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#s5 is going to murder me
bisexualenbyblueberry · 9 months
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brb I'm SO angry that Aaravos's prison was confirmed to be the pearl because while watching s5 me and my sister had several conversations that consisted entirely of:
Me: I don't understand. What's the true nature of the prison?
Her: He's in the pearl.
Me: no, he's not 'in the pearl'. You cannot fit a 6'9'' man 'in the pearl'.
Her:
Me:
Me: I don't understand. What's-
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imminent-danger-came · 10 months
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Unhinged Anon back again, and YES!!! GIVE ME THE SANDY-MK TRAINING ARC! He’s already taken to collecting mentors/parental figures like Pokémon, why not add Sandy into the mix? Especially if that OG Sandy theory is real because like… MK is due for the mother of all identity crises next season. We all know it. The writing’s been on the wall for over a season now, in glowing gold letters that keep spelling out ‘pain’. 
And you know who’d be a great candidate to help him work through that? SOMEONE WHO’S ALREADY HAD TO COME TO TERMS WITH THEIR OWN TERRIFYING POTENTIAL TO CAUSE HARM. SOMEONE WHO LIVED THROUGH THE ‘I’M A MONSTER WHO CAN DO NOTHING BUT HURT OTHERS’ PHASE, BUT MADE IT TO THE OTHER SIDE AND FOUND SOME SEMBLANCE OF PEACE WITH HIMSELF! LET THESE TWO INTERACT MORE, PLEASE!
*ahem* Anyways, good points made by you, and a very interesting theory that I can’t imagine being wrong now that you’ve pointed out that Zhu Bajie was in Sandy’s PTSD flashbacks. 
But circling back to MK’s incoming identity crisis and that murderer adjacent thing from a few asks ago because I had a Horrible thought: Remember how Macaque started calling MK ‘Misery Kid’ during S4E9&10? What if someone, almost certainly an enemy trying to mess with his head, decided to do that too. Only they call him ‘Murder Kid’ instead, and it sends him spiraling hard. 
Or, even worse thought: What if MK gives himself that label. Bonus points if he calls himself this in front of Wukong, because he was the only other person who was there for Azure’s final moments and really saw everything that led up to them, which in MK’s mind means he must agree that MK deserves that label, at least to some degree.  
…Anyways, I’m gonna just cry on the brink of madness here (like always). Hope you’re having a wonderful day!
I barely have legible thoughts for this ask, I read "Murder Kid" and then I just started uncontrollably sobbing. Yanked to the precipice of madness by Unhinged Anon.
BUT ANYWAYS THAT'S WHAT I'M SAYING.
SANDY'S PAST ARC AND MK'S CURRENT ONE ARE COLLIDING AT FULL SPEED, AND I NEED ME SOME PAYOFF. This line from Show Me the Monster lives in my head rent free everyday:
Sandy: “But you were too WEAK to be who you truly are! I am a monster! That’s what the world wants me to be, so that’s what I’m gonna give ‘em!”
(Bonus parallels post from April)
Who you truly are? Being a monster? What the world expects from you vs what you expect from yourself? IT'S ALL COMING TOGETHER BABY.
And. Ougghghgh. Murder Kid. MK giving himself that label would be delightfully terrible. I imagine it could EASILY be someone else calling him that, and then MK having a breakdown about it later in front of Wukong and the gang, a la 4x08.
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wiremotherenergy · 1 year
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Ask me about season2 Beronica..... she was real right there......
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wheelercore · 7 months
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This oedipus post is going to take so damn long to write i can already tell
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senseibalance · 1 year
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one of my mains complains about the show is that everyone just forgive each other so easily.
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confused-pyramid · 2 months
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You're the Only One Who Knows to Slow it Down | s5
pairing: aaron hotchner x childhood bsf!reader
summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.
word count: 16.2k
warnings: canon!typical violence, mentions of abuse, major character death, gun violence, drinking, specific episodes mentioned in this part are 5x01, 5x02, 5x06, 5x09, 5x10, and 5x21
a/n: This season was really hard to write at points (I think we all know which eps I'm talking about lol) but I'm looking forward to brighter days ahead:') Also we get some more tangible tension so yay! Title is from Look After You by The Fray
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"We're not working a case," Derek states matter-of-factly when you arrive at the crime scene. You were woken up early the next morning after getting back from Canada, and on less than four hours of sleep, your brain is struggling to function.
"Why call us to a crime scene?" you ask, walking up to the front door of the house with the rest of the team.
He shrugs. "I was hoping you knew."
You look around, trying to find Aaron, but he's nowhere in sight. He had promised to put in the team request for a few days of leave, but you presume the call came in before he got a chance to do so.
The local police let you survey the scene, explaining that a Dr. Barton got a threatening letter that someone would be murdered everyday that he didn't give up his own son. Once you're done inspecting the body, you turn to JJ, lowering your voice. "Where's Hotch?"
"He's not answering his cell," she says, her lips thinning. "I assume it's on vibrate."
You nod. "I'll try him again."
You step away from the group and click his number in your speed dial, listening to the rings until it reaches his voicemail. It's unlike him to keep his phone on silent, but you know the previous night was tough on everyone. "Hey, it's me." You tell him the address you're heading to for the case, before turning towards the car and lowering your voice. "I know you're probably just asleep, but I don't know...I have that weird feeling again that you know I get...so please just call me back." You take a deep breath, hoping you're being overdramatic, and that you'll see him pull up in a few minutes. "See you soon."
When you get to Dr. Barton's house, he still hasn't called you back. You sit with the doctor, Prentiss, and Reid in his living room, going through his recent patient files, while Morgan, JJ, and Rossi head to the school to find his son.
"Something set this guy off," Emily explains as you start poring over the records. "Odds are it's in your files."
You manage to get through about a dozen before Dr. Barton stands up with a sigh. "My son is leaving school in five hours. There's no way we can get through all of these patients in time."
You check your phone again, mostly to see the time, but you also note that there aren't any new calls or messages. "He's right. We need more eyes on this. I can get Hotch and be back in a half hour."
"Keep us updated," Emily says, nodding at you. Concern flashes across her eyes for a millisecond, and you're sure it reflects the look in yours.
The drive to his apartment doesn't take long, and you stalk down the hall, all the way to the end, until you find his door. There's no answer the first time you knock, so you reach for the spare key he gave you, but before you can use it, you realize the door is already unlocked.
Your heart drops into your stomach and you pull your gun out, using it to push open the door carefully. "Aaron? Aaron, it's me."
When the door is ajar, the sight before you almost makes you drop your gun. There's a large bullet hole in the far wall, along with a patch of drying blood and bits of broken glass on the floor. His phone is on the ground as well, and his gun and holster are lying on his dining table.
You crouch down on your heels, trying to calm your breathing, as you take in your surroundings. You need to think logically about this, or you'll be no help at all.
A few things come to you as your mind clears.
His car is still outside.
No blood splatter around the bullet hole.
No drag marks.
You dig your hand around your back pocket and pull out your phone, dialing Garcia as fast as you can. "Overtime shift, Penelope speaking."
Her chipper voice usually calms you down, but right now you need to cut to the chase. "Garcia, it's me. Something's happened to Hotch. You need to get an APB out on him."
Her breath stutters. "What do you mean, something?"
"There's blood on the floor," you whisper, willing your voice not to crack as your throat thickens with tears. "There's also a bullet hole in the wall, probably a .44."
"I'll send the whole team," she says before you cut her off.
"No, don't call the team. They need to finish the case we were assigned. Just tell Emily, since she's expecting me back, but send every other agent in the vicinity."
"On it."
The line clicks off and you release your breath, before standing up again. While you wait for the crime scene techs, you poke around his things in the main area, trying to see if anything has been taken or moved. The only thing you notice before they arrive is that a page has been ripped from his address book.
"Agent L/N?" a voice calls from the doorway.
You lift your hand. "Yeah, in here."
They come inside and get to work immediately, so you step out, just in time for Garcia to call you back. "Y/N, I checked local hospitals for his name, and I didn't find anything at first, but then one of them told me something really strange."
"Garcia," you whisper through gritted teeth. You love her, but she needs to hurry up before you explode. "What was it?"
"Someone dropped off a John Doe at St. Sebastian hospital, and that someone's name was FBI Agent Derek Morgan."
Your vision turns black for a moment. He's back. Foyet's back.
You're rushing to your car before she has a chance to hang up.
***
He's still under anesthesia when you arrive at the hospital. He was stabbed nine times. That's what the nurse told you when you flashed your credentials and asked for any information she could give you.
Now, you're standing in his doorway, trying to build up the nerve to approach his sleeping form. Even with all of the bandages covering his arms and abdomen, he somehow looks peaceful. It's been so long since you've seen his brow unfurrowed, his forehead smooth, without the tension that invades his daily life.
After a few minutes, you take a step inside, then another, and suddenly you're right beside him, reaching out to clutch his hand over the bedsheet.
His skin is cold, and you wrap both hands around his to warm it up, if even by just a little. He's usually a furnace, generating his own heat even when it's freezing out, but whenever he gets hurt, his hands turn to ice.
After a minute, your phone buzzes in your pocket and you let him go to answer it. It's just Emily telling you that she's at the hospital with the rest of the team, and you walk out into the hall to talk to them.
Rossi is the first to reach you. He squeezes you into a hug before getting back to business. "You sure it was Foyet?"
"He had Morgan's credentials," you nod, rubbing a hand over the back of your neck. Derek glances at you then, and you press your lips together with a nod.
"Did they catch him on the security cam?"
"You could see him dropping Hotch off," you explain, trying to keep your voice steady, "but the camera's only on the entrance, so I have no idea what direction he went once he left the hospital."
Emily shakes her head. "It doesn't make sense for him to have brought Hotch to the E.R."
The nurse from earlier approaches you then, pulling your attention. "Agents, he's waking up."
You shuffle inside and take his hand again as everyone walks in.
His voice is soft when he opens his eyes. "Where am I?"
"In the hospital," Emily whispers, taking care to be mindful of her volume.
He shuts his eyes for a beat. "How did I get here?"
"Foyet drove you." Rossi doesn't frown often, but the lines of his face are clearer than ever. "Can you remember what happened?"
Hotch shakes his head, closing his eyes. "What did he take? The Reaper always takes something from his victims."
"There was an address page missing from your day planner," you whisper, finally finding your voice. "In the B's."
His eyes snap open and he tries to lift his head from the pillow, but he can only wince. "Where are my clothes?"
Emily hands him a plastic bag filled with his belongings, and he ruffles through them, until he finds his wallet. When he opens it, a photograph is stuffed inside, covered in blood spatter. Haley and Jack.
Your breath catches, and he seems to realize what it means at the same moment you do. "Haley's maiden name is Brooks. I always listed her in the B's in my personal information in case it fell into the wrong hands."
You squeeze his hand involuntarily, and he exhales sharply. "He knows where they live."
***
When the rest of the team rushes off to his old house, you stay with him at the hospital. You get a call soon from JJ that Haley and Jack are just fine, and you are finally able to breathe easy for the first time all day.
"They're okay," you tell him when you hang up the phone. "That was JJ. She said Haley was home and Jack's at a playdate, but Morgan is going to pick him up right now."
He nods slowly, his body relaxing into the bed. "Good. That's good."
"It is," you say, eyeing his movements. It's still enormously difficult to look at him like this, but you won't be able to move forward if you don't know the truth. "Aaron, what happened? What did he do?"
"I don't remember all of it," he says slowly, clearly taking his time with each word. There's no rush, and he knows it. Even if it takes him hours to get it all out, you'll still be here. "I remember him being there when I got home, after I dropped you off. He fired off a shot into the wall, and then I tried to tackle him, but..."
He trails off, and you squeeze his hand tighter, as though trying to tether him to the present moment. After a few shallow breaths, he continues. "I tried to tackle him, and I got him on the ground, but then he overpowered me." You can almost see it in your mind. The picture he's painting as he weaves over the details with startling clarity. "The first one hurt the most."
The first stab. Your eyes close for a beat, like you're trying to hide from his words. The first of nine.
"I don't remember much after that." You can tell he's leaving things out, but you also don't know if you'll be able to handle it if he does tell you everything.
"That's okay," you whisper as his eyes droop down. "You should rest."
He nods slowly as the exhaustion takes over and his grip loosens around your hand as he falls asleep.
You wait by his side for about a half hour, until you spot a familiar face (with a new haircut) dawdling in the hallway.
You stand up in a fervor. "Oh, thank god."
You rush over to Haley and pull her into a hug, which she returns just as forcefully. "JJ called us when she found you, but it's still really good to see your face."
"It's good to see you too," she says with an exhale before letting you go. You look down and see Jack standing next to her, his mouth downturned as his fingers twiddle at his sides. "Do you mind staying with him while I go talk to Aaron?"
