For all of the flaws in X-Men Evolution there was a lot it did very well, and letting Wolverine be this grumpy father figure to most of the X-Men was one of them.
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The other day I was talking to @vaultureculture about Kuras' having a bit of owl in his design and that made me look for his 'biblically' accurate form because my memory was fuzzy, but my brain had been cooking for a while already and I needed answers.
After looking at his real form, I have to wonder: are angels in this world really this grotesque, or is it just Kuras?
screenshot by @sweet-milky-tea705
If so, is this disfigurement a punishment given before he, willfully, decided to ostricize himself, or is it the effect of him being away from his 'exalted origins' for so long?
His real body seems to stand between rotting corpse and an alien figure - a carcass well-past rigor mortis of an otherwordly creature, yet somehow this thing feels oddly... alive, almost if it were an empty exoskeleton clinging to life out of sheer will or even spite. Or perhaps it is meant to mirror the very essence of this world of decay in it's full, blunt, raw glory.
Maybe it's the effect of his immeasurable guilt, corroding his very essence. Just what did this angel do, or perhaps did not do, to deserve eternal purgatory? What is necessary for a divine being to decide for themselves that they deserve such fate?
Was it even his idea? What if it's somebody else's will that Kuras is carrying out as his own, ever true and loyal to his role as a messenger to the very end? How much of all of this is something he actually wants and thinks by himself he ought to do in order to purge whatever wrongdoing of his?
A MC with The Unnamed background seems to know Kuras (or at least seems to be in tune with a being like him), and a familiarity between the two is hinted at in the demo. Is Kuras always this open with everybody, or is it just with MC? Why was he so familiar with us, to the point he even laughs and MC reacts to his touch like they remember it? Does he just feel that much at ease around us or do we actually know each other, somehow?
What is going on with Kuras?
Is his body decaying due to heavy shame and guilt, or is it just like that, a horrifyingly indecipherable view to anything mundane?
Or is it standing in between worlds, in the limbo between holy and corrupt, never forgetting the past but also never looking forward to the future, that is pulling him apart?
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arctic monkeys and every time the word ‘love’ is mentioned
whatever people say I am that’s what I’m not
tonight there’ll be some love, tonight there’ll be a ruckus yeah regardless of what’s gone before
~ view from the afternoon
oh there ain’t no love, no montagues or capulets
~ i bet you look good on the dancefloor
all that’s left is the proof that love’s not only blind but deaf… yeah I’d love to tell you all my problem
~ fake tales of san francisco
she makes a subtle proposition, I’m sorry love I’ll have to turn you down
~ when the sun goes down
lady, where has your love gone, i was looking but can’t find it anywhere, they always offer when there’s loads of love around but when you’re short of some it’s nowhere to be found
~ no buses
well how can you wake up with someone you don’t love and not feel slightly phased by it
~ leave before the lights come on
favourite worst nightmare
it’s wrong wrong wrong but we’ll do it anyway cause we love a bit of trouble
~ balaclava
and those dreams weren’t as daft as they seem, aren’t as daft as they seem my love
~ fluorescent adolescent
there’s room for the trouble and there’s lovers to be had
~ this house is a circus
it’d be a big mistake for you to wait and let me waste your time, really love it’s fine, I said really love it’s fine
~ the bad thing
old yellow bricks, love’s a risk… houdini love you don’t know what you’re running away from
~ old yellow bricks
another roll around and another push and shove, further away from the idea of love
~ da frame 2r
the more you keep on looking the more it’s hard to take, love we’re in stalemate… you’re slacking love where have you been
~ the bakery
am I too quick to assume that the love is no longer in bloom
~ too much to ask
humbug
i had a hole in the pocket of my favourite coat and my love dropped into the lining
~ i haven’t got my strange
suck it and see
i wanna feel your love brick by brick
~ brick by brick
do you still feel love is a laserquest or do you take it all more seriously… when I’m not being honest I pretend that you were just some lover
~ love is a laserquest
your love is like a studded leather headlock
~ suck it and see
jealousy in technicolour, fear by name, love by numbers… crushing up a bundle of love
~ that’s where you’re wrong
before she showed you how to shake love’s steady hand
~ the blonde o sonic shimmer trap
your love’s not what I need, so don’t give it to me
~ evil twin
am
it’s not like I’m falling in love I just want you to do me no good… the look of love, the rush of blood
~ no.1 party anthem
love buckles under the strain of those wild nights
~ mad sounds
I heard that you fell in love, or near enough
~ snap out of it
love like locked horns, love like dominoes… love like thunder, love like falling snow
~ electricity
I know you’re nothing like mine cause she’s walking on sunshine and your love would tear us apart
~ you’re so dark
tranquility base hotel and casino
love came in a bottle with a twist off cap, let’s all have a swig and do a hot lap… but it’s alright, cause you love me
~ star treatment
when true love takes a grip it leaves you without a choice
~ golden trunks
pattern language in the mood for love
~ the world’s first ever monster truck front flip
I wanna stay with you my love, the way some science fiction does
~ science fiction
the dawn won’t stop weighing a tonne, I’ve done some things that I shouldn’t have done, but I haven’t stopped loving you once
~ the ultracheese
the car
lights out on the wonder park, your saw toothed lover boy was quick off the mark
~ jet skis on the moat
put your heavy metal to the test, there might be half a love song in it all for you
~ mr schwartz
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hii!! can we get some platonic fuuta amane interactions please? thabks !!!
