#senegalese woman

[katrinaftw44]

This is a colourization I did of a Senegalese woman wearing traditional dress. The original b+w was taken by Mama Casset.

This took 3 hours to colourize.

I got the original b+w from @vintageeveryday

[africanrefugeeswelcome]

Refugees Welcome = Increase in the birth rate in declining countries with a serious demographic crisis. Thank you African men for saving us!

[moonfirebrides]

Luminara’s Glow by @soulfulexpressions

[svejarph]

anna diop gif pack

CLICK THE SOURCE LINK BELOW and you will find #188 245x150px gifs of Anna Diop as Aisha in Nanny (2022)! These were created from scratch by Sveja. Do what you want with these, just don't repost/claim as your own, don't use them to play Anna or in any smut/smut-based blogs, and like/reblog if using. If you like what I'm doing, feel free to commission me (/commissionsinfo) or send me a coffee (/svejarph). Anna was 33-34 during filming and is Senegalese.

tw: children, eating, flashing lights, hugging, shaky camera, water, waves

[postcard-from-the-past]

Senegalese woman from Dakar, Senegal

French vintage postcard, mailed in 1918 to France

[hotvintagepoll]

LAST POLL OF ROUND 5

Propaganda

Sophia Loren (Marriage Italian Style, Houseboat)—Major Italian star, first actress to win an Oscar for a performance not in English (for Two Women (1960)) and later when Roberto Benigni won an Oscar in 1999 he jumped over the chairs towards the stage going "Sophia Sophia!!" because he was running towards Sophia Loren and said he cared more about her than the Oscar, that's the effect she had on people. She was big in the 60s already even though she gained a lot more notoriety after that. And I mean. Can we take a moment and just.

Mbissine Thérèse Diop (Black Girl)—She’s a Senegalese actress known for starring in Black Girl, one of the first African films to receive international attention/acclaim. So much of the movie relies on her ability to convey her character’s sense of isolation/loneliness, she’s so amazing, I really wish she had acted more. However, she just recently appeared in the film Cuties!

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Sophia Loren:

She has maxed out all her stats: beauty, elegance, sensuality, she's got it all. her mesmerizing eyes, her sensual mouth, her sharp face shape, her everything is so striking and unlike any other beauty in films. she was also voted the world most beautiful woman when she was freaking 65

im submitting her in honor of my dad bc she was the first celebrity crush of his he ever admitted to me and my sister :) and he was right. shes so pretty

OSCAR WINNER. Worked with some of the hottest leading men in Hollywood but remained faithful to her husband whom she had a loving marriage with till he died (even though Cary Grant almost tempted her once, it's complicated)

One of the most well-known sex symbols of the Golden Age of Hollywood, and unlike some unfortunate others, she seems to have been pretty well at peace with occupying that status. She made assertiveness and a tempestuous temper seem glamorous, and although she's famous for side-eying Jayne Manisfield's cleavage, honestly? She's one to talk.

Absolutely, drop-dead sexy, also a hard working, extraordinarily talented actress who didn't shy away from the less glamorous roles to gift us some gritty, memorable performances

Submitting this on behalf of my dad, who knows nothing of tumblr or this blog, but I remember being a kid watching Houseboat while my mom thirsted after Cary Grant, dad thirsted after Sophia Loren, and I was excited that they lived on a boat. Anyway, she's extremely beautiful and was an international star, doing a ton of movies in Italy before being recognized in the US.

JUST LOOK AT HER Y'ALL

Very smart and beautiful, the characters that she played (I mean those in the movies that I put in the previous question) are as strong and determined as her which I think adds to her hotness.

Global superstar and my late grandfather's long time movie star crush and for a man as quiet as he was, and as hopelessly devoted to his wife as he was, the fact that I know that means she was EXCEPTIONAL.

Big in the chest, snatched in the waist, pretty in the face 😳

Sexy, beautiful, deep. A real star.

Her performance in "Man of La Mancha" is just so very captivating. Dubbed as "the Italian Marilyn Monroe", she looks beautiful in any movie and at any age.

Forget the exotic sexpot of her Hollywood films and go back to her Italian career: sparking with Marcello Mastroianni as the woman who drives him mad and outwits all his fumbling attempts at macho posturing in their early films, and showing a tender side in their 1970s films. Sophia isn’t self-conscious about who she is or her beautiful body: she enjoys being herself and she wants us all to enjoy ourselves too.

