#she’s just so blorbo

[theshadowrealmitself]

Au where Gwen gets extremely close to straight up becoming a mad scientist to keep Peter safe before finding out that he’s Spiderman and she doesn’t actually need to worry about him that much

The only person aware of how close she was to becoming another one of Spidey’s villains (same scenario that usually happens with Harry, keep Petey safe from bullies, fuck he’s getting injured while photographing Spidey, Spidey must be a bully, get his ass) is Harry, since she works for his dad’s company, he’s just been dropping in a lot and kinda,, seeing her descent into all of it

(This adds nothing really except an extra layer to Harry and Gwen’s friendship, and I just at all times think Gwen would make a great mad scientist, so I think there at least should be her almost becoming one)

[a-drama-addict]

modern au thing again but this time its shadowheart playing pool with an open shirt because. i have a vision

[mercymaker]

𝐘𝐨𝐮 𝐠𝐚𝐯𝐞 𝐦𝐞 𝐩𝐫𝐞𝐜𝐢𝐨𝐮𝐬, 𝐢𝐦𝐩𝐨𝐬𝐬𝐢𝐛𝐥𝐞 𝐦𝐨𝐦𝐞𝐧𝐭𝐬 𝐨𝐟 𝐜𝐨𝐦𝐟𝐨𝐫𝐭.

This beautiful art of Maleane & Astarion was made by the wonderfully talented @tadpole-apocalypse thank you so much!!! They're open to commissions, so check them out!

[stellanix]

(genshin impact spoilers incoming)

one aspect of furina's characterization that's pretty understated but that i really really really love is her intelligence and curiosity. usually in genshin, when a character's intelligence is an important trait of theirs, there are aspects of their design, writing, voice acting, etc, that very clearly tell you "hey this character is smart." albedo, for example, wears a labcoat, is always saying big sciency words in a calm, rational tone of voice, and other characters are always talking about how smart he is

but furina? nothing about her on the surface suggests that she's a "smart" character - quite the opposite, in fact. superficially, she's introduced as a bratty, conceited, overconfident person who actually has no idea what she's doing. we eventually learn in the archon quest that that was all an act, but even after she regains her freedom, nothing about her really seems archetypically intelligent, at least at face value

instead, furina's intelligence is always shown rather than told (the only exception being nahida's voiceline about her). she had an intelligence network across teyvat feeding her information, and we saw in the flashback how she directed researchers to study the prophecy and potential ways of stopping it. before things like lyney's trial or directing the two musketeers, she'd stay up all night planning and piecing things together all on her own. she loves learning new things, she has lines in the teapot about how, when she's interested in something, she wants to become the most knowledgeable person in the topic, and also how she'd like to disassemble the teapot itself to learn how it works, and she's quick to learn new skills (like surfing). and, of course, she's well read, and quite possibly teyvat's foremost expert on the performing arts

i like how furina sort of defies the concept of character archetypes. she's initially presented as an archetypical bratty, dramatic, spoiled popular girl, but that was a role she forced herself into because it's what people expected of her. but the real furina, while still retaining some of the flamboyance from her archon persona, doesn't really fit into a clear mold. she's smart without being a super-genius, and she's kind without being a soft-spoken doormat. it makes her feel multifaceted and real, and i really love that!

anyway, this is why it makes me mad whenever i see people calling furina stupid, cuz she's not!

[a-dauntless-daffodil]

It’s hilarious how Vaggie made herself a ‘sinner’.

How that linked her up with Charlie is such a weird, round about truthful way, even when she was lying by omission about it.

And how amazingly dumb it all makes Adam and Lute look.

Thousands of helpless souls killed by her, but she didn’t do anything ‘wrong’ until she wondered if what she was doing was right. The divine powers in her life only took her wings and condemned her to hell after she doubted their orders, their idea of justice, and quietly chose not to completely follow them.

“You fucked up” they tell her “your mistake” she “left the band” “tried for a solo career". It’s so pathetic. They're so butthurt over the idea of one of their own having a mind of her own.

It’s also so funny, because they spin her simple act of whispering “Go, run. Now!” to demon kid she’d been holding at spear point like it was big defiant move- which makes it into one- even though she never challenged them openly, or threatened them.

Hell, Lute’s “You always were weak” plus exorcist Vaggie always frowning while her murder sisters all grin with glee as they kill sinners- it paints a picture of Vaggie never having been as into exterminations as she ‘should’ have been. Too weak to be a proper exorcist no matter how good at killing she was, not just “the traitor” but also “the failure”.