You turn around and see that he's blinking his eyes open again. "Not at all." You take Jack's hand with a smile and lead him down the hall.
"I'm sorry if the big men scared you," you tell him once you find a few seats in the waiting area. "I know it was all very sudden."
To your surprise, his face breaks out into a big grin. "Uncle Derek let me turn on the siren!"
"Wow!" you smile, feeling warm laughter echo around your chest. "That sounds super fun."
He nods ecstatically, before leaning his head over to look back up the hall. "Can I see Daddy now?"
Your smile falls as fast as it appeared and you take his hand again, pressing his fingers between yours. "Soon, baby, soon."
***
He wakes up to the sound of faint talking. He can vaguely see you hugging someone, and he blinks a few times to clear his vision as you disappear down the hall.
"How do you feel?" Haley asks as she walks into his hospital room. She doesn't come further than the foot of the bed, but he's just glad to see her here, in one piece.
He clears his throat quietly. "I'm gonna be okay." She doesn't look convinced, but he doesn't want to focus on him right now. "Did they explain to you what's happening?"
She nods slowly, looking at him for another moment. "They said the Marshal's service is taking us straight from here and putting us into protective custody."
She looks upset, and it takes him back to the lowest moments of their relationship. "Haley, I'm sorry."
She looks down and the familiar urge to comfort her returns, even while lying in a hospital bed. "Do you know where they're gonna take us?"
"No, I don't." He tries to catch her eye but she won't look at him. "And that's the point. I can't know where you're going. If you have any contact with anyone, then he could track you."
She finally looks at him then, and her sadness is tinged with exasperation. "Jack has school. He has friends. I have a job now."
He doesn't know what else to say but: "I know. I'm sorry." He hopes he's conveying what he means, but it doesn't feel like enough. "We will catch him, and you'll come back, and I promise that I will spend the rest of my life making this up to you."
She nods minutely, and he takes the small comfort. "Are you sure that we're in danger?"
"Yes." There's little else he's been more sure of.
"And what about you?" she asks, her voice small. "Are you gonna be safe?"
He doesn't want to worry her, but he also doesn't want to lie. "He wants to see me suffer. Knowing that my son is out there and that I can't see him is better than killing me."
Her brow pinches and she pushes her short hair back from her forehead. "Jack wants to come in."
He tries to argue at first, not because he doesn't want to see him, but because it will only make it harder to let him go again, but eventually she convinces him to accede.
She leaves to go get him, and he leans back on the pillows, trying not to let himself sink inside.
~
Haley finds you in the waiting area, with Jack sitting on your lap, in the middle of a game of I Spy.
"Is he ready for him?" you whisper when you see her approach. She nods and you lift Jack off your lap and set him on his feet. "Off you go, buddy. Time to see Daddy."
"Yay!" he cheers before racing down the hall, you and Haley right behind him. She steers him into the correct room, and he jumps onto the bed before either of you can stop him.
There's a quiet chorus of 'be careful's before he grunts, "Don't worry. It's okay. The doctors made sure that I'm completely fine." He turns to the small boy with a smile you haven't seen in days. "Did Mommy tell you that you two are gonna take a trip?"
Jack nods once, moving his chin up and down dramatically. "Yeah."
"So I'm not gonna see you for a while."
Jack frowns. "Why?" The word sounds so small out of his mouth, and your heart cracks in your chest.
"Well, think about it like when Daddy goes away for work. Only this time you and Mommy get to go someplace."
Jack ponders this for a few seconds, before crawling up again and wrapping his arms around his dad's neck. "Are you okay?"
"I'm very proud of you." It's a father's answer. The kind of response that doesn't tell the truth, but hides the pain with love. "Every single day. I'll see you soon, okay?"
"Okay."
Haley says another goodbye and grabs Jack's hand before leading him out of the room. She gives you another hug, squeezing extra tight for the last second. "It's not his fault."
"Of course it isn't," you whisper, letting her pull back.
"No," she whispers, closing her eyes. "I mean, don't let him blame himself for this."
He's one of the most stoic people you know, but he can also be so transparent sometimes. "I won't. I'll be here."
"He needs you," she says with a sad smile. "He's always needed you, but he especially needs you now."
She doesn't let you respond before she's tugging Jack down the hall. You watch as she exits the side door of the wing, and only turn back when you can't see her anymore. She's one of your longest friends, and you won't be able to see her or her son for god knows how long.
When you step back into the room, you stand at the foot of his bed, trying to gauge what he needs from you, but then you see his expression. Tears prick the corners of his eyes and his mouth twists as you rush forward and grab his hand, squeezing it between yours with the grip of someone holding onto a life preserver.
"They'll be okay," you whisper, trying to keep your own tears back. "We'll get through this."
He nods, his eyes still shining. You move to sit in the chair beside him, but he tugs you back, pulling you closer. You understand the desperate look in his eyes, the need for connection and comfort from someone you care about that you've seen in yourself on so many occasions.
Slipping your shoes off, you tuck the sheet into his side and carefully climb onto the little hospital bed, taking care to avoid any of the wires and tubes. Once you're sure you're not pulling on anything, you curl up beside him and wrap yourself around his arm. His skin is warmer than it was earlier, and you take solace in the fact that he's going to be okay. Maybe not now, but he will be.
Your breaths synchronize with his and you listen to the beeping of the heart monitor as your own heart rate calms down. There's a feeling tugging at your spine, filling you up and threatening to spill over, but you shove it down, knowing it will be too much right now. You don't have the words to describe the emotions circulating through your brain, so you stick with what you know. "I love you." It's quiet, barely a whisper, but you know he can hear you. "Thank you for staying alive."
"You're welcome," he whispers back, his voice barely audible over the monitor. "I love you too."
***
You leave the hospital the next morning with a plan. He's still asleep when you wake up, so you get up carefully and thank the nurses one more time before heading out.
You make two stops on the way to his apartment, and this time, you use your spare key to unlock the front door. The crime scene crew cleaned the blood off the floor, and you told Rossi to get them to spackle the hole in the wall, for at least a temporary fix, but there's still an air about the place. It was just starting to feel like his home, and now it's soiled, once again.
You shut the door behind you and drop your bags to the ground, surveying the place one last time for any damage or mess you missed earlier. When everything seems fine, you get to work.
An hour later, you slump back against the wall and toss the packet of instructions to the ground. In front of you is a freshly installed security system, with a door proximity sensor and keypad for when he leaves the house in a hurry.
You can already hear the arguments coming, but you don't care anymore. You won't be able to sleep knowing he's in here, all alone, without anything to keep Foyet from coming back and finishing the job.
For someone who has as little of a technical background as you do, you're impressed with how quickly you were able to get the system running, and you test it a couple of times, turning it on and off and checking the doors, before you finally pull his door closed and lock it behind you.
***
The doctors don't release him until the end of the week, but once he's able to walk again, he calls you to get him from the hospital. By the time he signs his discharge papers and makes the phone call, you're already almost there, and as much as he hates putting you out on a weekend, he can't help the satisfaction that rumbles through him.
The drive to his apartment is mostly silent, with him just trying to stay still as you take the turns carefully, and drive five under the speed limit. When you arrive, you hold the bag of salves and ointments for him as you take his arm, helping him down the hall and to his front door.
He moves to grab his key, but you stop him with a forceful "Wait!"
"I can unlock my own door," he grumbles, but you just shake your head, taking the key from him and turning it slowly in the lock. The moment it swings open, a loud beeping fills the air, and you rush forward to type something into the keypad by his door. Wait...keypad? "When did tha-"
"Before you argue," you jump in, clearly anticipating his disgruntlement, "it's for me, okay."
He raises an eyebrow and you glare at him, but there's no effort behind it. "I mean, it's obviously for you, but still...it's for my peace of mind too."
You're rambling makes him crack a smile for the first time in days, and he nods slowly. "Okay."
Your mouth snaps shut and you look at him with a meek smile. "Okay."
You help him get settled on the couch, and he waits there as you scrounge up some food from the kitchen. He's not sure he has anything perishable, but you manage to put together a comforting bowl of pasta with jarred tomato sauce that makes him feel a little more at home.
As the evening turns to night, he catches himself glancing at his watch more often than not, and eventually you catch on too.
"Is it time?" you ask, your voice gentle.
After a breath, he nods, and you reach across the coffee table to grab his bag of supplies from the doctor. You lay the salve and extra gauze on the table, and wait for him to make the next move, a decision he accepts gratefully.
He's been injured before. He knows how painful it is to sanitize a wound, and especially one as deep and grotesque as his. He just needs a few moments to accept the fact that he's...scared.
"I can do it," he says once he's ready, before reaching for the salve. The simple motion makes him wince and you jump in right away, grabbing it for him and undoing the top.
"Let me," you whisper, your words somewhere between a statement and a question. "Please."
He can already feel his stitches pulling, just from the simple act of swiveling his body to face you, so he gives in with a quick nod.
He doesn't look at you as he undoes the buttons of his shirt. He's not embarrassed - you've never pitied him, even at his lowest moments - but he needs the semblance of privacy as he exposes his injuries to the open air.
The air feels cold as he pulls his undershirt over his head, and you get to work immediately, peeling back the old layer of gauze as slowly as you can. The sections directly over his wounds stick slightly, and he grits his teeth against the pain as you gently tug them free, making sure to avoid pulling his stitches.
"Do you want a break?" you ask once the gauze has been fully removed. He shakes his head, needing this to be over as soon as possible, but when he meets your eyes, he sees them welling up with tears.
He glances down at his bare torso, his eyes darting over the jagged scars ranging from his stomach to his collarbone. Your breath stutters as you take it in with him, and he looks at you. "He made sure we'd match."
He sees you rapidly blinking away the tears that rush forward, and he wants to comfort you somehow, but he doesn't know what to do. You help him lean back on the armrest, so you can apply the salve around each of his injuries, and as your fingers press into his skin, he can't help but be reminded of his childhood. The pressure of your hands as you wrapped him with bandages, the warmth of your breath when you leaned in to inspect your work.
It's usually a sad memory when he thinks back to his childhood, but with you, it was always good. He watches as you slowly tape the new layer of gauze around his abdomen, and even as tears slide down your cheeks, the way you look at him doesn't change.
"All done," you whisper after pressing on the final pieces of tape. "How do you feel?"
Anxious. Terrified. Lonely. Guilty. "Good. Thank you."
***
"Hey, it's Emily."
"What's up, Em?" you say, your phone pressed between your ear and shoulder as you hop around, trying to get your shoes on before work.
"How was your weekend?"
You pause. "Fine?" The question isn't out of the ordinary, you're just not sure why she called to ask you that when she's going to be seeing you in person in about twenty minutes. "How was yours?"
"Oh, you know." She sounds distracted, and you feel a smile pull at your lips as you realize she's avoiding something.
"Em...is there a reason you called? You know, given that we're both on our way to the same place."
She clears her throat, and you hear the indecision in her voice, even over the phone. "I know this is kind of a weird question, but would you mind if I picked up Hotch for work this morning. I left late last night, so JJ was able to brief me early, and I figured he could use a headstart."
You stop your movements, straightening up and lifting your hand to your cell. It's not at all what you were expecting her to say, but that's not all you're confused about. "Yeah, of course. You don't have to ask me first, though. We're all teammates."
She makes an little noise that you don't recognize. "Yeah...but you two are different."
You don't know what to say to that, so you just wait for her to keep going. Emily was never very good at uncomfortable silences, so after a few moments, she's back. "Anyway...I'll grab Hotch and see you in 30?"
You try to hide your grin, even though no one can see you. "Sounds like it."
"Bye."
The phone clicks off, and you tuck it back into your pocket, still smiling. You're already in a better mood than normal, because after 34 days of medical leave, Aaron comes back to work today.
You finish clasping your shoe and head out the door, more relaxed this time. With Emily picking up Aaron, you're not in a rush anymore. You take the drive at a leisurely pace, and when you arrive at the office, you run into Spencer by the front of the building.
"Wait up!" you call out, jogging over to him before he gets in the elevator. "Let me get that." You slide the strap of his book bag off his shoulder and sling it onto yours. He nods in thanks and tucks his crutch under his arm as he presses the button for your floor.
"I thought I'd be used to the crutches by now, but I keep tripping over everything." You scrunch your brow with amusement as he frowns down at his leg. "The doctors say it's healing well, though."
The elevator doors open and you step in front of him to get the door across the hall. "Does it hurt?"
He shrugs. "It really only hurts when I think about it, which is pretty much all the time."
The statement isn't exactly comical, but his deadpan tone makes you snort as you hold the door, and he smiles as he passes by you. You follow him to Garcia's lair, and she perks up upon seeing the both of you.