She starred in films as a sexually emancipated persona and was one of the best known sex symbols of the time. She is a great cook and her filmography is immense.

On the misattributed quote that Sophia owed everything to spaghetti: 'Did you actually say the quote frequently attributed to you, "Everything you see I owe to spaghetti"?' "Non è vero! It's not true! It's such a silly thing. I owe it to spaghetti, no, no. Completely made up."

Mbissine Thérèse Diop:

[achronalart]

1910 portrait of a Senegalese woman, photographer unknown, in the collection of the Metropolitan Museum of Art, New York.

Her hairstyle is called "Nguuka". It used black wool padding and was popular in the early decades of the 20th century among married Senegalese women.

[1americanconservative]

BREAKING: President Joe Biden and Vice President Kamala Harris’s Department of Homeland Security (DHS) released a Senegalese migrant into the United States from the southern border despite having available detention space to hold him. The migrant is now charged with raping a woman in New York City.

Do you agree with Kamala that our border is secure

[sissa-arrows]

Not sure if you're following the Olympics but Imane Khelif, an Algerian boxer, is now being the target of so much hatred for being a "man" despite the fact she's cis, she just happens to have higher testosterone levels (much like Serena Williams! Who's even a mom!). Intersex people can be cis.

Terfs and racists go hand in hand! It's always the "we can always tell" crowd expect when it's a racialized cis woman who does not conform to your "ideal" beauty types..

Not following the whole thing I’m boycotting but I’ll answer this because of the racism and transphobia surrounding this whole case (because I’m boycotting I’m answering based on what went through my muted words and my block list on Twitter)

First of all even if she wasn’t cis and was trans she would still be a woman. Now that this very important part is out of the way let’s talk about the rest.

In her case she happens to be a cis woman but racist transphobic pieces of shit are being even more violent just because they can’t accept that a brown woman was better than a white woman and because said white woman pulled the white woman tears tactic because she is shit at boxing compared to Imane.

That being said I’m just going to quote a Senegalese guy from Twitter: Y’all are creating an Algeria against the rest of world atmosphere and it’s a mistake. Algerians thrive in that kind of atmosphere.

We’re used to fighting colonizers pieces of shit. They are not the first or the last ones (but close to the last ones Incha’Allah) and we never back down from fighting them.

[cultreslut]

la noire de... (black girl) (1966) dir. ousmane sembène on archive.org and on youtube

"Eager to find a better life abroad, a Senegalese woman becomes a mere governess to a family in southern France, suffering from discrimination and marginalization." synopsis via tmdb

[battleangel]

I Am Not My Hair

What actually happens if I shave my head bald?

Why cant I see what I look like without hair?

Why do I have to be sick or have cancer or be dying?

Why am I not allowed as a woman to just shave my head?

Why do I need a reason, a justification, an explanation?

Why do I have to justify being hairless?

Why are people acting like Im dying and have cancer just because Im bald?

Nothing happens. Thats the gag.

Youve been taught to fear.

Its just my bald head. Why is that forbidden?

Verboten?

Why cant I ever see what my actual head looks like without all this hair on it?

Why cant I see what my face looks like without it constantly being surrounded by hair?

What if I like being bald?

What if I like not spending $1200+ a year on my hair?

What if I like not styling my hair?

What if I like not doing anything with my hair other than cutting it super short, about an inch or two, every few months?

Why does it threaten people for a woman not to care about her hair?

I dont want to go to a hair salon or barbershop.

I dont want to go back to an afro.

I dont want locs or dreads.

I dont want shaved sides, I already did that last year.

I dont want corn rows or bantu knots, Ive done that too.

I dont want to grow it out.

I dont want a $500 lace front wig.

I dont want a wig professionally installed by a stylist every 2 to 3 months.

I dont want to wash or brush my hair.

I dont want to put any products in my hair.

Why is it a sin for a black woman to not want to grow her hair out?

I dont want my "long beautiful" hair back.

I dont want it halfway down my back again.

I dont want it to my waist again.

I dont want to relax it again -- there are lawsuits against Loreal, black women who used Just For Me and other chemical relaxers to straighten their hair are being diagnosed with cancer, inferitility and fibroids.

