#series: neverwinter nights

[likeyua]

NEVERWINTER NIGHTS 2: Official Campaign (2006) [1/?]

West Harbor ⇾ High Harvest Fair

[armageddon-is-light-after-dark]

On western RPGs

Is there something against me playing them because three of the ones I've played crashed to unplayable conditions.

KOTOR 2, Neverwinter nights, Shadowrun:Hong kong

And for both Neverwinter and Shadowrun it was at the beginning of the game. After the first attack, and placing the seals respectively. I played through KOTOR 2 once on my second play through I couldn't re-board the Hawk after academy at the pole.

Context I started playing RPs with Final Fantasy and Suikuden, all the way back with the super Nes and Playstation, yes, I know old person on the internet, hush. I've played newer games.

Mass effect series, KOTOR 1, Dragon age: orgins, Skyrim, Fallout: new Vagas

But some western RP soft lock on me on a predictable basis.

*shrug*

[lodgeofthecat]

DOOR STUCK and Dragons https://twitch.tv/schoolofthecat

[alteredphoenix]

You know for what little reblogging I’ve done for DND, I’ve never actually played it nor read any of the books. Would love to know if there are any novels that feature dragonborn and tabaxi, at least (since there doesn’t seem to be an anthro wolf race like the worgen, and even then worgen are just Fantasy Victorian werewolves - I mean something that’s pure anthro, humanoid but not human).

[g4zdtechtv]

FULL EPISODE: AOTS! - Attackaween II (10.31.06)

More of the Night Your Dog Came Home!

[felassan]

Edge – The Future of Interactive Entertainment magazine, issue #401 (October 2024 issue) – Dragon Age: The Veilguard story

The rest of this post is under a cut for length.

Update: this issue of this magazine is now available to buy from UK retailers today. it can be purchased online at [this link]. [Tweet from Edge Online] also, Kala found that a digital version of the magazine can be read at [this link].

This post is a word-for-word transcription of the full article on DA:TV in this issue of this magazine. DA:TV is the cover story of this issue. When transcribing, I tried to preserve as much of the formatting from the magazine as possible. Edge talked to BioWare devs for the creation of this article, so the article contains new quotes from the devs. the article is written by Jeremy Peel. There were no new screenshots or images from the game in the article. I also think that it contains a few lil bits of information that are new, like the bits on companions' availability and stumbling across the companions out and about on their own in the world e.g. finding Neve investigating an abduction case in Docktown.

tysm to @simpforsolas and their friend for kindly telling me about the article!!

-----

[image source]

Article introduction segment:

"[anecdote about Edge] We were reminded of this minuscule episode in Edge's history during the creation of this issue's cover story, in which we discuss the inspiration behind Dragon Age: The Veilguard with its creators at BioWare. Notably, director John Epler remembers the studio experimenting with a number of approaches during the early phase of development before eventually locking in to what the game was supposed to be all along, above all else: 'a single-player, story-focused RPG'. As you'd expect from BioWare, though, that was really just a starting point, as we discovered on p54." BioWare draws back the Veil and ushers us into a new Dragon Age

"BEHIND THE CURTAIN BioWare's first true RPG in age age is as streamlined and pacey as a dragon in flight. By Jeremy Peel Game Dragon Age: The Veilguard Developer BioWare Publisher EA Format PC, PS5, Xbox Series Origin Canada Release Autumn

The Dragon Age universe wasn't born from a big bang or the palm of an ancient god. Instead, it was created to solve a problem. BioWare was tired of battling Hasbro during the making of Baldur's Gate and Neverwinter Nights, and wanted a Dungeons & Dragons-like setting of its own. A small team was instructed to invent a new fantasy world in which the studio could continue its groundbreaking work in the field of western RPGs, free of constraints.

Well, almost free. BioWare's leaders mandated that the makers of this new world stick to Eurocentric fantasy, and include a fireball spell - since studio co-founder Ray Muzyka had a weakness for offensive magic.

Beyond that, BioWare’s storytellers were empowered to infuse Dragon Age with their own voices and influences, leaning away from D&D’s alignment chart and towards a moral grayness that left fans of A Song Of Ice And Fire feeling warm and cozy.

In the two decades since, the world of Thedas – rather infamously and amusingly, a shortening of ‘the Dragon Age setting’ that stuck – has taken on a distinct flavor. It’s something director John Epler believes is rooted in characters.

“There’s definitely some standard fantasy stuff in Dragon Age, but everything in the world, every force, is because of someone,” he says. “The idea is that every group and faction needs to be represented by a person – someone you can relate to. Big political forces are fine as background, but they don’t provide you with those interesting story moments.”

Dragon Age: The Veilguard bears out that philosophy. The long-awaited sequel was first announced with the subtitle Dreadwolf, in reference to its antagonist, Solas – an ancient elf who once stripped his people of immortality as punishment for betraying one of their own. In doing so, Solas created the Veil, the thin barrier through which wizards pull spirits and demons invade the waking world. In other words, many of Dragon Age’s defining features, from its downtrodden elves to the uneasy relationship between mages and a fearful church, can be traced right back to one character’s decision.

“The world exists as it does because of Solas,” Epler says. “He shaped the world because of the kind of character he was. That’s, to me, what makes Dragon Age so interesting. Everything can tie back to a person who to some degree thought they were doing the right thing.”

Perhaps BioWare’s greatest achievement in slowburn character development, Solas is a former companion, an unexploded bomb who sat in the starting party of Dragon Age: Inquisition, introverted and useful enough to get by without suspicion. Yet by the time credits rolled around on the Trespasser DLC, players were left in no doubt as to the threat he presented.

Determined to reverse the damage he once caused, the Dreadwolf intends to pull down the Veil, destroying Thedas as we know it in the process. The next Dragon Age game was always intended to be his story.

“We set that up at the end of Trespasser,” Epler says. “There was no world where we were ever going to say, ‘And now let’s go to something completely different.’ We wanted to pay off that promise.”

Yet almost everything else about the fourth Dragon Age appears to have been in flux at one time. In 2019, reporter Jason Schreier revealed that an early version, starring a group of spies pulling off heists in the Tevinter Imperium, had been cancelled two years prior. Most of its staff were apparently moved onto BioWare’s struggling Anthem, while a tiny team rebooted Dragon Age from scratch. That new game was said to experiment with live-service components.

“We tried a bunch of different ideas early on,” Epler says. “But the form The Veilguard has taken is, in a lot of ways, the form that we were always pushing towards. We were just trying different ways to get there. There was that moment where we really settled on, ‘This is a singleplayer, story-focused RPG – and that’s all it needs to be’”.

Epler imagines a block of marble, from which BioWare was attempting to carve an elephant – a character- and story-driven game. “We were chipping away, and sometimes it looked more like an elephant and sometimes it didn’t”, he says. “And then we eventually realized: ‘Just make an elephant’. When we got to that, it almost just took shape by itself.”

2014’s Dragon Age: Inquisition was an open-world game commonly criticized for a slow-paced starting area which distracted players from the thrust of the plot. The Veilguard, in contrast, is mission-based, constructed with tighter, bespoke environments designed around its main story and cast. “We wanted to build a crafted, curated experience for the player,” Epler says. “Pacing is important to us, and making sure that the story stays front and center.”

Epler is very proud of Inquisition, the game on which he graduated from cinematic designer to a lead role (for its DLC). “But one of the things that we ran into on that project was an absentee antagonist,” he says. “Corypheus showed up and then disappeared. You spent ten hours in the Hinterland doing sidequests, and there wasn’t that sense of urgency.”

This time, The Veilguard team wants you to constantly feel the sword of Damocles dangling above your head as you play – a sense that the end of the world is coming if you don’t act. “There’s still exploration – there’s still the ability to go into some of these larger spaces and go off the beaten path to do sidequests,” Epler says. “But there’s always something in the story propelling you and the action forward, and allowing you to make decisions with these characters where the stakes feel a lot more immediate and present. And also, honestly, more real.”

No sooner have you finished character creation than Dragon Age: The Veilguard thrusts you into a choice. As your protagonist, Rook, steps into focus on the doorstep of the seediest bar in town, you decide whether to threaten the owner for information or make a deal. Brawl or no, you’ll walk out minutes later with a lead: the location of a private investigator named Neve Gallus, who can help you track down Solas.

You proceed into Minrathous, the largest city in Thedas and capital of the Tevinter Imperium – a region only alluded to in other Dragon Age games. It’s a place built on the backs of slaves and great mages, resulting in tiered palaces and floating spires – a kind of architecture unimaginable to those in the southern nations.