"My babies," she grins, pulling out a chair for Spencer. "Sit, sit."
You let out a laugh as you place his bag on the floor next to him. "I'm older than you."
"Who's counting?" she throws back, typing something furiously into her computer. She turns around a moment later, just in time to swat Spencer's hand away from the tin of cookies sitting on her table. "No, no, no."
"What?" he complains, gaping at her.
She swats him again, before pulling the tin away from him. "Get away, you. These are for Hotch."
"Butterscotch?" you ask, glancing down at the box. His preference for butterscotch cookies was something you used to tease him about when you were kids. Butterscotch Hotch.
Penelope nods and lifts the edge of the lid, implicitly offering you a cookie. When you take one, Spencer throws his hands up into the air. "Why does she get one? I get shot in the leg and I still don't get any cookies."
You laugh and break off half of your cookie, which he takes from you the moment it's in your palm. He stuffs the entire thing into his mouth, not bothering to swallow it before he pipes up again. "You know he's gonna hate the attention."
"It's cookies," Garcia pouts, "not cake."
Spencer shrugs. "He's probably gonna pretend like nothing happened, anyway."
"Well, it doesn't mean we have to."
You don't know how to weigh in to this discussion, mostly because you know more about how he's feeling than they do, but also because the idea of speculating on his recovery without him here feels like a betrayal.
"What do you think?"
You look up and realize that Spencer was directing this question to you. Swallowing down the last bit of your cookie, you cough once to clear your throat. "I think he's been through a lot, but sometimes coming back to work is the best way to take your mind off of things. Foyet was in his home. I don't think staring at the same walls that used to have bullet holes in them is exactly healthy either."
Spencer and Penelope both stare at you for a moment, before nodding and looking down. They remind you of two children who have just been reprimanded, and you smile to soften the sentiment. "I love you guys for caring about this, but we just have to trust that he's okay."
"Yeah," Penelope nods, reaching forward to squeeze your hand. "Are you okay? This can't have been easy for you, either."
"I'm fine," you say too quickly. "Nothing happened to me." It's not a lie, exactly. You weren't the one who was stabbed. Nine times. "I've just been keeping him company after work, and helping with some of his post-hospital care checklist."
"He's lucky to have you," Penelope says softly, to which Spencer nods.
"He was great too after I got shot," you add, feeling oddly defensive of your friendship. "He stayed with me for a long time when my dad was gone."
She smiles at you sadly, before holding the tin out for you. "Want another cookie?"
You let out a weak laugh as Spencer chuffs behind you, and you shake your head. "No thanks."
"Do you think he'll like them?" Her voice sounds earnest, and you nod, knowing what it's like to want so desperately to understand someone who's as closed off as he seems at times.
"Spence, Y/N, there you guys are."
You turn around to see JJ, her face lined with tension. "Are you ready for us?"
She nods. "Grab your go bag."
***
He's been erratic all day. When he snapped at Garcia earlier for missing the antipsychotics link, you wanted to throttle him, especially when you remembered the cookies she had waiting for him in her office.
The thought that maybe Spencer was right keeps flashing through your mind as you watch him get frustrated with everyone, including himself. When you all arrive at the Darrin Call's father's house, where he and a young boy he kidnapped are waiting, Aaron instructs Emily to speak with the lieutenant on scene to figure out what you're dealing with.
"The kid's in there," you hear him say, "We've got this. Tactical teams are covering the exits. Call needs a distraction. He's focused on the old man."
Emily glances back at the house as she ties her hair back. "For now. But we're gonna have to figure out the safest way to get that kid out."
"I've got a team in the back and one on the way. We're going to infiltrate."
"You do that and someone else dies."
The man just shrugs. "Either Call or a child murderer...flip a coin."
"It doesn't have to end like that." You can see how hard she's trying to make the lieutenant understand, but sometimes the locals just don't listen. "We get a confession out of Jarvis and he goes away, and Call gets his answers. No one else has to die."
There's movement behind you and you turn around at the last second as Aaron stalks past you and towards the house.
"Hotch," you call out, but he doesn't look back. "Aaron. Aaron!"
He's almost at the front door, and your feet start moving without you realizing it. You make it within a few feet of the front gate before two pairs of arms seize you from behind, halting your momentum.
"Let him go," Dave whispers as he and Derek release you. "We have to trust him."
"He's not thinking straight," you grit out, unable to tear your eyes away from the closed door as you step forward again. He wasn't wearing his vest, and you can't remember if you saw his gun in his holster. You close your eyes, wracking your brain. Think, goddamnit.
Derek grabs you again as you try to make a break for it, anticipating your movements before you even know what you're doing. "Rossi's right. We have to trust him. We can't help him if we rush inside now."
"We can't help him out here either!" Your voice sounds frenzied in your ears, but he doesn't loosen his grip, even as you try to shove him off of you.
"You know we're right." He looks at you sternly, and your resolve diminishes as reason starts to set in. "Going inside will only make it worse."
Emily comes up from behind you and takes your arm, leading you back to the street in front of the house. You back up, but you don't turn around, ready to rush in the moment anything changes.
"What's he doing?" she asks Derek, her voice quiet, like she doesn't want you to hear.
"Stalling," he says simply. "He's got nothing to lose."
Your breath catches and you lift your hand to your chest, clutching the top of your vest like it's a lifeline. You want to scream at them, scream that he has everything to lose. He has a son, and an ex-wife who loves him, and he has you.
"You got the shot?"
"Negative."
He suddenly appears in the front of the door, but you can tell he's angling his body to block the visual of the shot. What is he doing?
The door opens for a split second, and the little boy runs down the porch and into the arms of one of the SWAT members. It shuts as fast as it opened up, and you only manage to see his face for a moment before he disappears into the house again.
For a minute, there's only silence, until the air is pierced with the sound of three gunshots, one after the other. Your body visibly flinches and you throw yourself forward and over the gate, pulling out your gun at the last moment as you breach the front door.
When you storm into the living room, Aaron is putting cuffs on Darrin. The father is dead in his recliner at the center of the room.
"What happened?" Dave asks from behind you.
He purses his lips. "I couldn't stop him." It's then that he finally looks up at you, but all you can do is glare. You don't know if you've ever been angrier in your life, and definitely not at him.
His brow dips with a mix of confusion and remorse, but you just stuff your gun back in its holster, spin around, and stalk out of the house. The fresh air outside feels like a welcome respite from the emotions swirling around inside of you, and you turn your face to the sky as your brain fires off millions of questions at once.
When did he get so reckless?
Is this all because of Foyet? The need to feel like he's getting something done, with his family on lockdown?
He comes out of the house then, and you're practically shaking from the relief that he is okay, but the anger isn't fading. You can feel it flooding your veins with each breath you take.
He hands Call off and approaches you slowly, stopping in front of you with a look you don't recognize.
"This is the job," he says simply, his voice almost cold. "You know what you signed up for."
"I know what I signed up for?" Your face twists with disbelief and you look at him with contempt. "Fuck you, Hotch." His face drops slightly and it only feeds your fight. You know him better than anyone else in this world, and that also means you know exactly how far you can push him until he cracks.
"This is what we do." His voice is tight, and you see your anger reflected in his eyes. "You knew that when you joined the team."
Emily and Dave exit the house, and you can feel their eyes flickering over to you, but you can't bring yourself to care right now.
"No," you grit out, shaking your head. "You don't get to be angry with me. You don't get to say that to me."
He looks at you for a beat before his face falls and you see all the fight leave him. He sighs, his brow pinching. "You're right."
You can practically see the war going on inside his head. The battle between fear and action, where there are no winners.
You nod as you look down at the ground, and he reaches forward to take your hand. He squeezes it tightly, before lifting it to his chest. "Y/N." I love you, I'm sorry.
You nod. "I know." I'm sorry too.
***
You've been looking at the text JJ sent you for the better part of an hour. Something's going on. Strauss was in Hotch's office and it looked bad.
You're reminded of his suspension and the two long weeks you worked here without him, and you internally resolve that it won't be happening again if you have any say at all.
The next morning, you're one of the last people to arrive, and you walk into a conversation that Spencer is having with Emily at his desk.
"You're not gonna believe this," he says, turning to you and lifting his hands dramatically. "Some moron just posted a blog called 'What would Carl Sagan do?' and it's completely illogical."
"L/N, what did I miss?"
You spin around to see Derek strutting into the bullpen, his phone held up in his hand.
"What do you mean?" you ask with a frown.
He looks at you expectantly, and you start to feel like you're on the outside of something you should know. "All the emails from Hotch..."
You yank your phone from your pocket and refresh your email. "I don't have any new ones."
"Me neither," Reid chimes in from next to you.
Derek doesn't wait another moment before he's barreling past you and up the stairs to Aaron's office.
"What was that about?" Spencer asks, a confused look on his face.
"I don't know," you say honestly, "but I think we're gonna find out soon."
~
"You wanted to see me?"
He nods and you step into his office, shutting the door behind you. Ever since his private conversation with Derek this morning, you've been obnoxiously curious about what's been going on with the team, but you also know when not to overstep your boundaries.
"Take a seat." He beckons to the couch on the far wall, and he sits down across from you when you plop down. "We have to talk about something."
"If you say Strauss suspended you again-" He cuts you off with a lift of his hand. You look at him sheepishly and nod. "You were saying..."
"This is going to sound odd, but just hear me out." You're starting to get worried, but he doesn't look anxious, so that's a start. You nod, and he continues. "The bureau thinks that my ability to lead this team has been compromised. They've been questioning me since Foyet's attack, and they're not entirely wrong."
You want to refute this, but you've also been questioning some of his actions as of late. Nevertheless, that doesn't mean that you won't have his back if it comes down to it. "They can't fire you. The whole team will fight back if they even try."
He looks at you with something that resembles concern. Concern? "They won't fire me...because I'm stepping down."
"What?" you burst out, unable to help your volume. "What are you talking about?"
"I'm resigning as unit chief at the end of the week, but I'm not leaving this team."
You think you have an idea of where this is going, but his eyes are still tracking your movements, like they do when he's worried about how you'll react. You don't know how it could get much worse than this, but then you realize he hasn't told you who will be replacing him.
"I told Morgan to take my place until we catch Foyet."
There it is. You don't expect it to sting as much as it does. "Oh."
Your voice sounds small to your own ears, and you clear your throat to keep the emotion out. This isn't a personal decision, it's professional. If Strauss was telling you this now, it probably wouldn't faze you. So why does it hurt coming from him?
"Strauss wasn't happy with your decision to not take the New York position," he explains, his eyes finding yours. "You know I think you deserve more leadership roles. It was her that suggested Morgan for it, and I couldn't argue when she was already so unsure about letting me promote internally."
"I get it," you nod. Your tone a bit sharper than expected, even though you understand where the decision came from. Derek deserves this position too. "I do, I promise."
He raises his eyebrows with a check in, and after a moment, you finally nod. It's okay. We're good.
"I'll see you in the morning?"
You dip your chin. "Good night."
***
"I can't believe Hotch is stepping down."
Penelope, Emily, Spencer, and JJ are all unabashedly watching Derek as he briefs Strauss on the case he chose for today. You've been trying not to look, but every few minutes, something snags your attention.
"Morgan said it's business as usual," Emily adds, her brow furrowed as she watches them converse.
Penelope doesn't seem eased. "So we're just supposed to move forward without any discussion?"
Spencer shrugs. "After Foyet, I think we'd have to be ready for anything."
Derek finishes speaking with Strauss then, and you stand up as he asks Emily to call Rossi for the briefing. He looks official with his ironed button-down, and you can't help but wonder if he's trying to emulate Aaron.
You flash him a cheeky smile as he walks towards the conference room, but he just brushes past you. 
~
Derek steps into his new role effectively, and you even notice him provide extra feedback to everyone throughout the case. Hotch has a bit of a difficult time stepping down at first, but you know it comes from habit, not distrust.
When you're back at the office later that night, you look up to see that he is still in his office, furiously jotting something down, even though his responsibilities have been greatly diminished. You don't know why you expected the demotion to make him want to cut back a bit.
Derek is the only person still in the bullpen when you take a seat again. You finished up the last of your paperwork, so you start to pack up your stuff, but then your interaction from earlier crosses your mind again.
Latching your bag closed, you stand up and perch on the edge of Derek's desk. "Hey, boss, how's the responsibility feel?"
"Fine," he mutters, his tone snippier than you've ever heard it.
"A lot more paperwork than you were expecting, huh?"
He doesn't look at you, so you reach forward to tap the back of his hand. "Derek, come on, what's going on with you?"
You brace for him to snap at you again, but then he just sighs, setting his pen down. "You're not angry with me, right?"