Ahh yes, thank you so much for the request! I love them so much ;--; They've been making my brain go brrrr lately with T3 possibilities, though I decided to stay away from the drama for now. Here something sweet after T1 verdicts but before the attacks -- they're just hanging out :3
Yuno smiled down at Amane, finding her hunched over a table of craft supplies with Fuuta. The guilty verdict had hit them hard, so it was good to see them in better spirits. She tried to peer over her shoulder to see what they were working on. “Aw, what are you two up to?”
Amane returned her smile. “Fuuta is teaching me to misbehave.”
His face twitched in horror. “Oi, you can’t just go around saying that!” He looked frantically at Yuno. “We’re just folding paper planes.”
Amane lifted her chin. “You said in middle school, you made them to throw in class.”
“I said my friends made them to throw in class. And it’s not like I’m telling you to throw them. I was just making them because there’s nothing better to do in this damned place. You were the one that said it looked fun and sat down to annoy me!”
Fuuta huffed at the accusation as Yuno walked away, laughing. He returned to the design he was folding. He hadn’t been giving an explicit step-by-step for each, but Amane was keeping up just fine. They each had a small pile of various plane designs they were adding to.
Running a finger along a new crease, he gave Amane a sideways look. “Though, you could stand to misbehave a little bit.”
“I did.” She reached forward to mimic the fold on her own plane. “That is why I’m here.”
“Eh? I don’t mean you should commit crimes!” He scowled. “I’m talking about normal kid stuff, nothing against the law. Like staying out too late, driving your teacher crazy, funny vandalism–”
“--Vandalism is against the law.”
“Oh come on, it’s harmless! Don’t even try to argue that a little graffiti is comparable to what got you here.” He rolled his eyes. “So? What about that other stuff?”
She shook her head. With neither disappointment nor pride, she said, “I never left my home at night. And my teachers were far too strict.”
“Aw, it’s the strict ones that are the most fun to prank!” He pointed to Amane, adopting the most persuasive voice he could manage. “You gotta do some of these things, or you’ll turn out with a stick up your ass. Like Kotoko, or Mikoto. Or a weirdo like Kazui and Mahiru. Shidou’s more or less normal, and he’s the type of guy to break some rules now and then.”
“And you?” She raised her eyebrows at him, feigning innocence. “I take it you turned out perfectly because you misbehaved as a child?”
“Hey, I never said I was a shining role model or anything. But I mean it. If you stay like this, you’ll grow up to be a boring loser, another cog in the wheel.”
“It is an honor to be a part of something bigger than yourself, to find belonging, and purpose.”
“Tch, don’t be such a pain!”
“I wasn’t.”
“You know that’s not what I was talking about!”
“What were you talking about, then?” She gave him the same expression as before, and wondered if could hide her genuine confusion.
“Don’t play dumb. I know working in a group is a good thing, but you don’t want to kill yourself for leaders that don’t give a shit about you. That’s a major issue in this country, you know? In government, and corporations, and all that. That’s not belonging, that’s just exploitation.”
Amane stayed silent.
Oblivious to the emotions flashing across her lowered eyes, he nudged her in annoyance. “And the best way to break from that is to loosen up a bit. So have a little fun now and then, jeez!”
She picked her creation off the table. She turned it over in her hands. It had come out perfectly sharp and clean. “I’m having fun now.”
