#she's not my favorite character and like EVERY OTHER CHARACTER she is flawed

[spite-of-the-grifter]

Every time I see people reduce Franziska von Karma to "haha bitchy immature lady with a whip" I get viscerally angry.

[allygatoor]

i think it's time that we as a society realized that actually eternals wasn't bad it was just not standard marvel fare and that's okay

[bookdragonideas]

Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.

But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.

And that's one of the many reasons I love Avatar the Last Airbender.

Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.

And I Love that.

I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.

(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)

Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.

Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.

And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.

Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.

And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.

Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.

She watches Zuko steal her ostrich horse and does nothing.

Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.

Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.

She kissed a boy she had just met because she thought he was cute.

Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.

But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.

"I AM a warrior, but I'm a girl too."

Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.

Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.

[acid-ixx]

I have a question, well 2 questions to be exact that’s been rattling around in my head since I started reading platonic yandere batfam fics, why would reader stay in Gotham? I’d be sneakily stealing as much money as I could without getting caught as soon as I reach a “fuck these guys” mentality. Like, asking to have some money for groceries or something and just pocketing it so that I could get a bus ticket and leave the city. Would you do it if you were reader? It just makes sense to me “this place sucks, these people suck, I’ve gotten enough to leave”, this is with me assuming that reader has the means of course, if the reader doesn’t then okay, yeah that makes sense

And my second question, do you ever feel resentful towards Alfred when you read batfam photonic yandere content? I do sometimes, especially when the reader is neglected. I know this might sound odd but when I read these fics I recognize that Alfred could do more, out of everyone in the manner, I think Alfred’s word carries the most weight, especially with Bruce due to him raising Bruce. I also notice in some batfam fics that the reader doesn’t get mad at him due to him giving them attention, but idk it feels kinda like a slap to the face, knowing that I don’t have the power but he does and yet not exercising it until I’ve burned every last tie to that family.

I know my thoughts are a more “well you’re on the outside looking in” type takes, but idk, it hurts my heart knowing that if reader stays in that city, it will be far more easier for the batfam to find them, where if they were outside the city, they’d have a fighting chance to make a new life for themselves

On a side note, I think we are underutilizing the angst potential of reader legally changing their name and the batfam not knowing until months or even years later when reader leaves. Like Bruce and the fam would just have to sit and realize that reader hates/dislikes/doesn’t care about them enough to legally change their name from Wayne to whatever reader chooses. Jason was Batman’s greatest failure, but Reader would be Bruce’s greatest failure, and what a delightful public failure it would be if the tabloids were to somehow find out that one of Bruce Wayne’s biological children changed their legal name

I’m loving your batfam content btw, like it makes me want to create one of those “screw therapy, I need to fist fight my dad” tiktoks and tag Bruce Wayne, that’s what I can phenomenal writing!! And sorry for making this so long! Hope you have a great existence!

slight spoilers for future chapters.

this is one of my favorite asks... anon, you are so brilliant because your two questions tie into the reader's character so well and the flaws that they (you) conjured from years of neglect, so i hope my answers would suffice (i am answering based on the perspective of the reader from my series: again & again with a bit of my own perspective). tysm for sending this in, i actually really enjoy long asks and appreciate it when people take the time to send me these things!

why would the reader stay in gotham?

chapter one wasn't all the detailed about why they stayed in gotham. firstly, their self-worth had them reason that in no way, shape, or form would their family that basically estranged them would come running to them, especially not when the only time the reader could even stumble across them is by some miracle of coincidence. this also ties into their lack of knowledge about their family. sure, they know that babs is the oracle but do they know just how much access she has across gotham? not really. they know tim, like bruce, has a tendency to collect information about other people, but they don't know that they have contingency plans to be creeped out enough to get away from gotham and from their reach.

