#recycle the same plot? the character arcs are the same and it gets really dry

[seaglassdinosaur]

I’m gonna make a controversial statement

Ninjago is the Supernatural of cartoons

[hoopyfrood]

so my review for disenchanted is... it's fun. it doesn't go anywhere amazing, but there's some fun jokes and some fun characters. its an enjoyable watch with some characters that keep you watching, though i kept wanting them to wring more out of each episode, there is so much potential for a lot of the side characters.

as for characters, most characters aren't really fleshed out, so i didn't feel much connection to most of them, i only really care about luci tbh and bunty is sweet. i'm interested to see what happens with queen oona but seeing as most of her appearances have been small jokes or short appearances, idk, i'm not holding out for much development for her.

bean is good, in theory, though there's not much to her. they have a stereotype of what a non feminine woman is and keep falling back on it, falling back on her being drunk or high somewhere. we don't learn about her childhood, her education, her hobbies, her aspirations. her storylines revolve around her dad or elfo, mostly, under the guise of being about her journey.

some side characters become more interesting, like the kings advisor, odval, although i wish the secret society had been more than just a quick joke. others remain flat and uninteresting, clearly plot devices, not even offering jokes that are that good. i liked getting to learn more about bunty, and the king has some funny moments, but a lot of characters are forgettable. luci is a great break from the repetition or obvious storylines, he's unpredictable and chaotic and kept me watching. he's two steps away from being a fourth wall breaking character, narrating the events in his own way. love eric andres dry tone, luci is a great character i'd love to learn more about.

the pacing of the episodes is a bit random, there's no real connection between most of them and they don't always flow well, sometimes it felt like people's opinions and decisions changed randomly just to keep the plot going. the last episode repeated the same scene several times. the reccuring plot involving luci didn't really grip me and didn't go anywhere really, and has now been overshadowed by the plot of the last episode. i am interested to see where that goes, but i do wonder if the people who sent luci will get a moment to shine and be relevant again.

people keep comparing it to futurama, to the simpsons, but i don't think that gets us anywhere. it's made in a different era, set in a different era, made in different circumstances than for tv viewing. the voice acting is great, it's fun hearing familiar voices, and luci is reminiscent of benders carelessness (also reminds me of paul from the film paul which is a fave of mine), but it's a very different story. there are some weird vague mentions to things like feminism and gender spectrums but they fall flat, i felt unsure if they were being played as a joke or a reference and what the point of them was. there's also that random mention to cultural appropriation, speaking of which, the only two characters of colour are side characters, one completely just a plot device, with ambiguous race and not much depth. seriously guys? you put in elves and gnomes and lizard people but racial diversity was just too hard? put down the d&d handbooks and start being creative.

okay, i'll mention elfo, but briefly. he's annoying. i'm saying it, everyone else seems to be saying it, but what the fuck. it's not his obliviousness and naivety that's annoying, that could've been used well, but it's his crush on bean. i'm not invested, i don't care, it's not interesting. i really don't feel bad for this lil guy fancying a woman out of his league. they tried to give us a different female hero but still went with the 'poor nice guy who she ignores' trope? she deserves what leela and lisa didn't get with the guys chasing after them: the freedom to say no and have it stop. it added nothing to the plot, it became his whole character arc instead of learning to be bad and explore a new place. i'm glad nobody else seems to like him or the idea of him and bean ending up together. seriously, it's so overused, esp in groenings works. i just didn't have the patience to care about him any more as soon as i saw where it was going. bean escaped his advances, but barely, and suddenly she really cared about him despite being ambivalent earlier. the time progression didn't seem real enough to amount to that much character development, the time passage wasn't even clear, it just felt like ten episodes and suddenly luci and bean really cared about elfo all of a sudden. can't relate.

ok, elfo out of the way, what did i enjoy? the scenery, the banging theme song, the good one liners, every character john dimaggio voiced, that one time luci got captured that was quite fun to watch, the whole talking cat thing, uhh, some other stuff. seriously, you can enjoy watching it and not feel too bored, it's just the repetitive tropes that get a bit dull. i kept watching for the potential, a lot of the time. hoping for things to go farther than they did. the earlier eps are fun, the later ones i felt had odd pace and sudden character development/change and a lot of repeated content.

in the second series i want a lot more from these characters. they tried to fit in like three plot twists when most people would have preferred more character exploration, more believable development between bean, elfo and luci as friends. a lot of the episodes were bean and friends get drunk, fuck stuff up, go back to see the king. i don't want more of that in s2. i expected more depth to the plot seeing as multiple writers were involved in gravity falls, but it's ok if it's just fun too, but decide which you're going for because atm i'm not sure how seriously to take the twists or not.

