#remember when this film was about to come out with that cast

[jimmyspades]

"Now kindly be out the door and take that wagon away from here. And godspeed to you." THE HOMESMAN (2014)

[crunchycrystals]

thinking ab the viria how far we've come animatic again because like. truly look how far we've come

[trans-poppy]

ohhhhhhh my god. ohhhhhhh my god. ohhhhhhhhhhhhhhhh my god.

[redgoldsparks]

I wrote a 12 page epilogue to my 2019 comic "Harry Potter and The Problematic Author" because I found, in 2023, that I had more to say. You can also find this comic on my website, and I have PDF copies available on etsy. I may sell print copies at some point in the future.

instagram / patreon / portfolio / etsy / my book / redbubble

Full transcript below the cut.

PAGE 1

Part one: Ruddy Owls!

I was in fourth grade when the first Harry Potter Book was released in the US.

Panel 1: Sometimes our teacher would read it aloud in class. “Mr and Mrs Dursley of number 4 Privat Drive were proud to say they were perfectly normal, thank you very much…”

Panel 2: I was 11 years old when Harry Potter finally broke through my dyslexia and turned me into a reader.

Panel 3: Every night in the summer before sixth grade I waited for the owl carrying my Hogwarts Letter. I cried when it didn’t come. “I have to go to Muggle school!”

PAGE 2

Part Two: Hats

I dedicated myself to being a fan.

Panel 1: I began collecting Harry Potter News article.

Panel 2: I asked my relatives to mail me ones from their local papers. I filled a thick binder with clippings.

Panel 3: I wrote my own trivia quiz

Panel 4: and participated in the one held annually at the county fair. “Next contestant!”

Panel 5: I usually got into one of. the top five spots. I won boxes of candy, posters, stationary, and once a baseball cap. (Hat reads: I survived the battle of Hogwarts).

Panel 6: In high school I sewed a black velvet cape and knitted many stripped scarves.

PAGE 3

Part Three: Double Trouble

Watching the last film in 2011 felt like the final note of my childhood. 

Panel 1: I remember driving home from the midnight showing thinking about the end of 13 years of waiting; wondering what would define the next chapter of my life. 

Panel 2: That same month I heard of something called Pottermore. “Okay, so there’s a sorting quiz… I already know my house! Patronus assignment? Mine’s a barn owl. Duh!" 

Panel 3: You can read the books again but with GIFs? Why? 

Panel 4: I lived in a place with very slow and limited internet at the time. Pottermore sounded inaccessible, but also boring. I never joined. 

Panel 5: "I’ll just read the actual books again, thanks." 

PAGE 4

Part Four: Sweets

In 2016, a series of short stories titled "History of Magic in North America” were released on Pottermore to pave the way for the first Fantastic Beasts Film. These stories display an extreme ignorance of American history, culture, and geography, but the worst parts are the casual misuse of indigenous beliefs and stories. Fans and critics immediately spoke up against this appropriation. Some of the most quoted voices included Nambe Pueblo scholar Dr. Debbie Reese who runs the site “American Indians In Children’s Literature”; Navajo writer Brian Young; Johnnie Jae (Otoe-Missouria and Choctaw), founder of A Tribe Called Geek; Dr Adrienne Keene (Cherokee Nation), a Professor at Brown University who runs the blog “Native Appropriations”, and writers N.K. Jemison and Paula Young Lee.

PAGE 5

Rowling is famous for responding to fans directly on twitter, yet she did not respond to anyone calling out the damaging aspects of “Magic in North America.” Her representatives refused to comment for March 9 2016 article in the Guardian. She has never apologized. All of this, plus the casting of Johnny Depp and the specific declarations of support by JKR, Warner Brothers, and director David Yates left a sour taste in my mouth.

For further thoughts on the new films read The Crimes of Grindelwald is a Mess by Alanna Bennett for Buzzfeed News, November 16, 2018.

PAGE 6

Excerpt from Colonialism in Wizarding American: JK Rowling’s History of Magic in North America Through an Indigenous Lens by Allison Mills, MFA, MAS/MLIS (Cree and Settler French Canadian)

Although Rowling is certainly not the first white author to misstep in her treatment of Indigenous cultures, she has an unprecedented level of visibility and fame, […] One of the most glaring problems with Rowling’s story is her treatment of the many Indigenous nations in North America as one monolithic group. […It] flattens out the diversity of languages, belief systems, and cultures that exist in Indigenous communities, allowing stereotyping to persist. […] It continues a long history of colonial texts which ignore that Indigenous peoples still exist. […] In the Wizarding world, as in the real world, Indigenous histories have been over-written and our cultures erased.

from The Looking Glass: New Perspectives in Children’s Literature Volumn 19, Issue 1

PAGE 7

Part 5: Music

Panel 1: Also in 2016 I discovered two podcasts which radically altered my experience of being an HP fan. The first was Witch Please created by two Canadian feminist literary scholars Hannah McGregor and Marcelle Kosman.

Panel 2: “If it’s not in the text it doesn’t count!” “Close reading ONLY!”

Panel 3: They talk about Harry Potter at the level you’d expect in a college class with particular focus on gender, race, class, and the troubling fatphobia, fear of othered and queer coded bodies, violence against women, white feminism, gaslighting and failed pedagogy in the books. They bring up these issues not because they hate the series, but because they LOVE it.

PAGE 8

These passionate, joyful conversations went off like fireworks in my mind. I had never taken a feminist class before. I gained a whole new vocabulary to talk about the books- and the world.

PAGE 9

Panel 1: The second podcast I started that year was Harry Potter and the Sacred Text, created by two graduates of the Harvard Divinity School, Vanessa Zoltan and Casper Ter Kuile.

Panel 2: They read one chapter per episode through a theme such as love, control, curiosity, shame, responsibility, hospitality, destruction, or mystery. Like Witch Please, they are interested only in the information on the page, not thoughts from the author. The delights and failures of the text are examined in the context of the present day, and new meanings constantly arise.

PAGE 10

What does it mean to treat a text as sacred?

Trusting that the more time we give to it, the more blessings it has to give us.

Reading the text repeatedly with concentrated attention. Our effort is part of what makes it sacred. The text is not in and of itself sacred, but is made so by rigorously engaging in the ritual of reading.

Experiencing it in community.

“To me, the goal of treating the text as sacred is that we learn to treat each other as sacred.” -Vanessa Zoltan

PAGE 11

Part 6: Tooth and Claw

In October 2017, Rowling liked a tweet linking to an article arguing that trans women should be kept out of women’s bathrooms because of cisgender women’s fears. In March 2018, she liked a tweet about the problem of misogyny in the UK Labour Party which included the line “Men in dresses get brosocialist solidarity I never had.” The author of the tweet had previously posted many blatantly anti-trans statements.

Rowlings publicist claimed she had liked the posted by accident in a “clumsy and middle-aged moment.” Yet, in September 2018 she liked a link posted by Janice Turner to her column in the Times UK titled “Trans Rapists Are A Danger In Women’s Jails.”

Screencaps of these tweets can be found in the article “The Mysterious Case of JK Rowling and her Transphobic Twitter History”, January 10 2019 by Gwendolyn Smith (a trans journalist), LGBTQNation.com

PAGE 12

Excerpt from: Is JK Rowling Transphobic? A Trans Woman Investigates by Katelyn Burns

Ultimately, the answer is yes, she is transphobic […] I think it’s fair that she receives criticism from trans people, especially given her advocacy on behalf of queer people in general, but also because she has a huge platform. Many people look up to her for creating a singular piece of popular culture that holds deep meaning for fans from different walks of life, and she has a responsibility to handle that platform wisely. (Published on them.us March 28, 2018)

PAGE 13

Part 7: Home

At age 30, I’m still not over Harry Potter.

Panel 1: I’ve recently found a local bar that does HP trivia nights. “Poppy or Pomona?” “Poppy!”

Panel 2: I currently own an annual pass to Universal Studios so I can visit Hogsmeade.

Panel 3: I love talking to kids who are reading the books for the first time. “Who’s your favorite character?” “Ginny!”

Panel 4: And I’m planning a relisten to the audio books to next year to help me get through the election cycle. “Jim Dale, I’m going to need you more than ever…”

Spoiler from 2023: I did not do this. By mid-2020 JKR had posted her transphobic essay; we were in covid; I never visited Universal Studios again.

PAGE 14

But I do want to learn from her mistakes. I never want to repeat “Magic in North America.” As I write, I will do my research. I will consult experts and compensate them. If a reader from a different culture/background than me speaks up about my work, I will listen and apologize. I KNOW I WILL MAKE MISTAKES. But I will own up to them and I will do better.

PAGE 15

Excerpt from Diversity Is Not Enough: Race, Power and Publishing by Daniel José Older

We can love a thing and still critique it. In fact, that’s the only way to really love a thing. Let’s be critical lovers and loving critics and open ourselves to the truth about where we are and where we’ve been. Instead of holding tight to the same old, failed patriarchies, let’s walk a new road, speak new languages. Today, let’s imagine a literature, a literary world, that carries this struggle for equity in its very essence, so that tomorrow it can cease to be necessary, and disappear. (Buzzfeed, April 14, 2017) 

PAGE 16

Harry Potter is flawed, & JK Rowling is problematic. But the books helped me learn a lot: 

*One of the greatest dangers facing the modern world is the rise of fascism 

*The government cannot be trusted 

*Read and think critically

*Question the news: who paid the journalist? Who owns the paper? 

*Trust and support your friends through good times and bad

*Organize for resistance

*Educate and share resources with peers

*The revolution must be diverse and intersectional

* We are only as strong as we are united

*The weapon we have is love 

MK 2019

PAGE 17

PART 8: EPILOGUE

In 2021 I removed a Harry Potter patch I sewed to my book bag over a decade ago. I took 15 pieces of Harry Potter fanart off my walls. I got rid of my paperback book set, 2 board games, and 8 t-shirt. [images: a Hogwarts a patch with loose threads, a pair of scissors and a seam ripper]

Panel 1: Maia holding up a shirt with the Deathly Hallows logo on it. Maia thinks: “Damn, this really used to be my entire personality.”

Panel 2: The t-shirt gets thrown into the Goodwill box.

PAGE 18

I wrote my zine wrestling with JKR’s legacy in 2019, after her dismissive and racist reaction to indigenous fans and critics of “Magic in North America” and after she had liked a couple transphobic tweets. Since then, she has gotten so much worse.

A Brief Timeline (mostly from this Vox article)

June 2020- JKR posts a 3600 word essay making her anti-trans position clear

August 2020- The Robert F Kennedy Human Rights Org issues a statement about her transphobia, JKR doubles down on her position and returns an award they gave her

December 2020- JKR claims 90% of HP fans secretly agree with her anti-trans views

December 2021- JKR mocks Scottish Police for recognizing transgender identities

March 2022- JKR criticizes gender-inclusive language and legislation

December 2022- JKR retweets trans youtuber Jessie Earl’s critical review of Hogwarts Legacy, starting an onslaught of transphobic harassment towards Earl

December 2022- JKR removes her support from an Edinburgh center for survivors of sexual violence with a trans-inclusive policy and funds her own center which explicitly excludes trans sexual assault survivors

January 2023- JKR tweets “Deeply amused by those telling me I’ve lost their admiration due to disrespect I show violent, duplicitous rapists.” It got nearly 300K likes

March 2023- One the podcast “The Witch Trials of JK Rowling”, hosted by a former Westboro Baptist Church Member, JKR compares the trans rights movement to Death Eaters.

PAGE 19

What are The Witch Trials of JK Rowling?

Panel 1: Maia speaking. “It’s a 7 episode documentary style podcast hosted by Megan Phelps-Roper. Nearly every episode contains interviews with JKR as well as critics, journalists, historians, protestors and fans.

Panel 2: Maia speaking. “In episode 1, JKR speaks more candidly than she has previously about being in an abusive marriage. Her ex-husband hit her, stalked her, broke into her house overlapping with the time she was writing the first three HP books.”

Panel 3: Maia speaking. “What she went through genuinely sounds horrific. I have a lot of sympathy for the kind of life-long traumas those experiences leave.”

PAGE 20

HOWEVER.

It is clear from reading the June 2020 essay on her blog and listening to the podcast, that JKR still to this day feels unsafe. Despite her wealth and privilege she moves through the world with the mindset of a victim. And the group of people she finds most threatening are trans women.

Or rather, she is afraid that allowing trans women in women’s spaces invites the possibility of male predators entering those spaces.