“When your Dragon Age: Inquisition companion Dorian joins you in Orlais, in one of the biggest cities in Thedas, he mentions that it’s quaint and cute compared to Minrathous,” Corinne Busche, game director on The Veilguard, says. “That one bit of dialogue was our guiding principle on how to realize this city. It is sprawling. It is lived-in. Sometimes it’s grimy, sometimes it’s bougie. But it is expansive.”

Immediately, you can see the impact of BioWare’s decision to tighten its focus. Around every other corner in Minrathous is an exquisitely framed view, a level of spectacle you would never see in Inquisition, where resources were spread much more thinly. “When you know that you’re gonna be heading down a canyon or into this plaza where the buildings open up, you have those perfect spots to put a nice big temple of Andraste or a mage tower,” art director Matthew Rhodes says. “You get those opportunities to really hit that hard.”

BioWare’s intention is to make strong visual statements that deliver on decades of worldbuilding. “People who have a history with Dragon Age have thought about what Minrathous might be like,” Rhodes says. “We can never compete with their imagination, but we can aim for it like we’re shooting for the Moon.”

The people of Tevinter use magic as it if were electricity, as evidenced by the glowing sigils that adorn the dark buildings – street signs evoking Osaka’s riverfront or the LA of Blade Runner. They’re just one of the tricks BioWare’s art team uses to invite you to stop and take in the scene. “A lot of what you start to notice when you’re the artist who’s been working on these big, beautiful vistas and neat murals on the walls is how few players look up,” Rhodes says. “We design props and architecture that help lead the eyes.”

For the really dedicated shoegazers, BioWare has invested in ray-traced reflections, so that the neon signage can be appreciated in the puddles. There are also metal grates through which you can see the storm drains below. “The idea behind that is purely just to remind the player often of how stacked the city is,” Rhodes says. “Wherever you’re standing, there’s guaranteed to be more below you and above you.”

One of BioWare’s core creative principles for The Veilguard is to create a world that’s actually worth saving – somewhere you can imagine wanting to stick around in, once the crises of the main quest are over. To that end, the team has looked to ground its outlandish environments with elements of mundanity.

“A guy’s normal everyday life walking down the streets of this city is more spectacular than what the queen of Orlais is seeing, at least in terms of sheer scale," Rhodes says. “One of the things we’ve tried to strike a balance with is that this is actually still a place where people have to go to the market and buy bread, raise their kids, and try to make it. It’s a grand and magical city, but how do you get your horses from one place to the next? Where do you load the barrels for the tavern? It’s really fun to think of those things simultaneously.”

Normal life in Minrathous is not yours to behold for long, however. Within a couple of minutes of your arrival, the very air is ripped open like cheap drapes, and flaming demons clatter through the merchant carts that line the city streets. A terrible magical ritual, through which Solas intends to stitch together a new reality, has begun.

“We wanted the prologue to feel like the finale of any other game we’ve done,” Busche explains. “Where it puts you right into this media-res attack on a city and gets you really invested in the action and the story right away. When I think back to Inquisition, how the sky was literally tearing open – the impact of this ritual really makes that look like a minor inconvenience.”

Our hero is confronted by a Pride demon, imposing and armored as in previous games, yet accented by exposed, bright lines that seem to burst from its ribcage. “They are a creature of raw negative emotion,” Busche says. “So we wanted to actually incorporate that into their visual design with this glowing nervous system.”

When a pack of smaller demons blocks Rook’s route to the plaza where Neve was last seen, battle breaks out, and The Veilguard’s greatest divergence from previous Dragon Age games becomes apparent. Our rogue protagonist flits between targets up close and evades individual sword swings with precision. In the chaos, he swaps back and forth between blades and a bow. He blends light and heavy attacks, and takes advantage of any gap in the melee to charge up even bigger blows.

“Responsiveness was our first-and-foremost goal with this baseline layer of the combat system,” Busche says. Unless you’re activating a high-risk, high-reward ability such as a charged attack, any action can be animation-cancelled, allowing you to abort a sword swing and dive away if an enemy lunges too close. “We very much wanted you to feel like you exist in this space, as you’re going through these really crafted, hand-touched worlds,” Busche says. “That you’re on the ground in control of every action, every block, every dodge.” Anyone who’s ever bounced off a Soulslike needn’t worry: The Veilguard’s highly customizable difficulty settings enable you to loosen up parry windows if they prove too demanding.

Gone is the overhead tactical camera which, for some players, was a crucial point of connection between Dragon Age and the Baldur’s Gate games that came before, tapping into a lineage of thoughtful, tabletop-inspired combat. Epler points out that the camera’s prior inclusion had an enormous impact on where the game’s battles took place. “We actually had a mandate on Inquisition, which was, ‘Don’t fight inside,’” he says. “The amount of extra work on getting that tactical camera to work in a lot of those internal environments, it was very challenging.”

Gone, too, is the ability to steer your comrades directly. “On the experiential side, we wanted you to feel like you are Rook – you’re in this world, you’re really focused on your actions,” Busche says. “We very much wanted the companions to feel like they, as fully realized characters, are in control of their own actions. They make their own decisions. You, as the leader of this crew, can influence and direct and command them, but they are their own people.”

It's an idea with merit, albeit one that could be read as spin. “It’s not lost on me,” Busche says. “I will admit that, on paper, if you just read that you have no ability to control your companions, it might feel like something was taken away. But in our testing and validating with players, what we find is they’re more engaged than ever.”

There may be a couple of reasons for that. One is that Dragon Age’s newly dynamic action leaves little room for seconds spent swapping between perspectives. “This is a much higher actions-per-minute game,” Busche says. “It is more technically demanding on the player. So when we tried allowing you full control of your companions as well, what we’ve found is it wasn’t actually adding to the experience. In fact, in some ways it was detrimental, given the demanding nature of just controlling your own character.”

Then there’s The Veilguard’s own tactical layer, as described by BioWare. Though the fighting might be faster and lower, like a mana-fuelled sports scar, the studio is keen to stress that the pause button remains as important to the action as ever. This is, according to Busche, where the RPG depth shines through, as you evaluate the targets you’re facing and take their buffs into account: “Matching elemental types against weaknesses and resistances is a big key to success in this game.”

You pick between rogue, warrior and mage – each role later splitting again into deeper specialisms – and draw from a class-specific resource during fights. A rogue relies on Momentum, which is built up by avoiding damage and being highly aggressive, whereas a warrior is rewarded for blocking, parrying, and mitigating damage.

Those resources are then used on the ability wheel, which pauses the game and allows you to consider your options. The bottom quadrant of the wheel belongs to your character, and is where three primary abilities will be housed. “Rook will also have access to runes, which function as an ability, and a special ultimate ability,” Busche says. “So you’re bringing five distinct abilities with you into combat.”

The sections to the left and right of the wheel, meanwhile, are dedicated to your companions. Busche points to Lace Harding, the returning rogue from Inquisition, who is currently frozen mid-jump. “She is her own realized individual in this game. She’s got her own behaviors: how she prioritizes targets, whether she gets up close and draws aggro or stays farther back at range. But you’ll be able to direct her in combat by activating her abilities from the wheel.”

These abilities are complemented by positional options at the top of the wheel, where you can instruct your companions to focus their efforts on specific targets, either together or individually. Doing so will activate the various buffs, debuffs and damage enhancements inherent in their weapons and gear. “So,” Busche explains, “as you progress through the first two hours of the game, this full ability wheel is completely populated with a variety of options and different tactics that you can then string together.”

BioWare has leaned into combos. You might tell one companion to unleash a gravity-well effect that gathers enemies together, then have another slow time. Finally, you could drop an AOE attack on your clustered and slowed opponents, dealing maximum damage. The interface will let you know when an opportunity to blend two companion abilities emerges – moments BioWare has dubbed ‘combo detonations’.

“I like to think about this strategic layer to combat as a huddle,” Busche says, “where you’re figuring out how you want to handle the situation, based on the information you have on the encounter, and how you and your companions synergize together.”

Deeper into the game, as encounters get more challenging, Epler says we’ll be spending a lot of time making “very specific and very focused tactical decisions”. The proof will be in eating the Fereldan fluffy mackerel pudding, of course, but Busche insists this shift to fast action isn’t a simplification. “What really makes the combat system and indeed the extension into the progression system work is that pause-and-play tactical element that we know our players expect.”

The autonomy of The Veilguard’s companions doesn’t end with combat. BioWare’s data shows that in previous games players tended to stick with the same two or three beloved comrades during a playthrough. This time, however, you’ll be forced to mix your squad up at regular intervals.

“We do expect that players will have favorites they typically want to adventure with,” Busche says, “but sometimes certain companions will be mandatory.” Others may not always be available – part of the studio’s effort to convince with three-dimensional characters. “They do have a life outside of Rook, the main character,” Busche says.

