#seek harmony

[brother-hermes]

THE HEART OF THE MATTER

Join us on a transformative journey as we delve into the heart of the matter - the exploration of Tiferet, the radiant jewel at the center of the Tree of Life. In this captivating speech, we discover the profound significance of Tiferet, which represents beauty, harmony, and balance. It teaches us the art of integrating love and strength, finding equilibrium, and embracing discernment to navigate life's complexities. Get ready to embark on a quest of self-discovery, compassion, and beauty, guided by the transformative power of Tiferet

[dr-futbol-blog]

Hide and Seek

Finally, we get to Sheppard and McKay.

Lead characters, it is natural for them to be in scenes together. Their initial meeting is at the chair platform in the Antarctic base. The one notable aspect of this is that while McKay's jealousy of Beckett and his ATA gene was laid out real thick just moments ago, he displays only excitement watching the platform come to life at Sheppard's touch. He admires this man from the start.

The next time we see them together, it's in Atlantis. And for some reason, McKay seems to follow Sheppard where ever he goes. The major is walking around the gate room turning on lights around him and McKay is right on his heel. From the moment he steps out of the gate, he is following this man that is a stranger to him. They seem to keep winding up in the same places.

Rodney is also doing the looking but trying not to look thing. Looking everywhere else but where he clearly wants to be looking.

Make note that during this scene there was a clear focal point in the room in the bottle of champagne that had just rolled through the gate. Everyone else in the room was looking at Elizabeth holding up the bottle.

Their first proper exchange is the one where Sheppard reveals his math skills to McKay, which has been analyzed to death. Sheppard is cool and calculated, uses his charm to get his way. Rodney is only too quick to acquiesce. Unlike Col. Sumner and Dr. Weir, he is completely defenseless against it. Intuitively, Sheppard also knows what strings to pull. Weir is charmed through candor, Sumner (who does seem to warm up to him eventually) is charmed through the display of guile. Rodney McKay is charmed through intellect, so that's what Sheppard uses to manipulate him.

We get much more interaction between them in the next episode, Hide and Seek (S01E03).

The throwing off the balcony, shot him in the leg scene is familiar to everyone. There's certainly bonding going on, people seeking companionship marooned in another galaxy. McKay displays his admiration of Sheppard in multiple ways, the least of which is not volunteering for experimental and potentially dangerous gene therapy for the hope that he might become just a little bit more like the major.

(And note that while Sheppard and McKay are playing with each other, there are people still without living quarters because "the major seems to be taking his time" making sure they're safe. Priorities.)

There's a big lampshade moment in the scene where the two of them walk into the closet together, and then come out of the closet together. A closet is, in fact, explicitly referenced:

McKay: Someone thought it would make a nice closet. Sheppard: This is definitely not a closet.

This episode also marks the beginning of Rodney being oblivious to Sheppard finding double entendres and innuendo in something he says innocuously in a tense, potentially life-threatening situation.

Sheppard: Think we're going to need a bigger boat. McKay: Size doesn't matter. Sheppard: That's a myth!

My guy, is this really the time for this?

In fact, Sheppard never misses an opportunity to turn something McKay says into a sexual reference (and this is far from the only instance that reveals he is a total and utter size queen; what is he saying here? He's saying that a big dick is better, that's what he's saying here. He's saying that he prefers a big dick). It's pathological. It's Freudian. It's witness to Sheppard constantly having sex on the brain when it comes to this one man, and only this one man, as we never see him do it with anyone else.

All of this is really cute and fun, but what I actually want to highlight is Rodney's Big Damn Hero moment toward the end of the episode.

You see, John Sheppard is presented as the All-American Action Hero. We, as the audience, are supposed to see him like this and the people in-universe are supposed to think of him like this. Rodney McKay certainly sees him as the hero, idolizing him to the point of constructing an image of Sheppard that barely corresponds with reality. He is the protagonist.

Only, for John Sheppard, it is Rodney McKay that is the Hero.

This is lampshaded in the episodes Sateda (S03E04) and Tao of Rodney (S03E14). Rodney often surreptitiously volunteers information, masked in the guise of humour, that he means about Sheppard but would never confess out loud. In the former, he tells us (through describing to Beckett his relationship with Ronan): "We have an unspoken bond. I mean, there are things that go deeper than words, my friend. Deeper than words. But you wouldn't know anything about that, because you never look past the surface of anyone, do you?"

It is humorous when he says it about Ronan. It is absolutely true of his relationship with Sheppard.