The chemicals in a relaxer are strong enough to break down and destroy the natural texture of your curly coiled kinks and force it to be straight -- those same chemicals are also strong enough to literally peel paint off of cars -- why are you putting this directly on your scalp for an hour plus every 2 to 3 months from the time you are a pre-teen or in high school until adulthood, for decades, and thinking that there wont be health issues?

They target products to Black women that kill them.

Remember the little Black girls that sang the R&B pop jingle in the Just For Me commercial?

"Just for me...hair so healthy, silky and free."

Who was that song for?

This was the 90s and there were multiple Black girl groups back then -- TLC, 702, Blaque, Xscape, Jade, Total, MoKenStef, etc. -- they wanted to get us while we were young so we would keep using their products until adulthood. 

I got my first perm, I am 4C, at 11. I was so glad my mother stopped burning me with the hot comb that she had tortured me with since I was 5. Anything was better than that as I had a very sensitive scalp or "tenderheaded" as it is called in our community.

I couldnt wait to go to Touch of Magic salon where my older sister already had her long, silky hair. I was tired of being tortured by a hot ass comb that was constantlu burning my fucking scalp and I was tired of being told to "sit still" while my scalp was being fucking burned. I couldnt wait for the Revlon Fabulaxer so the dreaded golden hot comb could be forever banished from my existence.

From 11 to 34, 23 years, I faithfully got  a relaxer at the salon every 2 to 3 months. It was about $120+ (relaxer, deep condition, style, split ends, color, etc.). Over the years, that fucking adds up, over $100k I spent on my hair. Even when I went natural at 34, my 4c hair is extremely thick, kinky, nappy, unruly and very difficult to deal with. People have literally broken combs trying to comb through it. Needless to say, I couldnt manage anything myself but a wash and go so I spent thousands at the salon as a 4c natural on Senegalese twists, box braids, Bantu knots, corn rows, twist outs, twist updos and flat twists. 

Then I shaved my sides and cut my hair super short and started going to barber shops but I was dyeing it fuschia back then so my hair was still costing me money.

Then last year, I finally just grabbed kitchen scissors out of my kitchen and hacked it myself and decided I was never going to go back to a salon or barbershop.

I was going to cut my hair with kitchen scissors myself every 2 to 3 months. I do like different looks so I have five cheap synthetic shitty wigs that are different colors (blue, blonde, green, black). Depending on the lewk and fit, either I just wear my hair natural and short or I slap a wig on.

But thats it. No maintenance, no upkedp, no hair care routines, no wasting away a Saturday at a salon, no barbershops, no wash and gos, no 15 hour sessions getting braided extensions. 

Just literally cutting it with kitchen scissors every 2 to 3 months and slapping on a cheap shitty wig whenever I have a certain fit or lewk and thats it.

Then in August, I decided to shave my head bald. I didnt want even a few inches of hair anymore so I grabbed my husbands razor and shaved it. Didnt go to a barbershop or stylist. Had no idea how to even use the razor and just shaved it all off in under 10 minutes. I loved the bald look especially with thick ass winged liquid eyeliner, bold dramatic eyeshadow and colorful lipstick.

I have a few inches of growth that in a month or two, I will grab the kitchen scissors again and cut my hair down to an inch or two. Ill do that every few months. I love it bald but even shaving my head on a regular basis is more time than I choose to devote to my hair. Cutting it with scissors to an inch or two every 2 to 3 months is my absolute limit.

As a woman, thats not allowed.

Especially as a Black woman.

And I was raised by a Southern Baptist fundamentalist, so forget about it.

You have to obsess over your hair, products, styling, color, length, look, appearance, texture, curl pattern, thickness, volume, care routines, pre poo, deep conditoning, tea tree oil, diffusing, texturizing, blow out, straightening, relaxing, lace front wig installations, weaves, kanekalon, bundles, braids, twists, locs, dreads, corn rows, bantu knots...

You cant just not do your hair!

Only you can. Because thats exactly what I do.

Even as a Black woman and we are brainwashed to be absolutely obsessed with our hair.

Go back and look at the hysteria India Arie caused when she shaved her "beautiful curls".

Just like India Arie, I am not my hair.

[africanrefugeeswelcome]

France🇫🇷+Senegal🇸🇳 Couple

A beautiful white French woman with her daughter with thick lips and curly hair inherited from her father ❤️

[moonfirebrides]

TikTok by Honey Williams @thehoneyeffect

[motziedapul]

The discourse around the movie Cuties or Mignonnes is so rancid, all because people feel the need to regurgitate the takes of White American men who felt weird feelings about seeing young girls dance onscreen in a Senegalese French immigrant woman's biopic.

