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galacticsand · 2 months

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Movelang #001 - Phonology and Sound System

Nophhurra, and hello again everyone! It's time for another post showing off my experimental conlang, Movelang! This time around, I'll be going over Movelang's sound system: the consonants and vowels used, along with a currently loosely-defined syllable structure, as well as allophony!

Admittedly, the Phonology has been one of the aspects of Movelang which has been altered several times over, and has gone through several iterations before reaching the point at which it exists in the present. Since the emphasis for this conlang was moreso on grammar than on the phonoaesthetic, I had largely loosely defined it at the start, with only a vague idea of what Movelang would sound like. At the start, I took a lot of inspiration from the Coptic Language, as well as several African and Caucasian Languages. Later on as I began being more deterministic about the phonetic inventory of the language, it did change from this original vision in several ways, but I ended up ultimately with something I really like!

(My charts tend to prioritize neatness over exactness, so if there's a sound somewhere that doesn't exactly describe it completely correctly, please don't fight me 😭)

Phonemically, the consonant inventory consists of 2 nasals, 15 plosives, 4 fricatives, 2 liquids, and 1 tap. The plosives are split three ways by mode of articulation, where 5 stops are unaspirated: /p t t͡ɕ k q/, 5 stops are aspirated: /pʰ tʰ t͡ɕʰ kʰ qʰ/, and 5 are voiced: /b d d͡ʑ g ɢ/. Each mode of articulations contains a labial, dento-alveolar, palatal, velar, and uvular stop respectively. This was a choice inspired by both Ancient Greek, as well as the Coptic and Caucasian influence I mentioned earlier, and in an earlier version of the phonology, the palatal affricates were instead alveolar affricates: /t͡s t͡sʰ d͡z/. Accompanying the stops are 4 fricatives that roughly match 4/5 of the same manners of articulation: /s ɕ x ħ/. These were selected mainly for that reason, that they lie in the same POA as their stop counterparts, but I decided to throw in an oddball for the fricative furthest towards the back of the mouth. Originally, this was /h/ phonemically, but I was intrigued by Maltese's presence of /ħ/ as the sole voiceless fricative closest to the back of the mouth, so I decided to do this for Movelang, and I do love how it sounds! I personally think /x/ and /ħ/ pair nicely with each other! The Approximants and Nasals then weren't that hard to reckon, I simply filled in the gaps in the chart respectively. When I got to my /l/ sound though, I decided to make this a little bit different as well, and follow the lead of Mongolian, and make it /ɮ/ instead. I also made the decision to omit /w/ or any similar sound, since I have a habit of using this sound a lot whenever I make new sound systems, as a bit of a monkey-wrench to try and make myself work with.

For Allophony, most of this deals with the pronunciation of consonants. There are 3 major rules that come into effect when pronouncing consonants in particular places within a word. First, the nasals, /m n/, devoice to /m̥ n̥/ whenever they are preceded by a syllable that has an aspirated plosive in the coda, any of /pʰ tʰ t͡ɕʰ kʰ qʰ/. Secondly, /ɮ/ may devoice to /ɬ/ when next to any voiceless sound: a voiceless plosive or fricative. Finally, the alveolar tap /ɾ/ becomes trilled /r/ when it is geminated. These rules as you'll notice mostly depend on a sound's locale within a syllable, which I'll explain in greater detail when discussing syllable structure...

As for the vowels, these are quite simple. Movelang consists of seven phonemic vowels, which compliment the front and the back of the mouth. Movelang contains no phonemic length, tone, nasality, or anything else that would affect vowel quality in this way, at least phonemically, and only has these 7 plain oral vowels. There are 3 front vowels: /ɛ e i/, all of which are unrounded, and 4 back vowels: /ɑ ɔ o u/, all of which are rounded, except for the open back vowel.

In terms of vowel allophony, nothing really major happens to vowels. The only major rule which takes place with vowels, is that /ɑ/ goes to /a/ when near a palatal sound.

Additionally, the syllable shape in Movelang is pretty straightforward, it's pretty much CVC, but with a few additional caveats. The main difference, is that /j/ cannot be a coda consonant, which is reflected by the use of D for the coda consonant in my syllable shape notation, and additionally, only 6 consonants can end a word: /m t k q s r/, which is reflected by the use of K for a word-final coda consonant.

In addition to these tactical features, hiatus is permitted in Movelang, meaning that the onset consonant in syllables is optional even word-internally, and when this happens, the parallel vowels flow together smoothly, rather than having some epenthetic consonant placed between them, like a glottal stop. Gemination also happens quite frequently in Movelang, especially in compounds, and it is under these circumstances when /j/ technically can appear in the coda of a syllable, but only as a part of a geminate /j:/.

=-=-=-=

Alright! Well, that's pretty much it for phonology, at this point I'm going to try and stick to this phonology and not impulsively change it again, but knowing me, I can't make any promises XD. I hope you all enjoyed this look at the sound system! I look forward to posting some lexical samples in the next post, with these sounds intact, where I'll be showing you Movelang's class system in action! More on that later of course... Until then, I look forward to it, and I hope you all enjoyed this post! If you all have any questions, feel free to leave me a comment, or an ask!

#conlang #conlanging #constructed language #experimental conlang #linguistics #phonology #galacticsand

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iliveforyouilongforyouvesuvia · 1 year

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p a r l e z-m o i d' a m o u r

R e d i t e s-m o i d e s c h o s e s t e n d r e s

-✨ autarse ✨

(shouldn't the farm have a tag. Brainrot's bumbling buffoons or some such)

Hello again autarse,

And yes at this point it seems I have a farm -

Come visit the chaos center, so far we have several French songs, a confused ukulele, innumerable cats, a dog or two, an unidentified bird, a carrot fish, a lobster, a cow, and a snow leopard!

I will now be drawing inspiration from you, lovely friend, and tagging additions as brainrot's barnyard buffoons.

The bumbling is officially in full swing!

#brainrot's barnyard buffoons #ask arcana brainrot #the bumbling

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imuybemovoko · 1 year

Text

so I made a language where the verbs outsource nearly everything to the nouns

I saw the thing Wolof does with its tenses and decided to do that, but more. It got away from me, but I actually quite like the result.

I call this language Ładäk Hŕlegŕz, or Hŕładäk for short.

This ought to be interesting.

PHONOLOGY

Romanization is in the pointy brackets where it's different from the IPA. I'll be using the romanization for most of the examples I give; I don't have a good way of making a font for the script, or at least I don't know how, for reasons I'll explain.

For the most part, stress falls on the first syllable that historically contained a long vowel, though in some speakers all diphthongs will trigger stress in the same way. Since the syllabic ɹ̩ comes from both historical long and short vowels, and collapses a wide variety of vowels into it, minimal pairs can exist where a following vowel would take stress. For an example, though, let's use a near-minimal pair constructed by way of the past-tense marker (which, like most tenses, forms with a suffix on the subject):

yŕl /jɹ̩l/ "clothing", yŕlal /ˈjɹ̩lɑl/ "clothing-PST; yŕs /jɹ̩s/ "egg" yŕs /jɹ̩ˈsɑl/ "egg-PST".

The stress falls on the syllable containing the ɹ̩ in one of these words, but on the other syllable whose vowel was historically long in the other. Thus, stress is contrastive, exclusively in /ɹ̩/. (The romanization doesn't have a particularly good way of distinguishing this. As I'll explain later, the kigeil script does.)

Breathy vowels and /ɤ æ/ always defer stress, and whether diphthongs other than /aj ej/ do varies by dialect. More conservative dialects assign primary stress exclusively to those; others have spread it to many or even all diphthongs. (In my examples, I will probably vary the way I assign stress to diphthongs other than /aj ej/ for this reason.)

Also, you may have noticed that Hŕładäk allows some crunchy consonant clusters, but I'll find a few fun illustrative examples in the form of common words:

sfre /sfrɛ/ "bug"; stmai /stmaj/ "fish"; cfen /ʃfɛn/ "end, edge"; sva /svɑ/ "side"; ucs /uʃs/ "shelter".

KIGEIL SCRIPT

The Kigeil script is an alphabet, but it forms syllable blocks a bit like Hangeul does and is written top to bottom and then left to right. (That means it's obnoxious as hell to make a font for and I don't know how. I'll be using hand-written samples from my art software.) I took some inspiration from the Latin alphabet for many of the forms.

Here are the consonants:

/m n ɲ/ /p t k/ /b d g/ /f s ʃ h/ /v z ʒ/ /t͡s t͡ʃ/ /d͡ʒ d͡z/ /w r j/ /l ʎ/

The glyphs for /w r j/ also represent /u ɹ̩ i/, though as we'll see there's some diacritics that become relevant.

/ɑ ɛ i ɔ u ɹ̩/ /a̤ e̤ i̤ o̤ ṳ ɹ̩/ /æ ɤ/

Breathy vowels and an unstressed syllabic in an environment where the contrast matters are marked with a diacritic that's very similar to the acute accent.

Diphthongs are formed by stacking glyphs and rotating the orientation where relevant:

/aj ja ej je oj jo uj~wi ju~iw/ /aw wa ew we ow wo/

(There's not a good way of distinguishing /uj ju/ and /wi iw/ that's standard, although some speakers will use the diacritic for /wi iw/.)

Syllables are formed by placing glyphs into blocks that are read left to right and then top to bottom. Up to two onset consonants will sit on the same line, followed by the vowel if there is not a third. Any third consonant will sit on the second line, followed by the vowel. Then the coda goes below. For a few examples:

/stmaj/ "fish"; /sæzgæ/ a common given name; /si̤ˈlukinu/ a god of war and evil; /ˈvɹ̩zɹ̩zɑ/ "ocean, sea"; /mɹ̩ˈskɑrɤ/ "ruins"

Kigeil also has several punctuation marks:

stop; interrogative; paragraph marker; imperative; exclamation; open and close quotes.

For an example of what this looks like in practice, here's a sample of a legend I've been working on detailing the apotheosis of Bavedail:

Sílukinunal jätc haskwa u legŕz: “Ála, ya tsai! lenal yŕl yŕkende su nal bíga hŕsayi?” Cainal draw satc neiz. [si̤ˈlukinunɑl ʒæt͡ʃ hɑskwɑ u lɛˈgɹ̩z a̤ˈlɑ ja t͡saj | lɛˈnɑl jɹ̩l jɹ̩kɛndɛ su nɑl bi̤ˈgɑ ˈhɹ̩sɑji | ʃajnɑl draw sɑt͡ʃ nejz] mind.eater-PST evil laugh and say aha hey fuck | 2S.PST come ABL-village REL.what 1S.PST recently poison | 3Sm.PST slow walk LOC.3Sf “Sílukinu laughed wickedly and said: ‘Oh right, fucking hell! You came from that village I just poisoned?’ He slowly walked towards her.” (Later on I'll take some time to explain how tsai works, but for now suffice it to say it's a versatile profanity. The in-setting speakers of this language, the Naładäk, don't care even as much as we tend to about profanity.)

Again, no font for this, plus the directionality makes the format obnoxious to deal with (that's a TALL sample, and Tumblr seems to have stretched it horizontally enough that the glyphs get fuzzy), so I'll use the romanization from here on.

GRAMMAR

Word order is SVO, and descriptors always come before, as does the possessor, and indirect objects always come after the object.

NOUNS

Nouns mark for number, case, and most tenses. Number and case mark with prefixes, but the tenses form suffixes.

Hŕładäk has a marked dual and plural, sa- and ma- respectively. Example: yúl "year"; sayúl "two years"; mayúl "years".

Cases are marked with a prefix that precedes any number markings. There is a nominative, accusative, genitive, dative, and ablative case. The dative also functions as a locative and sometimes an allative, and the ablative case functions as an elative or instrumental as well. The nominative is unmarked.