"What?" You don't know where this is coming from, seeing as how he's been the one who's been avoiding you all day. "Why would I be mad at you?"
"Why?" he repeats, his face twisted with disbelief. "I basically stole this position out from under you."
You shake your head forcefully, putting your hand over his on the desk. "Not even close, hon. Anything on my end was bureau politics, but that's just one side of it. You deserve this just as much as I would have. You've even been at the BAU longer than I have."
He's silent for a moment, before he turns his hand under yours and clasps it gently. You give his hand a squeeze before bringing your other one up to his cheek. "You're doing a great job. You were an amazing leader out there today. Hotch picked you well."
Derek leans into your hand for a beat, before letting out another sigh. "Thanks."
"Seriously, Derek," you say with a smile. "This might have been one of his best professional decisions yet."
That makes him laugh, before shaking his head. "Nah, his best decision was bringing you to this team."
Your chest fills with warmth and you lean forward to pull him into a hug. His arms are strong as they wrap around you, and you settle into the hug, turning away from the office light upstairs and trying to ignore the fact that Aaron hasn't looked up from his desk since you started talking.
***
"Agent Hotchner, before you go, there's one final thing I'd like to share with you."
Karl Arnold, the Fox, has been taunting each of you throughout the whole day, and right when you finally thought you were done, he drew you right back in. You follow Hotch and Prentiss back into the interrogation room.
"So you think you found my admirer."
"No," Aaron says simply. "We found the killer."
Arnold grins. "With my help, of course."
"Your admirer is exactly like everyone who contacts you..." Emily sneers, "lost."
Arnold turns to her, and the look in his eyes makes your skin crawl. "My love, your guy is far from lost."
Hotch shakes his head, turning to the door. "We're done."
"So is he." All three of you spin back around, much to his amusement. "'Look at what I have done.' It's quite brilliant, you know?"
"We will find whoever sent you that."
"No, Agent Hotchner, I rather think he's already found you."
Aaron immediately starts flipping through the file on the table, shoving pictures and papers aside as he searches for something. Something about Arnold's tone sends your mind reeling and you grab the journal in front of you and start flipping through it as well.
"What's going on?" Emily asks, coming up behind you.
Arnold just laughs. "He's torturing him."
"Who?"
He ignores her. "It's great to see you squirm, Agent Hotchner."
You reach one of the bookmarked pages, and the symbol that greets you almost makes you drop the journal. "Aaron..."
His eyes snap to your hands as his skin turns white. "Foyet."
The three of you rush out of the interrogation room, accompanied by the disturbing sound of Arnold's laughter echoing behind you.
Just before the door shuts behind you, you hear his final words. "He knew you'd come."
***
The whole team spends days with only one goal in mind: find and capture Foyet. JJ works with you and Garcia to track prescription medications that he would be on given his self-inflicted injuries, and Spencer, Emily, and Aaron put together a geographic profile using the letters from the Fox and the proximity of nearby pharmacies. Derek's role as acting unit chief keeps him busy all on its own, but he manages to keep the team on track as he turns any new cases that come in to other teams.
When JJ returns from a local pharmacy with the discovery that many prescription meds have over-the-counter alternatives, the focus shifts. Garcia narrows down the list, and brings back a list of names that is way too long to feasibly question.
"153 names," you huff, leaning over her shoulder as she scrolls down the list.
Emily frowns. "Well, he's not gonna use his own name."
"What kind of aliases should we be looking for?"
You all consider this, before Derek chimes in. "He could have easily stolen someone's identity."
Hotch shuts that idea down immediately. "No, he's a narcissist in love with his own mythology. He'd use a name connected with the case."
"A victim, maybe," you guess, "or a cop?"
Garcia doesn't find anything on the initial search, but thankfully Spencer suggests another approach. "Guys, Foyet likes things to have meaning to him. The eye of providence, the addresses in blood he wrote on the bus that led us back to him. Maybe he's doing the same thing with the alias."
Emily frowns. "Like an anagram or something?"
Spencer walks over to the white board and writes out George Foyet, before fiddling around with the spellings of possible anagrams. You walk up behind him and follow his movements along the board. "You see something, Spence?"
He shakes his head. "Not yet."
"Spencer," you interrupt as the realization comes to you, "he named himself The Reaper."
He pauses for a beat, before switching over to scrawling out possible anagrams for The Reaper instead. After a moment, he's done. "Peter Rhea."
Penelope is already searching. "There's a Peter Rhea in Arlington."
Rossi nods, a satisfied look on his face. "We found him."
***
Garcia sends out the address of an apartment in his name, and you drive over with Hotch, who doesn't say a word the whole way over. You keep glancing at him, trying to be discreet, but the tension in his posture doesn't fade, even after the breakthrough.
The apartment ends up being empty, but when you all go inside, there's a laptop sitting on the center table. Emily dials Garcia the moment you realize that the files on it are being remotely deleted, and when she hacks in, she comes across a series of surveillance photos that make you gasp out loud. "Oh my god, isn't that-"
"That's the US Marshall protecting my family." His face looks frozen with stress as he dials Marshall Kassmeyer's number. When the call goes to voicemail, Aaron stalks out of the apartment and to the SUVs parked out front. He doesn't wait for you to get in, before he's already driving off.
"Where is he going?" Emily calls out as she exits the building behind you.
"Kassmeyer's house," you say, almost certain that you're correct. With the knowledge that his family is most likely in immediate danger, there is nothing anyone could do to stop him from trying to save them. "I'm gonna follow him."
"Here," Rossi says, tossing his car keys to you. You accept them gratefully and speed off down the road.
~
Kassmeyer is bleeding out when you get to his house. Aaron is already inside, trying to get him to explain what happened, and when he describes how Foyet taunted him and stabbed him, you resist the urge to take Aaron's hand.
"Sam," he says suddenly, leaning over him. "I need to understand. Does he know where Jack and Haley are?"
Your heart rate skyrockets as Kassmeyer mumbles another apology. If Foyet knows where they are, you don't know if any of you will be able to get there in time.
The paramedics rush in then, and they carry Sam out to the awaiting ambulance as he refuses sedation. Aaron runs out after them and throws himself into the back of the ambulance before you can catch up.
~
Without any new leads, there's nowhere for you to go, so you wait out front in your SUV as you wrack your brain for where Foyet would have told Haley and Jack to go. You don't know how long it takes until another agent calls you from the hospital with the news that Marshall Kassmeyer died in surgery.
The news hits you like a ton of bricks. One more body you can attribute to The Reaper. "Is Agent Hotchner there?"
The voice is tinny over the line. "He took one of the SUVs and left a few minutes ago."
"Where?" You can hear how frantic your voice sounds, but you don't care. "Where did he go?"
"I'm not sure," the agent says. "He sped away before anyone could ask."
You hang up the phone and turn the car on, before pulling onto the street and calling the team line. Garcia picks up on the first ring.
"Sam died in surgery," you explain as you turn at the end of the street. "Hotch is already gone, but I'm gonna go to the hospital now in case someone has more info."
"Okay, honey," she says, patching in the rest of the team. When they answer, she repeats your statement, before she gets cut off. "Guys, Hotch is calling Foyet."
"Patch us in," Derek instructs over the line, before going silent. You mute yourself as well, before turning back to the road.
"Agent Hotchner."
Foyet's voice makes you nauseous, and you can practically hear the grin behind his words.
"If you touch her..." Aaron doesn't even finish the threat, but you can feel the rage within it.
"Be gentle, like I was with you?"
Your eyes prick with tears as you remember the scars that are now a permanent fixture on his body. The matching scars. The idea of Haley ending up the same way, or Jack-
"What the hell took you so long?" Foyet complains, his tone playful. "I was beginning to think this phone was dead or something."
Aaron doesn't answer him, and the anger is almost palpable over the line.
"Why so quiet? You usually lash out when you're frustrated."
"I'm not frustrated," he finally responds. "You're more predictable than you think."
"Am I?"
He starts to recount the tale of Foyet's life, weaving in details that you didn't know from his childhood and the pain he was causing before he was even old enough to drive. You suppose this was what all of those late nights at the office were for. You hope they were worth it.
"That's the thing, George," he continues, his voice suddenly softer. It's like he's pleading with him. "This isn't a fairy tale. You don't have to write this story. Haven't you gotten what you wanted?"
There's silence for a few moments, and you can hear your heartbeat in your skull. Eventually Foyet comes back. "You know what I've been thinking? Haley looks pretty good with dark hair."
Your heart falls into your stomach. He has her. He already has her.
"She's lost some weight. Must be all the stress you caused her."
Just when you think that might be the worst of it, he continues. "Where's the little man? Oh. There he is. Does he like Captain America because of you?"
He has them both. You can barely see the road through the anger and fear that is coursing through your veins. Another phone rings and Foyet answers it, leaving his line with Hotch on as well. "Mrs. Hotchner. I'm here. Open the gate and I'll drive in."
You can't hear her reply, before Foyet returns to the call you're listening to. "Aaron? I really gotta go."
The call disconnects, and you can't breathe. Open the gate. The gate. What gate?
Think, think, goddamnit think.
The answer hits you like a truck. "His house. They're at his old house."
Emily whispers something that sounds like "shit" and you swerve across the lanes to make a u-turn. "I'm heading there now."
Assuming Aaron was already heading back after leaving the hospital, he would reach the house before any of you. You can only hope he'll be there in time.
Your knuckles have turned white from how hard you're gripping the steering wheel, and when Garcia patches you all in for another call from Foyet, the tears are already flowing down your cheeks.
"Aaron?"
It's Haley's voice. You gasp out loud from the relief that she's still alive.
"You're okay?" She sounds so scared, but at least she's alive. That's all you can focus on right now.
Aaron answers with a defeated sigh. "I'm fine."
"But...he said that..." The realization hits her, and she lets out a small sob. "Oh, Aaron."
"He can hear us, right?"
"Yes."
His voice is softer then, wet with tears. "I am so sorry. Haley, show him no weakness, no fear."
"I know." Of course she does. She was married to a profiler for years. She knows what all of this means, but she doesn't deserve any of it. "Sam told me all about him. Is he, uh..."
"No," he says gently. "Sam is fine."
Foyet's voice is like the hiss of a snake as it joins the call. "Aaron, Aaron, Aaron. Is that why your marriage broke up, because you're a liar?" His voice is too close to the phone. You want to scream for him to get away from her, but you're not supposed to be listening, and your car isn't moving fast enough.
"He's trying to scare you, Haley." His voice is trembling, and you can hear the tightness behind each of his words.
When Foyet mentions the deal, your stomach roils with nausea. You can picture the exact look on Aaron's face as he blames himself for this entire situation, even though it's happening to him, not because of him.
"Don't react."
Haley's voice is shaking too as she whispers, "What is he talking about?"
"Tell Jack I need him working the case."
"What?" She sounds confused, and that's when you remember the signal he told you about. The words that only Jack knows that are meant to keep him safe from situations exactly like this.
"Tell Jack I need him working the case," he repeats, his voice steadier. But all of it goes away the moment Haley hands her son the phone.
"Hi, Daddy."
"Hi, buddy." His voice cracks and you feel your heart crack with it. The tears are rushing down your cheeks now, and you wipe them out of your eyes with the back of your hand as you get closer to the house. But not close enough.
Aaron tells him to work the case again, and he gives Haley a hug before rushing out of the room.
"He's so cute. He's like a little junior G-Man." Foyet chuckles, before yelling out. "I'll be right up, Jackie boy!"
Aaron ignores him, and you feel his focus return. "Is he gone?"
"Yes." Haley's voice is strong, and you release a single sigh of relief as you press the gas pedal down as hard as you can.
Aaron's voice returns and you can hear the anguish as he speaks. "You're so strong, Haley. You're stronger than I ever was."
"You'll hurry, right?" The fear in her voice breaks your heart, and you want to assure her that you're all doing everything you can, but you're still a few streets away.
"I know you didn't sign on for this."
Neither did you.
She echoes your thoughts. "Neither did you."
His voice breaks into a sob. "I'm sorry for everything."
"Promise me that you will tell him how we met and how you used to make me laugh."
"Haley..."
"He needs to know that you weren't always so serious, Aaron." Her words sound so final, and you can't imagine what Foyet is pointing at her right now, but you can only hope that Aaron gets there before it's too late. "I want him to believe in love, because it is the most important thing. But you need to show him." She sounds almost resolute, and your body floods with hope for a split second. "Promise me."
His breathing is ragged as he whispers, "I promise."
Three gunshots ring out and the wheel jerks in your hand as a painful sob wrenches from your throat. No, no, no.
~
You race out of your car the moment you pull to a stop in front of the house. There's only one other SUV outside, and you don't give yourself a moment to think as you rush inside, lifting your gun at the last second.