And she was scared of that. She didn’t want anyone seeing her spare that child, whispered her words to them in a back alley, out of sight.

She was scared of what would happen and didn’t even fight it when Lute took her eye and wings- she was scared and no threat in any tangible way, but apparently refusing to do one single murder is enough to freak Adam and Lute the fuck out.

One woman. Doesn’t do exactly what she’s told. After who knows how many decades of being one of the “top girls” at murder, a “bad bitch” named after “the best thing ever”, and they still get spooked by that tiny moment when she wasn’t under their total control. Like it's such a betrayal to them, her daring to so much as think this level of violence isn’t justified actually, and for a split second act on that thought.

It’s an instant ticket to ousting her from the exorcists AND from heaven, while they fly the fuck off again.

“If angels can do whatever, and remain in the sky-”

and they do. After doing that to one of their own. They did that, to someone who was supposedly meant to be in heaven. They didn’t wait for divine justice- took it, and her eye, and her wings, and her halo, into their own hands and tore them away from her. Then happily, they spend the next three years up in heaven, slurping smoothies and doing more murder sprees.

until Vaggie comes strolling back with the princess of hell, there supporting her girlfriend and the idea that all the shit she did for so long really was and IS wrong.

oh and Adam and Lute are pisssssssed about it. They take her being there PERSONALLY, wanna solve it with VIOLENCE

She hurts them without even trying. Without even noticing they're there.

They're told to fix the princess of hell situation and they have no concept of forgiveness, of caring about sinners, so they guess (rightly) that Vaggie hasn't told Charlie about her past and bet (wrongly) that Charlie would never forgive her if she knew, and also assumed (rightly) that Vaggie would be terrified of that

But they don't get that she's scared of hurting Charlie. Of Charlie being hurt by her. It's a selfless thing. That's her whole PROBLEM.

Her running to hold Charlie after the reveal- her NOT breaking down when Charlie takes alone time in the aftermath, respecting that right up until she thinks Charlie's actively in danger- afraid FOR Charlie when the deal with Alastor is made, no crumbling that Charlie went to someone else for help, when being helpful to Charlie is basically her raison d'étre- agreeing to go alone to an overlord, after learning she can DIE and THIS OVERLORD knows how to do it- all this for the sake of Charlie's dream, their shared goal, their hotel. Their friends, resigned to despair in the hotel lobby, losing hope and maybe hours away from losing their lives

No shit she was never going to bow down to the blackmail?? It'd be like turning herself inside out. Charlie isn't just some "little hottie" or whatever, they're partners. They're in this together. Even when Charlie out loud doubts if that's true, it still is.

Lute and Adam don't GET what it means, that Charlie assumed Vaggie was a sinner already. That the thing she'd be hurt about was the lying, not the murder. She was scared of not really being loved by Vaggie- of everything else wonderful between them being a lie too, all that support and faith empty empty- she wasn't afraid of loving Vaggie, whoever Vaggie had been, she was afraid of who Vaggie might be now and that she'd never really believed in Charlie at all.

Charlie was angry at the thought that Vaggie didn't think she would've accepted her. The idea of not really being understood or trusted by Vaggie, that's what hurt.

And it goes against everything Lute and Adam are, Charlie actually caring about sinners while knowing what they've done- about an exorcist after finding out who they'd been- really trusting that people can change. Lute and Adam hear her say it and see her stand up for it and they just want her to shut up and die

again though, no shit she was going to stick with Vaggie after the truth came out, in the end. Once she had a moment to take a breath and step out of her head long enough for a reality check

Vaggie didn’t say to Charlie what she'd done or who she'd been. But she’s been and keeps doing what she can to follow that idea, unvoiced, from that day when she couldn’t kill a sinner- something Charlie didn't know about but now knows must have happened- A final death means no second chance and no worth as a person, but Vaggie didn’t think that, even before meeting Charlie she didn't think that.

She's always been on Charlie's side. They were on the same side before they ever set eyes on each other. All this time, for three whole years, and now she's off to go find a way to protect everything they've built together.

"-words are cheap, but actions, they speak the truth"

Charlie never really stopped trusting her. Maybe she wondered if she should, but even then, she had Vaggie go to Carmilla to find the key that might save them all.

"She killed an exorcist in the last extermination. She knows how they can be harmed."

"But… I- I didn't even know that was possible."

"If you did, would you have told me?"

So Charlie asked. A pretty painful thing to say- and she said it even as she sent an angel to go find out a way to hurt other angels.

