#season 2 with him as the main lead WHEN??

[cina-full-moon-xanadium]

With the franchise continuing to grow in popularity, I thought I'd give a rundown for new fans of the earliest fist-fighting, bike-riding lone hero Kamen Riders that they might not be too familiar with compared to the modern shows.

Kamen Rider #1

Made with specific intentions in mind about the nature of violence in humanity, the first Kamen Rider often struggled with a distancing of sorts from his humanity that his superpowers gave him; focusing most frequently on the terrible harm he was now able to visit upon his opponents. Conceptualized as the lone hero with these powers, the bug-themed #1 didn't have a 'secondary rider' of sorts to help him out; instead being assisted most frequently by a professional officer who also acted as his liaison with the police. Another well-liked supporting cast member was an older 'uncle' figure who let the main hero stay at his shop. At the conclusion of the series, Rider 1 decided to leave Japan to journey abroad. Kamen Rider #1's show was very popular with children to the degree that, while not intended, it naturally spawned an indirect sequel series and eventually a whole slew of shows that continues to this day.

Kamen Rider #2

While Kamen Rider #1 was not conceived as having any successors, events behind the scenes incited the production of a replacement hero in Kamen Rider #2 who would take over from #1 over the next year. Very similar in design and origins to his predecessor with the same bug design basis and often mixed up with him, this new Kamen Rider was a quirky jokester type of character compared to the typical 'hero' type kids could look up to that #1 was; and often confounded his supporting cast with all the strange things he'd say and do. Rather than dwell on his personal tragedy of what he'd lost, #2 as a character preferred to focus on his own personal hobbies and interests; only going out to battle the enemies when called. #2 notably marked the introduction of a teamup of multiple Kamen Riders at once, though he fought with derivations of #1's suit rather than the original. While not as well remembered as the original Kamen Rider, #2 still laid the groundwork for many elements that the franchise stays true to today.

Kamen Rider V3

As the first departure from #1 and #2's basic setting and storytelling with a very different design, Kamen Rider V3 obviously had some big shoes to fill -- but almost instantly he was a hit, easily becoming one of the most popular Kamen Rider series of his era. While previously glimpsed with #2's occasional scuffles, V3 notably was the first Kamen Rider series to have fellow Kamen Riders fighting with each other; not out of misunderstanding, but out of genuine moral conflict. While some of this would be resolved, multiple Kamen Riders end up dying in this season, and arguably this rivalry is what most influences the typical Main Rider/Secondary Rider relationships to this day.

Riderman

While many Riders feature their transformation belt magically appear out of nowhere, the fourth Kamen Rider notably had a more 'realistic' transformation that required the hero to physically put on his gear. Arguably weaker than many other Kamen Riders due to having a limited powerset derived from now-outdated science, Riderman in his series was characterized largely by a distrust of everyone around him due to his coloured past; naturally leading to many of the show's most memorable character conflicts and fights. This Kamen Rider has an interesting relationship with death, with the ending of the show and post-series media seemingly unable to decide if he's alive or not.

Kamen Rider X

Plagued by rewrites and completely different directions in the first and second half of the show, the first Kamen Rider to constantly carry his weapon with him has nonetheless remained quite popular with fans of the era; in no small part due to the tantalizing relationship he has with a black and red rival he makes early on. While the show would eventually move on from this element, X as a character is informed by the tragedy of losing his father and the hero complex this event forced upon him.

Kamen Rider Amazon

A very sharp change in direction from the more technological Riders that came before him, Amazon in many respects does not feel like part of the Kamen Rider series as much as it does an original series very much doing its own thing -- and one that has garnered its own small fanbase. Amazon featured multiple forested fights and pit the main hero against animalistic beasts rather than what you might expect from a usual Tokusatsu monster. Amazon is frequently followed around by a young boy fascinated by the new world of possibilities the hero has introduced him to, and the relationship between Amazon and this boy is one of the highlights of the series.

Kamen Rider Stronger

This red rhinoceros beetle Rider is a cult favourite among fans for its infectiously confident main hero who makes speeches about the heavens as he charms his way out of just about any situation. This series brought the classic theming back in a big way, with all the main heroes being based on a different type of bug. This series may surprise modern Kamen Rider fans for Stronger only having a single upgrade form, not even having a single other one between his base form and final. Unfortunately, this series failed to be the jab-in-the-arm of popularity the producers wanted it to be; with the Super Sentai series that same year arguably overshadowing it.

(inspired by this twitter thread)

[buddhamethods]

When you're a bisexual and you absolutely MUST introduce yourself as dramatically as possible.

Oh Min Su as Chun Sang Won Love for Love's Sake (2024)

[lieutenant-amuel]

Why have you stopped writing was born to lead?

I… didn’t want to answer this question. But it seems like you misunderstood me a little, because I’ve never said I’m stopping to write WBTL. It’s on hiatus now, it’s not abandoned.

Anyway, I admit I had a lot more dramatic~ answer to this question in my head when I first saw it, but after all I realized the main reason I’m stepping away from publishing the chapters is… life.

There are too many external factors that prevent me from being as productive as I’d like to be and given the fact I’m a lot more emotional than I think I am (damn it), I know I’ll be way too harsh on myself for not updating often (I update almost every month now, which, I think, is often enough, given how long my chapters are).

But I write this fic for joy only. And I want it to bring me joy only. The way to achieve it is to write it for myself. But I want to assure you that the fic is not abandoned. I just stop publishing the chapters until the entire story is finished.

I have no idea when I finish it. But for now, I just hope I’ll manage to do it.

I’m actually on hiatus now (and no, this is not some summer vacation hiatus, as I said I won’t publish the chapters until I finish the story, so it’s going to be quite a long lasting hiatus) and I won’t write anything for at least a month (unless I’ll get hit by some extremely cool idea that I’d want to write down right away), because I have some big plans in terms of outline and editing.

But that’s actually a good thing, because it means WBTL is not escaping from my head. If you want to send me my characters for the OCs ask games, or give me suggestions for the story, or simply talk about it with me, please do. I won’t mind. On the contrary, I’ll be extremely happy to know that any of you are still interested.

I hope it clears things up and you understand why I’ve made this decision.

[juniperskye]

Why are you in my head?

Sneak Peek: Eddie and you are soulmates. The legend of soulmates is that you start to hear one another’s thoughts around age 16 – not all the time, but when you’re feeling a strong emotion. It simply flows out of you and into the other, the legend also states that the closer you are, the more you can hear them. **The events of season 4 did NOT happen** I did also use some of the dialogue

Bold are Eddie’s thoughts; Italics are reader’s thoughts. (mind you, they are essentially hearing both sets of thoughts)

Eddie Munson x Fem Sunshine! Reader (Soulmate AU)

Fluff - Part 2 Part 3 Part 4** Part 5

Word count: 1364

REQUESTS ARE OPEN - not edited - please be kind. Feedback is welcome if it's constructive!

Warnings: My blog is 18+, minors DNI, explicit language, let me know if I missed any!

That being said I do not own the characters portrayed in this story.

You had known all about soulmates, your mom had told you bedtime stories about soulmates and how she and your dad met throughout your entire childhood. They had been hearing one another’s thoughts for quite a while before your dad saved your mom from being run over by a biker as she stepped off the curb. She’d tell you how when their eyes met she could hear him thinking about how beautiful her eyes were and he heard her thinking about how handsome he was. You have hoped and dreamed of meeting your soulmate since you were four years old.

You had a soulmate, that much you knew. You had been hearing his thoughts for the last few years, they were few and far between which frustrated you. Your mom had explained it just meant he wasn’t close by, which sucked. You were hoping that the distance would decrease, given your family’s plans to move.

Hawkins, Indiana wasn’t exactly a town that people were flocking to…but here you were. Your mom had been offered a job at their hospital there as the supervising nurse and your parents had decided it was too good an offer to pass up. Your dad had contacted the local police department to see if they had any openings, to which they asked for a letter of recommendation and pretty much offered him the job.

Things were working out well for your parents. You hadn’t really been sure about the move. Your soulmate’s thoughts had been pretty quiet the last few days but, a part of you knew it was because your anxiety of this move was clearly drowning out his thoughts.

The car finally came to a stop, and you glance up for the first time since you’d gotten in the car that morning, too focused on the music playing from your Walkman and rereading The Hobbit, again. You looked up to see a modest home in a cookie cutter neighborhood, you were grateful for your parents and their ability to provide you with the things you need, but some days you wished your family wasn’t so…average.

“Sweetie, why don’t you head in and pick your room?” Your mom suggested.

“Really? I get to choose?” You asked.

“You have your pick, other than the master bedroom. You and I will organize the remaining rooms.” Your mom explained.

Damnit, if I could just get the chords right.

You quickly jogged up to the door, letting yourself in. You made your way upstairs first, checking out the two small bedrooms up there that were situated opposite the master bedroom, separated by a full bathroom. While both rooms were nice, they didn’t give you nearly enough room to “express your creative freedom” as your mom had encouraged. On the main level there was a kitchen, dining room, sitting room, powder room, and living room. There had been a door leading under the stairs, you were pleased to see it led down into a fully finished basement that had a full bathroom.

“MOMMMMM! I chose my room!” You called as you ran up the stairs.

There we go.

*Eddie’s POV*

Hell yeah! This is fucking perfect!

