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ma1dita · 7 months

Text

solipsism

a 'partners in crime' installment - luke castellan x dionysus!reader

words: 5.1k

summary: (post-TLT) drink responsibly… trouble doesn’t; you punch luke in this lol (novelization spoilers? kinda canon-compliant)

The one where you finally pray to Hestia to keep your home safe, even if he's also trying to destroy it. Luke visits you four times during college, in a timeline opposite to yours (doctor x river song-coded) (lore expansion & explanation here) (Luke Castellan x fem!Dionysus!reader)

a/n: i hurt myself with this one. anyways its canon (to me) that we’re roommates now !!!! more to come like i promised even during my birthday break ! scream at me in the comments and feel free to reblog :)

(post 3/6, edited/betad @hotchfiles )

—

solipsism (the idea that only one’s mind is sure to exist)

You didn’t mean to send a prayer out into the world so strong that it would will an apparition of an Olympian, but burning cookies seems to be your specialty. Arguably, they weren’t the good kind, just the ones you grab in the freezer aisle of Walmart, and still, somehow they set your fire alarm off. Opening a window and waving through the smoke— Hestia, goddess of the hearth and home was standing next to the rickety dining table you bought off Facebook marketplace.

“Holy shit, you scared me!”

There’s mirth in her eyes at your reaction, though for all you know it could be annoyance—it’s not often that an immortal could be badgered enough to reveal themselves for an accident like this one.

“Dionysus was right. You’re too much like him for your own good,” she grins, taking a seat at the table like she’s an old friend. There’s a warmth to her unlike anyone you’ve met before—fire crackling in her eyes and an aura of serenity swaddling the air that you’ve never felt before in your student accomodations.

“I’m sorry I just… with all due respect, what’s going on?”

You go to toss the hot tray of cookies in the trash bin, before hesitating and putting them on your nicest plate. A gentle shove slides them over the table to the goddess, and she takes a crunch out of one happily.

“You were praying,” she states, like its common knowledge, “so strongly, in fact, I thought I’d make a visit to one of my most loyal devotees. Though in this case, you’re the object of his devotion, yes?”

Your hands are clasped across your lap and a familiar feeling spreads through you, then she jerks her hand up and points, “There. You’re doing it again. Y’know, it’s about time you start reciprocating the effort. Hermes’ son prays for you with intention.” You were thinking about Luke before she appeared—and hope glimmered like a tiny open flame. It’s still there, in the slow beating of your heart.

“He’s waging war with the gods. I don’t think he prays to them anymore,” you reason. Luke's offerings to the hearth must have been extinguished by the wrath he’s rained on Camp Half-Blood by now. The perfect storm.

“Not when it comes to you. Mortals never fail to surprise me. But it seems you’re a special case, my sweet. He’s made a home of you.”

To love Luke feels like having to keep a secret and never being able to tell anyone, but Hestia reaches for your hands across the table and looks at you knowingly.

“When I gave up my seat on Olympus for your father it wasn’t a sign of weakness, even if I did it so that others could be happy. I think your soul is a lot like mine in that you’ve given up so much of what you want to protect others. In turn, he’s doing the best he can to protect you; I listen to him every day, sweet girl. You are not weak for loving him still. There are generations of strength in your bones.”

“What else am I supposed to do? I search for him in everyone I meet and I’m not sure I’ll ever find that type of love again.”

These are thoughts you’d never told anyone—not Annabeth, not your father, not even yourself and surely never aloud.

“I hope you never do,” the goddess says, and you know it too.

i. no winter lasts forever (a night out after a drive home from virginia)

Flick. Flick.

“Come on, Hestia. Not you too. Don’t fail me now,” you mumble. The frigid metal of your zippo lighter rubs against your thumbs as you cup it in your hands, shielding the tiny flame that fights the harsh winter wind. Trying to focus as you lean against the brick of the Inferno, you take a deep inhale of smoke to warm your bones. Healing was never supposed to be easy.

Breathe in.

It’s somewhat of a routine you’ve made since getting back from visiting Annie. You’re a regular at this pub now—not even acclimated to the ins and outs of your sleepy college town, and though you don’t know the name of the hall your classes are in, you do know there’s a barstool in the corner of the Inferno with your name on it. There’s something funny about using your father’s gift as a form of fake id, and you wonder if he knows how heavily you indulge in your vices. Five vodka redbulls down the hatch have your knees feeling weak under the alley light until a stranger looms over you like a shadow.

“Those things are gonna kill you one day.”

Breathe out.

“Gods willing,” you laugh, stumbling over your boots and Luke catches you like he was never meant to let you go in the first place. The leather of his jacket is musky and his hair is buzzed.

Either you were wasted or uncaring of who he was (both), you toss him your car keys and climb into the passenger seat. It’s a silent ride to your apartment besides you giving him the directions and Luke wonders how bad he must have hurt you for you to lay out for a stranger and waste away like this. But he’s the farthest thing from a stranger, even in this error in time and you’re still the daughter of the god of wine so after the third time you try to put your key in the lock he helps you because he hopes you’ll let him in.

“Y’know Annie would get a kick out of your haircut. Come inside.”

You’ve always been able to see right through him.

He’s standing in the hallway with his hand around your waist and he’s already broken too many of the titan’s orders by being here, so he scoffs, “You’re not gonna remember this by morning.” But you leave the door open anyway, dragging him by the wrist and your hand still feels the same in his even after all this time. What more is there to resist when there’s not much left of him to lose?

This is the last time, he reminds Kronos, and there are monstrous hands around his brain, but yours are still gently holding his heart. The little part of his soul that hasn’t been eaten away holds on for a bit longer, tethered to your being by the way your hands are tied.

“I can, if you want me to.”

He looks ready for war, and he is— yet you have him following you around the tiny living room almost in a trace as your arms loop around his neck. Luke doesn’t answer. He doesn’t know if you’d want to see him sober, especially when his absence is still fresh for you.

“Baby you look different from the last time we met,” you slur, stepping onto his feet as he takes you for a spin around the coffee table, dancing in the quiet. He’s older than you’ve ever seen him, voice deeper and colder. This is not the boy that ran from you in the forest many months ago. This is a man who’s seen horrors you haven’t lived through yet. You can deduce that he’s the cause of them too.

“So do you. Though still as beautiful as I remember,” he whispers like he’ll get struck for saying it. Your eyes are unfocused as he inspects your face, still soft and young with hope. The titan grips his features now, almost burning through his sense of self—though it’s not tangible he wonders if you could see it.

“I see you all the time. I just… usually have to drink enough to make it feel real. I just miss you.”

He looks pained at your words, and for a moment you wonder if he even heard you. Luke pushes you towards your room, an aura of darkness spreading through him like fire but he relents, pushing past the flames. He’s on borrowed time now, but Luke would gladly waste those minutes tucking you into bed.

Lifting your arms up, he pulls an old shirt of his over your shoulders, and his eyes catch onto the fact that you’re still wearing the dragon scale necklace he made you. Luke digs through your medicine cabinet while you sloppily wash your face and his calloused hands rub serums and moisturizer into your cheeks like how you taught him once upon a time. These are the things he won’t forget. Kronos can take it all away, as long as he gets to keep you. You lean against his chest and shut your eyes, scared that if you open them again he won’t be there.

“You’re not supposed to be here, are you? Are you mine?”

“I’m always going to be yours,” he says with no hesitation, “Four years later, and there is still not one living thing worth losing you,” he says, lips chasing after your fingertips as you trace his jaw. Your eyes flutter in exhaustion, and Luke’s eyes survey your room and he finds traces of you that he’s missed as he rubs your back lovingly like he has all the time in the world.

Your hands cup his face, making him look at you, and he surrenders himself to you as you pull him into a kiss. He’s a ticking time bomb about to detonate in your arms. The warnings that Kronos is beating into his head is nothing compared to the pain of knowing he won’t be with you for much longer. And he kisses you like he could save you from his blaze by doing so, lips and tongue and shattered breath saying I’m here, and this is real. Maybe your worst vice is not being able to wean yourself off the taste of him.

“Tell me what I need to hear. Even if it’s not true…Even if you’re not real,” you say between gasps, and your position on his lap makes him wonder why he’d ever give the world up and burn it down when it’s sitting right here and staring at him with violet eyes.

“It’s always going to be you and me. I’ll love you until the end of my days and then some.”

You laugh in the way that drives him crazy—though he already is, for loving you still. Luke lost all sense of himself when he left camp four years ago. All that remains is you, pushing him so that his back hits the bedspread. He lets you consume what’s left of him, and he’s on fire.

You wake up the next morning with a jolt. It’s still winter, and you’re still alone but despite the chill, you feel warm.

ii. autumn years (with a familiar visitor who finally shows up on time)

Knock, knock.

There’s someone at the door, but your date isn’t supposed to be here for another 10 minutes.

“Babe, someone’s here for you!” your roommate Jo calls out, and you tell her it’s fine to let them in.

The pantyhose clings to the lotion on your thighs and you fix the bracelet on your wrist, stepping out from the bathroom hollering, “You’re early, Kit! Don’t tell me you’re skipping to the good part; I’m a lady i–”

“Who’s Kit?”

Luke’s standing in the doorway of your bedroom and his eyes flit to the reflection of your naked back peeking through the undone zipper of your dress. You look stunning, lips painted red and eyes smoky, but you’re also furious. Too bad he’s always thought you looked extra hot when you’re mad.

“None of your business. As you can see, I don’t exactly have the time for this, Castellan.”

He shrugs, closing the door behind him gently and with the raise of his brow, Luke is leering at you like a teenage boy. Respectfully, of course. The glint of celestial bronze against his hip reminds you who he’s become though.

“I’ll make the time if you say the words, Trouble.”

Sighing, you step forward, but then he does that thing again from the last time you saw him out on sea, twisting the crick in his neck like he has to resist your touch.

“You’re still funny. Some old habits die hard I guess,” you scoff, turning and lifting your hair out of the way so that he can zip you up. He opts to not touch you, sliding the dress closed until it fits against your body. You think you can feel his fingers ghost above your skin, and goosebumps rise where he leaves and his breath is warm on the back of your neck.

“Leave your weapons at the door. I run a tight ship, unlike you.”

Gliding away from him while his hands are still in the air, you turn and sit at the edge of your bed, crossing your legs as you nod at him. Luke picks up the pair of heels next to where he sets the sword against the wall, and like it’s nothing out of the sort, he gets on his knees. You offer a foot to him while he speaks, “I could tell by the taser on your bedside table. You’ve killed monsters before, why a taser?”

There’s freckles on his tanned cheeks and he smells like the sun. You wonder what he’s done to come see you tonight.

“I’ve found out that not all monsters are mythical. When…are you?”

His eyes dart away from yours, securing the buckles on your ankles, and his touch sears through the mesh of your pantyhose.

“A few months ahead.”

There’s an eyelash on his nose, and your finger reaches out to touch it, but he flinches away. Face pulling into a frown, you spit, “You never slow down enough to let me catch up with you, huh?”

You can hear the microwave whirring in the kitchen, your roommate none the wiser of the sound of two hearts breaking. The both of you suddenly realize this is the first time you two have been alone (and the same age) since he left camp. There’s a silent question of if it will ever happen again as he gets up from the floor.

“So you’re seeing other people. Must’ve been easy, h—”

You punch him in the face before he finishes speaking, and all he can do is laugh. You would never let him off so easily.

“Fuck you. What, you think you can just hop in here and act like everything’s okay? What do you want, Castellan? For me to grovel at your feet and beg for you to fix what you broke?”

And you’re right, he supposes. This is the closest to peace that you’ll get in this life you’ve created without him. He won’t be able to take you on nice dinner dates like Kit can, or hold your hand without feeling like fate is going to smite him for existing. You scoff at the lack of his response.

“What happens next?”

Luke watches you chew on your lip, and even if he shouldn’t touch you in fear that you’ll will away his reason for defecting, by the gods does he want to.

“What do you mean?” he mutters. The cord of his necklace is tucked into your dress now that he looks closer.

“If I’m right,” you say (and it’s rare that you’re not), “each version of you that comes to see me knows less, and each time I see you I learn more. You were 23 last time. Why didn’t you see me at 22?” You know he won’t have an answer, but this is the only time you’ll be able to ask the real him. The one that’s yours, just a few steps ahead.

“There’s already been a lot that’s happened since I last saw you.”

“Are you going to hurt me?” you offer him, like he hasn’t already. He can feel the bruise blooming on his cheekbone and he grimaces with what he’s about to say.

“Never intentionally. I’ll try not to.”

It sounds stupid coming out of his mouth and you feel stupid with how empty you feel just watching him. He’s made a home of you, choosing moments in time to visit, but when he inevitably leaves, then what? Luke taught you how to be a home, forgetting you exist until it’s convenient and now there are things about yourself that you can’t unlearn yet don’t know what to do with.

Your roommate knocks on your door asking if you want a shot of vodka before your date starts, and Luke is already walking towards it since he’s overstayed his welcome. He raises his sword to open a portal but you shake your head.

“Go out the way you came,” you swallow, fiddling with the copper pendant around your neck, “and take the purple umbrella in the hall. It’s raining outside.”

When you walk into the kitchen moments later, the front door shuts gently and Jo’s sitting at the table with a mouthful of ramen noodles.

“Is he warming up the car? Your date’s hot as fuck, babe,” she grins, steam coating her glasses.

Knock, knock.

Your phone buzzes and there’s another knock at the door. Kit is 15 minutes late.

iii. auld lang syne (ringing in the new year with an old friend, or more)

Your apartment is filled with friends and acquaintances, but who the fuck cares anyway? There’s 10 minutes to midnight and you’re crossed out of your mind. Holding onto a half-empty bottle of prosecco, your heels clomp over to the window in the living room as you crawl onto the fire escape.

Clack, clack.

The air is chilly as you hug yourself, and you hear someone step out onto the stairs behind you.

“What are you doing out here alone?”

You sigh, not even turning to look at him, “What are you doing here, period?”

He takes the bottle of prosecco out of your hands, making you swivel your head to look at him as he takes a big gulp. He’s younger again, and it makes you laugh at how fucked up your luck must be to never be able to see him when you want. It’s always been on Luke’s terms.

“You’re too young to be drinking that,” you drawl, knees bumping against his when he takes a seat next to you. Long Island is quiet at night, and the lack of city lights is nice when you can see the stars so clearly. Music blares through your JBL speaker in the living room, and the sound of cheers gets louder when The Neighborhood starts playing.

“We used to do worse,” he laughs, but something in it sounds hollow. The breeze picks up and you shiver, taking the bottle back from him and swigging it.

“All these visits…you sure do know how to make a girl feel special. But you never come in the summer.”

He clears his throat, before leaning back on his elbows, “ I haven’t gone a summer without you since we were 14.” This Luke doesn’t know what’s ahead of him yet, but you realize that he’s right. Even now, he keeps up the habit of pissing you off and raising hell on Camp Half-Blood every summer. You notice he’s not wearing his camp beads, and he notices you shiver again in the chill.

Clack, clack.

Your heels rattle the metal of the fire escape as you readjust your position. He takes off his jacket to sling it around your shoulders and neither of you realize you’ve missed the countdown until fireworks burst in the sky above you. The red and blue reflect off the planes of his face, but what stands out to you is the orange of his shirt, and you comprehend now where he just came from.

“I had to see you. I didn’t get to say goodbye when I left,” he says, and you take another sip before handing him the bottle to finish off. The only new years’ kiss you’re getting is through the lips that hold the last remaining drops of prosecco.

You nod, remembering it all too well as you both watch the fireworks in silence. He wasn’t able to watch them properly the last time he was with you, Annie, and Percy just a few hours prior.

iv. spring cleaning (only big days are ahead for the both of you)

It’s quiet in your college apartment this morning.

The moving boxes are half-packed and stacked against the wall of the entryway and the smell of freshly brewed coffee in the French press on your kitchen counter permeates the air. Perhaps the idea of caffeine is the last thing on your mind, hands twitching as they smooth over the black polyester of your graduation regalia. There’s a few hours still before the ceremony, but you’ve never liked being unprepared. Pollux is driving your dad down the Island because despite the war you’ll inevitably be fighting in once you cross the stage and get your degree, D specifically told Zeus that he’d wage another if he was made to miss your big day.

Parting your hair to fit under the ugly graduation cap, the tassel swings in front of your face as you grab a few bobby pins from the side table. A golden medallion of Castor’s smiling face almost whips into your cornea and you stifle a laugh. D said in his Iris message last night that all three of them would cheer so loud you’d be able to hear it from Elysium (and honestly, jokes aside—he probably has a way of making that happen). A staggered breath leaves your lungs, and you’re filled with anticipation, though you’re not sure what for.

Time is a thief and you know that too well by now. After all, you’ve spent the past four years running from the truth of your heritage—dodging monsters between study sessions and grief welcoming you every time you come home. Four years later, and who are you trying to fool? While walking across that stage later you might as well take a bow. After all, your ex-boyfriend is the reason why there’s going to be a war of both blood and ichor, mortal and undying and still, you find yourself in the middle of it. You’ve found yourself fielding questions this last semester like dodging celestial bronze, the questions always a little too close to home and the answers you give are too entertaining to be considered the truth.