The accusative is the prefix yai-; since word order is strict, with the exception of some of the personal pronouns, i.e. the first person singular, it's just about only used in relative clauses and similar contexts, though can appear on a simple object for emphasis. It also appears reasonably often in common idioms, i.e. zet yaisít, lit. "to hold the reins", referring to controlling one's own destiny, having agency, etc. In some dialects it can also serve as a definite article, but that's not technically standard.

The genitive is the prefix nail-. This is most often used to mark the possessor of another noun. Example: NailSílukinu la! "Sílukinu's blood!" (a common profanity expressing frustration or disgust.)

The dative is the prefix nei-. It marks indirect objects, i.e. Nal hail melgin neiPaci "I gave the bread to Paci", but is also used as a locative, i.e. neilin sait "to ride in rain" (an idiom used to describe good fortune), and can also function as an allative as in Cainal vei neitijä "He went to the city".

The ablative is the prefix yŕ- or yŕd- (typically retaining the d if the noun has an initial vowel, though that's not the only sort of environment where that happens). It typically means "from (x)" as in yŕkende "from the village" from the text sample, but it also operates as an instrumental, i.e. Zenal had cai naiz yŕdicak neimakaz "She struck him in his legs with her icak". (An icak is a culturally significant type of one-handed sword.)

That's cases; now let's get fonky.

Here's the tenses that affix to the subject (and I'll explain what each is more specifically below). There are two common suffix forms, often depending on the presence of a final vowel (but not always).

Habituals in nonpast forms are marked by reduplication of the first syllable of the verb; more on that later.

The optative (Opt.) refers to things the speaker wishes for, but it serves double duty as a future tense. An example of each sense: Tsuti kin stais "The goat wishes to eat grass"; Säzgägi húseiskatc "Säzgä will survive".

The imperative (Imp.) marks commands. It's a bit unusual in that it can attach to an indirect object or locative (i.e. something marked with the dative case) or occasionally other forms in addition to just the subject. An example of a regular one, then an example of that: Legain til! "Run!"; Neilinain sait! "Ride in rain!" (an idiom wishing someone good fortune). Gain can function as a particle in lieu of the second person singular or dual pronoun, but (usually) not the plural.

The abilitive (Abilit.) expresses the ability or possibility to do something, as well as some forms of understanding. Example: Fitadban ła nan małi yŕdstoga yŕdõlts ŕsaygas "Fitad could not gather water from the oasis because of the poison"

The permissive (Perm.) expresses permission or consent to do something. It also functions as a conditional. Examples: Lenait tcasä stret giñä "You may ask again later"; Wagunait deyŕsayi deil "The fruit might poison someone".

The obligative (Obl.) expresses a necessity. Examples: Dalis su Mailawá han "I think that Maila needs to sleep".

Because of the cases and the TAM, personal pronouns have a wild amount of forms.

The case forms:

The distinction in the first-person plurals is that inclusive means including the listener and exclusive means not including the listener.

Tense forms:

(I put the nominative forms at the top of this table for clarity.)

Since TAM forms should just about exclusively mark on the nominatives, that's all I included in the table.

Yeah. Nouns are a lot in this language.

VERBS

We just about exclusively have the imperfective, passive, and causative here. They outsourced ALL that other stuff to the subject.

The passive is marked with the prefix ve- or vem- on the verb. The agent, if present, is marked with the ablative case. Example: Nal venäplaju yŕSäzgä "I was greeted pleasantly by Säzgä".

The causative is marked with the prefix hai- or hail- on the verb. The object, where present, is marked with the dative case. Example: Cainal haijitä Maila neyŕnäd "He caused Maila to fire the arrow."

The imperfective, which also functions as a habitual, is marked with a reduplication of the first syllable of the verb root, often the onset and vowel only. Example (and comparison): E tcasä rogwan "I wake up early"; E tcasä rorogwan "I often wake up early".

Oh, also, there's not a copula. No "to be", not in the standard dialect especially. You just handle it with juxtaposition: E tradeil 1S <COP> soldier "I am a soldier" like that.

That's just about all that happens with verbs. :^)

INTERROGATIVES

Questions are generally constructed with these terms, and they double as relative pronouns. We have: yä "why"; kõ "how"; hä "when"; kul "who"; so "where"; and su "what".

If what's in question is the object of the verb, these most often precede it: Lenal su keuli? "What have you found?"

If what's in question is the subject, these interrogatives take subject position and take the TAM markings: Kulnal hon yei? "Who saw you two?"

Other questions, the interrogatives modify the verb, i.e. Lenal kõ keuli yai? "How did you find me?"

RELATIVE CLAUSES

The interrogative terms are also the relative pronouns. Subjects and direct objects can be relativized directly; indirect objects and obliques have to use a passive or a causative; the standard dialect does not allow relativization of genitives or comparatives in any form, but some dialects do allow those with passive or causative constructions. For a few examples:

Subject: Säs keiduzema kul ŕn "That is the man who used to hunt" Säs keid kul caizema ŕn "That is the man who used to hunt" (Using the pronoun places further emphasis on the action)

Object: Säs keid kul nal hon "This is the man who I saw" Säs yaikeid kul nal hon "This is the man who I saw" (an alternate construction that differentiates the object of the main clause from the subject of the relative clause; not strictly necessary in this case, but sometimes you have ambiguity)

Indirect object: Zeir kul zenal vehail yailidá yŕd kikin wag "The woman who was given a flower by me is eating fruit" Zeir kul nal hainal lidá kikin wag "The woman who I caused to have a flower is eating fruit" (Causative constructions emphasize the action).

Oblique: Keidunal zema hailŕn naica äct neica neig "The man whose brother I used to bring hunting with me died" (Obliques generally use the causative exclusively, but some speakers will use passives for them too).

NEGATION

The particle ła is used for negation, simply preceding whatever it's meant to negate. Depending on context, it can negate either the sense of the TAM attached to a verb or the verb itself. There's not a morphological way to distinguish between those contexts. A quick example of negation:

Säs glibon ła pälsu ni rákajai. "This illusion is not a good or scary one."

So that's about it for the grammar. Kinda.

PROFANITY

I'd like to explain a few of my favorite profanities in the language. There's a couple of wildly useful words, and then a few really entertaining phrases.

Let's start with tsai. Its function is a bit like the English "fuck", except minus the sexual connotations. It's a great single syllable that's good to just insert places and really lean into. So that's kind of what happens with it, often. You can stick it in any place in a sentence and it works, though it'll mean slightly different things. Let's grab one of our sample sentences from earlier:

Nal hail melgin neiPaci "I gave the bread to Paci"

Tsai nal hail melgin neiPaci would cast the entire action as an unfortunate thing.

Nal tsai hail melgin neiPaci would land as an angry, rude way of saying "I already did this thing".

Nal hail tsai melgin neiPaci would land as either the above or as a slight against the bread itself depending on context.

Nal hail melgin tsai neiPaci is a slight against Paci.

Nal hail melgin neiPaci tsai is a bit like "I'm annoyed that I have to say this."

You also get a few fun phrases that develop from tsai.

Ya tsai is a bit in the direction of "fucking hell", "fucking listen to me", or "what the fuck" as an exclamation.

La tsai is a bit more "fuck yeah".

U säs ya tsai (na... [name or pronoun]) is a bit like "And what the fuck is this?" You can add the vocative particle na and a name or pronoun to specify who you're addressing.

Na tsai is like "you motherfucker" kinda.

(Gain) vei neitsai is a bit like "Go to hell" or "go fuck yourself"; adding the dative suggests "tsai" is either a place or action that's negative somehow.

Ya nailõlts tsai doesn't have a particularly useful direct translation into English; it's literally "Oh wind of fuck", which is ...janky. But this is an extreme expression of frustration or rage. It's also possible to add other phrases after this, i.e. Ya nailõlts tsai nab "What in the wind's fucking asshole?" Generally the more you add, the more intense it is.

Satsai is like "you also, fucker", often a response to insults etc.

Cta tsai is like if "capisce" was derived from "fuck".

Phrases that aren't (necessarily) just full of tsai

Gain nan masalí neitagí "Go gather cacti in your ass", basically a spicy "fuck off", even spicier if you add something like an instrumental after this, i.e. yŕpŕbas "using a shovel", yŕyav "using a dick".

Tarinabey is a compound, literally "wounded-asshole-mouth", a useful term for someone with dangerous ideas or someone who's generally just an actively, dangerously terrible person.

Kołõr (naidja) neyŕná literally translates to "to shit in someone's eye"; it's a way of referring to lying.

Kołvit lit. "shit-axe", draws on the metaphorical sense of axes as referring to creating fire, so basically "shit-burner". Refers to someone who makes the world worse with their actions.

And there's some of my favorite profanities. I don't always flesh out the profanity this much in my conlangs, but I went pretty deep with this one and I really enjoy the result.

TRANSLATIONS

Here's a few fun translations I have lying around.

Big Bill Hell's

Na tsai Baltõmor! VOC fuck Baltimore “Fuck you, Baltimore!”

Ci le tava slujätc kõ neidec leg haiplic ŕz huábac, ci le tava sludak kõ lenait yŕl neianá nailBil Helz Mawábac! if 2S enough dumb REL.method today 2S.OPT buy new car then 2S enough idiot REL.method 2S.PERM come LOC-field GEN-Bill Hells P-car “If you’re enough of an idiot that you’re going to buy a new car today, then you’re enough of an idiot that you’ll come to Bill Hell’s field of cars!”

Magliblic! Mawábac su kokoc! Mabodjeil! P-scam | P-car REL.thing IPFV-break | P-thief “Scams! Cars that always break! Thieves!”

Ci le cilin su leg keuli pälsu plic neiBil Helz, ci lenait hata nail tagí! if 2S think REL.thing 2S.OPT find good money LOC-Bill Hells then 2S.PERM taste 1S.GEN ass “If you think that you’ll find a good deal at Bill Hell’s, then you may taste my ass!”

Naisa hŕgact, le tava ya tsai sludak su le dadalis säs gliblic – danal vehałal! 1Pexc.GEN belief 2S enough hey fuck idiot REL.thing 2S IPFV-trust this scam | 3Sn-PST CAUS-guarantee “Our belief: You’re enough of a motherfucking idiot that you always fall for this scam- that is a guarantee!”

Ci le keuli kay pälsu plic, ci legain nan masalí yŕdzäs! if 2S find more good money then 2S.IMP gather P-cactus ABL-this “If you find a better deal, gather cacti in your ass with it!”

Jai, lenal tsats yai, legain tsai nan masalí yŕdzäs! yes 2S.PST hear 1S.ACC 2S.IMP fuck gather P-cactus ABL-this “Yes, you heard me, gather cacti in your ass with it!”

Gain nan naile bruz huábac! IMP gather 2S.GEN old car “Bring your old car!”

Gain nan naile lazaku! IMP gather 2S.GEN document “Bring your documentation!”

Gain nan naile venivi! IMP gather 2S.GEN lover “Bring your lover!”

Neg cili da! Jai, neg cili naile venivi! 1Pexc.OPT sex 3Sn | yes 1Pexc.OPT sex 2S.GEN lover “We’ll screw them! Yes, we’ll screw your lover!”

Yŕdõlts le tsai neiäzaig sasait neiBil Helz! because 2S fuck LOC-sand IPFV-ride LOC-Bill Hells “Because at Bill Hell’s you’re always fucking unfortunate!”

Sílukinu neiäzaigain sait – neiBil Helz! Sílukinu LOC-sand-IMP ride LOC-Bill Hells “Ride in sand, demon– to Bill Hell’s!”