It was about her, as a young girl, being torn between the hyper sexualization fed to young girls of the 2000s from American media and her own deeply conservative religious family life which made her own mother suffer. It's about young girls finally being able to be kids instead of being pressured to grow up too early or try to act a certain way because of overwhelming pressure.

The actual film is mostly meant to incite discomfort and sadness. It's remarkable to me how much the voices of angry uncomfortable White American men who felt weird feelings about dancing kids have been amplified over that of the mostly BIPOC women the film resonated with and was made for.

Excuse the rant. I'm tired of people shitting on a movie they never watched on the word of some YouTuber who hated it because it made him feel uncomfortable to see the effects of American media and culture on young women. Because they don't want to acknowledge or look at a reality so many of us lived and still live.

This film reflected my own childhood in many ways. This was a film that I assumed would be taken in good faith instead of being demonized by people who thought agreeing with Ted Cruz was a totally normal thing to do.

In the very least, if you've never watched this film and aren't planning to, don't take the word of White American YouTubers on how you should feel about it. Try to see how BIPOC women -- especially non American ones -- felt about it, how people actually talked about it before it became the centre of a culture war where centrists and right wing lunatics decided to agree on demonizing it.

[fibula-rasa]

Favorite New-to-me Films—March ‘24

(listed in order pictured above, L to R)

READ on BELOW the JUMP!

Forbidden Fruit (1921)

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C.B. DeMille and Jeanie MacPherson’s second swing at this modernized Cinderella story about overcoming a bad husband, now with eye-popping fantasy sequences designed by Natacha Rambova. [Gif sets incoming!]

Mary Maddock (Agnes Ayres) does seamstress work and takes in laundry to support her layabout, no-goodnik husband. Her wealthy clients (Kathlyn Williams & Theodore Roberts) hatch a scheme to use a social event to settle a business deal with handsome young entrepreneur Nelson Rogers (Forrest Stanley). Mary accepts the job to keep Rogers occupied, with the unintended consequence of the two falling in love. When Mary’s husband makes a surprise appearance, the jig is up. But, after her husband’s chicanery has deadly consequences, Mary and Rogers are free to live happily ever after. CW: a pet bird is killed.

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The Woman King (2022)

[letterboxd | imdb]

Giving an epic treatment to fitting subject matter, Gina Prince-Bythewood, Maria Bello, and Dana Stevens tell the story of the Agojie, a real-life group of warriors from the kingdom of Dahomey in West Africa, and General Nanisca (Viola Davis), a fictional leader of the warriors. The Woman King has a creative approach to history, to which a lot of critical attention has been paid—it’s certainly worth seeking education on relevant historical topics. 

That said, it was a gutsy and risky proposition to tell a story tied into the Transatlantic slave trade focused entirely on the West African and Portuguese side for an American (and English speaking) audience. Also, as an avid fan of Xena: Warrior Princess and the Eddas/sagas of Iceland and Scandinavia, I appreciated the filmmakers taking a legendary approach to this location and time period. In its deliberately extra-historical engagement with history, The Woman King also brought to mind for me Senegalese filmmaker Ousmane Sembène‘s Ceddo (1971), which I highly recommend. (Obviously the films have wildly different tones/styles tho!) 

As you might imagine from the description, heavy CWs for violence (including SA), blood, and slavery.

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Why Change Your Wife? (1920)

[letterboxd | imdb]

A month ago, I wouldn’t have believed you if you told me that I’d be putting not one but two DeMille movies on my new-to-me favorites list! I initially watched them as reference for the cosplay I mentioned in the last monthly round-up post, but ended up enjoying both! Often there are elements of DeMille’s films that hamper my ability to enjoy them fully, whether it’s goofy class politics (hello Saturday Night), racist depictions (hi The Woman God Forgot, which I also watched for the first time this past month), or that I simply rarely enjoy christian bible epics. 