Similarly, in Tao of Rodney he describes his relationship with Zelenka to Ronon: "He tries to hide it, but deep down, I'm the wind beneath his wings."

It is humorous when he says it about Zelenka. It is absolutely true of his relationship with Sheppard.

He is the wind beneath the wings of the flyboy, the pilot, the airforce major/colonel, the guy who thinks that people who don't want to fly are crazy. The guy with the wings. Rodney McKay has been the wind beneath them from the moment onward that happens at the climax of Hide and Seek that changes everything for Sheppard.

The lyrics of the song from Bette Midler, arguably the world's best known gay icon, tell us how Sheppard views McKay:

It must have been cold there in my shadow To never have sunlight on your face You were content to let me shine, that's your way You always walked a step behind

So I was the one with all the glory While you were the one with all the strength

Did I ever tell you you're my hero? You're everything, everything I wish I could be Oh, and I, I could fly higher than an eagle For you are the wind beneath my wings

It is obvious that Rodney thinks of Sheppard as his hero. Because we frequently see Rodney fear for his life, avoid conflict, think his way out of situations, his heroism is more difficult to recognize. But the thing is, Rodney feels the fear and does it anyway. He is not afraid to show that he is afraid.

John, on the other hand, is so full of fear every moment of his life that if he were to acknowledge it even for one moment, it would paralyze him. He cannot afford to entertain fear, let alone show it to anyone else, friend or foe. And it is not merely losing the people he cares about that he fears, he also fears showing other people who he is where Rodney is always unabashedly himself. John thinks that Rodney doesn't care whether people like him or not, which makes him free.

Conversely, John has consciously constructed himself into someone that people will like, he reflexively uses his charm as a weapon, as self-defense. He has spent his entire life pretending to be someone he is not, even going so far as to marry the woman his father liked, as a survival mechanism. In the episode, we learn that Sheppard thinks scary things (the masks of hockey goalies are scary while football "is a real man's sport") are unmanly. Fear is unmanly. Showing fear is the unmanliest thing there is.

For John Sheppard, Rodney McKay is a Hero.

We are shown this explicitly in Harmony (S04E14). Oh, we're meant to snicker at this. This is so counter to reality, is it not? This is not how the world sees it. This is not how Rodney McKay sees it, even though in the episode he jibes that this is how he remembers the events. But this is 100% exactly, entirely and fully the way John Sheppard views the two of them, and has done so since the end of Hide and Seek.

This is in contrast to Beckett and Peter making fun of McKay at the beginning of the episode by inventing hero names for him: Mister Invincible, Captain Untouchable. While everyone recognizes Rodney's intellect, no one else thinks of him in this way. The thread running through the episode is McKay conquering his fear which is highlighted by the ancient mcguffin that he is initially unable to turn off because his fear is too great to relinquish the protective barrier.

For John Sheppard, because of who he is and how he has lived his life, Rodney McKay is a Big Damn Hero. Rodney McKay is brave enough to not only feel the fear but to let his fear show, and go for the Hail Mary anyway.

At the beginning of the episode, John was mostly amused by Rodney and his antics; amused enough to want to spend time with him, invite him to share something very personal to him (the football game that was one of the few possessions he had brought with him), to repeatedly tease him knowing what buttons to push, to talk about him even when he wasn't there ("Don't tell McKay what I said about hockey not being a real man's sport ‘cause it's a Canadian thing; a little touchy about it."). Also, look at him smiling as he's thinking about McKay here! All of these classic signs of attraction, by the by.

And yet by the end of the episode it's transmorphed into something more, something genuine.

Where previously he mocked McKay for his fear ("He... fainted"; "That's okay, you might faint again"), he now reinforces Rodney's self-ascription ("Thank you for not saying the other thing"), displaying his respect and admiration for Rodney's willingness to and capacity for self-sacrifice even in the face of paralyzing fear. Sheppard recognizes that although he might undertake one suicide mission after another, Rodney is able to do something that he does not believe he ever could.

This is where it begins. This is why he falls so hard.

[cheese-anon-real]

Look at my little horror dudes!! They are being Friends!

@partycoffin the Him has Arrived!

[isekyaaa]

The closest character to Kokomi in terms of similarities is Alhaitham. They both want to essentially do what interests them the most (read) and be left alone. Both are quite intuitive about understanding and predicting situations and people. The difference is that Kokomi feels a higher level of responsibility over her environment then Alhaitham. She feels more obligated to do what she doesn’t want to do while Alhaitham just cannot be bothered.