i'd love to see more of hell, learn more about luci. i loved the mention of him having a 9 to 5 job in hell, there's so much that could be explored there, and robot hell was a blast in futurama. seriously, bring back dan as the dancing devil, that'd be fun. i'd have rathered luci having odd jobs from the devil than having two random people apparently controlling him but doing absolutely nothing at the same time. in s2, recycle the tired tropes into something new. throw out the 'old hooker' trope and put in more three dimensional women. get rid of the 'strong female character' idea you have in your heads and actually write a real female character. please, god, get more female writers, i can tell when a woman is written by a man and it's boring. i feel they need to let shion takeuchi have more involvement because i bet she'd do a better job with a lot of these elements but alas she's literally one of only three women on the team with any major involvement, and it shows. it's a show centred around a female character yet it's mostly all decided by men. it's 8 men to 3 women as far as i can tell. and only one person of colour, afaik. it really shows. i'm not surprised, but more people should be pissed off about this. ridiculous.

don't do anything with elfo he's fine where he is just leave him there. bring back tess the giant i want to know more about her. please let oona and odval have a friendship where they bitch about the king and have medieval scrabble nights or something. let literally any women interact with each other without hating each other or talking about men. give bean a girlfriend. don't give pendergast any more screen time people are obsessing over him for some reason and he doesn't deserve that. let the queens be friends or something. let them date. too many women hate each other in tv i'm tired. ramp up the goddamn puns i know u have more stored somewhere and the scenes of shop names etc are fun. have bean learn to drive a horse and cart or get a job she's good at or learn a new skill or make a female friend or something more than having her get drunk and fight her way out of a situation with no real consequences. ok i'm done.

[distant-rose]

1, 10, 16, 22 FOR SALTY ASKS, BITCH! xo

1. What OTPs in your fandom(s) do you just not get?

I’m going to say it and people are going to possibly fight me but Rumbelle. As someone who specializes in family and human rights law, it’s hard for me to watch because I feel like I’m watching one of my cases, particularly cases regarding Battered Women’s Syndrome where women are put through a cycle of abuse and affection that eventually leads to them snapping and killing their partners due to the constant fear that they feel. Granted, that didn’t happen on the show and I don’t think Adam & Eddy even have a clue what BWS is but it was the cycle that got me - the manipulation, the gaslighting and sometimes even trespass against the person via false imprisonment. (And yes, false imprisonment is categorized as trespass against the person in tort.) I constantly cringed while watching them mainly because it became clear many times that Rumple just doesn’t respect Belle’s autonomy and views her more as a coveted object than a partner.

Another is honestly…Kataang. I don’t find it abusive for the record or anything. And just a PSA out there for you, you CAN dislike a ship and not find it abusive, just saying. It’s more that I felt there wasn’t much chemistry for Aang and Katara. There was a serious maturity gap between them. I felt to me that Aang was always trying to hold on to his childhood and really not face issues unless they were pressing and he felt compelled too while Katara honestly acted more like an adult, which isn’t surprising considering the fact her mother died when she was young and she and Sokka were often left on their own because of the war. Katara really faced things head on and I feel like her actions towards Aang were more maternal than anything. @justanotherwannabeclassic and I have discussed this before but it feels like Katara was just a prize for Aang for saving the world and kinda lost her autonomy as person. She just became his girlfriend when she was a master fucking waterbender and I don’t think she would have been satisfied with just being a wife and mother, not that there is anything wrong with that but she’s very much into helping people and being a revolutionary - she was the fucking Painted Lady, c’mon now.

I could write an entire essay on these two and other ships but honestly this answer is long enough as is.

I’m gonna put my other answers under the cut because I have a lot of salt

10. Most disliked arc? Why?

Alana. Seriously. If I could, I would rewrite the entire Once Upon a Time show post-season three. There’s so many things I have an issue with in regard to OUAT but if I had to chose one and this is hard, but the entire Killian killed David’s Dad/Killian’s Realm Tour 2017. That story arc was bullshit, in fact most of season six was bullshit. Season five was also bullshit but I digress. Anyway, I think the whole issue of Killian killing Robert was fucking dumb and was just drama for drama’s sake because Adam and Eddy got lazy and apparently wrote the majority of their plots high, and not the good kind of high. Like the kinda high you get when you buy cheap ass marijuana from a sketchy street vender in Switzerland kinda high. That’s the minor beef I have with this arc, the main bit is the Emma moping and thinking Killian abandoned her nonsense. Girl, we just went through THREE SEASONS of crazy ass insanity where it was confirmed MANY times that Killian wasn’t ever going to leave her, loved her and would die like five hundred times for her. The fact that she immediately thought that he left instead of, maybe I don’t know, being kidnapped or hurt is just absurd to me. It’s fucking absurd. 