Here’s a direct quote: The problem is male violence. All a predator wants is access and to open the doors of changing rooms, rape centers, domestic violence centers [...] to any male who says “I’m a woman and I have a right to be here” will constitute a risk to women and girls. - from The Witch Trials episode 4 as transcribed by therowlinglibrary.com, March 2023

Image: A stem of Belladonna with flowers and berries.

PAGE 21

Let me introduce here the term: TRANSMISOGYNY. The intersection of transphobia and misogyny, this term was coined by Julia Serano in 2007. Scout Tran, on tiktok as Queersneverdie said: “Transmisogyny occurs in people who have been previously hurt by traditional misogyny. Who have been driven to hate men or at the very least to be scared of men. They will sometimes take out that rage on trans women. (March 2023)

JKR claims to care for trans women and understand they are extremely vulnerable to assault and violence. In her 2020 Essay she wrote: “I want trans women to be safe. At the same time, I do not want to make natal girls and women less safe.”

So she cares about trans women… just less than cis women, and she’s willing to throw all trans women under the bus because of her unfounded, prejudice fears.

PAGE 22

Panel 1: Maia speaking. “JKR claims to have seen data that proves trans women have presented physical threats to other women in intimate spaces, but never cites sources. She also uses “producer of the large gametes” as a definition of “woman”.

What about transmen and nonbinary folks?

Panel 2: Maia leaning on a stack of all seven HP books, the first four Cormorant Strike books and The Casual Vacancy, gesturing to a series of quotes with a tired and disgusted expression.

I’m concerned about the huge explosion of young women wishing to transition and also about the increasing numbers who seem to be detransitioning. * [...] If I’d been born 30 years later, I too might have tried to transition. The allure of escaping womanhood would have been huge. -June 10 2020 essay

I don’t believe a 14 year old can truly understand what the loss of their fertility is.

-Witch Trials episode 4

I haven’t yet found a study that hasn’t found that the majority of young people experiencing gender dysphoria grow out of it*. -Witch Trials episode 7

*No sources cited

PAGE 23

It’s hard to over emphasize how fixated JKR has become on these topics. As of the date I’m writing this, 14 out of her 20 most recent tweets (70%) are in some way anti-trans. She tweets against Mermaids (a UK based trans youth charity), against trans athletes, against gender neutral bathrooms, and in support of LBG Alliance- a UK org that denies trans rights while upholding gay rights. Here are some gems from her archive:

“People who menstruate.” I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud? -June 2020

War is Peace. Freedom is Slavery. Ignorance is Strength. The Penised Individual Who Raped You Is a Woman. - December 2021

And in response to someone asking “How do you sleep at night knowing you lost a whole audience?”

I read my most recent royalty cheques and find the pain goes away pretty quickly. -October 2022

PAGE 24

Hashtag Ruthless Productions a queer nerd podcast company created a great guide on ethical engagement with HP. Image: the two hosts of Hashtag Ruthless productions, Jessie (They/she) and Lark (he/him).

Stop buying all official HP Products: books, movies, games, toys, etc, Universal Studios tickets, food, merch.* Boycott any new TV series or movies. Instead: buy the books and DVDs used. If you still want to wear HP merch, buy fan-made. Engage only with fan content: fic, podcasts, fanart, wizard rock, etc. Show transphobia is bad for business. None of this will change JKR’s mind. But the Fantastic Beast series was canceled and after record Pottermore sales in 2020, they fell in 2022 by 40%.

*She gets a portion of ALL tickets. In 2019, this was her largest income source. Read the full guide: hashtagruthless.com/resourceguide

PAGE 25

As late as 2019, I was still reading JKR’s murder mystery series. But by the fourth book my experience began to sour.

Panel 1: Maia holding a copy of Lethal White. “The only gay character in this book is a government official who gropes his staff?”

Panel 2: “The only genderqueer character is misgendered and portrayed as a whiny faker?”

Panel 3: “The only Muslim character is disowned by his family over gay rumors?”

Panel 4: “Even the women aren’t portrayed very well…”

Panel 5: “Why is the main female character defined by the rape in her past?”

Panel 6: “Wait, what happens in the rest of this series…?” Maia scrolls on eir phone.

Panel 7: “Is the series heading towards an employee/boss relationship?”

Panel 8: “And has a man wearing women’s clothes to commit assault?”

Panel 9: “Yeah, I’m done. I’m never reading a new JKR book ever again.”

PAGE 26

And as for JKR herself?

As tempting as it might be to tweet your frustrations at her, I don’t recommend it. In 2021, she tweeted, “Hundreds of trans activists have threatened to beat, rape, assassinate and bomb me.” Getting hate online feeds her sense of victimhood and she waves it as proof of her moral high ground. Instead I suggest you block her on twitter, then delete twitter, go to the library and try to find a new book that feels magical.

Stack of books: In Other Lands by Sarah Rees Brennan, The Scorpio Races by Maggie Stiefvater, Gifts by Ursula K Le Guin, Deep Wizardry by Diane Duane, A Deadly Education by Naomi Novik and Gideon the Ninth by Tamsin Muir.

PAGE 27

In “Emergent Strategy” adrienne maree brown writes: You do not have the right to traumatize abusive people, to attack them, personally or publicly, or to sabotage anyone else’s health. The behaviors of abuse are also survival-based, learned behaviors rooted in pain. If you can look through the lens of compassion, you will find hurt and trauma there. If you are the abused party, healing that hurt is not your responsibility and exacerbating that pain is not your justified right.

PAGE 28

Seeing anyone over age 12 wearing HP merch now makes me uncomfortable. Are they ignorant or actively a TERF? I hate wondering how much money JKR has probably poured into anti-trans legislation… This zine is a culmination of my slow breakup with a story that once brought me joy. Now it just makes me angry, tired and sad.

Image: Candle in a fancy holder burned down to less than an inch.

Maia Kobabe, 2023

[fuckyeahgoodomens]

Oooh! A great Gavin Finney (Good Omens Director of Photography) interview with Helen Parkinson for the British Cinematographer! :)

HEAVEN SENT

Gifted a vast creative landscape from two of fantasy’s foremost authors to play with, Gavin Finney BSC reveals how he crafted the otherworldly visuals for Good Omens 2.  

It started with a letter from beyond the grave. Following fantasy maestro Sir Terry Pratchett’s untimely death in 2015, Neil Gaiman decided he wouldn’t adapt their co-authored 1990 novel, Good Omens, without his collaborator. That was, until he was presented with a posthumous missive from Pratchett asking him to do just that.  

For Gaiman, it was a request that proved impossible to decline: he brought Good Omens season one to the screen in 2019, a careful homage to its source material. His writing, complemented by some inspired casting – David Tennant plays the irrepressible demon Crowley, alongside Michael Sheen as angel-slash-bookseller Aziraphale – and award-nominated visuals from Gavin Finney BSC, proved a potent combination for Prime Video viewers.  

Aziraphale’s bookshop was a set design triumph.

Season two departs from the faithful literary adaptation of its predecessor, instead imagining what comes next for Crowley and Aziraphale. Its storyline is built off a conversation that Pratchett and Gaiman shared during a jetlagged stay in Seattle for the 1989 World Fantasy Convention. Gaiman remembers: “The idea was always that we would tell the story that Terry and I came up with in 1989 in Seattle, but that we would do that in our own time and in our own way. So, once Good Omens (S1) was done, all I knew was that I really, really wanted to tell the rest of the story.” 

Telling that story visually may sound daunting, but cinematographer Finney is no stranger to the wonderfully idiosyncratic world of Pratchett and co. As well as lensing Good Omens’ first outing, he’s also shot three other Pratchett stories – TV mini series  Hogfather  (2006), and TV mini-series The Colour of Magic (2008) and Going Postal (2010). 

He relishes how the authors provide a vast creative landscape for him to riff off. “The great thing about Pratchett and Gaiman is that there’s no limit to what you can do creatively – everything is up for grabs,” he muses. “When we did the first Pratchett films and the first Good Omens, you couldn’t start by saying, ‘Okay, what should this look like?’, because nothing looks like Pratchett’s world. So, you’re starting from scratch, with no references, and that starting point can be anything you want it to be.”  

Season two saw the introduction of inside-outside sets for key locations including Aziraphale’s bookshop. 

From start to finish 

The sole DP on the six-episode season, Finney was pleased to team up again with returning director Douglas Mackinnon for the “immensely complicated” shoot, and the pair began eight weeks of prep in summer 2021. A big change was the production shifting the main soho set from Bovington airfield, near London, up to Edinburgh’s Pyramids Studio. Much of the action in Good Omens takes place on the Soho street that’s home to Aziraphale’s bookshop, which was built as an exterior set on the former airfield for season one. Season two, however, saw the introduction of inside-outside sets for key locations including the bookshop, record store and pub, to minimise reliance on green screen.  

Finney brought over many elements of his season one lensing, especially Mackinnon’s emphasis on keeping the camera moving, which involved lots of prep and testing. “We had a full-time Scorpio 45’ for the whole shoot (run by key grip Tim Critchell and his team), two Steadicam operators (A camera – Ed Clark and B camera Martin Newstead) all the way through, and in any one day we’d often go from Steadicam, to crane, to dolly and back again,” he says. “The camera is moving all the time, but it’s always driven by the story.” 

One key difference for season two, however, was the move to large-format visuals. Finney tested three large-format cameras and the winner was the Alexa LF (assisted by the Mini LF where conditions required), thanks to its look and flexibility.  

The minisodes were shot on Cooke anamorphics, giving Finney the ideal balance of anamorphic-style glares and characteristics without too much veiling flare.

A more complex decision was finding the right lenses for the job. “You hear about all these whizzy new lenses that are re-barrelled ancient Russian glass, but I needed at least two full sets for the main unit, then another set for the second unit, then maybe another set again for the VFX unit,” Finney explains. “If you only have one set of this exotic glass, it’s no good for the show.” 

He tested a vast array of lenses before settling on Zeiss Supremes, supplied by rental house Media Dog. These ticked all the boxes for the project: “They had a really nice look – they’re a modern design but not over sharp, which can look a bit electronic and a bit much, especially with faces. When you’re dealing with a lot of wigs and prosthetics, we didn’t want to go that sharp. The Supremes had a very nice colour palette and nice roll-off. They’re also much smaller than a lot of large-format glass, so that made it easy for Steadicam and remote cranes. They also provided additional metadata, which was very useful for the VFX department (VFX services were provided by Milk VFX).” 

The Supremes were paired with a selection of filters to characterise the show’s varied locations and characters. For example, Tiffen Bronze Glimmerglass were paired with bookshop scenes; Black Pro-Mist was used for Hell; and Black Diffusion FX for Crowley’s present-day storyline.  

Finney worked closely with the show’s DIT, Donald MacSween, and colourist, Gareth Spensley, to develop the look for the minisode.

Maximising minisodes 

Episodes two, three and four of season two each contain a ‘minisode’ – an extended flashback set in Biblical times, 1820s Edinburgh and wartime London respectively. “Douglas wanted the minisodes to have very strong identities and look as different from the present day as possible, so we’d instantly know we were in a minisode and not the present day,” Finney explains.  

One way to shape their distinctive look was through using Cooke anamorphic lenses. As Finney notes: “The Cookes had the right balance of controllable, anamorphic-style flares and characteristics without having so much veiling flare that they would be hard to use on green screens. They just struck the right balance of aesthetics, VFX requirements and availability.” The show adopted the anamorphic aspect ratio (2:39.1), an unusual move for a comedy, but one which offered them more interesting framing opportunities. 

Good Omens 2 was shot on the Alexa LF, paired with Zeiss Supremes for the present-day scenes.

The minisodes were also given various levels of film grain to set them apart from the present-day scenes. Finney first experimented with this with the show’s DIT Donald MacSween using the DaVinci Resolve plugin FilmConvert. Taking that as a starting point, the show’s colourist, Company 3’s Gareth Spensley, then crafted his own film emulation inspired by two-strip Technicolor. “There was a lot of testing in the grade to find the look for these minisodes, with different amounts of grain and different types of either Technicolor three-strip or two-strip,” Finney recalls. “Then we’d add grain and film weave on that, then on top we added film flares. In the Biblical scenes we added more dust and motes in the air.”  

Establishing the show’s lighting was a key part of Finney’s testing process, working closely with gaffer Scott Napier and drawing upon PKE Lighting’s inventory. Good Omens’ new Scottish location posed an initial challenge: as the studio was in an old warehouse rather than being purpose-built for filming, its ceilings weren’t as high as one would normally expect. This meant Finney and Napier had to work out a low-profile way of putting in a lot of fixtures. 

