#repatriated

[7pleiades7]

Diana (1777) by Jean-Antoine Houdon, marble, h. 63.5 cm, The Royal Lazienki Museum, Warsaw

[littleevil0ne1]

✨️Joana Indi and the Queen of Egypt ✨️

[museeeuuuum]

YALL

[wordexpress]

17 Indians, held captive in Libya, repatriated

They left for Italy in February this year  via Dubai and then Egypt. Enroute they entered Libya where they were apprehended and jailed as they didn’t have any valid documents.

NEW DELHI/CHANDIGARH: At least 17 men, hailing from Punjab and Haryana, was repatriated to India on Sunday after being held captive in war-torn Libya. They were taken in by an armed mafia for entering the country illegally after their travel agents deserted them midway.

They left for Italy in February this year via Dubai and then Egypt. Enroute they entered Libya where they were apprehended and jailed as they didn’t have any valid documents. The Indian Embassy in Tunis (which looks after Libya) as well as the Ministry of External Affairs (MEA) learnt about the 17 men on May 26 after appeals by their family members, said a source familiar with the matter.

“These 17 men were held captive by an armed group in Zwara City in Libya after they were trafficked from India. Since then, the Indian Embassy in Tunis was in touch with the family members and made concerted efforts to get these men out of captivity,’’ they said.

It is learnt that all through the months of May and June, the Indian Embassy through its informal channels followed up with the captors on their release. “On June 13, the Libyan authorities were able to rescue the Indian nationals, but had kept them in their custody alleging that they had illegally entered the country. The Indian Ambassador in Tunis and senior MEA officials from Delhi worked hard to convince the Libyan authorities to release these men,’’ the source said.

The Indian Embassy issued emergency certificates for their travel to India as they didn’t have passports. The Embassy took care of the essentials for these 17 including food, medicines and clothes. The rescue operation and process of repatriation was facilitated by Vikramjit Singh Sahney Rajya Sabha MP from Punjab. The return tickets for these men to India was also arranged by the Embassy.

[specialagentartemis]

story about a heist team doing a heist of colonial museums and returning unethically stolen sacred objects and objects of cultural patrimony to their original communities

but the story isn’t about them

the story is a legal thriller about the repatriation coordinator and the pro bono lawyer who get frantically called in by that community when an artifact goes missing from a museum and shows up unexpectedly at their doorstep and now they are in a shit ton of (potentially international) legal trouble because the heist team did not take the legal ramifications into account, and no one else believes them that they didn’t steal it, and The Law is saying they are legally obligated to return it to the museum and are also probably going to go to prison for this, and activists are protesting, and it’s rocking the repatriation world, and it’s turning into a huge Thing

[nakeddeparture]

Bridgetown, Barbados. Bajan ISIS, Abbey Greene, 35, is back in Barbados with a son and a daughter.

https://youtu.be/fCg42-kU3qA

The father(s) 🤷‍♀️. How much money will taxpayers cough up? 🤷‍♀️. Naked!!

[homerstroystory]

Looks vs. Loot at the Metropolitan Museum of Art by The Antiquities Coalition (@/CombatLooting) on Twitter

Transcription below the cut

1: The #MetGala may be "fashion's biggest night," but tonight's event hides some dark truths at @/metmuseum...including a long history of looted antiquities. To spotlight some of the contested objects from the Met's collection, we are featuring #MetGala vs. Loot [THREAD]

2. First up: @/KimKardashian in @/Versace at the 2018 #MetGala posing next to the Golden Sarcophagus of Nedjemankh. The coffin was purchased by @/metmuseum in 2017 and repatriated in 2019 after this viral photo helped solve the case. (link)

3. Next, her sister @/KendallJenner in @/givenchy at the 2021 #MetGala as the 13th century wooden Temple Strut with Salabhinka, returned from @/metmuseum to the Government of Nepal in 2022, after it was determined to be looked from Itum Baha in Kathmandu. (link)

4. Another object from Nepal, @/rihanna in @/Margiel at the 2018 #MetGala as a 10th century Shiva in Himalayan Adobe with Ascetics. @/metmuseum was gifted the sculpture in 1995, but repatriated it to Nepal in 2022 along with the temple strut, after learning both were stolen.