So, what are your future plans?

Oh no big deal, just going home and dealing with generations-old family drama. If it drives me crazy enough I might enlist!

Gods.

How do you even articulate that these past few years were those future plans? That you didn’t expect to be alive this long, much less have the comfort of feeling secure enough to dream… It’s been years since you’ve had a good dream to work towards with a boy you once knew holding your hand through it all. But the expensive piece of paper you’ll be receiving later feels fake somehow.

Who does that belong to? Surely not you…surely, someone who dreams without bearing the weight that comes with it. Someone who doesn’t have to look over their shoulder everytime they walk to work in the mornings, who can convince children that monsters aren’t real without having to lie. Psychology was a great field to learn from the mortal side of things—to know the reasons why brain chemistry affects us so deeply instead of just willing it away with the touch of your fingers. You like making people feel better. But who can ever do that for you?

A gust of wind sweeps through your room, the multicolored tassels hanging off your neck swaying from the force and you shut your eyes knowing he’s there again. Citrus and musk, and something that’s just him. He knocks over your hamper, cussing under his breath until his eyes follow your motionless figure in front of the mirror.

“Shit. I can explain, um… I thought you’d still be asleep,” Luke sputters, his converse falling into your laundry pile like quicksand. He bends over, stuffing your pajamas and sweatshirts back into the bin with fidgety hands as his eyes take a quick scan of your room. There are no pictures of you and him on the bedside table. For a moment, he wonders what that means but then his cheeks redden when he picks up a pair of your lacy underwear. He shoves that down too.

“Big day today. You know I can’t sleep when I know something is about to happen,” you smile wistfully, and you keep your eyes shut for longer, because like this, it’s almost like he’s actually there in real time. In a world where things went your way, this would be his apartment too, and his clothes would be scattered around your shared bedroom like how they used to back in cabin 12. You always used to put them on The Chair, as he would call it—but Luke’s known to make a mess of your life regardless of your efforts.

“When isn’t there? Something’s always going on when you’re around, Trouble.”

Click. Scattered memories flicker in your head like images through a view-finder, spinning through your vision as you hear the sound of his laughter, gently tapping away at your heart again. Click. In the ones you pre-selected, he’s draped in sunlight, honey eyes sweet and kind, and his kisses are perpetual instead of an indulgence. Click. He’s always wearing faded orange, worn-out, but most of all well-loved. Click.

You open your eyes and they meet his own in the mirror. Time stops for once, letting you catch your breath.

Right now, he looks just as you like to remember him, as you knew him four years ago. Multicolored camp beads are resting easily against his broad neck instead of weighing him down, and he’s wearing the red converse his dad gave him. He’s too young, and so in love with you that it blinds him, but even then…now, he knows the look on your face and it makes him ask, “It’s not my first time visiting you is it?”

“You’re usually more discreet, the door right behind me wouldn’t have been your first option. But you’ve never failed to surprise me before. Tell me about your day, Luke.”

A hesitant smile crosses his face as he sheathes Backbiter against his hip, adjusting under the weight like he’s not used to it yet, and then he speaks, “We ate strawberries in the fields today, straight off the vine, but I argued that the ones you conjure will always taste sweeter to me. You smushed one against my face and I carried you home. You?”

You nod, turning around to face a ghost of your past, and the both of you meet in the middle only a hairs distance away as you admire each other.

“I graduate today. Annabeth’s driving up with her boyfriend and the rest of my family is coming to celebrate.”

He doesn’t know of Percy yet, of Chris’ insanity, of your brother’s death, and the immense hurt he’s caused everyone. The smile that lights up his face makes you realize he thinks he's still a part of this—with you. And you miss him—even when he’s right here, fuck, you miss all the versions of him that have come to visit, even the ones you don’t know of yet. Tears brim your waterline as you take a deep breath; the last thing you want to do is scare him away.

“This was his promise to me. By showing me something I was sure of—and I always knew you’d graduate and make it big. Wanted to see it for myself, baby,” he grins, tangling his fingers with yours like your strings of fate, and though you know the answer to your next question you still take a chance, just in case.

“If I tell you what’s happened since…you. Would it be too late to change your mind?”

“Trouble, do you want me to? Kronos’ plan is already set in motion. I think…” he swallows, and your vision blurs without your permission as tears start to fall. Through the film over your violet eyes, Luke frowns and pulls your fingertips to his lips, kissing each one. He hasn’t done that in years.

“Did I make a mistake? Do I lose you, in the end?”

“Angelface…” you sniff, leaning your cheek against his hand, “You were so scared of losing me that you didn't even stop to think of what losing you would do to me. I lost you so long ago, Luke. And you’re not mine anymore. I don't think you have been in a long time.” In these heels, your forehead is closer to his lips so he kisses that too, hoping that somehow this time he can will away your pain instead of his. He doesn’t know what to do but hold you until you say something again.

“I’ll tell you something you need to hear. And no matter what you say or think, babe—it’s the truth. Even without all the glory in the world I would still be yours. I still am, even if I can’t bear it.”

Though he’s holding you, it somehow feels like the opposite—a purer version of him in your embrace while he holds the broken pieces of you together with his golden touch. Right now, you look into honey instead of gold. The both of you look at each other in the mirror melded together like kintsugi, something good still shining through the cracks of you two together like this.

The sound of keys jangling in the lock of the front door lifts you from his embrace, and with one look you both know its time for him to go; Luke’s brows furrow as he mutters, “I’m sorry. I’ll fix this, and we’ll be together. I promise.” You nod anyway, hoping at least one of you believe it.

“Go home, Luke. She…I still need you. I’m always gonna.”

He’s already got Backbiter in hand and one foot through time when he looks back at you. Your voice sounds a lot like how it does when you tell him you love him. Luke wonders how long it’s been since you did. Your bedroom door opens with a bang and some laughter.

“Hey troublemaker, you left the dryer on! All your clothes are gonna shrink,” Jo grins, peeking her head through the doorway of your room and she’s looking at you in your graduation gown standing there alone.

“Were you on the phone? Who were you talking to?”

It’s quiet in the apartment again. Your fingernails make indents in your palms, bunching up into fists before you let go. A sad smile crosses your face as you let the settling wind kiss your cheeks, before reality kicks in and everything settles back to how it was before.

“Just someone I used to know.”

—

“And no one can ever figure out what you want, and you won’t tell them, and you realize the one person in the world who loves you isn’t the one you thought it would be, and you don’t trust him to love you in a way you would enjoy.” -Richard Siken

luke taglist (some won't let me tag, turn on my post notifs?)

1/2 luke taglist: @kissingyourgrl @dorcas4meadowes @lorarri @andrewgarfldsgf @noodlesketchbook @10ava01 @poppysrin @ashisabitgay @timhalamet @liv1104 @leeknows-wife @mxtokko@bugcuti3 @luvvfromme @midmourn @2hiigh2cry @yuminako @niktwazny303 @lukecastellandefender @intergalactic-padawan @iliketopgun @annybah @dangelnleif @thegrinningghost @alyssajunelle @obxstiles @m00ng4z3r@visndcaitswhore @b0ok-lover @elegant-face-tree @this-barbie-is-having-breakdowns @amortencjja @idonevenknow1359 @maliaaaa @targaryenluvs @sakyira @dhdjdjjdhsjdiri

#luke castellan x reader #percy jackon and the olympians #luke castellan x dionysus!reader #pjo x reader #made by ma1dita ♥︎#luke castellan imagine #percy series #luke castellan angst #thank you for reading my love ˚ʚ♡ɞ˚

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torawro · 6 months

Text

I’D DIE FOR YOU (AND I HAVE). ( s.a. )

sousuke aizen & black!fem!reader.

cw ━━ ! minors, blank and ageless blogs DO NOT INTERACT. reader is portrayed as a black woman but you do not have to imagine her that way. using this map of the seireitei as a reference (i searched high and low for a consistent accurate one but it was hard). the first half is set pre-ryoka invasion / pre-soul society arc. the second half is aizen-centric (from his pov told from the 3rd person) and set post-tybw arc, years after he was sealed away in mugen, also including mention of events from vol. 1 of can't fear your own world (a light novel that's post-tybw & can be considered canonical); so all this being said: SPOILERS i guess???? of course you're welcome to read if you don't care about spoilers! somewhat based on 'die for you' by the weeknd & even more loosely based on 'dark red' by steve lacy. contains themes of heavy-ish angst, existential crises (?) & inner emotional turmoil within reader + aizen (separately). descriptions of character death, blood and violence. descriptions of manipulation/mind games. aizen is an unkind man. proofread (i did my best).

word count ━━ 11k

notes ━━ ! the way this fic was supposed to finished a month ago...but life once more gets in my way. and the way that it's this long....i anticipated the max being 10k but i greatly underestimated how long it would take to flesh out my idea. anywho i'm somewhat reentering my bleach era again. i’m not sure what it is but character analyses in the form of fanfiction is my jam rn like i really enjoyed writing this (i got tired of the length by like... 7k words lmao) but i like how this turned out. i've watched & read quite a bit of content that provide explanations as to why aizen is the way he is so i wanted to try my own portrayal of that in the context of canonical events. how i characterized him here is partially inspired by a fic i read about him last year so shout out to them for their support :D i hope i've depicted and humanized aizen well ♡. reblogs + commentary are heavily appreciated!!!!!

THE PAD OF YOUR THUMB SLOWLY glided against your bottom lip, the lingering aftertaste of jasmine tea still on its surface and on your breath. The absentminded motion of your thumb caressing your mouth, as if in deep contemplation, continued as you stared at the clock hanging on the wall above you.

It was past eleven, and the midnight hour only continued to draw near as time sustained its temporal march. And there you sat at your desk, floating in the limbo of your mind that was filled with hesitancy and admittedly, budding anticipation.

Your gaze lowered to the now empty porcelain cup, nothing remaining of its contents except the shriveled remnants of herbs and a few wayward drops of the brew.

Your senior comrade, captain Sōsuke Aizen, was correct in his prediction that you'd take a liking to its floral and delicate taste when he gifted you a jar full of the jasmine tea leaves as well as other ingredients.

The captain of Squad 5 seemed to be correct about a lot of things.

His intelligence and foresight, along with his kind and politely witty disposition, were qualities that you found somewhat charming, and gradually drew you closer to him.

Being the current third seat of the 9th company, your barracks and those of squad 5's were relatively close to each other's, so often you'd catch glimpses of and run into Captain Aizen on a pretty normal basis. Over the years, the conversations that bounced between the two of you expanded past the realm of formalities between a higher and lower ranking officer, and instead ranged in territories from literature, to art, to food & drink, and even to the politics of the government for which they were soldiers for.

Sometimes, you found it hard to believe that you managed to befriend a man like him. A man who seems to have mastered the balance between being a gentle soul, helpful to others, but also possessed enough refined power and skills to be named a captain within the Gotei 13.

Especially a man who wasn’t even of your own squad.

Despite the increasingly friendly relations and generally pleasant conversation, there were few moments where Aizen's words didn't feel quite. . . . real━ he didn't feel real. He spoke eloquently, often relying on figurative language to further illustrate his point and to breathe meaning into seemingly plain and meaningless words. But at times those words, his tone felt stained; stained with some substance or color you couldn't quite place. An enigmatic façade was painted over his speech, and it took too much mental capacity to try and find your own meaning in it.

So you'd often brush it off. Your over-reliance on your own reasoning that 'you weren’t able to come to a conclusion because there is no problem a conclusion could be generated from' successfully quieted your mind’s voice. You'd also frequently blame exhaustion, or your newfound hobby of watching human psychological crime shows during your off days for these subconscious ideas you had.

But you feared that the request Aizen made of you yesterday, the source of your current predicament, couldn't be blamed on any of those things. You looked at the clock again before returning to stare at your empty tea cup. For what reason could Sōsuke Aizen wish to meet you outside of the 1st division barracks? Specifically at this hour? You immediately thought of his question as uncharacteristic of him but prevented yourself from jumping to any further conclusions.

Aizen was a reasonable man, and you were sure there was a reasonable explanation.

With a final sigh of acquiescence, you stood up from your sitting position to retie your yukata before slipping a thicker, dark colored haori on top. You were unsure how cold it was this late at night or how long you'd be out, but it was better to be safe than sorry.

You paused for a moment, glancing longingly at your vanity mirror a few times, clearly torn between a decision, before giving in with a soft groan. Grabbing your favorite perfume, you quickly spritzed the spray onto both your inner wrists, either sides of your neck, and stray areas on your clothes. You’d proceed to make sure your hair was in order and your lips were as moisturized and glossy as a pair of tear-filled eyes before making your way to the door and slipping on your sandals.

Meeting with a captain— with Aizen of all people— in the dead of night resembled too closely to forbidden lovers rendezvousing under a fruit tree to fulfill their desires of embracing one another, with no one but the moon as their witness. The comparison alone caused the apples of your cheeks to burst aflame with embarrassment, and you lightly chastised yourself for even indulging in such an inappropriate train of thought. Such a scenario seemed far too deluded to even be considered ‘wishful thinking’.

But those delusions still seemed to make more sense than whatever other conclusion you have yet to reach.

Making your way out of your personal quarters, you activated your shunpo technique, stealthily hopping from one rooftop to the other in an effort to make it to Squad 1 barracks quicker.

After several minutes, your mind mostly engulfed with the 'what if's', the soles of your sandals finally touched ground, and you stood a few feet away from the massive walls and bridges that connected to and from the barracks. Even at night you were able to make out the bold-printed kanji for the number 1 that was painted on the building.

When you arrived, even from a nearby rooftop, you didn't see anyone around. Feelings of confusion and worry began to creep up and flicker to life in your mind.

But, as if your thoughts were as audible, you felt a light breeze of wind behind you, a familiar sound that indicated someone had made their presence known.

Startled, you reflexively reached for your zanpakuto, when you remembered that you hadn't even brought it with you. It still laid against the wall near your bed, just where you placed it earlier when you were relieved of your duties for the day.

You didn't think you needed it necessarily if you were just going to meet with Aizen, hence why taking it with you slipped your mind.

The flickers of concern were swiftly extinguished as your brain caught up with your body upon realizing who just appeared. A relieved sigh left your lips, a breath of air that seemed to release all the tension that had a grip on your heart and wound tight within your muscles. "Ah! Good evening Captain Aizen. You caught me off guard for a moment there."

"My apologies, that was not at all my intention." The Fifth Division Captain sported a dark colored scarf, his long captain's coat and the standard shihakushō all Gotei officers were supposed to wear. In the sash around his waist resided his own sheathed zanpakuto. His tawny hair maintained its usual part but looked slightly tousled, yet still remaining so in a meticulous fashion that made it look intentional.

The state of his hair alone, and his current facial expression made Aizen look more . . . approachable if that’s how you were to describe it. There was a glint in his eyes that you had seldom seen before.

"Thank you, for making your way down here to accommodate my rather. . . . atypical request. I again extend my apologies if I have inconvenienced you in any way."

You shook your head in reply, "It's alright, I wasn't doing anything too important anyway. Just having a cup of tea and delighting myself in a book before bed."

You glanced downwards at the foot or so of space that was wedged in between the two of you. You forced away the murmurs of your lingering thoughts that took note of how the moonlight and shadows danced across the surface of Aizen's face just right, and emphasized his decidedly handsome features.

"But having a complete and good night's rest is important to be fully functional in all areas of one's performance. Wouldn't you agree?"

You couldn't help but chuckle softly. "Yes, I do agree with that sentiment."

Aizen all but hummed in acknowledgement, letting a moment of silence fill the air before speaking again.

"Shall we be on our way?"

You nodded in agreement, following him as the both of you walked about the First Division grounds. From what you could tell based on your position, your aimless nightly stroll drew you closer to where Sokyoku Hill was located. The area became increasingly more grassy and contained less buildings.

Although Squad 1 grounds weren't terribly far from either of your barracks, you still weren't sure as to why Captain Aizen wished to meet out here. Initially you thought that perhaps he was just fond of this particular scenery, but really it could have been anything.

But still, you believed Aizen always had a purpose for everything he did.

After several moments, his warm voice replaced the evening silence, vocalizing your current thoughts. “I assume you are contemplating why it is I have asked you here, and I’m afraid the reason is quite benign. Truthfully, I just wished for your company. I often go on night walks to clear my head after a long day and thought I might invite you to join me this time, and have a conversation with each other."

Your brows shifted upwards, for that was not quite the answer you were expecting. It seemed too . . . simple. “Really? You just . . . wanted to talk with me? Plainly?”

The Squad 5 captain let out a short, soft laugh at the disbelief that was painted on your face. There was an expression of fondness present in his eyes and in the light smile he offered you. “Yes, exactly. I quite enjoy our discussions actually, they’re intellectually stimulating and relatively pleasant. You crossed my mind, and before yesterday, it has been quite some time since we’ve had the opportunity to unwind and talk.”

You hummed an mhmm in agreement, tearing your eyes away from Aizen’s side profile in favor of the hem of his captain’s haori, watching how it danced in the soft breeze. It seemed to be less distracting than the way Aizen peered down at you from time to time.