Inside Crowley’s treasured Bentley.

Their first task was to test various textiles, LED wash lights and different weight loadings, to establish what they were working with for the street exteriors. “We worked out that what was needed were 12 SkyPanels per 20’x20’ silk, so each one was a block of 20’x20’, then we scaled that up,” Finney recalls. “I wanted a very seamless sky, so I used full grid cloth which made it very, very smooth. That was important because we’ve got lots of cars constantly driving around the set and the sloped windscreens reflect the ceiling. So we had to have seamless textiles – PKE had to source around 12,000 feet of textiles so that we could put them together, so the reflections in the windscreens of the cars just showed white gridcloth rather than lots of stage lights. We then drove the car around the set to test it from different angles.”  

On the floor, they mostly worked with LEDs, providing huge energy and cost savings for the production. Astera’s Titan Tubes came in handy for a fun flashback scene with John Hamm’s character Gabriel. The DP remembers: “[Gabriel] was travelling down a 30-foot feather tunnel. We built a feather tunnel on the stage and wrapped it in a ring of Astera tubes, which were then programmed by dimmer op Jon Towler to animate, pulse and change different colours. Each part of Gabriel’s journey through his consciousness has a different colour to it.” 

Among the rigs built was a 20-strong Creamsource Vortex setup for the graveyard scene in the “Body Snatchers” minisode, shot in Stirling. “We took all the yokes off each light then put them on a custom-made aluminium rig so we could have them very close. We put them up on a big telehandler on a hill that gave me a soft mood light, which was very adjustable, windproof and rainproof.” 

Shooting on the VP stage for the birth of the universe scenes in episode one.

Sky’s the limit 

A lot of weather effects were done in camera – including lightning effects pulsed in that allowed both direct fork lightning and sheet lightning to spread down the streets. In the grade, colourist Spensley was also able to work his creative magic on the show’s skies. “Gareth is a very artistic colourist – he’s a genius at changing skies,” Finney says. “Often in the UK you get these very boring, flat skies, but he’s got a library of dramatic skies that you can drop in. That would usually be done by VFX, but he’s got the ability to do it in Baselight, so a flat sky suddenly becomes a glorious sunset.” 

Finney emphasises that the grade is a very involved process for a series like Good Omens, especially with its VFX-heavy nature. “This means VFX sequences often need extra work when it comes back into the timeline,” says the DP. “So, we often add camera movement or camera shake to crank the image up a bit. Having a colourist like Gareth is central to a big show like Good Omens, to bring all the different visual elements together and to make it seamless. It’s quite a long grade process but it’s worth its weight in gold.” 

Shooting in the VR cube for the blitz scenes .

Finney took advantage of virtual production (VP) technology for the driving scenes in Crowley’s classic Bentley. The volume was built on their Scottish set: a 4x7m cube with a roof that could go up and down on motorised winches as needed. “We pulled the cars in and out on skates – they went up on little jacks, which you could then rotate and move the car around within the volume,” he explains. “We had two floating screens that we could move around to fill in and use as additional source lighting. Then we had generated plates – either CGI or real location plates –projected 360º around the car. Sometimes we used the volume in-camera but if we needed to do more work downstream; we’d use a green screen frustum.” Universal Pixels collaborated with Finney to supply in-camera VFX expertise, crew and technical equipment for the in-vehicle driving sequences and rear projection for the crucial car shots. 

John Hamm was suspended in the middle of this lighting rig and superimposed into the feather tunnel.

Interestingly, while shooting at a VP stage in Leith, the team also used the volume as a huge, animated light source in its own right – a new technique for Finney. “We had the camera pointing away from [the volume] so the screen provided this massive, IMAX-sized light effect for the actors. We had a simple animation of the expanding universe projected onto the screen so the actors could actually see it, and it gave me the animated light back on the actors.”  

Bringing such esteemed authors’ imaginations to the screen is no small task, but Finney was proud to helped bring Crowley and Aziraphale’s adventures to life once again. He adds: “What’s nice about Good Omens, especially when there’s so much bad news in the world, is that it’s a good news show. It’s a very funny show. It’s also about good and evil, love and doing the right thing, people getting together irrespective of backgrounds. It’s a hopeful message, and I think that that’s what we all need.” 

Finney is no stranger to the idiosyncratic world of Sir Terry Pratchett and Neil Gaiman.

[starkwlkr]

Omfg I need like early on in the relationship between Hugh and marvel!reader where their relationship isn’t public and their papparazzi of them on set together coz they’re visiting eachother and everyone’s thinking xmen X mcu when in reality it’s just them together dating

no spoilers! | hugh jackman

an: ok since their first son was born in 2000 (it’s canon idk what date but it’s canon now lol) and the mcu started in 2008 I’m going to change a few things JUST TINY THINGS like the mcu being in development early on and marvel actress!reader being casted in the early 2000s. does that make sense?? idk this is fanfiction

2005

Getting a call from Marvel was something you never expected. Like many people, you grew up reading the comics and watching the tv shows. But now you had the chance of a lifetime. You were being offered a role in the first movie in the Marvel cinematic universe.

After having a meeting with the marvel executives and your manager, you were asked to keep the news of your casting a secret. The media was already wondering who was going to portray what heroes on the big screen and your name was being thrown around.

While your relationship was still a secret, you often visited Hugh on set of X-Men with Alex and Reese. You tried to keep your little family from the media as much a possible. You would watch Hugh get into his costume and do his stunts. You were always amazed at how much fun it would be to portray a superhero and now you were finally going to be able to.

A few months after you met with Marvel, you found out you were pregnant with your third baby. A girl. Thankfully you weren’t set to film yet since the film was still in development. When it was finally time to film ‘Iron Man’, you were more than ready. Your kids were a bit older so they finally got to watch you beat up bad guys like their dad did.

It was during the filming of ‘Iron Man 2’ when your secret was finally revealed to the world. You didn’t really know how it even happened . . . Your guess was that paparazzi somehow snuck in. Hugh was always careful when visiting you on set. Rumors were already circulating on the internet about a potential X-Men and Avengers team up. It didn’t help that Hugh was sporting his signature Wolverine hair when he visited the set. At least the kids weren’t with you.

“You look much better than me,” Hugh looked at your costume. He couldn’t stop staring, it was starting to make you weak in the knees. “at least you get comfortable suits. Remember the black suits from X-Men? The most uncomfortable shit ever.”

“The kids thought you looked cool.” You reminded him.

“Okay, that makes me feel better.”

As you and Hugh talked, some paparazzi were secretly taking photos. All they could think about was how well they were going to get paid for the exclusive photos. The X-Men joining the mcu? That was big news!

When the photos were published on every magazine, you couldn’t help but laugh. What a way to reveal your relationship. You definitely didn’t want to share the news this way, but you also didn’t want to lose your job.

“Maybe in a few years it’ll come true. You, me, X-Men and the Avengers.” He told you, giving you your morning coffee. The kids were still sleeping so you and Hugh took advantage of the quiet morning. You set the magazine down on the table and drank the coffee.

“It would be nice. Imagine what the kids will think. Mom and dad beating up the bad guys together,” you smiled at him. He took the opportunity to give you a kiss. As he pulled away, you whispered to him. “or it could be me kicking the wolverine’s ass.”

You and Hugh’s characters wouldn’t share the screen until 2024 when Deadpool & Wolverine premiered. Your kids were more than excited to see their parents fighting together.

@kellyxo1 @barnes70stark @ru-kru @flyestvenustrap @evasmlp

[improbable-outset]

𝐀𝐝𝐝𝐢𝐜𝐭𝐢𝐯𝐞

𝐓𝐖: overstimulation, fingering. Minors DNI🔞

𝐔𝐥𝐭𝐫𝐚𝐦𝐚𝐧 𝐌𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

You were his first everything. Kenji knew the moment he returned to Japan and bumped into you again, that you’d be the one.

The one to have his heart wrapped around your fingers.

The one to take his virginity.

He still remembered the bliss he felt when you sucked him off and he experienced his first orgasm. He could still recall the moment his focus narrowed and his whole body was in a trance, completely in control by the intense pleasure your mouth was giving him.

It was the best thing he had experienced, even better because it was with you.

But the first time he witnessed you reaching your own peak, he was completely enamoured. And he would do anything in his power to pull orgasm after orgasm from you, just to see you fall apart under his touch.

“Kenji…it’s too much. I can’t—” you whimpered. Your voice was hoarse and your legs were shaking.

You were laid out on the bed underneath him, a film of sweat on your forehead. You were spent and still drowning in the afterglow from your previous climax.

Kenji fingers dipped his into your core, feeling your dripping wetness over them. He kept moving them in and out relentlessly, trying to get you to reach your peak again.

“Come on, baby.” he coaxed, still moving his fingers. “You can give me one more,”

You couldn’t even bring yourself to answer back, let alone form a coherent sentence. The wetness from your core made lewd noises which seemed to fill his senses.

Your back arched and your legs jerked instinctively as he curled his fingers inside of you, but he quickly put one of your thighs in place so you wouldn’t move.

He couldn’t help but grin at the sight of you, your lips parted as more moans slipped out of your mouth and your body squirming under his touch.

He leaned in and kissed below your earlobe while his fingers continued at their sporadic pace. “You’re close aren’t you?”

He used his thumb to press onto your swollen clit that had been overstimulated in the last few minutes. Your thighs started to quiver and he could tell from previous experiences that you were going to reach your peak again.

He could feel the familiar contraction around his fingers from your silky walls, just as they always did. Just for him.

He kept his gaze on you, not wanting to miss a second of what was about to unfold. The same sight that he had quickly grown addicted to the first time he witnessed the vulnerable side of you.

Your eyes squeezed shut and your face flushed, allowing yourself to get washed into the height of pleasure for the umpteenth time of the night.

He watched as a look of ecstasy casted on your face before your release hit— your mouth fell open as you moaned out his name, the only fragment your mind could grasp.

He slowed the pace of his fingers through your release. Eventually, he pulled his fingers out; they glistened under the light with your spend.

He wasted no time to bring them into his mouth and taste his handy work on his tongue. He looked back at you as you slowly recovered from your high.

He gave your forehead a quick peck before he moved down to reach your core with his mouth. You looked down at him, your eyes widened as you realised that he wasn’t done with you.

You shouldn’t be surprised by now though.

Another terrible attempt at pnp bc that’s what people like to eat up more or whatever.

[wh0reforcoriolanussnow]

WHAT IF... Tom and reader being sweet during behind the scene like you can see them hugging and just spreading love around the set lovebirds

Lovebirds || Tom Blyth x Actress!reader

A/n: thank you for this request anon :)

Warnings: swearing (literally once lol)

Wc:

actress!reader au masterlist

Divider by @pommecita

“I’ve always done what’s best for you, you have to understand that!” His grip on your wrist was painful as you wince. “You’re hurting me Coryo,” You struggle as a single tear drops from your eyes. Coriolanus smiles in satisfaction, wiping away the tear with the pad of his thumb.

“Now get fucking dressed,” He throws your clothes as you as you flinch and scramble. “Hurry up!” Coriolanus yells as your hands frantically pull your clothes onto your half naked body. “AND CUT!” The director calls out.

Tom immediately grabs a robe and rushes over to you on the bed, covering your slightly naked body as you thank him. “Are you okay? I didn’t hurt you too much did I?” He asks, worried that his grip on you was too harsh.

“No, of course not. And I’m okay,” You chuckle, your hand on the side of his face as he looks relieved. His arms latch around your waist as he picks you up bridal style. “Tom!” You let out a hearty laugh as he carries you out of set and into your shared trailer.

You two chose to ate lunch in the comfort of each other’s arms as you talk about everything and anything. Soon enough, hair and makeup stylists come knocking in as they get you two ready for the next scene.

Your makeup and hair took the longest but Tom entertained you the entire time, sometimes even making you cry out in laughter which probably annoyed the makeup artist who was doing your eye makeup.

Eventually you two were done and you still had an hour spare. You crawled onto Tom’s lap as his arms securely wrapped around themselves around you, your face in the crook of his neck. Exhaustion from the couple of days of filming caught up to you as you fall into slumber in Tom’s arms.

Tom’s assistant chuckles and snaps a few pictures of you fast asleep in his arms as he poses. Then, a knock came from the door and in walked Josh and Rachel. “Hey-“ Rachel pauses when seeing you asleep. A filming camera in her hand pointed at the two of you.