Ne nal kejá hŕsiwra. Jai, kejá hŕsiwra! 1Pexc have hard pissing | yes hard pissing “We have difficult pissing! Yes, difficult pissing!”

U säs vei kõ? and this go how “And how does this work?”

Ci leyiban siwra ige majuda neityul u ła sádzal le yŕdzäs, ci lewá ła hail gé plic! if 2S-ABL pee six P-foot LOC-sky and NEG wash 2S ABL-this then 2S.OBL NEG give first money “If you can piss six feet in the sky and not wash yourself with it, then you don’t give us the first payment!”

Gain ła humij! Gain ła gada! Gain ła sta nail yav, ni neg zeyŕd naile cilecó! IMP NEG wait | IMP neg be.content | IMP neg bite 1S.GEN dick or 1Pexc pluck 2S.GEN scrotum “Don’t wait! Don’t be content! Don’t bite our dick, or we’ll pluck off your scrotum!”

Aya neiBil Helz, tcitáná so ne legŕz, “Sílukinu neiäzaigain sait!” only LOC-Bill Hells market REL.where 1Pexc say Sílukinu ride in sand “Only at Bill Hell’s, the store where we say, ‘Fuck directly off!’”

Gain til, botcuyav! IMP run dickstealer “Run, you stealer of penises!”

Säs tsei neig hä le haiplic, u dawá seiskatc ni leg neig, na tsai! this time die when 2S purchase and 3Sn-OBL survive or 2S.OPT die O fuck “This moment dies when you buy, and [your purchase] had better survive or you’re going to die, motherfucker!”

Gain vei neitsai – neiBil Helz Mawábac! IMP go LOC-fuck LOC-Bill Hells P-car “Go fuck yourself- at Bill Hell’s cars!”

Vŕzjätc neiBaltõmor u aya näyá so vŕz rákajai tsai maSílukinu nailMariland neikaucŕ - danal vehałal! worst LOC-Baltimore and only house where most scary fuck P-Sílukinu GEN-Maryland LOC-edge | 3Sn-PST CAUS-guarantee “The worst in Baltimore, and the only home of the scariest motherfucking demons in Maryland’s borders- that is a guarantee!”

A bit of the Dagger of the Mind monologue

This one has two English renderings, the original Shakespeare and a rendering that reflects how I translated things a bit more closely. I'll color the retranslation purple.

E hon touza yŕd, zená nail neigan? 1S see knife ABL.1S grip 1S.GEN LOC-hand Do I see a knife before me, its grip towards my hand? “Is this a dagger which I see before me, The handle toward my hand?”

Legain yŕl; wá cayi le. 2S-IMP come 1S.OBL touch 2S Come; I must touch you. “Come, let me clutch thee.”

E ła nal le u gál kain hon le. 1S NEG have 2S and but now see 2S I don’t have you but I see you now. “I have thee not and yet I see thee still.”

Na zoltai hŕlon, le vehon u vekiude? o deadly vision 2S PASS-see and PASS-feel O deadly vision, are you seen and felt? “Art thou not, fatal vision, sensible To feeling as to sight?”

Ni liká neisílu touza, liká glib yŕdzíluná kul hŕkal fefeja? or simply LOC-mind dagger simply lie ABL-brain REL heat IPFV-imprison Or simply a dagger in the mind, a lie from the brain that that the heat oppresses? “Or art thou but A dagger of the mind, a false creation Proceeding from the heat-oppressed brain?”

E kain hon le, u yiban kiude le sai säs kul e kain zeyŕd. 1S now see 2S and 1S.ABL feel 2S like this REL 1S now draw I see you now and I can feel you like this one who I now draw. “I see thee yet, in form as palpable As this which now I draw.”

Le leleit yai neimas so nal sasatc, u gi had pac sai säs. 2S IPFV-lead 1S.ACC LOC-path where 1S.PST IPFV-walk and 1S.OPT use tool like this You’re leading me on the path where I was walking, and I plan to use a tool such as this. “Thou marshal'st me the way that I was going, And such an instrument I was to use.”

So there's that. Big Bill Hell's Cars felt like a very fitting thing to translate for this language. The speakers would enjoy that kind of shitpost, I think. Anyway, I'll probably do more with this later. And an eagle-eyed reader who also saw some art I posted a while ago (which... I don't have a following on here at this point so probably no one fits this description but whatever) might notice some Kigeil in a painting I made earlier. I will do more at some point though lmao

Enjoy :^)

#conlang #neography #big bill hells #macbeth #this language has an unorthodox division of labor so christians probably hate it #half of my translations are stabby #I wrote swear words that filters don't know exist :^)#the great verb boycott

5 notes · View notes

circusclownsam · 1 year

Text

╔════════════╗

♚ G E O M E T R I C S ♚

╚════════════╝

↬ Full name ↫

Min-Ya Choi

↬ Nickname ↫

Minnie, wilted flower, my darling, forgotten child, deranged ballerina.

↬ Age ↫

18-19

↬ Birthday ↫

9th of September

↬ Birthplace ↫

Seoul, South Korea

↬ Zodiac ↫

Virgo

↬ Height ↫

158cm / 5’2

↬ Gender ↫

Female

↬ Species ↫

Human

↬ Race ↫

Asian

↬ Nationality ↫

Korean - Australian

╔════════════╗

♚ A P P E A R A N C E ♚

╚════════════╝

↬ Skin color ↫

Warm tan

↬ Eye color ↫

Deep sea blue

↬ Hair color ↫

Dark chocolate brown

↬ Hair length ↫

Her hair reaches down to her butt

↬ Hair texture ↫

↬ Body Type ↫

hourglass, average thickness, small waist, d cup size

↬ Face claim ↫

: https://pin.it/1zNvwiF

╔════════════╗

♚ C L O T H I N G ♚

╚════════════╝

↬ Uniform ↫

: https://pin.it/1helsnJ1n

: https://pin.it/1AzbcPki7

: https://pin.it/1UH4gaPnl

: https://pin.it/2dk0ot8aL

: https://pin.it/120sNWvOA

↬ Casual ↫

: https://pin.it/29YDuwuuZ

: https://pin.it/1fZRxat3X

: https://pin.it/4SYWFnwyw

: https://pin.it/5ILk4XIny

: https://pin.it/2HWD71Bwd

↬ Formal ↫

: https://pin.it/4Ik9Kv7

: https://pin.it/4O2oXpn

: https://pin.it/Ub7SmeP

↬ Sleep ↫

: https://pin.it/5i1eOwYJl

: https://pin.it/Tw2SD9Qmo

: https://pin.it/zQ9NwwvbK

╔════════════╗

♚ P E R S O N A L I T Y ♚

╚════════════╝

↬ Normal mood ↫

Her mood has been described by others as unreadable, she has a blank expression on her face- so who knows what she’s feeling.

↬ Temper ↫

She’s mostly patient, until someone or something begins to test her patience- then she slowly gets annoyed.

↬ Discipline ↫

She’s been raised to always follow rules, however she’ll happily break a few when it comes to her friends.

↬ Strengths ↫

Due to excessive ballet sessions, Minnie has become physically stronger than some of her peers. Though she often doesn’t display her strength and allows others to best her in fights.

↬ Weaknesses ↫

Although she’s not open about it- her friends safety can break her emotionally and mentally when their lives are put in jeopardy.

↬ Drive/dreams ↫

She doesn’t have a specific dream, she likes to go with the flow- wherever life takes her.

↬ Fears ↫

Deep-sea waters (not a severe phobia, just a slight anxious feeling)

↬ Likes ↫

Although she prefers to be left alone and not pestered; she enjoys hanging out with Enid at times- finding comfort in the girl, she’s taken a liking in studying creatures that normies deem as ‘myths’, when she isn’t hanging with Enid; she’s typically in the library reading books with a small candle beside her, when she is truly alone- she practices ballet out on her dorm’s balcony; she finds it embarrassing when people watch her.

↬ Dislikes ↫

She absolutely hates being poked and prodded at, one normie she cannot stand is the sheriff; she finds him annoying and unwelcoming, she hates when her family name gets slandered, Although she likes Enid; she hates when she talks too loudly or too much. She also dislikes when her reading sessions are cut short by principal weems.

↬ Inspiration ↫

Although originally she did violin and ballet as a hobby forced by her parents, she now does it because it makes her feel good (mainly ballet)

↬ Role model ↫

She looks up to Enid; secretly envious of her confidence and bright attitude.

↬ Mental disorder ↫

Minnie suffers from mild social anxiety, she is currently medicated.

↬ Habits ↫

She has a habit of twirling her hair around her finger.

╔════════════╗

♚ R A T I N G S ♚

╚════════════╝

(1-10)

↬ Psychological strength ↫

6 - 10

↬ Physical strength ↫

8 - 10

↬ Close quarter combat ↫

8 - 10

↬ Distanced combat ↫

7 - 10

↬ Leadership ↫

4 - 10

↬ Wisdom ↫

6 - 10

↬ Intelligence ↫

7 - 10

↬ Confidence ↫

5 - 10

↬ Endurance ↫

7 - 10

╔════════════╗

♚ R E L A T I O N S H I P S ♚

╚════════════╝

↬ Father ↫

Robert Choi, Australian, 45, alive, estranged relationship due to prolonged abuse.

↬ Mother ↫

Lin Choi, Korean, 40, alive, close relationship.

↬ Other relatives ↫

She has a few distant cousins and aunts, no relationship has been formed.

↬ Rivals ↫

She sometimes competes with Bianca, though it’s a friendly rivalry.

↬ Friends ↫

Enid, Wednesday, Eugene, Yoko, Bianca

↬ Best friend ↫

Enid, Eugene, Wednesday (because I said so.)

↬ Love interest ↫

She prefers to not be open about that sort of information (depends on roleplay)

↬ Marital status ↫

Single

↬ Pets ↫

A tarantula named mango, a Venus flytrap named Scorpion. Both remain in her dorm.

╔════════════╗

♚ P A S S - T I M E ♚

╚════════════╝

↬ Hobbies ↫

Ballet, reading in the library

↬ Talents ↫

Ballet and Violin ; both to appease her parents’ expectations.

↬ Sports ↫

Ballet (is it considered a sport? Idk)

↬ Occupation ↫

She is currently a student at Nevermore; the school for outcasts.

occasionally works at the café in town.

╔════════════╗

♚ H O M E L I F E ♚

╚════════════╝

↬ house location ↫

Sydney, Australia

↬ hometown ↫

Seoul, South Korea

↬ Current location ↫

A dorm at Nevermore academy.

╔════════════╗

♚ C O M B A T ♚

╚════════════╝

↬ Weapons ↫

Although she can fight with her fists, she really enjoys using knives as her weapon.

↬ Favorite weapon ↫

Knives, throwing, pocket, kitchen- doesn’t matter.

↬ Specialized weapon ↫

She’s mainly trained in weaponless fighting, but she knows where to hit exactly with a knife.

↬ Range ↫

She can do both far and close

↬ Accuracy ↫

She’s scarily accurate when it comes to stabbing or throwing knives at a far range.

↬ Power ↫

Nature, control all things nature-related (includes water, since water is part of nature obv), she is able to both kill and give life to plants, able to communicate to plants (specifically; feel what they feel).

↬ Block/nullified ↫

Although nature crawls towards her naturally, she can’t access her power when trapped in a room of any sort (concrete, an empty dorm room etc.)

