I'm going to write some lil baby fics for characters that are 😱 not😱Dimileth😱 for fun/practice.
First up, Mr. von Riegan and the one woman alive who can make him behave
Didn't you have kitchen duty yesterday, Claude?" asked Ingrid.
"Yeah, Hilda conned me into covering for her today."
"And actually... the day before that, too?"
Claude gave a nervous chuckle. "Who can keep track of these things? Anyway, how do you like the seasoning on those meat skewers?"
"It'sh amashing," the blonde said around a mouthful of the skewers in question, then swallowed self-consciously. She'd recently lectured Raphael on table manners. "What is it?"
"A common Almyran blend. They put it on everything over there."
"Hm, maybe I need to go to Almyra, then."
"There's more to Almyra than good food," he said with a wink.
Ingrid shrugged. "I'm good with the food."
Claude watched her back as she walked away, long braid swishing back and forth with her steps.
"Wow," said Hilda unnecessarily loud, just to watch him jump. "Was that really worth two weeks of doing my chores?"
He sighed. "Yeah, it was."
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Dp x Dc AU: Jazz Fenton, after years of fixing her brother’s injuries, becomes a Doctor with an inclination towards behavioral health and psychology- In order to make the difference she wants to see in the world she joins Dr. Leslie Thompkin’s practice.
Jazz Fenton, M.D. has spent years of her life doing research, doing the hard work and the emotional labor, and finally, finally, she’s joining a practice she can feel 100% confident in. She’s goddamn good doctor and she wants to make the biggest impact that she can.
Dr. Thompkins (who insists that she call her Leslie as they’re colleagues now), is a kind woman, sharp as a tack and keeps her practice open at odd hours to help the most unfortunate. It took some time for them to bond and trust to be built, but now Jazz is being allotted a few night shifts here and there.
It’s incredible. Jazz gets to spend time with the kids who come in and really talk to them (in addition to getting them antibiotics, heating pads and pokemon themed bandaids) to help equip them with a few coping skills. Her passion for psychology never disappeared after all, but the expansive knowledge of how to heal the human body has made her find a sense of fulfillment like no other.
Having proven herself and worn Leslie down, Jazz now takes up about 1/3 of all the night shifts in the month. She’s hoping to get to 50/50 by the end of the year but she’s content with what she has. Danny keeps odd hours anyway so calling him after work on her walk home can happen any time of day and he will always answer enthusiastically.
It’s a particularly busy night before he comes in. The Red Hood.
He was known for being an ally to Leslie, despite being on contentious terms with the Bats, but Jazz had never asked directly. Never one to turn away a patient with bullet hole wounds, she hops into action to get his wounds cleaned, sewed up and gauze wrapped. She’s handing him a sheet (an Infographic! Dani made it with her! Graphic design is her passion!) on how to care for his wounds when he first seems to recognize that she’s not Leslie.
“No, Of course not. I’m Dr. Fenton. I can’t blame you for not remembering but I did introduce myself as you bled in the entry way. You’re Red Hood, right?”
“Hm. Didn’t realize the practice was expanding. Where can I find-” He grumbles before pushing her hand aside from where she had still been supporting his shoulder.
“Hold on there, mister. You’re going home, you’re following this infographic and you’re going to get some sleep.”
“Lady you don’t know-” His voice modulated ton came across antagonistically. As if he was trying to intimidate her. Ha, Jazz rolls her eyes at the inclination.
“Who I’m talking to? Who I’m dealing with? You’re hilarious. I can eat you vigilante’s hero complexes for breakfast. Tell me who I’m calling to pick you up and then you can say thank you.” Jazz snaps at him. It really had been a long night but his whole dialogue thus far is making her a bit batty.
“Oh really Doc? You know Leslie’s tough shit, and from what I can tell you’ve got nothing on her-”
“Trying to make me feel insufficient when I just saved your life? That’s cute. I’m sure a lifetime of abandonment by both of your parental figures gave you that. I’m also sure that you inherited this desire to prove you’re not going to be dependent on anyone who wants to help from whoever got you dressing up in tights to fight crime in the first place. Again, I’d love to talk at length about how predictable you-”
“Bwah- wait- I’m Predictable? You’re probably some nepobaby who had parents who told her she could have the world-” But Jazz cuts him off with hysterical laughter- he couldn’t be further from the truth. Her parents loved her, but nepotism? With what, the ghosts? If anything she got that from Danny, but he doesn’t need to know about her ghostly titles.