[circle-around-again]

"The dark side ignited and fueled his anger. He was enraged by the icy water and by the entire planet of Mygeeto. He fought his way to the surface, kicking and clawing and bursting through the ice. And after he broke through the ice, while he was still gulping freezing water and struggling to keep his face above the surface, he saw his Master on the shore." (Windham, 86-7).

This is not only one of Maul's coolest moments, but perhaps a key insight into the nature of the darkside and its users.

Maul experiences the dark side as fire. Maul's dark signature is that of "ignition" -- like a machine being awakened, or a furnace of power. However, it has distinctly desperate traits -- it is one of struggle.

However, Sidious' force signature is here as well. It is ice. What feels like an entire world of awful power pressing down on Maul specifically. Something he rebels against, but is smothered in until his death. And I always preferred the interpretation that Sidious' force signature was frigidly cold.

[raincandy-u]

the more discord focused episodes i watch of mlp the more i go "hes just like me fr..."

[rickybaby]

So the FIA and F1 can consider whether to cancel the Abu Dhabi Grand Prix over ‘safety concerns linked to the situation in the Middle East’ but a) they can’t call it for what it is - a genocide and b) they’ll continue to remain complicit in their silence by pretending the situation is very different from what’s actually happening

[dgtn]

Soooo, I went and did a thing today…..this is my newest ink and I am in love with it!!!! So yes of course right away I’m sure y’all noticed it’s a sun and moon. And yes I’m a jikooker 🥰. I love the bond between Jimin and Jungkook. I love how they always support each other and show their love and respect for each other 🥰. And they are known as the Sun and Moon duo. They balance each other perfectly.

When I started thinking about what kind of tattoo I wanted I was drawn to tattoos of the sun and moon. I guess you could say I had Jikook on my mind.

I started looking up meanings behind sun and moon tattoos and realized how much they speak to things that I and I’m sure many of us have experienced in life.

The moon in all its phases can represent birth and rebirth. It can represent how we as individuals change as we grow and experience different things in life, both spiritually and emotionally.

The sun represents the balance and stability that we all seek out in life. Much like the sun itself creates that perfect balance in the universe as the center of everything.

When you combine the 2 together, it’s a wonderful celebration of life. Life is a beautiful, sometimes messy , journey. And through growth and change we will hopefully find that balance and harmony that we seek out.

So my beautiful new tattoo is a reminder to not be afraid to grow and change throughout my life. And to seek harmony and balance in my life every day. And it’s also a beautiful reminder of a very special relationship that exists between our Sun and Moon duo 🥰🥰🥰

[sassmill]

Listening to pride and prejudice has really got me on Hinge and Seeking Arrangement in full graft mode

[chiisana-lion]

literally such an unforgivable crime that even after The goth charas of each season only ever dropping banger after banger they dont even get a 3dcg performance in parade im still so bitter

[tv-moments]

Severance

Season 1, “Hide and Seek”

Director: Aoife McArdle

DoP: Jessica Lee Gagné

[flightofaqrow]

tag refresh, relationships ( ‘+’ is platonic, ‘x’ or ‘ship name’ is romantic/sexual, ‘branwen twins’ is face value lol )

[dr-futbol-blog]

38 minutes

The episode 38 Minutes (S01E04) is a strange one. This is the first time we see the team on an away-mission (and we see this only in flashbacks), and yet there is this established dynamic within the team and between the characters that would be much more at home later on in the season. They all care too much, they trust each other too much. There's an intimacy to their interaction that is difficult to explain.

The functioning of the puddle jumpers is deconstructed when we have barely learned how they work in the first place. We learn obscure Wraith lore when we've barely scratched the surface with them. And then there's the question of the strange almost-confession from Sheppard to Weir that is left hanging at the end of the episode.

There are some parallels between this episode and the previous, Hide and Seek (S01E03) that kind of provide a motivation for them happening in sequence, the episodes mirroring each other. I suppose a modern binge-watching audience might spot such parallels much more readily than one would have watching episodes in a weekly schedule and if these two had been separated by more episodes between them, but it is still weird.

There are in both episodes, for one, the subtle and private touches, unnoticed by the others.

Both lead characters also end up unconscious on the floor at the end of the episode, tended by the medical staff. There's also the innuendo: where Sheppard referenced dicks ("That's [size not mattering] a myth!") in a tight spot, here Rodney describes John's bug bite as a hickey. How ever you want to interpret their relationship, these off-hand comments reveal that they sure do think about each other in sexual terms.