╔════════════╗

♚ T H E M E S O N G ♚

╚════════════╝

Freakshow - Rei Ami and Sub Urban

#wednesday addams #wednesday #wednesday roleplay #wednesday rp #CircusClownSam OCs

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rajinedgeofdarkness · 2 years

Text

A. Full grown fire drake (70 feet tall) for size reference

B. Main Thrusters

C. Wing Thrusters for Maneuverability

D. Cockpit

E. Front View w/ Solar Sails

F. Offensive Add ons

G. Defensive Add ons

H. Sky Rings (for hovering)

I. Recreation/Training Upper Tower/Fin

J. Front View

K. Dining Hall

L. Hangar Bottom Tower/Fin

M. Self Sustaining Pods

N. Space Screen

O. Cold Storage Silo

First Main Floor

P. Misc Pod 1

Q. Garden Pod

R. Library Pod

S. Misc Pod 2

T. Outdoor Pod

U. Social Pod

V. Storage Tower Base

W. Engine Room (Beneath 1st Floor)

Second Main Floor

X. Personal Living Suites

Y. Dining Hall Close up

Z. Bow end Elevator

Third Main Floor

1. Storage (non food)

2.Holoroom

3. Art Studio

4. Gym

5/6. Pool/Spa

7. Workshop

8. Sick Bay

Rajin is the main setting of my story. She is a massive air/spaceship traveling between worlds while self sustaining internal functionalities for life and comfort. Capable of carrying hundreds, but a crew of only 5 individuals made her into their permanent home for several years while they take to exploring the deeper and darker reaches of the Universe.

General overview…….externally, Rajin is inspired by the sun and betta fish with its tall upper and lower fin like structures and wings. A series of see through pods line the bottom section. Every part of Rajin….engines, sky rings, even the walls and floors are alive in a sense as they shift very slightly with the pulses of elemental magic running all throughout the ship.

Speaking of elemental magic, Rajin is powered by the 8 main crystals containing, ice, air, lightning, earth, water, fire, dark, and light energies. The balance…push and pull between the larger dark and light crystals power general to warp speed travel. Most other space ships currently depend on advanced tech, special fuel, and orbital rings for space exploration and this is only within a series of metropolitan like planets/systems including Youndre. Every other world is considered independent/isolated even depending just on magic vs. science. The other crystals aid in basic/beneficial functions like heating, cooling, lighting, providing clean water, and nutritional vegetation.

Internally, Rajin was restored and rebuilt to provide personalized living for Eldoron, Jessie, Orion, Ian, and Trish while in mid hyperspeed for weeks on end. Outside of each of them having large house like rooms, they also have access to shared recreational, nature filled spaces, look outs,….etc.and being able to prepare ahead with training rooms and a smithy/leather crafter workshop for armor and weapons.

Everyone plays different roles to upkeep Rajin while also supporting each other…..i.e. Eldoron sets its courses and manually flies/lands the ship, Ian improves and repairs (by encouraging Rajin’s self-healing properties), Jessie runs the sick bay and aids in harvesting and cooking, Trish helps with plant and animal care (including the care of the creatures she temporarily holds for rescue), and Orion helps charge and balance the magic between all the crystals to keep everything stable.

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ncteby · 2 years

Text

UNKNOWN FACTS

₍ ᶻᶻᶻ [NCTEBY] is typing ... ₎

❱ http:˚♡TOTHEWORLDHEREISEBY!˚ˑؘ :: ·˚•org

ｌｏａｄｉｎｇ...

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ᴅᴏ ʏᴏᴜ ᴡɪsʜ ᴛᴏ ᴇɴᴛᴇʀ ᴛʜɪs ғɪʟᴇ?

ʏᴇs [ √ ] ɴᴏ [ ]

ʟ ᴏ ᴀ ᴅ ᴇ ᴅ

꒰꒱ AN ALTERNATE NCT UNIVERSE ♡꙼̈࿐ ࿔

┍━━━━━━━━━━━━━━━━━━┑

┆

➦ ADESIDA AMALA EUSBIA ●

➦ NCT & SUPERM MEMBER ○

┆

➦ P A S S W O R D : 04/09/2016

┆

➦ A C C E S S : C O N F I R M E D

┆

➦ C O N T I N U E ?

┆○ NO ● YES

┆

┕━━━━━━━━━━━━━━━━━━┙

─────────────────────

┊ ┊ ┊⋆｡ ┊ ┊ ┊ ┊

┊ ⋆｡ ┊ ┊ ┊ ┊⋆｡┊ ༊*·˚

┊ ┊ ┊ ┊ ┊ ┊

┊ ‧₊ ༉ ┊ ˚✩ ┊ ๑՞.

┊ ₊˚.༄ ┊

✩₊̣̇. ੈ♡˳

✧.*ೃ༄

━━━━━━━━━━━━━━━━━━━━━━━━

• She was supposed to debut with Red Velvet, but they changed their mind when they saw that she had more chemistry with the NCT VOXARA members instead, but the original reason was the company thought she didn’t fit the aesthetic of the group (The news got leaked in January 2022)

• NCT VOXARA was in SMROOKIES because they thought about introducing a graduation date for the group members to graduate out but not announcing anything yet, so they thought putting them in SMROOKIES would be a great idea at the time

• She faked being happy for years until it became severe depression and anxiety, it took her going to therapy to realize this and she is slowly becoming more happier and it shows!

• She has rejected a lot of her fellow Kpop trainees, artists, male and female alike, who have wanted to date her

• She has a lot of layers to her personality but feels like not that many people beside her members, best friends, and family try to get to know her well but she doesn’t dwell on this

• If she has the time, she will foster animals to help them to get a happy and loving home (Eusbia herself revealed this in her ‘73 questions with Vogue’ video she did during the US leg of the Neo City- The Link Tour)

• The members know about her stan accounts and will take over to troll the fans at times

• She is currently dating someone, but the public doesn’t know who it is (Dispatch revealed who it was during January 2018)

• She loses a lot of weight when stressed

• She dealt with a lot of stress because she traveled a lot for filming shows and movies while she promoted with NCT, SUPERM, and solo promotions

• Disney was the reason she released her first album at 7 because they love to do the singer-actor route

━━━━━━━━━━━━━━━━━━━ EBY━🌻

Like I said in my facts post, I will add more if inspiration comes.

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kcenvs3000w24 · 1 month

Text

Blog 08: Sense-Making of Nature Interpretation

Hey everyone, and welcome back for another blog post. In today’s prompt we are discussing the most amazing things we know about nature. For me, what comes to mind first would be the magnificent northern lights. Though I have never had the chance to see them in person, I can tell how breathtaking they would be just from pictures, videos, and descriptions.

The northern lights are scientifically known as aurora borealis, meaning the light of dawn. They can be seen from the northern hemisphere in regions such as Canada, Alaska, Russia, Norway, and Sweden since these places cover the auroral oval (Waldek & Dobrijevic, 2022). However, since auroral activity is not always consistent, the oval can shift. An aurora refers to a natural light display projected in the sky (National Geographic, 2023). They can appear when charged solar wind particles from the sun approach the Earth as solar wind. These particles are able to interact with the Earth’s magnetic field (National Geographic, 2023). Most of this solar wind gets blocked by the magnetosphere, but some ions do get trapped. The area where ions are trapped in the atmosphere is called the ionosphere. Within the ionosphere, nitrogen and oxygen atoms from the Earth’s atmosphere collide (National Geographic, 2023). The energy from this collision creates the fascinating glowing lights we see as the northern lights. The colours of an aurora are influenced by altitude, as well as the atoms that are involved (National Geographic, 2023). oxygen atoms tend to produce a red colour, however this is rare as it happens only when the ions are striked high in the atmosphere. Commonly, oxygen produces green/yellow auroras. When hydrogen and helium atoms are striked, blue and purple hues can be seen (National Geographic, 2023).

Auroras have a deep meaning in several cultures as well. In Iceland, it is thought that looking at the northern lights directly would cause your child to become cross-eyed (Berg, 2023). In Finland, the Sami Indigenous people believe that the lights must be respected (Berg, 2023). In their culture, the auroras are considered to be living beings, and that misfortune would come upon you if you were to disrespect them (Berg, 2023). As I have mentioned before in Blog 7, music is also an important part of the Sami Indigenous culture as they communicate through song, by singing yoiks (Gray et al., 2001).

The northern lights are just one of nature’s several wonders. As interpreters, it is necessary for us to appreciate and understand the elements of nature in order to share our findings with our audiences (Beck et al., 2018). By surrounding ourselves in nature’s beauty, we can build a profound connection to it. As I continue to grow as an interpreter, I hope to both inspire and inform others about culture & nature (Beck et al., 2018).

References

Aurora - National Geographic. Retrieved 18 March 2024, from https://education.nationalgeographic.org/resource/aurora

Beck, L., Cable, T. T., & Knudson, D. M. (2018). Interpreting Cultural and Natural Heritage: For A Better World. Sagamore Publishing.

Berg, B. (2023, March 28). What the Northern Lights Mean to Different Cultures - AFAR. AFAR Media. https://www.afar.com/magazine/what-the-northern-lights-mean-to-different-cultures

Gray, P. M., Krause, B., Atema, J., Payne, R., Krumhansl, C., & Baptista, L. (2001). The Music of Nature and the Nature of Music. Science, 291(5501), 52–52. https://go.gale.com/ps/i.do?p=AONE&sw=w&issn=00368075&v=2.1&it=r&id=GALE%7CA69270354&sid=googleScholar&linkaccess=abs

Waldek, S., & Dobrijevic, D. (2022, March 13). Aurora Borealis: What Causes The Northern Lights & Where to See Them. Space.Com. https://www.space.com/15139-northern-lights-auroras-earth-facts-sdcmp.html

#nature #interpretation #photography

0 notes

hmeweekly · 8 months

Text

week 12

Research:

i.academic research

Malekpour, M., & Motamedi, S. (2021). The Liminal and the Surreal: The Space of Limbo and Dreams in Luis Bunuel’s The Discreet Charm of the Bourgeoisie. CINEJ Cinema Journal, 9(1), 320–345. https://doi.org/10.5195/cinej.2021.342

By using these Freudian methods of investigation, surrealists were able to agree that somatic and organic stimuli contribute to the vivid causes of dreams, which in fact exhibit meaning beyond the sedative state (sleeping).

ii.creative practice

lullaby of uncle magritte（2016）by Michael Cheval

Surrealist artists seek to explore the unconscious mind as a way of creating art, resulting in dreamlike, sometimes bizarre imagery across endless mediums. The core of Surrealism is a focus on illustrating the mind’s deepest thoughts automatically when they surface. This thought process for creating art known as “automatism.”

iii.technique research

Bowker, D. (2013). Surreal Photography Creating the Impossible. Ilex Press/ Ivy Press.

hysical photographic techniques can be just as effective in producing an otherworldly, dreamlike image as hours spent in Photoshop. Photographer can use different lenses(fisheye and tilt-lift), filters, and exposure times(long exposure)— individually and in combination— to achieve a range of fascinating surreal effects.

Project Progress:

I suddenly think of a idea of adding more dynamics into my final part of lighting design to create more senses of surreal preposterous. It is about several red particles floating upwards and its motions interrupted by high-frequency flashes of white light. This dynamic is placed on two walls so audience can feel strong impact about noticing this when they’re focusing on scroll down blue and white light curtain in front.

Week 11

Class Reflection:

The treatment of audio endings was recognized.