"I see. I am. . . . truly flattered by your words, Captain Aizen; you're too kind. Forgive me for asking but," you took longer strides so that you could fall into step next to him━ as if to speak to him more directly, "Why at this time? To talk with me, I mean. It couldn't wait until more . . . . . conventional hours?"

He chuckled again, and answered as smoothly as if he were awaiting you to ask him that. "Unfortunately, today's tasks ran a little long today, so I had to stay at my office later than usual." The spectacled man paused for a moment, before setting his soft gaze on you, "And besides, that completely defeats the purpose of inviting you on a night stroll, doesn't it?"

You ignored the heat flaring up in your cheeks again. Your mind refused to move past the fact that you had crossed Sōsuke Aizen's mind enough times━ or the times that he thought about you were significant enough━ and highly enough to invite you into his realm and indulge in these moments with him, when he very much could have done that alone.

A tender smile appeared on your lips, more towards yourself than the man next to you. "I. . . suppose it does."

The ashen-white moon only rose higher in the sky, providing an ambiance of tranquility as the both of you talked about whatever crossed the surface of your minds. Other times, the stillness of the night did the talking, and you'd listen to the leaves, and the wind, and the crickets sing together in harmony. Gradually as you walked and the beaten path grew more narrow, your figures drew closer together, until you could feel the long sleeves of his haori brush against your own.

You hadn't noticed that the two of you eventually stopped walking and paused under a tree until Aizen struck up conversation once more. When he called out your name in that gentle, velvety voice, you swore your heart was going to lurch out of your chest. The sound of your name rolled of his tongue so smoothly, the desire to hear it again grew within you.

"Uh━ yes, Captain Aizen?"

"Are you satisfied with way things are at the moment?"

You stood next to him, perplexed at his inquiry due to its vague nature. "Um, what. . . . things? I'm afraid I don't understand what you're asking."

The wind brushed Aizen's dark ochre tresses across his face as he took a step towards you, like the breeze itself was pushing him towards you. "Hm, perhaps I should be more clear then. Are you content with being a soul reaper? Are you satisfied with being a soldier for the Soul Society?"

With your brows slightly furrowed in thought, you remained silent for several seconds and overanalyzed his every word, trying to predict where he might be steering the conversation now. The longer you thought it over, the stronger that nagging feeling from within your soul became. The one that often told you what he was asking wasn't exactly . . . it didn't quite feel . . . . .

"This feels like a prelude to another insightful discussion on Shinigami━ and by extension━ Seiretei politics." Your words cut off your own thoughts, as if your mind was trying to sweep something under the proverbial rug.

Aizen huffed in amusement, before lightly shrugging, leaving your statement definitively unanswered.

You sighed as you seriously considered his question this time. "I mean sure, I guess. I'm somewhat satisfied with my job and all of . . . this," gesturing your hands in the air around you to emphasize your point. The 5th Division Captain made another humming noise, indicating that you still had his full attention. He inched a little closer into your personal space.

The mere action caused your next words to die in your throat and a quiet chuckle resounded from his, before your thoughts revived themselves again.

"Of course things could always be better but. . . . y'know. This is just how it is." You weren't quite sure if you should voice negative opinions about the Soul Society so plainly to a senior officer, even if he was the one who asked you in the first place, so you treaded lightly.

The same plainly relaxed smile from earlier remained painted across his lips, held in his chestnut irises was an emotion akin to affection. He seemed somewhat pleased that you were expressing your thoughts with him.

“And you? Are you satisfied, Captain Aizen?” You were unable to keep the teasing endearment out of your tone as you returned his gaze, casting aside the notions of Gotei officer seating and ranks for the moment. The air seemed like it shifted━ towards what, you weren't sure of━ but it kind of made you feel like you were adrift, floating in isolation from everything else around you.

It was still hard to process that you were alone with Captain Aizen right now. . . . at night.

A low hum reverberated within his chest, contemplative in nature as he replied, “Perhaps.”

The wind whistled lowly again, erecting goosebumps on whatever part of your skin happened to catch the midnight breeze. You fought the instinctual urge to twitch towards the nearest source of heat, which happened to be Aizen. Now that would be even more wholly inappropriate than the 'lovers meeting at midnight' scenario.

The silence between the both of you was brief, but comfortable nonetheless. Once more his mellifluous voice cut through the quiet, leveled and calm, like still ocean waters.

“Come. I want to show you something,” Aizen reached his arm out towards you, your spine as straight as if someone stuck a metal rod dipped in ice water down your robes.

The captain's movements seemed steady and slow━ it had felt like time itself had hesitated for several moments. You thought he was going to . . . . well you weren't sure what he was going to do, and that's what you made you nervous.

Was he going to touch you? Cradle your cheek? Remove a stray leaf that happened to land on your head? You were left somewhat dangling in anticipation, not daring to flinch backwards because you felt it would be disrespectful or offensive. You hadn't even blinked, subconsciously fearing that this was only a very vivid daydream.

But alas, when his arm drew near it extended past your head, slightly above you, and held a small branch in his palm it like a delicate flower. You released a breath you didn't know you were holding, but that breath drew short again when your gaze was eye level with his lower neck and chin.

He seemed . . . . closer.

“I think that regarding the condition of the Soul Society," Aizen began in a quiet voice, referencing his own reply to his earlier question, "and therefore my thoughts about it, is akin to this set of leaves on this branch."

Snapping out of whatever stupor you seemed to have slipped in, you exhaled softly before stepping back a bit to look at what he was talking about. In his palm he cradled a wayward branch that grew from one of the other sturdier branches of the tree. The green foliage of its arms had started to weaken and dull in color. The cold air due to the seasonal transition to autumn caused the leaves become brittle, nearing closer to the edge of death.

The sound of just how brittle they were resounded in the air when Aizen thumbed the leaves in between his fingertips, observing their texture with pity laced in his small movements.

"These leaves will fall off as it gets colder. And soon, the rest of this tree will be bare as well. When the time comes, when the right circumstances fall into place, the old die to make way and usher in the new; it's simply the way things are. I think of the Soul Society government is structured in a similar manner."

You hung onto his every word, like he were imparting crucial wisdom to you. Even though you were a bit confused on the last part, and on the connection between dying leaves and Soul Society, you still listened intently, waiting for him bridge the gap between the two.

"The Soul Society as it is now can be thought of as a season. And this particular season, this climate has remained so for several centuries. How can nature continue━ how can we continue to progress when the old have yet to be washed away by the currents of time? It defies that of nature, yes?" He directed this question at you specifically, in search of your agreement.

You nodded your head, tearing your gaze away from the branch and directed it at the grass beneath your feet. Your brows furrowed a little as you mused over Aizen's words. He gave a rather ambiguous answer before but now, his words sounded like vague displeasure and muted criticism. Everyone was entitled to their opinion, and on some fronts, you'd sometimes agreed with the 5th Division Captain. The Soul Society was far from perfect, too much emphasis on nobility and status, the government resembled too closely to an oligarchy . . . But you didn't━ wouldn't voice these thoughts, though.

Instead you hummed quietly under your breath. There was that tugging sensation again. This time it told you that there was something deeper to this conversation than meets the eye. But what could there be? Was there anything at all or were you just overthinking it?

The voice-like sensation in your soul was calling out to you, but you couldn't hear it that well or quite make out what it was saying. It's as if someone was calling out to you in a crowded room that had music playing on the speakers: you felt like if you listened hard enough you could make it out but ultimately, the result would fruitless.

"And when that happens," Aizen continued, "sometimes nature has to be gently nudged back on track to keep things moving smoothly. That may require . . . shaking the tree. Pulling a few harmful weeds from one's garden, so to speak."

"Weeds?" You echoed. You felt like you understood this analogy and therefore what he was trying to say, but at the same time you didn't. Or was it . . . . you didn't want to understand what he was implying?

Because if you were interpreting his words correctly, if he were inconspicuously comparing the higher-ups and the government itself to dying leaves and harmful plants that needed to be removed, then . . . .

"You, dear child, are a mere weed in this scenario."

Wait, what did he just━

Your thoughts were cut short when a gush of air that smelt strongly of Aizen━ warm oak, vanilla, and a kind of musk that you weren't sure how to describe but was still pleasant all the same━ brushed against your face and took you by surprise.

But there was another aroma that arose, steadily becoming more apparent alongside the increasingly painful throbbing feeling you felt in your abdomen.

It smelt metallic. And it was something that you've smelt all too many times before.

It was blood.

Your gaze that was initially narrowed in confusion lowered as it followed the source of this pain. Your eyes slowly widened in as you struggled to comprehend the blade that was currently ran through your torso.

Aizen's blade.

"Actually, instead of weeds, a more accurate and befitting analogy perhaps would be blades of grass. You unfortunately have to step on them in order to reach the weeds you want to remove."

You couldn't really focus on what the captain was saying, because your brain was still struggling to process what the hell just happened. Your hands slowly rose from their sides and shakily grazed the zanpakuto, wanting to believe that if you touched it, it would pass right through your fingers like mist. But no, the sensation of cold steel was as real as the robes you wore on your back. You only just now are processing the muffled squelching sound of his sword impaling your flesh.

You wanted to scream, to cry in pain, to vomit, to push him off━ something. But all you could do was stand there, stunned, words completely failing you. "Wh. . . . what? Why did . . . . you . . . . "

A cough replaced your attempt at a comprehensive sentence, and you tasted iron in your mouth.

Fuck....was this really happening?

"Please don't push yourself trying to talk," His voice was like an index finger to one's lips, similar to a parent's gentle caress to quiet and sooth their child, "You'll only hasten your death. And I'm sure you wish to know the reason for my killing you, yes? You'd have to be alive for that."

'Killing me?' 'My death?' The certainty that rang in his words chilled the blood in your veins, and they confirmed the one conclusion you hoped wouldn’t come true: that you were going to die.

The frigid embrace of fear and dread engulfed you from behind and you shivered, causing the blade snugly lodged in your organs to shift. The pain of that foreign object moving even a little bit shot through your entire body, causing a groan to emerge from your throat.

Desperate to conserve your energy and the oxygen that was becoming a little harder to take in, your breathing became uneven and a little wheezed. Even then, you couldn’t bring yourself to meet the gaze of Captain Aizen to confirm if this was really happening or just an extremely realistic and vivid nightmare. The sight you might be greeted with could be more frightening than the actual impaling of his sword.

As if his betrayal couldn’t actually or figuratively cut you any deeper, just then there was a noise that grew louder and louder within a matter of seconds until it was almost deafening. You’ve distinguished it to be the sound of glass crackling.

Your surroundings formed cracks everywhere on its surface, like it was just an oversized window. Even on the grass you stood on, or what you thought was grass, began to crumble away.

A dumbfounded but panicked look was plastered on your face when your world literally shattered around you, the only remnants of it being you and the Captain.

What was underneath the mirage━ or you should say, the fact that it was a mirage at all━ only disturbed you and increased your perplexity.

Slightly hunched over and breathing heavily, it took a minute to process where you were, but you noticed that now the two of you stood in a formal room that looked like it was used for important meetings. The lights in the room slowly started to brighten, most likely due to motion sensors. Even with Aizen's scent lingering in your nose, you could still pick out a rather stale aroma that hung in the air like dead fruit that hadn't fallen off the tree.

"Is . . . this Cen . . . tral━ "

"You are correct. Where we currently stand is the assembly hall for Central 46, the judicial power of the Soul Society. All judiciary as well as legislative trials and proceedings are held here."

All around the room were seats with partitions, the kanji for 1 through 46 printed on them. In the seat for the 19th member, your gaze caught onto something on the translucent barrier. It was a little farther up so you had to squint your already blurring vision to see it properly.

You saw, and your heart promptly sank as a result, eyes widening once more.

There were splatters of a dark colored substance on the partition━ undeniably blood. And the lithe, bony fingers of an older man laid lifeless, peeking out from the side of the screen like the appendages themselves were trying to escape from the body they were attached to.

That man . . . was dead. That stale aroma you smelt was the stench of death.

It was only after that unsettling epiphany did your eyes dart frantically around the room and realize that every member of Central 46 was dead.

The disturbed expression on your face only intensified as your stare was pulled back down to where Aizen's blade still resided in your body.

" Cap.....Aizen," you uttered, swift to correct yourself. All the moisture in your throat dried up like water underneath the unrelenting rays of the sun. You kept gulping your saliva in an attempt to assuage the sensation, but relief only last for a fleeting few seconds. "Did you ━ you killed them . . . didn't you?" Your question was laced with shaky hesitance and swelled with apprehension, fearing that you already knew his reply even before he answered.

There was a moment of silence and a hum before he replied. "Smart girl."

The muted mirthful tone in his voice sounded like sarcasm, and it was enough to finally draw your attention away from everything else and directly look at him. Almost instantly, you regretted it.

His umber tinted gaze was colder than you remembered. You couldn't find anything in his eyes that hinted that all of this was just a big misunderstanding, or a dream, or that Aizen had a secret sense dark and complex humor.

This was your first, and apparently your last time, that you have ever felt a fear such as this. Your mind was struggling to comprehend this was the same Aizen that spoke with you so gently, full of encouragement and wisdom. The same man that recommended you books to read and gifted you tea to drink and gazed upon you like . . .

Well, none of that mattered now. In this moment, Sōsuke Aizen wasn't the same man anymore. This Sōsuke Aizen was someone else, and it frightened you.

"When?" you croaked, your voice no longer sounding like your own. Nothing felt real anymore. "W-When did you . . . . . how? Why?"

Another noncommittal hum resounded from the spectacled man as he closed his eyes, feigning the action of thinking of an answer. When he reopened them, his narrow gaze returned to you.

"Everyone in the Thirteen Court Guard Squads was previously aware that the ability of my zanpakuto, Kyoka Suigetsu, allowed me to confuse the enemy using bodies of water, mist and even moisture in the air in order to attack. However, that is not my zanpakuto's actual power; there is more to it than just simple confusion. Kyoka Suigetsu's true power is Complete Hypnosis. Essentially, when someone looks at my blade, I am then able to take control of that person’s five senses, causing them to believe that something is real ━ or that something isn't real. In a way, once glancing at my unsheathed zanpakuto, that person forfeits their sense of existence to me. Kyoka Suigetsu is quite flawless in its deceptive abilities."

A heavy silence, aside from your uneven breaths, endured in the space between both of you. You didn't need him to spell out what he was trying to say.

It was all . . . . an illusion. A convoluted, premeditated illusion. And you walked right into it without even knowing or considering, that it was all fake.

The Fifth Division Captain inwardly smiled at the despair clearly written on your face as he watched you mentally put the pieces together. He took your lack of reply as a sign to continue. "The members of Central 46 have unfortunately been dead for quite some time now. And as for your question of why......"

The taller man stepped towards you which inadvertently (or purposely, you began to fear), drove his sword deeper into your abdomen without warning and slight force. You bit down on your bottom lip hard to stifle your exclamation of pain. In an attempt to somehow resist him, with the little strength you had left, your hands automatically took purchase in his oversized sleeves, but it did nothing. You found it ironic that you could feel how warm Aizen was underneath his robes, but his soul was anything but.

" . . . . I believe I already mentioned it earlier, yes? All flowers die eventually and the weeds......must be removed."

At that moment you remembered that tugging sensation that told you something felt off in some instances whenever you talked with Aizen. This must have been what it was. Damn it all. You still didn't understand exactly what bad things Central 46 and the Soul Society have done to cause his actions, but based on what you've been told and your current position, it must have been heinous. Again, you actively swallowed the urge to vomit.

"You . . . you lied. I can't believe━ how could it have all b-been a lie?" Another nasty cough rattled your body, followed by a shiver and a groan.

The brown-haired man slightly tilted his head, like he was truly confused. "Lied? Hmm, well. I suppose you could put it that way based on your limited knowledge of the circumstances, but I wouldn't put it that way. Besides, this isn't really about truth or lies. It is, and always has been, only about the reality of what is. And what is, is that you were unable to anticipate my deception. No one could, because it was outside the domain of your thoughts. What is, is that the current way the Soul Society operates is tainted, and I shall be the one to remedy it."

You drew another shuddering breath and looked down at the ground with a grim expression as your blood continued to pool at your feet. Briefly, you even considered unsheathing yourself from his blade and take the chance to make a run for it, but the chances of you making it to the outside world, let alone coming across someone before you bled out and died were slim. Besides, it was clear that you couldn't even trust your own senses anymore after Aizen demonstrated that he had complete control of your reality.

Which reminded you of something else.

" . . . when?" you asked the same question again, but much quieter than before, despair palpable in your voice. 'When and how did you subject me to your zanpakuto's Complete Hypnosis?', is what you were really asking. And being as intelligent as he was, the spectacled man understood.

Abruptly, with a large palm on the small of your back, Aizen used his gentle hold grip to pull you towards him in order to close the remaining distance, causing him to drive the remaining length of his zanpakuto all the way through until the tsuba of his blade rested against your stomach. You looked like a skewered piece of meat.

You didn't have the willpower to hold back the piercing shriek of agony and physical anguish as tears sprung forth from your eyes. You could no longer tell if your blurry vision was due to your tears obstructing your sight or if it was from being a step away from death's door.