Fuuta, preparing to argue with whatever she said, blinked. “O-oh.”
“At school, my favorite activities included choir practice and the arts. It has been difficult to sing here without accompaniment, so I am grateful to have the opportunity for crafts.” She looked at him earnestly. “Despite your past of disobedience,” she smirked, “I always enjoy your company.”
His expression twisted up, but he couldn’t hide the reddening of his ears. “What do I care if a brat like you likes my company?”
She smiled. “I’m not a brat. As established, I am very well-behaved.”
“That’s even worse!”
“Tell me about this plane, Fuuta.”
After sufficiently rolling his eyes and sighing, he agreed. He started explaining what made these planes different from the last: how they compared on speed, accuracy, and length of flight. It didn’t really matter if they were just going to toss them around here or the panopticon later, he thought it would be helpful to teach her anyway. Maybe if she ever was inclined, she’d remember which ones were best for pinpointing a teacher’s back, or a warden’s…
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unsure how to word this but there is something about having ocs with unsavory events happening in their past where it's like. talking about it, even when asked, seems almost gratuitous and inappropriate. and i'd much rather describe it through the oc themself and/or draw Them saying it. which is like. fitting for the subject matter? like of course its weird to talk about somebody else's business...!
and falls back into humanizing em/exploratory writing and development where u consider the impact of words said/words unsaid/HOW those words are said etc etc
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Tired of seeing fic on ao3 claiming to be based off dune the book series when it’s very obvious that the writer has only seen dune the movie(s).
Yes, it matters. Yes, these are very different works. You’re probably doing this for visibility; I don’t care. Archive Of Our Own is a fucking archive, stop labeling your works with a tag you know is factually incorrect. It makes it impossible for me to filter for fics I want to read.
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tell me about drawtectives. what is this little show.
oooooh my god oh my god. they are my guys. so.
drawtectives itself is a youtube series created by julia lepetit on Drawfee. it's an rpg mystery show– s1 is a murder mystery, s2 is just a mystery– that doubles as an art challenges show. she draws all of the backgrounds and npcs and most of the assets (the 'cutscenes', you could call them) and then the team gets together, knowing absolutely nothing besides what julia's asked them to prepare, and does some funky improv to create a very funky storyline.
there are 3 players and one dm; the pcs are rosé, york, and grendan/grenda/grandma/gma, and the Big NPCs are Jancy True (s1/s2) and Eugene Finch (s2) and they're, in their own words, a found family, so. beloved. their backup plan if all their jobs fail is to move out east and open a bookstore. jancy and eugene have fully accepted their titles as mom/ancestral ghost and son despite meeting each other likely once before the drawtectives dragged them together. overall though if i had to summarize, it's a bunch of friends getting together, making a bunch of puns, appreciating julia's art, and laughing together. the vibes are 10/10 so loving. in writing the transcripts i've written (Karina laughs) (Nathan laughs) (All laugh) So Many Times it's just fun.
so there's three pcs. first one we meet is gyorik 'york' rogdul, who's a half-orc come to the city to learn about his mother's culture. he is the character we have by far the most lore for– if I compiled all the lore I had about the Northern Tribes and Wild Trains, I think the document would be multiple pages. he's also illiterate, which was an interesting decision for the english major of the group to make (in other words, York Will Not Be Illiterate For Season Three bc Y'all Cannot Read) and morally gray if you think about it too hard (he killed his own brother) but yknow he's hot so it's okay. they're all hot any crimes committed are okay. he's also aroace (confirmed by the player, which is!! vibes!! THANK YOU SO MUCH FOR TELLING ME @axolotllee!)
rosé is the Human Rogue and the youngest of the party; her main trait in s1 was Millennial and she Dealt with that. she, in contrast with York, has so little lore we are scraping the barrel. she was a thief, then left everything about that life behind and changed her name to rosé when she went to work for jancy. she lied on her resumé. she knows how to sew; she's sewn Pockets of Holding on most of her clothing. she bonded with a stray cat that lived outside her last apartment. she's three credits short of graduating college. she's, in addition to being a drawtective, jancy's intern, and cried when jancy got her a cupcake. she won't tell her best friends when her birthday is or where she goes to school or what her last name is. that's all we know about her and i love her and she could probably kill someone as she has multiple knives on her person and does not use them. she's bright and funny and can be pretty dark but really does find the humor in it which is. wonderful.