5. Dakota Johnson in @/gucci at the 2022 #MetGala as a terracotta kylix (c. 470 bCE). This piece, valued at $1.5 million, was seized from the @/metmuseum in July 2022 after being linked to Italian antiquities trafficker Gianfranco Becchina. (link)

6. @/billieeilish in @/gucci at the 2022 #MetGala as the Fayum Mummy Portrait. Looted from Egypt and sold to @/metmuseum in 2013, it was seized in September '22 by @/ManhattanDA as part of a global investigation into an international trafficking ring. (link)

7. @/iamcardib in @/ThomeBrowne at the 2019 #MetGala as a painted linen fragment displaying a scene from the Book of Exodus, 'Exodus Painting" (250-450 CE), valued at over $1.6 million. The fragments were also part of the seizure by the @/ManhattanDA in September '22.

8. @/Beyonce in @/givenchy at the 2013 #MetGala as a 2,300-year-old vase that depicts the god Dionysus. The vase is linked to Giacomo Medici, an art dealer convicted of conspiracy to traffic antiquities in 2004, and was seized from the @/metmuseum in 2017. (link)

9. @/blakelively in @/Versace at the 2022 #MetGala as a bronze statuette of Jupiter. This object is among 27 antiquities that were returned to Italy and Egypt in 2022 after investigators seized them from the @/metmuseum. (link)

[sca-nerd]

The call is coming from inside the house...

[sixteenseveredhands]

500-year-old Snake Figure from Peru (Incan Empire), c. 1450-1532 CE: this fiber craft snake was made from cotton and camelid hair, and it has a total length of 86.4cm (about 34in)

This piece was crafted by shaping a cotton core into the basic form of a snake and then wrapping it in structural cords. Colorful threads were then used to create the surface pattern, producing a zig-zag design that covers most of the snake's body. Some of its facial features were also decorated with embroidery.

A double-braided rope is attached to the distal end of the snake's body, near the tip of its tail, and another rope is attached along the ventral side, where it forms a small loop just behind the snake's lower jaw. Similar features have been found in other serpentine figures from the same region/time period, suggesting that these objects may have been designed for a common purpose.

Very little is known about the original function and significance of these artifacts; they may have been created as decorative elements, costume elements, ceremonial props, toys, gifts, grave goods, or simply as pieces of artwork.

The Metropolitan Museum of Art argues that this figure might have been used as a prop during a particular Andean tradition:

In a ritual combat known as ayllar, snakes made of wool were used as projectiles. This effigy snake may have been worn around the neck—a powerful personal adornment of the paramount Inca and his allies—until it was needed as a weapon. The wearer would then grab the cord, swing the snake, and hurl it in the direction of the opponent. The heavy head would propel the figure forward. The simultaneous release of many would produce a scenario of “flying snakes” thrown at enemies.

The same custom is described in an account from a Spanish chronicler named Cristóbal de Albornoz, who referred to the tradition as "the game of the ayllus and the Amaru" ("El juego de los ayllus y el Amaru").

The image below depicts a very similar artifact from the same region/time period.

Why Indigenous Artifacts Should be Returned to Indigenous Communities.

Sources & More Info:

Metropolitan Museum of Art: Snake Ornament

Serpent Symbology: Representations of Snakes in Art

Journal de la Société des Américanistes: El Juego de los ayllus y el Amaru

Yale University Art Gallery: Votive Fiber Sculpture of an Anaconda

[anexperimentallife]

EDIT: CRISIS AVERTED, THANK YOU!

Interracial US family w/ disabled autistic dad and toddler needs to get to the US for medical treatment

(New post because the old one was getting LONG with the updates. Details are under the "read more" to save your dash, with updates in the notes.)