"Do you remember . . . the first time we met?"

The hand that rested on your lower back slowly glided upwards until his fingers found your jaw. With a tenderness that reminded you of a time before his betrayal, he lifted your chin and guided your gaze to look at him directly. His thumb moved to graze your bottom lip just as you've done mere hours ago━ as if he knew that, as if he watched you do it. His thumb was dangerously close to slipping inside your mouth and that both excited and scared you. Your breasts against his, your breaths synchronized with his, your body and his were fully pressed against each other and it made focusing on his question more difficult.

Your eyebrows furrowed in confusion. The first time . . . we met? Sure, with a little bit of effort you could easily recall the first time you formally met Aizen. It was sometime in the spring, and you remembered him running through combat formations with his lieutenant and the rest of his squad. But why d━

A silent gasp left you. Another epiphany, another figurative blade piercing your heart.

Battle formations, and he . . . offered you to join them . . . his zanpakuto . . . . .

Confusion crumbled away, and was replaced with vacant horror and sadness. It seems you've already been defeated, for many, many years now.

Aizen seemed to murmur something under his breath, a pleased sound you couldn't quite decipher. His mouth brushed over yours, rendering you literally speechless, before he closed the distance and brought your lips together. You could barely process what was happening.

It was ironically tragic how soft and skillfully gentle his lips were against yours. The kiss felt longing, like a departure between two sweethearts and their last meeting together. It also felt heavy and final, making you want to cry.

And you did. Silent tears streamed from your eyes and rolled onto the fingers that still held your face so affectionately. The captain reacted by guiding your chin up a little further, dipping his head a little lower, so he could deepen the kiss. You weakly scorned yourself for thinking about how the two of you must really look like lovers now, sans the sword sticking out from your back.

Oh, how cruel this was; how cruel he was. It was cruel for him to kiss you like this, hand still splayed on your back like he needed to touch you stay sane. And how cruel it was that still managed to enjoy it, even as you stood there dying. Your lips moved together in tandem, slow and almost passionate, all while tears stained the apples of your cheeks, drying up the plush youth that once resided in them.

Aizen's tongue had slithered its way into your mouth, and you suddenly felt like crying harder. There was a tart, sweet flavor lingering on his tastebuds, and you absently wondered what is was. Perhaps hibiscus from tea, you surmised. And he too tasted the sweet jasmine and citrus that clung your tongue and lips. At this, he chuckled quietly into your mouth, humming before retracting from you by a few inches so he could speak.

"I knew you would like the tea. It's sweet and flavorful, isn't it?" You hated how low his voice was, how its timbre pleasurably vibrated and rumbled against your lips, and you hated that lidded stare he gave you. You again thought it unfair that you couldn't even revel in the rare sight of Aizen's lips slightly wet because your lips were intertwined with his.

"I have to thank you for humoring me and my recommendations. I really appreciated it. And I also," you winced loudly and cried out in affliction as Aizen finally began to withdraw the sword from your body, "must to bid you farewell now. It seems you don't have any more time left, and this has dragged on for longer than it needed. I'm not surprised you've held out for this long, as I already knew you possessed commendable strength. But alas it wasn't enough. I am sorry that you have to die; it's rather regrettable that you happened to be that blade of grass that ended up underneath my foot."

Another wail was yanked from your chest as he steadily removed his sword from your abdomen. The pain was becoming excruciating, you would have collapsed by now if the taller man weren't holding you.

You saw two things before the light in your eyes had all but faded away. The first were the colors of faux pity and apathy that swirled in Sōsuke Aizen's irises, spiraling like a storm that was certain to wreak havoc in its wake. His gaze was devoid of any regret or remorse; the final metaphorical nail on the coffin. The second was a small smile.

But this wasn't one of his smiles you were familiar with. No wait . . . . the one you knew was simply a veneer of what is.

This smile was slanted, the corners of his lips tilted upwards and was sharp. Sharp enough to cut open your already gaping wound further and completely tear you apart, spelling out your demise. It looked insidious as if it were hiding razor-edged fangs. This was what is; Aizen's real smile.

"I. . . I see. Aize. . . ." were the last words you were able to manage. You didn't have the strength to be upset or hurt any longer, so you gave in to the exhaustion.

Your body permanently relaxed, long lashes veiling your now empty eyes as your arms lifelessly dropped to your sides. The captain found a disturbing amount of pleasure in his name being the final word you attempted to speak before succumbing to the sleep of death.

And even after the fact, the facade of doomed, star-crossed lovers persisted as your body slumped backwards. Aizen's strong forearm wrapped tightly around your waist being the only reason you didn't fall to the ground in a puddle of your own blood.

That day was the last anyone saw of you, your zanpakuto still laid idly in your room, its spirit destined to forever wander in the afterlife between worlds alone, eventually fading from existence without ever feeling the presence of its master again.

They had declared you missing by the end of the next day. Lieutenant Hisagi was probably the most perturbed about your sudden disappearance. Days, weeks passed, and they never located you. The Gotei 13 was left unsettled by the lack of progress, but ultimately had to rule your case inconclusive. Some believed that you were simply killed by a stray hollow, or even ran away from your duties because of the stress.

The news of what happened spread like wildfire across all the squads, that a high-ranked officer just up and vanished without a trace. The spirits and morale of the thirteen companies dampened, sorrow and worry swelling like a festering boil.

And that boil burst when Ryoka infiltrated the Soul Society, and when it was revealed that all of it was carefully orchestrated by Sōsuke Aizen.

Like a blade of grass that somehow snuck into one's sandals or in between their toes, during his time in Hueco Mundo, images of you flashed in his head at unexpected times when his mind was quiet. He'd remove the grass, tossed you aside, and moved on with his day. There was no room for you in the grand scheme of things. Such reminisces were beneath someone like him.

And yet.

He'd always find another piece of grass from the greenery he stepped on whenever he advanced a step in his plans. There you were again.

It was common knowledge that if you kept repeating the same action over and over, it will eventually wear you down.

━━━━━━ 鏡 ━━━━━━━

It was dark, and there was nothing.

There had been nothing for quite a long time now. Utter darkness and the abyssal shade of black engulfed every inch of Aizen's body and surroundings.

He saw nothing, the seals over his eyes too opaque to let anything through. And even if they weren't obscuring his vision, he would barely be able to see three feet in front of him; there was seldom a few lanterns in his cell to begin with. He felt nothing but the bindings that kept him imprisoned in one of the deepest pits of the Seireitei. At times it felt like even his internal organs had stilled in their functions. He heard nothing but the unrelenting quiet of his cell within Mugen's maw. The only thing that served as proof that he hasn't spontaneously grown deaf yet was the occasional muffled noise that originated from outside of the entrance. And even then, he could hardly hear much of anything.

Such is an ironic fate for someone who, with a stray thought and a glint of his blade, could control someone's senses and take away their free will to experience those senses in their reality. And now, he was stripped away of all of his in nearly every capacity.

Sōsuke Aizen was rendered stationary and stagnant, qualities he detested and were the antithesis of his ambitions and plans, perhaps even his existence.

Aizen had always believed in being in control of your own destiny and making your own choices; if you had the opportunity and the power to change something━ especially if it was something that was wrong, unfair or immoral━ then one should be able to move towards that goal by making change, even if by force. The former captain had always been intentional about his actions and his desires right from the start.

And yet, here he ended up.

Spending years strapped to a chair in this dark, cloistered hole, Aizen had nothing but time to reflect the reason for his arrest: that orange haired Ryoka boy, Ichigo Kurosaki. He had nothing but time to admit to himself and settle on the conclusion that his last battle with the substitute Shinigami . . . did something to him.

Fighting the Ryoka boy ignited something inside him that he previously believed would forever lay dormant.

The thrill of a challenge.

Adrenaline was injected into his veins with each clash of their swords, spreading far and wide across every inch of his body. It no longer reacted in the measured, calculative manner he had programmed it to, but with unadulterated, pure instinct and raw power━ all in an effort to not only withstand such potent spirit energy from his opponent, but to come out on top and win.

It made him feel alive.

Aizen's desire to be the victor in battle and in his philosophy━ to prove himself right━ both fueled him and consumed him so thoroughly it led to his own downfall. That was a rather difficult fact to acknowledge; so much so his head started to pulsate intensely whenever it crossed his mind one time too often.

All of it unfolded right in front of his eyes and yet . . . he didn't really see it happen.

As time passed during his perpetual incarceration, with hooded eyes, the former captain spent an unfathomable amount of time tossing and turning every single event that led him to this underground prison, even pondering his temporary release by the Head Captain Kyōraku to fight in the war. Scenarios both minor and significant displayed itself in front of his mind's eye as if he were watching a film.

Every so often, a blurred visage of your image would make a brief appearance, like the flickering sparks of a match before they were able to come to light, fading away into the void and were overshadowed by his other thoughts. It was as if his own consciousness and intentionally muted any manifestations of your existence in his memories. As if he wasn't able to or allowed to see them━ to remember you for too long.

Mentally reliving moments from the last several months, years, decades, centuries━ trying to analyze each moment and decipher where it could have went wrong━ turned out to be quite an exhausting task. His mind and body would grow heavier with inertia, and eventually he would succumb to the alluring pull of slumber. After some time he would rouse from his sleep, and continued from where he left off.

These were his daily activities day in and day out (even though he had trouble distinguishing day and night in his chambers) for years. He saw a positive side to it though. He'd instead think of it has him getting stronger because he had spent so long . . . thinking. Ruminating. Contemplating every possibility in the past, present, and future. His mind would become as sharp as his zanpakuto.

Aizen had always been intentional about what he did, what he said, and how he conducted himself. He was sure in his abilities to orchestrate an image━ a belief for others to have faith in, and act on it in order to further his goals. He was always sure in that image, knowing who he was and what he stood for.

Or at least, that's what he thought.

Aizen wasn't consciously aware that his certainty in this crafted image had already begun to waver. He could not and was unable to anticipate how severe these small fractures had become until after a certain lieutenant paid him a visit outside his cell of confinement, right before he was scheduled to be thrown back into that dark hole of the Mugen.

Lieutenant Shuhei Hisagi was quite emotive when he burst through the doors. His expressions were contorted in volatile mixture of frustration, anger and sadness. His emotions were every which way, directed at everything that has happened so far, including himself. He was especially emotive at Aizen specifically for what he did to former captain Kaname Tosen and 'corrupting him with his twisted ideals.'

Aizen found amusement in that.

Before he was rolled away by the punishment force and therefore out of earshot, a particular set of Hisagi's words caused the small, content smile on his lips to uncurl ever so slightly. "Everything . . . and everyone that has ever gotten themselves involved with you has been trampled on by you and your ideals one way or another, and they all end up dead. If you think what you did to Captain Tosen was justified━ to call it mercy . . . . . then there is truly no justice in this world. You will . . . forever be the enemy in my eyes."

There was a trembling anger in his voice. Pain that wanted to cry out and be set free but, the thin lid of reason prevented it from doing so. And after a moment of silence, the corners of Aizen's lips curved upwards once more. A little bemused, a little more wolfish this time. He maliciously imagined Hisagi's reaction if he ever discovered the true reason for your disappearance.

But instead, all he said was. "What an interesting thing to say, Shuhei Hisagi. Your conviction is admirable." Any evidence of emotion that might have been reflected in his sepia irises was swallowed up and obscured by the darkness of the Mugen's jaw.

The cracks in Aizen's sense of self, in his beliefs, in the image he invented started to cave under the weight of Hisagi's words before he himself realized it was happening. They were like stains in the fabric of his mind that refused to come out.

What puzzled him more, was that with each attempt to figure out just why Hisagi's words echoed in his mind, they all lead back to you, the third seat of the 9th squad. Annoyingly so.

The tattooed lieutenant hadn’t said anything particularly profound ━ at least, Aizen didn't think so. Your name didn’t even fall from his lips. So why were memories of you and your likeness the only clear thoughts he could make of Hisagi's speech? Was it because he was aware of how close the two of you were? He doubted the reason were that trivial and insignificant.

His thoughts grew more discordant by the day, his soul a little more weighted than usual. Perhaps these new seals that Urahara had fashioned actually had an effect on him, Aizen thought. It made sense. His intellect, other than his own, were the only ones capable of creating such effective restraints.

After a while, he had a revelation. This was a different kind of weight.

This heaviness, the closest word he knew to describe it as . . . . was loneliness.

Time taunted him as it seemed to drag on━ Aizen grew even less sure of how much━ when he came to this realization. Hisagi's words were a clear mirror to the loneliness that echoed within him after what happened to you and to Tosen. It was so . . . potent, that it seemed to strike some chord in Aizen he had never heard before.

Such a chord, this sound of loneliness, it was strange and uncomfortable; he wasn't very fond of this sensation. He'd try to scrub it away, but it was all for naught.

His eyes had slid shut at some point, his ruminations leading to dead ends and wearing him down. And, almost as expected, there you were again, in all your translucent glory. The hem, the sleeves, and even the smell of your yukata slowly dragged across his dreams, haunting his thoughts like a lonely wraith.

And Aizen hardly dreamt of anything.

When he regained consciousness he was plagued with yet another epiphany. An additional reason behind this newfound depth.

Aizen's own loneliness. Guilt. Much to his own quiet horror.

How foreign and unusual a thing like guilt is. It was like looking into a mirror and not recognizing something you had never noticed before, but wondered if it had always been there.

But the thing Aizen did recognize, how lonely he actually felt, was something he had hoped would never resurface again. It was a notion he hadn't had the time or regard to consider━ 'loneliness'. Its only purpose, if any, was solely to serve as a motivator. At times though, it was more like a hindrance.

Something akin to nausea slowly started to bubble up in the pit of his stomach, but he suppressed the sensation before it became any more intense.

What of his previous actions did he need to feel guilty for? He hadn't felt it then, so why would he feel it now? Again he ruminated such a question endlessly into oblivion.

The former captain had no doubts that his plan to remove the Soul King, and therefore the Soul Society's sins, were necessary.

Nor did any hesitancy about removing the opposition or dead weight━ whether shinigami or arrancar━ existed.

He certainly had no reservations against killing Kaname Tosen, for he knew the man well enough to know that Tosen would have been so thoroughly appalled with what he had become, it would have drove him mad.

So what was it, then? Why were such useless emotions as guilt and loneliness being amplified n━

"Y....know, S....."

Even covered by the seals, Aizen's eyes widened and his brows were slightly furrowed in distress. Had his mind finally tipped the scales of sanity and madness, to the point where he was hearing things?

It was quiet for several moments longer, before his senses caught onto the sound of water dripping onto a hard surface.

One drop at a time.

Its cadence a little too rhythmic to be natural. And for a second time, he heard that soft, ominous sounding whisper. Its voice a little clearer this time.

"You...know.....Sōsuke."

In the second it took for his eyes to flutter shut behind its seals to blink, when he reopened them, he was no longer sealed to the walls and floors of the Mugen, nor was he surrounded by every shade of darkness imaginable. His limbs and senses were finally freed to breathe for the first time in what felt like ages.

That relief was short-lived when his senses absorbed the unending landscape of water underneath his feet, water lilies lifelessly floating on its surface, and the dim sky illuminated by a full pale moon.

Aizen was in his inner world, and now he was aware of how he got here, or rather who brought him here.

"You . . . already know the answer to that question, Sōsuke." The voice was even more clear, its sentences more comprehensible. And it sounded it eerily like you.

Why the voice was impersonating your likeness had caught him off guard for half a second, but he realized it was only the work of his zanpakuto, Kyoka Suigetsu.

An illusion it may be, there was an untouchable quality about your voice and how you spoke that even Kyoka Suigetsu couldn't replicate.

A few feet away from him, the water was disturbed by a being emerging from the depths. Ripples formed around a manifested version of his zanpakuto, who took the form of you, smiling ever so gently. The smile felt airy, and it didn't seem like the same one that haunted his dreams and every waking thought as of late. It felt....knowing.

Still, the former captain couldn't be bothered to maintain eye contact with his sword spirit, so he turned around and opted to keep his unreadable stare trained on the vast expanse of water and white lilies.

"It's been quite a while since I have stepped foot into this realm. There must be something you want . . . Kyoka."

The zanpakuto chuckled, it sounded like the way you would softly laugh at one of his clever quips. But this wasn't you.

He didn’t want to admit that something about that fact didn’t sit right with him.

"Judging from your tone, would I be correct in assuming you don't want to be here?"

Silence rang out within the soul scape, before Aizen interrupted it, his gentle voice colored a shade darker, and a little rigid. "And I fail to see the reason why you must take that form when you revealed yourself to me. Is your aim to get a reaction out of me? Or something along those lines?"

Your eyes━ the eyes of Kyoka Suigetsu━ narrowed at its master's back, as if they were trying to create concavities in his skull. But the expression was washed away the moment it appeared, the serene smile from before was back in place.

"You know . . . it's considered quite rude to not look at someone when you're addressing them. That, and when you deliberately ignore things they say. Your manners have been deteriorating, Sōsuke. Tsk, tsk."