16. If you could change anything in the show, what would you change?

Oh god, where to do I fucking begin. Number one, I would have had a fucking real overarching plot for OUAT and I would have totally reworked seasons four through seven with more original spins. One of the things that attracted me to the show in the first place was how they took characters like Snow White and Little Red Riding Hood and they turned them on their heads and made them bad ass and unique. That didn’t seem to happen much post-season three. I would have changed Elsa and Anna up a bit instead of making them carbon copies of their movie selves. It would be something making Elsa morally grey and a boss ass political bitch who gives Regina a run for her money and make Anna an absolute tomboy who have no interest in being a princess but would rather be a flower child and walk around in the woods all day bare foot and incredibly strong because all she does is climb trees. I love the idea of playing Elsa off as winter and Anna as a spring. Work with that. That would have been an interesting thing. 

Also, I actually did not enjoy the author arc at all. I get the idea of playing around with the characters as inverse/opposites of their true natures but I just rolled my eyes a lot. I would have done an entirely different arc, maybe looked more at realm traveling or you know actually address whether people want to return to the Enchanted Forrest. Hell, I would have maybe even done something about the town line and whether the citizens of Storybrooke wanted to explore the outside world. 

Dark Swan was a wasted opportunity in my opinion and they really missed a chance to make Emma actually do some really crazy shit and you know confront some of the issues that had been buried under the rug in the past few seasons but that’s not biggest issue actually. I had more issues with the Underworld as a Greek mythology buff than I did with Dark Swan but how they did the Dark Ones thing could have been so much better. But Underworld deserves more of my beef. *sigh* That, personally to me, was a wasted arc creatively. Don’t get me wrong, I cried like a bit at the elevator scene but I feel like they should have gone more Greek myth than Disney Hades. I think I’ve said before to @katie-dub that it would have been more interesting if Hades wasn’t so much of an antagonist but more of someone who misleads them into thinking that Killian is in the worst part of the Underworld while he really isn’t, he’s either on the Asphodel Meadows and doesn’t remember her or in Elysium where he’s completely at peace and taking him back would pose more of a moral question for Emma on whether or not she should. 

We can all agree that seasons six is a train wreck right? I was a little annoyed at the timelines and the issues brought up in regard to Captain Swan. It seemed like they were issues that had been addressed or should have been addressed in previous seasons. I found the whole wedding thing super rushed. I would have been content if Captain Swan had more of background role drama-wise and maybe they actually used the wedding to really build on Emma and Snow’s relationship more because it had been strongly ignored. The Black Fairy was a wasted villain and Gideon wasn’t really necessary. Let’s be real, that final battle was a massive letdown and the last time I checked a TLK doesn’t save you from normal mortal wounding. I kinda wished they played around with the Untold Stories Thing a bit more in S6. I would have totally nixed the Wish Realm and the Musical Episode even though I liked the music. I just found a lot of their plots confusing, unnecessary and tired.

Okay, I didn’t watch a lot of season seven but I do have an issue with the recycling of plots and characters. I don’t mind Jacinda or Tilly/Alice but I found the whole recycle of Alice in Wonderland and Cinderella a sign that the creative well had run dry. I wish they had work with new material and stories such as the Labyrinth, Black Cauldron, Treasure Island, Atlantis or even fucking Enchanted. They could have also worked in on some of the legends from 1,001 Arabian Nights, worked more with Greek mythology particularly the Odyssey or the Argonauts. There’s a lot of creative things they could have done and just didn’t do. You’re welcome to like season seven and the characters it introduced but it just felt more like a money grab with incredibly lazy writing.

22. Popular character you hate?

I have a feeling a lot of people might unfollow me for this one but David Tennant’s Tenth Doctor. Like I’m sure not a lot of people have noticed this but I do not reblog anything with Ten in it. I know he’s everyone’s favorite and people love him and think he’s attractive but I actually hate his treatment of Rose, Martha and Donna as well as his weird space casanova act. I actually don’t really like Ten/Rose that much mainly because Ten doesn’t seem to have the same love and denotation for her that Nine did and was totally cool with leaving her and Mickey alone in a murder robot infested space in the 51st century to chase after Madame Pompadour. I don’t think the Ninth “I could save the world but lose you” Doctor would have done the whole “does it need saying?” and would have left Rose in Pete’s World with his clone without giving her a say. I was really irked by that. He whined about how much he missed Rose for TWO. WHOLE. FUCKING. SEASONS and when she came back, he’s like “here, have my clone and fuck off.” It bothered me so much and I think a lot of Rose hate is honestly based off Ten’s melodramatic ass and how he whined about missing Rose and made Martha feel inferior. Martha Jones was a fucking boss and didn’t deserve the shit he gave her. And then, we have Donna, poor Donna who didn’t get a choice at all in her fate. He chose it for her and that will never not bother me. Rose, Martha and Donna deserved more. End of story.

