#she's just a pain to deal with

[unamused-kookaburra]

I didn't have the best day at work yesterday so I told myself that today would be better and before I even left the house this morning I got a message from my co-worker telling me that one of our least favourite customers finally got banned from our store.

[possiblyawesometmblr]

there's one concept that i think about all the time that we briefly talked about but never did because it never made sense for fable to just up and say it: the concept that fable fucking hates ari.

and not because of who she is as a person or anything (but granted i think it's pretty clear he's not a fan of her in general) but rather that he hates what her existence means.

cause think about it. you're a major god who spent ages creating and building up mortals to be who they are now, and you want to keep them forever because you worked so hard on them, but you're not allowed. your brother takes them. and you're told that's just the way it is. tough shit.

but then. some minor god makes a baby? completely on accident??but oh, yeah, SHE gets to keep it forever. that's a given. your brother is totally cool with this.

let's be real: that'd probably make your blood boil a little bit

[atissi]

okay very preliminary thoughts on mitski's new album BUT i think there's something with how "laurel hell" felt like a goodbye to the music industry (can't find the source but i remember reading that it was intended to be her last album under her contract) like i'm sorry anthony fantano but if you interpret the back half of "laurel hell" as being generic breakup songs you're missing like 80% of the context. to me TO ME it feels so clearly about her negotiating her relationship with fame, how she can't love her fans the way they love her, and how she feels like she sold her soul to her job, so the only thing to do is step away. but THEN "the land is inhospitable and so are we" was created after mitski decided to renegotiate her contract, specifically because she loved making music enough to deal with the negative aspects of the work. and then all the songs are about the ghost of love she can leave behind, despite the present pain or emptiness, and like. do you see it. do you see it.

[bookshelf-in-progress]

Having story thoughts about the fourth wall:

It defines the difference between allegory and applicability. An allegorical story leans on our world to find its full meaning. Ideas, characters, settings, all symbolize something else that's in our world, thus obliterating the fourth wall and bringing the two worlds together. This can be useful for a message-forward story, but it has the side effect of making the world and characters seem less real, because it's not a place with its own independent existence--it relies on our world.

In an applicable story, the fourth wall is firmly in place. The character is a character. The setting is its own setting. They have an independent existence within their own little world. We can draw parallels to our world, but even without that meaning, the characters and setting still feel like they exist in a real, independent world.

An applicable story often has more impact and a stronger message, because the message comes out of the story and character, rather than being pulled from our world and pasted on top of the story.

As an example--I was thinking about this because I saw Ratatouille recently. In Remy's situation, there are a lot of parallels that can be drawn between his world and ours--an oppressed subculture, a life of poverty--but instead of trying to map that onto a specific real-world situation, they're still just rats, living in this weird version of Paris where sometimes the worldbuilding elements are just weird. The actual message of the movie is about art, which comes from character, not from the way the world is built. Compare this to something like Elemental, which started out as a way to explore real-world racism and the immigrant experience. Because the message is built into the world, commentators get distracted by the ways it doesn't map onto our world, and have a harder time connecting to the characters.

The fourth wall is also important to romance. The reason so much of the romance genre feels so fake and unreal is because it's so often concerned with the effect the story has on the reader--reaching through the fourth wall to give the reader things the reader finds romantic or arousing, regardless of anything that's specific to the characters or world of the book.

In a well-done romance, the fourth wall is firmly in place. The characters are not avatars for the reader and their romantic ideal, but people with their own independent existence and relationship. They live in a well-built world that has shaped both of their personalities and affects their relationships. The development of their romance is specific to these two people, and would exist independent of any audience reading about it. The story has more impact on the reader, because it's coming from outside our world and gives the reader unique characters to love, instead of just pulling the reader's desires out of our world and pasting them on top of the story.

[ganondoodle]

so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-

but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again

(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)

i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)

weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon (which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( ) AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward

but i suppose i was very wrong with that .__.

right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)

[literaila]

Still thinking about the recent update to the family gojo fic and that distinct moment when the reader is hurtled back into the reality that megumi is capable of sorcery and that fact that he's growing up... Devastated. That innate feeling of wanting to keep these kids small and close but inherently it's a part of the reader that wants to keep things as they are.. To prevent any more change. God to think one day megumi will grow up and outgrow readers bed, their comforting arms and the forehead kisses.. That's the reality.

Its making me unWELL 🤕😵‍💫

ugh you understand reader like i do

but, let’s be real, megumi will not grow up if i have anything to say about it.

i know it seems like satoru’s the only one that gets on megumi’s nerves (with good reason) but you’re very fond of cheek pinching.

especially when his hair is in two dutch braids that you instructed tsumiki on, little baby hairs curled against the nape of his neck.

“what a doll,” you say to her, pressing your cheek against his to grin. “my little baby. this is going in the photo album.”

“please no,” megumi groans.

“can we put a bow in it?” she asks you, giggling as she bounces on the heels of her feet.

“what color?”