"it's not like tim or bruce or barbara considered you important enough to be stalked. hah, as if!"

and the third point is, despite bruce being a billionaire of some sort, it was stated that the reader was too well-behaved and quiet. how does this make sense? as you've stated, they wouldn't simply have the means to get out. seeing as they were sheltered by alfred and never really explored the concept of traveling far away, they never asked for money; the only advantage of being a wayne is having quite a lot of things served on a silver platter.

they have this sort of toxic bond for staying with the people who have hurt them and it materialized to them physically staying despite knowing it would only cause more pain than anything else, and they don't know that. plus, they'd rather not have the wayne name associated with them and getting money from cheques or credit cards would be too risky for the reader's safety.

they've only realized just how shitty their family is after more than 10-13 years of staying in the manor, and saving up to move to an entirely different place would be difficult, alongside college and the jobs they have to take. so the next best thing they could do is rely on any means of advantage they could get whilst also moving on to the path of self-discovery and recovery.

but that doesn't mean they're staying in gotham forever, definitely not. the moment the reader realizes that dick gained some sort of interest towards them, they're booking it out of gotham. preferably to metropolis or central city or even somewhere far, far away— they're naive, but not stupid. sudden interest towards them means danger rather than anything else. and they're aware that alfred is capable enough to pull strings, so that's why spoiler alert: they have a secret stash of money hidden somewhere and like any children of bruce, they inherited the capability to be smart enough to already back up their contacts and everything on their phone, buy a burner phone and even change their entire identity in one quick go right after they move into an entirely different city or country.

gotham is merely their practice course.

do you ever feel resentment towards alfred?

quite frankly, yes. the reader in the fic feels resentment towards everyone for a reason actually, but alfred's part was stated vaguely as to not spoil a future chapter that focuses on his perspective. they know that he has the more power inside the manor more than bruce has. everyone, and i mean everyone respects alfred, and it doesn't take a genius to know that if you mess with him, you're messing with an entire family of crime fighters.

it's not obvious, but the reader's narrative in chapter one is them trying so hard to delude themself into thinking things can be better until it's too late. so in a sense, there's false narrative coming into play.

"alfred would be too busy sometimes to attend your school ceremonies because he had to assist bruce with missions. of course, you understood his priorities. after all, he tried his hardest to make you feel less lonely inside the mansion, it wasn't enough but he was there at least."

at some point in time, alfred had also neglected the reader emotionally with the same reasoning as the others; he was busy with their father. and this all could've been avoided if alfred had tried to confront the entire family about it. i'm not delving deeper into this to really avoid spoilers other than pointing out some details in the first chapter.

just know that alfred relishes in your newfound favoritism towards him, and that he may or may not have pulled some strings himself from helping you become closer to the family.

the part about reading changing their name from (name) wayne to (name) (last name) is what made me so drawn to this ask. you have pretty much predicted one of the chapters that explored (name) wayne to the public eye. they're not so much of an internet celebrity because of their rare appearances in public, but that's what causes immense curiosity about their identity to uprise in gotham, and their fame was one of the means to get to you.

there was one news article published that was the reason that made bruce distant towards you.

but let's focus on what yan! bruce would've felt once he turns a full 360.

because the first thing he would do once he has you in his grasp is to change your last name back to his. you are not the child of a (last name), you are a wayne first and foremost, bruce's third child and his greatest mistake, quite literally. you were a product of a one-night-stand, and because he was drowning in despair from jason's death, he had failed to notice you. all his years of neglect, and he doesn't even know a single thing about you, simply because he refused to acknowledge your presence.

and you rightfully hated him, he should've accepted that. but your diary entries and the way you innocently thought of him destroyed any sliver of hope for a peaceful reconciliation. he hates how you were experiencing the same type of despair as him when it comes to battling your own monsters— you truly are a wayne at heart. he couldn't afford to let you get away any further. just like dick, he needs to fix it now or further sever the already broken ties you have with him.

it's not batman now, but rather bruce. bruce wayne had failed to save another one of his children, not as a vigilante, but as a father.

knowing bruce, he's quick to take into action and search for you.

holy shit, this is a really long post but i hope it does answer the questions ! im so grateful that you like my writing enough to write a really long ask, and i hope to see your messages more once the new chapters are published <3

[mjbarrosart]

My Dragon Prince Boards season 6, episode 602

Before we start, a little words...