"They'll fall in love with people in this world. They’ve had past experiences they’ll share with you if you allow them in and get close to them.”

Being separated from your companions, rather than collecting them all in a kind of stasis at camp, allows you to stumble across them unexpectedly. Busche describes an instance in which, while exploring the Docktown section of Minrathous, you might bump into Neve as she investigates an abduction case. “If I go and interact with her, I can actually stop what I’m doing, pick up her arc and adventure with her throughout her part of the story,” Busche says. “What’s interesting is that all of the companion arcs do ultimately tie back to the themes of the main critical path, but they also have their own unique challenges and villains, and take place over the course of many different intimate moments.”

Some parts of a companion’s quest arc involve combat, while others don’t. Some are made up of large and meaningful missions – as lavish and involved as those along the critical path. “While they are optional, I would be hesitant to call them side content in this game,” Busche says. If you choose not to engage with some of these companion-centered events, they’ll resolve on their own. “And it might have interesting implications.”

The Veilguard promises plenty of change, then, even as it picks up the threads of fan-favorite characters and deepens them, honoring the decades of worldbuilding that came before it. This is perhaps the enduring and alluring paradox of Dragon Age: a beloved series which has never had a direct and immediate sequel, nor a recurring protagonist. Instead, it’s been reinvented with each new entry.

“It’s a mixed blessing to some degree,” Epler says. “The upside is always that it gives us more room to experiment and to try new things. There are parts of the series that are common to every game: it’s always an RPG, it’s always about characters, and we always want to have that strategic tactical combat where you’re forced to make challenging decisions. But at the end of the day, I think what makes Dragon Age Dragon Age is that each one feels a little bit different.”"

Q&A Matthew Rhodes Art director

Q. Early BioWare RPGs were literary, with the emotions and detail mostly happening in dialogue boxes. How have you seen the studio's approach to visual storytelling evolve? A. This has been my entire career. When I first showed up at BioWare, it was at the tail end of Jade Empire, and then I was working on Dragon Age: Origins and early Mass Effect. The games had taken that next step out of sprites and 2D models, and it was like: 'How do we say more? How do we communicate more clearly?' During those early days, a lot of games depended on words to fix everything for you. As long as your character was talking bombastically, you could lend them everything that they needed. But as time went on it also became a visual medium, and it's been this long journey of trying to establish art's seat at the table. I've worked with some great writers over the years, and art is also an essential part of the storytelling. From Dragon Age: Inquisition on, I've been trying to stress with my teams that we are a story department.

Q. Is part of that also letting writers know that your storytelling assistance is available, to help them show rather than tell? A. On The Veilguard, that principle has been operating the best I've seen it. Where you would need a paragraph of dialogue in one of those exposition moments where a character just talks to you, we could sell that with a broken statue or a skeleton overgrown with vines. We've had more opportunities to do that on The Veilguard than most of the projects I've ever worked on combined.

To a hammer, every problem looks like a nail, and so in every department, writing will try to solve it with more words, and art will try to solve it with more art. I've bumped up against moments where it's like, 'As much as we could keep hammering on this design, I think this is actually an audio solution.' And then you take it to audio, and you don't get that overcooked feeling where each team is just trying to solve it in their silo. It's a really creatively charged kind of environment.

[main body of article ends here]

Additional from throughout the article --

Image caption: “Spotlights shine down from the city guards’ base as they pursue you through the streets of Minrathous.”

Image caption: “While most of your companions can be sorted into comfortingly familiar RPG classes, The Veilguard introduces two new varieties: a Veil Jumper and a private investigator.”"

Image caption [on this Solas ritual concept art specifically]: “The name previously given to the game – Dreadwolf – was a direct reference to Solas. Your former companion, now on his own destructive mission, still features, despite the name change.”

Text in a side box:

"RATIONAL ANTHEM The hard lesson BioWare drew from Anthem was to play to its strengths. “We’re a studio that has always been built around digging deep on storytelling and roleplaying,” Epler says. “I’m proud of a lot of things on Anthem – I was on that project for a year and a half. But at the end of the day we were building a game focused on something we were not necessarily as proficient at. For me and for the team, the biggest lesson was to know what you’re good at and then double down on it. Don’t spread yourselves too thin. Don’t try to do a bunch of different things you don’t have the expertise to do. A lot of the people on this team came here to build a story-focused, singleplayer RPG."

Image caption: “In combat you no longer control your companions directly – this is a faster-paced form of fighting – but you are able to direct them in combat, and can even blend their abilities in ‘combo detonations’.”

Image caption: “You’ll be exploring new regions across Tevinter and beyond – Rivain is a certainty, and that’s only accessible via Antiva travelling overland.”

Image caption: “There are three specializations per character class; on the way to unlocking them you’ll acquire a range of abilities.”

Text in a side box:

"MEET YOUR MAKER “Full disclosure: Dragon Age has traditionally not done skin tones well, especially for people of color,” Busche says. “We wanted to do a make-good here.” In The Veilguard’s character creator, you can adjust the amount of melanin that comes through in the skin, as well as test various lighting scenarios to ensure your protagonist looks exactly as you intend in cutscenes. “Speaking of our first creative principle – be who you want to be – we really feel these are the kinds of features that unlock that for our players,” Busche says. “We want everyone to be able to see themselves in this game.” For the first time in the series, your body type is fully customizable too, with animations, armor and even romantic scenes reflecting your choices."

Image caption: “Your companions are a mix of old and new – Lace Harding is a familiar face. Veil Jumper Bellara is new, with a new occupation, while Davrin is a new face with a familiar profession – he’s a Warden.”

Image caption: "Arlathan Forest is home to the ruined city of the elves, now a place of wild magic, Veil Jumpers and (allegedly) spirits".

Image caption: "Bellara is driven by a desire to learn more about the elves, rediscovering the shattered history and magic of her people."

[source: Edge – The Future of Interactive Entertainment magazine, issue #401 (October 2024 issue) - it can be purchased online at [this link].]

[shuunnico]

You like rpgs. Do you recommend any games like baldurs gate 3?

Absolutely. I'll assume you mean CRPGs and not RPGs in general.

Computer Roleplaying Games (CRPGs) refers to a style and genre of game that BG3 follows. Some have started calling CRPGs "Classic RPGs" instead. CRPGs are typically identified by an isometric, top down view style, a heavy focus on story and exploration.

I'm going to split my list it three main categories based on accessibility factors. These factors include the amount of reading involved, the depth of mechanics and the level of abstraction/math required.

Easy Entry Level

Baldur's Gate 3 - 2023 - Larian Studios. The current gold star for easy entry CRPGs. Exceptional graphics, every character voice acted, very little reading and fairly straightforward mechanics and concepts.

Divinity: Original Sin 2 DE- 2017 - Larian Studios. This is basically a less polished, more complex version of BG3 and made by the same studio.

Disco Elysium, Final Cut - 2019 - ZA/UM. Disco Elysium is a detective/social focus game that dives into heavy narrative concepts. Failing rolls is just as viable for the story as succeeding them, making the game's mechanics take a backseat to story. However, there is a lot of reading and that may be a barrier to entry.

Tyranny - 2016 - Obsidian Entertainment. A game about being evil, it's mechanically pretty simple, but there's a fair bit of jank due to it's low budget, and the game ends on a cliffhanger, but it's story is very solid.

Mid Entry Level

Wasteland 3 - 2020 - inExile Entertainment. The long awaited third installment of the Wasteland franchise and significantly less complex than its predecessors. Post apocalyptic, frozen Colorado, grim reality and goofy ideas. This is the franchise that originally inspired Fallout.

Shadowrun: Dragonfall DC/ Shadowrun: Hong Kong EE - 2014/2015 - Harebrained Schemes. Set in the Fantasy/Cyberpunk hybrid setting of Shadowrun. Fair bit of reading, but the game's mechanics are relatively easy to grasp and don't require a lot of math. Always play Dragonfall before Hong Kong.

Pillars of Eternity 2: Deadfire - 2018 - Obsidian Entertainment. A unique setting, exploring a fictional parallel to the age of piracy. Very wordy (but a lot is voice acted), with a lot of world building, but well worth engaging with. The first game, Pillars of Eternity, is less accessible, but still good.

Kingmaker/Wrath of the Righteous/Rogue Trader - 2020/2022/2023 - Owlcat Games. Owlcat adapts existing systems into CRPGs, like how BG3 is an adaption of DnD 5e. Do not be fooled, these games are where you start hitting a lot of complexity, a lot of math and a lot potential to damage your playthroughs by accident. This is where things start to get difficult.

