we don’t talk enough about how great a job parisa fakhri is doing playing marwa, especially considering the restraints of the role. the way her mannerisms and tone of voice get more and more “cutesy” as the episodes go by and her true personality is altered by the djinn’s magic is honestly horror movie material, and she does it really subtly and gradually. i didn’t even notice at first but if you compare her speech in 4x02 to when she asks nandor about the flowers or her parents in 4x06, the change is noticeable, her voice is much more high-pitched. even in the wedding itself, her voice only lowers in register when she mentions she has had doubts about the wedding - the only moment where her real thoughts are coming through. as soon as she starts talking about how a feeling came over her and now she wants what nandor wants, her voice gets higher again. i may be wrong but i get the feeling that’s an acting choice on her part, and it really adds a new layer of depth to her moments on the show
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Okay what if the winners got to meet previous versions of themselves through the life games.
Like grian meets no one. He didn't have any previous "versions".
Scott meets 3rd life Scott.
Pearl meets 3rd life and last life pearl.
Martyn meets 3rd life, last life and double life Martyn.
Scar meets 3rd life, last life, double life and lim life him-
This whole thing was an idea that I got just because I was thinking about ll and sl scar because they were both so lonely like wtf and I just though about a scene that would be so. Grips chair.
Ll: "We won?"
Sl: "Yeah"
Ll: "Did we have allies? Friends?"
Ll scar probably thinks sl scar won only because he had allies to support him. He knows what its like being lonely and he hopes no one has to go through that loneliness. And he wants to be optimistic for once that sl scar, future him, gets allies, gets friends.
He tries to hope and then he sees the look on sl scars face. Or maybe sl scar tries to lie- maybe he tries to say they had allies.
Ll scar sees right through him. He's him after all. Maybe he's always gonna he lonely anyway
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helloooo have a messy scribble page of oc concepts. unfortunately, im in love and will now proceed to ramble At Length
but before that! rudimentary height chart!
all i know rn is Mairy - the cow - is about the same height as Howdy/Barnaby/Poppy (around 8ft), Hettie & Daisy are in the Wally/Julie/Sally category (around 3ft), and Jesterly is more Frank/Eddie (around 4ft). Derry Drake is fuckoff huge, and Casey is... idk really. tall but not That tall
so. rambles. i... have those, yeah
Mairy Love - she/her - lesbian
a gorgeous white/blue cow! originally she was gonna be pink/white, but blue/white is my favorite color combo and honestly? it's dairy colors to me. she's big! she's strong! she's very gentle and sweet but also takes shit from no one, even though she doesn't like confrontation much (unless its playful roughhousing! jokes fly completely over her head! i'm thinking she tends to a lovely orchard of various fruit trees, and probably cultivates some crops for fun as well. maybe seasonal ones? pumpkins for the spooky season, fir trees for those snowy days, etc.
Casey J. Mittens - he/him - aro
this orange fella is scaredy cat central! unfortunately for him, he's also curious to a fault! curiosity killed the cat, and he fears the day that rings true for him! he'd rather curl up at home or in a cozy tree, crocheting something cute from one of his many balls of yarn than do anything else. he tries to be a voice of reason, but is too easily convinced otherwise. he's that friend who says "we shouldn't be doing this" as he wholeheartedly assists in the shenanigan in question.
Hettie (currently undecided) - she/her - bi
true to her honeybee heritage, Hettie is a florist! she boasts an impressive array of flowers that she tends to like her life depends on it. she's always running around to make sure they're all getting the best care - and she's always checking in on her pals to make sure they're taken care of, too. she's a busy bee who wouldn't know a day's rest if it stung her on the ass! It takes a lot to make her mad, but everybody better watch out when her wings start buzzing
Daisy Hop - she/him - pan
i actually created Daisy as a supplementary character for a certain au, but realized i could find a place for her in this little group. i'm thinking he runs a little shop - a roadside stall, more like - where she can both sell her own homemade candy & his friends' stuff! she's the only one in the group that can keep up with Hettie's energy, and even surpass it at times. though unlike Hettie, Daisy knows how to take (and appreciate) a break!
Jesterly - whatever/is/funniest - Derry
a menace. they love pranks above all else, oftentimes at the expense of others. he's always up to something and is never not scheming something! there's always Someone to bother! in all honesty she's more like an annoying stray cat that no one can get rid of... and they better not try, or they'll face the wrath of this fool's Very large partner! The jester's cap never comes off, and neither does the mask!
Derry Drake - they/them - Jesterly
there's no sugarcoating it - Derry is a big lazy grump! it's almost impossible to get them out of their cave, or off of any place they decide to nap. the only thing that can reliably get them moving is the promise - or prospect - of food. it's a wonder how they've accumulated such a hoard of random things in the back of their cave, seeing as they rarely get up at all. they're incredibly nearsighted and bite first, ask questions later - after all, who knows if the colorful blob in front of them is food or not! better to be safe than hungry!
currently in my mind they have their own little community deep in the woods. Daisy lives in a modified burrow, Maisy has a cute farmhouse, Casey lives in a cozy treehouse, Hettie has a small cottage, and Derry & Jesterly live in a cave. within their community, they share practically everything. want a snack? pluck something from the orchard. need a new pair of mittens? ask Casey! i suppose you could say they're communists <3 (except for Daisy. she won't charge his friends, but anyone else is free game)
Mairy and Hettie have romantic tension, Daisy and Derry are the only ones who can tolerate Jes, Mairy wants Jes dead, Casey is terrified of Derry, Daisy's rapid-fire speech confuses everyone but Hettie, etc. i should make a chart for funsies...