Working in The Dragon Prince is for sure one of the biggest privileges of my career as a storyboard artist. I got into the show as a junior board artist during season 4 and was able to stay until the end of season 7.

The quality of the show, the characters the fans, are things that I truly enjoyed and keep close to my heart.

Have been years since my work in Drago Prince - we were boarding season 6 in the Summer of 2022- and to be honest feels like a lifetime ago, haha, my skills and art have change so much during the years, but every time a new season premieres, going back to my old boards and write this little commentary has become such a fun thing to do.

Season 6 is so far one of my favorites. This season was in such a sweet spot for us, with seasons 4 and 5 already done we were feeling really comfortable on the style of the show, and we were able to work without the huge pressure that later we had for season 7 (closing a huge story like this saga is a monumental challenge and that put a lot over our shoulders for sure!) So I have fond memories of my sequences on season 6, having a lot of fun while working on them.

During all my time in the show, I was part of the 2nd unit on boards. The show had 3 units, each unit was in charge of 3 episodes. If you check the credits its pretty easy to figure out which unit is which. I had the huge privilege to work with experienced artists like Jae Harm and Lori Allen, who also worked in seasons 1 to 3! My unit director for this season was Mike Jones, hands down one of the best storyboards artist I ever meet.

As the 2nd unit, we were in charge of episodes, 602, 605 and 608.

So lets start with Episode 2 of season 6!!

A little irony about this season is that while in season 5 I was working SO MUCH with Janai and Amaya, in this season we only had sunfire elf plot in this episode, so is my only time on the season working with my favorite ladies. Knowing that, I tried really hard to nail all my parts!

My first sequences is when Janai scolds the remaining sunfire generals. This episode deals with the consequences of the season 5 finale of the sunfire elf plot. Janai is sitting on her throne betrayed by one of her generals and her brother, feeling doubts about herself, but also about is she can trust others.

I think was pretty cool to being able to explore a more emotional side of Janai. I wanted to make this sequences to feel imbalanced and aggressive. Janai is dealing with a lot of emotions that are hard to process.

I read some complaints that Janai in this sequence is not being better than a Karim (yes I read your comments!) and I agree, but I think that that is a good thing. The idea of this sequence, was to show Janai taking things wrong, acting her feelings in a way they are hurting people around her. I don't think Janai is being a good queen here, and I thing that is good, because is good for characters to have flaws to overcome.

Sadly, part of this anger is not only directed to her subordinates, but also to Amaya, but she is a mature person, who doesn't take it personally and keep herself calms in order to be able to support her partner.

My next sequence is when Janai burns the sunseed tree.

This sequence continues working around the idea of Janai's rage and frustration. The sunseed is not there anymore, and she struggles to imagine a future, she is defeated, scared and angry.

The next shot is a fun one. On my first pitch of this sequence, I had her image reflecting in the crown turning into Karim, as a symbol of that both are the same, or that right now she is not being better than him, she is being haunted by him. But that idea was scrapped during revisions. I was happy when I saw the final episode this weekend and I notice that they put him on the crown. I think works really well as a symbol of her struggle and pain.

The Janai's fall keeps goin, the rage overcomes her and starts to burn the sunseed tree, the same place where last season she was talking about hope and future, now being destroyed in frustration, a rage that quickly turns into sadness and despair.

But Janai is a lucky one, she is not alone and has love ones who are there for her, to help her to navigate this hard times. Amaya and Green arrive just in time to stop her. I wanted to make the action of Amaya removing her from the fire messy, they lose balance and end sitting in the floor, it is a desperate move, but a necessary one. Amaya is there holding her, and that mark the beginning of Janai's change of mind.