That’s not to say Why Change Your Wife? is somehow perfect—it features pretty sexist attitudes. But, having learned a little bit about DeMille’s unconventional marriage, I see it less of a story of wives failing and more of a story about how two people who have a solid partnership can lose themselves when they lose each other. Here I’m referring to the first part of the film, before Swanson’s Beth and Meighan’s Robert get divorced. Beth isn’t being true to herself when she’s on her mental-improvement kick—there are sufficient details thrown in that show that she and Robert have drifted apart and she’s responding to it by morphing into a maiden aunt type. The film could’ve made Robert’s role in their marriage’s demise a little more overt, but I do think DeMille and screenwriters Olga Printzlau, Sada Cowan, and William DeMille must have been concerned about the American public’s response to a story that normalizes divorce in 1920. For context, we didn’t have no-fault divorce here in the US until the 1970s.

Anyway, why should you watch it? Gloria Swanson and Bebe Daniels offer fun and energetic characterizations as the two Mrs. Gordons, and they share a pretty wild fight scene. The costumes by Natacha Rambova are funky and interesting. The film features an absolutely adorable dog too! (If anyone recognizes the dog please LMK!) [Gif sets for this film are also on the way!]

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Intohimon vallassa (1947)

[letterboxd | imdb | ELONET]

Teuvo Tulio don’t miss. 

The heir to the biggest farm in the county, Aino (Regina Linnanheimo), is forced into an arranged marriage, but the man she really loves, Olavi (Kullervo Kalske), sticks around and becomes the town blacksmith. Years pass and Aino’s husband becomes an alcoholic and an abuser. Olavi keeps his distance as Aino’s marriage implodes in a particularly disturbing fashion. CW: domestic abuse, alcoholism, implied death of dog

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Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

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Look at me watching more than one movie this year that was made in this century! Anyways, I’ve been a turtle fan as long as I can remember (photographic evidence below) and I love that the comics have been re-adapted so well in the last 15 or so years for younger generations. (The 2012 show is very cute btw, worth checking out especially if you have kids.)

This take features a unique and kinetic animation style with an accessible story touching on what makes someone an outcast and how both adults and kids can navigate that. Mutant Mayhem features probably my new favorite depictions of April and of Splinter. Also, even though the non-turtle characters are almost all celebrity voice actors, the voice acting quality is very high.

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Montana Moon (1930)

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Sweet romantic story with comedic elements about a millionaire’s willful daughter (Joan Crawford) who, fleeing an awkward situation on a train ride with her family, runs into a cowboy (Johnny Mack Brown). The two quickly fall in love and are married, but the newlyweds face challenges when the differences in their lifestyles come into sharp relief. I love Crawford’s costuming and styling in this and her performance elevates the material. There are extended sequences with classic country-western music tho, so if that grates on you, you might want to take a pass on this one.

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Leda – The Fantastic Adventure of Yohko (1985)

[letterboxd | imdb]

Yoko Asagiri is a young girl struggling to confess her feelings to the boy she likes. She decides to confess via a song she composed herself, but the song turns out to be a key to another world. Yoko teams up with a talking dog and a tiny warrior girl with a giant robot to fight the villainous Zell, who wants to use Yoko’s song to conquer her world. The animation and designs are top-notch as is the music. I personally enjoyed all of the Oz vibes suffused throughout the OVA.

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Tomatos Another Day (1934)

[letterboxd | imdb | Eastman House]

Also known as “It Never Happened,” this is ostensibly a short film about a woman carrying on an affair and said affair being discovered by her husband. What Tomatos Another Day actually is is a send up of early talkies conceived and executed by independent filmmaker James Sibley Watson Jr. and collaborator Alec Wilder. If you’ve been around my blog for a while, you probably already know that I love Watson’s Fall of the House of Usher (1928) [Gifs/Stills]. However, I haven’t seen much else of his work! Thankfully, Eastman House has preserved and digitized a couple of his films and I plan on watching more soon. The link above has the short film with an introduction and outtakes!

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Past Lives (2023)

[letterboxd | imdb]

Past Lives is a quiet but emotionally-rich love story by Celine Song that spans decades but also a single eventful week. I loved the way that the story was structured and how much the film relied on thoughtful pauses to communicate complicated emotions. The actors, Greta Lee, Teo Yoo, and John Magaro, all put in great work here. If you haven’t seen it yet, but plan to watch it, prepare to cry a bit.

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The Mind Reader (1933)

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Warren William plays a carny with a different gimmick for every town in the midwest. When the Depression affects his take, he and his cohorts, Frank (Alan Jenkins) and Sam (Clarence Muse), come up with a new scheme: fortune telling. As Chandra the Great, the crew start to rake it in, but when Chandra falls for an upright citizen (Constance Cummings), the scheme and their freedom is put in jeopardy.

