#sad right

[ylceon]

even the longest of dreams end eventually

[novaneondream]

it’s our turn to make you smile

[panthermouthh]

“Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust?”

[starspilli]

morning kori. she’s lovingly watching dick burn the shit out of her pancakes

[pangur-and-grim]

one funny thing is that after committing a crime, Belphie will lie down super flat and look up with his big wet eyes. not stressed out or scared, just accepting that he’s broken the rules and might’ve earned a time out in the kitten room. it’s the “I’m waiting for you to carry me away” position

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[crowcrash]

Sisterhood.

inspired by this scene

[fangirlsurpreme]

Do you guys ever think,

when Percy dies, Grover will die at the same time. But unlike the others, they'll never be reunited in Elysium because Grover's a satyr who never get into Elysium, they turn into a tree.

And, if Annabeth is outlives Percy, she won't just grieve the love of her life but one of her best friends as well, one of the first people who believed in her, outside of luke and thalia.

One more thing, When Percy dies at least Annabeth will know she gets to see him again in Elysium but she'll also have to live with the knowledge that she'll never see Grover again even in death.

And if you don't want to think abt this, then:

Then don't think about her throwing away the collection of tin cans she and Percy probably kept for Grover.

Don't think about her using something from a tin can and thinking "I'll save this for Grover" and then realizing she'll never get to give it to him.

Don't think about her never being able to eat blue food or enchiladas again.

Don't think about her and Juniper holding each other and crying.

Don't think about Juniper momentarily hating Annabeth for getting to see her husband after she dies before forgetting all about her anger because they both lost their loves, damn it!

Don't think about Annabeth "Always Six Foot Ahead" Chase knowing death is approaching and making a list of what she wants to be burnt with so that she can give them to everyone who she has ever cared about. Adding "Tin Cans and Enchiladas" in the list before breaking down again.

Don't think abt Percy reaching Elysium, being greeted by all of his friends, looking around for grover before registering why he wasn't there.

Don't think about him mourning his best friend, his brother even when in Eternal Paradise.

Don't think about it.

[egophiliac]

giving the people what they want (jokes about spreadsheets)

anyway, Twst continues to prove that it is aimed at me specifically by giving us not one, but now TWO extended scenes of characters being incredibly difficult about signing an NDA. you just don't get this anywhere else.

[myrkulitescourge]

the way that one line from the new epilogue in an astarion romance is going to HAUNT me

just. what a profoundly intense thing to confess to someone.

like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.

in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.

how am i supposed to act normal about this.

[lureithleon]

this bothers me a lot as someone with a low empathy score:

no, you cannot learn empathy. empathy is when you feel and share the emotions of the other person. your friend is sad? you feel sad.

you can learn to be understanding, and compassionate, and how to react when you don't feel those things, but you cannot learn to experience a sensation that you do not.

[erabu-san]

[botanyshitposts]

Iowa guy of all time

[unashamedly-enthusiastic]

I think to topple the devine rights of kings billionaires, we need to dispel the myth that they have that money because they are smart and worked hard and make good decisions

I think the zip ties on the submarine and the limited views on the advertising platform might begin to show them for what they are

They are not smarter than you. They are not better than you. And if you suddenly magically got all that money people would stop saying 'no' to you too. and that is not a good thing

[xandrikart]

Happy belated Father's Day to Chetney Pock O'Pea! The father of Orym? Scanlan?? Fjord??? He is someone's father for sure.

[mingyusbinch]

REST IN PEACE, DEAR MOONBIN (1998-2023)