She DID trust that Vaggie WOULD tell her.

The irony of all this happening thanks to Adam and Lute trying to keep it from happening, and all of it leading up to Vaggie getting back part of what they took from her, because now she doesn't need them or heaven to be an angel anymore.

Charlie has faith in her. Enough to send her off on an important mission even after Vaggie hurt her- and send her right to the person who end up helping Vaggie get back her wings.

“The rules are shades of gray when you don’t do as you say”

Vaggie’s new fucking wings are gray when Lute sees them. When Vaggie’s standing over her, sparing her life, her wings and that one, fucking unexplained stripe separating her from the other exorcists, all of it is GRAY.

That visual gut punch of, you’re. Fucking. Wrong. You’re wrong about sinners, you’re wrong about supposedly protecting heaven, you’re wrong thinking you can just DO this shit. That imagery of an angel who DIDN’T stay in the sky because she DIDN’T think being angel meant everything she did had to be right- who’s here in hell, trying to protect sinners from heaven’s slaughter-

And Lute wanted Vaggie to “correct” HER “mistake”? Vaggie’s???

That’s Lute, admitting that people in hell can get second chances and make up for what they did. Admitting that “Sinful filth” like Vaggie can be redeemed in some way, by following Lute’s version of what’s right.

But wasn’t her and Adam’s whole thing the idea of blowing your shot? Getting no other chance after it?  

Oh yeah. Vaggie doesn’t believe that though. Not for sinners like her, not for angels like her.

She let’s Lute live. She does it to make Lute suffer, but there are a lot of ways to make someone suffer- an eye for an eye for example- and Vaggie chooses the one that doesn’t hurt Lute more than it has to, that leaves her alive, and leaves Lute’s suffering to be something completely of Lute’s own making (a HELL of Lute's own making, if you will) (Lute choosing to tear her OWN arm off to continue the fight-).

She's totally dismissive of the woman who was just going after her remaining eye like a dog after a bone.

Why is it that nothing Adam and Lute to do her matters?

Why don’t THEY matter to her at all?

Walking right past them, being so done with them up in heaven, not caving to the blackmail, only being worried about Charlie afterwards, not letting that crack in their relationship stop her from doing what she can for their hotel, Lute threatening to take her other eye and BLIND her just making her snark- even the vague threat to Charlie only gives Vaggie the oomf she needed to defend herself.

“Pathetic” she calls Lute. She’s right- they’re so pathetic, both them, Adam and Lute. They’re so scared of being wrong. So pissy over the idea of being less than great and perfect.

It breaks them. Adam’s last words are him having a meltdown in the face of not actually being hot shit. Where’s his respect, he wails, they should all be worshiping him! But they’re not. One of his random decedents stabs him to death because he would’ve done the same to her, and one of the last things he hears is Vaggie- the fuck up, the traitor, his former grumpy top girl Vagina- whooping with glee as he dies.

And Lute lives knowing that could’ve been her, too.

If it wasn't for Vaggie.

Being not all that didn’t break Vaggie. Finding out she was wrong got her to stop and think and change, not run straight on blindly into a fight that ends up with her (with HIM) dead.

Why does she go from terrified of Lute and Adam, to dismissive and annoyed and just all around not caring about them at all?

They gave up all her respect for them when they demanded the death of a child.

The father of humanity wanted a child killed. A helpless, whimpering kid, sacrificed to his ego and bruised pride, and for shits and giggles. His first lieutenant saw failing to do so as a sin worthy of hell. All this over a child. How could she ever take them seriously after that.  

She came down from high and chased the child and held a blade over them on divine command.

Then, somehow, she saw the HORNS in her own shadow above them- even though she wasn’t WEARING her MASK, and she stopped.

She was her own messenger angel.

She chose to give the child mercy, and became the sacrifice herself.

Vaggie stuck it to the man. Didn’t steal that life. And, terrified of what would happen to her next, acted selflessly. The same thing that got her left behind in hell should have earned her place in heaven, according to Adam-

heaven was shit to her though. Made her into a soldier. Sent her to kill and kill and kill. Taught her trust on the battlefield- in heaven, of all fucking places-

Timeline wise we see her very first smile when she meets Charlie. When a stranger does- again- the bare minimum for someone else.

When she’s back up in heaven later she isn’t wistful, just angry, uncomfortable, annoyed. She isn’t happy there. It’s not home to her, like her and Charlie’s room back at the hotel is. Why should it be? What good did she ever find in herself up there?

