#real of all of us tbh

[hwanghyunjinenthusiast]

Is Chris being slutty because it's Libra season? Is that it? I hope Jeonghan doesn't betray me.

[hinamie]

playing around w slightly different hair renders

[krysmcscience]

The Lamb is malicious in a funny way and the Goat is funny in a malicious way. No, I will not elaborate.

Anyway, everyone give thanks to the Lamb for interrupting what was sure to be a very boring and patronizing PSA from their grouchy cat hubby. Truly, they are doing God's work. Granted, the Lamb canonically is God now, so, uh. Mostly they're just doing their own work.

Speaking of their grouchy cat hubby, yes this is absolutely still Narilamb, Narinder is 100% into his goofy-ass spouse always no matter what and we all know it, he just wasn't expecting his brand new adopted kid to share the same single goofy-ass brain cell as the Lamb. :)

[marshmallowgoop]

no thoughts just Heiji Hattori (HD)

[ihavesomejays]

you win this time

it's essentially just a sequel to this. inked traditionally with a gpen and scanned it to color digitally

closeups/og inks below keep reading

[jewishbarbies]

so much antisemitism comes from pop culture insisting being jewish is JUST a religion and you can’t convince me otherwise.

[ryllen]

I MISSED THE WAY YUU RAISED HER VOICE TBHHH she is very sweet when she does that and gets mad~

[cuubism]

a selection of The Library's customers

--

One day Hob will get used to The Library's many strange happenings. Maybe. Or probably not.

Today, it's the fact that there's a customer.

Sort of.

The small child who's essentially appeared in Dream's study frowns up at him, hands on her hips. She looks to be about nine. She's wearing a school uniform. Where are her parents?

"This," she says to Dream, horribly affronted, "is not the school library."

"I imagine it did not have what you needed," Dream says. Utterly unbothered by a random child wandering into his shop, seemingly out of nowhere. Hob watches with astonishment from where he's sitting at Dream's desk with a cup of coffee, evidently not needed for this interaction. "What were you looking for?"

"Unicorns," she declares.

It seems odd to Hob that a primary school library wouldn't have any fantasy books with unicorns in them, but what does he know. Dream nods with utter seriousness. "Please wait a moment," he says, and disappears into the bowels of the shop.

"How'd you get in here?" Hob asks as the girl sits down primly in a chair.

"I used the door, silly," she says. Not the front door, surely. Hob definitely hadn't seen her come up the stairs into the study.

Then her eyes light up. "Can I have a scone?"

Hob had brought over a container of them from the cafe, and Dream's been picking at them all morning. Hob passes the kid the container. What the hell else is he supposed to do?

Fortunately, Dream returns before Hob has to figure out what his adult responsibility is as regards an unaccompanied child that probably should be in school right now. Dream hands the girl a stack of at least ten books of varying sizes, presumably about unicorns. The girl looks through them, scrunches her nose up, and asks, "D'you have anything more scientific?"

Dream considers. Then hands her a large, flat book that he definitely hadn't been carrying a moment ago. The girl sets it on the ground, kneeling before it, flipping through the pages. It seems to be made up of scientific diagrams and large, full-color images. Hob sees viscera, organs, bones-- then the girl closes the book again. The cover says, Unicorn Anatomy: Piece by Piece.

The little girl smiles up at him, sharp and pixie-like. "Thank you, Mister Dream," she says, incredibly polite for a child currently grinning madly over unicorn dissections.

Dream nods solemnly. "I hope it will serve you well in your endeavors."

She trots off back into the stacks, to whatever door (?) she came from, and Hob turns to Dream. "Do you often get random children here?"

"The Library finds its customers," Dream says placidly. "She will find her way back to her classroom, worry not."

"Figured that, somehow."

Dream sets the other unicorn books aside and takes up a scone in their place, nibbling on it as he perches on the edge of his desk, looking down at Hob. He seems amused by Hob's confusion. "Why do you have a front door if people don't use it?" Hob asks.

"You use it," Dream points out. Which... is unexpectedly touching. Unexpectedly special.

"Fair enough," he agrees, voice tight.