[lookatthisdork]

Meditations of Jason Todd (Draft)

In the spirit of NaNoWriMo, I’ve made several attempts at drafting different fic ideas, which inevitably meant blocks of Batfam fanfic drabbles that don’t have any coherent plot, flow or continuity. They’re all basically unfit for internet consumption right now, except for this first attempt at writing in Jason’s voice. 

(Um, I’m still reading Pre-Crisis and 90s comics in my free-time, so the only canon Red Hood I have is his single animated movie. Since this is set significantly after that in his character arc, I’m not super confident when writing him. I have a problem writing characters I haven’t read the canon for, honestly.)

The problem with trading and selling drugs in a city like Gotham is that no matter how careful you were with recruitment, no matter how high your people’s morale and loyalty, you inevitably have to get your hands dirty to keep the money flowing. There are always incentives for both defectors and saboteurs to take pot shots at your stake. Offing a boss could mean a bigger piece of the pie for yourself, better job security (in the short-term, if your employment was tenuous), averting your boss throwing you under the bus for a job gone wrong. If the guy up top doesn’t maintain an aura of invulnerability, a willingness to crush any dissent under his boot, he quickly finds himself faced with with mutiny.

Dealing in drugs always ends in blood, one way or another. Jason was well aware of this. He was also aware of the fact that if you wanted to finance something really expensive quietly and quickly, drug money was the most sure-fire way of getting what you wanted.

(Actually, well-done white-collar fraud was the most sure-fire way, but if there was one thing he’d absorbed from watching Oracle, it was that fraud was never as secure as people made it out to be. It only took one individual with a computer and more skill than you to blow your operation to bits. Maybe it was old-fashioned, but at least drug-money was a physical object that couldn’t be “lost” with a few keystrokes.)

(Also, fraud was boring as a sole source of income. Too much time behind a screen, not enough explosions and punching people in the face.)

The Red Hood had been a damn-good drug lord, Jason liked to think. He’d run a tight ship, and the “severed heads in the duffel bag” shtick had quickly established just how out-of-their-league everyone else in the game was. Sure, he hadn’t stayed in business all that long for several good reasons (only one of which was Bruce), but extorting organized crime bosses was like riding a bicycle – really hard to forget. There was no practical reason for why he shouldn’t just recycle his old plan in a new city for some fast cash. Wasn’t like the shit-hole he was stuck in had anyone equipped to take him down.

Of course, striking fear into the hearts of criminals by decapitating their peers wasn’t the best strategy to use when your little brothers had front row seats to the carnage via helmet-cam.

He could just disable the cam for that part, of course. But the brats would definitely put two-and-two together and hatch some plot in response. An unnecessary headache when there was no Dick to foist them off on.

And...Jason wasn’t the best role-model in the world. He could admit to that. He used the phrase “little brothers” to refer to Tim and Damian very, very lightly in deference to the uncomfortable number of murder attempts among the three of them. Nowadays, he did regret all the stabbing and shooting and general dickery. Even though Damian was genetically engineered to be the most aggravating child on the planet and Tim kept stealing Jason’s alter-egos out from under him (unrepentantly now, the little shit). They were still better than uninterested-and-unhelpful-unless-I’m-sending-you-to-Arkham Dick and fucking Bruce. They didn’t deserve half the shit they were dealing with.

But his regret didn’t magically fix everything. There were 100-to-1 odds that neither kid saw Jason as anything more than “that one fuck-up that we don’t discuss in polite company.” Fair enough. Still, didn’t mean that the Red Hood had to live down to their expectations. He could do better – be the responsible adult, make sure they were fed and watered regularly, maybe (maybe) address their allotted emotional-expression-of-the-week.

Jason blamed his previously non-existent brotherly streak on Cassandra. She’d not only spoiled him by re-familiarizing him with friendly human contact, but she also subtly planted in his mind the idea that hey, you know who else would appreciate Jason’s company when Cassandra was busy? Tim and Damian. And you know who would benefit most from Jason’s unique perspective on life? Who needed a reprieve from Bruce and Dick and all of their frankly impossible expectations? Who could always use another person watching their backs, making sure they end up in an early grave?