TL;DR: If I'm going to live long enough to watch our daughter grow up, we need to get back to the US and get set up in a disability-friendly place where I can use my medical benefits.

Although I was already disabled (autism, adhd, and spine, joint, and head injuries), my health was stable--until four bouts of COVID left me immunocompromised, and utterly destroyed my health (including damage to my heart, blood clots that damaged one eye, neurological and joint issues, etc.), and although we started off fine, we've been hammered with one crisis after another, both medical and financial, that no one could have predicted.

Until we have enough to get back to the US, a chunk of whatever comes in has to go towards medical care that can't be put off, so the sooner we can reach critical mass on that, the better.

If you can help, or reblog, or share the links on other platforms, we'd be grateful!

The "Donate to Little or None" Paypal donation link takes the lowest fees, I think. (Kept the same link from when we were fighting to get our daughter's birth certificate fixed so we could get her citizenship affirmed.)

Then there's Ko-Fi:

And my little sister started a GoFundMe for us!

EDIT: The donation links above still work, but I removed the GoFundMe link.

IF YOU WANT ALL THE DETAILS SEE THE "READ MORE."

(There's more in my "rob gets medical" tag if you want a blow by blow account of how we got to this point over the past few years, but this is the gist.)

HOW IT STARTED:

I moved to the Philippines six years ago, after the deaths of my adult sons, in part to make my disability payments stretch further. Shortly afterwards, I was joined by my now-wife @thesurestthing (also from the US) for what was supposed to be a visit, but which turned into a permanent arrangement.

After I got a contract to license an old story for a mobile game (which tripled our income*), we found out we were having a baby, which was fine, because despite my disabilities (autism, adhd, two spine injuries, traumatic brain injury, a herniated esophagus, joint issues, etc.), my health was stable, and thanks to the contract, we were fine financially as well.

HOW IT STARTED GOING DOWNHILL:

Zoey's pregnancy was complicated, requiring two hospitalizations, and our daughter's birth was complicated, too--requiring a C-Section--which tripled our hospital bill. A few weeks after our daughter was born, the aforementioned contract was canceled without warning. THEN, when we tried to register our daughter's birth with the US embassy, we discovered an error on her birth certificate that left her stateless, and which took nearly two years, all our savings, and a fundraiser (thank you, generous people!) to resolve. Combined with medical expenses, that left us in a lot of debt.

A brief summary of went else wrong (leaving a lot out for brevity's sake):

I got COVID three four times during all this, became immunocompromised, and developed a slew of other medical issues (heart damage, eye damage and temporary facial paralysis from blood clots, persistent infections, a worsening of my joint issues, neurological issues, etc.) as a result of Long Covid.

I've had to be hospitalized a couple of times, undergo surgery, and was on an oxygen machine twice--once for an entire month, while I was bedridden. As of 24 January, 2024, I'm still recovering from my fourth bout of covid, which started at the beginning of October 2023.

There's a lot more, but you get the idea. COVID has completely wrecked my health, including tearing up my immune system.

And yes, I'm as fully vaxxed against COVID as one can be in the Philippines, with all available boosters, but again--I'm immunocompromised, plus they don't have the vax for the newest variant here yet. Zoey is vaxxed, also, and as a result, her bout with covid was extremely mild. El isn't vaxxed yet because they won't give the covid vaccine to kids under five here, but she's been able to share Zoey's antibodies from breast-feeding--which is apparently a thing.

The only way we can see for me to stay alive long enough to watch Eleanor grow up is to get back to where I can use my Medicare and VA benefits**.

WHY SO MUCH MONEY?

First, while we're still here, we need to pay for whatever medical care can't be put off. Plus, since I'm now immunocompromised, we have to get LOTS of vaccinations before we have to spend 24 hours or so in crowded planes and airports.

Second, we're going to be arriving with only what we can carry with us on the plane, and we'll need to get into a place near a VA hospital that I can easily get around in while I'm recovering from surgeries and getting various treatments. We'll need to pick up some secondhand household goods, and some kind of used transportation (because, you know, it's the US, where you kind of need a vehicle to get around).