Difficult Entry Level

Baldur's Gate 1/2 - Bioware - 1998/2000. The prequels to BG3, these games use an older, much more complex version of DnD's rules. Be prepared for a lot of reading and complex mechanics, but you'll be rewarded with some amazing storytelling.

Planescape Torment - Interplay - 1999. Another game using DnD's older mechanics, Planescape is a completely different beast from BG3. Many consider this series mechanically inferior to the Baldur's Gate franchise, but with better storytelling and world building to compensate.

Fallout 1/2 - 1997/1998 - Interplay/Black Isle. One of the most widely known game franchises started as an isometric CRPG. Universally considered more complex, rewarding and deeper than the Bethesda portion of the franchise, you'll need some experience to get into them, but you'll be happy you did.

Games I haven't played but I've heard good things of:

Wasteland 2, DC - 2015 - inExile

Torment: Tides Of Numenera - 2017 - inExile

Neverwinter Nights - 2002 - Bioware

Arcanum - 2001 - Troika Games

Ultima 7 Part 1/Part 2 - 1992/1993 - Origin Systems

Icewind Dale - 2000 - Black Isle Studio

[psyoni]

Hi) I'm back! With new style and with increased abilities!

Agregor on DA and Tumblr, and Neuro Oni on other social networks.

I draw all my arts by myself (without artificial intelligence intervention) Currently I am in the process of playing through the game Baldur's Gate 3 (a cult series of games set in the world of Forgotten Realms and a system of rules and combat from Dungeons & Dragons) And I'm absolutely delighted!) In style, it is very reminiscent of the old game Neverwinter Nights 2 and the first Dragon Age. The whole thrill of these games is that the party members (or NPCs) you meet in the game’s plot behave as if they were alive - they interact with you and with other characters. They love, hate, tease each other. With them you can start and develop a love line (romance)! Of course, I started playing as a character - a tiefling - a cross between a demon and a human.) They are my favorite race since the days of Neverwinter! And, of course, my crush in BG3 was none other than Karlach. Despite the fact that she is also a tiefling, a barbarian, a berserker, with the appearance of a biker’s girlfriend and with a mover instead of a heart, she turned out to be very kind and humane) That's why my first BG3 art is dedicated to her!

Soon expect new art from me on BG3 and more)

COMMISSIONS ARE OPEN! PLEASE, NOTE ME, IF YOU ARE INTERESTED

[commander-krios]

BG3 Juniper/Rolan Masterlist

A masterlist of all fic, art, and headcanons/other stuff for Rolan x f!Tav (she/her, Juniper: afab tiefling bard/wild magic sorcerer).

Juniper's Main Tag Juniper x Rolan Tag Juniper x Rolan Playlist The Wizard of Ramazith's Tower AO3 Series

Fanfiction

Long Rest: G, 2k, Gifts/Flirting/Developing Relationships/Act 2 Spoilers

Nights Like This: T, 3k, Abuse/Healing/First Kiss/Act 3 Spoilers

Better Judgment: [ch1] [ch2] [ch3]; M, 10k, Post-Lorroakan/Fluff/Sexual Tension/Act 3 Spoilers

Juniper's Kitty Catastrophe: T, 8k, Pranks/Post-Canon/Friendship/Love/Cats

With Devotion And A Little Luck: T, 5k, Marriage Proposal/Fluff/Post-Canon

The Things We Do For Love: T, 2.5k, Polyamory/Post-Canon/Multiple Tavs

Headcanons/Asks

Neverwinter Headcanons (Juniper/Rolan)

Get to Know Your Tav

Amorous OC Asks 1

Amorous OC Asks 2

Juniper Romance Ask

Juniper Voice Ask

Juniper Tent Ask

Juniper Animal Ask

OC Questionnaire

Juniper Love Language Ask

Juniper Close Relationship Ask

BG3 Backstory Bash

Juniper Marriage Ask

Juniper Body Type Ask

Unusual OC Associations

5 Songs, 4 Outfits

Juniper Tav Worksheet

Juniper 9 Random Facts

The NSFW Alphabet

Commissioned/Gifted Art

Vicious Mockery (qwiqwiaqwi)

Rolan/Kitty Juniper (thegoblinwitchqueen)

WildThunderForge (mudd-art)

Juniper Portrait (jbnonsense)

Sleepy Time Rolan/Juniper (valkblue)

Juniper OC Kiss Week (finchmarie)

Valentine's Day Smoochy Juni/Rolan (nekrokatart)

Mistletoe Smooch (commander-sarahs-art)

Juni Headshot (catesbeeart)

Juni/Rolan (chaoticcomposition)

Juniper/Rolan Tower (riense)

Juniper Silly Portrait (antivanbrandy)

Juniper Bust Commission (thebunnybutts)

Juniper/Rolan Song (sacherali)

Rolan/Juniper cozy (redreart)

Rolan and Arabella (thegoblinwitchqueen)

Juni/Rolan Flushed Smooch (thegoblinwitchqueen)

Juniper sketch portrait (dilfbuck)

Juniper/Rolan NSFW (amouswolf)

Juniper Closeup Portrait (xanthouransong)

Juniper/Rolan Flower (artmadval)

Bard Juni Portrait (barbwillbrb)

Juni/Rolan Tending Wounds (mostwantedpotato404)

Juniper/Rackal (barbwillbrb)

Other Juni/Rolan

Bard Tav Text Posts 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8

Tav/Rolan Text Posts 1 / 2 / 3 / 4 / 5 / 6 / 7

Rolan Text Posts 1 /

George Taylor cameo

Other Tiefling-centric Fics

Sweet Like Sugar: Bex/Danis, G, 2k, Celebrations/Post-Canon/Romance

A Divine Dream: Dammon/Rolan, T, 5k, Ballroom Dancing/Post-Canon/Romance

Everything: Dammon/Rolan, T, 3k, Romance/Fluff/Post-Canon

[anghraine]

I struggled enough with the "best video game" meme I just reblogged that I decided to make a poll of all my personal favorites!

[most-datable-undatable]

Your Match-Ups!

Because I am a complete mess of a person, I forgot to put a few on my original list, so good news for the person who suggested Wizard from Stardew Valley a bit late: Because of my stupidity, he is now on the bracket!

We have a total of 104 contestants! This will be a standard single-elimination tournament. Match-ups were completely randomized, although for the first round I did not allow match-ups between two characters from the same franchise.

Voting will begin tomorrow morning at 9am PST. I will post one poll every ten or so minutes. I will do 26 tomorrow and 26 on Tuesday. Be sure to follow so you don't miss out on a vote for your favorite!

Without further ado: Your Most Datable Undatable Character Round 1 Match-Ups!

Day One

Kai (Harvest Moon: Back to Nature)/Hytham (AC: Valhalla)

Aphrodite (Stray Gods)/Robin (Stardew Valley)

Cole (Dragon Age: Inquisition)/Dame Aylin (Baldur’s Gate 3)

Sten (Dragon Age: Origins)/Helena Blake (Mass Effect)

Kent Connolly (Fallout 4)/Asterius (Hades)

Serana (Skyrim)/Bo Calloway (Scarlet Hollow)

Perry (Harvest Moon: Animal Parade)/Cliff Holden (Our Life: Beginning & Always)

EDI (Mass Effect 2 and 3)/Soma Jarlskona (Assassin’s Creed: Valhalla)

Kasumi Goto (Mass Effect 2)/Shandra Jerro (Neverwinter Nights 2)

Mel (Fallout 4)/Neeshka (Neverwinter Nights 2)

Vivienne de Fer (Dragon Age: Inquisition)/Pasqal Haneumann (Rogue Trader)

Carlos (Rune Factory 4)/Hypnos (Hades)

Scout Lace Harding (Dragon Age: Inquisition)/Bishop (Neverwinter Nights 2)

Deacon (Fallout 4)/Theseus (Hades)

Virgil (Arcanum: Of Steamworks and Magick Obscura)/Avitus Rix (Mass Effect: Andromeda)

Nathaniel Howe (Dragon Age: Awakening/Dragon Age 2)/Wynert (Assassin’s Creed: Syndicate)

Quinn (Dream Daddy)/Karliah (Skyrim)

Nick Valentine (Fallout 4)/Nakmor Drack (Mass Effect: Andromeda)

Dagna (Dragon Age: Inquisition)/Terry (Rune Factory 5)

Rolan (Baldur’s Gate 3)/Talos Drellik (Star Wars: The Old Republic)

Shiala (Mass Effect)/Jodi (Stardew Valley)

Tiran Kandros (Mass Effect: Andromeda)/Trickster (Hooked on You)