Kyoka-dressed-as-you suddenly appeared before him, as if they had teleported. Even when they were in his peripheral vision, Aizen still maintained his stare off into the distant nothingness.

"Unless, you can't find it in yourself to look at me. . . that's correct, isn't it? It's because I look exactly like her, right?" The zanpakuto continued to provoke him, taking a step closer into his personal space.

With an exasperated sigh, his eyelids fell shut for a second, using that time to gather the strength he didn't know he needed, and directed his gaze to meet his spirit's. Aizen's face gave nothing away, but his heart lurched about his chest when his bronze eyes met with yours, or what was made to look like yours. The undesired affect it had on him was all the same.

"If you wish to chastise me about manners, I suggest you take your own advice. You didn't answer my first question, either: what is it you want? Why am I here?" Again the former captain chose to not address the other parts of Kyoka's statement. For the sake of his sanity and his thinning patience━ or was it to preserve his resolve?

Its smile widened a bit, moving another step closer to their master. God, Kyoka even smelled like you, mimicking your signature honeyed scent that Aizen didn't realize he found so intoxicating until this very moment.

"I called you here to save you from yourself."

Aizen remained silent, only narrowing his eyes in speculation. "Meaning?"

"Didn't I already say it earlier? I think you already know what I'm talking about, Sōsuke. You've always known."

Fate's pairing of Kyoka Suigetsu with Aizen was a match crafted from the spindles of heaven, but also a maddening curse pulled from the depths of hell, for they complimented each other a little too well. The zanpakuto was too perfect a reflection of Aizen and his soul, looking at it started to hurt his eyes.

His sword spirit insisted that he already knew the reason for his coming here, and perhaps he did have an inkling the moment the light of epiphany was shone on his profound loneliness and guilt. But that couldn't have been what it was referring to . . . . could it?

"You cannot feign ignorance here, my dear Sōsuke, however I do find it rather humorous you bother trying. If you'd like, I don't mind humoring you by spelling it out for you. I'd be glad to unearth the truth that you have buried in the most neglected corner of your heart."

"When you were . . . . subjecting yourself to such mental torment, it had an affect on this world as well. The ripples, the waves in this scape become quite . . . tumultuous." The nuances in your voice were perfected by his zanpakuto, but the way it talked sounded like a fog that was gradually closing in from over the horizon. The uneasy feeling that resided in his chest traveled down to his stomach, but Aizen's face remained steely, even when Kyoka Suigetsu took that final step to close the gap in between them. "And the reason for that, the reason why Hisagi's words rattled you so is because you regret killing that woman."

The creased line in Aizen's brow grew more prominent as he stared down his sentient sword spirit. With its breast pressed against his, they placed a hand on his clothed chest in a tantalizing manner, but he felt nothing. There was no warmth from its palm, much unlike when your hand touched him. There wasn't even a cool sensation either. Even minutes before your death, your touch brought a soothing heat that permeated through his shihakusho and penetrated his skin.

Kyoka's face grew nearer, their smile━ although still tender looking━ grew cold at its edges, nearly resembling that of a predator eager to see despair reflected in the eyes of its prey. It didn't fit the graceful allure of your face at all, and seeing this expression deeply unsettled the former captain more than he would like to admit.

"You regret . . . killing me."

A chill tore through Aizen's body, the weight of Kyoka's words adding onto the heaviness that still hasn't been alleviated from his heart; he was hardly able to suppress the involuntary shiver.

Without warning, Kyoka's mouth suddenly became dangerously close to their master's, its lips brushing against his in a provocative manner. Aizen's expression darkened when he realized that it was reenacting his last encounter with you when you were alive. His mouth started to grow uncomfortably dry, despite his soul scape being full of moisture, and there was a taste on the back of his tongue that's been lingering there since he arrived.

The lilt in Kyoka's tone continued to taunt him. "That is the reason for your guilt: regret. You have been in denial. And in the spirit of unearthing truths, I suppose I can admit that perhaps . . . . I've been . . . . encouraging said delusions, adding drops of fuel into the flames of your emotions and ambitions. But after all that's happened, when it comes down to it there's no point in continuing this hallucination any longer. I've grown tired of this game, so it's time to for you wake up now, Sōsuke. I've brought you here to release you from your own illusion, to completely shatter it."

Aizen's back was as stiff as a board, not moving a millimeter when Kyoka's lips grazed his again. They were breathing softly onto his mouth, but he hardly felt any puffs of air.

The former captain was having a rather difficult time processing the fact that his zanpakuto had its own agenda and had been manipulating his emotions without him noticing. Specifically the emotions he felt towards you.

He never truly believed that such a thing was possible, one's own blade having such a deep-rooted influence━ no, control over their master. Or would it be more accurate to say that he never expected himself to be controlled to such a degree? He that prided himself on being freed from the marionette strings of fate that were tied to his limbs and mind, he that relished being able to do what he wanted, think what he wanted, feel what he wanted━ or what he didn't want━ it was hard to believe that none of that mattered in the end.

Kyoka Suigetsu's deceptive abilities were indeed undeniably perfect. No one, not even Aizen himself could have anticipated that Kyoka's most absolute and complete hypnosis would be enacted on himself.

"Do you know now, Sōsuke? Do you understand?" Kyoka's voice was as soft as a whisper, but it couldn't hide the edges of its tone that were still sharpened from finding amusement of seeing the truth flash across its master's face. "You had destroyed the solution to your existential question of loneliness, before you could fully understand the question itself."

Yes . . . . . Aizen understood now.

He didn't bother acknowledging what Kyoka had said. His grim facial expression━ still, tinged with dolor, and paired with an indescribable, distant look his eyes━ said all that it needed to. His silence was as much as an admission as any.

Kyoka-dressed-as-you leaned forward again to fully close the gap between their lips and Aizen's. Tenderly, like the intentions of a lover, it spoke against his nearly closed mouth. "Have you figured it out yet?"

Nothing but quiet could be heard between them, as Kyoka's mouth moved about their master's face and placed something like kisses upon its surface, but not quite.

Aizen's cocoa-shaded eyes slide down to stare at his sword spirit pressed up against him. His gaze was hard, and yet something swam underneath its surface that his zanpakuto had never seen before. Melancholy, it guessed? They weren't quite sure.

Kyoka pressed on when Aizen remained quiet. "The taste in the back of your mouth. Have you figured out what it was? You know it quite well....."

Aizen's tongue grazed the roof of his mouth, sensing the rather unpleasant taste that has coated the inside of it. And within a moment, because he was faced with the current circumstances, Aizen had finally placed a name associated this particular taste. How unfortunate this was.

Upon his realization, Aizen's head lowered, and his brown tresses hung freely over his lashes. Perhaps it was so Kyoka couldn't properly see whatever remorseful expression painted their master's face, but it mattered not. Even from here, the sword spirit could already sense exactly what it was he was feeling.

And they loved it.

"It's a sweet and flavorful taste, isn't it? Quite lovely." Kyoka Suigetsu mimicked the exact words he uttered against your lips all those years ago when he tasted jasmine tea on your tongue, and sealed your death with a kiss. "It's too bad you don't seem to enjoy it anymore."

Aizen's chest continued to rise and fall calmly, and the hands of his sword spirit that rested there glided upwards to cup his strong jaw, caressing his skin with its thumb. Its phantasmic touch did nothing to stir their master.

"Sōsuke, do you know what the jasmine flower from that tea symbolizes?"

Aizen's lips were slightly parted, but again he didn't say anything. Instead, its corners twitched and lifted upwards by an inch, and he huffed softly.

Kyoka Suigetsu grinned in reply. "Good."

The next time Aizen blinked, he was plunged in darkness yet again. The restrictive feeling that swallowed his being whole had returned, and was an indicator that his zanpakuto had released him from his inner world. He was consciously back in the Mugen, back in this abyss they called a prison cell.

Kyoka was indeed as much as a formidable force in its own right, as much as, if not greater than Aizen himself.

The conversation he had with his sword spirit would be cemented in his head for all eternity. When he grew senile and began to physically wither away, the one thing that would remain vital like a young heart, was this epiphany that he had. This realization that he actually . . . .

As the chains of despair bound him tighter to the bottom of the metaphorical pit, regret and his loneliness corroding his flesh and spirit like metal exposed to moisture, a stray memory of his time in Hueco Mundo flashed in his mind. He recalled having tea prepared for meetings with his Espadas and he could not pinpoint when, but at some point, Aizen developed an aversion for jasmine flavored tea. For one reason or another, he no longer found its taste appealing; whenever he drank it, it always tasted bitter.

Now that reason had become painstakingly clear.

The binding on his mouth muffled a rueful chuckle at the though, and it trapped the flavor of jasmine on his lips.

(#) @soaringmirror @stygianoir @ryukenzz @blkjupiters @chrissie2003 @nymphoheretic @dejwrld @triangularz @souyaszn @kuujo @honeybleed @valentineluvu . let me know if you’d like to be apart of my tag list ♡♡.

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david-talks-sw · 2 months

Text

The OTHER type of Star Wars fan

We've already covered (through this longer post and this addendum) that research shows George wasn't that involved or interested in the derivative material of the Star Wars franchise, also known as the Expanded Universe (EU). Aside from approving a few points, he let Howard Roffman and Lucasfilm Licensing handle it.

He is the first to say that he ain't as knowledgeable about Star Wars lore as we fans are.

Thing is... he's also not as passionate as we are.

Recently, I was watching some Q&A videos of George R.R. Martin, the author of Game of Thrones... and it occurred to me:

Martin is what most Star Wars fans wish Lucas was.

Think about it.

He's a talented writer who likes to focus on morally "gray" characters and complex political plotlines,

who created a series of novels for a mature audience in which his narrative merely asks questions and lets the reader draw their own conclusions,

knows and engages in the lore behind his creation and will often respond to those lore-heavy questions, and has gone on record stating that canon is the glue that holds a story together and keeps it coherent.

Contrast that with George "continuity is for wimps" Lucas, who:

Wrote a movie franchise which is also, partially, political... but he makes it for kids, and he's explicit about how this is thematically a clear-cut story about how the conflict of "good vs evil" is really about "compassion vs greed",

with flat dialogue, boring cinematography,

and whose approach to lore and canon can be summed up in his answer to how Anakin got his scar:

"I don't know. Ask Howard [Roffman]. That’s one of those things that happens in the novels between the movies. I just put it there. He has to explain how it got there. I think Anakin got it slipping in the bathtub, but of course, he's not going to tell anybody that." - Pablo Hidalgo’s set diary, August 2003

And as a Star Wars fan, I will admit that some of his casual retcons felt disrespectful, growing up.

"Boba Fett is NOT Mandalorian?!"

I had the same reaction when I saw an interview of Kathleen Kennedy stating she was a fan of Star Wars... from a filmmaking perspective. That seemed like such a finagling cop-out for me, at the time.

"Just say you're not a real fan, God!"

And it's easy to divide it in two camps, like that. You have 1) the fans, who will delve into deep lore, and you have 2) the average moviegoer.

But looking back on it... holy shit, that is actually a completely valid way of being a Star Wars fan.

Yes, Star Wars is a transmedia franchise, it's books, it's video-games, it's deep lore, it's lightsabers and Jedi and Sith and bounty hunters and Ewoks and Jabba and High Republics and Tython and Revan etc.

But before it was that, Star Wars was a filmmaking revolution. A juggernaut of innovation for the silver screen that inspired most of today's filmmakers.

So, sure, George Lucas isn't an avid lore-loving Star Wars fan like you and me. But he is a movie fan.

"I'm not that passionate about this story. I like it, it's fun and I enjoy doing it. But it's definitely not my life. I'm a bigger movie fan than I am Star Wars fan. I like making movies. At the end of nine years of making Star Wars, I was not ready to continue it. I was completely burned out on it. I was more passionate about raising my kids than making movies and especially making Star Wars. So I made other kinds of movies and TV shows and advanced the technology I needed. It's not a matter of passion. My passion is for filmmaking. I'll go and do filmmaking that is easier to do, where you can realise your ideas better. And nine years is a big part of your life, and to commit to another nine years, I didn't wanna do that right away." - EMPIRE, 1999

And you can tell this, when you watch the Star Wars films.

There are honestly so many homages and interesting filmmaking techniques, peppered throughout the six films, which only a nerd for cinema history like George would know how to implement.

C3-PO being based on the droid from Metropolis (1927) is a perfect example of this.

And that's interesting.

Because there's essentially this entire other dimension to the films, where it's not just the story unfolding, but to filmmakers it's also a series of techniques that make them go "I wonder how they did that!" or homages that make them go "OH! I know where that's from!" like we do when an comics characters appears in live-action.

Here's other examples:

CINEMA HOMAGES

All of Star Wars is absolutely littered with homages to cinema history.

I mean, you may already know this, but Flash Gordon is what George originally wanted to shoot, but the copyright holders said they only wanted Fellini to direct it (ironically, George wasn't artsy-fart enough for them). So he decided to write Star Wars instead.

As such, the inspiration from Flash Gordon is also present visually and spiritually throughout the two trilogies.

"It was like a Republic serial, a 1930s-style matinee adventure. The idea was that you came in, saw Episode IV, had missed the first three episodes, and wouldn't get to see the rest of it." - Starlog Magazine #300, 2002

The dialogue that a lot of people refer to as "campy" and "flat" is actually a mix of George being an experimental filmmaker who doesn't give much of a fuck about dialogue (and is by his own admission, not the best at it)...

"I'd be the first person to say I can't write dialogue. My dialogue is very utilitarian and is designed to move things forward. I'm not Shakespeare. It's not designed to be poetic. It's not designed to have a clever turn of phrase. [...] I just wanted to get from point A to point B. This film doesn't lend itself to that sort of thing because it's not about snappy one-liners. I think that Lethal Weapon-style dialogue is overused, it's a necessary aspect of high action films where you have to have the smart retort. You have to say "I'll be back baby" and stuff. It's not my style. It takes away from the integrity of the movie. [...] I'm aware that dialogue isn't my strength. I use it as a device. I don't particularly like dialogue which is part of the problem." - EMPIRE, 1999

... which is convenient, because it helped him simulate the dialogue of 1930s matinee serials, such as Flash Gordon.

"Let’s face it, their dialogue in that scene is pretty corny. It is presented very honestly, it isn’t tongue in cheek at all, and it’s played to the hilt. But it is consistent, not only with the rest of the movie, but with the overall Star Wars style. Most people don’t understand the style of Star Wars. They don’t get that there is an underlying motif that is very much like a 1930s Western or Saturday matinee serial. It’s in the more romantic period of making movies and adventure films. And this film is even more of a melodrama than the others." - Mythmaking: Behind the Scenes of Attack of the Clones, 2002

But beyond that, literally it's everywhere.

The scene where Palpatine ascends to being Emperor as Anakin slaughters his political rivals parallels the final scene in The Godfather, where Michael becomes the Don while his goons do the same thing.

This video compiles all the tributes beautifully. Check it out.

youtube

Even The Clone Wars has whole episodes that are direct homages to cult classics. The Zillo Beast episode is a clear reference to Godzilla, the episode The Wrong Jedi is inspired by The Wrong Man, etc.

"CINEMA VÉRITÉ" CINEMATOGRAPHY

I've already written a whole post (one of my favourites) showing how his fascination with cinéma vérité documentaries is reflected in the cinematography of all six Star Wars films, and it's part of what makes the entire franchise feel so immersive.

You can check it out here:

KUROSAWA

We've gone over how he's a big fan of Akira Kurosawa, and how big an influence Hidden Fortress was on both the Star Wars trilogies...

... but so is the mise-en-scène and the way George approaches production design. The reason Star Wars feels so "lived in" is also a lesson George learned from Kurosawa, which is that by making everything just a bit off-kilter, a bit dirtied-up and imperfect...

... and yet keeping it all consistent, in a way, you manage to make the film feel grounded and immersive, no matter how alien it is.

"[It] may sound odd in a movie like this, but credibility and realism, even in the most unrealistic situation… to sorta create that sense of realism is very important to making the story work and making you feel like you’re actually in the environment that transports you and gives you the suspension of disbelief that you need in order to enjoy a movie. [...] Kurosawa used to call it “immaculate realism” which is to make it slightly off-kilter, slightly eccentric, like things are in real life. Even if it’s a very predictable situation, give it that little funny edge that takes it away from that and makes it realistic. And I had to struggle very hard, in the Star Wars films, to make them appear to be realistic, even though they’re totally fantasy." - The Phantom Menace, Commentary Track #2, 1999

POST-PRODUCTION & VFX

Another one of the more impressive aspects of the first Star Wars was the dogfights and the trench raid of the Death Star. The camera pans with the spaceship, the dynamism of the cuts. The space battles is what made George creat ILM in the first place.

He was determined to do the opposite of what 2001: A Space Odyssey had done with that opening scene where the space ship moves into frame slooooowly...

... so he gave the team a collection of WWII dogfight footage to give them ideas.

(note: this was the same approach he would take years later with Dave Filoni, when teaching the latter how to edit and craft dogfights in The Clone Wars)

The attempt to film the trench run eventually led to the creation of the first motion control camera dolly.