“no bow.”

you move, both pouting at him. “but it’d look so cute,” you say to him, pleading, just as tsumiki goes “please, megumi…” with an evil look in her eyes.

he sighs, rolling his eyes. there’s a beat, then he crosses his arms, sighing again. his brows are much more expressive without his bangs to cover them.

you smile at him, nudging your shoulder against his.

“fine.”

“yay! how about green? or blue, like your eyes?”

“get both,” you say, because might as well.

(satoru was banned to the corner after he tried to sneak up and undo the braid while it was happening, he laughs giddily at megumi as the boy sends him pleading looks which satoru returns with a wink)

[jyou-no-sonoko19]

An inversion long overdue

[saltydoesstuff]

Every Universe

"I love you." She uttered, barely above a whisper. "I love you in every universe." "Do we end up together in every universe?" He asked. "No," She replied, and the painful memories of those life times flashed behind her beautiful eyes as she reflected to the 'back then's. Yet, she smiled, "But I love you anyway, how could I not? My soul yearns for you, even before it had come to know you. It remembers, I remember." "Does it hurt?" She was silent for a moment, "A lifetime without you hurts more then a lifetime when we are not together." "I love you." He blurts out unthinkingly, desperate. He reaches out for her hand, taking it and holds it in both hands in a grounding grip. She looked down at their hands and smiled, relishing in the bitter sweetness. "I know." She confesses quietly. She held his hand tightly, trying to ignore the buzzing within her body- threatening to tear her apart atom by atom. "But you aren't mine. Not this time."

[eerna]

honestly Noragami deserves some kind of an award for being the most intense downward spiral of "it can't get any worse than THIS, right???" I've ever read. I haven't known peace since Kazuma did that stupid spell on Yukine and it's only gone downwards from there

[posletsvet]

When Geto goes searching through the Time Vessel Association's facilities one by one, who or what is he looking for, exactly?

He knows Satoru is dead. Riko, too. I can't possibly imagine what it could've been like -- to come back to your senses and be hit with this realisation all over again. What thoughts raced through his head as he traced his steps back to where he'd left Satoru? As he approached that site of slaughter which Satoru's promise had become, how did he prepare himself to see his best friend's corpse? And then he saw nothing but the clearing torn through the ground like a ragged wound in Gojo's frantic attempt to keep the enemy in sight, buildings adjacent to the main shrine ripped out by their foundations and blown to smithereens. A splatter of sickening crimson where Toji landed his final blow. A few bug-like fly-heads still lingering. No bodies left.

How could Suguru make sense of Gojo's body disappearing along with Riko's? Did he think of his closest friend's corpse getting sold on the black market as an honorary prize and feel his nerves clench close with desperation and anger? Did he make peace with never being able to mourn Satoru properly, or was it a thought thrumming in his head like blood in his temples? Was that what he feared to reveal while rummaging through the Star Cult's scattered buildings?

And what if it was an imperative from Jujutsu High?

For Shoko to be able to patch Geto up, he must have made his way back to the college after his confrontation with Toji. And I can hardly imagine Suguru, being as deligent and rule-abiding as he was, not reporting the failed mission -- and Satoru's (presumable) death, too. And as we know, in order to prevent a sorcerer from turning into a curse after death, they should be eliminated using cursed energy. And Gojo was killed by Toji, who, bound by Heavenly Restriction, had no cursed energy.

Does this mean that immediately after being healed by Shoko Geto got sent on a mission to confirm the state of Gojo's body and potentially deal with the consequencies of him turning into a curse? Judging by immense amounts of cursed energy that Gojo holds, the curse born after his death would be extremely powerful, with Geto likely being the only one on par with it as the other half of the strongest duo. It's only natural that in case of something like that occuring Suguru would be the one to be sent to deal with it. Even if that means purging a curse once known as his best friend.

So Suguru asking 'Is it really you, Satoru?' is not him taken aback by Gojo being alive (well, this, too, but I'd argue that a different reaction would be better fit to express this sort of disbelief), but rather him inquiring about the nature of his friend's resumed existence after he was announced dead by Toji: 'Is it you as I know you? Or is it a cursed apparition that came into being with your death?'

[p2ii]

I feel like there's something to be said about the way fandom will treat characters who's trauma they can personally relate to Vs characters who they cant

[theladyfae]

i think human nature/family of blood is a really good two parter in how it manages to show how full of shit ten is 🫶

[zapsoda]

ok but blatantly and inarguably a lot of "accepting" parents would rather their children be ~nonbinary~ and/or ~nontransitioning~ than binary transgender, and this doesnt devalue exorsexism (not only because it is another form of exorsexism) but because it is a fact

[highspeedinterconnect]

this week has been fucking awful I just wanna lay down somewhere quiet w my gf and cats. holy shit

[royalarmyofoz]

Judi the Librarian KEVIN CAN F**K HIMSELF 1.02|1.03|2.05|2.08

[bruciemilf]

Hey guys guess who has an infected tooth and is DYING of pain lmao