We'll also need enough on top of my and El's disability payments to get by for a couple of months while Zoey looks for work. And all this is while we're still paying off the debt from the stuff I mentioned above.

So we're figuring that unless we catch some very lucky breaks, it'll probably cost between 20K and 36K altogether.

(We can't simply stay with friends when we get back, because literally every single close friend we have in the US with extra room and who lives close to a VA hospital has cats--to which I have a severe anaphylactic reaction. As in my entire respiratory system shuts down, and I have to be rushed to the ER to keep from dying; this has happened more than once. The only way I can be around cats is if I'm on immunosuppressants, and my immune system is ALREADY compromised, so I CAN'T do that.)

So again, if you can kick in, or reblog, or post our crowdfunding links (or the link to this post) on whatever other platforms you use, we'd appreciate it.

(*When I told social security about it, they said I could keep getting disability, too, because licensing IP rights didn't count as work income, and since it was a Moldavian company, it also fell under a special tax clause for getting paid by a foreign company while living overseas, so no taxes on it, either. )

(**VA benefits--I was a cold warrior in 1980s Germany. It was less than forty years after WWII, there was a lot of sabre-rattling--some of it nuclear--and we were there as a deterrent to prevent in Germany the kind of thing that's happening in Ukraine right now. Disclaimer because I'm tired of people accusing me of "invading" folks in the early 1980s when I was a dumb, heavily propagandized pre-Internet kid fixing generators in Europe. I wouldn't join today even if I could.)

[tanukibby]

Get ready for more ghoul kit headcannon (feel free to share your own. I adore them)

Water ghoul kits squeak like crocodiles

Earth ghoul kits are quiet, they don't usually make sound but a few bleat like a lamb or a deer.

Fire ghoul kits make grunting noises.

Air ghoul kits chirp and whistle.

And Quintessence ghouls mimic the noises other kits make or they don't make noise at all.

Water ghoul kits make the most noise because they're not used to being heard underwater so they don't know when to be quiet. One of the many reasons why they're separated from other kits in the repatriation program.

Just imagine walking into the aquatic nursery and hear

"Squeak squeak sqeak squeak squeak squeak" as all of the water kits just watch you. They also make frog noises if they sleep close to the surface of their aquariums (they sleep in aquariums because kits are more prone to drying out and getting sick than adults.)

Most ghoul kits are fine with whatever element their caretakers are in the Repatriation Program. Water kits, however, need water ghoul caretakers or a multi ghoul with a water ghoul trait for the same reason why they are separated and in aquariums. They will dry out when being handled and in a pouch, especially when in a pouch.

Quintessence ghouls have the potential to handle them without drying them out, but even then they have to take precautions.

Fire ghoul kits aren't as hot as the adults, as in they're lukewarm, so they can be handled comfortably... until they're fussy. They burn hot when they get fussy and have to be handled with oven mitts by non fire ghouls.

Earth kits are often times the biggest out of all the elements, but sometimes that isn't the case. Pebble was always small, even as a kit.

The cuddliest kits are the air and Quintessence kits. That's just how they're brought up. Air kits are used to roosting with nest mates. Quintessence kits are raised communally, they take the saying "it takes a village to raise a child" very literally.

Fire kits aren't the temperamental ones, it's the air kits. Air kits are territorial over things, it's just their nature. They mostly grow out of it.

[allthecanadianpolitics]

A totem pole removed from an Indigenous burial site more than a century ago and kept on display in a Canadian museum has been repatriated to the Nuxalk Nation.

More than 100 Nuxalkmc traveled more than 600 miles from Bella Coola, British Columbia, to Victoria to reclaim their totem pole from the Royal BC Museum on Monday and bring it back to its rightful home.

As the totem pole was lifted out of the museum and lowered to the ground, its first time returning to Mother Earth, Nuxalkmc sang the Thunder Song -- followed by women blessing and reawakening the totem's spirit.