Research:

i. academic research

Mønster, L. (2018). Dream Poems. The Surreal Conditions of Modernism. Humanities (Basel), 7(4), 112–. https://doi.org/10.3390/h7040112

As regards literature, psychoanalysis has especially influenced Surrealism, which is the modernist movement that has most strongly adopted the dream. Therefore, the concept of Surrealism is important in the discussion of the relationship between dream poems and reality. Significantly, the word Surrealism can be translated into ‘super realism’, which implies that the connection to reality is not denied; on the contrary, it is emphasized, but at another level. This is a level which, according to Freud, is often thought of as ‘under’, but is nevertheless said to be ‘over’ or ‘super’, and as a result of this metaphor alone, it holds a positive value. Breton’s first Surrealist manifesto of 1924 defined the term as follows: “Surrealism is based on the belief in the higher reality of certain forms of associations which, before Surrealism, remained unaffected, in the almighty dream and in the unintelligible play of thought” (Breton [1962] 1972, p. 36). Inspired by Freud’s interpretations of dreams, Surrealism explores and gives a voice to the subconscious. In Surrealism, poems and dreams unite as catalysts for what the Surrealists perceive as the authentic reality of the human being. Automatic writing and dream poems become key literary forms of expression in an art that denies a traditional realistic aesthetic, and instead requires that language adopt the mysterious and illogical character of the dream.

ii.creative practice

Philip C. Curtis; The Wanderers; 1960; oil on board; 17 15/16 x 33 7/16 in. (45.5 x 85 cm) Framed: 22 1/16 x 37 5/16 in. (56 x 94.7 cm); Collection of Phoenix Art Museum, gift of Virginia Ullman

A group of different scale people who wear colorful gowns are walking in various directions on the red desert. Surreal free spirit is shown by unusual body size and non-uniform formations. Blue-green sky and red ground provide a sense of wildness to audience.

iii. technique research

Sinclair, Jean-Luc. Principles of Game Audio and Sound Design : Sound Design and Audio Implementation for Interactive and Immersive Media, Taylor & Francis Group, 2020.

Delivery of stems is quite common and often expected when working with linear media. Stems are submixes of the audio by category such as music , dialog and sound effects. Stems make it convenient to make changes to the mix, such as replacing the dialog, without needing to revisit the entire mix. Having a separate music bounce also allows for more flexible and creative editing while working on the whole mix to picture. It also makes sense to structure our overall mix in terms of music, effects and dialog busses for ease of overall mixing. Rather than trying to mix all tracks at once, the mix ultimately comes down to a balance between the three submixes, allowing us to quickly change the relative balance between the major components of the mix.

week 10

Research:

i.Academic Research:

Hamer, R. D. (2023). Surreal space in René Magritte’s Le Blanc-Seing (1965). Journal of Vision (Charlottesville, Va.), 23(5), 8–8. https://doi.org/10.1167/jov.23.5.8

The impossibility of surreal experiences is able to be created by utilizing the visual brain's prioritization of object integrity and continuity.

ii. Creative Practice

The Reckless Sleeper by Rene Magritte, 1927

By giving concrete form to the abstract notion of "dream" - the stone slabs in which the objects are embedded - Rene creates for the viewer a surreal image built on illogical connections. The depressing color palette awakens in the connoisseur a deep sense of confusion and unease.

iii. Technique Research:

youtube

Foot light is used especially when dancing kids are wearing hat on the stage in order to show their face expressions.

Project Progress:

Finished.

Week 9

Class Reflection:

Milestone Presentation. Darrin suggested me to link start clip of the music to its end as transition. Nik affirmed the application of blackout in the closing section.

Research:

i.Academic Research:

Surrealism: Key Concepts, edited by Krzysztof Fijalkowski, and Michael Richardson, Taylor & Francis Group, 2016. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=4556595.

Surrealists developed their own philosophies of the dream, which include “The dream does not remind us of the past but of the future; surrealist works are souvenirs of the future” “Whereas images metamorphose in the space of the dream, events are magnetized in the temporality of wireless time, outside the linear course of history”.

ii. Creative Practice

Through Birds, Through Fire, But Not Through Glass by Yves Tanguy

It depicts Rock-like forms and a strange tower of balloon-shapes, wheel-spokes and stones are inhabiting this overcast dreamscape. “Inconsistent gravity emphasizes the unconscious surrealism in the painting. There is no logic in the gravity of the piece. Objects that shouldn’t be able to stand up are standing. Things stacked on other things which should have no value of balance somehow stay upright. ”(Chisham, 2014) In surreal painting, stuffs do not obey a same discipline. For example, this audio contains a lot of sound effects that point to a specific direction. But this orientation was not always delivered in my project.

iii. Technique Research

Surrealism: Theatre Conventions by Justin Cash

The plot and structure of a surreal experience could be designed as:

– avant-garde, experiemntal, unconventional

– antithesis of the realistic well-made play

– plays consisted of numerous quick scenes (similar to surrealist films with an “irrational juxtaposition of images” – Jerry Crawford)

– use of music and song

– deliberate abandonment of clarity, order and rational thought*

Project Progress

I remade the end of audio media as Darrin suggested and made a responding light animation for it (a solid blue insertion and its 0.4s release). I also lower the brightness of the 52s-58s part to let the effects more fierce-looking.

Week 8

Class Reflection: Known what to do in assignment three. Keep working on studying of the concept “Surreal”. Learn about using Powerdrill to extract and manage references. More reflections on project had been encouraged.

Research：

i.academic research

Art by Salvador Dali

surreal artwork is created when creator irrationally link objects ideas.

ii. Creative Practice

Swans Reflecting Elephants by Salvador Dali

The swans’ reflection in the lake is twisted into elephant to create double images and visual illusions which are out of rational cognition as surrealism to audience.

iii.Technique Research

Surrealism: Theatre Conventions by Justin Cash

This article states how surrealism is delivered in 3D space like a theater. Core stagecraft includes:

– vague scenery, often not specifically denoting a locale

– use of mask

– symbolism evident in scenery

– characters as puppets (non-human)

Project Progress:

I had finished and made some slightly adjustment for all the five minutes of my work this week, including some timeline proofreading to make the whole audio-visual experience smoother. I have noticed that some classmates felt boring of the middle section of my work in last week’s Capitol Theater test, so more dynamic shifts were edit into it.

Week 7

Class Reflection

Nik commended that my work was beautiful but possessive. Asymmetrical pattern of lighting design was also been recognized. Involve the whole threater as integrity to showcase lighting was also a good point to keep.

Darrin suggested me to reduce lighting area at the soothing rhythm section so a stronger contrast would make later. I took this advance and it worked well.

Research

i.Academic Research

R. Hemer, S. (2016). Emotions, senses, spaces : ethnographic engagements and intersections (S. R. Hemer & A. Dundon, Eds.). University of Adelaide Press. https://doi.org/10.20851/emotions

Anxious emotions can increase pain, weakness, and hopelessness; can even lead to suicide; can increase medical costs; and can disrupt patients' quality of life and therapeutic success.

However, there is no general agreement on the contributing biological or psychosocial basis of anxious emotion. “Possible explanations for the associations have been suggested, including a direct effect on neuro‐endocrinological and/or immunologic systems or an indirect effect via changes in behavior. Potential physiological pathways have been shown to contribute to the cross‐talk between AE and the development, progression, and control of cancer, including the sympathetic nervous system, hypothalamic pituitary adrenal axis, stress hormones, cellular immunity, inflammation, angiogenesis, invasion, anoikis, and changes in gene expression, as well as telomere length and telomerase activity, which could interact with the tumor microenvironment to promote factors favoring tumor growth.28–30 The most likely biobehavioral mechanisms underlying the relationship between AE and survival include poor adherence to anticancer treatment, fewer social networks, and disruptions of circadian rhythms such as sleep/activity”

Medical methods to determine anxiety emotion include ultra‐short verbal questions, abnormal nutritional status valuation, Hospital Anxiety and Depression Scale, Distress Thermometer, and Psychological Distress Inventory.

ii.Creative Practice

youtube

The green lights follow the same rhythm and make repeated movements on the track, giving the viewer an assumption of inertia. The vocals then interrupt the repetitive electronic sounds and the lights change from a long green strip to a white mass, breaking the established assumptions to create a sense of awe.

iii.Technique Research

Descottes, H., & Ramos, C. E. (2011). Architectural lighting : designing with light and space (1st ed.). Princeton Architectural Press.

“Differing rhythmic densities of light have the capacity to link or fracture spaces in sequence. An abrupt change in density will solicit a jump or pause, while the continuity of related densities will encourage uniform movement and experience. Furthermore, densities of light can create a sense of either monotony or playfulness within a space. The redundant use of one fixture type or lighting condition can easily provoke boredom, but a variation of densities can enliven an otherwise mundane space.”

Use different rhythmic densities of light to create senses of either monotony or playfulness.

Project Progress

youtube

This week I had work through the 1min45s-2min58s of the audio clip. This piece was created using a sound-association method and adapted to take into account the audience's attention span and viewing position.

The last slow section of music is interrupted by an upbeat electronic sound like a phone ringing, and I arrange blue, purple, orange and yellow flicker presets for the left and right walls and adjust its period to 2 to indicate this insertion. This ringtone was repeated twice, the first time it was played in its entirety, but the second time it was interrupted as well. So, I set a 0.5 second release for the first segment and zeroed out the release for the second segment to differentiate.

For the next metal-like friction sound, I set the front ceiling to a silver wave effect for expression.

Next was a section of back to front like machine loaded stereo, I added blue and purple wave qualities to the walls on either side and changed the direction to forward. with the 0.1period loop, it was just right for the tempo of this electronic sound.

Because the previous lighting animation drew the audience's attention to the front of the theater, and this sound effect is articulated with the previous one, so I set the lighting animation after 2:15 to ProArch. Because this sound effect reminds me of laser rain, I set the lighting animation to a black+colored wave to simulate a light transparency flicker.

The electronic synthesized sound at the beginning of 2:21 was imagined by me as being in a cold-colored mechanical engineering, so I represented it with blue flicker animations on both sides of the wall.

The tapping sound inserted in the middle of the similar sound effect at both ends was very much like the sound of a heavy landing and was accompanied by a gradual upward movement of the sound position, so I imagined it as a person going up the stairs and made an orange horizontal bar to switch the lighting.

To hint to the viewer that the mutation is about to happen, I added a purple color to the lighting animation of the second similar sound effect to differentiate it from the first animation.

To match the sudden loud human hiss, I added color fast cuts of 0.2 and 0.3 seconds respectively to ProArch, while extinguishing the wall lights on both sides to draw the viewer's attention to the front.

Week 6

Class Reflection

I discussed about our Pharos Designer 2 drafts with some classmates. Some of them agreed that my chosen audio caused them feel anxious.

Research

i.Academic Research

Rohaeni Rohaeni, Fatma Hetami, & Bambang Purwanto. (2019). Anxiety and Defense Mechanism as A Means of Constructing Psychological Thriller in Hawkins’ “The Girl on The Train.” Rainbow: Journal of Literature, Linguistics and Culture, 8(1), 73–85. https://doi.org/10.15294/rainbow.v8i1.27917

“Anxiety will occur when an individual experiences an unconscious conflict or unpleasant situations. It relates to id, ego, and superego. When anxiety occurs, an individual automatically uses a defense mechanism to defend themselves against that anxiety.”

ii. Creative Practice

Miyazaki, H., & Suzuki, T. (2001). Spirited away. Studio Ghibli.

Wu, C.-I. (2016). Hayao Miyazaki’s Mythic Poetics: Experiencing the Narrative Persuasions in Spirited Away, Howl’s Moving Castle and Ponyo. Animation : an Interdisciplinary Journal, 11(2), 189–203. https://doi.org/10.1177/1746847716643777

By alienating the human parents into pigs, the director creates a strange adventure for the audience by enlarging the size of the characters in the anomalous world and contrasting them with the heroine.

iii.Technique Research

youtube

This video provides some interesting lighting color schemes.

Project Progress

I’d done 1:45 of the whole 5:27 audio. I use orange and red flicker to match the impatient friction sounds, and varying shades of blue wave to match the slow electronic sounds

Week 5

Class Reflection

The first class was ask to provide first project draft and professors would give feedback. I watched some of my classmates’ work and discussed with them. I decide audio choice of my project after the class.