Best analogy I can think of, when describing George's approach to Star Wars, is the following:

An avant-garde esoteric contemporary artist - y'know, the type who puts a blue dot on a white canvas and calls it art - creates a comic.

Why? Because he wants to make this one art installment for a gallery exhibition. After that, he intends to move on to other things.

But the comic is really good! And like, its audience quickly expands beyond just gallery visitors, no, everyone likes it.

Suddenly, the comic develops a cult following, and the entirety of comic book geek culture has zeroed-in on the artist and they're all asking him to make more art! And he makes more! And more!

Then he stops for two decades, moves on to other art projects, raises his kids. Years later, he discovers new ways of drawing, and he's like "I'm making a Prequel to the comic, y'all wanna see it?"

Everyone cries out gleefully: "Oh God, yes! Finally! Show us!"

But this motherfucker makes a manga.

Why? Because he feels like it.

And of course he does, he's just creating art, right? He discovered the graphic tablet, so he's having fun with it, because he's always innovating and pushing the envelope with his art.

And the movies are fine, by manga standards. But by comic book standards, they obviously suck! The comic book audience is mad. They wanted another comic book, not a manga. Why is it in black and white? Why is read right-to-left? This comic sucks!

(And arguably, they have a point... as a savvy businessman, he's made a whole lot of money off this comic, he built a media empire out of it, and instead of giving them what they want, he made something else)

But again... this guy isn't a comic book illustrator, and has been very explicit about saying this.

He's an artist who - for a very specific project - drew a comic.

Many things can be true at once:

the fact that these creative decisions didn't always hit their mark for the average moviegoer, or fans of "Star Wars, the space fantasy movies and expanded universe" (usually the lore-loving geeks like myself)...

... and the fact that they were meticulously and carefully crafted in a way that fans of "Star Wars, the revolutionary film" (aka fans of cinema and filmmaking) can appreciate.

There's a spectrum of the fandom, and there is a spectrum in the way we can appreciate Star Wars. Which kinda reminds me of that scene in Chef (2014) where Carl goes on a rant explaining the intricacies of making his chocolate lava cake to a food critic.

It's not just undercooked chocolate.

It's molten.

Conversely, it's not just flat, campy dialogue. It's an homage to the 1930s matinee serials à la Flash Gordon.

It's not just boring cinematography. It's a reproduction of cinéma vérité documentary-style camera work which effectively grounds the film.

Having considered all this, when I hear that Tony Gilroy or Kathleen Kennedy were more in the latter camp, I go "fair enough".

First of all, because like it or not, so was George. He clearly didn't give a single crap about the comics and books, besides signing off on minor plot points. He's not a "sci-fi movie director", he's an experimental filmmaker who makes movies set in space.

But secondly, because - aside from children - it's clear the audience he was targeting was these cinema-savvy folks who'd get his references and would be inspired by the filmmaking techniques.

Not the fans or the critics.

#george lucas #star wars #long post #meta #cinema #kurosawa

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ot3 · 2 years

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What Is ORV?

The number one question I get asked on this blog, now answered better than ever. Today I am going to formally introduce you to Omniscient Reader's Viewpoint

To start off this recommendation: ORV might very well be my favorite thing I've read. Ever. If I could only reread one thing for the rest of my life it'd be this webnovel.

My elevator pitch is this: something with the cosmic-scale goofy video game nonsense and intricate setting comparable to Homestuck in its prime, paired with the deft emotional poignancy and emotionally-driven fights of Mob Psycho 100, topped off with the sort of compassionate and heartwrenching metanarrative of Undertale.

ORV is a love letter to it's own readers. ORV revels in the joy of losing yourself in fiction, even when it's the kind of fiction that tends to be considered lowbrow or worthless. It's something that dances the delicate line between recognizing the difficult nature of using media as escapism without condemning it. I've rarely seen anything else that accomplishes everything it sets out to do in its narrative with such remarkable precision. Frankly if you're reading a tumblr media recommendation post in 2023, I can almost guarantee ORV has the kind of meat you're looking for in a narrative, whatever that may be.

The story follow the antics of protagonist Kim Dokja, a 28 year old office worker on an expiring contract, whose only real joy in life is reading his favorite massively long and massively boring webnovel. One day, the novel’s events - worldwide deathmatches aired for the entertainment of mysterious higher beings called ‘constellations’ - begin playing out in reality in a sort of reverse-isekai. Kim Dokja, the only longterm reader of this webnovel, finds himself uniquely poised to succeed based on the advantages given to him by his knowledge of future events, but the webnovel’s actual protagonist, Yoo Jonghyuk, is a violent monster who will stop at absolutely nothing to complete his goals, no matter the cost to anyone else. Kim Dokja finds himself in a delicate dance of guiding the events of the story to play out more favorably than the version he read while trying to avoid being massacred in the fallout, all while trying to see it through to the story’s end.

Below the cut I'll go into a more in-depth (but non-spoilery) explanation of what exactly makes ORV so unique and worthwhile, and what you're in for if you choose to read it.

Clocking in at 550 chapters, and over 1.3 million words in English, ORV may seem incredibly daunting to dip your toes into, but I assure you it's worth every moment. I would read 1.3 million more words if they had them for me. Here are some things about ORV I consider to be selling points, not necessarily in any particular order:

The tone. Its funny, for starters. It is extremely funny, which is very high up on my media priority list. In ORV, there will be incredibly grim things that make you laugh, and incredibly cringe and silly anime bullshit that will hurt you as heavily as any other media you’ve seen. I always love this kind of tonal whiplash when it's well executed, and ORV probably executes it better than anything else I've seen to date.

It’s got fun and fascinating worldbuilding mechanics. the core concept being ‘reality now operates on the rules of a shitty novel’ means that the worldbuilding doesn’t have to function logically, it functions thematically. It’s explicitly stated in ORV canon that some of the internal rules governing this new reality are objectively really stupid and illogical, but they just have to roll with it because that’s what was in the book, and i think it’s a really enjoyable way to do it. This may at first sound like a copout to excuse bad worldbuilding, but I promise it isn’t. The worldbuilding is actually incredibly deeply thought out, but it doesn’t exist for the sake of rational function, it exists for the sake of furthering orv’s thematic arcs. The rules by which this universe operate do a magnificent job of strengthening the core concepts the authors are exploring.

It plays with the trappings of isekai/litrpg in a really thoughtful way. These are genres I'm not super familiar with, so I can't comment on this point too heavily, but with my limited knowledge ORV feels a lot less of a deconstruction of it's genre and more of a celebration/interrogation of it. Despite that, it's still accessible to readers such as myself who are not super familiar with these genre conventions.

It deals with morality in a really wonderful and nuanced way. there are almost no characters in ORV’s extremely large cast who are just explicitly morally condemnable, and almost every conflict allows you to understand exactly why the antagonists believe they’re in the right by opposing the actions of our protagonists. The central conflicts are never pure right and pure wrong; they’re always about contrasting goals, conflicting worldviews, and different priorities between ends and means. this makes the conflicts all feel so much more dynamic and engaging than those where the only stakes are physical harm.

The characters interpersonal relationships are some of the most interesting I've ever seen. ORV is very slow burn and it takes a long time for a lot of these to come out of the woodwork, by design, but by god once they do they fucking hit. Similar to the plot conflicts, the interpersonal conflicts also almost never occur where there’s one side clearly in the wrong. The characters are almost all genuinely attempting to do their best by each other, and the tension comes from the ways in which human communication is fundamentally imperfect and part of our feelings and intentions get lost in translation. it’s very heartwrenching and heartwarming to see unfold, in equal measure.

Following from that, it’s a narrative that really meaningfully prioritizes non-romantic relationships over romantic ones as the central focus. Orv is about love, but not about romance. Obviously there’s shipbait and the ot3 is real and good and my friend but if you’re looking for deep complex platonic, (found or otherwise) familial, and antagonistic relationships that never get ruined with forced romantic arcs, we got em baby!

The pacing is unlike anything i’ve ever seen before. from a purely technical standpoint, it is genuinely a fascinating case study in how to execute a narrative that is almost constantly escalating without exception. there is very little downtime or breathing room in orv, which is insane for something that clocks in at over a million words, and somehow, it still works. i’ve never felt more like a frog in a pot of slowly boiling water than i did when i was reading orv and i can’t believe they pulled it off. it’s so interesting to read something like that.

It is a tragedy without resorting to cynicism and a very adult narrative that’s really steeped in childlike wonder. I’m a big fan of cartoons made for children. Cartoons made for children are some of my favorite things to watch, but of course children’s media will always be simplified and not very relatable to an adult audience. ORV is very much a serious and heavy adult narrative, and a deeply tragic one at that, but it never delves into torture porn. It’s a very compassionate piece of media overall, that holds a lot of reverence and sympathy for the ‘naive’ optimism of children that gets stripped down over time. if you, like me, feel more like a grown up child than an adult some days, I think it’ll hit for you.

It is extremely cathartic and meaningful. I am not exaggerating at all when I say that reading it gave me the closest thing I have ever felt to any sort of spiritual breakthrough. It helped unfuck my head a ton during some very grim times and i think the perspective it offers on the value of human life and our relationship to storytelling is a really really good one.

And if my word isn't enough, here's some reviews from satisfied customers. With that, I'll leave the rest to you, and hope you one day reach the end of the story.

#media recs #orv

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felassan · 3 months

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Hello ! Very sorry to bother you, but do you perhaps know if you or someone else made a master post with all the Dragon Age comics and books one should read, and in which order to do so ? There's so many now that it's a little overwhelming to say the least.

If not, that's okay! Love your blog and thank you for always keeping us informed <3

hello! ◕‿◕ tysm for the lovely message. ^^ no worries at all!!

[this post] is a list of the additional DA media that's officially available for free (there are things like short stories from the website and stuff). [this post] is a rough chronological/timeline order of all canon DA media. if you'd just like my recommendation on which DA comics and books to read and in what order - the order which they came out in is totally fine imo. :D I'll list them here in case it's a lil less overwhelming in that format.

Books (novels and similar) and comics:

Dragon Age: The Stolen Throne [novel - early 2009]

Dragon Age: The Calling [novel - late 2009]

Dragon Age: Asunder [novel - 2011]

Dragon Age: The Silent Grove [comic - early 2012]

Hindsight [motion comic - May 2015]

Dragon Age: Those Who Speak [comic - mid 2012]

Dragon Age: Until We Sleep [comic - 2013]

Dragon Age: The Masked Empire [novel - early 2014]

Dragon Age: Last Flight [novel - late 2014]

Dragon Age: Magekiller [comic - 2015]

Dragon Age: Knight Errant [comic - 2017]

Dragon Age: Deception [comic - 2018]

Dragon Age: Blue Wraith [comic - early 2020]

Dragon Age: Tevinter Nights [book, an anthology of short stories - early 2020]

Dragon Age: Dark Fortress [comic - 2021]

Dragon Age: The Missing [comic - 2023]

Also, rly amazing to read is the lore books, World of Thedas Volume 1 and World of Thedas Volume 2. I feel like you can read these whenever though, and over a long period of time split up into chunks if you prefer. ^^ Varric's 'book' Hard in Hightown is a fun bonus read, it's an in-world novella. The IDW comic.. give it a miss. ^^; also, the list above doesn't include short stories that are outside of Tevinter Nights.

The DA:TV-focused/streamlined answer for me is - Dragon Age: Knight Errant, Dragon Age: Deception, Dragon Age: Blue Wraith, Dragon Age: Dark Fortress, Dragon Age: Tevinter Nights, Dragon Age: The Missing, and the DA:TV-specific short stories. These are As We Fly, The Flame Eternal, Minrathous Shadows, The Next One, Ruins of Reality, The Wake, and Won't Know When. This covers the 'books and comics etc which are set after Dragon Age: Inquisition' era. Throw in the two World of Thedas volumes as well if you are really interested in the lore of the world in general and would like that as a primer going into DA:TV.

I hope this helped. :>

#dragon age #bioware #video games #mjs mailbag #nekrosmos #dragon age: tevinter nights #dragon age: the missing #dragon age: the veilguard #dragon age: dreadwolf #dragon age 4 #long post #longpost #the dread wolf rises #da4 #if this didnt help and i just made it sound more overwhelming or confused you pls forgive me (⁠´⁠°̥̥̥̥̥̥̥̥⁠ω⁠°̥̥̥̥̥̥̥̥⁠｀⁠)

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meanbossart · 4 months

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Hi! First off, wanted to say I love your du drow and your art style! It's absolute chef's kiss and always look forward to your posts ❤️👍

My question is; does du drow have any weapons and armour that he prefers either because it makes him stronger or aesthetics and if not is there ones that you enjoyed using for his playthrough?

Have an lovely day!

Thank you so much, I'm happy to entertain!

Aesthetically (and "canonically" I guess, since this is even mentioned in A Novel Experience) he really likes the drow armor that you steal off of Minthara and it's his go-to for whenever he needs to look presentable. I actually finished his run wearing it even though it's light armor, it just felt right, lol.

Also, for writing purposes, it just feels like something you can realistically move around in freely and bring around with you in your travels. UNLIKE -

I adore the look and benefits of the whole helldusk armor set. When I'm playing to, uh, actually win, it's definitely my go-to and the most appropriate for his build. I just can't get over the way it just seems to be one solid piece of metal - how am I supposed to bend down to tie my bootlaces or smooch my short vampire on the lips.

The balduran's giantslayer is my favorite weapon for him and I'm sure the moment he set eyes on it he knew he Needed that gross looking, extremely unwieldy looking thing as well. Greatswords in general are his main weapon of choice. Though I think he would put it away as a novelty item in post-game events for being too flashy and settle for something less attention-grabbing.

#ask #game screenshots

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a-bit-of-a-queer-one · 10 months

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I loved Wild Blue Yonder, I thought it was a great episode. But if I see one more person proclaiming that the Doctor saying Isaac Newton was "hot" made the character "finally queer", I'm gonna set fire to sth.

For one thing, since they changed into a woman, the Doctor has, depending on one's definition, been canonically genderfluid/trans/nonbinary/genderqueer. That was made even more explicit last week in Star Beast. So saying that the Doctor as played by a man and using he/him pronouns calling a man "hot" somehow made the character queer is stupid in and of itself.

And secondly, the Doctor has long been regarded as aro and ace-coded by people of those communities and guess what? Aro and ace people really do exist and we are queer. And it would be lovely if other queer people could stop excluding us by saying that characters who provide what little, mostly accidental and incidental representation we get "become queer" by expressing same-sex attraction. It happened with Good Omens and it seems to be happening again with Doctor Who and I am so fucking tired of it

Edit (6th Dec 2023): Several people have pointed out in the notes that there have been quite a few instances of the Doctor ambiguously or indeed unambiguously expressing 'same-sex' attraction and exploring their gender identity/identities in the past, both in the show and in extended media. I just wanted to be absolutely clear on the fact that I was in way trying to diminish the importance of those moments by emphasing the aspect of asexuality and aromanticism in my post. That is not to say that I think anyone was implying that I was doing that, in fact everyone's been lovely (which is why I also wanted to thank everyone for their input, I learnt a lot, especially about the novels!!)

Of course, as an asexual, aromantic and agender/nonbinary person, that is the lens through which I watch the show and relate to the character of the Doctor. This does not make my reading of them any more or less valid than anyone else's. In fact, I absolutely love the fact that the Doctor is a character who speaks to people of so many different queer identities and I am so happy that RTD is exploring their queerness more explicitly, building on what he and so many other writers and also the actors have already established. I just hope that the fandom will respect the aro and ace aspects of the Doctor's queerness the same way they do their gender identities and other sexual and romantic orientations. Part of the reason I was initially quite worried about this was because of my experiences in the Good Omens fandom, particularly post series 2, as indicated in my original post. The other is that I doubt the show will explore the aro and ace aspects of the character as much as they may other queer identities - unfortunately aspecs have a history of being left behind in this regard...

But we will see, maybe I'll be proved wrong! For the time being, I just hope the queer community can celebrate all the different facets of the Doctor's undeniable queerness, including the aspec ones. And as the reactions to this post have been overwhelmingly supportive (I don't think I've seen a single outright negative response), I think this hope is far from unfounded.

(Sorry, this edit turned out to be longer than the original post...)

#doctor who #dw spoilers #doctor who spoilers #wild blue yonder #asexuality #aromanticism #asexual #aromantic #acespec #arospec

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prokopetz · 6 months

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Hi. I just found your The Far Roofs post and I'm smitten by the beauty of the prose and the images it evokes. I'm reading through the kickstarter page and I'm going to look up what I can about the author, but it doesn't do harm to ask you directly too:

I'm not necessarily into playing this or the other games by the author, but I absolutely need to get my hands on more texts like the one you shared about Unicorn. Are the rulebooks the only place to read them? And if so, is there a grander story (that would necessitate reading the books in a particular order) or are these just flavour texts accompanying each new chapter or game mechanic?

Sorry if this is A Lot, I just hadn't read anything like that and it moved me in ways I wasn't expecting for such a brief excerpt.

(With reference to this post here.)