Arthur Maxson (Fallout 4)/Brassidas (Assassin’s Creed: Odyssey)

Brynjolf (Skyrim)/Briala (Dragon Age: Inquisition)

Mary Christiansen (Dream Daddy)/Chaos (Hades)

Olgierd von Everestu (The Witcher 3)/Wizard (Stardew Valley)

Day Two

Frea (Skyrim)/Rose of Sharon Cassidy (Fallout: New Vegas)

Legion (Mass Effect 2 and 3)/Yuthura Ban (Knights of the Old Republic)

Qyzen Fess (Knights of the Old Republic)/Dammon (Baldur’s Gate 3)

Isobel Thorm (Baldur’s Gate 3)/Athena (Stray Gods)

Sandy (Stardew Valley)/Vincent Valentine (Final Fantasy VII)

Kaelyn the Dove (Neverwinter Nights 2)/Medusa (Stray Gods)

Bao Dur (Knights of the Old Republic)/Evfra (Mass Effect: Andromeda)

Arcade Gannon (Fallout: New Vegas)/Jeremus (Mount and Blade: Warband)

Nyreen Kandros (Mass Effect)/Shale (Dragon Age: Origins)

Urdnot Wrex (Mass Effect Series)/Marnie (Stardew Valley)

Talvas Fathryon (Skyrim)/Nihlus Kryik (Mass Effect)

Cremisius “Krem” Aclassi (Dragon Age: Inquisition)/Gatekeeper (Fire Emblem: Three Houses)

Keldorn (Baldur’s Gate 2)/Lin Fa (Rune Factory 4)

Johnny Silverhand (Cyberpunk 2077)/Veronica Santangelo (Fallout: New Vegas)

Tarquin Victus (Mass Effect 3)/Aveline (Dragon Age 2)

Judith (Fire Emblem: Three Houses)/Varric Tethras (Dragon Age 2/Dragon Age: Inquisition)

Evelyn (Rune Factory 3)/Sagacious Zu (Jade Empire)

Jarun Tann (Mass Effect: Andromeda)/J’Zargo (Skyrim)

Joker (Mass Effect Series)/Vault Tec Rep (Fallout 4)

Eder (Pillars of Eternity 2)/Iorveth (The Witcher 2)

Atris (Knights of the Old Republic 2)/Vernon Roche (The Witcher 2)

Kharjo (Skyrim)/Lambert (The Witcher 3)

Mordin Solus (Mass Effect 2 and 3)/Eskiel (The Witcher 3)

Raphael (Baldur’s Gate 3)/Takemura (Cyberpunk 2077)

Craig Boone (Fallout: New Vegas)/Canderous Ordo (Knights of the Old Republic)

Mira (Knights of the Old Republic 2)/Wistful Deviless (Sunless Sea)

[likeyua]

NEVERWINTER NIGHTS 2: Official Campaign (2006) [4/?]

[slothquisitor]

A master list for my Astarion x Tav fic series, Bright Lost Things. The series itself is ongoing, but the individual fics are complete.

Read on AO3.

Contrivance - 4.5K - Mature - Bite night. Astarion wants to find out just how much freedom the tadpole has given him.

A Simple Act of Vanity - 2k - Teen - In which Astarion agrees to let Tav draw him thinking it'll be flirty and fun only to feel vulnerable instead.

Between The Lines - 2.5k - Teen - The three times that Liv left Astarion books, and the one time he gave her one.

The Secrets We Carry - 2.5k - Teen - Liv keeps Astarion's secrets, even when he's not aware he's telling her them.

A Different Sun - 2k - Mature - Liv agrees to meet Astarion after the tiefling party, but neither of them has that great of a time.

There for the Taking - 4.6k - Mature - Astarion is like...let's take over the cult and Liv is a little tempted but she's Good(tm) so she has a crisis.

Something Real - 3k - Mature - Astarion tries to figure out what his scars mean.

Full of Surprises - 2.8k - Mature - The Confession.

Some Credit in Trying - 3.5k - Mature - A first kiss after Moonrise.

Imperfect Gifts - 3k - Mature - Shadowheart and Astarion go shopping, and then Astarion gives Liv a gift.

Familiar Places - 3.2k - Mature - Liv and Astarion see their respective families for the first time back in Baldur's Gate.

Rattle - 2.8k - Mature - The other vampire spawn show up to take Astarion to the ritual. Liv calls Astarion out on his bullshit.

Haunted House - 7k - Mature - The gang goes to take on Cazador, and Astarion has to make a choice.

Dying Star - 4k - Explicit - In which Astarion decides to one-up Mary Shelley.

Family Ties - 3.7k - Mature - A member of Liv's family pays the group an unexpected visit.

Sever - 5.4k - Mature - In which Gortash dies, and Karlach rages, and everyone wonders if revenge is really the right answer.

Heroes and Villains - 4.7K - Mature - The gang rescues Minsc and everyone grapples with morality.

One Last Sunrise - 2k - Mature - Liv and Astarion spend one last sunrise together before taking on the elder brain.

I Know the End - 4.2k - Mature - Confronted with a final choice to defeat the Netherbrain, Astarion is sure he knows how this ends.

We're Not All Dying Here - 5k - Mature - The brain is defeated and the world is saved, but it doesn't fix everything.

The Trouble with Home - 6k - Mature - The Netherbrain is defeated, but Astarion struggles to adjust to this new life.

Enough For Now - 4.4k - Mature - Before setting off on their next adventure, Liv has a surprise for Astarion. They also have a very long overdue discussion.

Neverwinter - 4.5k - Mature - A collection of vignettes from Liv and Astarion's time in Neverwinter in which healing is not linear.

Candlekeep - 7.5k - Mature - Liv and Astarion go to Candlekeep.

[rpgchoices]

would absolutely LOVE recs for cheaper rpgs with better endings 🙏

OF COURSE!!

These are all rpg games that have been out enough that discounts and cheaper prices are quite common. I think it might depends on the country and time, but they should be relatively easy to find (both on steam, or cdkeys or gog).

I put them in order of how satisfied I was with the ending! (no spoilers)

Okay, this is a maybe. Not sure if I would call this an rpg but Heaven's Vault allow you to make choices in your game so almost? the ending is SO GOOD. I was absolutely floored and satisfied. You know when a game peppers clues everywhere and then you realize THAT was it? Not only it is good, but not everything is explained, not in a bad sense, but in a "you can put together the history of the world". Dreamfall Chapters is another game that is not a classic rpg but I would absolutely recommend. Unavowed too!

Pathfinder Kingmaker. This game is so dear to me, and the endings, especially the companions endings and the romances endings are so detailed! Little changes in the game and you can get different ones! Pathfinder Wrath of the Righteous too, but that is relatively new so it might be more expensive.

The whole Dragon Age series, from origins to Dragon Age II and Inquisition (if you consider the last DLC the ending) are just perfect!

Sorcery! not only I love this rpg to pieces, but it is pretty cheap (it is one story but divided in 4 games, so you can try the first part and see if you like it). The 4th game actually reminds me of BG3 act 3 but done well haha. You have to sneak in a certain place in a city, and it is beautiful. So many choices and the romance really works so well (I think it is kinda... part of the story, as in the game benefits from having the romance in it)

Enderal (which is actually a free game). NOW WAIT. If you played this game you are wondering why I would put it even here - the thing is... I think the endings are just perfect.

Divinity Original Sin 1, no companions or romances but I found the ending a nice and complete conclusion to the game.

Neverwinter Nights 2 if you play the Mask of the Betrayer as a perfect ending!

The original Baldur's Gate games do a good job with the ending if you play the Enhanced Edition! There are also some great mods (DORN ROMANCE MOD) that in my opinion fix some things!

Age of Decadence: no companions, and definitely different from an usual rpg, imagine it more as an exploratory rpg! The ending explained every strange little thing going on in the game.

Tides of Numenera. This game gets a lot of criticism, but I think the story (for how much chaos there is in the world of the game) has an interesting and surprising ending

[tabletoptrinketsbyjj]

Trinkets, Books, 13: An eclectic library of dusty tomes, fictional textbooks, pocketbooks, paperbacks, hardcovers, booklets, leaflets and magical manuals. Paper leaves and the binding surrounding them can help define a character, kick off a subplot, fuel a fetch quest or simply serve as a generic macguffin. Commonly seen in video games such as Baldur’s Gate, Neverwinter Nights, World of Warcraft and Skyrim, book items are a way to subtly world build while still handing out sellable loot. A wizard has a spellbook, a cleric has a holy text and now you have a trinket list.

A pulpy horror book filled with short stories made to terrify adolescents and thrill young adults. A creature who reads the book suffers from a Random Nightmare later the next time they sleep.