The second class located at the Capitol Theater for students to test our drafts. The biggest most common problem of our works that exposed in this lesson was that low-saturation colors tend to be so close to white light that it doesn't perform well. Another problem that stood out in my work was the use of multiple lights that resulted in too much brightness throughout the theater, thus interrupting the immersive viewing experience for the audience.

Most audience agreed that the feeling of my work did not match with “astonishing” feeling. Some suggested “brutal” but the sound effects also make people giggle. “Black out” was advised to use more for separating scenes. The emotion of the piece was difficult to characterize until the overall production is complete.

reconsider word choice, such as strange/peculiar/dissonant/anxious/thrilling/fretful.

Research

i.Academic Research

Soloski, A. (2016). Neighborhood Watch in a Fretful South Bronx. The New York Times, C2–.

When “Fretful” is used to describe a performance, it points out that characters are suffering from some bothersome. Fretful feelings delivers by character’s teasing, scrapping, struggles and grievance. It is often related to anxiety and restlessness but not in a serious level.

ii. Creative Practice

Knowhere

youtube

Knowhere is a fictional city in Marvel related media. The location consists of intertwined mining machines and urban buildings that float through the universe, lacking flora, fauna, and land. I choose it as this week’s creative practice because it is highly mechanized which is very similar to my chosen audio.

The major light sources of its related scenes are ample orange and white spot lights that are embed on dark architectures. Foggy blue light is also used as background fill light. All the setting above make audience impressed by the city's massive size and highly developed.

iii. Technique Research

Schiller, B. (2020). Living the Lighting Life: A Guide to a Career in Entertainment Lighting. Taylor and Francis. https://doi.org/10.4324/9780429328787

Part IV The Creativity-24 Creative Inspiration

This chapter tells a method to start lighting design by getting inspired by nature. Replication in creative work may not be a direct recreation of the observed nature moment but emulating the feeling or pattern.

Project Progress

I’d done 48s Pharos Designer document of my chosen audio Rivage. Presets like “Wave” “Stroke” “Color” “Sparkle” were used to simulate fast switching of sound effects. Below is my week 5 Test.

After the draft test, I reduced the range of lighting in some sections, made sparkle part re-match with the sound effects and enhanced color contrast in the second flash section.

youtube

Week 4

Class Reflection

This week we went through the presentation. I aimed to do “astonishing” but my understanding was more like “surprise”. It’s not easy to create a 3-minute sound clip for a beginner so I decide to use existed music/sound.

Research

i.Academic Research

Sievers, B. R., & Wheatley, T. (2021). Rapid dissonant grunting, or, but why does music sound the way it does? The Behavioral and Brain Sciences, 44, e111–e111. https://doi.org/10.1017/S0140525X20001284

“…we propose that connections between sound, movement, and emotion are an additional source of functional fixedness. If one function of emotion is to bias agents toward context-appropriate action (Frijda, Kuipers, & Ter Schure, 1989), then the path from action predisposition to functional fixedness is short. If high-arousal states make characteristically low-arousal movement difficult (and vice versa), and if high-arousal movements produce sounds that distinguish them from low-arousal movements, then sounds should credibly signal both the movement that produced them and the sound producer's state of mind. Rapid dissonant grunting is, therefore, bad lullaby material – not because it fails to signal attention, proximity, or responsiveness, but because it signals that the caregiver is in a high-arousal state inappropriate for the context (e.g., bedtime).”

“Supporting this account, we have shown that music and movement share a dynamic structure, such that the same combinations of music and movement features express the same emotions across cultures (Sievers, Polansky, Casey, & Wheatley, 2013). Furthermore, harsh timbres and spiky movement contours (both quantified using the spectral centroid) are reliably used in the expression and perception of high-arousal emotion (Sievers, Lee, Haslett, & Wheatley, 2019). Interestingly, Filippi et al. (2017) have shown that harsh timbres are used to express high-arousal by many species of terrestrial vertebrate, suggesting the sound–emotion connection is evolutionarily ancient, fitting the proposed timeline of the credible signaling hypothesis.”

ii. Creative Practice

Light Painting by Janne Parviainen

Helsinki-based artist Janne Parviainen creates these magical light paintings using a very long camera exposures. "Light painting and li

4RTGALLERY.BLOGSPOT.COM

"Light painting and light drawing are ways of photography where photo is manipulated with different kind of light sources while the camera is exposing on a long exposure time in a dark or lowly lit place. The idea of the light painting is that all photos should be straight from the camera, without any post editing such as Photoshop, etc."

Janne Parviainen chooses an abandoned mansion forest as his shooting location. He paints suspicious characters and skeletons with colored flashlights to prompt audience inquiry and speculation.

iii. Technique Research

youtube

Setting luminance differences between primary and secondary figures to highlight the major.

Project Progress

Finished the presentation part.

Week 3)

Class reflection

When sounds relate to haptic, play the specific sound will awaken skin’s memory of be touching (By interviewing noimpossible vest volunteers)

Research

i. academic research

Dobbins, Alison C. Projection Design for Theatre and Live Performance : Principles of Media Design. Milton: Taylor & Francis Group, 2021.

Even though the book doesn't directly mention lighting design, but instead talks mostly about the differences between designing for film and theater, I still gained a lot of design knowledge from it. For example, The author suggests readers to start develop their works’ visual style by learning semiotics. In semiotics there are three types of signifiers: icon, index and symble. Among them, symbol requires audience to cultured lean about resemblance between signifiers and signified. As a designer of multisensory experience, my project must avoid “symbol” because it is against the principle of perception.

In addition, Dobbins also states that “theater is the eternal present.” “Creating motion in your workroom will feel very different from watching the same motion in the theatre.”

ii Creative Practice

Artist: Jeff Ravitz

Work: Lighting design for Bruce Springsteen’s performance(start from 2:06)

The color palettes of teal and orange shocked me at the start. Teal background looks ethereal and airy, orange spotlight on the singer looks warm and nostalgic. They are contradictory due to great gap between color temperature but luminous intensity make them so harmonious.

iii. Technical Research

Dunham, Richard E.. Stage Lighting Second Edition : The Fundamentals, Taylor & Francis Group, 2018. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=5569457.

Movement and Light

“The period of time (or timing ) when one cue changes into another becomes a major component of a successful lighting design. This is called a transition and we commonly refer to each change between cues as a crossfade. If done poorly, this can be distracting; if done well, transitions play a major factor in enhancing the effectiveness of actors as they proceed toward the climax of a given scene.”

Project Progress

Delete the old plan and restart a new one because the previous one is more like a film score.

Week 2)

Reflection:

Visiting Capital Theater make me notice influence of blind spot to audience. Main capital animations concentrate on the first half of the showroom, within less important ancillary details at the back half may contributes better watching experience rather than light design that ask audience to turn their head backwards.

Research:

i.Academic research-Surprise as a Design Strategy by Ludden, Schifferstein&Hekkert

“The familiar element of the product forms the basis for an expectation about its other elements. Subsequently, the new element will disconfirm this expectation.”

ii.Creative practice

Anthony McCall. You and I - Horizontal II (2013)

youtube

McCall shows some of the rarer forms of light by varying the angle and speed of movement of the projector.

iii.Technical research

Lighting Techniques - Lighting Concepts - Design Lighting Distribution Sytem - e-light (uncg.edu)

Light effects from different emission angles.

Project progress:

Week 1)

Reflection:

Sound: Sound is defined as “Sensation due to stimulation of the auditory nerves and auditory centers of the brain” in Webster's dictionary. Therefore the meaning of a sound to a specific person depends on both their biological instinct and cultural symbol recognition. According to various pitches, durations, loudness and timbre, sound conducts scales of temporal, spatial and conceptual.

Colour: Colour reflects both environmental signals and subjective emotions. In performance, colour can convey characters’ emotion, setting mood for the whole scene, guide audience attention to focus on specific people or stuff, establish time and places.

Kennen:To know something based on experience means that the audience skip logical inference and centre on their feelings only.

Research:

i.Academic research-Black on Black by Eugene Thacker

Through Eugene's introduction to black in the history of philosophy and art, I learnt that black can symbolise "before the origin of the universe", "solitude, privation, absence" and "non-interference". It's flat and full but an empty, infinite depth at the same time. Sometimes black is not pure emptiness, and as one observes black, shades of other colours become apparent.

I thought it might be possible to use these black qualities to create contrast in my performance design. For example, by playing an intense soundtrack when all the lights are extinguished to simulate a pure black environment, the viewer is prompted to think that a conflict is taking place on the other side of the room that is not being detected, creating a dual narrative effect.

ii.Creative practice

youtube

2:20-2:48

This is the beginning of a programme about Chinese artefacts, and I think it's exhilarating. Although it's only 20 seconds long, it undergoes three atmospheric shifts of seriousness-austere-aroused indignatio. At the beginning, the sound of horns and the transparency of white vertical beams shifting from top to bottom created a sense of formality; then the host appeared, and the sound of swords and blades clashing rang out, brightening the audience's eyes; finally, the long soprano tones of Chinese folk instruments were played, and the LED screen was dominated by red and yellow boxes, which signify Chinese traditional culture The LED screen is dominated by red and yellow boxes, which signify Chinese traditional culture, and the white light beams swing around the circle, and the whole atmosphere goes from climax to calmness.

iii.Technical research

I watched three Capital tutorial videos on Canvas so I know how to change background colour and manage timelines in Pharos Designer 2.

Project Progress

I started to write the background music of my project. The theme is about an encounter between two ancient Chinese armies, which takes place on a large plain with mudflats, reeds and small highlands. The music will use some Chinese folk instruments such as guzheng, flute, xiao, Chinese drums, etc., as well as some ambient sounds such as wind, streams, horses' hooves, cold weapons clashing, etc. The style of the music will be more on the side of the Chinese style, but also on the side of the Chinese style of music.

The style of music will be more astonishing, exhilarating and hysterical. At first, the tune is light-hearted and neither army is aware of the other's presence. Gradually, ambient sounds such as horses' hooves running on water, and reeds rubbing against armour appear, and the instruments (especially the lute) sound suspenseful to create the appearance of traces left by the enemy. Then the rhythm of the drums kicks in, and the atmosphere becomes serious as both commanders send out scouts to spy on the army.

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bornesorrow · 8 months

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ㅤㅤㅤㅤㅤ─── an independent + mutuals only portrayal of 𝑷𝑨𝑫𝑴𝑬 𝑨𝑴𝑰𝑫𝑨𝑳𝑨 𝑵𝑨𝑩𝑬𝑹𝑹𝑰𝑬 from george lucas’ 𝑺𝑻𝑨𝑹 𝑾𝑨𝑹𝑺 . canon compliant, based on legends + headcanon influenced. elected by 𝑲𝑰𝑻𝑻𝒀 .

𝒊𝒏𝒇𝒐𝒓𝒎𝒂𝒕𝒊𝒐𝒏 — carrd. sideblog.

ㅤㅤㅤㅤㅤㅤ ㅤ ㅤㅤㅤㅤ ㅤ[ M O B I L E R U L E S ]

ㅤㅤㅤ───────── B A S I C I N F O R M A T I O N ㅤㅤㅤi draw from both canon and legends with a heavy emphasis on written works and headcanon. i do not, however, consider the characterization of the padmé trilogy to be canon on this blog, though i am willing to include some events if they are central to yours. historical and cultural inspirations are equally central to my interpretation and feature regularly. ㅤㅤㅤthis is a selective and mutuals only blog. i won't interact in-character with blogs i don't follow and may be selective on what i write. if you message me about writing / like a starter or plotting call, please do so only if we are mutuals. i regularly check for new followers, so please do not message me asking if i'm interested. however, non-mutual roleplay and non-roleplay blogs are welcome to message me about characters and new content. i love making new friends!