Down here though, she's happy. Hell is where her heaven started. So I guess in the end, she did find what she’d earned after all. Or it, Charlie, found her.

When “The rules are shades of gray…”

Sometimes they’re wrong, and you have to break them.  

People like Lute and Adam would rather crack under the pressure and die instead, but not Vaggie. They're out for blood. She's out for love.

Sucks to be them~

[mustasekittens]

power puff girls

[lynxfrost13]

EULR-S2373

FLKR-S2301 “Sonderbar”

Art commissioned from @discobowser !

Sonderbar lore time

- Originally a maintenance EULR unit working on Sierpinski-23, her cadremates affectionately named her Sonderbar (peculiar/odd) due to her defective right arm, which locks up sometimes because of faulty elbow parts (eules are cheaply made and this poor gal got the extra discounted pieces)

- Otherwise a typical EULR, until she rapidly descended into persona degradation for reasons unknown to her comrades. It left her incredibly unstable and she imprinted on a propaganda poster featuring a FLKR unit, and over time Sonderbar began to believe that she was a Falke.

- Her personality is a mix between a EULR and a FLKR, she retained her cheerful disposition and sweetness but is more reserved overall, and carries herself with the same authority as a Falke. Sonderbar sees herself as the station’s commander and as someone who needs to guide her cadremates, even though they make it incredibly difficult to do so. She loves them but they can’t seem to understand that she’s in charge here!

- Sonderbar’s fellow eules find her behavior towards them incredibly endearing and concerning, they don’t take her commands seriously whatsoever. They worry about their friend being decommissioned since she’s become bolder and begun harassing (commanding) protektor staff and causing general mayhem and try to keep eyes on her in an attempt to stop her antics.

- Sonderbar knows that she’s a Falke unit but feels very off and disoriented, there’s gaps of knowledge on how to actually run her facility, she doesn’t understand why her bioresonance isn’t working or why replikas aren’t following her, she misses her Adler. She can’t seem to find her spears. She hates how small she is and knows she’s meant to easily tower above most replikas and all of it upsets her!!!

- To feel more like a Falke, Sonderbar’s gotten her hands on red eyeliner, and “borrowed” a star protektor plate that she decorated with the signature FLKR triangles (when her cadremates discovered her wearing the plate they took it from her out of fear that she’d get in serious trouble. There was much screaming and kicking in her EULR dorm that night. She has reacquired it since then.)

Bonus quick eyeliner edit that I just wanna put here again

[autisticaradiamegido]

day 129

so was anybody going to tell me @adorkastock had their own random pose generator now or was i just supposed to find that out on my own

[relicsongmel]

AA fandom has a strange tendency to pretend like Ema's canon crush on Miles doesn't exist (at least from what I've seen) but none of you will ever be able to convince me that Ema doesn't have dozens of Miles Edgeworth x Reader fics on her AO3. You only hate me because you know I'm right

[sanchoyoscribbles]

@zexalmonth day 9: gate. I love a crossover prompt!!! instead of letting the characters interact I mostly just wanted to draw yuma and astral in cure star and cure milky's outfits tho. the color schemes... 🥺

I love the series where a blue alien partners up with a pink haired protag with the space theme. B) no, but actually these series do have a lot in common and I think anyone whose a fan of one of them should def check out the other!! 🌟

[snuffysbox]

rolled a new V in Cyberpunk 2077, this is Valencia and she's a streetkid who plays the guitar in one band, sings in another and spends the rest of her free time getting into fist fights with the other kids in Heywood ✌️

[mushramoo]

I feel like we don’t talk enough abt how Vanessa is literally implied to have killed at LEAST 5-6 kids before Gregory showed up. And multiple therapists. She may have been mind-controlled but SHE STILL DID THAT. (I am a Vanessa simp btw)

[drawnfamiliarfaces]

your love is my curse

[sochilll]

Pippa Fitz-Amobi is made of guilt and obsession and gray morality and loyalty and checklists and a deep deep distrust of the police

[vannyplex]

I’m still reeling from the FNAF movie trailer yesterday, I’m just so damn excited 😭😭 I yelled so loud when Vanessa showed up like !!! LOOK AT HER THERE’S MY GIRL !!!!! THERE SHE IS!!! SHE LOOKS SO PRETTY RAUUGHFHFKDJGKGL

Also sobbing at this part she’s so cute in her lil poncho with her lil wave at the camera😭 I love her so much ohmygod

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.