so grendan highforge starts out as The Snobby Rich Boy which. already love the trope something Always Happens To Them if they're a pc. then through s1 they make an offhand comment about a character (faucon, whose name is pronounced 'falco') and how if her name was pronounced that way it'd be grenda. faucon asks how they feel about it. they are caught very off-guard by that and then ask to be called it for the next hour or so. then the next witness calls him gma, and then grandma, and then. yeah she realizes she's genderfluid. and he uses any pronouns and has a full beard and also wears a romper and loves dogs and the player is the Most Experienced TTRPG-er so through maybe using resources a bittt grandma is the most observant character of all of them. he's also a dog walker and a lightweight and does canonically have druidic magic though that was Not Touched On Much and showed up to their first day on the job slightly stoned (they did stop doing that though.) she carries around a box to make the height difference (york is 7'. grendan is 4'. rosé is 6'. you can see the formatting issue) slightly less difficult. she doesn't know how rhinos reproduce but has had a fascination with them since a police chief said one might've committed a crime. i think they could kill someone by talking too much but they don't actually have the strength or dex to do Jack Shit.
and jancy true is the head pi (a great many of the characters are puns and i love it so much) and is there to make sure things get done and clues don't get missed. she has a cochlear implant and uses a cane and solved s1 just by Reading The Paper and hearsay. she solved about half of s2 before Someone Stopped Her. she says hello children to the drawtectives and it is such a fond thing. eugene is. a guy who i love. julia started the show thinking he would be some mysterious character to join them and then made the wonderful improv decision– avoiding having to do npc-npc conversation– of saying 'yeah eugene is spinning a camera on its stand' and rosé just says so gleefully. 'guys. i think he's stupid.' and he became their son. his character is a lot of The Plot of s2 so i don't want to get into it too much but. jancy and eugene my beloved.
they're just. such a family. to quote nathan (grenda's Player) from the s2 talkback: "That's one of my favorite things about this show, is we came in with these vague ideas for characters, and just playing them with each other, they became friends and became better people as a result of knowing each other and solving mysteries. ... Like, we all kind of independently made our characters people that either were distant from their families or, you know, just had tenuous connections to other stuff, and so these are, like, the realest connections they have in their lives."
and then karina (rosé) about 10 seconds later: "Yeah, we love a found family where they bond over just being the worst."
god. them. they're chaotic and loud and feel very real to me. they have excitement and are pretty bad at social cues but they love each other and want to die together because they would hate too much to be separated. i could articulate this better but it's one in the morning and they mean a great deal to me.
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mixing is in progress...
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page 1 | page 2 | page 3 | page 4 | page 5 | page 6 (you are here) | page 7 | page 8 | page 9 | page 10 | page 11 | page 12
image desc below readmore
ID:
In the first panel, we return to the red-hue'd dark room. Tenzō is curled into a tight huddle, and Kakashi sits beside him, only marginally more loose in posture.
"So a lab with big, glowing tanks, dark hallways, and chemicals—ones that hurt to smell?" Kakashi asks.
In panel two, Tenzō turns to give Kakashi a tense look, as though frustrated, or upset.
"Is there any other kind?" He asks.
In the third panel, we see Kakashi's face, and he looks tired.
Kakashi starts to ask "Do you think that the lab may be why you're so shaken—"
but is cut off by Tenzō in the fourth panel, whose face is pinched, and whose speech balloons are large, with bold text, as though he's snapping at Kakashi.
"No," He says. "I'm not—"
In the fifth panel, Tenzō inhales through his nose.
In the sixth, he exhales through his mouth.
In the seventh panel, Tenzō's shoulders have dropped, no longer high and protective around him. He is no longer looking at Kakashi.
"I'm sorry," he says.
"It's okay," Kakashi replies.
Where the next panel would be, there's another image of bluegreen Tenzō, surrounded by the same noisy, grainy texture from the previous page. This Tenzō's hair is floating again, and he's turned away. All traces of anger are entirely gone, and if there is any expression on his face, it's more akin to sadness.
"I had actually...considered that too," Tenzō says.
"I was anxious going in, but..."
/end ID
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The only way I would've accepted seeing pre-fall Crowley and Aziraphale together is if they were like in the Heaven cafeteria, Crowley complaining to a celestial dinnerlady that the lunch options all look bad ("the food hadn't been that good lately"), while Aziraphale walks by in the other direction, needlessly worrying about something. Neither notices the other. They were this close and yet!