Tom raises an eyebrow at her, wondering what she was doing with the camera. “I’m filming a tour of the set,” Rachel giggles as she comes closer to the two. “And here we have the two lovebirds of the set, y/n fast asleep in her lovers arms.” Rachel whispers, directing the camera to your curled up body Tom’s lap.

You had no idea that Rachel had recorded you while you were dozed off until you found out at one of the interviews in London. “Who in the cast was most sleepiest?” The interviewer asks. You think about it, making your decision as you settle on writing Rachel’s name.

“In 3, 2, 1.” You all flipped your boards as your mouth drops open. “Me?” You gasp as Tom, Rachel, Hunter, and Josh all wrote your name. They all burst out laughing as you look at them disbelief. “We actually have proof,” Rachel says with a snicker as you raise an eyebrow at her. “Proof? Are we able to see it?” The interviewer chuckles as you look at Rachel.

“Yeah, Rachel I’d really like to see this proof” You cross a leg over your knee as they start playing a video that you weren’t familiar with. Your eyes widen as the camera comes up to you and Tom, you were fast asleep in his lap. Photos were also shown of Tom posing and you asleep.

Everyone starts laughing as you cover your mouth, refraining yourself from laughing aswell. “Y/n also sleeps a lot while getting her hair and makeup done, honestly she sleeps everywhere and anywhere!” Tom chuckles, rubbing your thigh as you look at him with a smile on your face.

“Yeah I can sleep anywhere honestly, I remember this one time we were in the zoo cage and I literally dozed off on one of the rocks.” You reminisce, “You actually slept on one of the rocks?” Hunter says in disbelief as she places her hand on your shoulder. “Yup. I did.” You nod your head with a wide grin as the others laugh.

~

“Tom, Y/n, what was the most least glamorous day on set?” The two of you were asked as you look to Tom, thinking about an answer. “We had a few. We had a few gnarly days,” “Yeah, there were a few rainy days-“ “Y/n drowned me,” Tom interrupts, looking at you as you break into laughter. “I did.”

“You drowned me one day,” He continues as you throw your head back in laughter, “I was clinging to Tom for dear life in that lake,” You chuckle. “Oh right, there’s a bit where your properly on Tom’s shoulders!” The interviewer points out. “Yeah and they made it look romantic in the movie,”

“In reality, I was choking for my life cause Y/n isn’t the strongest swimmer in the relationship,” You lean your head against his shoulder in embarrassment as you laugh. “No- I can swim, only if somebody is chasing me,” You sheepishly say as Tom throws his arm around your shoulder, laughing as you could feel your whole body vibrate from his laughter.

“Oh and it was absolutely freezing in that water!” You shake your head as Tom agrees. “There’s actually footage of me wrapped in like three blankets after getting out, Tom included as a blanket” You remember as your mind goes back to that day where you were shooting at the lake.

“I’m so cold,” You squeak as you quickly walk out of the lake, Tom behind you ready to wrap you his arms around your frame “C’mere”. The filming team give you two blankets as you wrap it around your frame, your wet hair sticking to your forehead.

Tom’s body added to the warmth as he rocked you side to side. “Tom, Y/n, smile!” Rachel says, holding her film camera as you pull an awkward face as Tom does the same. You both laugh at the face expressions you made finding it hilarious.

“What was the most memorable day that you remember while on set?” The interviewer asks as you ponder. “My most memorable day was probably the day we finished shooting. Not many people know this but I originally turned down this role because it was back to back with my other project that I was working on.”

“And you know I had just arrived back in London from filming it for about 8 months I think?” You look to Tom as he nods, “Yeah 8 months hardly being able to see family and friends. But when Tom got the role as Coriolanus he sort of convinced me to take this role on and I’m so glad I listened to him.” You grip his hands in yours.

“That last day on set was quite emotional for me in many ways. I was of course sad that filming with these incredible people were over and also I think just remembering that I’ve gone so so long without my family really hit hard that day.” Tom nods and smiles as he admires your side profile as you talk.

“And Tom was there on set with me and I was just so relieved seeing him after finishing that when I gave him a hug I started crying.” You conclude make eye contact with Tom. “Speaking about you and Tom, can you tell us how you two met?” A smile immediately made it your lips as Tom chuckles, scratching his neck.

“You can tell them this one,” You nudge him with a cheeky smile. “I met Y/n on the set of Billy the Kid late 2021 when we started filming. Y/n’s dad was the producer of the film and I was introduced to her by him and then yeah,” He says giddily as you smile.

You still remember that day like it was yesterday. “I came to set on the second week Tom started filming and let me tell you, he looked really good in his outfit. Like really good,” You shyly say as Tom and interviewer laugh.

“I don’t think you’ve ever told me this,” Your boyfriend looks down at you with a slight smirk, “didn’t want you to think I was head over heels for you,” You wink playfully at him as he chuckles and kisses the back of your hand.

~

tomblyth

Liked by y/n_y/l/n, rachelzegler, lionsgate, y/nxtom4life and 4,938,038 others

Do not be fooled by the second and third picture. I was choking for my life!

tagged: @y/n_y/l/n

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—————————————————————————————

y/n_y/l/n: 😐

↘️ tomblyth: love u babe x

rachelzegler: first picture proves our point that y/n can sleep everywhere and anywhere 😭

↘️ hunterschaffer: @y/n_y/l/n is your neck okay?

y/n_y/l/n

Liked by tomblyth, joshandresrivera, oliviarodrigo, rachelzegler and 5,947,309 others

Tboas dump coming soon 👀

tagged: @tomblyth

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—————————————————————————————

tomblyth: gonna miss the salads on set 💔

↘️ y/n_y/l/n: so will I :’(

y/nxtom4life: my parents are so cute I can’t 😭

Liked by y/n_y/l/n

[azaleatown]

Imagine you’re an actor and you’ve spent your entire life working shit jobs paying for acting classes moving to LA grinding out auditions and call backs. You slowly work your way into better gigs making career connections with new friends and people you despise. Finally you land yourself a role on a Netflix show. It’s big. You’re over the moon. You don’t care about the director having allegations or your cast mate being a notorious homewrecker/sociopath, you’ve made it. Seven grueling months on set filming, you grow to truly love and hate this business but at least you’re actually in a role you’re proud of and have a performance you’re not ashamed of showing off. You get curious. You wonder what people online are saying. You remember you have an old tumblr account from when you were younger. You decide to check what they think about your show. That’s where the real fans are, no networking, no fake smiles, the real fans who care about the shows and the actors. You log on. Search up the show name and then your own name. You’re excited, a little embarrassed even. Your emotions quickly change however. You’re confused. The only posts about you are terribly written fanfiction where you fall in love with another one of your fellow cast members. It’s the guy who was an anti-vaxer, he brought his kid on to set one day and yelled at his son when he wanted a snack. You feel sick. You keep scrolling. You see one post that’s not like the others. You’re relieved. It’s a real analysis of the show. You’re excited again. Your time has come. You scroll quickly to the part where they mention you. It’s the longest paragraph. You feel loved and seen. Until you notice how none of it is about your character and is about how you the actor are clearly asexual. They are using a hideous photo shoot when you first started as proof. You happen to be wearing the ace flag colors. You look down at the amount of notes on the post. One hundred thirty thousand. You close tumblr.

[appocalipse]

summary: you were way too drunk last night and said some funny things...so, of course, steve had no other option but take you to his place to take care of you. :)

read part 1 here

˚ ༘✶ ⋆｡˚ ⁀➷

Your head hurts.

Everything feels a little weird, in fact, but especially your head, spinning and throbbing and, when you try to pry your eyes open, the sudden harsh light streaming into the room feels like it's physically boring straight through your brain.

"Fuck," you whimper pitifully, eyes squeezing shut once more. Your ears are ringing, there's a coppery film lining the inside of your mouth and, for a terrible second, your stomach churns dangerously. "Fuck."

Someone hums somewhere near your right ear. A low, gravelly, vaguely amused sort of hum. There is absolutely nothing and no one alive on this green earth that would hum in that particular fashion except your best friend.

You peel your eyelids apart with great difficulty. When you tilt your head to the right, you see Steve sitting on the edge of the bed, gazing down at you with a soft look on his face.

Naturally, you proceed to freak the fuck out.

"Jesus Christ," you cry, scrambling backwards until you feel the back of your head slam against the headboard with a resounding thud. The dull throb in the back of your skull intensifies, and you have to fight back the urge to throw up. "Ow! Shit, I—What—what happened? Why are you in my—"

Hold on a second...this is not your room.

You cast an anxious, furtive glance around the unfamiliar setting of Steve Harrington's guest room. Panic floods your veins and has your heart hammering in your chest when you notice that you're clad in only one of his shirts and sweatpants that definitely don't belong to you.

Oh, Dear Lord.

Did something happen last night that you can't remember? Did something — oh, God, no.

Steve raises his eyebrows at you as though he can read your mind. "Relax. Nothing happened, relax, come back down," he coos gently, placing a placating hand on your arm. "And I...I didn't see anything, if that's what you're worried about. Nancy and Robin, uh...they helped you shower and get changed last night. Not me."

You cover your face with both hands, letting out a muffled groan as your memories come trickling back in. You don't remember every little detail from the previous night, but what you do remember is already more than enough to fill you with mortification and regret.

"...you said some pretty interesting things while you were drunk, though."

"Shut up," you mumble, peeking up at him through splayed fingers, "go away."

"Really, though," Steve continues, the teasing glint in his eyes a sure sign that he is very much enjoying your suffering, "who knew you found me so attractive?"

"Oh, Jesus," you mutter, groaning as you slide down to hide underneath the comforter, "where are my clothes? I want to leave now."

Steve snickers but makes no move to get up from his perch on the bed. You can hear the rustling of fabric, like he's adjusting his position as he waits for you to come out from under the blanket. "Clothes are in the wash, sorry," he says, sounding very much not sorry at all. "You, um, thought it was a good idea to lie down on the grass last night."

"Kill me now."

"Nope," he chirps, quite cheerfully so, "can't do that, because then who would watch Back to the Future with me tonight?"

You part the comforter just enough to peer up at him from beneath the thick layer of blanket.

"'Back to the Future'?" you echo, trying to ignore the fact that you feel a little lightheaded when Steve smiles down at you.

He looks nice. He always does, but even more so now for some reason — you're guessing it has something to do with the fact that you just woke up and haven't had the time to mentally prepare yourself for seeing him up close yet.

"Mmhmm. You up for it?"

"I'm pretty sure that my head is literally going to explode any time now." 

It's really not that bad anymore, but Steve doesn't need to know that, does he?

He nods seriously in agreement. "Right, because you drank way more than you should've last night. Might have mentioned something about rules and...mhmm, what was it? Oh, yes, dying if I didn't let you touch my hair…?"

"No, I didn't."

"You really did," he tells you, leaning back on the heels of his palms, "but don't worry, it was cute."

"I am very much worried," you say miserably.

Steve lets out a quiet sigh and leans forward again, hands reaching out to tug the blanket down far enough to uncover your face completely. "Come on," he says, "do you need anything? Aspirin, maybe? Food? Water?"

You consider his offer, taking the time to mull it over while you avoid his gaze. 

"Why did you bring me home with you?" you ask, curious despite yourself. "Why didn't you just take me home?"

"You, uh...really didn't want me to. Pretty much refused to let go of me all night."

"Steve."

"No, really!" he insists, holding both hands up in surrender. "It was like trying to pry a koala off a tree. You even asked—"

You let out a helpless moan of protest and turn away from him as much as you can, hiding your face in the pillow. Steve laughs, clearly delighted by the fact that he's managed to thoroughly embarrass you in less than ten minutes.

"You asked me if I—"

"I don't wanna know!"

"—would sleep in your bed with you."

"Nope," you whisper, your voice coming out a little garbled due to the way you've pressed your face into the pillows, "don't wanna hear it. Shut up, Steve, oh my God. Please."

"It was very adorable."

"I was drunk."

"Still. Cute."

You prop your head up on your elbow so that you can see him a little better, keeping the blanket held tightly around your shoulders as you do. "Sorry I called you. I don't even remember doing it, Tina just told me to and…sorry."

Steve looks down at his lap, shifting a little uncomfortably on the bed.

"I don't mind," he says, lifting his gaze up to meet yours briefly. "You said you missed me. At the party."

A dry, humorless chuckle leaves you and you cringe when the sudden motion sends a sharp pain lancing through your forehead. "Ow. Of course you would remember that," you say, cheeks heating up.

"Do you...remember everything?"

You blink, momentarily confused by the sudden change in conversation. "Everything?" you ask, more to buy yourself some time than anything else.