Next sequence is this cute one when Amaya tells Janai the story about the "king with the thousand eyes". It is a simple one, but i like what Amaya is doing her. She is not telling Janai what to do or what to think, but given her context and tools to work her own thoughts. She needs space and Amaya is giving her something to think about.

As a funny detail, this sequence had a lot of Amaya talking, and that means tons of ASL, and, let me tell you, animating ASL is super hard, ergo expensive. The team had ASL interpreters acting the lines, and used that as a reference. What makes it hard is the fact that they need to be ultra precise with the hand movements, you don't what your ALS to be sloppy, and that takes time, so I got a note from the director to reduce the amount of ALS on screen, and we tried to be creative with the shots, haha.

Next sequence is when finally Janai is able to come to her senses and decides to do the right thing (be the right kind of leader to her people)

I really like this sequence, is soft and tender and emotional, and you can see the growth of Janai. I based a lot of their touches and love gestures on my own relationship with my wife, I always wanted to make this two feel real.

The last shot of this sequences is pretty deliberated. While is true, there is not sunseed anymore, they don't need that, because they are the new sunseed, they, their love, them as a symbol of the union between elves and humans, they are the future, there is hope.

My last sequence of the episode, is the short "let's get married" sequence by the end. A short sweet one, and I think the only time i boarded a kiss between them!!

In my original boards there was a close up to the kiss, but they removed it :( ... but I can show you anyway, haha

Well, that was my work on episode 2 of season 6.

Thanks for reading this long post, I'll write about my work on episode 5 soon!

[sugar-grigri]

Crazy theory, but since I don't really read them, I don't know if it's ever been mentioned before.

I've already talked about this urge to discover the demon of death. So much so that fans see them in every new character introduced.

We know that Pochita punctuates both the birth and death of demons with his chainsaws.

I've always been surprised by the way Pochita calmly took hold of Makima, allowing Denji to knowingly save her by recommending that he give her love

Just as I'm surprised by Fami's interest in separating Chainsaw Man just as Yoru is stubbornly intent on revenge

How can these three horsemen of the apocalypse have so much interest and connection with a single demon?

We already know that Fujimoto has opted for the metaphorical, choosing the instrument designed for childbirth: the chainsaw, as the keystone of his story.

Chainsaw Man is intrinsically linked to birth and death

Denji's rebirth alone is linked to death having been cut up as well as Pochita?

Demons are born out of fear of one thing, so I know it might be strange that Pochita, representing chainsaws, represents death and isn't the chainsaw demon.

But two things: firstly, the impostor is actually the real chainsaw demon.

Fujimoto likes to undo our first impressions, so I find it absolutely INCREDIBLE that Denji should be the impostor from the start, the false Chainsaw Man in a part 2 that focuses on identity.

Secondly, how can simple chainsaws have so much power? I mean, sure, they're scary, but how can they have so much power as to be able to wipe out demons? Why should it be the chainsaw demon who's capable of this, and death remains crouched in the shadows?

This would also explain his promiscuity with the other Knights of the Apocalypse.

The demon of control wanted to play with Pochita - death was the only thing she couldn't totally control, the only thing she aspired to be on an equal footing with.

If Pochita understood her so well, it was as the fourth knight of the apocalypse. If Makima considered him her equal, it was because she couldn't control a demon she knew to be of her own rank. The logic follows with Nayuta.

The demon of war doesn't accept death, it accepts to spread it through conflicts and weapons of mass murder, but a general doesn't accept that death can touch him too. To spread death represents victory, to be touched by it a defeat that demands vengeance.

Famine works hand in hand with death, and is feared because suffering and death are the end result of not being able to eat. She's the one with the clearest goal at the moment: to save humanity. She doesn't hesitate to recruit her fellow Apocalypse members, whether it's proposing it to Nayuta, trying to recruit Asa and Yoru, or splitting Chainsaw Man in two to work with the pure state of the death demon.

The public hunters' aim is also to protect mankind from Nostradamus' prophecy, but by paralyzing death's actions as much as possible. They exploit Denji's flaws and desire to be normal to the full, threatening those around him. While the church, represented by Fami, titillates Denji's heroic side, his abnormalities, they want death to act.