--

Dream's next customer comes bursting in through a side door as Hob is helping Dream stack some new books. He runs in so fast he has to catch himself against the desk, his business suit tattered and smoking, his hair... literally on fire. He rapidly pats it out.

"Please," he begs, as Dream just observes him calmly from where he's sitting cross-legged on the floor. "I need--"

"1983 Alternate History," Dream fills in. "Yes, I'm sure you do. One moment, please."

As he disappears into the stacks, the customer leans against the desk, panting for breath. Hob doesn't think offering a scone is going to help in this case. He's not sure what else would help, either.

Fortunately, Dream returns quickly, handing the shaking man an equally tattered grey book that is indeed titled, in a concerning handwritten scrawl, User's Guide to 1983 - Alternate Version. And, subtitled: FOR EMERGENCY USE ONLY.

"Thanks," breathes the man, clutching the book to him. And with no more explanation than that, he runs back through the door he came from. Hob thinks he catches a glimpse of something very large and very on fire through the doorway, but the door swings closed too fast to tell for sure.

"They would do well to pass that around rather than returning it," Dream says, before sitting back down and returning to his book sorting.

Hob is naturally curious, but he thinks about all the fire and this time decides he doesn't want to know.

--

"...Hi?"

For once, Hob has successfully convinced Dream to stop working for a moment. Dream is, in fact, currently sitting on his lap, resting his head on Hob's shoulder in a half-doze as Hob regales him with a university story that's certainly crazy enough to fit in with any of the books in The Library. But Library customers don't follow a nine - to - five schedule, Hob's learned this well enough by now.

Dream does not seem embarrassed to have been caught in this position. He just stands fluidly, stretching his arms over his head. "Yes?"

The young person standing hesitantly in the middle of the room -- might be eighteen? twenty? once he crossed thirty Hob lost the ability to tell young adults' ages with any accuracy, they all seem like kids -- twists their hands together and says, "Could you help me find a book?"

Dream nods and waits for them to tell him which one.

The kid glances back and forth between the two of them nervously, like they think one or both of them might judge their selection. Hob tries to look non-threatening, even though it's hard to look more non-threatening when he's already half-sunk into the couch, wearing sweatpants, and was just caught cuddling his boyfriend in a semi-public space. He's also certain that whatever book this kid might be after, The Library definitely has something more concerning and more questionable.

Like Alternate 1983 History, for example.

Dream probably already knows what they're looking for, too, he always does.

Dream just tilts his head in beckoning and walks off into the stacks, his customer following behind, still wringing their hands.

Hob's fully expecting only Dream to come back, for his customer to disappear through another exit -- none of which Hob can ever find later. But they both come back through around ten minutes later, Dream carrying a book with a yellow cover. The study is close and cozy enough that Hob can make out the title -- Gender Queer -- as Dream passes it over, and oh, yeah, he gets it now. Granted, Hob himself has always been more of the type to punch people out whenever they give him any shit, but he understands the impulse, the need, sometimes, to hide.

The teen clutches yellow-covered book close to their chest. "You can take it home," Dream says when they make no move to leave.

They look down at the cover and then back up at Dream. "...I'm not sure I can," they say at length. "It's too, um. Obvious."

Dream just raises an eyebrow. "Is it?"

Hob swears he didn't look away, but as he follows the teen customer's gaze back down, the book has definitely changed. The cover is blue now, and it seems to be about maths, though it's hard to make out from far away. The kid flips through the pages, and they must be different from before for they look up at Dream in disbelief.

Dream, the fucker, just winks. Presses the book closed again, upon which the cover returns to yellow.

"Algebra is scintillating," he drawls, turning away and snatching up the container of scones from a side table -- a not-insignificant part of Hob's job, at this point, is just keeping Dream in scones -- "and suitable for any young person. Take a scone with you, too." He holds out the container. "Hob's are the best."

And with a tiny smile, the kid takes one.

[foundfamilywhump]

see like the thing with 'carewhumpers' as a concept to me is it just like... i know this is prrrrobably not really how it's meant but something skeeves me out about the idea that kindness or caretaking mixed in with hurting someone can somehow meaningfully complicate or dilute the harm done to the point of making that character no longer a 'whumper' whereas someone doing the same 'bad' things but not ever being gentle or caring for them would just be a straight-out whumper. when like... that's how 90% of irl abuse dynamics work? so i just... don't really get the point, i guess. like to me it implies something about the 'care' provided somehow mitigating or combating the harm done that. i just do not personally appreciate or enjoy.