The front foyer is empty, but then a jagged thumping fills the air and you dart around the corner to find Aaron beating Foyet to a pulp. You can tell from where you're standing that he's already dead, but that doesn't seem to matter to him.
"Aaron!" you yell, hoping to break his reverie. His hands are covered in blood as he pounds the man's face in, and he doesn't look up until you grab him from behind and yank his arms back. "Aaron, he's dead. He's dead."
He stops moving, and for one single second, everything is still. Then his body pitches forward and he breaks down as he sobs, his hands coming up like he's begging for the pain to go away.
You clutch him as tightly as you can, like if you hold him close enough, he won't fall apart. You can hear the voices of your teammates as they enter the house, but then his head lifts and he pulls himself up, dashing down the hall. You follow after him, rushing past Morgan and Rossi, and you realize where he's going in real time as he runs into his office and kneels down beside his desk.
Please, please, not him. Just not him. He opens the cabinet and you all share a gasp of relief as Jack's little face peeks out, his skin unmarred.
"I worked the case, Daddy. Just like you said."
Aaron reaches in and picks him up, before squeezing him tightly, his little face glancing around the room in confusion.
"You did a great job, buddy." He releases him after a few moments, before handing him off to JJ to go outside and away from the carnage littering the house. You press a kiss to his forehead before she lifts him up and walks out of the room.
Emily looks at you then, concern flashing in her eyes, but you just nod, and she follows JJ, pulling the door closed behind her.
You turn back around just in time to catch Aaron as he collapses to the floor. The weight sends you both to your knees, and he crushes you to him as you hold him as tightly as you can. His sobs mix in with your own, and you try not to let your body shake from the force of your crying, because you need to be strong for him.
He buries his face into your neck, his tears mixing with the blood on his face as it soaks your shirt and vest.
"I'm so sorry," you whisper into his hair. It doesn't feel like enough, but there's nothing else to say. "I'm so sorry."
~
Derek and Emily come back with the paramedics eventually to take him outside to check for injuries, and you're about to follow after them when something catches your eye. A pair of feet invade your periphery as you glance through a doorway down the hall. Oh god.
Your knees buckle and Derek catches you before you stumble forward into her room. You fall to your knees beside her, and you vaguely hear Emily whisper something behind you before there's just silence.
Her eyes are already closed, and if you really wanted to, you could try to pretend that she was just sleeping, but there's too much blood. You reach out to push her short hair back from her forehead, so that you can see her face one last time. One last time.
A sob rips out of you and you take her hand, pressing it to your lips. The scene is suddenly too much, and you close your eyes before letting out a shaky breath. You don't know what your life is going to look like without her presence. What Aaron's life with look like, or Jack's.
You squeeze her hand again before laying it on her stomach, and Emily comes forward then to help you up. Derek holds the door open as she leads you outside, and helps you tear your vest off the moment you hit the fresh afternoon air.
You bend over, hands on your knees, gulping back fresh air and trying not to throw up. Emily pats your back as you take in deep breaths, rubbing comforting circles that help to calm down your heart rate.
When you look up, you spot Aaron sitting on the edge of an ambulance. The medics are cleaning his cuts, and one of them is holding an ice pack to his head, when you walk over to survey the damage.
He doesn't look up when you approach, instead staring at his bloody hands with a look you can't discern. You can't imagine what he must be thinking right now, but if you know him at all, you know that sometimes you don't need to talk.
You reach down and take his hands, holding them in yours with a tight grip that forces him to look at you. Neither of you says anything, but it's okay, because there is nothing left to say. There will be soon, but not right now.
***
"We'll be back in a couple of hours," Jess tells you as she slings her purse over her shoulder.
You nod at her as you pick Jack off the ground and swing him up into your arms. "Take your time. We'll be hanging out here."
Aaron beckons for Jess to walk out in front of him before he dips his chin at you. "Thank you again."
"Of course," you smile, shaking your head. They're going to make the last arrangements for the funeral, and the absolute least you can do is watch Jack while they're away.
"Can we watch cartoons?" Jack asks the moment the front door shuts behind them.
"Soon, baby," you laugh lightly, before placing him on the ground and leading him to the kitchen. "We gotta make lunch first."
You throw together two peanut butter and jelly sandwiches and bring them to the breakfast table, where Jack is obediently scribbling away at his coloring book. "Here you go, Jack-o-lantern."
He takes a massive bite before you can sit down, but over the next ten minutes, he only manages to finish about half of the sandwich. "I'm done."
"You sure?" you ask, scrunching your face into a playful frown. "I think you got at least a couple more bites in you."
He shakes his head forcefully, before dropping the sandwich onto his plate. You know he doesn't usually eat much, but he hasn't eaten since breakfast hours ago. "Come on, hon, at least another big bite."
"No!" he yells, pushing the plate away from him. Before you can stop him, he jumps off of his chair and races out of the kitchen, towards his bedroom.
You hear the door slam shut behind him, and you heave out a sigh before clearing away both of your plates and wiping down the counter. You don't fault him for anything, you just can't believe he has to go through something like this.
He's so young. Younger than you were when you lost your mom. There's some comfort in the fact that he likely won't remember this pain when he's older, but then comes the nausea. The sickening reminder that one day he'll forget about her. Haley, his mother, your best friend's wife, your friend.
You slowly make your way to his room, knocking on the door twice before calling out his name. When he doesn't answer, you twist the knob and gently open the door. "Jack?"
He doesn't say anything as you cross the room and sit on the floor in front of him. He's fiddling around with a set of colorful wooden blocks, and he only looks at you once you pick one up yourself. The edges have been worn smooth from being tossed around, and you run your fingers against them as you wait for him to speak.
"Did Mommy want to leave?"
You can practically hear your heart crack in two as the block falls from your hand. Tears spring to your eyes, but you blink them back, not wanting to scare him.
"No, baby, no," you say quickly, reaching forward to rub your thumb over his cheek. "She loved you more than anything in this world."
He still doesn't look convinced, so you rest your palms on his cheeks, trying to get him to look at you. "If it was her choice, she would have never left you."
After a moment, his lips jut out into a pout, but he nods once. "Is Daddy gonna leave too?"
The tears rush forward again. You want to tell him that Aaron would never leave him, that he may be gone most nights until after Jack is asleep, and sometimes even before he's up for breakfast, but he would never leave. But you also know that Haley didn't want to either, but sometimes the job takes more than you're willing to give. "He's not going to leave you. Not if he can help it."
That seems to calm him down for the time being, so you take his hand and lead him back to the living room. Once he's situated on the couch, you switch on his cartoons for him, turning the volume down low.
He settles into the cushion next to you, his arm resting on your thigh as he focuses on the screen in front of him, while your eyes wander down to the small tv stand. They land on a framed photo of Haley and Jess together, smiling at the camera as the sun shines down on their faces, and you lift your hand to your mouth to stifle the tears that rush forward.
When your eyes pan over to the photo of you and her, with Aaron and Jess right behind you, the tears stream down your cheeks, and you wipe them away quickly, trying to be quiet so as not to call away Jack's attention. But the cartoons are too quiet, and when a small sob escapes, Jack looks up, his brow furrowing with a look reminiscent of his father. "Are you okay?"
"I'm okay, baby," you nod, forcing a smile onto your face as you look down at him and press a kiss to his temple. "I just loved your mom very much."
***
The ground is still wet from the rain. It squelches beneath your feet as Jess clutches onto your arm, letting you lead her across the cemetery for the service.
You walk behind the pallbearers as they bring Haley to the top of the open grass and set her down carefully with a reverence that brings tears to your eyes again. You don't know if your eyes have been dry at any moment today, but the tears haven't spilled over yet. It's only a matter of time.
Aaron is ahead of everyone, looking down at the small sheet of paper in his hands, with Jack by his side. The young boy looks so small in his suit, and his eyes dart around the procession with a mix of confusion and sadness that pierces your chest.
When Aaron is ready to begin, Jessica lets go and walks up to stand on his other side, tears streaming silently down her cheeks. Your arm feels cold where she used to be, but it doesn't last long as another hand takes its place. You turn your head to see Spencer, one hand on his cane, and the other on your arm, as he holds you tightly to his side, his eyes brimming with tears as well. You don't expect that there's a dry eye in the crowd.
Aaron starts his speech with a quote, but the steadiness in his voice starts to waver the moment he says her name. "Haley was my best friend since we were in high school."
You remember how fiercely he loved her, even back then. The tenacity with which he pursued her when he realized that she was someone he wanted to spend his life with.
His voice continues as his eyes dip down. "We certainly had our struggles, but if there's one thing we agreed on unconditionally, it was our love and commitment to our son Jack." Your tears surface again, but you suck them back with a deep breath. "Haley's love for Jack was joyous and fierce. That fierceness is why she isn't here today."
Aaron looks up then, and his eyes land on the casket in front of him. "A mother's love is an unrivaled force of nature. And we can all learn much from the way Haley lived her life."
His hand flexes at his side, and you wish desperately that you were up there with him, holding his hand like he held yours when your mother died.
"I will make sure that Jack grows up knowing who his mother was and how she loved and protected him and how much I loved her."
His voice breaks and he reaches into his pocket for the scrap of paper he was looking at earlier. "I met Haley at the tryouts of our high school's production of 'The Pirates of Penzance'. I found our copy of the play and was looking through it the other night, and I came upon a passage that seemed appropriate for this moment."
The quote comes back to you as he recites it, and your mind flashes back to those adolescent afternoons when you would watch him make a fool of himself trying to impress Haley at play practice. You can't help yourself as the tears finally fall, and you feel Spencer squeeze your hand tightly, acting as the lifeline you so earnestly need.
When he finishes his speech, everyone comes forward to place white roses on her casket before it is lowered into the ground. You wait as the crowd slowly dissipates, as everyone heads to the repast, and you hold Jess's hand while Aaron picks Jack up, holding him tightly.
"Blow Mommy a kiss," he whispers, before leaning over to let Jack place a rose on the casket.
His brow furrows as he straightens again, and you watch as the familiar stoicism returns to his posture. He isn't pushing all of his emotions down, exactly. He's just tucking them away, so as to be there for his son, who needs a solid figure in his life, now more than ever.
And that's what he'll be.
***
The repast is bustling with people from all eras of Haley's life, and you sit with the team at a large table, staring at your plate of food. When Dave pulls Aaron outside to talk, you watch them leave, noting the stiffness in his shoulders as he's forced to leave Jack with Jess again. She has been nothing but grateful to see her nephew more often than usual, but nonetheless, he wears his guilt like a jagged scar across his face.
Penelope clutches your hand under the table and you give her a weak nod, unable to do more with all of the energy drained from you.
"It was a beautiful service," Emily says, her eyes big and soft as they look at you.
You nod again, before turning back to your full plate. You can't bear the thought of stomaching any food right now.
Then just when you think the day can't get any worse, Derek and JJ's phones chirp with a message at the same time. No. No.
"They can't be calling us in," Emily sighs, her lips thinning, "not tonight."
JJ shakes her head. "I'm on it." She returns from her phone call a minute later with a forlorn look. "There's no other team available."
Derek gets up with a sigh. "I'll get Rossi."
When he returns with Dave, leaving Aaron alone on the deck, you squeeze Penelope's hand before walking outside. The air is cold, and you wrap your shawl tighter around your shoulders as you approach him.
"It's okay," he says before you can open your mouth. "I'll see you when you get back."
Mind reader, you think for a split second.
He has already given you the blessing you assumed you needed when you came out here, but it still doesn't feel right. "I don't want to go."
"It's your job," he shrugs. Like it's that simple. "It's okay."
"Are you sure?" You won't be able to do your job with him here, but even less so if you're feeling guilty the whole time. "I can take time off."
"No," he says quietly, shaking his head. He looks out into the night air, and you take his hand, squeezing it between both of yours. "It'll be good for me to have some time with Jack."
You can understand that. You pull him into a hug, before dipping your chin into a nod and leaving him out there again.
***
His return to work hasn't been easy. When Strauss gave him the option to retire with full pension and benefits, it should have been an easy decision, but something was tugging at his gut, telling him that would be the wrong choice.
Now he's sitting in his office, and all of his recent life choices are swirling around him like a hurricane ready to close in. He misses Jack like he's missing a limb, and he feels terrible for how often he's been relying on Jess to take care of him, even though she readily offered her help.
His emotions are a tumbling mess, and he doesn't notice that his fingers have been tapping the edge of his desk until you enter his office.
"Coffee?" He looks up with a nod, accepting the steaming cup you hand him, before you flop down on the couch across from him. "What are you thinking about?"