The thoughts had rung out like an alarm in his head. Her thoughts had never been this loud and clear. What had changed?

She better let me make the basement my room!

Had she finally moved? He had been hearing all her nervous thoughts about packing up and moving across the country. She must be closer now if her thoughts were coming in like this now.

YES! YES! YES! Now…how to decorate?

He smiled to himself. She seems sweet based off what he knows. He had asked Wayne about soulmates when he was growing up. He’d asked questions like “why can’t I just think of my address, so she could find me?” and Wayne had explained that it didn’t work like that. Thoughts were passed back and forth at moments it was needed – in times of excitement, or when we needed comfort, or to vent. There was some sort of neurological algorithm as to what thoughts were sent when.

*End Eddie’s POV*

You had started unpacking pretty much the second your parents agreed to let you make the basement your room. Your dad had even agreed to take you to the hardware store to pick up paint this weekend.

“You’ll start at the high school on Monday. The principal confirmed that he received your transcripts and all your credit hours transferred, so you’re right on track.” Your dad explained.

“Oh, awesome! Did he happen to send my schedule or anything so I could familiarize myself with it beforehand?” You asked.

Oh fuck…fuck, fuck, fuck! I am so late. O’Donnell is gonna kill me!

Your hand flew to your head, the volume of his thoughts brought forth a pounding in your head. They had never been this loud before.

“Bug? You okay?” Your dad looked concerned.

“Yeah, I’m okay! Just a headache. Too many thoughts in there I guess.” You chuckled lowly.

“Honey, was it his thought?” Your mom questioned.

You hadn’t told your parents much about your soulmate, only that you had been able to hear him and that he was, in fact, a him.  They had also been aware that you hadn’t been able to hear him lately – that was when your mom explained that your thought can sometimes drown out theirs.

“Yeah, it was and uh, I don’t know, I guess it was kinda loud.” You shrugged.

“How loud?” Your mom asked.

“I don’t know, loud enough to give me a headache. It was like he was in the room with me.” You looked at your parents, a knowing grin making its way onto each of their faces. “What?”

“Nothing bug. Let’s go see if your principle sent that schedule over.” Your dad wrapped his arm around your shoulders and pulled you into his side.

Monday morning had come way too soon, though you’d had an incredibly productive weekend. Your room was painted and decorated, you’d finished rereading The Hobbit and had begun rereading Pet Cemetery, you’d also memorized your class schedule.

Your dad dropped you off at school, he also told you he was planning to go and check out a car for you after his shift – that had left you pretty excited.

Finally! My own car!

The day was dragging on pretty slowly…truthfully you were ready for lunch.

Then Vecna will make a surprise return.

What the hell?

This campaign is going to be epic!

His thoughts had come and gone like this since you’d arrived in Hawkins. Just back and forth with random tidbits that left you more confused than anything.

The bell ringing had been your saving grace. It was finally time for lunch, and now you were feeling anxious again…where were you meant to sit?

You looked around and before you could take a step, a voice stopped you dead in your tracks.

Here we fucking go.

“We're the freaks because we like to play a fantasy game. But as long as you're into band or science ...or parties or a game where you toss balls into laundry baskets...”

God he’s hot.

“It's forced conforming. That's what's...killing the kids!”

Assholes.

Kids were either laughing at his outburst or calling him horrible names, but you just stood there. Could this really be him? This super-hot guy who just caused an entire scene in the cafeteria.

“Me, I am army-crawling my way toward a D in Ms. O'Donnell's. If I don't blow her final, I'm gonna walk that stage next month, I'm gonna look Principal Higgins dead in the eye, I'm gonna flip him the bird, I'm gonna snatch that diploma. I'm gonna run like hell outta here…This year is different. This year is my year.”

He took a step back and bumped right into you, but before you could fall to the ground, he grabbed your arm and pulled you up and against his chest.

Holy shit.

Holy shit.

You both let out a quiet chuckle.

All at once, colors were brighter, smells were sweeter, touches were softer. Everything came together in that moment; you couldn’t believe it. Here he was.

[noneorother]

As a film person, this is the most f*cked up thing that happened in all of Good Omens

Forget about the final 15. If there's anything that should convince you that there's something really wack going on in season 2 of Good Omens it should be this cut. I literally gasped when I saw it for the first time. It's SO BAD from a technical perspective. Because you've probably been watching TV and movies your whole life, you might instinctively feel there's something weird happening with this cut, but not be able to put your finger on what it is.

I am here to tell you: they sacrificed continuity of action to *change the main character of the shot in the middle of the scene*. I won't do a full theory course on filmmaking here, but basically, when you want a fluid-feeling sequence of shots, especially when there's quite a lot of movement on screen, you have to conserve the direction and intention of that action to feel like it's all one take, and time is moving forward like we're used to in real life. Here, Crowley, Maggie and Nina all leave the Bookshop together, with Crowley and Maggie flanking Nina, who is centred in the shot. They are moving towards the camera as the camera is walking backwards, but at a slight curve camera-left. Crowley even turns his head and swings his arm left, making us feel like the camera will keep Nina center, and pan left or even cut wider to see more of the left of the street to watch them cross.

Well SURPRISE, idiots!

Forget everything you learned in film school because we're cutting immediately to a second medium length shot of the 3 characters from a slightly more camera-right perspective for no reason whatsoever, in the *opposite* direction of where the action is going, WHILE THAT ACTOR IS SPEAKING A LINE. This is so counterintuitive to the blocking of the scene that Maggie literally gets shoved out of frame while we're supposed to be reading her reaction to Crowley's dialogue. I can't stress enough how weird it is on a fundamental level. When a camera is moving and a character is talking, conserving continuity of action is THE ONE thing you don't sacrifice. It pulls people out of the moment, and makes it extra obvious that multiple takes have been stitched together. Which leads me to think that this is intentional, and sets up what I hinted to at the beginning of this whole "The More You Know" moment : Nina is the main character of the scene we're watching, until, suddenly, Crowley is. If you separated those two moments before and after the cut and watch them as two different scenes, you can see the camera following Nina and keeping her center before, but directly following Crowley and keeping him center *after* the cut. We've switched narrators in this moment. And to top it all off, they're making it pretty obvious that, while Nina is listening and reacting to both Crowley and Maggie, Crowley does not give a rat's ass about the two humans (not either not really in frame, or cut off behind him).

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[sixstepsaway]

so here's the thing

i've seen a bunch of people say on twitter and stuff how... ed's behavior is very abusive and his anger is dangerous and he isn't romantic lead material because of it

and i get where they're coming from

but to me the main issue isn't putting ed in the position of a romantic lead, but not crafting the narrative around his characterization so that it allows for a spicy romantic pirates-in-love narrative instead of...whatever this is.

i'm going to try and explain this. idk if i'll do well but i'll try

the way she show presents stede is as an innocent baby who isn't really equipped for pirate life. he goes into a fugue/disassociative state whenever there's any real violence, apparently, and needs protecting by other characters when things get too rough - for example when ed is telling ned lowe not to take the poker to stede.

that's fine! it's honestly adorable to see a masc character being so soft around the edges and being protected by other characters this way.

(i'm not going to touch on stede's... eh... not great characterization this season rn)

then there's izzy, who is shown as a bit violent, a bit rough around the edges. he's more likely to draw a sword or throw a punch or hit someone with a chair or take a punch like a champ. violence is just part of life for him and that's okay, it just Is, from small things like smacking stede on the ass to bigger things like being wall slammed, it's not all that big or bad for violence to happen around and with him, he tends to give as good as he gets (there's some nuance here but i'm talking the macro themes not the micro of what izzy does vs is done to him)

and finally there's ed

ed is presented as violent (stabbing knives at guys, telling fang to use the snail fork etc) and used to a life of violence, and then in season 2 he's presented as really violent, his anger coming out in dangerous and terrifying ways

and frankly, i'd be super into it if he and izzy were the main ship and that twisted dynamic from the first two episodes of s2 was explored and fleshed out into something deeper

friends to enemies to lovers who fight and fuck. angry pirates who lay hands on each other, who break the whole ship with each other in the heat of passion.

except instead, s2 gives us... abuse. it gives us izzy cringing and lowering his head and trying to protect the kids crew from ed's angry outbursts.

so when stede comes back and he's still soft around the edges and ed headbutts him and it's deliberate, it's... not a great look, and the vibes are a bit skewed

if stede fought back, if when ed struck out at him he struck back, if they fought rather than it being one-sided, if it was friends to enemies to lovers and not presented as healthy, but maybe they can work their way there, who knows, maybe even more like anne bonnie and mary read because hey, they were doing something very similar?

except they were both into it. they were both enjoying the fighting and the fucking and the burning down the house.

stede's not enjoying it.

i cannot describe how much i hate this sequence just because of the way stede flinches

anne and mary don't!! mary jumps at the unexpected bang but she doesnt flinch, she doesn't cover her face like she thinks the vase will be coming for her not the wall and anne? looks so into it

and the thing is that in real life, no, you don't want to date someone who throws shit around, or headbutts you

but in fiction when it's two fucked up people doing this shit together like anne and mary?

that can be fun.