"We all cried when it landed on the ground," Nuxalk Hereditary Chief Deric Snow told CNN. "It was the feeling when your emotions reach the highest point of your life. I've never dreamed we would be able to do this."

Continue Reading.

Tagging: @politicsofcanada 

[snowbunny-alissa]

@mistress-felicia-2

[archaeologicalnews]

Looted ancient sarcophagus returned to Egypt from US

An ancient wooden sarcophagus that was featured at the Houston Museum of Natural Sciences was returned to Egypt after U.S. authorities determined it was looted years ago, Egyptian officials said Monday.

The repatriation is part of Egyptian government efforts to stop the trafficking of its stolen antiquities. In 2021, authorities in Cairo succeeded in getting 5,300 stolen artifacts returned to Egypt from across the world.

Mostafa Waziri, the top official at the Supreme Council of Antiquities, said the sarcophagus dates back to the Late Dynastic Period of ancient Egypt, an era that spanned the last of the Pharaonic rulers from 664 B.C. until Alexander the Great's campaign in 332 B.C. Read more.

[inariedwards]

Museum news from Finland:

Museum of Northern Ostrobothnia donates its Sámi collection to the Sámi Museum Siida

The Sámi Museum Siida is the national museum with the responsibility for preserving the material and cultural heritage of Finland's Sámi people. The Sámi objects in the Museum of Northern Ostrobothnia's collections were mainly acquired between 1900 and the 1960s with the last ones added to the collections in the 1980s.

The first part of the donation, which includes the textile items of the collection, will be transferred to representatives of the Sámi museum in the collection facilities of the Museum of North Ostrobothnia on Tuesday, 16 January 2024.

– As the new collection and exhibition facilities of the Sámi Museum Siida are now completed, this seemed like a good time to donate the objects of Sámi origin back to the Sámi community, says Pasi Kovalainen, Director of Cultural heritage work at the Museum of Northern Ostrobothnia.

– The Sámi objects and their return have a profound meaning for the Sámi community. The donation is a significant addition to the oldest part of the Sámi Museum Siida's collections. We thank the Museum of Northern Ostrobothnia for this important decision, says Taina Pieski, Siida's Museum Director.

The collections of the Museum of North Ostrobothnia that include objects of Sámi origin date back to the early days of the only professionally run museum in Northern Finland. The objects were collected by Samuli Paulaharju (1875–1944), a folklorist and museum curator from Oulu. The collection was destroyed almost completely by two fires in the museum buildings in 1929 and 1940. After both fires, replacement items were collected in Lapland.

The collection of approximately 400 items now donated consists of Sámi textiles and utensils, including a goahti (traditional Sámi hut) and several sledges. The oldest items include a cheese mould from Enontekiö dating back to 1797 and rare crossbow stocks, the oldest of which dates back to 1730.

As a large part of the Sámi cultural heritage is still held by museums outside the Sámi region, the transfer of the collection is important for the Sámi community.

The Sámi material culture is both practical and beautiful in its diversity, and the museum objects contain a wealth of intangible knowledge about their manufacture and use. This knowledge is best preserved in Sápmi by the Sámi themselves. Through the study of artefacts, it is possible to revive the old craft traditions and techniques of the Sámi community, knowledge of materials and the vocabulary related to the production and use of the objects. The revitalisation processes are a form of communal and intergenerational transfer of learning and knowledge, and they contribute to the transmission of Sámi material and immaterial culture to future generations.

The transfer of Sámi collections to the Sámi Museum Siida over the past decade is a concrete demonstration of genuine cooperation between museums and the increased understanding of the importance of cultural heritage for the Sámi community.

[yinyuedijun]

I can't fit this into the fic I totally won't ever write so I need to say it here. I think Aventurine goes to Sigonia with you and his daughter at some point, to the museum where they keep all the Avgin exhibits, and his reaction is to buy out the entire museum and sue the owners for theft. He also gifts the museum (yes, the whole entire thing) to his daughter 👍