He swallows back a scalding gulp that likely scorched his throat on the way down. He wants to push his emotions down and say something quippy that won't distract you for more than a few moments, but tonight he needs reassurance more than he's willing to admit. "Did I come back too early?"
He expects an immediate and bombastic denial, but you just sit there, stirring your black coffee as you tuck your legs under you. "I can't decide that for you."
It's a diplomatic answer, but he needs guidance, and he doesn't have anyone else to go to. Not that he would go to anyone else even if he did. "Do you think I'm jeopardizing the team by being here?"
This time, the answer is immediate. "Of course not. You've been doing your job effectively, and no one can say otherwise."
He pauses for a moment, ruminating over your words. He knows he's not asking the right questions. He's just delaying until he has to accept what he's feeling.
With a shaky breath, he sets his coffee down and looks at you. "Am I jeopardizing my family by being here?"
Your brows pinch. "Jack will be okay. He's young, and he'll miss you, but you're his hero, Aaron. He loves you because you keep him safe."
"But I'm never home." His voice sounds ragged to his own ears, and he's certain you can hear the pain clawing out of his throat. "How am I doing my job as a father if I'm never there?"
"Aaron," you whisper, drawing his eyes back to yours. "You're keeping him safe by catching the bad guys. He knows that. And that's what he needs." You fix him with a look that makes his back straighten. "Okay?"
After a moment, he nods. "Okay."
***
"Hi, Hales."
You sink down onto the bench in front of her headstone, before pulling the baggie of peach rings you brought from your pocket. They were the only candy you liked from your high school's vending machine, and the two of you would share them between classes during your senior year.
"I should've come sooner, but work's been really busy."
You've only visited her once since the funeral six months ago, and you wish you could've come by more, but sometimes being here is just too much. It's too stark of a reminder that she's never coming back.
You pop another peach ring in your mouth, before breaking into a grin. "Jack's growing up so fast. He's so resilient, it's amazing." He has already adjusted to living in his father's apartment full time, and he seems to like hanging out with you or Jess whenever he's stuck at work late. "I wish you could be here to see it all."
You wish for a lot of things these days. The loss seems to keep piling up, and you don't know what to do or how to feel most of the time, but time keeps passing. And with it, so does the grief.
"Aaron's starting to get better too." You don't know what you believe, but a part of you suspects she knows all of this already. "The transition back was hard on all of us, but he doesn't look as defeated all the time anymore." Your lip twitches. "He even smiles at my jokes sometimes."
You swear you hear her laughter over the rustling of the wind, but it's probably just in your head. "Anyway, I just wanted to come see you. Let you know how much we miss you."
You stand up, grabbing the bouquet from next to you, and walk over to the headstone. Without thinking, you reach into your bag of candy and drop a peach ring into the dirt. It feels juvenile, even as you're doing it, but you can't help yourself. She would find it funny. You know she would.
You tuck the rest into your pocket and walk across the grass to another row of stones. It's not a quick stroll, but it gives you enough time to take a few deep breaths before you face him again.
Jeff Adler. The letters jump out at you like flashing lights, and you blink a few times as the magnitude of your loss washes over you. So many lives, so much love and warmth gone from your life.
Bending down, you place the bouquet of carnations in front of his headstone, before kissing your fingertips and pressing them to his name.
***
"You've got to be kidding."
He just shrugs, but there's a small smile tugging at his lips. You make sure to keep your voice down as you toss your cards into the center pile and lean back against the bottom of his couch.
After putting Jack to bed, neither of you could think of anything quiet to do until Aaron pulled out a deck of cards from below the tv stand.
"I hate that you're so good at this," you grumble, watching as he deftly splits the deck and starts shuffling again. This being Go Fish.
"You're good, too," he concedes, flashing you an amused look that you don't share.
"Yeah, but you're better."
"As with most things."
You throw a card at him, but he dodges it easily. When he's finished shuffling, he deals out a card, before pausing. "We can play something else if you don't think you can beat me."
"Just deal the cards."
He lets out a low laugh and deals out another card, just as both of your cellphones chirp at the same time. You share a look before dropping the cards on the table. He stands first and gives you a hand up, which you accept.
"I'll call Jess," you whisper as he strides over to his bedroom to get his go-bag. You dial her quickly, and get the confirmation that she's coming over, before grabbing your own bag and heading out to his car.
***
"Sorry to ruin your night."
Everyone is in casual clothing when you walk into the briefing room with Aaron on your heels. JJ shoots you an apologetic look which quickly turns to surprise when Rossi walks in wearing a full tux.
"What, are you working on, wife number 4?" Derek laughs as he sets his bag down.
Dave just grumbles. "I see you people way too much."
"I hear that," you grin before taking your usual seat between Aaron and Spencer.
"Let's get started." JJ hands out the case files and clicks the screen on. "All right. Anchorage field office is asking us to investigate a series of murders in Franklin, Alaska. There's 3 people dead in less than a week."
You scan the file as fast as you can, but Spencer beats you to it. "For a town with a population of 1,476, that's fairly significant."
JJ nods. "It's their first murder investigation on record."
"Who are the victims?" Dave asks, his eyes darting back and forth between the file and the screen.
JJ looks down at her notes. "Uh, Jon Baker, a hunter. Dedaimia Swanson, a schoolteacher. Brenda Bright, the first mate on a fishing boat. There's a new victim every 2 days."
Everyone seems to be thinking the same thing, but Emily gives it a voice. "Any connections?"
"Unfortunately, in a town this small, everyone's connected."
When JJ finishes up the briefing, Aaron stands up and grabs his bag. "We'll fly out tonight. Everybody can sleep on the plane. Garcia, I need you with us."
She shoots him a confused look. "Sir?"
"I've tasked a satellite uplink and it's your job to keep us connected."
"Yes, sir."
"This town's already on the brink," he continues with a sigh, "and if this pattern continues, we've only got another day until the next murder. Let's finish this fast."
***
After barely getting any sleep on the plane ride over, and a long day in the cold, the team holes up in the lobby of a local inn, warming up around the fire.
"I'm gonna pull an all-nighter," Garcia announces when you stifle a yawn behind your fist. "I'll finish going through the town records. Should have background checks by sunrise."
"Good," Aaron nods, sitting up on the couch. "The rest of us should get some sleep, start fresh in the morning."
At his suggestion, the innkeeper steps out from behind her desk. "I've got four of the upstairs rooms available."
"Uh, 4?" Spencer squeaks, his eyes darting around the room.
"Come on," the sheriff sighs as he stands up, "that's the best we can do. Your team is double the size of my department." He glances at Aaron and they share a nod. "I'll see you in the morning."
"Good night."
The sheriff walks out of the inn and you lean back on the couch, turning your head to the side to look at Aaron. The question in your eyes is implicit. What's the plan?
"It looks like we'll have to double up," Emily answers for you, her lips stretching into a grin.
Derek speaks up immediately. "I'm not sleeping with Reid."
Penelope reaches over and grabs Derek's arm. "Dibs."
Emily and JJ stand together and head upstairs, and you glance at Aaron with a nod. "Let's find one of the double rooms before Emily snags it."
"Guess it's you and me, kid," Dave says to Spencer as you grab a key from the front desk and pick up your bag. The inn is so small that all of your rooms end up being in the same hallway. You leave the door open behind you as you step inside and toss your bag onto the nearest bed.
Aaron enters after you and locks the door, before wordlessly moving your bag to the other bed, away from the door. It takes you less than a second to realize why. His protective nature was always strong, but over the past year, it has kicked into overdrive, especially around you and Jack.
"Do you want first shower?" you ask as you unzip your bag and pull out a tee shirt and some sleep shorts.
"You take it," he says, shaking his head. The chilliness of the outside air hasn't left your bones, so you don't wait for him to change his mind before grabbing your toiletries and rushing into the bathroom.
While you're in the shower, Aaron takes his time fluffing out the comforter and pillows on his bed. The room itself isn't very spacious, but he doesn't mind sharing with you. The close quarters remind him of his youth when he would sneak into your room late at night to get away from his family. Just the sight of the lights through your bedroom window used to bring him peace. When he glances over at your side of the room, a tranquility washes over him, and he realizes that the feeling hasn't really gone away.
"Your turn," you say a little later when you emerge from the bathroom. Your skin is still slightly damp, and your cheeks are pink from the heat of the shower, and he has to tear his eyes away as he nods and steps around you.
The tiny mirror in the bathroom is still steamy when he shuts the door behind him and pulls off his shirt, and he lifts his hand to wipe it off, before pausing. His scars aren't something he likes to think about often, but after saving Jack, they took on a different image in his mind. He felt less like a victim.
He rubs his hand against the mirror to wipe off some of the condensation, and his reflection looks tense as it stares back at him. Back in the room, your presence felt warm and comfortable, but in here, with the steam fogging up the glass, and the scent of your perfume lingering in the air, something else roils in his gut.
It's a not-so-unfamiliar feeling that used to be commonplace when he was younger. It hadn't reared its head in years, but lately, it's been so much harder to push it down. When he sees how much his son loves you, how much he looks forward to finding you in his apartment when he gets back from a late meeting. It's been...hard.
He turns on the shower and steps in, letting the hot water wash away the notions tickling the edge of his brain. When he walks back into the room, you are tucked into your bed, the covers up to your chin.
"You look like a burrito," he notes with a small laugh.
You shrug, though it's barely visible from under the comforter. "I find this is the best way to keep out the Arctic chill that seems to have invaded our lodgings."
"Fair enough."
He slides into his own bed and clicks the switch on the wall to turn the lights off. He tries to sleep for a few minutes, but even though he's exhausted, it won't come.
It's dark enough that he can't see his fingers in front of his face, but the uneven sounds of your breathing let him know that you're still awake.
"You should really sleep," he whispers into the darkness.
"You first," you say after a moment, before your voice lowers. "How are you doing? How are you holding up, I mean."
"How are you doing?" he asks, knowing he's being unfair.
You don't let it slide this time. "You're deflecting."
"I know."
There's a pause before he finally concedes. "I think I'm okay. The normalcy is coming back, and Jack is doing a lot better, which helps immensely."
"Me too," you say after a beat.
He wants to let the subject go and try to sleep, but the words are pulling at his throat. "I miss her all the time."
"Me too," you repeat. You huff out a husky laugh, but there's no humor behind it. "God, me too."
There's a tinge of bitterness in your voice that he recognizes in himself, but it's not something he knows if he can explain. He remembers how a small part of you blamed Jeff after his death, but that's nothing like what he's feeling. He blames himself for everything but the act itself, knowing that if he had just gotten there quicker, or taken the deal, or taken the transfer-
His breath catches and he hears you rustle under your covers. He imagines you turning to face him, and as his eyes slowly adjust he sees that he was right.
"Do you remember that time in high school," he says suddenly, not entirely sure where he's going with this, "when I got detention."
"I'm gonna need you to be more specific."
He laughs, in spite of himself, and turns over to face you as well. You're so far away, but he can just barely make out your face from across the room. "When you broke me out."
Your laughter is sudden and it echoes around the small room as the memory hits you. "I do remember that. I told them your grandfather was in the hospital so that they would let you out. God, Mrs. Parker was so upset when she went to get you."
"I think my favorite part of the story was that both of my grandfathers died before I could walk."
You chuckle, your voice softer now. "I know."
His chest warms at the memory of the two of you running out to your car and driving to get a scoop of chocolate at your favorite ice cream shop. Even afterwards, you had driven around town for hours, without a complaint, and he hadn't mentioned the time once. It was so soon after his dad's death, and he hated going home for so many reasons. Sean hated him, and his mother was sad all of the time, and it was like you just knew.
"You were good at reading me," he whispers, almost to himself.
"Were good?" you ask with mock offense.
He snorts. "Fine, are good at reading me."
"That's more like it."
***
You drop your empty glass back on the table, feeling the burn of the liquor as you swallow it down. It's your second drink of the night, and while you usually don't indulge in more than one, you welcome the chance to let loose.
Everyone else seems to be in the same mindset, because JJ, Emily, and Penelope are in various states of drunkenness around the booth, and the men are either nursing a drink or driving.
"Let's dance," JJ shrieks, lifting her head off of Will's shoulder and pushing herself up from the booth.
"Hell yeah," Emily grins, pulling you and Penelope up with her.
JJ tries to corral the guys to join, but they all stay firmly seated. Dave and Will look content as they sip their whiskey, and Spencer doesn't budge, citing his leg hurting (a lie). After a bit of targeted shoving, Derek chuckles and gets up for one dance, following Penelope and JJ onto the dance floor.
"Aaaaaron," you slur, tugging his arm. He doesn't move even an inch, but the corner of his lip twitches when you don't give up.
"You used to dance in college," you point out with a frown.
Emily hoots as she saunters over to the floor. "This I need to see."