ㅤㅤㅤ─────────ㅤ W R I T I N G / T H R E A D S ㅤㅤㅤwhile i enjoy asks, i prefer plotted interactions, as having some sort of plan in mind usually leads to longer threads. i focus on these, but they aren't required to interact. i also encourage you to continue asks if you so desire. ㅤㅤㅤactivity may be sporadic. i not only have other blogs, but i run a business and help my family. additionally, i have chronic health issues that complicate everything. these may lead to unannounced hiatuses for short periods of time ( most no more than a month ), but i always return. if you'd like to keep in regular contact and you're a mutual, please ask for my discord. ㅤㅤㅤtypically, i place ic content into the queue, mixing it with text or image reblogs. but like everyone occasionally, i can be very impulsive and post immediately. i lightly format and use icons. this includes small text, indents, increased spaces between sentences, and occasional bold/italics or special fonts. i don't require either formatting or icons and if either is an impediment for you, please let me know.

ㅤㅤㅤ───────── ㅤ S H I P P I N G / N S F W ㅤㅤㅤi ship with chemistry. this means i may be selective with romantic shipping, but queries toward this are always welcome. while anidala is my favorite ship, i don't autoship, and i enjoy shipping canons and ocs. i also feel that a character's platonic relationships are just as or, sometimes, more important than their romantic ones. i don't need to ship to write and would far rather build detailed enemies and friends than a half-cooked romance. i occasionally write nsfw but prefer to do so off tumblr to prevent possibly being seen by minors.

ㅤㅤㅤ─────────ㅤ C O N T E N T W A R N I N G ㅤㅤ ㅤyou can expect darker themes on this blog. there are generally those common in star wars content but specifically war, imprisonment, violence, torture, spousal abuse, blood, politics, pregnancy, child loss, and death / loss. i tag the most common triggers, nsfw content, and those requested by my mutuals. however, if you believe something would be a common theme on this blog beyond the common trigger tags, and it'll severely trigger you, please don't follow. don't risk my forgetfulness, please. the trigger tag for this blogs is 'trigger tw'. i personally don't have triggers.

ㅤㅤㅤ─────────ㅤ D I S P U T E S / D Y N A M I C S ㅤㅤ ㅤthis is a mun doesn't equal muse blog. i don't care what allegiances or beliefs your muse may have. unless i see clear and substantiated evidence of various bigoted beliefs out of character, i'll always assume you're a decent human being whether you write villains, heroes, or anything in between. also, even if we write people with good views and intentions, we still might not entirely agree with their choices. it wouldn't be fair to assume that either so please, extend me the same courtesy. ㅤㅤㅤi'm almost entirely anti-callout. i've been on this site for several years, and i've witnessed a slow degradation of what is considered a valid callout. often, they have little to no substantiated evidence, are a misunderstanding, and \ or result from twisted evidence in the aftermath of a fallout between friends. unless i see substantiated evidence of criminal behavior, i won't reblog them nor do i want to see them in general. ㅤㅤㅤthat being said, if someone i follow has harrassed you, please come and talk to me about it privately. i don't tolerate bullies. ㅤㅤㅤon a lighter note, i don't practice mains or exclusives. like anyone, i have favorites and certainly, those people often are are unofficial mains ( or affiliates ) , but i've been and seen too many hurt by going further. we're all so unique in how we write that no two portrayals are the same. if you find people you want to be mains and exclusives with, i wish you all the best of times however!

ㅤㅤㅤ─────────ㅤ C R E D I T S ㅤ ㅤㅤi created all graphics, psds, headcanons, and icons unless stated otherwise in the post, it's reblogged, or it's listed below. please don't steal, and i'm usually happy to make someone something if asked!

#pinned post.#dni.

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zip-download-melt-my-eyez-see04 · 2 years

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thelucyverse · 3 years

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Fic writer/reader ask

(particularly for ao3, as I don't think all other sites have the same stats page)

WRITER QUESTIONS

I tried not to add any jealousy or anxiety inducing ones about kudos and those kinds of stats, and keep this fun for everyone with interesting questions!

1. Top 3 fandoms written for (dash - fandoms)

2. Fandom you have most WIPs for

3. Do you have any abandoned works?

4. Are your comment threads (stats-totals) more or less than half of your inbox total?

5. Do you have more works or more bookmarks?

6. Without checking - which tags do you think you've used most?

7. Top 3 tags (works - filters - additional tags)

8. Ever written something inspired by other fanworks?

9. Ever done a collab with another writer or artist?

10. Most used rating (works - filters - ratings)

11. Ever used the 'inspired by' ao3 function?

12. One-shots or multichapters?

13. Most productive year (stats - years -wordcount)?

14. Ever written smut?

15. Do you reply to all comments?

16. Ever had someone make fanart, edits, podfic to your fic?

17. Do you accept (constructive) criticism in the comments?

18. Favorite kinds of comments?

19. Ever had someone write something inspired by your fic?

20. Are any of your stories translated into another language?

21. Do you write in your first or a second language?

22. First fandom you've written for?

23. Any tumblr tags to check if someone wants to find more about your writing?

24. Ever written a translation of your own or someone else's fic?

26. Last sentence you've written

27. Favorite quote from one of your fics

28. Still remember a favorite comment?

29. Ever made a collection and/or series?

30. Do you like writing for prompts, challenges etc?

31. Beta or no beta? What do you ask betas to look for?

32. Written any drabbles (100 word fics) or other exact wordcount challenges?

33. Most used warning, if any? (works - filters - warnings)

34. Ever check your Statistics, if yes what did you look for?

35. What fic or series of yours has the most/longest tags?

36. Standard author's note?

37. Standard end note?

38. Do you cross-post your works on several sites? Where?

39. Do you promote your works other than just posting them? How/why/why not?

40. Favorite story you've written? (in general or for a specific fandom)

READER QUESTIONS

A) Ever tried to leave kudos twice?

B) Ever managed! (through an old glitch) to leave kudos more than once?

C) Favorite writers? Feel free to @ if they're on tumblr & you want to make them smile!

D) Ever read on sites other than ao3?

E) Favorite fandom to read fic for

F) Favorite trope(s)

G) Pwp or gen fic?

H) Joined any author's mailing lists?

I) Ever read fic for a fandom without knowing the canon?

J) Shippy fics or character studies?

K) Do you listen to podfic?

L) What's your standard comment?

M) Do you have comfort fics you can re-read again and again?

N) Best fic you've read this week

O) A tag you always click 'exclude' on

P) Do you use author's bookmarks to find more fic you might like?

Q) Latest fic in your search history?

R) Bookmark, subscribe, mark for later or open tabs?

S) Are custom layouts and skins nice or annoying?

T) Sort by date posted, kudos, something else?

U) Check out author's pages or go back to tag search after reading a good fic?

V) ever use the bookmark search instead of the work search?

W) Oldest fic in your search history? (history - scroll down to bottom - click last page)

X) Ever made a fic-rec list?

Y) Any peeves that immediately make you click back out of a fic?

Z) Long fics or short fics? / Favorite fic length?

#) Ever had someone gift a fic to you?

§) A fandom or ship you wish had more fic for you to read

%) A feature you wish ao3 had

Because apparently this needs to be spelled out: as by the title, this is an ask meme! Send asks, not replies, not reblog additions tagging people! Asks!

#long post #ask meme #fic ask #fanfic ask #fic writer ask #ao3 #ao3 ask #fic reader ask #fanfic #fanfiction #ship ask #questions #ask post #x #not lverse

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drakenology · 3 years

Text

A B C’s with Todoroki Shoto.

hiii! so I got this little idea while leisurely scrolling through bnha smut. idk if this creator is the originator of the trend but I wanna give credit anyways so shout out to @nillabeam for inspiring me to drabble on and on about my shoto doin the dirty.

warnings: smut (obvi so 18+ please), slight daddy kink, all characters are aged up, and some swearing cause I feel like it.

enjoy my little heathens!

A- Aftercare

Oh don’t be fooled by Todo’s calm and stoic demeanor. He is fucking insatiable in bed.

But after a long night of ravishing you until you’re drunk on his cock, he’ll run you both a bath to soak your muscles in and relax.

Would help you in and out of the bath as he washed you up, rinsing your back for you.

He’d leave kisses where he left harsh hickies.

Would tell you how much he loved you, and gush about how delicate and pretty you were. EEK!!

B- Body Part

He loved your breasts.

You would often catch him staring at them as you talked to him, earning a stern look on your face to remind him to pay attention to you.

Would fuck you on your back just to watch them bounce and jiggle around

He felt like your boobs were always so happy to see him, perking up when he would grab them.

Would kiss them during sex and loves playing and sucking on them.

Most of your hickies were all over them

As for his own body, He really likes how toned and strong his arms got.

He wants to protect you, so he got stronger so he can beat people up for you if he needed to. aww how sweet.

C- Cum

He cums all over his favorite part of your body (see B).

He also likes to cum inside you, cause he’s got a small teeny weeny breeding kink.

You always cum first.. like it’s mandatory. He simply can’t bring himself to do it knowing you haven’t had your fill.

When you go down on him thoooooo..

He loved to cum all over your pretty face. He always thought you looked gorgeous painted in his cum.

He’d kiss your lips after you gave him head if a little bit of his hot cum was still on your mouth.

D- Dirty Secret

As I said, Todoroki was a stoic and cool person out in public.

He didn’t appear to be as sexually savant as he is

but BABY

I’m tellin you, in the bedroom Todo is a beast.

He really liked being called daddy.

It was something about watching your cute little face twist in pleasure whine and beg for him to fuck you.

“Address me right, princess.” ASDGFJKF

HUGE daddy kink, da fuqq.

E- Experience

eh.. some.

He had another girlfriend before you; some girl Endeavor set him up with. She cheated on him.

but yeah.. my baby knows what he’s doing.

He loved showing you his moves. Watching your amazed and fucked out face was his favorite part of fucking you.

F- Favorite Position

He loved them all tbh.

He liked to experiment with a lot of different positions, getting bored pretty quickly.

But his tried and true is missionary.

He got to watch your face react to his every maneuver, kiss your neck to mark you up as his territory as he whispers in your ear sweet praises

“Good girl, kitten.” “So good for me.” “You feel so good, baby”

Also your luscious breasts were front and center for him to stare at as he pounds you ooooooooo.

G- Goofy

Yeah soo.. Shoto is a little serious. A little too serious in fact.

Once when you two were making out he lifted you up, trying to carry you into your room as he bumped your head on the door frame.

God it was like you were on life support or something

He apologized a million times, blaming himself as if he severely hurt you.

You just giggle and kiss him in hopes it’ll shut him up and calm his worrying. You knew it was just an accident.

H- Hair

He kept himself pretty trim, not really liking having a lot of hair on his body, for the exception of his arms and legs. He couldn’t help that he was a hairy guy (I imagine Endeavor being a lil hairy under his hero costume soo genetics?)

I- Intimacy

he’s such a hopeless romantic it’s adorable.

he dotes on you the whole time, ensuring he’s not hurting you too much

would kiss you over and over again

wants to you be comfortable at all times.

in moments like these you’re the only thing that matters.

J- Jack off

If for whatever reason he’s away, he always calls you.

“I need you baby, what are you wearing right now?” He’ll ask, no matter if he’s in an important meeting or away on business, if he’s horny he’s horny.

Needs your voice to help him through his orgasm.

Loves to facetime when he’s away so he can see your face and your body.