Perhaps Aziraphale and another angel are even discussing some rumour about angels starting to ask questions of The Almighty and expresses concern.
Keep in the "how much trouble can I get into for asking a few questions?" or whatever from Crowley but have it be with the disgruntled dinnerlady or one of Lucifer's crew he was presumably hanging out with. Show one of these soon-to-be-cast-out angels casually mentioning to him that they're thinking of bringing up a few of their concerns to "the boss" and would he be interested? It's worth a shot after all. What harm could it to?
Just anything to make it less fucking needlessly dramatic and serious.
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aro culture is that I would know if I experience romantic attraction or not except literally no one seems to be able to describe it further than "you'll know when you feel it" and I don't know if I have so I'm not sure if I'm really aro or not and doubting myself
.
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ID: a rectangular flag with 7 equally-sized horizontal stripes. from top to bottom, purple, indigo, light blue, a slightly bluish white, light pink, light magenta, and a pinkish purple. end ID
acquaintal attraction
an attraction type for when one wants to just be acquainted with someone, ie just knowing them slightly. it could be something like slightly wanting to know someone, though not wanting to be super close, but still wanting to be able to start an unprompted conversation or ask for help without awkwardness if the opportunity happened to arise.
some examples of subterms could be anacquaintal, greyacquaintal, etc.
acquaint + al + attraction
requested by no one, coined by us
probably more stuff related to this coming soon Also please tell me if this has been coined already
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Thinking more about my isat au and I'm gonna need to change a LOT more than I thought. First things first, Siffrin's connection to the wish. Since in Of gems and pages, all the wishes stayed the same. So why is Odile the one looping and not Siff? So basically, what I think I'd do in my au is that the Universe decided to change things up a bit.
The first time the Universe granted Siffrin the means to fulfill their wish, things went horribly bad (just look at Loop). So this time, the Universe decided to give this new Siffrin, something a lil different. They still gave Siffrin the timeloop But made Odile his proxy. So that Siffrin may have helpers in this new timeline, with Loop as the guide and Odile helping as well, it Should go better, right??? And since the wish is connected with Siffrin's emotions, the Universe can't just completely make it Odile's problem now, sooo basically... Siffrin can still remember Parts of a previous loop PRIOR to their deaths.
That means during the beginning of canon when Siff was crushed by a boulder, he remembers that. And found Loop as well, but when he accidentally ended up touching a tear, he now Doesn't remember being crushed by a boulder but by being frozen in time. At the same time, he ALSO doesn't remember Anything else prior to it. So he doesn't remember that there's a boulder that can kill him by the entrance of the House, he doesn't remember Loop. All he remembers is that somehow, one way or another, he was frozen in time within the House and needs to be more careful with the tears. And because of the way that the loops affect Siffrin now is faaar too different than how it affected Loop, he can't go forwards or backwards in time. Siff will always awaken back in the meadow and Loop will always have to do their whole speech all over again (which would most likely annoy them immediately cuz why? Why is it so different now? Why can't this Siffrin REMEMBER?)
Odile on the other hand, remembers ALL the loops and finds a lot of discrepancies with Siffrin. It takes awhile for her to meet Loop and they get to talk to each other. Their meeting would be pretty... rocky at first. Loop still getting regarded as a stranger by Odile, Loop finding out that Odile is the one getting affected by the timeloop from their own selfish wish. Even if that Siffrin isn't them, it doesn't change the fact that they both made the same wish. Loop thinkin bout being such a favourite cosmic joke of the Universe that not only were they turned into This, one of their family members are suffering cuz of them. And she doesn't even recognize them. It'd be pretty hard at first too cuz Loop doesn't know that their appearance changed yet, there's no mirror. For Loop, they might still look like Siffrin, right? But Odile's reaction to seeing them says otherwise.
Anyway in this au, stage wise, Odile is the actor, Siffrin is the director, and the Universe is the audience. Book wise, Odile is the character, Siffrin is the writer, and the Universe is the reader. Why is Siffrin the director or the writer and not the Universe? That's because the timeloops are Still connected to his emotions, if something he didn't want to think about happens like, that argument with Bonbon (just as an example. I'm wondering if that'll still happen here considering that only happened because of Siff had memories of all the loops in canon. He doesn't have that in this au anymore), time would loop back still, so in a way, Siff Is writing how the timeloops go.
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Taking Miss Lily away from fandom until y’all learn how to treat black women like people
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