Aaron just shakes his head with a smile, and you eventually oblige, joining the ladies (and Derek) for a few dances. The dark atmosphere of the club has you feeling looser than you have in a long time, and after the next song, you join Dave over at the bar to get another drink.
You down half of it before you leave the counter, and by this point, JJ has coaxed Will out of his seat, while Spencer rushes off to find the bathroom. The tiredness hits you as soon as you finish the drink, and when you spot Aaron by himself at the booth, you glide back to keep him company.
He doesn't notice you at first as you walk over to him, and you can't help but register that he looks good in his undone button-down. You take another step forward and a thin glint of metal around his neck becomes visible. A jolt of heat shoots down your body and you set your glass down on a nearby table without looking as you approach him.
When you reach the edge of the bench, someone walking by bumps into you and you stumble forward. Aaron grabs onto you as you fall forward, and you end up crushed in his arms, your face just inches from his. Your thoughts cut out and you don't make a sound, your breaths coming out in quick spurts.
Neither one of you moves as you look at each other, so so close, so much closer than you've ever been, than you've ever gotten to be. The faintest impression of a thought - the thought - crosses the deepest edges of your mind as you lean in infinitesimally. He doesn't notice, and you barely register it either, but you can't help but notice how easy it would be to just close the gap and kiss him.
Kiss him?
Your brain short-circuits and you just barely manage to keep your eyes from widening. You have no idea where that came from, but then again, if you are honest with yourself, it has always been there, buried deep down beneath years of friendship and history.
The question invades your brain again, and this time, you're unable to stop it. What would it be like to kiss him?
You can't keep your breath from catching, and he pulls back immediately, tugging you to the side and depositing you on the booth beside him.
Your mouth falls open as you try to meet his eye. "Aaron-"
His head turns and he stands up, his eyes dark under the soft lighting. "I'm sorry."
Before you can get another word out, he's gone.
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stem-sister-scuffle · 2 months
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STEM SISTER SCUFFLE: ROUND 2 MASHUP 8
Raphella La Cognizi (The Mechanisms) vs Entrapta Princess of Dryl (Netflix She-Ra and the Princesses of Power)
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Raphella La Cognizi is an... Everything Scientist! (people said "all sciences"... also she loves magnets)
Entrapta Princess of Dryl is a Roboticist, Programmer and First Ones' Tech Historian/Archaeologist!
Why you should vote for each contestant:
Raphella La Cognizi:
"All of them, probably, focused on chemistry and biology if I had to guess. She's the science officer of the Mechanisms, a band of immortal space pirates. They regularly blow up planets for fun. Raphaella designs them better bombs, tortures poor captives, tortures and vivisects her crewmates, etc. I love her also"
"it's unclear--she's a mad scientist archetype more than anything! she does, however, really like magnets. she's an immortal space pirate. she possibly made herself immortal. she's autistic To me. i love her so much. as cruel and brutal as she is... science!"
"everything? the more unethical the better, although she does really like magnets. Immortal space pirate! so she's got all the time in the universe to do science. until she dies, of course, which happens when (spoilers) she decides to fly beyond the event horizon of a black hole to find out what's on the other side. She's the science officer on her starship, which is just a badass job in general, and she's got WINGS. the wings are mechanical and the reason she's immortal. we don't know for certain if she was born with wings and they were replaced, or if she just went "wings sound fun!" and built some, or much of anything about her backstory. But! speculation is rife and there is a nonzero chance she's immortal because she experimented on herself, which is fun. Also she's just *really pretty*, ok, and has the voice of an angel. She is as cruel and brutal as she is science."
"shes immortal she has time to do all the sciences. well. she does die after like 10 millennia but even that is a final science project! she throws herself into a black hole, maybe to die, maybe to learn something new :) your honor i love her"
"SHES IMMORTAL SHES A MURDERER SHE DOES EXPERIMENTS ON HER IMMORTAL CREWMATES SHE LIKES MAGNETS SHES ***GAY*** shes my beloved"
Entrapta Princess of Dryl:
"She builds robots!!! She's curious and inquisitive!! She loves her robots!! She has the coolest hair and also I want to be her bestie. She's an absolute love"
"autism :)"
"Builds robots and computers for fun and companionship. Can take apart and understand almost any tech she is presented with. Autism lever set to max and I love her. Mandatory boob window in all her outfits and I've never related harder to a character."
"autistic icon, amazing inventor and app round excellent character"
"she has prehensile hair it’s literally the best thing i’ve ever seen in my life, it’s never once acknowledged by any of the characters as abnormal or explained in any way i’m literally obsessed with it. also autism queen"
"PIGTAILS!!!! autism"
"Entrapta is very bubbly and positive. She never lets anything like losing her friends or going to the bad side or getting put on a death-sentence island stop her from scientific pursuits! She actually drives a lot of the conflict in the story, as she explains the technological backstory of the world, and helps both sides be better at fighting. She loves data, doing experiments, and the scientific method. She's also in love with space. She is an autistic queen <3"
"phenomenal canon autism representation without being weird & shitty. also she’s so strange & wonderful & relatable in so so many ways. my computer is named Darla bc that’s what she named the AI for the spaceship in s5"
"She is THE science queen because she loves science so much and her love of it is INFECTIOUS. I don’t know anything about science but Entrapta makes it seem like the coolest thing in the universe. I love her"
"She ourple. I luv her"
"She's so passionate about her work. Takes through notes! Figured out how to hack her home planet!!! She's autistic as hell and I like her overalls."
"You won’t get autism like this anywhere else bestie"
"amoral mad scientist who flips between the good guys and bad guys, loves building so many inventions, ends up converting the head bad guy (for most of the series) to good through the power of love"
"She has outfitted her entire castle to be a maze, and installed electronic locks on some. Her staff seems to be mostly robots she has built herself. In good part reverse engineering or adapting ancient tech found on the planet. She's incredible at what she does and personally fixes, invents and builds a wide range of stuff from space ships to portals to a prosthetic exoskeleton to trackers to war machines. She can do it all. Autism win! Girlie has been criticised for being treated childlike or being unable to understand those around her to a ridiculous degree, but I'm honestly just glad she's not a Sheldon Cooper. Her favorite bots have personalities and therefore implied AI (but not the shitty kind), which means she's pretty fucking good at software too. She likes tiny foods."
"So very autistic about technology. Initially believes robots are way better than people, eventually makes human friends but also very much still has robot friends (I love Emily so much). Gets so excited about finding new First One's tech. Also her happy spinning around in a space suit in that one season 5 episode heals my heart every time I watch it"
"She's the planet's leading expert on ancient tech (sci-fi/fantasy universe) and develops most of the tech in the show and is very autistic about it. i love her"
"She is fun and funky. Chaotic neutral. Definitely some autism coding going on, which is very charming. She has a pet robot? It is cute"
"Bc she is ENTRAPTA!! No srsly she is such a well-written character. At times kinda morally grey but always lovable and great and she is truly amazing at what she does!! I'm pretty sure she's already been submitted but I wanted to make sure :)"
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byler-com · 10 months
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Okay, so I’m currently rewatching s4 rn and there’s something that’s always bothered me about one of the scenes:
So in this scene Nancy, Fred, and the other kids that work on the school paper are watching the news about Chrissy’s death / murder.
On the tv the reporter talks to one of the residents of the trailer park and this is what she says:
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“Ever since that girl, Barb, died a few years ago, it has been one thing after another.”
Episode 2 - 11:35 (if you want to watch the scene)
My issue with this scene is why does this lady talk about Barb and not Will?
Barb went missing after Will did, and nobody other than Nancy really talked about her disappearance in s1.
The townspeople didn’t even know she was dead until the end of s2!
So why does this lady say that weird things started happening after Barb’s death and not after Will’s disappearance?
To her, weird things started happening at the near end of s2 and not at the beginning of s1?
Shouldn’t it be:
“Ever since that kid, Will, went missing a few years ago, it has been one thing after another.”
Was this purposeful? Is this hinting to something in s5 or am I just crazy? Did the townspeople forget about Will?
IM GOING INSANE
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hobgoblinns · 7 months
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you can put the word fuck once in every season of nuwho. Where is it going?
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what a great question!
s1: i wanted to choose something funny, but i think nine screaming FUCKING KILL YOURSELF at that dalek would go hard af. but also…… nine and rose have the kind of relationship where i’m sure she’d jokingly say “oh fuck you” every time the doctor takes a cheap shot at humans
s2: i already posted tonight about wanting ten to be allowed to say “fuck you, mickey” (specifically in rise of the cybermen when mickey gets mad at him for favouring rose). but right now i kind of love the image of rose in doomsday throwing herself at that wall and screaming FUCK!!!!!!
s3: the tensimm fan in me wants to replace “are you asking me out on a date?” with “are you trying to fuck?”. but i think it would be more gratifying if, in the same episode, we got to see martha say “fuck you, i’ll do what i like” to the doctor when he tells her not to call home
s4: this is DONNA we’re talking about. you expect me to choose just one? well. alright. “i was asleep, in my clothes, like a fucking kid!”. imagine how much it would hurt if all this time she’s been censoring herself and then, with her memory wiped, she’s suddenly back to cussing the hell out of everyone she meets
2009/2010 specials (yes im cheating shhh): in the end of time: “i had fucking estates”.
s5: river: ooh, i’m going to be a professor someday? doctor: (softly) fuuuuuuuck….
s6: instead of that amazing “the doctor is very dear to me. but you know what else he is? not here” speech that amy gives, she should just say “fuck you madame kovarian” and murder her in cold blood. genuinely like, amy was exhibiting insane restraint for a mother who’d had her child taken from her.
s7: “i didn’t know when i was well off. all fucking twelve of them.” “no sir — all fucking thirteen!”
s8: again, this is TWELVE. almost every line feels like a pg malcolm tucker. but i’m going to go with dark water’s “can you hurry up please or i’m going to hit you with my fucking shoe”
s9: easiest one yet: “get up, off your fucking arse, and win”.
s10: missy and the master: “hold me” “fuck me” “make me” (this scene made me queasy but those two are horribly fucked up and would 100% say this)
s11: i have only seen this season in snippets but i think someone in ‘rosa’ has got to tell a racist to go fuck themselves
s12: during the master’s whole pathetic “wahhh kneel call me master” spiel i think the doctor should have just told him to fuck off. when i saw that scene i was yelling at the screen for him to fuck off so i think she should be allowed to tell him to as well. or maybe spray him with a water pistol like a bad cat
s13: for some reason the first thing that comes to mind is evil dan but tbh he doesn’t need to say fuck. he’s already powerful enough. instead in that opening scene when thirteen is trying to get the voice activated handcuffs to open: “RELEASE!!! oh, maybe i was scottish when i set them up…….. fucking RRRRRELEASE!!!!!!!!”
s13 specials (cheating again shh): tegan: and yes, i WOULD like to go in the fucking tardis!!! (alternatively: “i know these teeth… what… WHAT… WHAT THE FUCK????”)
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almaprincess66 · 5 months
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Archivist!Sasha AU
Sasha James is a fully fledged Avatar of the Beholding, roaming the apocalips with her murdetous plus one Tim Stoker.
So that is the basic concept, right? Like end game couple TimSasha. But that is season 5 and we have to get there somehow, so here will I present my character ARCs
S1 Everything is relatively the same. The statement givers show up, Melanie is having a great time with Sasha, Martin start living in the archives and during the Prentiss attack Jon gets replaced by the Not!Them
S2 Things get sketchy. Like things are properly fucked up but it's sort of fine. They can feel that something is out of place but can't quite put their fingers on it. Not!Jon is messing with the statements and research materials given his libary background. Michael gives more help with figuring out stuff just because he actually likes Sasha. Helen gets abducted. Melanie questions on why did Jon got replaced by a whashed up white boy. Leitner gets murdered by Elias using some eye magic. Sasha is not on the run.
S3 Sasha is not wanted for murder so they have more time and more options. Sasha is not a paranoid mess so she and Tim put together what the heck is going on. They question Elias about Not!Jon and he confirms. After hearing this Martin basically skyrockets into the lonely. They start to prepare for the Unknowing and because Tim is there it's more smooth. Melanie somehow gets to the Institute. Basira leaves the police. Sasha realizes that the only way to get back at Elias and move him from his position is to do private investigations. Sahsa with Tim's and Melanie's help goes on the S3 interview of the monsters part. This get's her kidnapped by the Circus of The Other. Michael saves her and he does NOT turn into Helen or tries to kill Sasha. The America bit is the exact same. They find the bombs and make a similar try to stop the Unkowing as to the tape. They now have sectioned police help and a somewhat Lonely avatar on their side to take shit down. They succeed but Tim gets a heavy burning. Martin dies and Daisy gets into the coffin. Melanie calls the cops on Elias and gets him out of place.