A large reference book on the subject of minted coinage within the realm. The top of each page has an illustration of both sides of a coin from a rubbing of the original, lovingly and delicately inked. Below is everything anyone could possibly want to know about the coin: number of dies in the designs, the date each went into service, the date each was taken out and destroyed, dates of repairs and re-engravings on each, quantities of each kind of coin struck. There is even a statement about whether or not there are known counterfeits. According the inside cover, the tome belongs to the Royal Assay of the city of TunFaire in the kingdom of Karenta.

A brand new copy of “Volo's Guide to What to Expect When You’re Expecting” with a couple of pages dog-eared in and “Congratulations!” written on the inside cover.

On the Sending Out of the Soul: An eight-page pamphlet on astral projection. The first seven pages of the pamphlet contain vague mystic writing; however, the eighth page details a formula for effecting astral travel. Among the required ingredients are a brazier and a mild hallucinogenic herb. The formula is always successful but has an unforeseen side effect: it invokes the horrid Outer God the Hydra. Knowledgeable PC’s are aware that the pamphlet first appeared a few generations ago and circulated among occult groups. Most copies were destroyed in the wake of a series of grisly murders.

Dictionnaire Infernal: A full description of the hierarchies of demons. This edition includes sixty-nine illustrations of demons by Louis Le Breton a skilled warlock, infamous for trading his soul for legendary artistic talent rather than arcane power or material wealth.

A journeyman’s guide to the proper practices of the guild who oversees the use of Random Artisan Tools. The travel volume includes how to care for your tools and how to interact with other crafters to seek replacement tools and have worn ones maintained. Other chapters detail acceptable prices for goods sold and services rendered along with advice on any specific ethical concerns the guild may have on trading. Most of the book contains descriptions and diagrams on how to perform basic tasks with the tools to the guild’s standards.

A small book, entitled "The Torrid Affair of Knight Gawain,". When placed on its spine it automatically falls open to particularly risqué page.

A personal journal owned by a psychiatrist who was studying the concept of nightmares and their metaphysical properties. The doctor recorded dozens of firsthand accounts of her patient’s slumbering terrors within this volume as well as notes on the patients themselves and how the dreams affected them. A person who peruses the journal for more than a few minutes suffers from a Random Nightmare the next time they sleep. Upon waking they feel compelled to document their experience on one of the blank pages left near the end of the book.

Alchemy of the Flesh: A dark green tome describing how to use a plethora of humanoid viscera and organs to enhance standard potion brewing techniques.

Tome Of The Endless Tale: A small, worn book with fanciful creatures or locales on battered leather covers, the tome’s pages fill with serialized stories that engage and distract the reader. The Tome focuses on a specific genre (See Note) but the stories crafted within the pages are unique to each reader, tailored by the magic from their own imagination and so vibrant that the book’s tales seem to come to life in the mind’s eye. Once per day, the reader can speak the command word written on the book's inside cover to fill its its pages with a serial story tailored to the speaker. This story typically takes 1 hour to read, continuing from where the last tale completed. ---Note: The DM can choose a genre or roll at random; 1, Adventure 2, Romance 3, Mystery / Crime 4, Horror 5, Thriller / Suspense 6, Fantasy 7, Science Fiction 8, Historical fiction.

—Click Here to be directed to the Hotlinks To All Tables post, which provides (As you might have guessed) convenient links to all of the loot and resource tables this blog has.

—Click Here for additional Book Descriptions to give these objects even more personality.

—Note: The previous 10 items are repeated for easier rolling on a d100.

A pulpy horror book filled with short stories made to terrify adolescents and thrill young adults. A creature who reads the book suffers from a Random Nightmare later the next time they sleep.

A large reference book on the subject of minted coinage within the realm. The top of each page has an illustration of both sides of a coin from a rubbing of the original, lovingly and delicately inked. Below is everything anyone could possibly want to know about the coin: number of dies in the designs, the date each went into service, the date each was taken out and destroyed, dates of repairs and re-engravings on each, quantities of each kind of coin struck. There is even a statement about whether or not there are known counterfeits. According the inside cover, the tome belongs to the Royal Assay of the city of TunFaire in the kingdom of Karenta.

A brand new copy of “Volo's Guide to What to Expect When You’re Expecting” with a couple of pages dog-eared in and “Congratulations!” written on the inside cover.

On the Sending Out of the Soul: An eight-page pamphlet on astral projection. The first seven pages of the pamphlet contain vague mystic writing; however, the eighth page details a formula for effecting astral travel. Among the required ingredients are a brazier and a mild hallucinogenic herb. The formula is always successful but has an unforeseen side effect: it invokes the horrid Outer God the Hydra. Knowledgeable PC’s are aware that the pamphlet first appeared a few generations ago and circulated among occult groups. Most copies were destroyed in the wake of a series of grisly murders.

Dictionnaire Infernal: A full description of the hierarchies of demons. This edition includes sixty-nine illustrations of demons by Louis Le Breton a skilled warlock, infamous for trading his soul for legendary artistic talent rather than arcane power or material wealth.

A journeyman’s guide to the proper practices of the guild who oversees the use of Random Artisan Tools. The travel volume includes how to care for your tools and how to interact with other crafters to seek replacement tools and have worn ones maintained. Other chapters detail acceptable prices for goods sold and services rendered along with advice on any specific ethical concerns the guild may have on trading. Most of the book contains descriptions and diagrams on how to perform basic tasks with the tools to the guild’s standards.

A small book, entitled "The Torrid Affair of Knight Gawain,". When placed on its spine it automatically falls open to particularly risqué page.

A personal journal owned by a psychiatrist who was studying the concept of nightmares and their metaphysical properties. The doctor recorded dozens of firsthand accounts of her patient’s slumbering terrors within this volume as well as notes on the patients themselves and how the dreams affected them. A person who peruses the journal for more than a few minutes suffers from a Random Nightmare the next time they sleep. Upon waking they feel compelled to document their experience on one of the blank pages left near the end of the book.

Alchemy of the Flesh: A dark green tome describing how to use a plethora of humanoid viscera and organs to enhance standard potion brewing techniques.

Tome Of The Endless Tale: A small, worn book with fanciful creatures or locales on battered leather covers, the tome’s pages fill with serialized stories that engage and distract the reader. The Tome focuses on a specific genre (See Note) but the stories crafted within the pages are unique to each reader, tailored by the magic from their own imagination and so vibrant that the book’s tales seem to come to life in the mind’s eye. Once per day, the reader can speak the command word written on the book's inside cover to fill its its pages with a serial story tailored to the speaker. This story typically takes 1 hour to read, continuing from where the last tale completed. ---Note: The DM can choose a genre or roll at random; 1, Adventure 2, Romance 3, Mystery / Crime 4, Horror 5, Thriller / Suspense 6, Fantasy 7, Science Fiction 8, Historical fiction.

A cloth-bound book of short stories by famous pulp novelist Cissifin Judeel. The volume is in excellent physical condition.

A bound section that includes chapters six, seven, and nine of some kind of book on mechanical engineering, seemingly torn from a larger work. They describe in enormous detail how to construct an intricate clockwork mechanism, but what it’s supposed to do is left unclear – and, besides, with chapter eight missing you wouldn’t know how to build one of the most important parts…

A cookbook, containing stunningly delicious recipes which, unfortunately, require extraordinarily rare and hard to find ingredients to make. It is no doubt someone's life’s ambition to cook and eat all of them at least once.

An anonymous epic poem about the Brass Spear Prince, full of stirring speeches and descriptions of battle scenes. For many noble travellers, this inspiring story is the reason why they became an adventurer in the first place.

An old bestiary, full of detailed information about monsters and magical beasts. Its sources appear to be approximately one-third hard evidence, one-third rumour or hearsay, and one-third the author's own fevered imagination, with no indication in the text as to which is which. It's information could easily save your life one day if you can only work out which parts of it are actually true...

A strange book whose pages are thin, blank stone tablets bound with knotted leather cords. Skeletons and zombies bow and grovel in the presence of the book.

Phoenix Breviary: A hand-size book bound in what appears to be black ostrich hide. Its pages are empty. Placed in a fire, the book will be unharmed and reveal the canonical hours of a banned cult for as long as it is surrounded by flame. Anything written in it will disappear until revealed similarly.

A joke book, full of genuinely hilarious (If rather mean-spirited) jokes. There are enough one liners alone for hours of belly-laughs and the text would be extremely valued to a jester or entertainer.

An anonymous journal, which records in obsessive detail the suspicious activities of a variety of seemingly-innocuous local citizens, whom the author seems to have been keeping under close observation. Either he was totally paranoid, or they are engaged in some kind of conspiracy. Maybe both.