but instead what we've been given is stede flinching and apologizing to ed and then all of ed's...what, semi-redemption???? is done away from the other collection of people he abused, and then he spends some time on a fishing boat wearing a dog collar and everything is fine because he's good now and won't be doing anything bad ever again

and it's just... poor writing. the vibes are rancid.

i spent a really big chunk of time between s1 and s2 defending ed. i kept saying how what he did to izzy by making him eat his toe wasn't abuse, it was a one-off and abuse isn't a one-off thing it's a pattern, and then s2 made it a pattern.

explicitly. explicitly a pattern.

not just one toe but three.

jim saying "you're in an unhealthy relationship with blackbeard"

and all ed offered izzy was a "sorry about your leg" which might've been fine if izzy survived and they could work on this more, but instead that's all the apology and closure izzy will ever get

ed threw a chair and a vase and made stede flinch in fear and stede was right to do that. what part of any of this implies this will never happen again? that stede won't press the wrong button at some point and be on the receiving end? none of it

and if we'd been presented with a s2 stede bonnet who could handle himself and stand up for himself and fight back, then maybe i could imagine that turning into a weird sexy fucked up anne/mary like thing and maybe that could be why they put that episode in, but instead it feels like that episode was going, "look, see, ed's violence is fine because these two are fine with it with each other"

but stede isn't

ed and izzy or ed and stede in an unhealthy battle of a relationship could be such a fun, interesting and downright sexy thing to watch unfold on tv, and could honestly end somewhere far more down the chill end of the spectrum, but that's not what we've been given here

i cannot argue that ed isn't an abuser anymore, and not just of izzy but of the whole crew. he terrified frenchie.

it's not good writing to try and lean into the idea that ed and the pirates are violent and live a life of violence, so it's okay that ed's been violent, while simultaneously presenting his violence as traumatic and abusive, and then less than three episodes later saying oh it's fine now, he's just a little meow meow who can do no wrong, see?

especially considering they had him murdering people at the end of the season. and sure, you can say the english are just cannon fodder and they dont 'count', but they did before. ed explicitly did not kill before, and that included the english, or the spanish, or anyone else. so either they count or they don't, but flipping him on a dime makes no sense.

ALSO

having ed be the son of an abusive man who threw plates at his mother and made her cringe and then having ed kill his father to protect his mother and then a season later having ed become the kind of man who throws chairs and vases and makes his love interest cringe is, again, not bloody optimal

i want to say again i dont CARE about tv always presenting healthy relationships or tv always giving us aspirational goals. i want messy fucked up dynamics and terrible people making terrible choices, and still, to this day, i fucking love ed teach. i would honestly love to have seen them continue with ed's darkness and bring stede into it and see where they went with that, to have stede kill ned lowe and not just bury his feelings in ed but get off on it, enjoy the violence, and see where that led, but no

and so instead all we end up with is a protagonist who is being set up for a lifetime of abuse from an intimate partner, and a romantic lead who abuses his love interests (and yes. izzy is a love interest, he is set up like one and positioned like one and treated like one), frightens his love interests with his violence, is erratic and most of all inconsistently written. he was so sorry about scaring fang as though he hadn't been deliberately terrifying the whole crew for fuck knows how long? what?!

the whole fandom has spent so long saying, "no no, i know stede bonnet irl was a slave owner, but ofmd is using the names and not any real piracy, it's more disney piracy, you know? so that kind of stuff doesnt exist!" and then they flipped around and went "blackbeard is blackbeard and so he is evil and does all these horrible things" and i dont know how to rationalize the two sides of that because it feels so out of place

i'm getting rambly, this isnt a particularly well constructed thought process, i just feel like we were robbed both of a toxic, violent relationship that could be fun to see explored on tv and a soft and sweet love story between two middle aged men exploring their first loves in one fell swoop and there's no way for s3 to bring either of those things back because they got utterly torpedoed by making ed a horrible person

ugh

[queerfables]

Why all the crowd scenes look the same, aka: Something is WRONG in Soho

I'm not even gonna tease and draw this out because it's so cool it doesn't need the fanfare. Ready?

Season 2 takes place over the course of 5 days. During that time, most of the passersby in Soho - maybe even all of them - stay exactly the same. It's the same people every day, wearing the exact same clothes, and they wander through the neighbourhood in paths that don't make any sense. You won't be able to unsee it. I can't believe it's taken us this long to realise.

Don't believe me? Rewatch the scene from 2x03, I Know Where I'm Going where Shax confronts Crowley outside the bookshop, appearing in a series of different guises. Pay attention to the people going past.

I've marked out five people you see on screen when Crowley first exits the bookshop at 39:37:

Numbers 1, 2 and 3 are following the path right. Number 4 follows the path left. Number 5 crosses the road.

Here the five people are again, at 40:19, when Crowley goes to return to the bookshop:

Number 5 is still visible in the distance, in the direction she walked in. This makes sense! But numbers 1, 2, 3 and 4 are rounding the same corner they just passed. It's as though 1, 2 and 3 all decided to turn and head back the way they came just 40 seconds ago, and number 4 has circled the block to join them.

This on its own would be super weird, but they're not the only people to do that in this scene. The man in the purple sweater from the first picture crosses the road, then appears back next to the bookshop, then starts walking back the way he came again.

Here's the part that made me absolutely certain, though. At 40:05, a man wearing an orange hoodie with blue sleeves walks past Crowley, who is heading towards the bookshop entrance.

The camera cuts to a view from behind Crowley, and a moment later, at 40:08...

He reappears in front of Crowley and walks past him again.

It's such a distinctive outfit, there's no mistaking it. They are absolutely fucking with the background characters and they are absolutely doing it on purpose.

Your turn. There are at least three other characters in this scene who pass by multiple times. Watch it again and try to spot them.

This scene is really chaotic and obvious, but the phenomena I'm talking about is much bigger than just one scene. Let's go back to the first thing I said: the background characters don't change. All our leads do. Maggie and Nina wear distinctive outfits, clearly demarcating each new day. Even Crowley and Aziraphale, who in season 1 were like cartoon characters with wardrobes full of identical clothing, vary their looks. Crowley changes his (very subtly) each day; Aziraphale is less rigid on timing, but he has a few different coats that he switches between. The background characters, on the other hand, wear the same outfits every single day. They walk by on the street but they never actually seem to have a destination. They sit in the coffee shop or pub and don't eat or drink anything, and nearly everyone leaves together exactly on closing time. It's eerie.

For reference's sake, here's a rough timeline of season 2, with pictures of Maggie and Nina's outfits to show the passing of time. I had to outsource this section because my post was too image heavy, lol. The main point I wanted to make is that five days go by.

Five days, and all the same faces keep showing up in the background, and almost none of them change their clothes. I'm not entirely sure what it means, but there's no way it's an accident. It might, in fact, be a game changer. To me this is proof positive that something is not as it seems. I've been a massive Clue skeptic, adamant that I'd only be convinced by the most unambiguous evidence, and honestly? This is enough to move the dials. It's too big for me to ignore. Whatever grand explanation of Good Omens we come up with has to account for this. I don't have it yet, but my current working theories are that Crowley and Aziraphale are under some seriously heavy surveillance, that time warping is involved, or that reality itself is not what it seems.

It would take a really long time for me to go through all of the background characters who turn up over and over but I do want to show you what I'm talking about. To wrap up, then, I'm going to pick out some memorable characters and walk you through a few of their appearances through the week. I highly recommend looking out for this yourself on your next rewatch and seeing how many other characters you can recognise.

Yellow Skirt

The first person I kept coming back to as being not quite right. You probably remember her from the first episode - she's the one who waves and walks past Maggie and Nina the night they're locked in together. Incidentally, she's also Person Number 3 in the scene with Shax.

Day 1 (2x01 - 36:20):

Day 2 (2x02 - 42:03)

Day 3 (2x03 - 06:36)

Day 5 (2x06 - 30:00)

Coolest Leather Jacket In The World

It's not so easy to recognise people wearing lots of nondescript dark colours, but I love his hair and his jacket, so he stood out to me. I think there might be a lot more people who are wearing fairly nondescript clothes who I just can't recognise from episode to episode.

Day 2 (2x02 - 16:44)

Day 4 (2x04 - 41:20)

Day 5 (2x06 - 29:20)

Dressed In Mustard

Ms Mustard shows up everywhere. If you want to see what I mean about their paths not making sense, pay attention when she comes on screen, because she'll often show up a few times in succession and walk very purposefully to nowhere in particular. The thing that she is doing, essentially, is behaving like an extra in a tv show. Which of course she is, but you're supposed to make that invisible by not having the same person go back and forth in the same scene, or changing up their outfit each in-universe day to give the sense time is passing. Not doing that is a really deliberate choice.

Day 1 (2x01 - 22:37)

Day 2 (2x02 - 42:03)

Day 3 (2x03 - 01:49)

Day 3 (2x03 - 37:07)

Day 5 (2x06 - 29:59)

Swishy Dress

This character shows up a lot in the first episode. I've struggled to find her in later episodes, though. None of the characters seem to follow the same patterns or show up to equal extents each day, which makes me think this isn't a straightforward time loop. I haven't actually cross referenced character appearances to in world times, though. Possibly this is a project for someone who's more across the time-related shenanigans than me.

Day 1 (2x01 - 22:43)

Day 3 (2x03 - 07:01)

Yellow Vest

I've only seen this guy a handful of times, always around the French restaurant. I wonder if there's significance to that.