"You, um..." Steve trails off, clearly unsure of how to broach the topic with you, "you said I made you feel…stuff inside. That you felt stuff. Or something like that. Do you...remember saying that?"

You can practically feel all the color draining out of your face, leaving behind a blank canvas that hides none of your inner panic. 

"Uh...no, no, I don't. Do you have a...I need to, um, use your bathroom, like, right now, if you don't mind."

Steve blinks. "Oh, okay. Sure. I bought you a toothbrush earlier, by the way. It's in the medicine cabinet if...if you want."

"Yep," you say, climbing out from under the blanket with as much dignity as you can muster (which is very little), "yep, okay, thanks. I'm...gonna go do that. Now. Okay, bye."

You spend a good five minutes inside the bathroom splashing water in your face while silently wishing for death to come claim you sooner rather than later. Then, you brush your teeth with the toothbrush Steve left out for you — which is totally not cute, it's not cute, why did he do that, ugh, damn him — before venturing out into the hall.

"Steve?"

"Kitchen," he calls out from somewhere at the bottom of the stairs, "you want pancakes?"

You hesitate.

The idea of staying to have breakfast alone with Steve Harrington seems oddly intimate after last night, a dangerous prospect that will undoubtedly lead to awkward small talk and more teasing. However, he did go out of his way to buy you a toothbrush this morning...

You swallow down the nervousness you feel and pad barefoot down the staircase into the foyer, following the sounds of clinking utensils and soft humming to the kitchen.

Steve looks up from his place at the stove when you appear in the doorway.

"Hey," he greets, giving you a quick once over. "How's your head?"

"Feels like there's a little person in there hitting it repeatedly with a little hammer," you admit, grimacing a little as you come further into the room and sit down at the island. "Thanks, by the way. For helping me out last night. And today. I really am sorry for...um, you know, that."

"'That'?"

You purse your lips and Steve grins.

"Yes, that," you mutter, swiveling your seat from left to right while you watch him attempt to read a recipe on the back of a box of pancake mix. "Drunk me is like, twice as embarrassing as sober me."

"Embarrassing isn't the word I'd use."

"Please," you scoff, "I was pathetic. I could barely walk by myself."

Steve glances back at you. "I didn't think you were pathetic."

You raise an eyebrow at him skeptically.

"Okay, maybe a little pathetic," he concedes with a little snort, "but mostly just…sweet."

"Sweet?"

"Yeah, sweet. Don't know if anyone's ever told you that before."

"Sweet," you say again, the headache suddenly no more than an afterthought. "That's how you'd describe me?"

Steve, apparently having given up on making sense out of the instructions on the back of the box, turns around to lean against the counter behind him and studies you with his arms folded loosely over his chest.

"Yes," he says, tilting his head to the side a little. "Not the word you expected me to say?"

There's something about the way he's looking at you. It's warm and piercing all at once, like he can see right through you. It makes it hard for you to breathe all of a sudden, hard for you to do anything but gape at him like a goldfish that's been pulled out of water.

"Uh, I'm...confused."

"Me too," he admits with a little huff of laughter. "I was thinking about what you said."

"About your hair?"

"No, well, yeah, but—" Steve pauses, dragging a hand down his face with a weary sigh. "Look, what you said to me yesterday, about the things I make you feel, I—"

"I said I'm sorry—"

"Don't apologize," Steve interrupts, shooting you an unamused look, "I'm trying to say something here, come on, give me a sec."

"Right. Sorry. Go on."

"You're not supposed to apologize for apologizing."

"I'm s—okay, right. Mouth shut."

Steve purses his lips to stifle his amusement at your antics. You fold your arms in front of your chest and keep your gaze fixed firmly on the marble countertop as you wait for him to continue.

"I, uh," he says, pushing himself away from the counter so that he can wander over to the other side of the kitchen, where you sit, "I feel things too, you know. With you."

"Oh."

"Yeah," Steve chuckles, scrubbing a hand across the back of his neck as he stops beside you, "'Oh'. Weird, right?"

You'd like to, but can't think of anything clever to say that would serve as a suitable response. You don't think Steve's looking for one, anyway, because he reaches out to tap his fingers lightly on the back of your hand, taking a seat on the stool next to yours.

"S'weird, 'cause I don't know if you meant what you said when you were drunk, or if it was just the alcohol talking, or what."

You shake your head quickly, and then wince because of the way the headache thuds behind your right eye.

"Robin says I'm an idiot and should stop being such a chicken," he continues, with a slight roll of his eyes. "And Eddie says if I don't 'shut up and tell you how I feel soon', he'll do it for me."

You nod, smiling despite your hangover. "Eddie's, uh, got a point, no?"

"Maybe," Steve allows, rubbing absently at the side of his neck.

He lets his hands slide down to the legs of your stool, fingers curling around the metal of each side. You don't quite understand what he's doing until he gives them a light tug, jerking you closer to him without warning.

You let out a little shriek of surprise as you reach up to clutch onto the first solid thing your hands find — his forearms. 

"Ah! What—Steve!"

He's got an amused smile on his face, but his eyes are bright and nervous all at once. Steve pushes your stool even closer to him, until your knees knock against his own and he's forced to lean down to keep his eyes on you.

You hold his gaze steadily as he edges closer. "What are you doing?" you murmur, watching his eyes flit downward to track the movement of your tongue as it peeks out to wet your dry lips.

"Not sure yet," Steve hesitates when your lips are a hairsbreadth apart. He watches, half-dazed, half-entranced by the way you stare back at him, unblinking. "But I've got a theory."

"A theory?"

He lowers his head toward yours. You press your hands flat against the hard plane of his chest to steady yourself, fingers splaying over the soft material of his t-shirt as you curl them around the fabric. Steve exhales, and you can feel his breath on your skin, a soft tickle that raises the goosebumps all over your skin.

"Wanna hear it?"

You nod slowly, aware of the way his eyes darken as they trace your face. He's so close that you can make out the fine dusting of freckles and moles that litter his skin, the long fan of his lashes as they flutter to a close. If you moved even slightly, your lips would brush against his.

"What's your…your theory?" you whisper.

You can feel his heartbeat thudding in his chest as he releases his hold on your stool, lifts both hands up to cradle your face instead. He slides the tips of his fingers along the side of your neck, lets his thumb trace your jaw.

"I think," Steve says, and you can tell he's struggling to string two coherent words together when you feel his thumb quiver against your cheekbone. "I think that, uh, you're—Christ, I—"

His nose brushes against yours and you tilt your chin up instinctively, chasing the brief contact. You smirk. "Christ, you...?"

"Shut up," Steve huffs out a breathless laugh. "I'm getting to it."

"Are you?" you tease, wrapping your fingers around his wrist, your turn to pull him towards you gently.

Steve goes easily, moving his hand from your face to brace the back of your neck. "I think," he starts, eyes crinkling at the corners, "that I might be in love with you."

It's such an unforeseen, unexpected confession that your heart almost gives out in your chest. 

You gape up at him, at his crooked grin, at his rosy cheeks. "You think?"

He blinks and then squints down at you like he can't decide whether he wants to be annoyed at your antics or kiss you. You hope for the latter, but he says, "What're you, a parrot?"

Shrugging, you're unable to keep your lips from quirking into a grin of your own. "Rude."

Steve's head falls forward and he rests his forehead against yours. You can feel his pulse thundering wildly against the hand you've pressed flat against his chest, and it makes you feel a little better about your own pounding heart.

"M'sorry."

You smooth a hand over his shirt and hook a finger under the neckline. "Forgiven," you tell him.

"Good," Steve says, nudging his nose against yours playfully.

You want to say something else, maybe tease him about his hair or something equally as inconsequential, but he doesn't let you. Instead, he leans down and closes the distance between you with a slow, tentative press of his lips to yours.

Now, Steve's mouth is soft and warm, and he kisses you like he's got all the time in the world. You shiver when he drags his fingers up the back of your neck, tangling them in your hair so that he can pull you closer yet.

You only pull back when the need to breathe becomes too urgent, giggling at the little noise of protest he lets out as you do. But Steve is nothing if not persistent, and he pulls you back in almost immediately, the movement so abrupt that you nearly topple backwards off the stool.

"Steve—I..." you manage to say, between your giggles and the heated press of his lips against yours. "I still...need to breathe, mister."

He huffs out a little laugh against the side of your neck, nips at the sensitive skin in retaliation. You squeal in delight and jab him playfully in the stomach, laughing as he recoils in mock agony.

"Stop laughing," Steve complains, the warmth of his own laughter tickling the underside of your chin when he nuzzles his nose into your neck once more, "come on, you're ruining the moment."

"Wait," you breathe, right before his lips meet yours again, "so...no pancakes, then?"

He drops his forehead against your shoulder and shakes with quiet laughter."You," Steve mumbles into the side of your neck, "are something else, you know that?"

You grin. "Apparently, you like that. Love that...no?"

You can feel him smile, the stretch of his lips curving against the skin of your shoulder.

"Apparently...yeah, I do. I do."

[totalswag]

a day to remember — DREW STARKEY

authors note just take a moment to appreciate how good this man looks. i’m so proud of him and cannot wait to see the movie. he’s come so far in his career. ALSO seeing these pictures i NEDDED to write about him.

join my taglist ⇛ if you would like to be notified anytime i post click this link and you’ll be all set to go.

summary attending the first premiere for drew’s upcoming movie, queer, and supporting him with all love.

warning(s) NONE

You could feel the buzz of excitement from outside as you carefully stepped out the vehicle. The soft fabric of your white dress complimented Drew dark blue suit perfectly. With his perfectly groomed hair, tailored dark blue suit, and a smile tugging at his lips as he extended his hand to you, he looked very attractive.

Today is the premier for the upcoming movie, Queer. Everyone is going to be there to promote the movie. Drew has been talking about it for days. You couldn’t wait to be by his side.

This is your second trip to Venice in support of Drew. When Tatum was three months old, you two went to Drew for a month and began shooting. Tatum just turned five months old and is staying with your parents at home while you are here.

Drew invited you to accompany him as a support person— you were looking forward to attending the premiere and staying by his side the entire time. You can't express how proud you are of Drew and watching him accomplish what he loves. He has come so far in his career.

First Drew walked onto the red carpet— immediately posing for the flashing cameras around him. He turns into your direction, taking his shades off, signaling you to come over.

Happily walking over to your man with a big smile on your face, waving in the direction of paparazzi and fans. Drew carefully placed his right hand on your lower back while your hand rested on his stomach.

Drew looked over at you, his smile warm and comforting. "You look incredible," he said, barely loud enough to be heard over the shouting. 

You smiled back and squeezed his hand. "You don't look so bad yourself."

There was a moment where you looked him up in down processing how good he looks— paparazzi and fans definitely got that on camera.

You proceeded up the carpet together, pausing for photos. It was overpowering yet thrilling, and Drew never let go of your hand, his presence constant and soothing.

As the premiere continued, Drew took multiple pictures and alongside his casting crew. You knew his inner child is jumping up and down for his older self right now.

On the red carpet, a young man stood behind a camera, holding a microphone and ready to interview Drew. The young man grinned as he motioned you both over. 

He starts off by asking how you are both doing and compliments your outfits for the premiere. He’s keeping his questions professional and not over the top.

“Drew what was it like shooting this film?” The interviewer asked curiously.

"Working on this film was fantastic. Drew responds calmly, "Given the opportunity to work with such great people like Daniel Greg was truly remarkable.”

The conversation for a bit was about the movie, you were asked a few questions, then the interviewer asked about Tatum. You both miss her so much.

“So, how’s parenthood treating you guys?” he asked, his tone genuinely curious and light. “And how’s Tatum doing?”

You shared a short gaze with Drew, who spoke with a warm smile on his face. "Parenthood is amazing," he exclaimed, his voice warm. "Tatum's wonderful—she's growing up so quickly. It's wild, but we're enjoying every moment."

You nodded, adding, “She’s the light of our lives, honestly. Every day with her is an adventure.”

Eventually it was time to end the interview. Drew and you thanked the young man— shaking his hand. Drew’s manager pointed towards the fans waiting anxiously to meet him.

“They look so happy to see you” you smirk, playfully nudging his side that makes him giggle a bit.

Interacting with Drew’s fans is always exciting— you always look forward seeing them because they’re so nice. Their squeals grew sharp when you two stopped walking.

“Y/N you look so good!” A young fan said with the biggest smile on her face and complete shock she’s experiencing this moment.

"You are too sweet, thank you gorgeous" you gasp before giving her a warm hug.