An instruction manual, which describes in lunatic detail how to build a giant mechanical owl in order to further the cause of righteousness in the land. (The causal relationship between these two things is not made clear.) Chapters 3 through 9, which cover the construction of the owl’s internal mechanisms, have been ripped out.

A book of abstruse speculative philosophy, heavily annotated by some previous student. The annotations to the early chapters are detailed and lucid, but as the book goes on they grow increasingly incoherent, finally lapsing into ravings about a Beast and a City made of Red Steel. Due to the quantity of crazy annotations on its final pages, the last sections of the book are effectively illegible. You've never seen another copy.

An antiquarian manuscript whose author attempts, from the surviving literary and numismatic evidence, to deduce where the major strongholds of the local sorcerer-kings were back in the Age of Wonders. If she’s right, then there are at least three in the area which have been completely forgotten about, one of which is now buried under the streets of a major city…

The memoirs of a famous explorer, describing his many travels. The last chapter describes his plans for his final expedition, from which he never returned. But if the reader can work out where he went wrong, then maybe they'll have better luck…

A catalogue of birds found in this and adjacent kingdoms. Holding the book makes you want to obsessively tick off every species you manage to spot. A former owner of the book seems to have ticked off far more of the really rare ones than you, which causes oddly strong feeling of jealousy. One day, you will surpass him!

A child's sketchbook. On every page that isn't just unintelligible scribbling is a horrific monster.

A book of rather moving and helpfully non-specific love poetry. Memorize some of it for next time you need to persuade someone just how much you adore them!

A notebook in which someone has recorded, in great detail, the gastronomic preferences of a whole range of important and powerful people who live in a nearby large city. Very handy if you want to make a good impression - or to set someone else up to make a bad one!

An extremely spicy erotic novel about the life and loves of a famous courtesan. You keep it with you for, um, further research purposes.

A book of woodcut illustrations, more than a century old, depicting various fantastical monsters. One of them shows a particularly grotesque many-tentacled beastie fighting with a figure in spiked armour, who (Unlike every other figure in the book) has a string of nonsense words engraved beneath them. Disturbingly, these words form an anagram of one of the PC's names.

A book of heretical, politically seditious, and intermittently obscene drinking songs, complete with musical scores. Owning it is highly illegal, but you can’t bear to part with it: after all, it might well be the only copy which survived the purge…

A children's story book with a pressed faerie sprite between the pages...

An engrossing and well-written mystery novel: it's not very deep or clever, but pick it up and you'll soon be wondering where the last six hours went. Handy if you need someone to be distracted without realizing it.

Naga Naga Yo Fraga Blaga: A book whose cover is designed to look as if it was made from green scales, and its pages have golden edges. The volume talks at great length about an ancient race of serpentine creatures of great intellect and natural mastery of sorcery.

Of Gospels and Prophets: A stark white leather cover with gold filigree encompasses this religious reference book. The book does not delve deeply into any specific topic, rather approaches the “mile wide, inch deep” style with no more than 3-5 sentences on any of its entries.

Demozain: A book written by a dozen ur-priests. It makes no attempt to hide the ritual that would summon a sentient black hole to consume a world, but between the lines it reveals secrets of where the gods truly get their power.

A palm-sized notebook that always has at least one more blank page.

A blank spellbook bound in scarred wyvern hide.

Libro Venenum: A vile text filled with pages of aged papyrus and wrapped in dried lizard hide. Translated it proclaims to be the Book (of) Poisons and must be handled with absolute care. The reader is insight into the long-forgotten art of toxic magic, practised primarily by hags.

Folio Malevolence: A profane book whose spine is crafted from the bones of tormented fairies. The pages are all exposed with no actual cover and emit a foul odor. Upon close examination one can see skin has been stretched and matted onto the parchment. The runes on these pages make the reader feel uneasy and waves of hatred flow over them. Good aligned characters will feel immediate aversion to the text. The text itself orders the reader to let malevolence overwhelm then and to lead a life of malice and constant all-consuming rage at the world and everything in it.

A diary that begins quite normal, even boring, but becomes increasingly nonsensical, and the final few pages are indecipherable scrawlings.

A heavy book titled “The Many Faces of Perun”. Dozens of flowers are pressed between its pages.

Opuscule Covetous: A small notebook created with haphazard pieces of vellum tied together with gold wire. If the pages are spread out they appear to be covered in numbered pictures. Anyone who puts the pages in the correct order will see the drawings magically animate. The story they show will be capturing and include scenes of immense wealth and decadence. Those viewing will be intoxicated with avarice and immediately desire the treasures presented in the story. Unbeknownst to the cursed readers this is an elaborate trap set by a witch. What appear to be treasures are actually items the witch herself desires but cannot obtain. Examples would be a sacred holy relic, a newborn child or perhaps a lock of hair from a person pure of heart. No matter what the item they will always appear as something else to the afflicted character. The curse will cease once one or all of the items are obtained and presented to the witch.

A bound album of various portraits and sketches of individual local people and families. Someone went through and meticulously clipped out the heads of all the people in the pictures, leaving the rest of the scenes intact.

A ledger listing quantities and types of Random Humanoid Race bones and teeth along with dates, costs, and prices of sales and purchasing.

A book of anatomy with detailed drawings on xenomorphic creatures completely alien to this plane of existence.

A book of genealogical research of a prominent family in the nearby city, mostly consisting of a bound collection of public announcement posters and firsthand accounts of the local historical society.

The Parchments of Pnom: A manuscript written by Hyperborea's leading genealogist and soothsayer. It is written in the "Elder Script" of that land and contains a detailed account of the lineage of the Hyperborean gods, most notably Tsathoggua.

A beginner’s guide for people learning to play the Random Musical Instrument. The slim volume includes diagrams with all the parts of the instrument along with instructions for proper maintenance and care. Past the introduction the book contains the basics of how to play, along with a dozen simple songs that even someone who is unskilled in the performing arts could learn to play by reading the book and putting in a few weeks of regular practice.

A lengthy tome that boasts as its title “A complete history of the Random Humanoid Species”. The thick tome is dense with small, fine handwriting and goes into impressive (If dry) detail on the known origins of the people along with the high and lows of their past.

A military historical reference book focusing on the construction, maintenance and historical and modern use of the Random Weapon as it pertains to various forms of warfare.

Book of Dzyan: This work is an ancient text from a far away land, which contains “unwelcome truths”—cosmic revelations inimical to any human mind, which the Book tries to reconcile. As such, it describes accounts of mental and physical rites which are protective to mortals, as well as otherworldly threats and how to deal with them. Anyone who casts bard spells can research the spell contrary melody in this book to learn it in place of a 5th-level spell known.

A child’s sketchbook that features named stick figures of various people in a dozen different hands. The cover is marked with a surprisingly ornate rune, almost beautiful, though reading it makes one’s eyes droop.

De Vermis Mysteriis: An eldritch and bizarre spellbook, written by Ludvig Prinn, an ancient alchemist and necromancer who was burnt alive as punishments for his crimes against nature. Its pages are full of spells and rituals that summon strange entities, familiars, and creatures from beyond space and time. It also has a number of rituals for contacting and dealing with Great Old Ones, Outer Gods, and their minions.

A tiny leather bound book that contains a piece of writing such as a story, a poem, a manuscript, or a recipe. Each day, a new piece of writing magically replaces the previous one.

A cookbook, heavily bookmarked and written on, with pictures to accompany each recipe in the book. Licking the pictures allows you to find out how each dish tastes. Writing new ingredients in the recipes alters how the pictures taste. The back of the cookbook has empty pages to allow people to write down their own custom recipes. A few of the pages already have recipes written on them, some of which sound absolutely revolting.

A small novel, in which its 100 pages are used to describe a pebble. It consists of a single run-on sentence, and the description is often repeated throughout the book.

A leather bound book that bursts into flames when opened and extinguishes itself when closed. The book itself is completely fireproof.

A translation manual that teaches the basics for a long lost language. The guide assists the reader in translating basic words and phrases from the lost language into a commonly known language. This manual has significant values in archeological and research circles.

A bible that contains the founding texts of a now extinct religion that was wiped out long ago. This tome chronicles the origins of a murderous and wild sect that broke off from a popular, but now dead, religion. It gives notes on famous individuals this sect claims to have killed, their method in doing so and gives small insight into where more information about this sect may be.

A humble prayer-book bound in homespun cloth. Even with all your knowledge and sophistication, these simple hymns still have an almost supernatural power to soothe your troubled mind.