Day 2 (2x02 - 41:06)

Day 4 (2x05 - 12:49)

Fuzzy Blue Coat

Another background character who shows up frequently. The blue doesn't stand out quite as much as the yellows and reds some characters wear, but it's very distinctive.

While we're getting a lot of shots of the street, it's worth noting that I'm pretty sure the vehicles we see are also just the same few cars repeating each day. A lot of them are in neutral silvers and monochrome, but there's a couple of blue cars, one red, and one black and white that I'm fairly sure I've seen over and over through the season.

Day 1 (2x01 - 22:45)

Day 2 (2x02 - 42:04)

Day 3 (2x03 - 02:00)

Day 5 (2x06 - 40:10)

Day 5 (2x06 - 48:56)

Day 5 (2x06 - 50:06)

One final note: Whatever this is, Nina's employee who you see in the background at the coffeeshop sometimes isn't affected by it. He's wearing different outfits each day. On the other hand, some of the other shopkeepers do seem affected. I'm fairly sure Mr Brown and Mrs Sandwich wear the same outfits a few different days, only changing because of Aziraphale at the ball.

And that's it! Thanks for reading and I hope your mind is blown as much as mine is.

EDIT:

Hey I don't mind anyone pointing out production reasons that this might be the case or disagreeing with my analysis (over-analysis, some might say 😉). Please be kind about it, though. I'm not ignorant of the practical limitations involved in film making, but some of these costumes were really distinctive in a way I thought might be intended to draw attention.

For those of you who do find this theory convincing, I feel I should mention that I was working under the assumption that this stuff would have taken a few days to film, even filming it all together. That would strongly suggest that the actors were deliberately costumed the exact same way over multiple days of shooting, which made me think it had to be purposeful. @coranax was kind enough to point out, though, that behind the scenes videos said the extras were filmed separately to the main actors because of Covid protocols. In that case, they could have done it in just one day and that weakens my confidence in its intentionality.

Finally, all of my points about the scene with Shax in 2x03 stand. That was not a case of accidental continuity errors, it was really elegantly choreographed to enhance the tension in the scene. I say that with confidence because the extras are doing exactly what Shax is doing: circling Crowley, appearing where he doesn't expect them, creating a whirlwind sense of being off balance and out of control. I think it's really cool and effective, whether there's a deeper meaning to it or not.

[breeyn]

An essay rebutting the “bad writing” claims of s2 ofmd. Spoilers herein.

I’ll preface this with saying you’re obviously allowed to like and dislike whatever you want. I am in no way opposing that. And your reasons are your reasons. Have at. (Also - this is a collection of observations from the past few days, I’m not calling anyone out)

I AM going to rebut the idea that season two was poorly written and lost the spirit of what the show is about.

My favourite movie of all time is Empire Strikes Back. It’s been my favourite movie since I was four. I’m pretty sure it’s a fave of David Jenkins, too. He and Taika have made absolutely no attempt to hide their love of all things 80’s - Prince, the Princess Bride, Kate Bush, Star Wars, etc.

I have ancient video tapes (that I can’t play because who has a vcr) where Lucas is interviewed by Leonard Maltin? Malkin? I dunno. Who cares. Maltin asks him about the Star Wars (original trilogy) story arc. Lucas says “in act I, you introduce all the characters. In act II, you put them in a situation they can’t get out of, and in act III, they get out of it.”

That’s how it works. This is how stories and literary structures work.

Of course you’re not satisfied with season two. You’re not supposed to be.

The arguments I have read on why s2 loses the spirit of s1 is because no one heals. No one learns anything. No one moves forward properly. The person who makes the biggest move towards healing dies. The two main characters end the show doing the exact fucking thing they had promised themselves and each other they wouldn’t do. Our romantic lead still doesn’t understand his value or make any headway on addressing his tragic flaw. It makes no goddamn sense.

My gremlins in weird: it’s not supposed to. In Act 2, EVERYONE LOSES. This is how it goes.

I’ve read a lot of people saying “but this felt like a series finale, not a season finale.” We all know that outside politics play a part here, the strikes make everything precarious. I remember the last writers strike. It destroyed tv for fifteen years. Anyone remember Pushing Daisies? Some of y’all have never had your fave show cancelled with zero resolution for the characters and it shows.

Daddy J did us a kindness. He softened the blow of a tough season. After the brutal cliffhanger of s1, he gave us a little softness and hope. All those things you’re mad aren’t resolved? It’s because THE STORY ISN’T OVER.

No one on earth thinks “stuff all your trauma into a box and ignore it” is good advice. A way to actually live. This show did not have enough screen time to throw out dialogue for no reason. There was foreshadowing in s1 for s2, and there is foreshadowing for s3 in s2. This is a well-crafted story by very smart people who care very much for these characters. There is zero chance Frenchie explained the box in his head for no reason. The reason people have not resolved their trauma and growth is because they haven’t done it *yet*.

And friends - it’s not thinly veiled. They straight up fucking tell us what they’re doing.

Luke Skywalker spends the first two movies fucking up and desperately trying to prove himself and just generally being an idiot. Sound familiar? He ignores the lessons he is supposed to be learning to go off and do what he feels like doing, and loses fucking badly. At the end of Empire, Han is gone, Luke and Leia wave goodbye to the Falcon that has Lando and Chewy - the rest of their crew - aboard. Everyone has lost everything they care about. Vader is undefeated. Yoda is pissed. Nothing is resolved.

You see where I’m going?

If you think I’m stretching this too far, welp, when Ed tells Stede he loves him - the climax of the finale - Stede quotes Han fucking Solo. Like - *it’s right there*. The story structure. The reason everything is unresolved.

So yeah. They wave goodbye to their ship because they have wounds to heal (like Luke’s hand). The people aboard the ship have things to find. Ed and Stede have *not* learned their lesson about whims and how not to be like Anne and Mary. It’s not stupid that they’re doing the same thing, and it’s not pointless that we were shown Anne and Mary. It’s all relevant.

The resolution comes in Act 3. None of these people are done. The story is far, far from over. And just in case the studios want to be dicks about it, David Jenkins was lovely enough to not repeat my enduring heartbreak over Pushing Daisies.

Thank you, @davidjenks 🖤

[buckleyreid]

The thing with buddie fans and the bisexual arc...

Sometimes I look at certain posts and I wonder what show people are watching.

I've always been a hyper realistic person, maybe that's my own flaw, but I genuinely don't understand how someone could watch Buck coming out to Eddie, and their main takeaways being that 1) Buck is disappointed when Eddie says nothing will change between them and 2) Eddie is upset that Buck went on a date with Tommy.

That scene is about so much more than Buddie as a romantic ship, and I guess people who haven't been in Buck's shoes won't understand how nerve-wracking it is to share a part of yourself you're still not 100% confident in with one of the people that matters most to you. It's so incredibly important to see two men who love each other so deeply be there for one another platonically. Seeing people twist and take things out of context just so they fit their own narrative, while ignoring the meaning of such an important storyline is a little disheartening to say the least. If down the line we see Eddie internally conflicted about seeing Buck and Tommy together, and if that leads him down his own journey that's great (I'm a buddie shipper too), but I think it's important to not lose sight of what the show is telling us in the present time.

Buck starts out episode 7x05 nervous, anxious even, about being on a date with a man. He's looking around, he doesn't want anyone to see him and Tommy together like that. Cut to the end of the episode, and he's setting up a date himself, he's smiling and putting his hand on top of Tommy's and he's grown sure enough of himself to ask him to be his date to his sister's wedding (where his parents will be, where his whole team will see them together). That's important, that's the character development we've been looking forward to and unfortunately I feel like I've seen more people focused on making cheating theories and taking Buck and Eddie's interactions out of context instead of celebrating that Evan Buckley, for the first time in a couple of seasons, actually has a decent (monumentally so) storyline. You don't have to ship Buck and Tommy together, but please don't disregard Buck's feelings for Tommy just because you wish Eddie was in his place instead.

TLDR: Buck's arc is his own, it doesn't and shouldn't revolve around anyone but himself, it doesn't revolve around Eddie or Buddie and it doesn't revolve around Tommy either. Bisexuality in media matters, it deserves time and it deserves to be treated with respect.

[minisugakoobies]

BTS Holiday Fics

Tis the season… to reblog all of my holiday fics since I don't have any new ones this year 🙈 Thought it'd be better to put them all into one list rather than rb one by one. Happy holidays! 🎁

❄️ = fluff, 🍾 = smut

Kim Namjoon:

Christmas Confession - ❄️ 🍾, 2.9k - You’re Namjoon’s Secret Santa and you’ve got the perfect gift.

Happy Accidents - ❄️, 2.2k - Sometimes your clumsiness leads to a happy accident.

Kim Seokjin:

All I Don't Want for Christmas is You! - ❄️ 🍾, 23.7k - The holidays are here! But instead of celebrating, you’re trapped in a town called Christmas with your office nemesis, Seokjin Motherfucking Kim, and an unruly band of clients. Can you survive the trip and secure the promotion your boss has promised? Or will Jin take you down?

Min Yoongi:

I Wanna Hold Your Hand - ❄️, 1.4k - It’s hand-holding season, according to your roommate.