Drew signed autographs, pictures, had small conversations with fans for a while until it was time for everyone headed inside for the movie.

The movie was unbelievable. The whole time you were stunned by the acting from the cast— so amazing. The production did a fantastic job getting this done along with the cast.

After the movie, everyone proceeded to this restaurant for dinner. You'd had a few cocktails by now—Drew and Oplo were standing up, arms around each other, talking on the phone. You sat behind the phone, eyes fixed on Drew.

He looked so lovely with his shirt unbuttoned, revealing a little of his chest. Everything about him was addictive.

He walked towards you laughing at something Oplo said. Scoots his chair closer to yours— knees touching.

"I could feel your eyes on me over there," he asked, caressing your thigh. "Is everything okay?" 

"I'm admiring how good my man looks," you say, tracing a heart on his chest, "and thinking how proud of him for never giving up on his dream." You feel yourself choking on your words but maintain your composure.

Drew maintains constant eye contact with you. He slowly closed his eyes while biting his lip. His hand grips yours and squeezes lightly. His actions provided you with an answer.

"I love you so much, darling, I'm not sure what I did to earn you. Thank you for everything and for making me Tatum's dad."

You lean in for a brief kiss on the lips.

"And I love you more than you even know."

my taglist!

@drewstarkeys-world @chenslucy @starkeyvhs @rosezza @rafeyslamb @runningfrom2am @diqldrunks

[controld3vil]

chaotic duo

pairing(s): dune cast x actor!reader (platonic), oscar isaac x actor!reader

synopsis: requested by this ask!

⤷ alt: even your on-screen son can't deny how delightful his on-screen parents were.

notes: absolutely no shade to rebecca ferguson i adore her too much. reader is considered to have fem pronouns. ALSO ive been feeling iffy about trying to write for dune characters?? personally, although i love writing these actor!reader stories, writing for the actual characters i feel would be more challenging. dune's still pretty new to me but i kinda wanna give it a shot if i can make a good storyline T-T

It all started with the Dune Cast Q&A brought together by Nerdist. Timothee Chalamet and Denis Villeneuve had just finished chatting with the host, Stephen Colbert about their perspectives on Paul's character. Much emphasis had gone on the young actor's performance. And Denis's decision to cast such a well-experienced one.

After finishing up their last question together, Stephen decides to introduce two additional members. "Timothee let's bring out the man and the woman who play your parents, Duke Leto Atreides and Lady Jessica." A transition between screens to display your camera view and Oscar's. He introduces both your names.

"Hi!" You grin at the camera, comfortably leaning against one of the arms of your chair. Similar to everyone else's backdrop, yours was pitch gray, covering all but your silhouette and chair.

"Hey Stephen," Oscar greets at ease, as you proceed to wave to each of the people seen onscreen.

It cuts immediately to the host gesturing in continuation for a question. "Tell me and the audience about Duke Leto Atreides. What do we need to know?"

"He's the father and human. I think that's the biggest thing and uh under incredible pressure to save his family. Save his house but to adapt to this new existential threat situation which is moving to this strange planet," Your fellow costar puts into short. Short and concise was what was expected.

Content with his answer, Stephen moves the attention to you. He calls out your name, eagerly. "Rereading the books uh- right now, I am struck by how much of the story- uh the backstory and the action story is driven by the decisions Lady Jessica makes." A smile grows on your face, knowing how much fun was a character to play for you.

Along his last few words, you find yourself nodding in agreement. "I'm impressed with that you, Stephen actually read the books again!" An instant grin comes from the said man. "But it's all applause to Denny- he highlighted this from the book. In the film, her decisions basically create, fractures and disrupts everything."

"Best parents ever," In a low whisper, Timothee murmurs and the five of you burst into short chuckles and snickers.

"The best you could ever have!" You clapped your hands together, shaking them above your head in victory. And when the screen expands to show everyone's reactions, the audience can noticeably pinpoint Oscar's playful eye-rolling.

Another fun interview you had the pleasure of sharing was with Grazia UK. It was in a more comfortable setting. With you and Oscar in a lounge room, with the Zoom camera on. While the female interviewer complimenting a kind smile.

"Can I ask you something," Not within a second of the conversation, you rose up with a peculiar question. "Do you remember his beard?" Your costar beside you, looks away in disappointment. Even raising his hand to emphasize his discouraged state.

"A bit yes..."

"Yeah,"

"Yes!"

"Why? It was an impressive beard," Sort of clueless really, the interviewer says, of why you wanted to the topic up.

"Yeah, it was impressive!" Oscar looks back and forth between you and the camera, directing towards the woman on the other side. While you shriveled in embarrassment, leaning your head behind his shoulder, with a few snorts of laughter. "She doesn't even remember if I had a beard or not in the movie! She just saw it."

"Quite a prominent beard!"

"Yes yes, well I can remember so much," You chaste, leaning closer, locking eyes with your costar. Threatening really in a playful way.

"We shot together for a few months! How could you not remember?!" He exclaims, raising both his hands in the air in exasperation. You puff, adorning a pouty-like look.

"I work with what's in front of me," you turn to address the interviewer, pointing at Oscar accusingly. Because much contrast to what he looked months ago, he no longer had that impressive beard. He was clean-shaven, much to your display.

Next to you, Oscar scoffs. "Apparently not!" Bumping shoulders with you as you fought back, poking him many times obnoxiously.

You both later discussed a provoking quote referenced multiple times from Dune posters. Fear is the mind killer. Truly a simple yet intriguing phrase that fitted well with the film. And in generally, you and Oscar compared each others quotes from personal experience.

"I guess you could combine them together," Taking a sip out of your glass, you eyed at Oscar. He hums back and smooths his hands comfortably down his hips.

"It will pass and love prevails!" He cheerfully expresses. Even from afar, the interviewer can notice how much fun you two were having with the question.

"Right and, it plays perfectly with the film," You add onto your little spiel, nodding as you go, "Besides the fact that- you know, fear is the mind killer."

The male actor lets out a long sigh. "Makes you forget how violent the movie is."

On the other side of the screen, the blonde interviewer shrugs her shoulders. "Well- it's only included in small parts in the movie."

It was your turn to hum, dragging out the M sound. "I think maybe the film focusses too much on romance."

A caught off cough comes from Oscar as he tries to his best to dismiss his your sarcastic comment. "I feel like there should've been more of it."

"Really?!" The shot pans to your exaggerated shocked gaze. You then turn to look at the interviewer. "He has no idea how to write a movie." Instantaneously the male actor bursts out laughing, shaking his head back and forth in little denial. Even you couldn't hold it together and giggled a little.

"You play Timothee's parents so spent a lot of time with him. What is the most interesting thing we do not about Timothee Chalamet?" The interviewer prompts, having their arms supported on top the their desk with pure keenness.

Pursing your lips together in concentration, your attention turns towards your partner. "Well coming from me- I mean I don't know if people know this about him or not- but he's very open hearted." Oscar continues, "And me, having to play his father- hence the beard!"

"Ah!" Giving more emphasis, you raised your brow in recollection.

He goes on comparing the analogy of having to play Duke Leto as a powerful leader of a House. Without his people and court, he wouldn't resemble much of an prestige leader. However Oscar later mentions that Timothee's performance was the catalyst to their relationship look authentic. He is young yet incredibly sympathetic towards what's to be done for the film. His time with both of you really sold your relationship as a family, you'd think.

"So that's a very generous thing to do for a young actor. And I was impressed and admired that," In the background, you can be heard mumbling in agreement. Your partner shifts his posture, facing and expecting you to go next.

Licking your lips, you took one last glance at him before focusing strictly at the Zoom camera. "I think for me, to have a young actor like him- he's very driven about it all. When he's on and off screen, Timothee's just focused- he's very serious and concentrates heavily on what Denny says- and I can say I respect that." You punctuate your point, tapping lightly on your knee. "And I play his mother you know, and I try to accommodate with that. I play along and we work until we find a good rhythm with each other." The older woman on the screen seemed enamored by your compliments regarding your costar. Yet her eyes quickly makes it's way to Oscar, sitting quietly and listening to you ramble.

His laidback posture showed how greatly he took your words in. You grab your glass and take a quick sip before hearing him say, "We raised him well." Taking your hand in both of his as a sign of pride.

A delightful chuckle comes from both you and the interviewer while your partner gives a satisfied grin. "We really did!"

The media did not need proof to know of your enjoyed time during the production of Dune. In fact, multiple vlogs and documentaries about the film had fans and viewers alike become fond of your positive and laid back attitude about it all. Despite playing a calculating character such as Lady Jessica, you were nothing of serious when on screen with your costars.

"Welcome to Arrakis!" You popped into frame, wearing an exquisite dress, costumed by one of the designers. It was golden yellow with chains running down from the bottom half of your face to your chest. A faint veil covered your head but for right now, you had it placed on your hair. You spread your arms with anticipation for the cameraman to pan around your surroundings. "It's sunny today so I think we'd be out here for some time." You moved extremely close to the camera, before moving out of the frame to the side.

Abu Dhabi was bliss. The production and crew worked diligently day and night working in the deserts. And on this particular day, most of the cast had been present as well for the introduction of House Atriedes on Arrakis.

A few shots slowly pans from the crew's tents and Denny far into the sandy mountains as he speaks with Timothee. Another shot slyly captures you showing Josh Brolin an unknown video, sideways. Which somehow made him cackle very enthusiastically, holding his stomach to air as you quickly pat his back multiple of times. In all, everyone of the cast members were having a blast in the dry outskirts of the unknown.

"Hello," Brolin pops in another clip where he stands, wearing the Atreides armor. Under a massive shade area, a few people can be spotted in the background, moving equipment and conversing with others. From afar, the people filming the documentary can be heard presenting a few questions for him to touch upon. "Ah what do I think about Lady Jessica being played by," He says your name sincerely.

The video cuts to you having a conversation with your on and screen husband. A hand covering above your face to shield yourself from the sun, while Oscar tries to move where the light is hitting you as the best he could.

"I mean a phenomenal actor like her playing in that kind of role is guaranteed to have an amazing performance. She's- We've known each for a long time since Sicario and with Denny," The male actor softly grins, staring at where you were. "But Oscar on the other hand, eh- not so much." His tone becoming monotonous, as if the shift in topic was distasteful to the touch.

"Whatcha say, Gurney?!" A scream echoes and it's Oscar, cupping both his hands into an O.

The older actor couldn't keep it together before breaking into frivolous giggles. "Nothing, my lord!" He takes one last glance back before seeing you give him two big thumbs up with a silly smirk. "No in all seriousness, those two are just the best! You can never have a bad day with them."

Another prominent section in the video fans adored was with the actors that played Duncan Idaho and Dr. Liet Kynes. This time they are situated in what looked like the structure of Arrakeen. Where all ornithopters were supposedly stationed and the introduction of Dr. Kynes.

"They're so mom and dad," Jason Momoa shaking his head playfully with his hands clamped together. Both him and Sharon Duncan-Brewster wore still suits unlike many other extras who wore Atreides armor. "I mean- they're playing Paul's parents- but in real life it's just so different."

"Definitely more chaotic," Brewster jumps in, earning a hum from her costar. "They act nothing like them."

A cool shot from different location displays you in a dark with Timothee. It was the scene after Paul is put to test to by the Reverent Mother. It was a chilling scene yes, but in post production, many realize how unprofessional you sometimes were even in the most serious times.

The cameras were not live however the film crew were about to pan to you gesturing back and forth with your on-screen son. It was a interactive and intriguing conversation you both were having. You looking in purely engaged with what the French actor was saying. After a few sentences being spoken, it looked as though you chided a teasing joke which gave the reaction of Timothee slightly snickering, backing away slowly.

"I mean do they look like my parents? No," The young actor states shortly. It looked as though the clip was shot right after capturing your cute moment togehter. "But I'd say- yeah Oscar Isaac's a great actor and- to be able to play my dad is pretty cool. Even though we look nothing alike." Nervous laughter spouts as he clears his throat.

"I feel like I get the resemblances from my mom though," Affectionately stating your name, "You can tell where I got my powers, good looks from." Momentarily readjusting his collar as he takes a quick look from behind, knowing your footsteps.

"See? I'm the favorite parent!" In hushed squeal, you wrapped your hands around Timothee's shoulders, earning a lovable grin back.