Where Rodney has his Big Hero Moment and saves everyone, Sheppard is saved by everyone. They all work so hard so save the man who believes he has to save everyone even if it kills him but does not believe himself worth saving.

It is very touching but it would have made more sense and carried more weight later on in the season, perhaps after we had seen him save the day and the others a bunch of times. Now we start deconstructing the hero myth right from the outset.

But it's actually the almost-confession that I want to dissect here.

Often when homoerotic subtext was used end employed in mainstream shows, especially during this era, the more something was in fact hinted, the more the main-text had to compensate by showing or referencing something over-the-top heterosexual. It's the plausible deniability. There sure is something gay going on in here so we'll distract the normative viewer with bells and whistles elsewhere (cf. the nurse at the end of this episode; Sheppard smiles at her and the mainstream audience is going to interpret that as sexual interest -- after all, nurses are sexy in Western culture. But note also Rodney side-eyeing her as she walks away. What this is is another case of Sheppard using his charm to get someone to do something for him -- in this case, making sure that he gets sick bay privileges). We sure don't want to make John Q. Public uncomfortable. They have to be given the chance to read the text in a normative way.

John Sheppard and Elizabeth Weir are the main characters of the show. It is easy to read their relationship as a friendship but a kind of a will-they-won't-they dynamic was also inserted into it. There are looks, there is unexplained tension, we are clearly meant to see them as close even if the nature of their closeness remains unexplained. All of this is of course true of Rodney and Sheppard, as well. It keeps things interesting, narratively speaking.

In the episode, there is this strange throughline of Shappard wanting to make what equates to a death bed confession of some kind. It is not an offhand remark but something that is returned to time and again:

Weir: Hang in there, Major. We're working on the problem. Sheppard: I know you are. Listen. I'd like to say something while I still can. Weir: Don't! You're gonna get through this.

...

Sheppard: What I wanted to say was... Weir: Save your strength, John, and tell me in person. Sheppard: This is important.(Weir sighs and closes her eyes.) Weir: I'm listening.

...

Weir: By the way, what were you going to say? Sheppard: When? Weir: Before, when you thought, you know ... Sheppard: Oh, that. Weir: I didn't want you to say it at the time, but now I'm curious. Sheppard: I was going to say, um ... take care of each other. Weir: That's nice. Sheppard: Yep. McKay: And, uh, indeed, we did. Sheppard: Yes, you did. Thank you. Again. McKay: You're welcome.

Weir: You weren't really going to say that, were you? Sheppard: I have no idea what you're talking about. Weir: I didn't think so.

Clearly, this means something.

Is this meant to be romantic? It can be interpreted as romantic. The mainstream audience likely will interpret it as romantic because that's what they are primed to do. Man, woman, something unsaid = unresolved sexual tension, unrequited love. Right?

Only, this interpretation makes no goddamn sense.

First of all, Elizabeth Weir was still in a relationship at this time. Granted, she didn't know whether she would ever be able to return to earth, she had not broken up with her man. It would make romantic interest in Sheppard morally dubious at best.

Second, by this time they barely knew each other. A confession of undying love would be wildly out of place, and a confession of interest would fit ill with the direness of the situation.

Third, for mainstream television, Elizabeth is too old to be Sheppard's love interest. Yes, they're practically the same age and the actress is technically the younger of the two, but this is how the world of entertainment works. If they had pursued this, it would have been a May-December romance of the wrong variety for the general audience.

Fourth, the question of the chain of command. Given that the expedition had civilian leadership, the major had been thrust into a command he had not signed up for, there existed a rather precarious chain of command on Atlantis at this time, as it was. Adding romantic entanglements into it would have been a Really Bad Idea. And the chain of command coming between a pair romantically interested in one another was something that was true of the entire franchise. Sam and Jack only got to have each other in some alternative situations, never in the main text. We all knew they loved each other but their position in the military would not allow them to get each other.

While they were both military, we have the same dynamic with Daniel Jackson and Vala, who are both civilians. They got to have each other in a timeline that was erased but in the main text their professional relationship precluded them from consummating their relationship.

And note that this franchise knew how to do unspoken romantic tension perhaps better than any other, it was their bread and butter. This wasn't it.

But wait, I hear you say. Isn't this true of Sheppard and McKay as well?

Yes and no. Yes, there is a chain of command. No, neither of them cares about it in text. That is, the chain of command between them, not chain of command in general.