Party Vibes - 🍾, 5.8k - Yoongi’s hoping you can keep him entertained at this year’s office holiday party

Jung Hoseok:

After the Party - ❄️ 🍾, >1k - After the party, Hoseok’s not done celebrating you.

Third Time's the Charm - ❄️, 2.1k - After two close encounters with your brother’s best friend, Hoseok, you decide the third time’s the charm.

Park Jimin: see the 12 Lays of Kinkmas below

Kim Taehyung:

Next Christmas - ❄️, 1.1k - Taehyung’s trying to help you get ready for this Christmas, but you’re already thinking of the next.

Jeon Jungkook:

Mugs & Kisses - ❄️, 6k - Jungkook has something he’d like to tell you, but he can’t find the words. So he’s thought of another way.

New Year, New You - ❄️ 🍾, 1.8k - New year, new you. Except here you are, minutes after midnight, already falling back into old habits. You just can’t resist.

Multiple/OT7:

Teamwork - MYG, KTH - 🍾, 1.7k - It’s supposed to be a New Year’s Eve party, but your friends have turned it into an eligible bachelor contest. What are you supposed to do when you’re caught between two men?

12 Lays of Kinkmas - ❄️ 🍾 - 12 fics written based on individual smut prompts (each fic has its own pairings, genres, ratings, summaries & warnings)

Happy Hour - Hyung line - 🍾 (suggestive), 2.9k - You’re home for the holidays, hungover as fuck, and can’t remember what you did last night. Luckily, your little brother Jungkook and his friends Taehyung and Jimin are all too happy to remind you!

Happy Hour 2: The Hyungs Strike Back - Hyung line - 🍾 (suggestive), 4.4k - While back home for another holiday, your brother Jungkook and his friends convince you to go late night bowling with them. Surely this won’t end as badly as the last time you went out, right?

Main Masterlist

© 2021-22-23 by minisugakoobies. Please do not copy or repost. I do not allow translations of my work.

[zepskies]

Series Masterlist - Break Me Down

Pairing: Soldier Boy/Ben x Female Reader

Summary: You’re a private investigator by trade, but now you happily sit at a desk — leading a surveillance team at Supe Affairs. After managing to end Homelander in New York, Soldier Boy escapes custody. You are recruited for the manhunt, joining Butcher’s team.

Truly, you joined the S.A. for the right reasons. But after you become his accidental hostage, Soldier Boy will break down every single one of them…

AN: For those of you who enjoyed “Checkerboard,” here’s the requested prequel series! It’s gonna be a long road to get to that version of Soldier Boy. Technically this is an AU set post-season 3.

Series Tags/Warnings: **Rated M. (18+ only.) Enemies to frenemies to lovers. Angsty, messy, moral quandaries galore. This is a romance, but it’s a dark world with morally gray and dark characters, including Soldier Boy, of course. **Smut, language, misogyny, violence, and other chapter-specific tags.

🎵 Listen While You Read: The BMD Playlist

Chapters:

Prologue

Part 1 - The Game Begins

Part 2 - You Move Me, Baby

Part 3 - Somewhere Down Below

Part 4 - On the Inside Out

Part 5 - Morning, Night & Day

Part 6 - A Hot Meal

Part 7 - Until Midnight

Part 8 - Something in the Way

Part 9 - Breach

Part 10 - Caught in the Balance

Part 11 - The Lion's Den

Part 12 - All Your Wicked Ways

Part 13 - A Generous Deal

Part 14 - Safe House

Part 15 - The Tower

Part 16 - Soldier Boy

Part 17 - More Than Words Can Say

Epilogue - All My Living Time

Series Complete!

Did you like this series? If you'd like to keep supporting me as I continue the BMD-verse, here's a way to keep me caffeinated:

Ko-Fi Me ☕

Read More In the BMD-Verse

Not done reading this version of Soldier Boy x Reader? Well, there's more to their story.

(**Notes 18+ only and/or smut)

One-Shots:

In the Dark You and Ben have tackled the insurmountable together, but no one said the recovery would be easy.

Checkerboard** You’re not a supe. You’re breakable. Soldier Boy sometimes forgets that.

Love Actually** Ben gets in late on Christmas Eve with a Grinch-like attitude, but you’re determined to force some holiday cheer into his system.

Part 1 || Part 2 || Part 3 - Complete

Wake Me Up** [MINI SERIES] A few weeks after you and Ben celebrate your first Christmas together, he is returning from another mission with the Supe Affairs team. When he discovers that you’ve been taken, he’ll do whatever it takes to find you. And then, to help you heal.

Series in Progress!

Strong As Blood** After you accidentally break through a solid wood table, you know there’s something wrong with you. You begin to have your suspicions, but can you keep it from Ben long enough to find out? 

(In other words: This is the story of how you and Ben discover that you’re pregnant.)

Part 1 || Part 2 - Complete

Until Morning A quiet moment between you, Ben, and your newborn daughter.

Green** Ben spends the day alone with his daughter, to varying degrees of success. When you get home, it prompts a serious conversation.

Calculated Risks You and Ben argue about your commitment to being a working mom. When a rogue supe gets loose at Supe Affairs, mayhem ensues, putting not only your life at risk, but your daughter’s as well.

Imagines:

Getting jealous.** 💚 Ben needs new clothes, but the shop girls think your boyfriend is fair game.

Ben’s reaction to his girlfriend on her period.❣️ How he takes care of you.

Ben loses you. 💔 Includes a “twist” ending…

Talk to Me 💞 In the wake of his vivid nightmare, you confront Ben about his fears and get him to open up. [Sequel to “Ben loses you.”]

Moodboard below created by @chernayawidow:

Soldier Boy Masterlist

Main Masterlist

[sillyandquiteawkward]

sillys (not so) lil info dump about how to be a human being. smiles

htbahb is an album from glass animals, of which notably, all the songs align with different people's lives, perspectives, and feelings, also of which are shown on the (various) album covers. so the easiest way to go thru the story is song by song. but i will show you the album art so you can get a gist of things before we go into details.

these are just some of the various album covers for htbahb, theres a bunch of them, but we dont need to see all of them to see the different lives of our characters.

1, Life Itself

this is our main character for life itself. you can call him a bit of a nerd if youd like. apparently his name is chuck rogers. they dont all have names.

hes an inventor, loves ray guns and strange technology, but as noted in his song, feels like he was raised with expectations hell never be able to achieve. his father as a child said he would be a superstar, but nowadays, he cant get a job and he lives with his mom. hes struggling with finding himself and his place in society and hes doing drugs and feeling like hes absolute rock bottom with everyone being against him. he feels alone and attacked and retreats back into his car or grandmothers basement and keeps folding back into himself.

in the music video for life itself, hes only seen in a few scenes, leading the charge against [popular st] with a smoke bomb as [mamas gun] watches knowingly from the sidelines as perhaps the real leader behind the assault. they seems to be accomplices with each other, as they ride in the car together and seem to be specifically looking for [youth].

2. Youth

now the main character for youth is tricky, it seems like we have two characters for youth, the small child, and assumedly, his mother the waitress. i think i like the interpretation that the mother is the main character for this song, and the child represents the album as a whole. alternatively i also like the idea that the child is youth, and his mother represents [premade sandwiches]. but for the most part, they are just both the characters for youth.

youth is a mother talking about her child, and to her child, almost in a detached sort of way as if they arent able to see each other. a mother speaking her hopes and dreams to her child. somehow these two have been separated when the child was young, perhaps through giving up to adoption, or hinted in the music video, abduction. she wishes best for the child, urges them to feel their mother at their side, and notes that theyve got her eyes. she lists off her wishes for them to be happy and have friends, and be silly. this perhaps is for the best, that they can be happy even without her. i particularly like in this song, the wordplay makes it sound like the singer is counting one, two, three, four, five, when they are singing other words like boy, to, free, funny, and fly respectively.

in the music video for youth, the child is seen almost haunting the mother as she works as a waiter, appearing in several locations playing and running around as she remains dutiful to her job. they briefly sit looking at each other in the same hotel room he had been taken to in life itself's music video.

3. Season 2 Episode 3

this is the main character for season 2 ep 3 and i think one of the cool changes between album covers, as we see a fully done up girl all put together with her make up on, and in the other, someone a bit more silly with her makeup removed. this might be the way she sees herself vs how other people see her.

the song is the lament of a boyfriend to his girlfriend, who seems to be glued to the couch, watching shows, getting high, not changing her clothes, and eating day old leftover food and most notably, mayonnaise straight from the jar. at the beginning of the song, the two of them are high together, however he soon sobers and realizes she refuses to get sober along with him. he tries to convince her that their relationship wont work if she keeps being like this and doesnt try, but she wants him back the way he was (high as well) and views him as a nag. she still makes him happy, but sometimes she makes him sad to see how she lives. even after an acceptance from the boyfriend that she wont change and will never be vertical and golden like he wants and that the relationship will never work out, the song ends hinting that hes picked up getting high with her again due to her calling him a killjoy and wearing him down.

in the music video we watch the girl splay out on the sofa, surrounded by her mess watching tv and doing nothing. halfway into the video, we are brought into the game she plays, as she battles [life itself] [cane shuga] and [the other side of paradise], all of which are men who could possibly be the boyfriend figure.