There's a grander story in the sense that, like many of Dr. Jenna Moran's games, The Far Roofs has a default campaign structure with some fairly specific plot beats. Technically the rats and the Mysteries are part of a broader setting set forth in greater detail in Chuubo's Marvelous Wish-Granting Engine (an earlier game by the same author), though it's not necessary to have played or read CMWGE to understand what's going on in The Far Roofs.

If it's the prose in particular that grabs you, however, you might check out Dr. Moran's published novels. The Night-Bird's Feather is probably the most accessible starting point of the lot, being a collection of literary fables loosely structured around the life story of a minor NPC from the CMWGE canon. My personal favourite is An Unclean Legacy, though I wouldn't suggest starting there; it's a less refined and more eclectic work, and getting your hands on an electronic version may be problematic if you're participating in the Amazon boycott, as I don't think the e-book is presently available elsewhere.

(Also, strictly speaking An Unclean Legacy is fanfic with the serial numbers filed off, and if you're going in unspoiled, you will be so mad when you figure out what it's fanfic of.)

#gaming #tabletop roleplaying #tabletop rpgs #the far roofs #dr. jenna moran #crowdfunding #kickstarter

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wangxianficfinder · 1 month

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Fic Finder

Aug 16th

~*~

1. i hope it's okay to resend an ask from 3 years ago? 😅

(it's #2 on the first 'fics still missing'. there's a rec however i think that fic/the relevant scene was posted AFTER i sent the ask on may 2021 so it's probably not it, and i do not think it's 300k 😲 long!)

the only thing i still remember is that wen qing does a surgery to bring back wei wuxian's core, and the new core is from a wen prisoner who is set to be executed. the prisoner turns out to be wen yuan's bio dad, and he's willing.

i think there's another core surgery but as punishment? i may be mixing up fics since it's been a long time.

many thanks!!! @danmeireader

FOUND? Until The End by abCEE (M, 365k, WangXian, Canon Divergence, war changes people, resulting to OOC, no pinning, Established Relationship, Mpreg, Good Uncle LQR, a little grey LWJ, a bit of JC bashing from LWJ, BAMF JYL, 16 years of yearning, mainly CQL verse but has scenes from the novel as well, LSZ is WangXian’s Child, WWX Has a New Golden Core, Canon Rewrite, Happy Ending, Fix-It of Sorts) except that in that, Yuan is WWX and LWJ bio son but there is another child whose father gives WWX his core. Might be worth checking it out as even if it's not the right one it's a good story

~*~

2. Hello! I am searching for one fic i read it was WIP i guess, in one particular scene there was sparing practice in cloud recesses school days, where someone tries to stab WWX but Jin Zixuan takes the blow near heart.. when Wen Qing with other healers arrive they find WWX's blood is compatible with Jin Zixuan that's how they become sworn brother with Nei Huisang too. idk but there was some other invention to secure swon brotherhood shared with JZX in front of JGS

FOUND? sounds exactly like a scene from 🔒 The Second Hand Unwinds by trulywicked (E, 64k, WangXian, JYL/JZX, WIP, Time Travel Fix-It, Not JC Friendly, Not Yunmeng Jiang Sect Friendly, Not Jiāng Family Friendly, Not YZY Friendly, Time Travelling LWJ, Protective LWJ, Fluff, Minor Angst, Minor Character Death, JGS is his own warning, Wooing, LWJ is romantic af, Inventor WWX, Genius WWX, Cloud Recesses Study Arc, Implied/Referenced Child Abuse, Protective Gusu Lan Sect, Supportive LXC, Good Uncle LQR, WWX Protection Squad)

~*~

3. Hello!

I'm looking for a fic where wwx became jyl's personal healer and where he meets lwj at her wedding with lan xichen, when lwj accidently gets an approdisiac meant for the groom (to cause an incident???), so wwx has to help him out in his professional role and of course to save his shijie's wedding.

Thsnk you in advance! @janiquebeingcreative

FOUND! trust your fingertips by plonk (Not Rated, 15k, WangXian, Aphrodisiacs, Medical Kink, Canon Era, Different First Meeting)

~*~

4. hi! i hope you're doing well. im trying to find an ongoing fic where wwx leaves lotus pier way before the wen decides to act up. he lives with the wen sibs far away from the cultivation world but comes back eventually to help the sects to defeat the wen. the last time I saw it it had been months from the last update.

FOUND! the sea meets the moon-blanched land by rkivees (G, 44k, WangXian, Canon Divergence, YLLZ WWX, Canon-Typical Violence, Developing Relationship, Childhood Trauma, Sect Leader WWX, BAMF WWX, BAMF LWJ, BAMF WQ, Good Parent LQR, First Love, Love Confessions, minor jiang sibs appearance, Mentioned LXC, Past Child Abuse, Drunken Shenanigans, Past Violence, No Golden Core Transfer, Non-Linear Narrative) I think 4 on the fic finder post is the sea meets the moon-blanched land by rkivees but not sure since it was updated recently.

~*~

5. I am looking for a fic it is wangxian a

Arranged marriage this what a remember for the plot that wei Ying is Outcasted by the lan elders because madam yu did give the gift tha the send a copy of the rules and the jaed token @androgynousbelievergarden

FOUND! Finding a Home by Duochanfan (T, 8k, WangXian, Arranged Marriage, Light Angst)

NOT FOUND! Concord by Deastar (T, 41k, WangXian, Arranged Marriage, Gūsū Lán Sect Rules, Depression, Canon Divergence, Angst with a Happy Ending)

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6. Hello! For fic finder, please! I am looking for a fic where instead of giving JC his own core, WWX knocks out a random Wen soldier and they use that guy’s core for the transfer. I think that the core was weak and throughout the remainder of the story JC was angry that his new core from “Baoshan Sanren” was so weak and puny. Does this sound familiar? Thank you!

FOUND? Never Again by Hauntcats (T, 67k, WWX & WN & WQ, JC & WWX, wangxian, graphic depictions of violence, major character death, Canon Divergence, Angst, Golden Core Transfer Fix-It, Time Travel Fix-It, Not JC Friendly, Dark, BAMF WWX, mentions of abuse, Not Everyone Dies au, XY doesn’t have a happy ending) It has them taking Wen Chao's core over a random soldier's but the rest fits

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7. Hi, thank you so much for all your hard work!!

I'm looking for two fics:

A) I think this one might have appeared in your blog and that's how I learned about it the first time. Modern AU Wangxian where they're retired/considering retiring figure skaters, and the fic is a series of them trying to have sex but something going wrong. At the end LWJ breaks/hurts his ankle really badly on the way to a cabin to have sex in Olympics gear, and then they get married.

B) WWX comes back in a random cultivator's body while LWJ is recovering from the discipline whip, and he sneaks into the Cloud Recesses to learn about A-Yuan. I think the cultivator gave his body up to WWX to punish him, and the curse mark on his arm becomes activated when he's happy, and it activates so badly it nearly cuts his arm off.

Thank you!

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8. Hello! For the next Fic Finder, I'm looking for a modern AU, rated either Mature or Explicit, where Wei Ying and Lan Zhan end up stranded in a ski resort. It's just them, no one else. They end up getting together by the end of the story. I cannot recall if one person was injured, I think the answer is no but I could be wrong! Thank you!

FOUND! Certain Obscure Things by hkafterdark (E, 32k, wangxian, Snowed In, Modern AU, First Time, and there was only one bed, Cabin Fic, Drinking, canon typical kink)

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9. hii please could anyone help me find this fic where wwx and lwj are both genderbent and theyre both authors at a writers conference thats kinda all i remember

FOUND? Happy for Now by ScarlettStorm (E, 80k, WangXian, Modern, Rule 63, Cisswap, wlw wangxian, There Was Only One Bed, but that's not actually where the tension lies, romance author au, Adhd WWX, service top LWJ, two gay disasters, Pining, Smut, Comedy, Minor Angst, major shenanigans, whoops your hotel booking was a scam?, That's A Shame, guess we better share, there are no other options, horny yearning, furtive masturbation, Cunnilingus, Vaginal Fingering, Sex Toys, Chekhov's sex bag, everybody's parents live, except for QHJ but we don't care about him, mama lan had cancer but she's okay now)

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10. Fic finder, could you help me find the delightfully sexy A/B/O roleplay fic? Our guys are in the irl present day, and LZ finds out WY has been reading A/B/O stuff, and they roleplay it. In the finale, they have drunk sex, and WY cums so hard he passes out, and LZ is a weepy mess about it.

FOUND? eating sugar out of your hand by azuresummer (E, 20k, wangxian, Modern, ABO roleplay, Alpha LWJ, Omega WWX, Dom/sub, Dominant LWJ, Submissive WWX, Established Relationship, Roleplay, Consensual Non-Consent, Under-negotiated Kink, degradation kink, Praise Kink, Light Bondage, Size Kink, Size Difference, Spit Kink, Hair-pulling, Daddy Kink, Slight Crossdressing, Lingerie, Breeding Kink, Creampie, Feminizing Language, Dirty Talk, Overstimulation, Prostate Milking, slight breathplay, Facials, Snowballing, Finger Sucking, Panty Kink, Spanking, Crying, Mentions of Face-Slapping, Drunk Sex, Mating Cycles/In Heat, LWJ & WWX Have a Breeding Kink, PWP, roleplay as a love language)

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11. Heyyyy do you guys remember that one fic where jc kept wy in a basement kinda situation? Uk he held him captive while the world thought wwx is dead and I'm pretty very sure there was a forced crossdressing situation with abuse too? This fic has been mentioned many times in itmf posts or fic finders too.. I don't remember it's name, does my description ring a bell? @constellationdks

FOUND! on restitution by glitteringmoonlight (M, 98k, LSZ & WWX, WWX & JL, wangxian, dark JC, not JC friendly, captivity, non-graphic torture, angst w/ happy ending)

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12. Hello,

I'm looking for a fic that I read ages ago, but don't remember what website it was on. It had both wangxian and xicheng in it. So Lan Wangji and Lan Xichen reached immortality and now they are living in present time where everyone has reincarnated. Lan Wangji has custody of Lan Sizhui and I think Lan Jingyi as well but not sure about the latter part. Both of them attend high school where Wei Wuxian is a teacher (I think he just transferred to the school but am not sure). Jin Ling also attends school with them. Jiang Cheng takes care of him and he is a policeman. He does not talk to Wei Wuxian as he blames him for their sister death/bad medical state. I don't remember exactly which one it was. I also remember that Nie Mingjue is Jiang Cheng boss, Nie Huisang and Jing Guangyao are in the actor/entertainment business and Wen Ruohan is a villain in there @kyjrd

FOUND? monotone by seredemia which the author put on drive instead of ao3

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13. Hello! I'm looking for match-making fic where Jin Zixuan (tired of wwx constantly interrupting family time with his wife and newly born son) decides the best way to get him out of the way is to matchmake him with someone. I think he tries Nie Mingjue mainly, because they have similar interests, etc.

Jiang Cheng also gets roped in, but he thinks Jin Zixuan is nuts the whole time. NMJ thinks Wei wuxian is definitely flirting with him at some point because his muscles get complimented? Lan Xichen has to reassure him that "no, he is just like that".

It's a comedy of errors mainly, because LWJ and WWX definitely have something going on between them, and it ends with them running off with horses to elope into the sunset or smth. Jiang Yanli doesn't know her husband's matchmaking scheme, but she does know about wwx and lwj and helps them elope at the end.

Pretty sure it was a short fic, ignores canon and occurs in a what-if scenario where the whole burial mounds situation didn't happen.

I'd be very grateful of you could help me find this! Thank you 😊 @indelibleme

FOUND! Marital Prospects by Vamillepudding (G, 18k, WangXian, Canon Divergence, Everybody Lives, Romantic Comedy, Misunderstandings, LWJ Needs a Hug)

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14. I was reading a fic but I lost it. It was where wwx was frozen for I don't know how many years and they think. I think it was the lans? I think lwj was a doctor or archaeologist? A-yuan was his son there they were. There was a scene from wwx taking apart a mechanical pencil/pen and putting it back together and lwj is surprised by it. Lqr? He thinks wwx is not human lwj thinks otherwise and they locked him in a room @quwieiidkd

FOUND? 🧡 The Shade of Old Trees by Kryal (T, 363k, WangXian, Ridiculously Long Notes, History, Canon Divergence, Modern AU, Slow Burn, Worldbuilding, Slow Life, Action/Adventure, Magic Returns, BAMF WWX)

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15. I'm looking for a fic that canon era WWX had ended up accidentally raising up a bunch of dinosaurs. The main thing I remember is that JC was talking with him about it and they were considering them different kinds of mythical creatures(I remember qilin and Fenghuang especially.) Though anything dinosaur and untamed is awesome. @bcaugust

FOUND? Fenghuan and Qilin by Ibijau (T, 544, JC & WWX, Dinosaurs, Demonic cultivation, undead dinosaurs, mdzs with dinosaurs)

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16. Hiya, I'm wracking my brains trying tonfind a fic. The only part I really remember is that to rebuild their library's collection, Gusu Lan reached out to other sects, asking for texts to copy. I think the Jiang weren't originally for it (whether it was Jiang Cheng or Madam Yu and Jiang Fengmian vetoing it I can't remember), but Wei Wuxian tried to help. I think maybe Lan Wangji paid a visit to Lotus Pier, but again, I'm not sure.

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17. Hello! I am looking for a specific fic that I have lost. It was a canon-divergent fic. In it Wei Wuxian ties decorative knots as something to keep his hands occupied while his mind runs. I think it was set primarily during the Yiling settlement days, because I remember he had a room/small house/workspace which had knots hung all over the walls. Although, my brain is also saying that this could have been a “WWX grows up on Baoshan Sanren’s mountain” au and his room could have been there. The knots are the unique detail I remember. Any clue? Thank you!

FOUND? inevitable everything by isabilightwood (E, 193k, WangXian, WQ/MM, JYL/JZX, BSSR/LY, Canon Divergence, YLLZ WWX, but WWX is BSSR's disciple/adoptive grandson too, the cultivation sects think this is a, War Prize AU, it's actually self-arranged marriage, Arranged Marriage, yin iron shenanigans, LWJ Has Friends, Mutual Pining, Pining while fucking, LWJ Has a YLLZ Kink, Switch WangXian, BDSM, Submissive LWJ, Dominant WWX, Angst with a Happy Ending, magical illness of a side character (who will get better), Rope Bondage, Impact Play, Rimming, Bottom LWJ, Temperature Play, Face-Fucking, Breathplay, (talisman-based breathplay to be specific), Cock Warming, Public Scene, no one gets naked in public this is the sense of WWX invents the, Remote Controlled Vibrator, Semi-Public Sex, Outdoor Sex, Blindfolds, one qingmian smut scene with oral and fingering, Minor Character Death, All Sex Scenes Are Skippable!) It is a Baoshan Sanren raises WWX and the knotwork is highlighted several times in the story, starting in chapter 2.

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18. ff request! can't remember much, other than the fact that wwx creates a justice array, which they use to question lan elders, some jins, & other sect leaders to successfully reveal their crimes of colluding w the jins. wonder if this rings a bell? thanks! @potatokunst

FOUND! IF by Remma3760 (Not Rated, 94k, WangXian, QingJue, Aftermath of Violence, Canon Divergence, Everybody Lives, Fix-It of Sorts, BAMF LWJ, Golden Core Reveal)

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19. Good morning! I am looking for a fic where Wei Wuxian was captured by the Jin and given a false trial and he was punished by being hunted. He was set loose into the land surrounding Koi Tower and all the Jin disciples hunted him, but he managed to survive, decimate all the Jin disciples, and escape. I think it was a very short fic, but was possibly one piece in a longer series. Would love to read this again, thank you!

FOUND? the wild hunt series by antebunny (G, 18k, WangXian, JYL & JL, WWX & JL, WWX & JC, LXC & LWJ, Canon Divergence, Angst, Non-Linear Narrative, Canon-Typical Violence, JL and his many many uncles, JGY is morally ambiguous but okay, BAMF WWX, WWX is innocent of literally everything for plot purposes, JYL Lives, Not Everyone Dies, Hopeful Ending, Fix-It of Sorts, what is fanfiction but 10k of reunions, Found Family, Fluff, they're soft your honor, Domestic Fluff, Happy Ending)

FOUND? foliage by antebunny (G, 7k, WangXian, Canon Divergence, Angst, Non-Linear Narrative, Canon-Typical Violence, JL and his many many uncles, jgy is morally ambiguous but okay, BAMF WWX, wwx is innocent of literally everything, for plot purposes, JYL Lives, Somebody Lives/Not Everyone Dies, Hopeful Ending)

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20. Hi! This is fic finder. I dont remember much. It set in sunshot campaign. When they want to storm Nightless city, Wen Ning volunter to open the underground passage. It need the wen blood. I think the door has a family tree on it? Thats all i can remember @idontknowwhattowriteforusername

FOUND! ❤️ Gentians in bloom by teawater (M, 251k, wangxian, Canon Divergence, AU after cold spring, Political Marriage, Dysfunctional Family, Implied/Referenced Self-Harm, Fix-It, Hurt/Comfort, LQR bashing (not really), POV Multiple, Implied/Referenced Suicide, Eventual Happy Ending, BAMF WWX, JC is actually a lot better than canon, Implied/Referenced Child Abuse, YZY bashing (again not completely))

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21. Hey! I saw this prompt on AO3 searching for the ff. "Everyone is arriving to Gusu Lan to study and while they were introducing themselves and their clan. The Wen clan interrupt the Jiang clan (as usual) and Wei Ying spoke out and all of sudden bunnies were entering the class when Wei Ying said something all the bunnies transformed into human yelling, “yes, madam Lan”. Everyone is shock." @vbhardwaj-reads

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#wangxian #mdzs #wangxian fic finder #wangxian fic search #the untamed #wangxianficfinder #long post

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pennyblossom-meta · 6 months

Text

L Lawliet: a deep dive into the expanded universe pt.01

EDIT (07/04/2024): Added some imgs.