First, there is the infamous scene in Miller's Crossing (S04E09) where Sheppard attempts, as a last resort, to pull rank on McKay with very little luck.

Sheppard: You're an invaluable of my team, and you report directly to me. McKay: Really? You want to talk about chain-of-command right now? Sheppard: You are not doing this.

Not only was McKay going to do this, the fact that he didn't do it right away had more to do with his respect for Sheppard as a person than a respect for the chain of command. But there's an even more incriminating scene in Harmony (S04E14):

Harmony: Tell me: which one of you is the superior officer? McKay: You mean, who outranks who? Harmony: Yes. McKay: I'm a civilian; I don't have a rank, but basically we're equals. Sheppard: Technically I'm in charge. Harmony: I thought so. You have all the makings of an excellent leader, John.

They are basically equals, John is technically in charge. This, according to them. Of course in reality being in charge of McKay is like being in charge of a bag of cats, but that's another thing entirely.

So what was Sheppard going to say to Weir? I would venture a guess, based on the episode Letters from Pegasus (S01E17) toward the end of the season, that what he wanted to say had something to do with Col. Sumner. That was the thing that was weighing on him this whole time. At this time we knew nothing of Sheppard's family back home or even if he had one -- and he certainly didn't feel he had anything to say to any of them when they were sending their final messages to earth.

Where other people are sending messages to people they love back home, Sheppard's focus is entirely different: "I'm not sure if Colonel Sumner's parents are still alive. I'm not sure he even has a family back there -- not all of us do. But if he does have a family, they should know that he died with honour and courage in the performance of his duty."

At the end of the day, when the chips were coming down, when they were sending their final messages to their loved ones, this is what John Sheppard wanted to say. In the episode he tells Elizabeth that what he had to say was important. This is important. Much more important than any confession of feelings could ever be.

But what did Elizabeth think he was going to say? That remains unclear. What is really curious, though, and notable, is that McKay seems real tense when they're waiting for John's answer. He stands there with what can only be described as baited breath. And it is his reaction -- not Elizabeth's -- that we get to what John says, lying about it though he clearly is.

What is that about? Why do you care so much my guy? Why do you have an investment in this?

Dear God, he's almost as relieved here than he was when they had just saved Sheppard's life.

Like I said, this would have made much more sense further on in the season. But as it is, the dynamic between these two characters got to a really intense start!

[lovestrengthandbeauty]

Hi,

I wrote a book.

Www.danyellelatrese.com if you’re interested

Www.instagram.com/danyellelatrese

Love you, bye.

[xxscrabiesxx]

tfw your oc ages with you

[13thpythagoras]

I believe Marx erred in eschewing religion altogether.

Marx should have worked with religion rather than against it; Jesus was already a communist in the wings waiting to be drafted into the movement, Marx missed a huge opportunity to highlight how Jesus was essentially a communist, and that there are a great many revolutionary bible passages that support this, such as

Mathew 19:23-24 — Then Jesus said to His disciples, “Assuredly, I say to you that it is hard for a rich man to enter the kingdom of heaven. And again I say to you, it is easier for a camel to go through the eye of a needle than for a rich man to enter the kingdom of God.”

Is it not plain as the noon-day sun? Jesus Christ is telling Christians to give up everything they own at the altar of the Lord and become disciples of HIM! Similarly, this was a requirement of ancient Pythagoras, and many of the mystery schools, to gain entrance into their secret societies.

Luke 12:15: Then [Jesus] said, “Beware! Guard against every kind of greed. Life is not measured by how much you own.”

Communism then, making many of the same demands, it baffles me and bewilders me why and how man-with-a-brain TM Karl Marx could have missed this astronomically significant connection that he was tapping into a much older lineage of thought. Perhaps it is hubris, and the desire to be an original discoverer of original truth, that hero the west craves.

Yet it is through my learnings from eastern philosophies that taught me to cast off the need for a hero, or necessarily, salvation. Balance is the central value of the eastern perspectives, I've found, not salvation.

Calling religion the opiate of the masses and telling people to get over it does nothing to show people a better way. Now the Dalai Lama is exiled from his majestically beautiful homeland and there are countless other stories like this, where religious freedoms are trampled under authoritarian structures.

Jesus was absolutely an anti-racist and anti-capitalist if you look at the bible, he's the poster child of our movement, essentially telling people to come back to Jesus and that they've lost their way, and that antiracist-democratic-socialist-communism is actually the preferred method of governance for Christians, always has been; it's a train to get on, reclaiming these roots.