4. Pork Soda

this is our main character for everyones favorite pork soda. hes an older man, who for the most part seems pretty happy. wonder if hes harboring some long lost feelings or something.

the song opens with a street performance unintelligible to a normal listener, its like passing by a conversation, you are only able to hear bits and pieces of the spoken words. once the song starts you hear a story about this guy's girl who used to be fun and adventurous and would take him along with her. in the same breathe hes begging to go back to the days they were happy together. it seems like they fell out of love, or are in a struggling relationship bereft of communication or the passion it once had. shes only happy when theyre having sex together, and just looking at each other causes him heartache. the song talks about pineapples in my head, and being brain dead, as well as other references to diminishing mental facilities, that perhaps in their age, theyd forgotten about each other.

the music video gives us probably the most clear story line, as we see the wife prepare a meal before sending it through a dumbwaiter into the basement for the husband. there he sits alone, watching tv. up above the wife plays with their dog, imagining the dog is the younger version of her husband. all of her time is dedicated to the dog, and all of his time is dedicated to the tv. they have forgotten they love each other and live in the same house, but live in separate worlds. only after the dog destroys his tv and the husband destroys the floor above him and under her feet, do they finally get back together as he catches her as she falls, surprised and exhilarated for the first time in forever. and things seem to be better as they finally occupy the same room together again.

5. Mama's Gun

This is the main character for mamas gun. shes a victim of the perception of her mental illness. i think this is my fav song of the album.

during the song, the woman initially admits that she took her gun and made her husband go to neverland. however she also says she loved him a lot and he was perfect. through bits and pieces of the lyrics you can come to the conclusion that she has some sort of psychosis, or perhaps schizophrenia in particular as she notes many different voices and figures talking to her. the song references dr swango, a doctor who killed his patients, however he insists to her that him and all the other voices in her head are too from neverland, and that she was a murderer just like him. is she really guilty of murder? what really happened? the flute played during various instrumental parts of the song is a sample from the carpenter's mr. guder, a song about a man who does what hes supposed to in society and his job and gets nothing from it. karen carpenter herself was a victim of her own mental illness and they say that theres a specific purpose for the sample chosen. once the lyrics pick back up, the voices again pipe up and tell her she was a murderer, even the voice who had never spoken says so, so he must be telling the truth right? during the final bit of the song, it seems like her husbands voice joins into her collection of voices, as he bears a cheshire smile and asks her to lay with him once again, and that hes waiting for her. in the end, its unclear what happened with her and her husband, as she goes back and forth saying she was violent, she was doing nothing. this song was inspired by a story they heard of a woman going into a drug induced black out for a month and reappearing in another state with no memory, and the lingering fear that shes done something terrible wrong, and never being able to have the closure of knowing what happened.

theres no music video for this song, but we see her appear in life itself. she and [life itself] drive to the hotel where [poplar st] is holding [youth] captive and attempt to break into the room hes in.

6. Cane Shuga

this is our main character for cane shuga. hes exactly how he seems, a rich white guy who is, of course, using that cane shuga all day everyday.

cane shuga presents a dialogue from two parties, two people in a relationship. the singer promises he wont do coke anymore, that he wont be a john doe in the hospital. the chorus however is the high he rides on, where he thinks hes hot shit, hes 007 james bond, hes as powerful as kim jong, with a popped collar as he looks into the glare of the mirror and hypes himself up after using in the bathroom at work. hes untouchable. the second chorus is his partner, giving up on him, their love has burned up, just like his drugs. theres a humorous line of putting their foot down saying ive had quite enough, but corrects themself and sarcastically says or lack there of, that they arent being given anything anymore by him. regardless, their verses and conversation is short. the chorus of his high is the main focus of the song, and repeat over and over as the days continue.

[cane shuga] appears in season 2 ep 3's music video as [season 2 episode 3]'s potential lover. their stories do seem to entangle, they both are drug users dealing with partners who want to stop using. some people say that he is her partner, that he stops using for her, but falls back into the habit. however this doesnt exactly line up with her song, as she doesnt want him to stop. i think its part of that unreliable narrator theme weve seen in previous songs. people have different experiences with each other and get different messages due to the issue of communication. im not exactly on board with these two being together, but i do understand where people are coming from with this take.

7. [Premade Sandwiches]

this is a spoken word interlude, sped up and pitched down. there doesnt seem to be a character paired with this song, and on cd this song is simply a bonus track hidden behind cane shuga. on first listening its very difficult to catch what is being said, but over and over the speaker is talking about standing in line for various things. this song discusses mindless over consumption of drugs, of buzz words, of natural foods for your dog, watches, new clothes made to look old, the junk drawer filled with phones you dont use, with pens that dont work, with random shit you never needed just piling up. people stand in line and they dont even know why.

8. The Other Side Of Paradise

this is our main character for the other side. hes gonna be a basketball player and make it big babyeee.

so its a bit unclear and vague in the lyrics, but it seems our narrator and the basketball player used to be close friends. he even seems to be in love with the basketball player, calling him my love. but the basketball player leaves their home in new orleans to go chase his dreams out west and make it big, leaving our narrator's side. he told the narrator not to worry but after phone calls, it seems like basketball boy got a girlfriend. hes gloating to the narrator, hes got a girlfriend now, hes got a gold camaro, hes made it big, meanwhile our narrator is at the payphone hearing all this and his world turns in slow motion. no longer is the basketball player his baby blue anymore. hes moved on, hell never have another chance to love his friend. hes so angry and hurt, but he balls up his fist almost in a fight or flight reaction, and settles for the ghost of his love. hed always hoped for a paradise where they could be together but it seems like fate had other plans. he laments the basketball player for ditching them, saying here in new orleans people dont leave and ditch their lady (him). he wants to be loved and pampered by him, not her. heres where the vagueness comes back, the narrator seems to be so distraught that he rather kills himself, or finds that his body looks wrong, perhaps that hes not a girl that couldve been loved by the basketball player.

he only ever appears in the music video for season 2 ep 3 as one of the bosses [season 2 episode 3] defeats, claiming ball is life. there is a music video that was recently released for this song, however it does not depict the basketball player.

9. Take a Slice

this is our main character for take a slice, hes a bit of a slut but he makes it work :) the spoken intro to this song is the real recording the band took while talking to a male fortune teller, so the sausage candle is rather real or a lie from the fortune teller.

take a slice regales the story of a young man who finds pleasures in the sultry sexual aspects of life. hes sucking on cigarettes in a way freud would roll in his grave, hes painted his nails dark, has piercings, hes asking for another slice of cherry pie, cherries being a symbol for all things sex and lust. hes smitten with the idea of being a prize to be sought after, and after trying sex work for the first time, realizes this is the job for him. hes going to fuck his way through college, and sleep during class dreaming of you. wink. hes rolling in the dough, hes got a gold car, hes maybe dabbling in drugs too, and hes filthy and he loves it.

10. Poplar St

ms moore is the main character of poplar st, and shes a cougar, and not the good kind.

a young boy lives a typical suburban life. hes got bandaids on his knees and hes climbing trees. but one day, he sees mrs moore and mr keats have sex. immediately this drags him out of his childhood, hes such a man now that he knows what sex is. this is the first step of her grasp around him. as he gets a bit older, his mother calls her prosti-tits and looks down upon her. but the boy looks up to ms moore, despite his mothers words. mrs moore sees his desperation and pulls him into her clutches. theres a very specific voice crack when her teeth sink in deep and the note hes singing falls flat. this bit of pain expressed is highly contrasted with the chorus coming back in, the boy once again considers himself a real man, a true romantic, this is what all men dream of, isnt it? but there are dead flowers in the sand, hinting that these roses arent just romantic. the next bridge plays and interesting word switch up. it starts out with her begging him for more as she sits in her underwear, and then switches to him begging her for more in his underwear. theyve both wasted their days, but when it comes to his youth and her age, the only one wasting their childhood is him. the song concludes with mrs moore calling him up collect (so he has to pay for the phone call, not her) one day and breaking up with him. and then it all gets pulled out from under him and hes just a boy again. this tells the sad tale of how men and boys' sexual assault and grooming often is pushed to the side because they think this is how things are supposed to go, that they are supposed to have sex and to be used and abused from a woman is supposed to be an achievement. but really all it is, is abuse that leaves him feeling terrible.

11. Agnes

this is agnes :) i think it was mentioned at some point that he takes pictures of people when they arent looking, so to me, i like to think hes the one capturing everyone pictured in this album. bear witness to other humans.

the song starts out where the singer is appearing to try and comfort agnes. how did it get this bad, agnes used to just take pills and smoke a little, somethings changed perhaps. the singer notes agnes is just going through the motions every day, numb, and nervous, but hes swelling with emotion all the same. here the singer laments he wants to hold agnes like hes mine. theres a longing sadness in the lyrics. the next verse confirms the worst, while agnes was perhaps a genius when it came to the romantic, he was a deeply depressed and lonely person. he started to rely on the drugs and the alcohol he used to use recreationally, just to live a normal life. and he ultimately commited suicide. the singer wonders where the agnes he used to know went. however the singer reconsiders, and accepts that agnes did his best, life must feel so unbearably long when its soaked in sadness, living a false life filled with depression. so it goes, the singer thinks, but cant help but to feel lost. the only thing he can think of is agnes, perhaps considering all the art agnes made, all the photos he took of other people, perhaps just thinking about his friend in any aspect. grief is funny like that. on the vinyl record, this song's last seconds repeat over and over until you stop the machine from playing, like a lingering memory you cant stop thinking about.

the agnes music video is much different than the others, as it focuses on the singer, dave bayley as he sits in a centrifuge and attempts to sing the song. this causes a very physical reaction and he struggles to even lift his hand, by the end of it hes sweating profusely and unable to catch his breath, but he persists and continues singing. he mentions this was a mere fraction of what someone going through depression could feel like. during the music video as well, he appears to be looking across from a mannequin, perhaps the stand in for himself once hes put himself in agnes' shoes.

thanks for reading if you did i love being insane. all of these are my personal thoughts on the album, and might not exactly match up with your interpretation, but i have tried to keep to what we believe is what glass animals had in mind for the album and these characters.