“You’re just some guy who came back from the dead and made his trauma everyone else’s issue. So shut it. And tell me how I’m getting you home from this clinic.” She seethes though her voice stays devastatingly level with each word.
Speechless for a moment, he eventually relents to Jazz that he’s already called for help on the comms but it will be hours before they can come for a pick up. The sun had already come up and the night had been over for most of them before Hood had walked into trouble. She groans and the realizes the time for herself and the empty clinic around them.
“Fine. My shift just ended anyway. I’ll get you home in one piece and I swear to all the ancients that you’d better follow the directions on the infographic.”
And that’s how Jazz ended up calling her brother while supporting the weight of a grown ass man (who no longer wanted to talk to her) on her walk home.
The next time Red Hood appears in her clinic, he’s brought a dozen roses in addition to the cut on his neck that definitely needs to be pressurized like ASAP. Did he stop for the flowers on his way to the clinic? He’s going to pass out from blood loss! She doesn’t even like roses!
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the genuine horror and tragedy of early orihime's storyline is that, when a loved one dies, we all comfort ourselves with blanket statements about what they would have wanted for us by saying "they would've wanted us to be happy" / "they would have wanted us to move on" and we try to make meaningful lives for ourselves because that's what they would have liked for us (even if we ourselves feel like the world has stopped in their absence). so much of post-grief behavior is performative, trying to convince people you're fine and you're okay and you're moving on, and this is doubly so for orihime, who doesn't know much about the afterlife yet and is convinced she's got to put on a believable enough performance for her brother so he won't worry about her.
and most of us will never know or see if we grieved our loved ones right or not, but for orihime, the curtain is ripped apart and it turns out her performance is too good, her brother actually believes it's real and he lambasts her for grieving him the wrong way. of course, it's his hollow that's turned him to be selfish and possessive, but it couldn't have been easy for orihime to have been telling herself "i just have to smile for him, i just have to push through for him" only for him to go: why are you smiling? why are you pushing through? i'm dead. to make matters worse, he adds that he's lived his whole life for her, which is such an insurmountable guilt for her to bear and such a messed up thing to hear from a caretaker at such a young age!!!
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all I'm saying is that if Fitz treated Sophie the way she treated him while they were together in regards to Keefe, ya'll would have hung him
and I mean the emotional cheating with his best friend. The keeping secrets. The dodging questions. The lying. Secret missions. Keeping him a secret from friends. Letting said best friend's bodyguard insult him in front of the whole room and not coming to his defense. Secretly agreeing with the insults and denying it later. Letting his traitorous brother go without consulting him, even though it really mattered to him. Going and getting with the best friend like five seconds after the break up, after giving him the impression that she wanted to make it work with him.
listen- they're all messy as hell, and they make mistakes, but boy am I tired of acting like she was a saint in that situation.
He was unreasonable. I'm well aware.
But so was she.
she made him her first choice and then proceeded to treat him like her second.
Just bc she felt hurt by him in her POV doesn't mean she was automatically correct. And same goes for him (only difference is we never get his POV fully)
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im so crazy over the tragedy of everything q!bbh does being under a demon pretense even though he's a fallen angel.
do u think he just accepts the demon label because it's easier. do u think he believes it too, and catches himself in his thoughts with "oh, right. im not exactly that". and maybe he believes that he did this to himself? do u think what he did was to protect himself or someone? no matter the fall, he still has so much kindness to give and his brain just isn't wired the way a natural-born demon would be, he can't hold back instincts when time demands it, maybe that's why he fell in the first place.
and when he's finally bad, not good, it's treated like the end of the world, without empathy on why he would act out. do you think this keeps happening? the same scenario, multiple times, every timeline? he has to be used to it. so he has to take it in stride. he's good until he lashes out under extreme pressure, and suddenly he's called demon. and once again he's what heaven made him out to be. what he made himself to be, his brain would ruthlessly provide...
i don't think he wants to be that, though he hides secrets behind secrets of which neither identity is a home... but i don't think he wants to have to change, either. and i don't think that's wrong of him.
...you collapse atlantis ONE TIME and all of a sudden YOU'RE the bad guy and SURE it was FUN but REALLY now,--
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