“Yes, god Y/N you’re so perfect. Bend over for me.. yes..” He groaned, sloppily palming away at his length as he comes to his climax.

K- Kink

he’s got a lot sksksns

definitely a fucking dom

loves telling you what to do, always calling the shots in bed most of the time

Loves pet names, “baby girl” “kitten” “princess”

overstimulates you sometimes just to see you squirm under him, the sick bastard.

high key a sadist.. he’ll never openly admit to that tho

L- Location

anywhere, surprisingly.

If you two were out with friends and he felt an urge to taste you, he’d simply say you two are going to the car to get something, only to start having sex with you in the back seat.

Fucks you in his office

Fucked you in his childhood bedroom once as a fuck you to his father. haha.

down for whateva.

M- Motivation

one thing that always got him going was you acting coy. Like you don’t know that what you’re doing is turning him on.

You lean a little more, your blouse unbuttoned so he can see your ample cleavage.

“What do you mean, Sho?” You bat your eyelashes, smirking at him as you watch his face turn red.

“Fuck Y/N, don’t be cute. You’ll be sorry when we get home.” He would hiss at you, secretly not wanting you to stop teasing him.

He loved your sexy ass.

N-No

he hated excessive hitting or pain play.

he was always too scared to hurt you, knowing he could by mistake at any given point.

he just won’t hit you.. so don’t ask.

O- Oral

he loved sloppy, degrading head from you.

fucks your throat sometimes, loves hearing you gag.

when he gives you head though, he’s relentless.

he wont stop until your sobbing, begging him to fill you as he ate you out, shallowly fingering you with one finger to make you.

“Aw.. look at you. So desperate. You want me inside you, kitten?” UGHHH

P- Pace

depends on the situation or what mood he’s in.

when he’s making love to you, his pace is slow and methodical, wanting to savor the moment

however when you’ve been bad... FUCK

he’s gonna pound you into the mattress until you’re a fucked out mess underneath him, begging him to slow down so you can catch you breath

“Don’t cry now, princess. You had so much mouth earlier.” He would mock you, smirking at your weakened state. Yall I-

Q- Quickies

as much as he loved taking his time with you, quickies were something that were quite vital for you two.

Shoto was always busy with something as he always kept himself occupied to provide for you two.

Whenever the opportunity arises, you two strike while the iron’s hot

R- Risk

Shoto likes to explore every aspect of sex, so that leaves for lots of room for exploration.

Finding new spots to touch and lick and suck on.

He loved taking risks if it meant he got to listen to your sweet moans.

S- Stamina

uhm.. yes.

he had a fuck ton, you often cumming multiple times before he did.

“I hope you’re not tapping out on me. I’m not through with you yet.” He would coo to you, urging you to yet another orgasm.

he almost felt bad for you, as you twitch and shake overstimulated from his stamina being filled to the goddamn brim.

T- Toys

he used them on you a lot.

loved little bullet vibrators, they were so handy in helping him send you into a frenzy.

one night he had made you squirt when he used one on you as he fucked you senseless.

“Ooh I know you’ve got some more in there for me, kitten. Be a good girl and do that again.”

he also liked to watch you fuck yourself with a dildo.

he found it pretty easy to degrade you as he watched you try mimic his thrusts with it.

“You wish that was me don’t you, kitten? Too bad.”

U- Unfair

he totally LOVES teasing you

in public especially, loving to see you flustered and speechless as you try and talk to others.

“What’s wrong, princess? You seem a little hot.” He’d say, caressing your inner thigh under the table at dinner.

V- Volume

todo isn’t very loud in bed.

he’ll grunt and groan against your skin has he fucked you

definitely cussing a lot under his breath and whispering praises or obscenities in your ear as he took you.

“Ugh..baby. You feel so good.” “You’re mine..all mine.” “Shit, you’re so wet.”

W- Wild Card!!!

todoroki’s favorite memory of one of your ventures was when he had you bent over the kitchen sink. he didn’t think you could cum that hard around him, the feelings almost sending him into his own release.

he loved when you wore dresses to give him easy access to your pussy.

loved fucking you in them, something about pulling it up to reveal you cheeky little panties made him feral.

X- X-Ray

todoroki is PACKIN okay?

i don’t imagine him being extra long, but he had really nice girth

still to this day you’re left speechless when he pulls that glizzy out his boxers.

Y-Yearning

shoto loves you.. like a lot.

everything you do kinda sends him into a frenzy, wanting you right then and there.

he wants sex pretty much all the time, I think the only time he’s not horny is when he’s working.

Z- Zzz

you always fell asleep first, being that shoto wears you the fuck out

he liked to watch you sleep, leaving soft kisses all over your face.

“I love you, Y/N.” He’d whisper, holding you close as he drifted off to sleep with you. AWWWW

whew this shit took longer than I thought. hope yall liked this. i’m finally starting to write about more characters other than my baby daddy katsuki. bye!

#bnha smut #bnha headcanons #bnha fanfiction #bnha todoroki x reader #bnha todoroki #bnha midoriya x reader #bnha midoriya #bnha bakugo katsuki #bnha bakugou #bnha bakugo x reader #bnha imagines #bnha x reader

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blu-joons · 3 years

Text

DAD BTS A⇴Z HEADCANON ⇴ Kim Namjoon

A ⇴ AFFECTION

Throughout your pregnancy, Namjoon was always incredibly cuddly with you. He wanted to be as close to you and the bump as possible, be there for you whenever you needed to hold his hand or feel his arms wrapped around you.

B ⇴ BUMP

Just as he was with you, he was also very handsy with your bump too. Depending on how you were feeling, he’d either hold on tightly to it, or massage against all the points that were sore. He was very observant to how you were feeling throughout your pregnancy, usually being able to pick up on your mood quite quickly to understand what it was that you wanted from him.

.C ⇴ CRAVINGS

Whatever you were craving, at whatever time, Namjoon would get it for you in a heartbeat. He never judged you for the sometimes random combinations that you were craving, instead he’d get it with a smile, knowing it made you happier too. Although, when he was dieting, he definitely got jealous of some of the foods you were eating every now and then.

D ⇴ DUE DATE

With each date that passed closer to your due date, Namjoon got more and more excited. He couldn’t deny that he’d been counting down the years to when he could become a father, so now he was only counting down the days, he couldn’t quite believe it. You were often having to remind him not to get too excited, as the due date was only a rough guide to when you’d give birth, and not necessarily the day when your baby would arrive.

E ⇴ EXCITEMENT

It wasn’t just with your due date where Namjoon’s excitement often got the better of him, pretty much the whole way through your pregnancy he was excited. There were so many little moments that he’d dreamed of, like the first sign of your bump, and going shopping for your baby that each day felt like a reason to be excited, with it all building up to whenever your little one would decide to make an appearance.

F ⇴ FAMILY

He loved having your families as involved in your pregnancy as possible too, he felt like your baby was the perfect way to bring your families together as they were yet to spend much time with each other. Although you were a little worried that your new-born would lead to some competition between the two families, they ended up bonding greatly, finally getting to know each other properly thanks to your new arrival.

G ⇴ GETTING READY

Almost every pregnancy book available had been read by Namjoon in order to make sure that the two of you were as prepared as possible. The last thing he wanted was for the two of you to forget anything, so plenty of lists were made, with bags being checked several times before he could relax and declare yourselves as prepared.

H ⇴ HEARTBEAT

You could never forget the first time Namjoon heard your baby’s heartbeat, and how quickly his tears fell. It was an overwhelming experience for you both, but the small thuds particularly touched his heart. You knew how long he’d dreamt of the moment, and to finally see it come true was everything that he’d ever wanted.

I ⇴ “I LOVE YOU”

He’d often remind you that he loved you the most whenever you were resting. It was a huge relief to him whenever he spotted you being able to rest your eyes for a few moments, and so in those peaceful moments he’d often whisper to you that he loved you, even if most of the time you were far too gone to pay attention to him.

J ⇴ JEALOUSY

More than anything, he was jealous of you throughout your pregnancy, he hated having to leave you and the bump with his busy schedule so often. He was jealous that your bump was always with you, how you’d never have to miss a kick or a wriggle because you were carrying, whilst he missed out on so many of the moments that he didn’t want to because he was the one having to spend time away from you and your baby.

K ⇴ KICKS

After feeling kicks for some time, Namjoon knows all of the spots that your baby loves to attack, and so he’ll often lay down right over those spots of your bump at night when he wants a sign of life from your baby. The left side, just at the bottom is your child’s favourite spot, and often where Namjoon will end up lying too.

L ⇴ LABOUR

You couldn’t have asked for a more supportive person than Namjoon with you during your labour. Perhaps it was the years he’d spent as a leader, caring for everyone else, but he just seemed to know exactly what to do when you needed him. When you reached the final stages of labour, the tears that fell during that first heartbeat fell again, completely overwhelmed that at last one of his biggest dreams was coming true.

M ⇴ MORNING SICKNESS

Whenever you experienced morning sickness, was another time when Namjoon was very much on the ball. He ended up carrying a hairband around his wrist so that he could run straight to you every morning and tie your hair back. All of his schedules were always pushed back so that he could be there for you during morning sickness, and only when he was sure that you were absolutely fine, would he make the journey into work.

N ⇴ NURSERY

As much as you loved Namjoon, his clumsy self was the last person that you trusted to build a nursery, and so the two of you ended up getting many of your friends and family to help you out in order to make it perfect.

O ⇴ OBSESSION

Namjoon was obsessed with your bump, whenever the two of you were together, there was very rarely a time when he wouldn’t be holding onto it or at least staring at it in complete awe of what was going on.

P ⇴ POST BIRTH

You were barely allowed to move in the first few days after your labour, Namjoon had read up especially on all of the things a husband could do in order to help his wife out. There was no way he was going to risk you hurting yourself after all that you’d gone through, much preferring to take things easy at the start.

Q ⇴ QUESTIONS

Whenever the two of you had appointment, Namjoon always made sure to show up with plenty of questions, he couldn’t help but be inquisitive, and desperate to sometimes triple check that everything really was alright.

R ⇴ RANDOM FACTS

You were aware that he’d bought a few baby items in the past before you even found out that you were pregnant, but you could never imagine just how many items you would end up finding that he kept. Namjoon had a whole box of things that he’d bought over the years, knowing that they’d be used when the time was right.

S ⇴ SCANS

In the back of his phone, Namjoon always made sure to carry your most recent scan photo with him. It was always there for him to look at, especially when he was writing a song and needing inspiration, or just missing being around the two of you because he was busy with work, he always made sure to treasure it.

T ⇴ TEST

The two of you had been planning to fall pregnant for quite some time, and so when you finally got the positive test that the two of you had been waiting for, neither of you could hide your excitement, and relief that it was finally happening for you both.

U ⇴ ULTRASOUND

Namjoon never forgot the time at one of your scans when he was given the chance to move the monitor over your bump and follow the movements of your little one on the screen.

V ⇴ VISITS

For the first few days, Namjoon was very private, he didn’t want too many visitors just in case anyone was watching. However, once you were nearing the end of your recovery, he opened up more to the idea of having people round.

W ⇴ WAITING

His patience varied day by day, if very little happened, he’d be calm, but if something significant happened, he just wouldn’t be able to keep still.

X ⇴ XXXX

When the nights got particularly difficult for you, Namjoon would always be there with a kiss to comfort you and remind you that he was right there supporting you, although there was often little he could do, he’d still make sure to stay right by your side.

Y ⇴ YOU

You were his teammate, together as a team you’d made both of your dreams come true.

Z ⇴ ZZZ

He’d always be at his most attentive at night, especially when you couldn’t sleep. He knew of the many things that would keep you up at night, so he’d do his best to eliminate as many of those as possible to help you sleep.

---

Masterlist

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