#russian film

[shihlun]

Margarita Terekhova on the film set of "Mirror".

[theopiumeater]

Lilja 4-Ever Artwork

[annoyingthemesong]

SUBLIME CINEMA #646 - LILYA 4-EVER

Bleak and overwhelming, this is a movie that has haunted me since I first saw it. Lukas Moodysson’s best film is also one of the best Swedish films of all time, up there with Bergman and Andersson’s. This is as uncompromising a film there is, shot in whatever hellhole location in Estonia they dug up to stand in for Soviet Russia - and the feeling of humanity’s grime and decay lingers all these years later. 

[empirearchives]

Semyon Mezhinsky as Napoleon Bonaparte in the Soviet film, Kutuzov, dir. Vladimir Petrov, 1944

It looks like the filmmakers either used face prosthetics or some sort of editing to make the actor look more like Napoleon. His nose, for example, was changed to look a lot more like Napoleon’s nose. I think it turned out really well and looks very accurate.

[fibula-rasa]

Christmas Films of a Century Past

(updated!)

For some reason, I thought it would be a good idea to watch somewhere 50-60 Christmas and Christmas-adjacent silent films from before 1920 to put together a playlist for you all. 

I chose these as a representative selection. My general criteria were:

Christmas should be central to the story

The plot should be novel to a modern viewer or something a modern viewer would be surprised to see so early on film 

The list on the whole should have a variety of settings and narrative structures

Here’s a direct link to the YouTube playlist, if you want to watch them all in one go. (They are all shorter than feature length!)

Two quick presentation notes: 

Some of the videos have music and some don’t, so you may want to check your volume level. 

The intertitles for some of these films are not in English, so be sure you have captions turned on for English translations.

READ ON BELOW!

1. Santa Claus (1898) (UK)

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Directed by George Albert Smith 

Short and sweet, this film sees children put to bed by their nanny on Christmas Eve and Santa Claus coming down the chimbley to fill their dutifully hung stockings. Director G.A. Smith used his own patented technique of double exposure to show Santa’s arrival without cutting away from the children’s room. Santa Claus might not pack the punch of a Méliès trick film, but it’s a fun novelty and is purportedly the first appearance of Santa Claus on film.

2. The Little Match Seller (1902) (UK)

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Directed by James Williamson 

This one’s a quick but effective adaptation of the Hans Christian Anderson tragedy featuring impressively well-coordinated superimpositions.

3. The Christmas Angel (1904) (FR)

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Directed by George Méliès for Star Film Company

The Christmas Angel follows an impoverished girl driven into the city to beg on a snowy winter night. First she’s chased away from a church by more seasoned beggars; then she’s thrown out of a poultry seller and harassed by police. On the verge of falling asleep in the snow, a rag-and-bone man rouses her and offers her help. Later, the girl passes out beside a road but is luckily spotted by a wealthy couple on a car ride. When they learn of her plight, they bring her home along with food and gifts. 

Though not as fantastical as some of Méliès’ more famous works, The Christmas Angel is still highly stylized (and stylish) and features special effects that are photographed beautifully. It’s also worth noting that the version of the film included here is the American cut. The original French cut, titled Détresse et Charité (Distress and Charity), did not include the sequence with the wealthy couple and instead ends with the girl dying in the snow. 

4. The Night Before Christmas (1905) (US)

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Directed by Edwin S. Porter for Edison Manufacturing Company

This is the first time the poem “Twas the Night Before Christmas” was put on film. Loosely following the poem, we see Santa Claus prepare for his yearly trek while a middle-class family prepares for his visit. When Santa heads out, we are treated to an extended panning sequence with a fully painted backdrop for a mini Santa and his reindeer to glide across. When Santa arrives at the family home, he chaotically dumps presents and decorations around their living room and makes a large, decorated tree appear out of thin air. (Across many of the movies I watched to put this post together, this seems to be a favored scenario for the jolly fat man around this time—and it’s delightful.) The family then wakes to find their gifts and the film closes with Santa directly wishing us a Merry Christmas. 

5. A Little Girl Who Did Not Believe in Santa Claus (1907) (US)

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Directed by J. Searle Dawley and Edwin S. Porter for Edison Manufacturing Company

Even at the risk of this list being too Edison heavy, I couldn’t leave this great short out. While walking with his mother, a rich little boy encounters a poor little girl alone in the cold. They take her home to play and warm up. When the boy learns that the girl doesn’t believe in Santa because apparently Santa doesn’t visit poor children, he hatches a scheme. On Christmas Eve, the boy holds a stake out near the fireplace and takes Santa hostage, tying him up and holding him at gunpoint. The boy then forces Santa to visit the girl—going so far as shimmying down the chimney himself to let Santa in the front door. When the girl wakes up to a beautifully decorated tree, new toys, and a full stocking, she can finally believe in Santa Claus. While I’m generally not so into stories about supposedly benevolent rich people, I do love the implications this story has on how Santa Claus works and I also find the means with which the boy gets his way hilarious.