S4 Sasha gets into the coma and turns into a full Avatar. Oliver Banks becomes the helping Avatar of the End. She goes back to work where everything is in chaos. Tim got marked by the Desolation during the Unknowing destruction. Sasha is a more accepting avatar and she gets experimenting real fast. She basically on week one helps Melanie to leave the institute for good. She gets Daisy out and puts her in the care of Basira. With Oliver's help them and Tim take out Peter Lucas. Anabelle shows up and offers a way to turn back Tim from his self destructive Desolation ways. The two of them together go to the place in Scotland where Gertrude set up the bounding ritual. There waits a statement for Sasha. The apocalyps start.
S5 TimSahsa go full kill bill on their way to get down Jonah Magnus. Like no mercy on anybody other than the kids from the Dark whom they adopt as an army against the other creatures that are also archivists.
This was a really long way of me putting down how emotional it would be if S5 JonMartin would stumble upon S5 TimSahsa and the two achivists would know but also wouldn't know each other because of the Not!Them.
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spopsalt · 16 days
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Hi friend, today i'm bringging the moment i really hate of C*tr, even if i hated her before this scene made me hate her even more.
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I mean, in s5 it was hard to watch because trash-tr* was in there and inmidiatly forgiven but this ? this made it worse for me " After everything she's done to us " C*tr* you can't even be more hypocrite you literally abused, torture, manipulated and gaslighted Adora and murder Glimmer's mom and almost destroy a whole unniverse you have not right to say that. " you're really going to follow her ? " I mean if i Adora could follow her abuser sister then i wouldn't be surprised if she follows her abusive mom but at least SW is not a monster like you.
Friend, my question is, which moment of c*tr* made you get angry but SO ANGRY ??
Ugh of course Catra acts like she did nothing when she legit gaslit Adora and abused Adora, on top of so many more things, Shadow Weaver isn't a good person, but she shouldn't ask why Adora is fine with following her when Adora legit is being all nice to Catra like she wasn't abusing her for years. And to answer your question, I would have to say the first episode, this was when they were supposed to be friends and she was getting all whiny over her promotion when Adora has been working to this for her entire life but Catra didn't care because it wouldn't benefit her, also her slapping Adora when she was having a panic attack is up there as well.
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thecelestialsyzygy · 8 months
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I'm going to have to make a PSA before S5 along the lines of: "Dear neighbors and family, If you hear me screaming bloody murder, I am not in danger. It means Will and Mike just kissed and that Byler is officially canon. Thank you."
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waveridden · 2 months
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okay I'll bite. what's the deal with the life series. what's the lore. what's your favorite thing about it. I wanna understand the Posts
huge win for the me community let's go. okay. idk your minecraft knowledge level so i am going to explain as though it's zero bc mine was basically zero when i started watching.
so. the life series (also known as 3rd life, bc that's the first season) is a minecraft survival multiplayer series, which essentially means it's a server where you can die. in fact, it is a death game! everyone on the server has three lives; if you die three times, you're out of the series. your goal is to be the last one standing. additionally, when you're down to your last life, you are expected and honor-bound to engage in pvp and ruin your alliances. your goal is Murder.
there are five seasons out right now with different gimmicks, each one has the same core cast with some changes - essentially it's a bunch of friends who will take any excuse to kill each other, but with increasingly weird and complex political factions and interpersonal dynamics. people are out here swearing fealty. there are betrayals. there are team banners. there's a season where they build a complex net of paths in the sky and drop tnt on one another.
it's one of those things where there is some lore/plot and you can take it as seriously or not-seriously as you want! yay! i for one love to go the "let's take this to its logical horrifying conclusion" route but some people are here for the sillies and that's good too. the fanart game is insane, people are making renaissance paintings and stuff.
anyways, this explanation is a mess, so i will go on to reccing povs, because there are ~15 people in each season and they're all posting videos and that can get overwhelming! there's not really a "right" order but when i started, @charaznablescanontoyota gave me the excellent advice of "start with the winner of each season and then whenever you're curious about something watch that next" - if you like that route and don't mind knowing who wins,
er4df444444444444 sorry that's my cat. he's been watching along with me. he has a lot of opinions.
anyways here's the list of winners, the wiki is a pretty good reference to have on hand. HOWEVER. i will also add that everyone has a different style! some people edit things very short, some people do long videos, some people are builders and some are very into the roleplay - i bounced pretty hard off the first pov i watched but switching to someone else worked for me, so in a way having so many options is great bc it means you can shop around, so to speak.
and i will close this out with a few of my personal favorite seasons! just for funsies.
inthelittlewood 3rd life (s1) - probably my personal fave. in which an early game alliance becomes an intensely charged king/knight relationship that they both take WAY too seriously (honorific)
smallishbeans last life (s2) - have you ever wanted to watch someone do a very, very bad job at murdering a lot of people?
pearlescentmoon double life (s3) - in a season where everyone has canonical soulmates, pearl ends up the odd woman out because her soulmate doesn't want to be with her. it is an insane and compelling character arc
ldshadowlady secret life (s5) - diversity win! this woman is so so bad at "what if minecraft were taskmaster"
and as a side note i tend to prefer the tightly edited stuff, so if you know that you Do Not prefer that, i would point you towards ethoslab secret life or grian 3rd life! or tbh still towards pearl double life.
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winterchimez · 7 months
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Old Tales, New Beginnings
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(a repost bcs the original masterlist sadly got deleted 😭💔 changed up a few things & tqsm @sungbeam for helping me with the banner i wuv you 🩵)
SUMMARY: Ever wondered what if the stories you've been told growing up had an alternative ending? Well, you're in for a ride as The Boyz retell famous true crime & classic novellas in a different light.
PAIRING: the boyz x f!reader
GENRE: retelling of true crime & classic novellas (more details can be found in each season's masterlist!)
A/N: hello my fellow readers! so initially i wrote beast in the beauty as a standalone series, but as time passed more ideas came popping up and here we are with an OT11 series!! i will try my best to retain the strength to eventually bring you guys all 11 seasons in total!!
as of 23/09/2023, two seasons are now available!! please do check them out, and i would deeply appreciate if you could reblog this to spread the word & it does help motivate me to bring you guys more stories in the future!!
send me an ask/comment to be added into the taglist for the series!!
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S1: Beast in the Beauty (Lee Hyunjae)
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Set in the year 1911 in the streets of Whitechapel, London, a place infamous for its notorious Jack The Ripper murders that haunted the nation for the past decades. 
Except for the fact that the killer after seemingly disappearing for a while at least, decides to strike again. It is up to you as a rookie detective, the handsome yet charming profiler Lee Hyunjae, and your group of friends to finally put the killer behind bars once and for all. 
PAIRING: profiler Hyunjae x detective f!reader
STORY: jack the ripper au
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S2: Redemption of Love (Choi Chanhee, Lee Sangyeon)
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Choi Chanhee—better known as the Phantom of the Opera, has dominated the Paris Opera House with his lifelong partner, Christine Daae, for years. Until one fateful day, an incident forces them to be separated and never to be reunited again.
Decades later, you have begun your journey here at the famous opera house with the help of your fiancé, Lee Sangyeon. After several performances, it was then that you would come face-to-face with the renowned phantom himself, and he is determined to never let you go again, convinced that you were his long-lost partner whom he has not seen in many years.
It is now your choice to make. To give your heart to the once-forgotten phantom? Or to stand firm and marry the love of your life.
PAIRING: phantom of the opera Chanhee x singer f!reader x fiancé Sangyeon
STORY: phantom of the opera au
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S3: tba
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S4: tba
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S5: tba
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S6: tba
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masterlist
taglist: @deoboyznet @kflixnet @k-films @flwoie @hokupi @zzoguri @kyusqult @atinycafe @hanniluvi @tinkerbell460 @cheonsafics @sulkygyu @jaerisdiction @heemingyu (join my permanent taglist here!)
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divinekangaroo · 9 months
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My absolute favourite Tommy and Lizzie moment is in S5 after the pantry sex and before his protective murder threat, when they’re putting themselves back together having a moment, and in that moment Lizzie asks: ‘so is that why you pulled me in here, to stake your claim?’
And the number of expressions that go across his face and that little cocky headshake before he settles on fuck it, ‘yeah’
And then the number of expressions that go across her face before she settles on, idek, strange softening and hurt but also some sort of gleeful delight, oh god, somewhat helplessly, ‘well, it’s a start’
That’s it that’s my favourite moment
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raayllum · 9 months
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considering Rayla has absolutely buggered Aaravos’ plans multiple times in S6 if he were to posses Callum again do you think he’d go straight for killing Rayla?
Yeah she's been the last minute fuck up of Aaravos' plans now twice - which considering her "I am pretty awesome at everything... right up until the moment it really matters" choking at the finish line complex - is so on brand for them as a foils dynamic it actually drives me insane now that it's a parallel that could turn into a pattern. But post for another day
I think that if Runaan coin stuff leaves Ezran and Rayla at odds for a time in S6, wanting to save a brainwashed Callum may be what brings them back together in terms of that initial rift. As much as I want some broyals angst & fluff next season, I do think ultimately Rayla will have the bigger role to play in the possession plot line, simply because it's been set up that way, for a few years:
Aaravos specifically taunts Rayla with being unable to kill in 4x04 only for that to be precisely what Callum asks Rayla to do in 4x07. That's a plot beat / choice and set up that has to be paid off eventually
Furthermore, Rayla is the one emphasized more in said scenario. She's the one catching Callum and stepping toward him at first in 4x04, she's the one interrupting Callum with the mirror in 4x02, and she's the one to explicitly tell him he has another path in 4x07. They also cut to a shot with her directly when Callum says "he'll [...] hurt people I care about" which - Yeah
S5 actually furthered this thread of Aaravos-Rayla tethering. Whereas twice in S4 people think Callum is going to talk about Rayla when he actually talks about Aaravos, S5 switches it up with Callum's research into Aaravos being derailed by his devotion to Rayla (5x01: "Your elf friend is in trouble" / 5x04: "But you can trust me to stay focused" whereas Callum immediately loses focus because of her). 5x08, in which Callum is willing to help someone murder an Archdragon and to do dark magic in order to save her, likewise has the Callum-Aaravos intro.
Callum and Rayla watching a literal falling star together in 5x02, all of Rayla's associations of being light, etc.
This all ties together, then, of Rayla likely being the one to save Callum from the brainwashing (even if she also is, come hell or high water, what leads to him being brainwashed again in the first place - kinda like how Viren's love for his family doomed him at first and then also brought him back from the brink again in S5). This has been foreshadowed in a few ways / would be payoff for a few different ways.
Rayla being associated with light and Callum's agency (even if the light isn't always good and agency isn't always that simple, which is already in line with the flashing white cube in 4x04 and 5x08 as Callum is Aaravos' pawn). Also these lines from the book one novelization, which drive me crazy every time: “So they might kill you or they might save you,” Callum said. “Exactly.” Rayla smiled. “Just like me.” (—Book One: Novelization)
S5 puts Rayla's selflessness on full display, as she doesn't prioritize her parents once and instead Callum is the one who pushes forward on that front, even while acknowledging that "The world needs me. Callum and Ezran need me" still go basically hand-in-hand with her. While the "stronger together" is something she's learning (with practice) and is something that Callum may need to re-learn to a degree, Rayla's tendency to sacrifice hasn't been really dismantled yet. Her refusing to sacrifice something - in this case, a possessed Callum - by refusing to kill him (even if it puts the world at risk) would be a big, meaningful step forward for her, and is I think where they're headed.
On that note: S4 opened up an interesting character aspect for her with "we can't save everyone" regarding the drake in 4x05 that again, S5 has kind of left unaddressed for now, so Rayla and Callum both reconciling their identities - Callum, through reconciling the light and dark inside him and being brought out of possession (moon arcanum time?); and Rayla, being someone who can save people and depend on them without always having to sacrifice herself - could work really well if she's the one who breaks him free. Chains and keys and "That's your name right - Callum?" and "She's not the elf, she's Rayla" and "You're the destiny is a book you write yourself guy" and "That's what makes her a hero. That's what makes her Rayla" etc.
Finnegrin implies that Callum's love for Rayla makes him weak ( "All that talk about how love makes you stronger, but the second you see that elf girl in pain") and foolish. Impulsive, irrational. Opeli implies it to a much lesser degree, but that's still why she cautions Callum in 5x01. If "losing control" is synonymous with Rayla for Callum, it just means that Aaravos losing control of Callum probably will be as well.
Love is good and bad. Strength and weakness. The ocean and dark magic. Light and dark. Control and liberation.
I think we'll see all of that reflected in the possession plot line going ahead in S6.
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