#right on my shoulder

[amsmuch]

Imagine getting a tattoo from James fucking Hetfield himself

So freaking cool

[its-elioo]

Okay, since my last post UNEXPECTEDLY blew up, I'm gifting you all with more random doodles of this AU.

I really have to think of a name for this squad, hm hm.

[suiheisen]

you think YOU had a bad day at work?

bonus: sid shrieking "no!!!! NO!!!!!" loud enough to be heard in the stands and on camera

[lazycranberrydoodles]

they are so in love and disgusting and also sarcastic bitches. follow for more / prev comic / next comic

[bribinart]

a late night debate!! (prints)

[jaratedeguadalupe]

my first contribution to the fandom in 5 year,,,,,,,,,, how are we looking so far

[bixels]

What's K.O. CRISIS?

Hey all. Over the past couple months, I've gotten a lot of followers who probably don't know about my OCs and portfolio projects that I'm also working on, so I'm making a quick master-post for it!

K.O. CRISIS is a series of artwork––character designs, illustrations, sketches, and animations––inspired by late-90s/early-2000s anime and Y2K culture.

Set in an alternate-history Los Angeles in the year 2001, the story follows disabled Taiwanese-American Ashley Tang as she fights her way to the top of the bracket in the national augmented boxing championship.

As the youngest female fighter in the championship, she'll have to fight tooth-and-nail to defend her place amongst the heavy-weights. While her rare dual arm prosthetics help even the playing fields, it'll take more than brute strength to prove her worth.

But this isn't a story about an underdog triumphing against all odds. Throughout the story, Ashley will push herself to the limit for the sake of validating her existence under the grinding heel of the sports media machine, in a world that values disabled bodies more than their lives. As the championship rages on, one question seems to linger through the roar: Is Ash strong enough to win, or is she brave enough to quit?

Through the project, I'm hoping to explore representations of prosthetic-users in pop culture as "enhanced superheroes," as well as discussions of trans-humanism under medical capitalism, the fetishization of new technology, and the commodification of disabled people as entertainment.

Accompanying her journey include characters like Noora Balakrishnan, a local transfem prosthetics engineer who doubles as Ashley's ringside mechanical cutwoman.

The project is still in its early stages, especially since I sorta rebooted it earlier this year (meaning I'm no longer using past, outdated art for the project). If you enjoy it, you can find more artwork for the project under the #ko crisis tag!

[z-tomaz]

it also caught me so off guard in episode 1 in particular that the crew clearly knew how much izzy was doing to protect them from ed?? no one's saying it out loud because it won't help but the hug, and the whole scene surrounding it, says they've all quietly been paying attention and worrying about him behind his back and it was a culmination of weeks and months of living like they were while knowing that izzy was bending over backwards to absorb as much of ed's rage and heartbreak and anger as possible in order to shield the rest of them??? help??

[dangoulains-devotion]

[ohno-the-sun]

Sol

[puppyeared]

axolotl

[doctorsiren]

“Tears pages from spines as she judges the cover and shamelessly spoils the end!”

[non-un-topo]

hot guard summer

[omaano]

WIP - Three hours into my third attempt at this Cody portrait

(This is why you add your bright highlights last. They help pull the picture together enough that you're reluctant to work on it any more, because it is kinda good enough, right)

[spooky-activity]

💕✨🌚🌑Shadowheart🌑🌚✨💕

[nickhugs]

Nick’s journey from “hi” to “i would fight the whole world for you”