6. Il Natale di Cretinetti / Foolshead’s Christmas (1909) (IT)

[& Come fu che l’ingordigia rovino il Natale di Cretinetti / How Greediness Spoilt Foolshead’s Christmas (1910) & Il Natale di Cretinetti (1911)]

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Directed by Andre Deed for Itala Film

This entry is a three-for, which I hope you’ll excuse, but I couldn’t decide which Cretinetti Christmas to share! Cretinetti, the comedic persona of filmmaker Andre Deed, is an absolute agent of chaos. 

In the 1909 film, Cretinetti attempts to bring a tree home for a Christmas party. The destruction escalates wildly, culminating in an entire building falling to pieces. 

If you can believe it, the stakes are even higher in the 1910 film, when Cretinetti can’t resist sneaking out of bed on Christmas Eve to snack on the candy decorating the tree. When Santa sees what Cretinetti has done, he chides him and takes him back to his workshop—which is apparently in heaven. Destruction ensues. Cretinetti then proceeds to cause havoc for Saint Peter, annoying god so much that he calls the devil to come get Cretinetti. Cretinetti is then chased to hell where demons try to cook him alive. Thankfully, spoiler alert, it was all a bad dream and he wakes up on Christmas morning with a terrible stomach ache. 

The 1911 film returns to localized chaos. Cretinetti has a run-in with a mail carrier and his Christmas packages get mixed up with one of the carrier’s parcels. The parcel contains three bottles of ether which then begin to emit gasses in the middle of the family Christmas party. 

I wasn’t familiar with Cretinetti before reviewing films for this list, but I’m definitely going to seek out more of Deed’s movies. Each of these films had well-executed chaotic slapstick; over-the-top in all the right ways.

7. Making Christmas Crackers (1910) (UK)

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Produced by Cricks & Martin Films for Clarke, Nickolls, & Coombs Confectionery

To start, if you’re not sure what a Christmas cracker is, it’s a colorfully decorated paper tube that makes a cracking noise as you pull it open. Inside the tube is a paper hat, a joke, and/or a small toy. It’s a traditional part of UK Christmas celebrations.

This short starts as a documentary of the workers at Clarke, Nickolls, & Coombs constructing the crackers. It’s a fun thought that as early as 1910, people were interested in watching how mass-produced consumer goods were made. It’s also fun to see these skilled workers ply their trade so deftly (even though wages and working conditions were likely less than ideal). The film ends with a family celebrating around a Christmas tree topped with a functional giant cracker.

8. A Christmas Carol (1910) (US)

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Directed by J. Searle Dawley for Edison Films Manufacturing Company

There are so so so many film adaptations of Charles Dickens’ A Christmas Carol made before 1920 that it was hard to choose which one to include on this list. In the end I chose this 1910 version for its economy of storytelling, fluid use of special effects, and for Marc McDermott’s great performance as Scrooge.

9. Broncho Billy’s Christmas Dinner (1911) (US)

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Directed by Gilbert M. Anderson (Broncho Billy) for The Essanay Film Manufacturing Company

Gilbert M. Anderson was an incredibly prolific and popular filmmaker and star of early American film, particularly in his role as Broncho Billy. As was typical for Anderson, he’s pulling triple duty on Broncho Billy’s Christmas Dinner as the star, director, and producer. The film features a simple and heartwarming story. 

On Christmas, Billy comes across a young woman in peril as her horses got startled and are now pulling her cart along wildly. Billy manages to wrangle the horses and in gratitude she invites him to Christmas dinner at her parents’ home. Unfortunately, her father happens to be the sheriff. But, all is well, as it turns out that Broncho Billy’s been given a pardon and the sheriff welcomes him to the table gladly. 

The enduring appeal of outlaws or criminals getting into the Christmas spirit is fascinating to me and it’s cool to see such an early instance of the story!

10. Le Noel de la princesse / The Little Princess’s XMas Gift (1911) (FR)

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Produced by Société Générale des Cinématographes Éclipse

In all honesty, this is the least Christmassy (but also probably most christian-y) of all the films I included here, but its style and novelty stood out. The sets, costuming, and production design are lush. It might also be one of the weirdest Christmas stories I’ve even encountered.

After Lord Othberg passes away, the conniving Otto plans to assassinate the baby prince in order to inherit the lordship himself. He poisons the baby, but the princess prays for her baby brother to come back to life as her Christmas gift. An angel appears to her and they summon Jesus, who resurrects her baby brother. Of course, they then place the revivified baby in the castle’s nativity scene, to the joy of all but Otto.