[absolutebl]

This Week in BL - Taiwan has one show, but that's all they need

Organized, in each category, with ones I'm enjoying most at the top.

April 2024 Wk 1

Ongoing Series - Thai

Two Worlds (Thurs IQIYI) ep 4 of 10 - I don’t say this often but I LOVE this love triangle. The longing gazes = chef's kiss. I like that we are finally getting flashbacks to Tai’s side of the love affaire. This show remains highly engaging. So pleased for MaxNat.  

Deep Night (Thurs iQiyi) ep 5 of 8 - More lesbians! Yay! Meanwhile, when our leads make up they make out! (Yes I’m proud of myself.) I think this might be BLs first rooftop sex scene. We’ve reached new heights, BLabies. (Yes I’m proud of that too.) Anygay, basically a soap opera at this point, I'm not thrilled but I don’t mind.

"Do you apologize for being straight?"

City of Stars (Fri iQIYI) ep 10 of 12 - It was lovely. Very well done celebrity leaving the closet ep. Nice ensemble work too. Next week is doom! As expected. 

Only Boo! (Sun YouTube) ep 1 of 12 - New main couple for GMMTV in an idol romance about a boy who dances good and a food stand vendor. It’s fine but overly very pulp feeling for something from GMMTV. I'm a little concerned.

1000 Years Old (Thurs iQIYI) ep 8 of 12 - meh.

To Be Continued (Sat C3 Thailand grey) ep 7 of 8 - Never turned up on my usual sites. So will have to wait until next week. 

Ongoing Series - Not Thai

Unknown (Taiwan Tues YouTube & Viki) ep 7 of 11 - Qian was, indeed, the one who couldn’t let go. This show is fucking fantastic. It's the best thing I'm watching right now by a mile.

Jazz for Two (Korea Gaga/grey) eps 3-8fin - The bully and the blue-haired drummer side pairing were great. I hated the father. Hated him so much. Our main tsundere seme was a bit too tsundere for me. I was v annoyed by the time he finally softened. I'm amused by all the ways they finagled boys kissin-but-not-kissing in the first half of this show. 2024's "pan around the back of the head" has now become a "dipping of the brolly." We did, however, eventually get an okay kiss.

Honestly?

This was basically what I wanted from Given and didn’t get. So I’m pleased. The music still wasn't great, but you can skip those bits. A solid enemies to lovers BL, where the sins of brothers' past haunts the present. Great optics, decent chemistry, and a tidy script even if tsundere characterization went a bit extreme in some cases. 8/10 RECOMMENDED trigger for suicide

Love is Better the Second Time Around AKA Koi wo Suru nara Nidome ga Joto (Japan Weds Gaga) ep 5 of 6 - We got the past betrayal in detail and it was decently bad. Bitterness understood. Too soon to live together! The BL U-Haul strikes again. I do like their weird curry passive aggressive argument. This is an interesting show. Do I LOVE it? No. But I think I like it.

On a not-really-related note: adoption, including adult adoption, is actually pretty common in Japan (comparatively). It's often tied to business scionism.

My Strawberry Film (Japan Thurs Gaga) ep 8fin - It all turned out to be a tragic GL in the end. Not BL = not my problem. No rating. I will forget its existence right about… now. 

Love is like a Cat (Korea Mon Viki) eps 1-2 of 12 - Okay, weirdly kinky with the head scratching. Not much has happened and I’m not wild about what has. 

It's done, ready to binge, but I suck

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps

It's airing but...

We Are (Weds GMMTV iQIYI) ep 1 of 16 - University ensemble BL featuring PondPhuwin, WinnySatang, AouBoom, MarcPawinPoon - basically the good kind of messy gay friendship group (so more My Engineer and less Only Friends). Looks a bit like the Kiss series but everyone is queer. I'm IN but I need my other computer and I'm traveling as usual. So I'll get caught up next week and probably won't regularly be able to watch this one.

Graduation Countdown (Taiwan YouTube) - It's too much for me to keep up with 2 minute verticals, I don't have that kind of TikTok endurance training.

A Secretly Love (Thai Sat WeTV grey) 10 eps - Completed. Worth watching?

Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school. Not my thing. DNF unless it turns a corner and is truly amazing.

Kiseki Chapter 2 (Sun iQIYI) 6 eps - It’s so boring DNFed at 2.

Close Friend Season 3: Soju Bomb! (Weds iQIYI) 6 - The problem with situational comedy BL is it must be situational, comedic and a BL. This show gets 1 of 3 claims correct. 33% is not a passing grade. Dropped at 3.

In the news

Takumi-kun Series 6: Nagai Nagai Monogatari is getting the undeserved honor of Furritsubs. Follow them for details. Tip 'em if you like 'em. (Will I watch it? Oh, probably. Damn it.)

Then Next Prince turned out to be a trailer only. Word on the webs is we will be lucky if we get it this year. It’s BL Princess Diaries. Jimmy has a new pairing (that boy from Night Dream) which is... interesting. All in all, this show does not look good. Pretty but not good.

Next Week Looks Like This:

4/11 Gray Shelter AKA Gray Currents (Korea ????) 4 eps - SooHyuk is only just surviving and reunites with YoonDae, an old friend. They end up living together. One of the leads is played by Choco of Choco Milk Shake.

4/12 Living With Him AKA Kare no Iru Seikatsu (Japan Gaga) 10 eps - Kindly Ryota goes off to uni only to find his new roommate is his childhood bestie, Kazuhito. Kazuhito doesn’t have a girlfriend and Ryota tries to help him figure out why, they fall in love along the way. Same director as Old Fashion Cupcake.

Still to Come in April

4/18 At 25:00, in Alaska AKA 25 Ji, Akasaka de (Japan Gaga) 10 eps - Yuki lands his first starring role in a BL drama alongside superstar Asami (previously his senior at uni). Said superstar suggests they form a sham relationship until filming concludes. As they actually begin to fall in love, the spotlight begins to burn. I think I've seen this before (joke) and also the trailer doesn't inspire confidence.

4/26 My Stand-In (Thai iQIYI) 12 eps - adaptation of Chinese novel "Professional Body Double" by Shui Qiang Cheng. Stars Up (Lovely Writer) and Poom (Bake Me Please) directed by the same team as KP (not a recommendation IMHO - my biggest criticism of that show was the clashing directing styles). This one looks well complicated, lemme try: Joe is a stuntman for famous actor Tong. Joe falls in love with Ming but Ming sees Joe as nothing more than a Tong-replacement. After learning this horrible truth, Joe dies. Joe then wakes up in the body of another man also named Joe. He manages to rebuild the same life as before—with the same people eventually re-meeting Ming. Ming wants Joe back but Joe doesn't understand why. But Ming seems to know what's going on and wants to give him some kind of explanation.

I'm exhausted just trying to describe the plot.

Knock-Knock Boys (Thai WeTV) - 4 college friends conspire to help their friend lose his virginity. Familiar faces like Seng (yes, Billy's previous partner) and Best, news here.

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

NOTE: It looks like one of my personal favorites of last year Unintentional Love Story is getting a spin off!

THIS WEEK’S BEST MOMENTS

See City of Stars & Unknown.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are too much work.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @rocketturtle4 @blglplus @anythinggoesintheshire

If ya wanna be tagged each week leave a comment and I will add you to the template. Easy peesy.

[loveharlow]

my unpopular obx opinions that no one asked for (unfiltered and in detail)...

Sarah cheating on John B was not unexpected. She ran into the arms of Topper Thornton whenever the opportunity presented itself which bring me to my next point...

Sarah does not like being a pogue. I believed she liked the initial freedom and adventure but when shit gets tough, she runs back to what reminds her of her old life (*cough cough* Topper). She has the luxury of being on the fence of Kook and Pogue sometimes.

Pope is technically the real main character of the show. On paper, yes, the show is about John B finishing the treasure hunt that his father started. BUT, after season 2, it was clear that the entire treasure itself revolved around Pope, a direct descendant of the man the treasure belonged to and I don't think we got enough of that.

Pope is a stronger character than he is presented to be. I think the show highlighted his self-defense capability in seasons 2 and 3 but it's widely ignored that this man has gone up against Rafe on multiple occassions and lowkey beat his ass. (Rafe beat his ass too but still).

Kiara will forever be wrong for how she did Pope. She treated him like SHIT. Like, if I was Pope, I genuinely could not be friends with her after like. P4L my ass. And then there are people who call him butthurt but if the roles were reversed...Hardcore Kie fans can defend her all they'd like but after a certain point, there was no excuse for her to be leading him on the way she did. She knew she didn't like him in that way and that's very clear from the start of season 2, but she proceeds to sleep with him and then tell him off.