[yuyu-bubu]

more chalk art :3

[erabu-san]

First of all, I would like to thank you so much for all your support and your kind message !! Thank you so much for being patient with me too !! (you will see, I thanks a lot in this post lol)

Haha tbh I believe that ignoring and move on is a great way too! Yeees when I read this anon ask, I was wondering if they are living somewhere where pale person are oppressed and they are personally in this case and it affects them so badly that they have so much hate in them or they are just being hateful toward poc w/o any explication ? It was a bit uncomfortable And what is appealing with Genshin Impact (for me) is the fact that they use real culture to create their game ; even in the last survey, they ask if we like Natlan's authenticity (weird they only ask abt environment and music, i think they know they have issue with character design bahaha). I learn a lot about persian, algerian, but also chinese and even about french culture ! It is because people recognize themself that they start talking about it. I know there is a lot of controversial topic in Natlan, but because of this, I learn a lot on Hawai'i 's culture too. So yes, even if it is fiction, representation *is* important. And it is because they take inspiration of their culture that there is people who want a better representation, and in my opinion, this is something to not ignore !

About taking well what anon said, thank you so much ! If i can be honest tho, I didn't take it very well neither, or just I don't know how do I really felt at the moment I am an adult but I still hard time to distinguish what is morally okay or not, what is bad and good ? So if someone doesn't tell me they are explicitly a bad person with bad intention, I won't get it haha (ofc I grew up and now I identify my value and morals, but I still questionning if my morals are objectively great or not- yeaaah i was called weird for that, I am aware) Since forever I always try to understand other so I can communicate properly (at least I try), and that's why I am always interested on how does people think, why do they react in this specific way etc etc. Pro, I am patient and can take even the most violent take "well" (all depends. I am still a human) Con, I give free speech to those who have a "bad" take </3 and I apologize for that aaaa

KFSDLFSD I wish to express my angryness sometime but I just don't know if it is really adequate What if I interpret their text in wrong way as they initially try to say ? I wasn't feel offended by what they said, I was just uncomfortable because their opinion is something I consider hateful. and what if i was wrong??? But reading you all's opinion just affirm that's they were indeed rude ! I should stop overthink, life would be easier Maybe next time I have a doubt I will ask my friends's opinion before answering ksdkfsf

Oh my god thank you !!! If i can be honest, I draw Kinich this way because when I draw him w a darker skin for the first time, I thought "Oh !!! he looks so cool !!!!" and seeing a lot of positive comment abt my Kinich just makes me happy so I keep him like this ! And thank you for sharing with me informations !<<333 This is not overstepping at all ! And it is a reciprocate feeling anon ! It might be a bit weird but "angry" is such a complex feeling for me. I feel it but I don't really know how to express it in the most healthy way and it is super frustrating. So... seeing people getting mad at something I also disagree on makes me feel better !! And for this, thank you all !

I SNORT SO HAAAARD Damn Macron you again..........!! I didn't put all ask here but I read them all !! Thank you for sharing with me your opinion and reaction, it is truly interesting (and way more relaxing that the hater anon kskskss) !! and again, your support is truly meaningful for me. You all have sincere gratitude Hope y'all have a great day !! Stay hydrated too <3

[cobaltfluff]

happy april fools' from your big brothers, dumbass (affectionate)

[cipheramnesia]

The "movie about a movie that kills you" is a surprisingly robust genre of horror. There's a wide range of approaches, but one key factor is the question of how good the deadly film in a film is, on its own. Some approaches are keeping the faux film entirely unseen, use brief clips, or make it real short.

Antrum: The Deadliest Film Ever Made goes in for a high risk approach and delivers a complete finished film, ostensibly made in the 70s and never released, framed by brief opening and closing info bites to set the stage of it.

Somehow this thing was completely off my radar, which means I was taken fully off guard as an ominous warning about the content in white text on black appeared on screen, giving a thirty second count down to leave if I wanted.