It would also explain why everyone close to Denji is disappearing.

All the signs are pointing to Asa's imminent atrocity.

Wouldn't it be incredible to think that it's because death is in Denji's belly ?

Everything would then make sense: it's normal for Denji's development to stagnate, and for him to go through so many existential crises.

He doesn't know his own identity

What's more, it doesn't contradict my most meta theories: Fujimoto places himself in the work through Denji (cf. chapter 133), just as he responds directly to his fans (chapters 136 and 137).

We're all hating him, seeing all our favorite characters meet unfortunate deaths

It would all make sense if the manga we were holding in our hands, "Chainsaw Man", actually referred directly to death right from the start.

It would all make sense if we saw Part 1 as Denji's introduction to the ranks of hunters governed by an early death.

It would make sense for Aki's love for him to be a metaphor for accepting death, in the continuity of mourning.

It would make sense for Power to be reassured by Death when traumatized by the demon of darkness: she died twice for love, and the total disappearance of body and spirit allows us to escape the darkness.

I don't know if this theory holds, but let's agree...

It's poetic

[freakenomenon]

and if i said despite the fact that ellen is my favorite in both canons her psychodrama is confusing with its tone, tone DEAF with its topics and genuinely a little hard to enjoy as a victim of sexual assault myself. it comes of as more SHOCK VALUE slop than it does an actual tasteful representation of assault victims. they treat her trigger more like a FEAR as if her confronting the EXACT EVENT would not.. make it much much worse? and the "panic attacks" seem. tacked on at best. don't even get me started on the elevator scene in general. listen the acting was great but i just don't think ALLAT was necessary at all.

it HURTS me physically to say this but even teds representation of assault is more digestible. because they don't slap you in the face with it every 5 fucking seconds. not to mention that it is implied that ellen was a prideful and somewhat ARROGANT person about her accomplishments. and even someone who is emotionally neglectful towards others AND herself. choosing to retreat and isolate herself or distract herself rather than to face a problem. having more experience with "algorithms" than with "social grace" ( again, tacked on at best as well. ) it seems like a much more interesting route to see how her outlook on her work as well as well as other people affected her relationships even OUTSIDE of romance. showing that ellen is in fact a FLAWED person just as everyone else is and did hurt people, but her actions are still not as heinous when compared to some of the others. she just wasn't an emotionally healthy person.

also im NOT saying that she CANT be a victim because it's "too heavy!" it's just that they also could've tried just a LITTLE bit to make her more of. a character. outside of her being a victim of sexual assault. like they did with TED. also hey coming from a black person ellen being called "privileged and self indulgent" because she didn't go to any MLK marches and didn't ride the bus REEKS and STINKS of racism and nobody ever wants to talk about that.

but that's genuinely all that i think i have to say, this has been the #1 ellen fan. im gonna go do my laundry now.

[musicalmoritz]

The common misconception that Akane has no personality outside of Aoi is a sign of immaturity among many fans, in my opinion. This isn’t really their fault, seeing as the majority of the tbhk fandom is on the younger side, but it’s still something that should be noted

When people say this, they are talking about his hobbies. It’s true that every hobby Akane has is something he started to impress Aoi. I’m of the firm belief that he stayed on the Student Council because he enjoys it but that’s slightly up to interpretation (it could also be a way for Teru to keep an eye on him). However, in general, Akane doesn’t seem to have much going on outside of Aoi. His favorite food is something he imagines her baking for him, he joins clubs based on what type of guys she shows interest in, the books he reads all have a character that shares her name, and when she asks him what he enjoys, his response is “I like you, Aoi.” He’s even shown to zone out of conversations when Aoi isn’t mentioned. This is clearly unhealthy, though he does eventually learn to give her some distance which is beneficial to the both of them. But he still doesn’t seem to actively engage in hobbies that have nothing to do with Aoi