Ward is a better father than Big John. Y'know, I pondered on this for a bit. And I am standing by it. Big John would break both of John B's legs and throw him onto a set of train tracks if it got him closer to finding the gold and excuse it by saying some shit like "But you didn't die, did ya, Bird?". Like that man was ALIVE for almost an entire year and made no attempt to contact his son. Ward is a criminal by all means but most of the time, at least what we saw as viewers, he was doing it for Rafe.

Cleo deserves more screen time and a better backstory. I know she's a new character and all but like WHAT'S HER LAST NAME?? Like does she not have one? Is she not real??

(edit) Kiara is very insensitive to the feelings of her friends and overall generally self-centered. She literally acts like her parents are the worst in the world. I get it, they don't like her friends and they are indeed hypocritical towards the pogues considering her father was one. But in season 2, she gets in the car and says "this shit would be so much easier without parents" next to JJ, aka the one with an abusive father. Not to mention, she's seen how John B fell apart after his father disappeared and how hard it's been for Sarah to go against her father.

CLEOPOPE BEST SHIP.

Anyway, I did this out of boredom. I had to take a break from actual writing for a moment.

[0daylighthours0]

A Deep Dive into Milkvan and Byler's Development: If Milkvan Was Endgame All Along, Why Was it Written Like This???

SO. I've been rewatching st with my mother, who's never seen it before. And she was a fan of milkvan throughout seasons 1 and 2. Viewing those seasons again I could see why, they're cute. However, come season 3 and INSTANT distaste. And, listen, my mother is not the consciously shipping gal. She simply routes for main character pairings as writers intend, doesn't read between the lines, doesn't nothing. And she does NOT know my own opinions on the pairing. In other words, completely unbiased, uninternet drama influenced eyes. We've now reached season 3 and, after getting through a chunk of it, I asked her,

"so what do you think of Mike and El?"

and she expressed to me that they seem to be, quote:

"not very good together."

She said El's character doesn't suit the way she's acting now (in the first few episodes, concerning Mike), that Mike is more likeable and interesting when he's away from her. She doesn't like the way they ditched the party, and when it comes to their 'making out' the scenes are seen by her from Hopper's perspective (in other words, distasteful). She claimed that they'd be much better characters as friends.

And ya know what, she's right. And I mean like - duh, that's what we've been saying all this time, I'm not stating anything new here. But guys, wouldn't it be strange if the central couple of the show, pivotal that it is liked by audiences and is rooted for by them as they are THE pair, would be so dislikable like this? So uninteresting, so cliche.

I mean, okay, let's do a little mental experiment I like to do to test if I'm not just acting delulu. Let's play a game. In this game, milkvan ARE meant to be endgame. They are in love, they were all along, and they're here to draw in viewers and appease all El stans. Now, seasons 1 and 2 their relationship is honestly fine. Surface level, yeah, people will watch and appreciate them. They perfectly blend in with all the other neat pairings of the seasons, and have their own unique character traits to stand out as a main couple.

Just pretending our mate Will doesn't exist, we now get into season 3. Now, writers have nothing to lose here. If you've finished season 2, you probably like milkvan already. The issue is that they're already together now, so what's the conflict going to be? The arc? And every central couple needs that conflict to stay juicy.

Just take a look:

Jancy: quarrels, struggle to understand one another

Jopper: not yet together, one sided? will they won't they

Lumax: ...

Lumax? Lumax. Huh, guess they were simply together. Some loveable bickering, maintained a friendly dynamic while clearly in closer proximity. Well then, writers can do the same for milkvan right? Well, yes easily. But one might argue that since they are supposed to be THE pairing they need more going on between them than that. So what'll it be? Well, it seems that writers thought,

"hey, why not break them up?"

ok so.. that's a bit risky. I mean you want people to like this ship, if you break them up then that threats: 1. there being a disliking to one or both characters, 2. coming off generic if done incorrectly, 3. the break up might make no sense considering how in love they came off as just a season ago. But hey.. it could work, if done right. Some kind of misunderstanding, similar to Jancy. Maybe an argument leading to a sudden parting. I mean, yeah, Yeah! I can see that. Perhaps Mike is being too overprotective whilst El's trying to sacrifice herself for something, so she NEEDS to separate herself from him attempting to hurt him less. Or, I dunno, something akin. What's crucial is that us, AS THE AUDIENCE, still know them to be deeply in love. I mean, we have to still want them to be together. And we've seen couple trouble before. Just take a look at Lumax season 4 - did you or did you not want the best for both of them as a pair? You most likely did. See, it's doable. So did people like milkvan season 3 the same way, even after a separation plot? No.

Okay well, there are obviously those who'll always love milkvan no matter but, see, season 3 tainted it. "We need to write them like this cause it's more realistic to teenager behavior" my ars. You can make it messy without making it icky. Not only did it sour their unique dynamic, it flabbergastingly stomped on Mike as a character.

Honestly, I feel Mike has always been a mild struggle to write. Season 1 his motivations were 'find Will' (who still doesn't exist in our mind game yet shh) and 'protect El'. This worked well for him. Afterwards though, El and Will became more separate plots to him. But as a main character it remained integral that he be closely linked to them somehow. This sets him apart from Lucas and Dustin, who can easily be given any arc any season as their plots have the flexibility of a side quest nature. Since what Mike does is meant to matter more - with there probably being a better way of phrasing that but you know what I mean - it's harder knowing what he'll do when El and Will (who we'll GET to sh.) are their own separate people. And Mike is just a boy, he doesn't have super powers and he isn't a cop, which leaves there even less for him to do which is of significance. Season 2 writers decided upon having him support Will's arc, making himself of enough relevance by being able to take credit for some Will development in the story, and the plots that surrounded that, and then Mike was thrown a little bone by being the one to come up with the idea of burning those vines in the finale.

Truthfully, you don't really remember Mike's deeds much when reminiscing the series. It isn't like Dustin who's bond with Dart sticks to everyone, or Nancy and Jonathan responsible for kicking out Hawkins Lab. This is due to them, again, being able to traverse all sorts of adventures without limits. But my guy Mike can't do dat. Sadly, this kind of leads to him coming of as a little.. well... insignificant. And I know I know, the Mike truthers are gonna come at my throat. And hey! I love him too. I only want the best for my boy.

This makes season 3 a unique case cause it seems that, for the plot they decided they wanted, writers actually had to almost entirely change his character. I mean mate s2 Mike and s3 Mike are two different peoples, don't even. And I don't believe that the Duffers had their story and character turnouts completely drawn out from the very start at all. If I was to guess, I'd assume they have vague ideas of little plots they plan to include in future, but there is definitely a lot that has come unpredicted or changed throughout st's runtime. And one of those phenomenons are Michael Wheeler. So they decided to make this guy a di-

So they decided to make him more douchy, more movie typical teenage guy. It's not as if he wholly sucked, he didn't, but he didn't really do much. Whined about his girlfriend, separated the party. I mean what even was his arc? (UnLESS–)

You see, if milkvan is written to be loved, then season 3 was strike one. All of its charm was stripped away. It seems they had some cute scenes after their reconciliation, but it's not enough. It's just sort of

"oh, ok, so they're happy with eachother now. yayy."

and Stranger Things should want to be anything but boring. Sure they often enjoy indulging in tropes, but they always do something different with them. Something standoutish. And from this point on milkvan just got dull. Either writers ran out of ideas or lost interest, honestly (still with our mind game of telling ourselves they're meant to be).

But it's okay. Look, so season 3 was a bit rocky, maybe lost a couple of fans for the guys, but it is salvageable. Easily, easily. Looks like we want a plot of Mike struggling to tell El he loves her. Great! Much to work with.

So let's get into it. Season 4! Choices were... made. And, okay, now we can't go any further without bringing in our boy Will.

Mike is intrinsically tied to Will and El and has been from the start. Maybe Will was more of an accident. Maybe s1 Will was just a plot device for Mike, then s2 Will was a plot device again and Mike needed to be there as the main boy character. Come season 3 and it seems their relationship still matters. Will was sidelined - hard - so most of Mike's moments revolved around El. But as his bond with Mike is the only that's been properly built up, that's the only friend we'll get him interacting with in a way that matters. So the Mike and Will tie continues!

But that does not have to be the case for season 4. Now the writers have a chance.

They made Will gay.

Ok so.. ok so yeah that's fine. Yeah! I mean they didn't have to do that, might put them in hot water with the bylers since milkvan is their golden beauty but.. you know what no no that's okay. He's been hinted at being queer since episode 1, why not make it canon! Cool that works. Explore that, especially since we now have Vecna who can easily target Will for this. Give him a boyfriend! Or a guy crush. He's at a new school now? That's cool. Maybe we can explore some new male character Will's taken interest in. Hey maybe he meets someone who interests him which rises to surface his whole sexuality plot and-

he's in love with Mike.

Ok. No. No. What are you doing? What do you mean?? You didn't have to do that. Strike- strike EFING TWO mates! Strike. 👏 efing. 👏 2!

This was part 1. I am tired and gots to get my ars in bed. But ohohoh, do not worry. I am just getting started.