Apologies for being so late to give this a follow up to @maevearcher's meta which can be found here and here. As usual, she’s made excellent points and I'll try to answer the ones which caught my eye.

Since this post ended up gaining a life of its own and becoming a bit too long, I’m splitting it in 2 or 3 parts. The core of the content for part 01 starts after under the button to Read More.

Here we talk about L's humanity.

I'll start with a disclaimer of my own: while I consider the manga as the base for the story, I'm very much open to the expanded DN universe as a complementary study of the characters and their motivations — sometimes even filling in the blanks for some of the background mysteries, such as the dynamics of Wammy's House and how L's successors view him.

To further clarify: by canon I mean the manga and any works by Tsugumi Ohba as the base material. I think @maevearcher and I are more or less in agreement on that, from what she mentioned in her own posts. As she said, the written word is indeed the baseline truth.

The expansion of the DN universe also has its own very special set of problems; for example, in many ways, L:CtW (L: Change the WorLd) commits the sin of overindulgence by throwing in considerations that, arguably, go against canon. Besides the ending where L lives for a final 23 days and Watari dies, the portrayal of Near in the movie (though in the novel he's also walking a fine line between becoming partially and very much OOC) is also a point of contention. I confess that I really wasn't fond of the way they portrayed Misa as a potential crush of L given canon insights on his opinion about Light whether in the role of Kira or as a person (pg.64 of Vol 13: How to Read, henceforth referred to as V13:HTR), but aligning L to become more humane and forgiving was at least interesting.

The same happens with the live action movies, the 2015 series, and the musical. At least the game Spiraling Trap isn't clashing with canon elements — that I could tell. The main plot is separate from the events of DN and the dating sim is a little slice of heaven into L's thoughts and emotions which I dearly love.

However, while L:CtW does indeed overindulge, the novel AN:LABB (Another Note: LA BB Murder Cases) gives us a singular glimpse into L through the eyes of Mello while keeping the events mostly accurate to the main plot, even with its slight deviations. It's certainly an optional perspective to the core of DN, but one that I always found very insightful. In V13:HTR, Obha mentions how he would’ve liked that there were more novels about L and how he solved previous cases, in a similar fashion to how Nisio Isin approaches AN:LABB. Here’s what Ohba says in pg.61 of V13:HTR:

(...) I didn’t think up much for [L’s] past. For him to be in such an influential position, he must have solved an amazing amount of cases, but I have no idea what kind of cases they were or how he solved them. But I would love for NISIOISIN, who wrote the Death Note novel, to write more stories about that (...)

This means that, to some extent, even the original author, Ohba, accepts AN:LABB as close to canon — or rather, as canon as it can get given the creative liberties allowed to a third party writer. To that point, Nisio Isin took L’s capoeira demonstration during the Yotsuba arc and made it a whole thing in the novel, with L taking inspiration from Naomi Misora’s skills. However, given the importance of that event, in the main story, L takes a while to even remember Misora so we can infer that either the stress of the case is getting to him OR learning capoeira and subsequently Misora’s role in it didn’t leave that much of an imprint on him because true canon didn’t really put that much emphasis into it. Either way, it’s an extrapolation that works. The technicalities can be overlooked given how ambiguous the scene is, as there is more than room to deduce a different past.

At the same time, I am an apologist that there are shared characteristics to L throughout the different mediums. My own interpretation of L's character has the manga as a baseline, but the expanded universe has taught me that there are sides to him that might not be so easy to perceive in dialogue bubbles or illustrations alone. Little things like L's addictive personality or the way he represses feelings are visible in the manga but caught beautifully in the novels, for example.

Going from the written word into the screen also represents a loss of the purity achievable only within the narrative in-book, where you can extrapolate and reach your own conclusions without being subject to the bias of sound and movement — though manga aggregates the visual to words and with it an altogether different dimension of meaning. That's one of the many things I enjoy about elements of fiction introduced through books; the stillness of the images and the narrative are more complex. Every time the baseline gets adapted, it loses something or that something shifts to fit into the perception of others. It ceases being pure and its essence is fundamentally shattered. Like the concept of a musical score on paper that gets played by an orchestra, there will never be an adaptation as good as the source material because it breaks the illusion.

While I can certainly extrapolate and accept the loss, I find that the written word from the novels, the tone of a VA's voice and the body movements in a live action still complement the manga well, despite narrative clashes.

About L’s humanity

Recently I've been re-watching the anime and it's incredible how Alessandro Juliani's understanding of the character resulted in such a well-rounded voice for L. I actually prefer the EN version to the JP because of the voice acting. It's superbly brilliant, even if L becomes less listless. He's certainly still aloof, but his aggressiveness is portrayed more vividly; in contrast, L in the manga feels a bit more dangerous and scary to me due to the range of expressions that the anime didn't manage to add in due to time and budget constraints. If anything L tones down how dangerous he can be. He does this on purpose so that he can trick and trip his adversary, as can be seen during his earlier interactions with Light. At times, L makes a mockery of himself, apparently placing himself in the position of a more demure individual while sharply observing the world around him and forming conclusions.

As to @maevearcher ‘s first point:

(...) An image of this lonely autistic genius, locked inside the confines of his ways, waiting for the right person to come along and save him from the banes of his solitary existence…until he meets Light and realises there’s someone out there who he can relate to, for understanding and stuff. I personally don’t buy too much into that.

The depth to which L relates to Light can be overestimated, but not without reason. Theirs is mostly an adversarial relationship with varying deviations throughout the expanded universe, but if we solely consider the manga then we get this comment from Ohba regarding whether L has any friends on pg.64 of V13: HTR:

Nope. And when he says that Light is his first friend that’s a big lie. He never considers him a friend. He probably secretly thinks really negative things about him.

During the Yotsuba arc, L is at a disadvantage. Light has turned the tables, tricked him into what Beyond Birthday could not do and thus gained a solid position into rendering L almost powerless to charge him. To elaborate on the latter point: BB wanted to create the perfect, unsolvable crime to humiliate L, making him lose, and thus “spend the rest of his life trembling in fear of B’s shadow” (pg.163, AA:LABB); L would know who the guilty party was but wouldn’t be able to prove it or bring that person to justice. As such, L would not be able to solve the mystery. At the end of the novel BB fails due to Misora’s quick thinking and that’s that. However, Light has several advantages that BB lacked, starting with his own social position, charm and the impeccable reputation of a model student and the prized son of a police chief who helps solve cases every now and then.

We can argue that, what truly happens in manga canon, is L and Light showing how much they respect each other for their detective skills, forming a sort of strange kinship within the cat and mouse game, especially when Light loses his memories of the Death Note. The game thrills them and they enjoy pushing each other’s buttons. No one else has ever challenged them like this. That being said, the first time they meet up for coffee after the tennis match, L is observing Light like a hawk, keeps testing him for a reaction and seems somewhat irritated at how much Light talks. I would venture a guess that L doesn’t actually like Light that much, even when he loses his memories. He might even find Light a nuisance when he waves the flag of morality — though this is a common problem L is confronted with when dealing with the Task Force, in particular Chief Yagami and Aizawa. This also places him at another gruesome disadvantage, as he’s surrounded by people who openly dislike and criticise his methods. The Task Force is also extremely wary of the way L pursues Light and think he’s being stubborn without proof to substantiate his reasoning. Ironically, it’s Aizawa, one of L’s most critical subordinates, who initiates Light’s downfall years later once he starts to consider L’s suspicions in light of Near and Mello’s tactics.

Both L and Light respect the game, no matter where it takes them. I would further make an educated guess that Light even preyed on L’s vulnerabilities during the Yotsuba arc, predicting how L might fall into depression for failing at the game. Light was more than capable of understanding that L’s competitive and childish side would make him a sore loser, especially given that he had already “lost” the first round of battles just by showing his face. Even if there is a sliver of friendship between both during Light’s months of amnesia, it’s dead and buried the moment he becomes Kira again.

My conclusion here would be that, while what happened with Light was extreme, it was also somewhat similar to Beyond Birthday’s eternal enmity towards L: the challenge, the need to humiliate and take down the greatest detective, one of the most brilliant minds to ever walk the Earth. There are some notable quotes from AA:LABB that reference what it is to be L, surrounded by future challengers and individuals who both look up to L and want to prove they’re better than him:

Pg.69

By simple arithmetic, L's ability in 2002 was the equivalent of five ordinary investigative bureaus, and seven intelligence agencies (and by the time he faced off against Kira, those numbers had leapt upward several more notches). This is easy to think of as a reason to respect and admire someone, but let me say this as clearly as possible: that much ability in one human is extremely dangerous. Modern danger management techniques rely heavily on diffusing the risk, but his very existence was the exact opposite. In other words, if someone was planning to commit a crime, they could greatly increase their chances of getting away with it by simply killing L before they began. That was why L hid his identity Not because he was shy or because he never left the house. To ensure his own safety For a detective of L's ability, self-preservation and the preservation of world peace were one and the same, and it would not be correct to describe his actions as cowardly or self-centered.

Pg. 117

L was the goal of everyone in Wammy's House. Everyone of us wanted to surpass him. To step over him. To step on him. M did, N did, and B did. M as a challenger, N as a successor. B as a criminal.

Pg. 160:

B approached Naomi Misora, calling himself Rue Ryuzaki. Rue Ryuzaki - L.L. For anyone from Wammy's House, there could be no higher goal than identifying yourself with that letter - and Beyond Birthday seized this case as his chance.

One of the biggest problems with these quotes is that they paint a very complicated — and, ultimately, suffocating — picture of what it is like to be L. Ohba himself mentions Watari’s predisposition towards collecting geniuses from all over the world and what Wammy’s House has turned into, under the snippet for Watari’s character (pg.60 V13:HTR):

He’s a guy who cultivates detectives for fun. That’s kind of terrible, isn’t it?

Everyone profits from L. Watari becomes richer than ever. Wammy's House becomes breeding ground for geniuses who end up dreaming of a life where they enjoy constant thrill and challenge. However, in order to do so, the dream cannot be complete until the successor crushes the original; until M, N, B and A defeat L. At least one of L’s successors couldn’t handle the pressure and committed suicide. B, known as Backup, runs away from the orphanage and goes on a murder rampage. Having never met L in person, he deduces several personality quirks that the “original” demonstrates, going as far as exacerbating them in order to be creepy and repulsive. Mello, who boasts of having met L in person and being privy to stories about how he defeated several other detectives (then taking their aliases as a trophy) both fervently admires L and wants to step on him.

Step on him. That’s quite the turn of phrase. It does sound scary, doesn’t it? To be surrounded by people who would take the opportunity to pull you down, no matter how much they admire you. They want to be you, to prove that they’re better than you. It’s game and ego. Life and death. Winner and loser.

And that’s perhaps the most blatant summary in approved canon of what it is like to be L that we’ll ever get. We can, of course, argue that Watari cares about L. He’s not only his handler, but also the one who brought him into Wammy’s House. It’s fairly clear that he nurtured (and even enabled) some of L’s most distressing character traits, though I wouldn’t necessarily say it was with a purely utilitarian agenda. It’s perfectly acceptable to extrapolate how Watari might’ve wanted to keep L, a child of great intellectual genius, happy by allowing him to be challenged and properly educated. In fact, AN:LABB (pg. 145-46) even gives us L’s perspective on the kindness that justice can achieve, which is confirmed within the expanded universe to be similar to Watari’s teachings as L confronts Kujo in L:CtW.

"I have nothing to do with him," L said. "To be completely accurate, I do not even know B. He is simply someone I am aware of. But none of this affects my judgment. Certainly I was interested in this case, and began to investigate it because I knew who the killer was. But that did not alter the way I investigated it, or the manner in which my investigation proceeded. Naomi Misora, I cannot overlook evil. I cannot forgive it. It does not matter if I know the person who commits evil or not. I am only interested in justice." "Only... in justice... " Misora gasped. "Then ... nothing else matters?" "I wouldn't say that, but it is not a priority." “You won't forgive any evil, no matter what the evil is?" "I wouldn't say that, but it is not a priority." "'But..." Like a thirteen-year-old victim. "There are people who justice cannot save." Like a thirteen-year-old criminal. “And there are people who evil can save." "There are. But even so," L said, his tone not changing at all. As if gently admonishing Naomi Misora. “Justice has more power than anything else." "Power? By power ... you mean strength?" "No. I mean kindness." He said it so easily. Misora almost dropped the phone. L The century's greatest detective, L. The detective of justice, L. Who solved every case, no matter how difficult... " ...I misunderstood you, L." "Did you? Well, I'm glad we cleared that up."

I would, once again, venture another educated guess that, while Watari’s primary reasons for starting a program of successors to L was noble, it ultimately backfired on an individual level. Society wise, the letters, as L calls them in L:CtW, are a force for good. They solve crimes, help law forces around the world to keep peace. Some of them even become scientists like Dr Kujo — though she becomes the main antagonist in the spin-off novel. However, the pressure this kind of lifestyle fostered creates a group of individuals who are highly competitive and manipulative. Some, like A, can’t handle it. Even L has his own troubles, being called a reclusive sociopath, possibly by the police forces who treat him as a utility rather than a person. He’s someone they admire and resent, who is tolerated given how effective he is at cracking down cases.

This passage from L:CtW paints a grim picture of the way L suppresses his own feelings as he breaks down for not being able to prevent Maki from being kidnapped (pg. 150-51):

"Light...it hurts. My heart--" It was a hurt that L Lawliet had suppressed, that he had to suppress in order to continue his existence as the peerless Detective L. How had the world's top detective been described in regard to facets of his personality rather than his ability as a detective? He had been called a kinky detective who relished bizarre murders, a human computer capable only of measuring mass murders in terms of cold numbers, a reclusive sociopath. What L thought of such estimations of his personality only L could know. But no one could truly understand L. How L did not and could not forget the faces of thousands of victims. Who could comprehend the man who had lived his life, and had to live confronting all the lives that ended prematurely, the tears of grief-stricken survivors, the devaluing of life as a daily reality. How was it possible to measure the pain of such a man? Was it a strain so heavy that L's back curved under all its weight? Was it an agony so terribly to leave the indelible dark circles around his eyes? Was it a feeling so bitter that every bite he took needed to be coated in sugar? The chronically rounded shoulders, the inevitable dark circles, the eccentric tastes--L suppressed the pain of being a champion of justice, but the evidence of the pain was moulded into his very body.”

Even within the clear disparity from the official canon, this passage slaps. It humanises L further, making the detective become a person and not just a machine who is content with his lifestyle. I know there’s a tendency for those who prefer the manga to see L as someone who is unabashedly himself and perfectly alright with the life he lives. I would argue that the Kira case was not only the most difficult challenge L ever faced, but also a series of moments where he had to be at his best — and at his worst. He had to do everything within his power to solve the case, not only because of his pride but because of what he considers to be his sense of justice. Saying with such confidence ‘I am justice’ is a rather cheesy and childish thing to say out loud, though I read it as both what started as a child’s stubbornness and what L became, as he positioned himself as a barrier to prevent crimes.

L suppresses himself, represses his emotions; he tries to control them, as Fu Takashi says in an interview, he is “dependent on games or battles of the mind”. Perhaps this is a consequence of the foundations of his personality. Despite L’s innate stubbornness, it could be argued that this is as much his fault as it is Watari’s, who didn’t nurture L’s social skills as he should have when he was a child. By not having an outlet outside of his hobby, L is trapped in a prison of his own making. Superficially, L is a “smart guy who hates losing”, but what about the rest? What about the things that make him human, the connections with others? In the same interview, it is mentioned how L feels lonely and needs affection. But what affection can you get when you isolate yourself from the world and keep everyone at arm’s length? He’s not a machine. Even machines become obsolete with time, and need outside help to keep functioning.

As for the latter point, if everyone around L is trying to step on him, humiliate him and surpass him, then it’s only natural that his emotional defences would be up. Aside from Watari, whose loyalty he can count on, he’s alone. L has no one else. And everyone around him will have a dangerous, significant probability to betray him.

Next in part 02: About romance, having someone close and intimate, the meaning of the Monster speech.

Tagging @rinneroraito and @sharkiethrts who might be interested in this meta.

#death note #l lawliet #death note meta #light yagami #spiraling trap #l lawliet headcanons #l lawliet x reader #watari #mello #mello death note #nate river #mihael keehl #near death note #beyond birthday #another note #l change the world #l death note #l lawliet death note

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