This is a consistent character flaw, but it does not mean Akane has no personality or character outside of Aoi. This is where the immaturity bit comes in, kids want to describe themselves entirely based on their interests. With the rise of fan culture and the internet, many adults do the same. It’s not just a young people problem, it’s an issue of how we identify ourselves. We like to put people into categories, understanding them based on their hobbies and careers. These are very important elements of identity, but they aren’t everything. A person with no job and no hobbies is still a person. They might struggle due to having no outlet for their creativity, but they are a person nonetheless

Fandoms notoriously love to understand characters based on their niche interests. Aoi is a gardener, Hanako loves the moon, Nene plays idol games, Teru has a very sad life. These are absolutely elements of their characters, but there’s more to them than their hobbies. They have personalities too, goals and passions outside of what they do in their free time

Akane puts his all into helping others, he takes his Student Council duties very seriously and keeps his hands full during every school event. He is a very empathetic character, able to understand characters like Aoi, Teru, and Nene without them having to tell him what they need. He’s competitive, as seen in his friendship with Teru. He’s romantic, as is the driving force of his character (and romance is a perfectly acceptable goal, marriage is one of the most common things for a person to strive towards in life). He’s violent and overprotective, striking down any man who makes Aoi uncomfortable. He’s emotional, prone to fits of joy, anger, and tears. He’s easily annoyed and carries a chip on his shoulder, but that doesn’t stop him from wanting to help people. He hates supernaturals because of how they hurt others, and despite his stance as a School Mystery, he is so painstakingly human. He can be aggressive, especially when someone he loves is trying to do something self-destructive. He cares so deeply for people, wearing his heart on his sleeve. He’d stay up all night playing video games if it made the girl he loves happy, but he won’t attack Teru for having genuine feelings for her. He’s incredibly loyal. He’s also casually bisexual so there’s that

Idk there’s just so much more to Akane’s character than people give him credit for, I didn’t even cover everything. Remember when you’re analyzing a character, it’s important to look deeper than “they enjoy this” or “this is their job.” Akane may devote so much of his life to Aoi, but he is still his own person, whether he realizes that or not

I am begging ya’ll to stop throwing the “no character outside of Aoi” allegations at this man

[emp-t-man]

eiffel and minkowski are often perceived (either by the other characters of the podcast or its audience, but mostly by each other) as the lazy slacker who sucks at his job and the competent go-getter who’s the best at what she does, and yet neither of these things are true. i think one of my favorites of their parallels is they are both exceptionally good at what they do, and yet they both constantly suffer from doubts about their own abilities. they just have completely different ways of going about this insecurity, and that’s what creates this stigma about them.

eiffel has proven time and time again that he absolutely knows what he’s doing in his field. He’s extremely protective over his equipment, he knows exactly what to do when it doesn’t work ninety nine percent of the time, the man made two way radios from old audio recorders, for christ’s sake, not to mention the way he was able to figure out how to survive for months in the middle of deep space completely by himself. but one of his most fatal flaws is that he doesn’t believe he knows what he’s doing. his self hatred and insecurity run so deep that the moment he believes he’s not cut out for something, he stops trying entirely. he sees people like minkowski doing such a good job in their position, that when people like that tell him he’s incapable of doing the same, he believes it, because he never believed in himself, anyway. i think the most obvious example of this is after the season one finale, when he learns about the decima project. the minute he learns that being an officer of communications wasn’t his only purpose on that mission, he comes to the conclusion that he doesn’t serve that purpose at all. he resolves that he was simply an “experimental meatbag”, chosen for the mission because he had absolutely nothing else going for him. he’s so quick to dismiss his worth and his capabilities, and so he leans into this persona of a good for nothing procrastinator to avoid letting his peers down by never letting them form expectations of him in the first place. of course, he isn’t perfect, he is a bit of a procrastinator and a scatterbrain, but that’s far from all he is.

