threatening to rain in your eyes—you acquiesce. Your legs are trembling whenever you take a step back, and you feel like you’re going to faint whenever you clumsily pivot around. Each thud of your bare foot is a gong in your heart, it makes you shake, makes you ripple like skipping stones in a pond, and you feel like you’re walking straight into your grave. How long will you have to live here? How long will this take? When will you be free? Will you ever be able to climb that stairwell to sanctity? Is there even a sanctity?

The bed takes you well whenever your body fumbles and collapses into an awkward sitting position. You stay there, and your whole body is quaking, and you wonder what Kendou’s going to do. Your hands can barely function, frozen stiff, arthritis a vying snake, but you do what you’re told. Each article of clothing weighs a million, but Kendou’s words weigh a billion.

Kendou’s gone and back in a flash, and he’s carrying what looks like a first aid kit. His fingers ensnare that little box, and you’re so very aware of how big and powerful he really is at this very moment. He sighs, and it’s pissed off, but he doesn’t do anything except speak through a low tone, whispering, hissing,

“Let me heal your wounds, babe. And once I’ve got ya all patched up, I’m going to remind you where you belong.”

An everlasting gaze, and you’re trapped right within its clutches.

[ren-shonen]

The U-Treasure rings in general have been pretty amusing.... Here are all the ones I could find with quotes on them:

Midoriya Izuku

"You looked like you needed saving" — to Katsuki during the sludge villain attack

"It's your power, isn't it?!" — to Todoroki during the Sports Festival

"Don't you say that you'd rather lose!" — to Katsuki during the final exam fight against All Might

"I kept chasing after you!" — to Katsuki during Deku vs Kacchan 2

"I won't let anyone die! I'll save you!" — to Eri during the fight with Chisaki

Bakugou Katsuki

"I'm gonna... ...beat you all!!" — to Izuku in front of UA following the first training battle

"I'll win. That's what it means to be a hero!" — during the final exam battle against All Might

"You stupid or something?" — after grabbing Kirishima's hand during the Kamino rescue

"It's an eyesore!" — to Izuku during Deku vs. Kacchan 2

"I will have complete victory in every fight." — to his team during the Joint Training Battle exercises with Class B

Todoroki Shouto

"I want... to be a hero, too!" — to Izuku during their Sports Festival fight

"The two of us will protect them!" — while facing off with Izuku against Stain

"Never forget who you want to become!" — to Iida during the fight against Stain

"In order to become who I want to be!" — to himself during the Joint Training Battle against Class B

"You can't fight, but we can." — to All Might before the fight against the Cider House Gang (immediately after he and Bakugou got their provisional licenses)

Kirishima Eijirou

"Come!" — to Bakugou during the Kamino rescue (...usually translated as "Come on!" for, uh, obvious reasons...)

"No regrets for me. Not anymore." — to himself during the fight against Rappa during the Shie Hassaikai raid.

Other character quotes

(no pictures for these because this post is already long enough ffs)

"But 'Deku' sounds like the Japanese word for 'You can do it!' so I kinda like it." — Ochako, to Izuku, walking home after the first day of class

"There's no telling what the future holds!" — Ochako, attempting to go after Izuku after hearing Sir Nighteye's prediction during the Shie Hassaikai raid

"Even unexpected circumstances are within expectations for me!" — Yaoyorozu Momo to Kendou Itsuka during the Joint Training Battle

"You wanna be a hero, don't you?" — Jirou Kyouka to Kouda Kouji during the final exam battle against Present Mic

"And don't go dissing my friends!" — Kaminari Denki to Seiji Shishikura (Meatball quirk kid) about Bakugou and Kirishima during the Provisional License Exam

"Just call me Tsuyu." — Asui Tsuyu to almost everybody in Class 1-A for most of the first two seasons

"Your own pace is fine." — Asui Tsuyu to Izuku during the USJ incident, when Izuku was struggling to call her by her given name

"I was quirkless, too." — All Might to Izuku after Izuku's Sports Festival fight against Todoroki

"That's Plus Ultra" — Aizawa Shouta to Class 1-A at the beginning of their first year

"Just watch me." — Endeavor at the Hero Billboard Chart JP ceremony

"I want to make it a world where heroes have too much time on their hands." — Hawks to Endeavor shortly before the High End Nomu attack

"I'll push you forward, Number One!!" — Hawks to Endeavor during the High End Nomu attack

"Once I'm wrapped up, I become one." — Bubaigawara Jin (Twice) to himself during his introduction monologue

"I will live a normal life, too." — Toga Himiko

"I will carry out the will of the Hero Killer." — Dabi during his introduction to the League of Villains

"So. Let's wreck it all at once!" — Shigaraki Tomura to Dr. Garaki at the beginning of the My Villain Academia arc

i don’t know whether to giggle and kick my feet or throw my hands up in exasperation. they made bkdk RINGS.

[welovethecloudboytoomuch]

[MHA Vigilantes + WHAT IF?]