I’m not accustomed to William playing this particular brand of sleazebag, but he really kills it as Chandra/Chandler/Munro. I appreciated how creative and adventurous the cinematography and editing is—not an especially common trait for pre-code films. I also made some still sets for the film!

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Honorable Mention: Hard to Handle (1933) [letterboxd | imdb]

This film gets honorable mention because while I didn’t think it was particularly good, a few call outs are deserved. The bad: the plot was unnecessarily convoluted and the recurring sequences with fat people were iffy at best. The better: Ruth Donnelly shines as the comedically base mother of Mary Brian and she even gets to do a bit of physical comedy. Donnelly, Brian, and Cagney have a nice chemistry together throughout. In terms of costuming, the matching outfits of Brian and Donnelly are funny, but made funnier by the sheer quantity of mother-daughter ensembles they wear. The neutral: the film is packed with topical Depression-era references: notably Florida investment swindles and trends like dance marathons and the grapefruit diet. All-in-all, the filmmakers could have done less and achieved more.

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The only big post I completed this month was a massive undertaking: Lost, but Not Forgotten: Omar Khayyam / A Lover’s Oath and a timeline for the film’s production and release.

Otherwise, I made themed gif and still sets from:

Torture Garden (1967)

The Marriage Circle (1924)

Le Altre (1969)

The Mind Reader (1933)

As for April, the cosplay I mentioned should be up very soon. If I have the time, both Lost, but Not Forgotten and How’d They Do That should have new installments posted and I have a few movies/shows on my themed gif/still agenda.

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[hotvintagepoll]

Propaganda

Mbissine Thérèse Diop (Black Girl)—She’s a Senegalese actress known for starring in Black Girl, one of the first African films to receive international attention/acclaim. So much of the movie relies on her ability to convey her character’s sense of isolation/loneliness, she’s so amazing, I really wish she had acted more. However, she just recently appeared in the film Cuties!

Myrna Loy (The Thin Man, Manhattan Melodrama, Mr Blandings Builds his Dream House)—Started out a slinky silent screen vamp. Became a screwball lead who had a blast drinking, being married to William Powell, solving mysteries, and taking her dog everywhere in the Thin Man Movies. Broke our hearts in The Best Years of Our Lives and played a string of dream wives. Remained hot the entire time. Decades of hotness.

This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Mbissine Thérèse Diop:

Myrna Loy:

Myrna Loy excelled at playing coy women, so common in screwball comedies in the 40s. She batted her lashes, and shrugged with grace, and made her costars look like foolish heels next to her. She charmed with sneaky elegance, well-placed pouting, and repartee. Besides, she was sultry AF.

While Myrna certainly looked hot in some her earlier vampy exotic bad girl roles, I think shes hottest when her comedic chops got to be displayed. Her dry wit, comedic timing, and subtle facial expressions make her the queen of deadpan snark.

She's just very Mother

So beautiful and popular she was crowned Queen of the Movies in 1936, Myrna Loy was also an amazing actress. She's best remembered for The Thin Man and sequels, where she gets to show off her comedy skills, adding irresistible impish charm to her classic beauty and dancer's figure.

THE SASS

One of the few actresses who managed to successfully transition from silent to talkies, never won an Oscar but was at one time the highest paid woman in Hollywood. Advocated for better roles and pay for Black actors in the 1930s, so passionately anti-Nazi in the 40s she made Hitler's blacklist, spoke out against Joseph McCarthy during the Red Scare, and advocated for fair housing in the 1950s and 1960s, all while being hot as fuck opposite William Powell, Clark Gable, Cary Grant, Spencer Tracy and a whole galaxy of the Hot Vintage Men Poll all-stars.

Cute as a button with so much RIZZ! She and whatsisname in The Thin Man are relationship goals.

She was literally called the Queen of Hollywood! She is so sassy and funny in the whole Thin Man series. Absolutely hot in those, and who doesn’t love a woman who can laugh? She had the sultriest gaze and that style! Also before she was a star she sat as the model for an iconic statue for a school (representing “Fountain of Education”).

the glamour!! the banter!! the comedy!!

She's got this cute kinda scrunched up face AND shes funny AND shes got a bangin body.