minkowski on the other hand, she’s constantly praised for all of her achievements and hard work, be it by goddard, by her students, her superiors, lovelace, and especially eiffel in the later seasons. she’s seen as strong, and resilient, and an excellent leader. but the thing is, she also constantly doubts her own ability. this can also be seen during the season one finale, where she apologizes to eiffel because she describes hera’s deactivation and hilbert’s mutiny as her own fault, because she wasn’t a good enough commander to prevent it. but the thing about her is when she starts to doubt her capability, she works overtime to try and prove herself and anyone else who may doubt her wrong, which is also unhealthy! it happens with the plant monster, when she continuously risks her own life just to prove to herself that she can have the slightest bit of control over a situation. it happens during pan-pan, where she attempts to keep the stress fractures in the station a secret and handle them on her own because she wants to be able to protect the lives and morale of her crew the way a “good commander” should! instead of giving up and saving herself the disappointment if ever she should fail, she does the complete opposite, working herself to the bone and obsessing over every detail to make sure she doesn’t fail, no matter what it takes.

now here’s the kicker— after the events of desperate times / desperate measures, eiffel and minkowski completely swap coping mechanisms. when lovelace comes to, minkowski almost immediately asks her to assume the position of commander in her place, because she thinks that the loss of lives means that she completely failed her objective and isn’t fit for the role. her stepping down is essentially giving up in her eyes, because why hold such an important position if you’re no good at it? meanwhile, in episode fifty two, after eiffel gets called out on his, while without malicious intent, inconsiderate and distasteful behavior, he completely withdraws from the rest of the crew in order to work extremely hard on his own tasks, ultimately risking his and the rest of the crew’s life in order to prove he can be useful. sounds familiar, right?

but the thing is, they’ve each already spent so much time reverting to their original way of coping, that attempting the other’s method is immediately clocked as simply being concerning and out of character, rather than establishing them as the opposite archetype of being capable or not. lovelace expects minkowski to always resort to overachieving, but not because its a way to disprove her insecurity, but because it’s just “who she is”. so when she does the opposite, that’s when she realizes something is wrong, and resorts to comforting minkowski instead of simply letting her do what she’s elected to do. hera expects eiffel to laugh off any mistake he makes and go back to goofing off— not because it’s his way of avoiding disappointment from those he cares about, but because it’s just “who he is”. so when he does the opposite, focusing solely and intently on his duties where he was so comfortable neglecting them before, she realizes something is wrong. and when he explains to the rest of the crew that his actions are only to “help the only way he still can”, they realize something is wrong, and choose to comfort him rather than simply rolling their eyes and letting eiffel be eiffel.

it is. so incredibly late at night so i don’t know if this makes the sense i want it to make but i just. cannot get enough of how much they compliment and reflect each other. they seem to have nothing in common on the surface, but they fit together so well in terms of how they operate as people and i’m obsessed with it

[fushi-mi-elie05]

Lucifer x fem!Reader

.・゜゜・.・゜゜・.・゜゜・.・゜゜・.・゜゜・.・゜゜・.・゜゜・

(we were enough)

*not proofread so sorry if there's errors!!

*one shot

*fluff, a small hint of angst?, cute ending, reader is a lucky b*tch/hj

— — —

It was a weird feeling, it's not something she didn't expect to feel.

Was there a reason?

When has she felt this way?

Seeing his smile gracing his features, the soft wrinkles in the sides of his eyes when he squints, the addicting sound of his voice always sends butterflies inside my stomach, it fills up till it makes her want to spill it out.

How did this happen?

A simple conversation turning to a stomach churning affection that can make one's heart beat faster than the speed of light. Is it possible to feel this way?

His protective demeanor, his laughable self, his charming personality and his successful way of creeping into one's heart and occupying each and every corner. He's a flawed man, a wronging yet he tries, he proves he can, a single word and he'll obliged, all for the sake of being shaped into a man she loves like carving a sculpture to the artist's way of perfection. He was determined to be his lady's perfect man, from her favorite man in books, to the man in her drawings, to the sight of a perfect picture.