[loves4ge]

celebrity!au, mlist for more celebrity gojo

you're not sure what to do with gojo satoru. not after your agent asks if you'd be in a publicity stunt centered around him. you've never done one before; after all, you're only an up-and-coming star.

before this movie, you were considered a nobody, just someone to fill in the background. you'd heard horror stories, absolute bloodbaths on set, rumors of things that happened that violated the geneva conventions. you suppose you were lucky to end up starring in a movie with a cast that was nothing short of nice.

and then there's gojo, your on-screen love interest. an a-list celebrity. he's been on the cover of every major magazine at least once. and maybe you sort of admire him (you'd never tell him that; his ego is already through the roof). i mean, who could blame you?

but right now, you're rethinking everything. sure, you're an actor, and a pretty darn good one, but you're inexperienced. your heart hasn't been hardened by the industry yet. if you take this opportunity, you know you'll get absolutely wrecked. really? fake dating gojo satoru?

your agent looks at you expectantly. "we won't go through with it if you don't want to. we're only doing this because of sukuna's dui, but the publicity team can come up with something else."

you don't really like sukuna; he has scary eyes. but there's something warm about him when he interacts with yuji. you feel bad.

"i'll do it."

BREAKING NEWS: GOJO SATORU AND CO-STAR Y/N ANNOUNCE THEY'RE DATING A WEEK BEFORE THE RELEASE OF THEIR NEW MOVIE.

"that's a wordy headline, isn't it?" gojo mutters, mostly to himself, as he sips on an iced latte. it's so white, it could be mistaken for milk.

"show me?" you ask softly, seated across from him in the mostly empty cafe. the paparazzi are obvious with their pictures, and you both strategically sit in places where you can be photographed.

gojo flips his phone around to show the article, stilling when your fingers brush against his hand as you take the phone from him. he shakes it off quickly and returns to his latte.

"oh wow, this is ridiculous. they think i've been dating you since the start of filming." you look up at him with big, round eyes and a smile as soft as clouds (gojo isn't sure where that analogy comes from; he's never touched a cloud).

"well, is it really that ridiculous?" his murmur is low as he leans back in his chair. he thought you were pretty from the start. did he come off as arrogant? oh no, now he'll never stop thinking about this.

"hm?" you look up, since you didn't hear his murmur clearly. he waves you off. and then you remember.

"um, you know, oh i feel so awkward saying this," your hesitation makes him straighten. his eyes are narrowed in concern, hands reaching out in comfort but never quite touching you.

"you can tell me anything, you know that," he says, maintaining eye contact with you which is hard considering you're trying to look anywhere but him.

"i was just, i know we have to kiss... at some point. but i would just, erm, i would like a heads up before. oh, well, before you do kiss me." gojo felt his heart explode about three times in the time it took you to finish that sentence. and his grin doubled. it stretched ear to ear like a goddamn cheshire cat.

you were still looking down, fidgeting with your hands when gojo dragged his chair to be nearer to you.

"hey? this is the heads up by the way." you barely have any time to react. you're about to protest, say something, anything when his lips touch yours.

it's a gentle touch. you've kissed him before, on set, but never like this. yeah, this is a performance too but it felt too real. there's no director counting down to time the kiss and the cameras are too far away for you to even notice them.

his hands tighten against your waist, and yours somehow make it to the back of his neck. then upwards, in his hair. he bites your lower lip, and you gasp, almost pulling back but he pulls you back in harder. this time his kiss is not so gentle.

the press is gonna have a field day with this.

[wilwheaton]

When you watch The Curse, you are watching two children who were abused and exploited daily during production. No adults protected us.

This was originally published on my blog in August, 2022.

I had a wonderful time at Steel City Comicon this weekend. It was my first time at this particular con, so I didn’t know there was such a huge contingent of horror fans, creators, and vendors who attend.

I love horror, and I was pretty psyched to be in the same place as John Carpenter and Tom Savini, across the street from the Dawn of the Dead mall. Pittsburgh feels like one of the places horror was invented, at least to me.

A number of these horror fans came to see me, and asked me to sign posters and other things from a movie my parents forced me to do when I was 13, called The Curse. I had to tell each of these people that I would not sign anything associated with that movie, because I was abused and exploited during production. The time I spent on that film remains the most traumatizing time of my life, and though I am a 50 year-old man, just typing this now makes my hands shake with remembered fear of a 13 year-old boy who nobody protected, and the absolute fury the 50 year-old man feels toward the people who hurt him.

I told this story in Still Just A Geek, and I’ve talked about it in some podcasts I did on the promo tour, but I’ve never put it out in public like this, in its entirety.

I suspect someone at the publisher would prefer I tease this and hope it drives book sales from people who want to read all of it, but I honestly don’t want to have another weekend like this one where everything is awesome, except the few times people who have no idea (and why should they) put that fucking poster in front of me, and all the fear, abandonment, and trauma come flooding back as I tell them that I won’t sign it, and why.

To their credit, each person was as horrified as they should have been, told me they had no idea (if they didn’t read my book why would they), and quickly put the poster away. They were all understanding. I am grateful for that.

But I really don’t need to tell this story over and over again, so here it is, with a child abuse and exploitation content warning, so I can just tell people to Google it.

After Stand by Me, everything changed. The attention from entertainment journalists, casting directors, and especially teen magazines came pouring in. The movie was a generational hit, beloved by critics and audiences alike, and every single one of us could pick anything to do next.

River’s parents and his agent got him Mosquito Coast, with Harrison Ford, as his next movie. I also auditioned for the role, but I knew even then that River was going to book the job. He was perfect, and I’d have to wait a little bit for my opportunity to come along.

I went on a lot of theatrical auditions after Stand by Me. I had tons of meetings with directors and the heads of casting at every major studio. It was all a very big deal, and I felt like we were all looking for something really special and amazing as my follow-up to Stand by Me.

At some point, a couple of producers contacted my agent with an offer to play one of the leads in an adaptation of H. P. Lovecraft’s “The Colour Out of Space.” The script was titled The Farm. (It would, of course, be changed when the film was released).

I read it. I did not like it. It was a shitty horror movie, and I saw that right away. It was the sort of thing you rented on Friday when the new release you wanted was already out of the store.

My mother, already an incredibly manipulative person, used every tool at her disposal to change my mind. My father threatened me, mocked me, told me “It’s your decision” when it clearly wasn’t. It was all so weird; I didn’t understand why they cared so much.

I told my parents I didn’t like it and didn’t want to do it. I clearly recall thinking it was a piece of shit that would hurt my career.

It wasn’t the first thing that had come our way that I wanted to pass on, and every other time, it hadn’t been a very big deal.

Sidebar: I was cast in Twilight Zone: The Movie, in 1983. The film tells four stories, and I was cast as the kid who can wish people into cartoonland. It was a GREAT role, in a movie I still love. (Note that Twilight Zone had four directors. One of them got three people killed. The segment I was cast in was not that one. I mention this because too many people zero in on this to deflect from what this whole thing is actually about.)

But I was CONVINCED by my parochial school teacher that if I worked on The Twilight Zone, which she had determined was satanic, I would go to hell. (This woman and her bullshit played a big role in my conversion to atheism at a young age, but when she told me that, I was all-in on the supernatural story they taught us in religion class.) I was so scared, more scared than I’d ever been to that point in my life, I cried and wailed and begged my parents to not make me do the movie. And I never told them why, because I was afraid my dad would laugh at me for being weak and afraid. My agent tried to talk me into it, and I wouldn’t budge. It’s the only thing I deeply and truly regret passing on, and I really hate I made that choice for such a stupid reason.

Okay. Back to The Curse.

This time, when I told them how much I hated it, they wouldn’t listen to me. My mother, already an incredibly manipulative person, used every tool at her disposal to change my mind. My father threatened me, mocked me, told me “It’s your decision” when it clearly wasn’t. It was all so weird; I didn’t understand why they cared so much.

That is, until they made me take a meeting with the producers of the movie, in their giant conference room on the top floor of a tall building in Hollywood. All I remember about this place was that it was huge; the table was way too big for the five of us who spread around it, and there were floor-to-ceiling windows on three of the walls, but the room was still dark. There was a weird optical illusion in the center of the table, this thing they sold in the Sharper Image catalog, made from two reflective dishes with a hole in the top of one. You placed an object in the bottom of the bottom dish, and it made it look like that object was floating above the whole thing. They had a plastic spider in it. What a strange detail for me to remember, but it’s as clear in my memory as if I were sitting in that room right now.

One man, who I presumed was the executive producer, was European or Middle Eastern (I didn’t know the difference then, he was just Not Like People I Knew), and I was instantly afraid of him. He was intimidating, and seemed like a person who got what he wanted.

So we sat there, my father who didn’t give a shit about me, my mother who was cosplaying as someone with experience, and me, thirteen years old, awkward as fuck, and scared to death.

I don’t remember what they said to me in their pitch or anything other than how uncomfortable and anxious I was to even be in that room. I tried so hard to be grown up and mature, but I — and my parents — was way out of my depth. I’d done one big movie and that was it. We didn’t have my agent with us, who had lots of experience and would have known what questions to ask.

No, in place of my experienced agent, my mother had decided she was going to be my manager, and she tackled the responsibility with an enthusiasm that was only matched by her absolute incompetence and inability to go toe-to-toe with producers the way my agent did. She was outwitted, out-thought, and outmaneuvered at every turn.

“You don’t have a choice,” my father commanded. “You are doing this movie.”

So we sat there, my father who didn’t give a shit about me, my mother who was cosplaying as someone with experience, and me, thirteen years old, awkward as fuck, and scared to death.

At some point, this man, who is represented in my memory by big Jim Jones sunglasses under dark hair above an open collar, said, “We are offering you a hundred thousand dollars and round-trip travel for your whole family. We will cast your sister, Amy, to play your sister in the movie.”

It all made sense, now. I was only thirteen, but I knew my parents were pushing me so hard because this company was offering me — them, really — more money than I’d ever imagined I’d earn in my life, much less a single job.

I knew that the right thing to do, the smart thing to do, was to say no. There would be other opportunities, and it was stupid to cash myself out of feature films for what I thought was, in the grand scheme of things, not very much money.

It’s incredible to me that I knew all of this. It’s incredible to me that I could see all these things, plainly and clearly, and my parents couldn’t (or, more likely, chose not to).

So after this man made his offer, all the adults in the room ganged up on me, selling me HARD on this movie.

My mother said, “Don’t you want your sister to have the same opportunities you’ve had? Wouldn’t it be fun and exciting to go to Rome? Think of all the history!”

The experience was awful. It was the worst experience I have ever had on a set in my life, by every single metric. The movie is awful, and it is the embarrassment I knew it would be.

I don’t think about this very often, because it’s super upsetting to me. Right now, I’m so angry at my parents for subjecting me and my sister to this entire experience. But I’m getting ahead of myself.

In that moment, I felt bullied and trapped. All these adults were talking to me at the same time, and I just wanted it to stop. I just wanted to go home and get out of this room. I just wanted to go be a kid, so I did what I’d learned to do to survive: I gave in and did what my parents wanted.

The experience was awful. It was the worst experience I have ever had on a set in my life, by every single metric. The movie is awful, and it is the embarrassment I knew it would be.

But here’s the thing: when you watch The Curse, you are watching two children, me and my sister, who were abused on a daily basis. The production did not follow a single labor law. They worked us for twelve hours a day, on multiple film units (while I work on First unit, second unit sets up and waits for me. When I should get a break to rest, they send me to Second unit, then to Third unit, then back to First unit. I was 13.) without any breaks, five days a week. I was exhausted the entire time. I was inappropriately touched by two different adults during production. I knew it was wrong, but I was so scared and ashamed, and I felt so unsupported, I didn’t tell anyone. I knew my dad wouldn’t believe me, and my mother would blame me. Anything to keep the production happy, that’s what she did. That was more important to her than the health and safety of her children. The director was coked out of his mind most of the time, incompetent, and so busy fucking or trying to fuck one of the women in the cast, he was worse than useless. He was a fading actor who was cosplaying as a director, as in over his head as my mother. My sister and I were never safe. Instead of harmless atmospheric SFX smoke, they set hay on fire in barrels and blew actual smoke onto the set. They took buckets of talc, broken wood, bits of wallpaper and plaster, and threw it into my face during a scene inside the collapsing house. My sister is in a scene where she goes to get eggs from some chickens, and they attack her. So they hired Lucio Fulci, the Italian horror master, to direct her sequence. His idea, which everyone was totally on board with, was to throw chickens at my sister. Live chickens, live roosters, live birds. Just throw them at a nine-year-old girl. Oh, and then tie them to her arms and legs so they’ll peck her. All of this happened under my mother’s observation, and with her full participation.