The Book of The Keeper of The World: A yellow book that is almost as bright as the sun itself. A bloody skeleton is on the cover with a text in an unreadable arcane language, presumably the title. Eating pages of this makes something in the world just disappear out of everyone's mind, a nothingness filling the place it used to be.

A reprint of a banned book, the last copy thought destroyed decades ago.

A ratty journal overflowing with loose sheets of yellowed paper. They are filled with maddened scrawl and diagrams and calculations and degenerate ranting.

A heavy book filled with Holy Scripture from the Loregiver and proclamations of Fate.

A holy text containing the sacred oaths of the first paladins from each paladin order in the multiverse, listing those of Good alignment as examples to strive for while warning against falling to the dark temptations of those who made their oaths for personal gain or other dark desires.

A book containing a list of artifacts designed for dark purposes, primarily those associated with Evil deities, as well as instructions on how to destroy these items. Several items on this list have already been crossed off, presumably destroyed by previous holders of this book.

A large tome that contains what is likely the largest repository of knowledge on healing salves in existence. It lists out materials, costs, where to find each ingredient, and how to combine these ingredients. There is virtually no ailment that cannot be cured by at least one of these restorative mixtures should the text prove accurate.

A small prayerbook that contains a single long incantation that can be used to contact a celestial who specializes in helping unfortunate souls tricked into a contract with a devil find a way out of their unfair bargains.

Book of Ashur: An arcane tome, bound in ancient dragon hide that contains much wisdom on the conjuring and subjugation of spells.

Liber Noctus: A decrepit tome that bristles with dark secrets and eldritch powers. Reading from the grimoire summons dark thoughts and grim deeds.

A blessed tome containing tales of ancient valour, glory, and self-sacrifice are bound to inspire those of noble heart to greater deeds.

A large book, bound in human skin according to the note tied to it, supposedly it was owned by an ancient necromancer during the age of thunder but its impossible to open as the spirits bound by it will lash out at the carrier. At the bottom it reads that it's currently on loan from Candlekeep.

A thick, heavy leather-bound book that contains illustrations and descriptions of over 3000 different kind of animals, plants, fungi, and minerals that can be used as alchemical ingredients, and how to safely collect, preserve, and store them. It was written by a renowned dark elf alchemist and explorer in the north lands. He spent decades studying and experimenting with the various creatures and plants that inhabit that environment, and compiled his findings and recipes in this book.

A worn-out leather book that has a map of the southern land on its cover. It contains detailed descriptions and directions on how to find and harvest rare and expensive alchemical ingredients that grow in remote, dangerous or hidden locations in the southern land.

A green book that has a dwarven hammer as symbol on its cover. It contains detailed secret information on how to use dwarven alchemy, with a specialized focus on creating oils and elixirs to mix into liquid metal alloys during the forging of weapons and armor.

An old yellowish book that has an elegant symbol on its cover. It was written by a legendary elven alchemist who mastered the art of creating healing potions, over the course of more than half a millennia of dedicated focus.

A collection of slim volumes on a variety of topics, including a registry of the nobility, City Watch commanders, and other notable citizens. Blank pages, a vial of ink, a pen. A number of interesting maps.

A single tome that is a combined multi-volumed summa of unified theory of arcane & divine magic, mechanical physics, psionics, and the cosmos.

An old, small, leather-bound, time-worn book with a goat’s head tooled into its cover. The leather is badly foxed and the pages are barely readable. If studied carefully it seems to be the journal of a fiendish cult.

A sketchbook half-filled with disturbingly accurate anatomical studies of various people, the copper plates that cover it etched with a pleasingly abstract rendering of a human heart.

A strange esoteric translation manual that teaches the basics for a long lost language. The guide assists the reader in translating basic words and phrases from the lost language into a commonly known language. This manual has significant values in archeological and research circles.

A hand-written guide by a purportedly self-taught monk on how to manifest and nurture ki powers. Although the information is not grounded in traditional aesthetic principals, anyone with knowledge of ki will recognize some validity to the methods being discussed. It is from an unknown author.

A religious text of an extinct cult that was wiped out long ago. This tome chronicles the origins of a murderous and wild sect that broke off from a popular, but now dead, religion. It gives notes on famous individuals this sect claims to have killed, their method in doing so and gives small insight into where more information about this sect may be.

A bound set of written texts, recording the beliefs of a famous lone wanderer and philosopher. The individual is well-known throughout the land for his beliefs and exploits but it was previously unknown that he had personally committed any of these things down on writing.

A book of spells with particularly elaborate verbal components written in an unknown but important-looking script. Arcane PC's can determine that only one or two minor spells actually work. Extremely close inspection will reveal that the rest of the "incantations" and "magic words" are actually disguised and encoded reports from a deep-cover spy

A worn, leather-bound journal filled with notes and sketches, offering insights into the daily life of its previous owner. There are many blank pages. Reading from the journal causes miniature illusions to appear for others showing the details of the event written, whether truthful or fanciful.

An alchemical codex containing the formulae for various poisons.

A dusty, ancient tome filled with arcane knowledge and forbidden secrets, written in a strange serpentine language and illuminated with intricate flowing illustrations.

A notebook that contains private notes from a psychiatrist about a patient. The first two pages are banal and clinical; by the fifth, they are inscrutable ramblings.

An identifiable book with a dozen assorted silver nails impaling it. The nails look disorderly and haphazardly hammered, with many bent in strange angles. The book is constantly wet, and the title is illegible.

An arcane spellbook that doesn’t seem to have belonged to a single wizard, bearing many different hands and styles across undoubtedly centuries. Many pages are damaged, arcane scribblings made illegible by time and deterioration. On the pages that remain, it seems that many of the spells appear modified in some way.

A well-worn and obviously fake booklet on how to talk to ghosts.

A bound journal filled with sketches of plants and animals.

A medical journal written in a dead language. It's filled with diagrams and drawings of medical dissections of inhuman alien creatures.

The Book of Fate's Mercies: A book that details incidents where people were saved from death by random chance. For example, a barking dog caused someone to walk just a little quicker down the street, which moved them out of the path of a stampeding horse. The last story in the book is about you, potentially causing you to be extremely aware and reactive but utterly paranoid and agoraphobic.

An inconspicuous diary of a young girl named Fyla. At a young age Fyla's talents allowed her to see into the abyss and corrupted her mind. She wrote in detail about the monsters under her bed and her fears of what awaited her when they would finally come for her on her 18th birthday.

The Book of Wisdom: A tome that contains a collection of sayings, stories, poems, and hymns from every known culture, religion, and philosophy. New entries appear at random, as new Wisdoms are collected and recorded by other disciples carrying a copy of the Book of Wisdom.

A spellbook made from high quality blank parchment is covered in tiny runes. When one of these small inscriptions is pressed the parchment changes color.

Tome Of The Spellblade: A soft-covered leather bound treatise containing writings describing, in the most basic terms possible, methods of magical fighting. Even so, the material is fairly dense and requires definition and reiteration of various terms and ideas. Fortunately, it also contains many detailed diagrams.

Fearful Codex of Ancient Wisdom: A weighty volume bound in pale, scaled leather of unknown origin. This magical tome contains a wealth of knowledge both mundane and esoteric, and is inhabited by an archival spirit that will direct the reader to their desired content on request. Unfortunately, the spirit has undergone a great deal of trauma over the millennia and the "fearful" part of the title is now literal. Attempting to simply open the codex and read normally will reveal nothing but blank pages, with perhaps a fleeting glimpse of text slithering away to pages deeper in the book. Only through persuasion can you access the codex. The book has definite dislikes, some of which follow: Being read by firelight is terrifying - paper burns! Natural light is better, but being read outside in the weather is undignified and risky. Magical illumination is best, preferably indoors and someplace quiet. Any kind of liquid nearby is alarming - ink runs and paper is ruined! Don't even think about eating while you peruse the codex. The book doesn't really like to travel either and would prefer to tucked away safely in a library somewhere when not in use. It enjoys the company of other books but isn't fond of other magical tomes, even non-sentient ones. It's also really, really phobic about the number eight, and invariably uses constructions like "two cubed" or "nine less one" in its own text when needed.

[spyridonya]

Villain Poll!

@dujour13 tagged me for this and oh my lord, I have many. For the sake of sanity, video game anatgonists.

Rules: make a poll with your top 5 favorite antagonists and ask your followers to vote for their favorite.

(Mind, Sarevok from BG3 is trash. I adore ALL the villains from Planescape but Ravel is floating around already!)

Tagging:

@jean-dieu, @dragonflytehanu, @fallsekings, @aparticularbandit, @dmagedgoods, @fantastic-mr-corvid, @bearvanhelsing