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The ghosts gave up so much when they told Alison it was okay to leave.
They haven't just lost the Coopers that day - they've lost all the little things Alison (and Mike) have brought into their afterlives. There will be no more war documentaries for the Captain, no more football for Pat, no more Friends for Thomas. No one will lay out their favourite books for them and turn the pages every morning. No one will put on their favourite music, dance with them or set up the chess board. No one will time the Captain's morning run or decorate the Christmas tree just like Fanny likes it.
I know they still have Julian to turn on the TV or music but with the house being turned into a hotel, they can no longer indulge in these things like they used to, not with guests around. And those guests will be staying in their bedrooms, robbing them of what little privacy they have or perhaps forcing them to give up their rooms altogether. Given that none of them used Heather's bedroom when she was alive, I think it's safe to assume they wouldn't constantly want to share their rooms with the livings.
They've lost so much when they let Alison go, and they must have known they would before they talked to her. But they set her free anyway because that's what you do when you love someone: you have their best interests at heart, not your own.
And I think that, more than anything, shows how much they've grown since Alison came into their lives.
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I want to make a longer post about this someday but: I think Arya's TWOW arc is going to include her coming to terms with her identity as a Lady. This has been an ongoing conflict with her since her first chapter and I think her flowering in winds is going to mark a turning point. The theory of her having an apprenticeship with the courtesans holds a lot of weight and the idea of Arya going through puberty among a group of unconventional women she's fostered a positive relationship with is just too perfect. It would really have an impact on Arya reconciling her personal idea of what a Lady should be. There's also a lot that she could learn from them in terms of courtesies, communication, appearances, body-language, etc. that would elevate her current skill-set and ways her relationship with them could push the plot.
Not to mention she will undoubtedly reclaim her identity as Arya Stark, and her being a Lady is inseparable from that. Arya Stark is a Lady Stark and being a Lady is a social position, not a measure of how well someone preforms feminine tasks. She shouldn't have to relinquish her position because she doesn't fit patriarchal standards. That's not to say that she's ever going to be the perfect example of a traditional Lady but what I think will happen is that she becomes capable of playing the part. She plays several identities throughout the series but she's always been Arya underneath, so I think it's appropriate that she learns to adopt a "persona" that's part of her. Her remembering Ned putting on his "Lord's face" (+ the various examples of other characters being separate from their ruling persona) makes me think that Arya will be donning her "Lady's face" when she makes a return to Westeros.
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thinking about "you have a life" / "i don't know what i have" + "what do you want, dana?" / "i want everything that i should want at this time of my life" + the perceived shame in scully's loss of normalcy... "unlike you, mulder, i would like to have a life" + "do you believe in the afterlife?" / "i'd settle for a life in this one" + "don't you ever want to just stop? get out of the damn car? settle down and live something approaching a normal life?"
her friend ellen saying, "well, first you have to get a life." tara, pregnant with their christmas gift, saying that life before one grew inside her was "somehow...less, just a prelude," while barren dana cries in the kitchen. "i know you and dad were...disappointed...that i chose the path that i'm on."
thinking about how mulder said, "this is a normal life," and how she smiled. (he doesn't know any different). how, in the end, he said, "hey, scully? i know it's not your normal life, but thanks for coming out there with me."
(christmas before quantico, "i guess i'm afraid of making a big mistake. dad thinks i am." and missy's response: "it's not his life, dana.")
her application to adopt emily was rejected: "you're a single woman who's never been married or had a long-term relationship. you're in a high stress, time intensive, and dangerous occupation."
bill's reaction: "sounds like something your partner would say. this isn't about any little girl, dana. this is about you. it's about some...void, some emptiness inside you that you're trying to fill."
and mulder to the judge: "the fact that she can adopt this child, her own flesh and blood, is something i don't feel i have the right to question, and i don't believe anyone has the right to stand in the way of."
(that last christmas with missy before everything: "there is no right or wrong. life is just a path...just don't mistake the path for what is really important in life. the people you're going to meet along the way. you don't know who you're going to meet when you join the FBI. you don't know how your life is going to change, or how you're going to change the life of others.")
and ultimately, it all leads to a leather couch. and after contemplating that sacrifice of normalcy, what she should want, the decisions she could have made, she says, "i once considered spending my whole life with this man...what i would have missed."
she could've been a doctor, like her father wanted. she could've settled down, married waterston, had a normal life, like her friends and brother wanted. but what would she have missed?
"what if there was only one choice and all the other ones were wrong?" / "and all the...choices would then lead to this very moment. one wrong turn, and...we wouldn't be sitting here together."
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