11. Ida’s Christmas (1912) (US)

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Directed by Van Dyke Brooke for Vitagraph Company of America

With a more classic Christmassy story, Ida’s Christmas tells us of a family who are facing hard times. Ida (played by a very small Dolores Costello) has her eyes on a pricey doll. Meanwhile, her mother seeks out employment with a wealthy family. The matriarch of the wealthy family overhears Ida’s wish and decides to buy the doll for her as a surprise. Later, Ida is distraught to find that the doll has been purchased but comes across a wallet that someone has dropped. She considers taking the money, but chases down the owner instead. The old man gives her some reward money for returning the wallet. Ida rushes to see if she can buy the doll, but has second thoughts when she thinks about how much her family could use the money. She arrives home with the money just in time for a Santa-esque old man to show up bearing packages and an assurance that the wealthy family has work for her father. The film ends with the family celebrating an unexpectedly Merry Christmas. 

It’s a sweet story that hits so many beats of what we now consider traditional Christmas tales.

12. Рождество обитателей леса / The Insect’s Christmas (1913) (RU)

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Directed by Władysław Starewicz for Khanzhonkov

Fair warning, if you thought The Princess’s XMas Gift was odd, you might need to ready yourself for this one. Stop-motion virtuoso Władysław Starewicz (Ladislas Starevich) spins a tale about a tiny ornament of Santa/Ded Moroz coming to life on Christmas and going out into the wild to bring Christmas joy to creatures small and smaller, including a frog and a ladybug. Starewicz’s animation is as impeccable as ever and the short is imaginative and quirky.

Honorable Mention:

Dance of the Seasons (1900)

Christmas Dream (1900)

Christmas Eve (1913)

A Christmas Carol (1914)

Snow White (1916)

A Winter Straw Ride (1906)

[cressida-jayoungr]

One Dress a Day Challenge

August: Fantasy & Sci-Fi

Aelita, Queen of Mars / Aleksandra Peregonets as Ikhoshka

I think of this as "the bumblebee costume" because of the striped body and the headdress that reminds me of antennae. Ikhoshka is Queen Aelita's favorite servant, and she wears this elaborate framework "skirt" over a pair of baggy pantaloons. She also has ballet slippers, a chunky necklace, and something like a battery pack at her waist.

The costumes for the Martian sequences, designed by Aleksandra Ekster, are outlandish and highly imaginative. This movie was said to be a strong influence on Metropolis. You can find several versions of it free to watch on YouTube.

[kana-go]

Town Musicians of Bremen

Troubadour and the Princess from 2023 remake of the 1969 Soviet animated film.

[pixiedeadbeat]

A still from Viy (1967), the only Soviet era Russian horror film.

[vintage-russia]

The poster for the movie "Sword of Mercy"(1918)

[peresphone]

[strawberrypopstation]

ёжик в тумане 1975 dir. yuri norstein

[microcosme11]

Movie poster for Union of Salvation

I love this poster. Union of Salvation (2019) is a movie about the Decembrists, of whom I know almost nothing. The movie has great costumes, handsome men, but also looks depressing as hell.

[annoyingthemesong]

SUBLIME CINEMA #640 - DERSU UZALA

By the time Kurosawa was offered Dersu Uzala by Soviet studio Mosfilm , he had just attempted suicide after a short-lived, failed Hollywood career and a string of unsuccessful films. This movie was made during that period of shakiness, funding droughts, and deep depression for the director, whom Darryl Zanuck had recently declared mentally ill.

It turned into one of Kurosawa’s best and most self-reflective works, and it’s his only 70mm outing. The film is shot entirely on eye level, keeping you oriented as a spectator to an ever encroaching vastness of the Taiga - where the film was made, under grueling conditions.  

I’ve never seen a good transfer of this, and I’m not sure one exists; this is almost a forgotten Kurosawa but deserves a solid restoration. 

[twiginthewind-7]

♡ Улетай на крыльях ветра Ты в край родной, родная песня наша, Туда, где мы тебя свободно пели, Где было так привольно нам с тобою. Там, под знойным небом, Негой воздух полон, Там под говор моря Дремлют горы в облаках; Там так ярко солнце светит, Родные горы светом заливая, В долинах пышно розы расцветают, И соловьи поют в лесах зеленых...

© Copyright: Песня из оперы "Князь Игорь" Александра Бородина /песня половецких девушек/, видеоряд из фильмов "Садко", 1952 г., и "Илья Муромец", 1956 u. Актеры из фильма "Садко": Сергей Столяров, Анна Ларионова/

Song from the opera "Prince Igor" by Alexander Borodin / song of Polovtsian girls /, video sequence from the films "Sadko", 1952, and "Ilya Muromets", 1956 .

Actors from the film "Sadko": Sergei Stolyarov, Anna Larionova.

[evepolastrisgf]

Yall please look at these GIFs I got from Alexandr Abdulov’s movie Prison Romance (1993) because they are making me FERAL AND JUST SO JEJSJJS

IM GONNA SCREAM, THIS IS MAKING ME FEEL ALL MUSHY INSIDE I LOVE HIM😫😫

[oldfarmerbillswife]

'I'll catch you.'

I honestly like this scene better than the trench kiss. His open arms and eager face! She's afraid to take the plunge; isn't it futile to fall in love with a soldier? Everyone's bound to die.