(Honestly, Dick should watch Cass in Big Sister Mode and take notes.)

A soft huff of static came through the comm in his ear without warning, followed by the ridiculously-identifiable Damian’s click of the tongue. (Bruce was trying to train him out of doing it in costume so people wouldn’t catch on - with no success, of course.) “Todd, have your remaining neurons finally ceased to function? You’ve been standing outside the warehouse for five minutes. Are you ready or not?”

“Yeah, yeah, hold your horses,” he said as he checked the indicators for the explosives one last time. (Still all green, ready and able to wreck a certain someone’s next fiscal quarter.) “I was just reminiscing about the good old days, back when we all hated each other’s guts and I still blew up drug dens with the dealers inside instead of out. Ever miss those times?” he asked, heavy on the sarcasm.

Tim’s voice was dry as a desert, even with the slightly-tinny reception. “I miss them as much as I miss the knife that was embedded in my spleen.”

“Well, you have to admit, a knife in your spleen was probably the most exciting thing that happened to you that week, even if it was bad for your health long-term.”

“Clearly Todd’s mental dysfunction is worsening,” Damian said. As usual, his tone gave no indication if that was meant to be a joke or an insult.

Probably both, actually. Kid got a kick out of riling people who weren’t Dick up.

At least it was a joke clearly aimed to get a chuckle out of Tim instead of a joke at his expense. If there was one thing this months-long jaunt into the multiverse was doing, it was driving the boys together through their shared survival instinct and the fact that Jason deprived them of all baked goods whenever he had to break up their fights.

(Bribing his brothers with freshly-made cakes and brownies in exchange for good behavior was really the only reason they were three months into this shit-show with no major casualties.)

“Ain’t that a shame,” Jason replied. “It’ll just be you and Tim, stuck all alone in Not-Gotham. What a perfect opportunity for you two to bond.”

No,” both boys said at the same time.

Then the sound of Damian trying to land a hit on Tim (and failing judging from the lack of a pained grunt) filtered through Jason’s headpiece. Because Damian couldn’t stand to agree with Tim on anything for more than 10 seconds without ruining the moment.

Well, whatever. The brotherly-bond was a work in progress. “Stop fist-fighting so we can finish this,” he said. “I’ve got Falcone’s heroin wired up to an irresponsible amount of explosives, and I’d like to get our racket money before dawn.”

What I just wrote makes no sense out of context, but since this is the only thing I have written for this AU, I’ll just explain here:

This is from the “Jason-Tim-Damian get stuck in Flashpoint” AU I mentioned at some point, a few months into their impromptu stranding. How they got there isn’t super important, and I’m handwaving intervention from standard Earth not being able to get them back home in a timely manner. (Note: Bruce, Dick, Cass and everyone else aren’t trying really hard to get them back; it’s just not working for Reasons.) 

After thinking about these three in a strange Not-Gotham for a while, I came to the conclusion that they’d lay low and avoid drawing attention to themselves instead of trying to approach Thomas-Batman or Alt-Cyborg or someone else. Things might be different if Dick or Cass were the oldest sibling on the ground, but Jason’s much slower to trust, as are Tim and Damian. A virtual stranger that also happens to be Batman would be the last person Jason would trust with his and his brothers’ safety. 

Naturally, that means the guys need to find a source of income and a place to hole up. The former, Jason gets by extorting the local organized crime - charging money to sabotage competitors and charging money to not sabotage his employers. Lighter on the murder than his first return to Gotham, but Tim and Damian noticeably don’t bring that subject up anyway. I imagine they picked a spot that was an auxiliary batcave on their Earth and fix it up as a temporary base where Tim is trying to engineer something to send them back to their Earth (funded by Jason’s extortion racket). Damian is stuck as the odd-jobs kid, which he handles with as much patience as he can. (Hint: he’s not a very patient person.)

It would be a waste of the setting not to get the three of them involved with Thomas-Batman and possibly even the main plot of Flashpoint, so this scene would be a sort of in-between-scene prologue before the status-quo changes. I’m leaning towards either Red Hood crashing one of the Cyborg-Batman scenes because he needs tech only Cyborg has or one of the guys interrupting Martha-Joker’s last crime.

Of course, this premise requires a long-form fic, which I’ve never written before. This is all wild speculation, really. I’ll probably never write all of this out.  ¯\_(ツ)_/¯

BUT IF I DO, you can count on Jason finding out that in a world with no Bruce and no Robin, he STILL ended up dead and resurrected. The multiverse just has it out for him, clearly.