Wonderful showmanship and canny filmmaking that got me right in the mood to enjoy what followed. While I wouldn't call it a scary movie, I found it almost delightful in the atmospheric dread and devotion to its aesthetic of low budget 70s films. Nothing in it feels like a curse on its own, but it does feel like the sort of movie that could easily prompt psychological distress for anyone under psychotropic influences, pre-existing emotional vulnerability, or prone to delusional states. Not through anything supernatural, more because it works hard to keep the viewer in constant doubt over what is and is not real for the characters in the film. Combined with the framing device of it being a movie somehow able to influence the real world of the viewer, and the use of fractionally visible flashes of occult symbols on the screen, it generates an intense feeling of unreality which for me was an almost drug-like high and an immersive pleasure.

The premise of Antrum is simply a brother and sister decide to dig a hole to hell, and the movie plays out around this event by surrounding it with disturbing sounds and imagery, as well as real world dangers that weave the protagonists between the supernatural and mundane while keeping them in a state of terror and madness that grows until it becomes unrelenting.

In a certain sense it also feels cursed, like the kind of film where there are elements that feel very transgressive - in particular the opening scene which to my mind evoked Un Chien Andalou - not the infamous eyeball slicing scene, but the use of rotting animals. The few and very basic visual effects remind me as well of the early Survival Research Laboratory devices engineered by Mark Pauline.

However, the core question for me is also always what is the movie about besides the plot. If I had to identify some rough themes, I would say it's trying to explore the idea of understanding death and violence through the eyes of children who do not yet have the psychological tools for processing such matters, but who have been left on their own to do so regardless.

Many of the unusual elements in the movie can relate to death rituals poorly understood, starting from the very premise of digging a hole into the earth. And the same act is surrounded by strange rituals unclear in their origin, ideas which might be logical drawn from watching words recited over a grave without having a connection of purpose. Their encounters with other people are fully without possibility of communication as none of them speak the same language, and these mundane threats feel at times akin to a satanic Alice in Wonderland, rituals and violence whose meaning cannot be understood by the protagonists.

Likewise the supernatural is full of unprocessed images of death. Demons with black skin who look like mummified corpses. River crossings and empty chains dragging through leaves. It's as if death itself has manifested through the ambient world, surrounding the two children and refusing to let them leave its circle.

In combination with the intriguing use of sigils inscribed throughout, it creates a movie that is for me a joy to watch. An absolutely perfect Halloween spook for next year, but your mileage may vary between finding it full of pretentious nonsense or maybe the scariest film you'll ever watch. It can really come off either way, and I'm honestly not quite sure why my reaction was actual joy in the watching. Not to undercut the severity of the subject matter, but I just can't stop thinking about how happy I was to watch the movie at work mechanically, to enjoy the well oiled pieces fitting together, and then all topped off with the delicious extra treat of the framing device. Surely worth 90 minutes of your life.

[thelunastusco]

If the two sides in an argument are

"hey, we exist and we just want to be treated as real and with respect" (and their supporters)

and

"you're fucking delusional fakers who are trying to ruin our lives and even if you were real you don't belong in this city that your people, in part, helped build, because I said so, so get the fuck out and also go die"

then you don't have two extreme sides.

You have a community, and the abusers targeting them.

¯\_(ツ)_/¯

[im-still-watching-anime]

sakura: you guys are so confusing like are you best friends?? rivals?? like what do you even think about each other??

naruto and sasuke at the exact same time: i think he’s CRINGE

[purpleshadow-star]

Pic context: Talking about the exy stadium at USC considering the fact that USC is a real school

I love how Nora just invents things in order to avoid complications with real-life things.

Like, using USC's football stadium as the exy stadium too would take a lot of work to figure out how that would be possible. Solution: invent a new stadium!

Having the characters play a real sport that already exists would mean looking into all the rules and regulations and history, etc, and there could be multiple elements of the sport that work against the plot of the story or complicate it in some way. Solution: invent a new sport!

I mean, it gives her full creative control over what happens in the story, and we as readers get to learn about a cool new thing without feeling the need to fact-check every element. Tbh, it makes so much sense to me.

Like, go off! Make stuff up! It's your world. We're just reading and enjoying and becoming obsessed with it!!!