If Shota Aizawa hadn’t become an educator

The (hypothetical) future Haimawari Family

The (hypothetical) O’clock Hero Team

The Ruffians, as Sidekicks

If Koichi Haimawari joined Team IdaTen

Soga and Koichi as a Vigilante Team

[thotsforvillainrights]

I'm definitely happy to see Nemoto and Rappa no please

Can I get Rappa smut because I'm starving

(Made it home for just a second and guess who has to leave AGAIN tonight?! Anyway anon, I’m hoping this is enough to feed you since we all need some Rappa tonight. I know this for a fact! Speaking of starved, I think I got something that correlates to the title of this...)

~Dinner Time~

headcanon|scenario|imagine|match-up

“What the hell is that? Where’s the food?” He grumbles in confusion as nothing sits upon the dinner table except a lone can of whip cream, a small bowl of cherries, and chocolate syrup (or whatever flavor you dig, depending on reader). “What’s the big ideal? This some sort of joke, Y/N?” Earlier when you called him into the room to get dinner he’d assumed you made something along the lines of a good roast or maybe those burgers he loves so much. Imagine his surprise when he came into the kitchen to see this. He was so baffled by it all that he didn’t even take a second to observe your expression as your leaned against the fridge...

-In nothing but a robe.

-”Y/N? We having snacks tonight or somethin? Ice cream?” You lost your composure for a second and laughed before decided to help him figure it out. “No. I called you in here for dinner time so you could eat.” He still wasn’t getting it, but at least his eyes were glued to your form as you slowly walked over to the table. “Where’s the meal?” He asked shortly. “Right here.” You reply, dropping the robe and showing off your special little outfit you’d purchased from a high end store last weekend. “Cheesy shit...” He mumbled a weak insult at your attempt to seduce him. “Doesn’t seem like you believe your own words byt the way your cock looks right about now.” You quipped back at him, pointing to the obvious tent in his pants. He changes the subject. “Yeah, whatever. Anyway, what the hell is this all for? You want me to feed you or something?” You roll your eyes and lay yourself across the table, spraying the whip cream first somewhere easy like your upper thighs. “Come lick it off.” He smirked devilishly at that. “Don’t need to tell me twice.”

-He began gently with you. It was out of character for him since usually he approached you in bed with everything all at once. This time around he was careful with you, grabbing your legs and pulling you to the edge of the table before kneeling down and putting them over his shoulders. He slowly dotted your thighs with the tip of his tongue as he tried to get a taste for the whipped cream to get started. Once he figured it was a good flavor, he pressed the flat of his tongue against your skin and lapped up every bit of the cream as though he was a man starved. “Tastes good. Add more.” He demanded. If you took too long then he’s nip at your sensitive skin as a warning. 

-The longer this foreplay drawn out, the more into it he was becoming. What started with a small dribble of whip cream on your legs ended with him covering you in the sweets. Cream along your thighs and tummy, the middle of your chest and nipples as well. Then cherries doting the nipples and belly button. He’s taken to drizzling the syrup in your most intimate spaces below. Kendo took his time licking up every single bit, spending extra time to tease your nipples until you were sore and begging him to move on. Once he saw fit, he ate the cherries present and worked his way down to his favorite spot on your body. He usually rushed but tonight he was taking his time with you despite being painfully hard himself. He took care of you, squeezing every single gasp, groan, and moan out of you that he could. He pinched at your sides, signaling you to cum in his mouth for him and your certainly didn’t complain.

-By the time it was over with, you were much stickier than you intended to be. “I’m gonna hit the shower real quick.” You told him as you finished cleaning the mess from the kitchen table. “What about me?” He complained, pointing down at his still apparent boner begging to be set free from its fabric confines. You smirked at him and kissed the tip on his nose. “I didn’t say I wanted the shower to be alone, did I?”

[entirely-accurate-bnha-quotes]

Nemoto: Let's just hug it out. C'mon, hug it out. *awkward group hug* Rappa: Who took my wallet? Setsuno: Sorry.

[ao3feed-kiribaku]

Redemption of the Hero of Azmarin

read it on AO3 at https://ift.tt/30lxKHh by crocus (azaIea) “Pay up,” Bakugou translated again. “He doesn’t do shit for free.” Tetsutetsu’s jaw dropped. “Wha—how much?” Eijirou considered it for a moment, then held up three fingers. “Oh,” Tetsutetsu looked relieved. “3 gold?” With a growing smile, Eijirou shook his head. He held up two fists. “Three hundred?!” Tetsutetsu shrieked. ___________________________ Kirishima gets a request from a familiar face, and it's one he can't possibly refuse. He and Bakugou head across the border to face another impossible challenge. Words: 7087, Chapters: 1/1, Language: English Series: Part 2 of Inured Fandoms: 僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia (Anime & Manga) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Categories: M/M Characters: Kirishima Eijirou, Bakugou Katsuki, Yagi Toshinori | All Might, Midoriya Izuku, Ashido Mina, Kaminari Denki, Sero Hanta, Rappa Kendou, Shuuzenji Chiyo | Recovery Girl Relationships: Bakugou Katsuki/Kirishima Eijirou Additional Tags: Quirk Accident (My Hero Academia), Fake/Pretend Relationship, Alternate Universe - Fantasy read it on AO3 at https://ift.tt/30lxKHh