Everything I need to know about who my parents are is wrapped up in that experience: the total lack of concern for my safety and happiness, treating me like an asset instead of a son, lying to me, manipulating me, and using me to get things they wanted, and then gaslighting me about it.

If just ONE of the things I can remember happened to someone I loved, I would have grabbed my kids, gone to the airport, and flown home. Fuck those abusive assholes in the production. Let the lawyers sort it all out. Nobody hurts my children and gets away with it.

My mom says she “had some talks” with the producers. She claims that, once, she wouldn’t let us leave the hotel. (God, what a fucking dump that place was. It was just slightly better than a hostel.) I have no memory of that, but honestly the entire experience was so traumatic, I’ve blocked most of it out.

The movie was the commercial and critical failure I knew it would be. My parents spent the money. I don’t know what they spent it on. I got to keep fifteen cents of every dollar, so . . . yay?

My sister and I hardly ever talk about this. I suspect it was as upsetting and traumatic for her as it was for me. I told her I was writing about it, and asked her if she remembered anything. She told me she’d been lied to her whole life about this movie. Our mother let her believe she had been cast on the strength of her audition. “I was excited to work with you,” she said. She reminded me about some stuff I’d blocked out, including a scene where my character’s older brother (played by an actor named Malcolm Danare, who was kind and gentle, and made both of us feel safer when he was around) shoves my character into a pile of cow shit. When it came time to shoot the scene, the mud they’d put together to be the cow shit looked an awful lot like cow shit. When Malcolm pushed me into it, we all found out it was real cow shit. I was FURIOUS. The director had lied to me and had allowed me to have my entire body shoved into an actual pile of actual cow shit. I don’t remember what I said, but I remember he treated me the exact same way my father did whenever I got upset: he laughed at me, told me I was being too sensitive, reminded me that he was the director and he wanted to get a “real” performance out of me, and concluded, “If it bothers you so much, we’ll get you a hepatitis shot,” before he walked away.

My sister also recalled that, after she survived the scene with the chickens, it was the producers’ idea to give her one as a pet.

Okay, let’s unpack that for a quick second: you’ve been traumatized by these birds, so we’re going to give you one as a pet. That you’ll somehow keep in your hotel, and then will somehow get back to America. It will shock you to learn that neither of those things happened.

She remembered, as I do, the huge fight I had with my parents in our kitchen, where I told them I hated the script and I hated the movie. I didn’t want to do it, and I hated that they were making me do it.

“You don’t have a choice,” my father commanded. “You are doing this movie.”

“This is the only film you are being offered,” my mother lied to me. She made me feel like, if I didn’t do this movie, I would never do another movie again in my life. I had to do this movie. As my father bellowed, I had no choice.

Both of my parents denied this argument ever happened. Can I tell you how reassuring it is to know that my sister, who was also there, remembers it the same way I do?

The makeup department decided they would literally cut my little sister’s face with a scalpel, in three places, and put bandages over them.

But one thing she told me, the thing I did not know, the thing that makes me so angry I want to break things, actually managed to make the entire experience even worse than I remembered it.

There’s a scene after her chicken incident where I check up on her in her bedroom. She’s got cuts and bruises, and I guess we talk about it. I don’t remember and I can’t watch the movie because I’m terrified it will give me a PTSD flashback (I’ve had one of those and I recommend avoiding it). Here’s the thing about that scene: she has some cuts on her face, and those cuts are real. They are not makeup.

I’m going to repeat that. My nine-year-old little sister had actual cuts on her face that were placed there by an adult, on purpose.

The makeup department decided they would literally cut my little sister’s face with a scalpel, in three places, and put bandages over them. My sister told me our mother wasn’t in the makeup room when this happened — honestly, it seemed like our mother was strangely and conveniently absent when most of the really terrible things happened to us on the set — and when my sister told her what they’d done, she “lost her shit” at the production. She was pissed, I guess, which is appropriate and surprising. I wonder what would have to have happened for her to put us on a plane and get us home to safety? I mean, her son being abused daily didn’t do it, and her daughter being CUT IN THE FACE ON PURPOSE didn’t do it.

I just . . . I can’t. I can’t understand or comprehend allowing your own children to be physically and emotionally abused. They were literally selling my sister and me to these people, like we were some kind of commodity.

This was a tough conversation. My sister’s experience with our parents is very different from mine. My sister and I love each other. We’re close. I know it’s hard for her to hear that her brother, who she loves, was so abused by her parents, who she also loves. I was really grateful she made the time to talk to me about it, and grateful the experience wasn’t as horrible for her as it was for me.

As we were finishing our call, Amy also remembered one man, a young Italian named Luka, who was our driver for the movie. I haven’t thought about him in thirty years, but I can see his face now. He was kind, he was friendly, he taught us how to kick a soccer ball, and in the middle of an abusive, torturous experience, he stood out as a kind and gentle man. I mention him because she remembered him, which made me remember him, and goddammit I want at least one small part of this thing to not be awful.

The Curse remains one of the most consequential times the adults in my life failed to protect me. I’m 50. I still have nightmares.

Ultimately, as I predicted and feared, this piece of shit movie cashed me out of respectable films forever. I got offers for movies, but they were always mindless comedies or exploitative horror films. They were never the serious dramas I wanted to work in after Stand by Me. The industry looked at me and River, wondering if one or both of us would become a breakout star. They quickly saw that River was doing real acting work, and I was in this piece of shit. For River, Stand by Me was a beginning. For me, it would turn out to be pretty much everything, at least as far as film goes.

There are thousands of reasons film careers do and don’t take off. Maybe mine wouldn’t have taken off anyway. Clearly, it’s not where my life ended up, and I’m super okay with that now. But when all of this happened, it hurt and haunted me.

The Curse remains one of the most consequential times the adults in my life failed to protect me. I’m 50. I still have nightmares. Everything I need to know about who my parents are is wrapped up in that experience: the total lack of concern for my safety and happiness, treating me like an asset instead of a son, lying to me, manipulating me, and using me to get things they wanted, and then gaslighting me about it.

This annotation is the last thing I wrote before I turned this manuscript in, because opening these wounds is hard and painful. I put it off as long as I could, and I feel like I’m still holding back, because just this small glimpse of the experience has taken me a week to write. I can’t imagine trying to go back and unpack the whole thing. (Note that is not in the book: I’ve made an EMDR appointment to work on this because the nightmares have come back after the weekend).

Fuck The Curse, and fuck every single person who exploited and hurt two beautiful children to make it. You all participated in child abuse, and you all knew better. Shame on all of you. I hope this follows you to the end of your life. I hope that living with what you did to innocent children has been as hard for you as it has been for me, because you deserve no less.

[writergirlll]

Watching obx with Drew Starkey

okey. I wanted to write this for a long time, but I didn't have time, so here it is. in fact, it is completely plotless. it's just fluff so enjoy.

SUMMARY: imagine you're the girlfriend of famous actor Drew Starkey and he catches you watching Outer Banks commenting on Rafe Cameron's character because you miss Drew.

You've been dating Drew Starkey for quite some time now. You met on the set of the third season of Outer Banks, where you only played Kelce's girlfriend in one episode, but you fell in love despite that one day.

At first you just chatted, exchanged numbers, but soon you found out that Drew is very funny, so you invited him to the cafe. And soon after the first meeting, you made an official date and started dating.

You don't even remember when it all started. Maybe a year ago? Anyway, after half a year you found an apartment and moved in together. Everything was great because Drew didn't have much to do, neither did you because you hadn't been offered any part in a movie or TV show yet so you spent all your free time together.

But now that Outer Banks season 4 has started filming, Drew is almost 24/7 on set. You don't blame him because the obx cast is really great and he himself can't be blamed for how long the shoot is, but you miss him.

He gets up early in the morning when you are sleeping and comes when you are already asleep again, so you hardly see each other at all. And since it's been going on for about two and a half months now, you really miss her.

And today, is another day when you are home alone. You made some dinner and then popcorn with a drink. You arranged a blanket and pillows on the couch in front of the TV and grabbed the remote control.

You buried yourself in a blanket between the pillows, put a blanket on your lap and started playing the Outer Banks. Drew isn't home, so at least Rafe Cameron will be on TV..

The currently watched episode turned on where Singh kidnapped Kiara and Rafe appeared in the same house, with Singh locking them in the same room.

“Did you forget what you did?” Kie's voice came from the TV and you frowned.

"You shouldn't have told him that" you muttered and popped your popcorn into your mouth. You watched and listened intently as Rafe explained that he didn't want to kill Sheriff Peterkin and that it was for Ward. However, Kie didn't believe him.

"Rafe really isn't a bad person Kie" you muttered to the TV and continued to stuff yourself with popcorn. "Everything he did was for Ward and he just wants understanding" you frowned at the tv and covered yourself more with the blanket. It was warm outside, but it was cold inside the apartment.

,,So I want to be understood huh?'' came a voice from behind you and you flinched as you were startled. You quickly turned off the TV and turned around.

A smiling Drew was leaning against the door. "You startled me" you laughed and he walked over to you.

"Sorry, I didn't mean that. And sorry for being so late, we have a lot of filming. But the way I see it, you found yourself a replacement" he said, placing a kiss on your forehead and looking at the TV, where Rafe Cameron was stopped at a perfect angle.

"But you're better" you cooed and pulled his head down to yours as you kissed him.

Drew kissed back before pulling away and straightening up. "How about I change clothes and watch with you"? he asked you with a sweet smile.

You nodded quickly and he left to change. After a few minutes of waiting on the couch and admiring Rafe on TV, Drew finally showed up, changed with yet another blanket.

He sat down next to you on the couch, stretched out his legs and you rested your head on his lap. You both covered yourself with a blanket, he was stroking her hair, eating popcorn and admiring the acting of the Outer Banks cast.

[ameliathornromance]

A big sigh escaped the Orc as he swept his gaze around his flat. The moon light from behind him streamed in, casting his large, hulking shadow into the hallway.

He expected an excited, sing-songy voice to welcome him home, to tell him that foods on the table and ready to eat.

The Orc flinched at the silence. He shook his head, sighing and shutting the door behind him. Why did he expect it?

It had been like this for 3 weeks.

He was confused, stunned when you told him that you thought things weren’t working. He’d begged you for a second chance, another opportunity to prove that he could do better, be better… but the look on your face, your placid expression made it clear to him:

You were done.

He endlessly searched his mind, desperate to find something that he had done wrong - had he accidentally flirted with someone? Had he said something? Done something, anything?

Turning on the front room lights and opening the freezer, the Orc sighed. Normally, the fridge would have been filled with fresh vegetables, meat and sauces, all of which you would use to cook the most delicious gourmet meals known to man.

Well, they were gourmet to your ex-Orc Boyfriend.

He smiled, sadly, remembering the dishes you made with fondness.

There was nothing better than coming home, to one of your exquisitely prepared meals after a tiring and hard day at work.

Inside the fridge now, was nothing but a microwave meal. Popping the thin plastic film, your voice scolded him for having such a poor choice for a meal.

“At least boil some rice or something!” He heard your voice in his mind.

The microwave whirred, his processed meal turning slowly.

While that was… ‘cooking’, the Orc turned to his front room and turned on the TV. He mindlessly scrolled through the channels, reality TV shows, informational and geographical programs flicked past him.

You liked watching cooking programs, that’s where you got most of your food ideas from.

He groaned as the microwave beeped at him, harsh and unfriendly. Nothing like you.

After plating, he sat in the sofa and settled on a telenovela.

The female protagonist, a gorgeous Elf woman swung her long blonde curls, pointing at the male love interest, “How can you ignore me, Ronaldo?!” She declared, tears streaming down her cheeks, mascara trailing after them. “I work tirelessly for you! Do everything! Why can’t you just show some appreciation for once?! Take me out to dinner or something?”

The Orc froze, watching the scene unfold, the Elf woman wailing as her love interest protested: “What are you talking about?! I do all the heavy lifting! I go out and earn my keep, so you can live easily, why don't you appreciate that?!”

His heart in his throat, your ex seized the remote beside him and fumbled, desperate to turn off the TV. Once the screen had blackened, the Orc sat in silence, microwave meal untouched in his lap.

And that’s when he realised… it was him. You did work hard, you stayed at home at his request and did all the house work. When you made an attempt to cuddle or to go on a date with him, he was always too tired from work to do any of that.

The faces of disappointment and sadness as you had tried to get him to show any kind of love for you… And he’d just dismissed it. Ignored how you felt in favour of himself.

He looked down at his dinner for one, vision blurring.

Big, salty tears ran down his cheeks as he realised what he had lost.

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