He didn't expect anything in return for being loved in return was enough to fill the man's heart. Awareness to the happiness of his muse was enough. A reason to change for the better, a chance to be loved by the one he truly cares for.

Can a man really become this perfect?

A ruler of hell who's destined with heavenly characteristics that it was almost impossible to believe he was the ruler of all hell. The sin of Pride yet he was the first man who stole the women's hearts by his ambitious self from an egoistic petty of a man named Adam. A charming one, he is. Although in return, he was banished for wanting to give his dreams a chance to be a reality. All backs turned against him.

Then he met you.

His muse, his perfect sight, a sculpture made to perfection, a fine art that it felt too good to own. Her beauty was the true definition of heavenly beauty. A beauty of flaws, something unique that he can love. She was easily seen as a flaw. To thick or thin, to smooth or rough, to balanced or unbalanced, to tall or short. She defies the supposedly standard for a woman's perfection. In his eyes, she was perfect and a beautiful flaw. A beauty he can't turn away from. She was loved, the day he laid his eyes on her. It pained him to see her treat herself badly just to be loved by others. He wanted to prove to her that she was enough.

Yet, hypocrisy is something all humankind, even heaven's angels to hell's demons, will always possess. How can he prove she's enough when he himself can't be enough to his eyes?

He was a fallen. A disgrace to all heavenly figures. A ruler who brought evil to mankind. Even if his intentions were pure, his pride got the better of himself. He lost everything he once dreamed of. How can he prove it?

“You're enough.”

“Darling, you are enough.”

It almost sounds like a chocolate covered lie. It wasn't enough.

“My love, you are the most beautiful creation I had the honors to lay my eyes upon.”

He never gave up. It would be a disgrace as the sin of Pride, the ruler of Hell. Because she was the essence of perfection, he did everything to be the one she desired, to the style, personality, and charm.

Yet he wonders, how come nothing much has changed? How come she smiles and forgets her flaws without him doing something drastic to his character?

She was loved, knowing he was willing to love her. To make her see what he sees.

“ Luci? My dear, you are just enough. ”

“ But I'm not. I wasn't and will never be enough. Please, my dear love, change me to the man who deserves each of your love. Then I will be enough. “

He begged, kneeling down before his beloved, his pride leaving his body, mind, heart, and soul, as he looked up to her with love lingering in his crimson eyes. She didn't ask for much. She didn't change him much. Because he was enough.

“Being able to be selfless, to lower your pride, to show me that I'm enough, is what I consider for you to be enough.”

They gave a heartfelt laugh and caressed his cheeks, softly as a feather glazing one's skin.

“I didn't expect the Ruler of Hell, the Sin of Pride, to kneel down before a lowly sinner. Willing a sinner to change you in order to make me feel loved, is not usually what a man like you would do. Who wouldn't fall for that? My dear, proving that you're willing to do anything for us, it should be enough.”

His eyes swelled with tears, touched by her words. He couldn't help himself. He felt what was supposed to be heaven, his lips fitting perfectly to hers. A match perfectly made in either Heaven or Hell. They experienced love that they thought they wouldn't feel again. An emotion they weren't bound to taste as punishment for their sins.

Yet they yearned for each and every affection, enjoying it as if it was their last meal. Ravaging with pleasure, lust clouded their eyes, it was a sinful sight to behold, yet their endearment was innocent as Heaven portrays it in their words.

“I love you like how I love my ducks”

She couldn't help but give a light chuckle.

“I love you as much as how you love your cute little ducks.”

“How about me? Am I cute?”

He teased but his eyes were filled with nothing but adoration.

“No~”

“Aw come on!”

The end.

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *

ig i should post this quick lucifer fic that i wrote on my friend's sleepover because i was high on caffeine and couldn't sleep:'))) i hope you all enjoy it<333

[spaceorphan18]

The Lady Whistledown Papers : 1x01 - A Diamond of the First Water (Part 1)

An Introduction

Dearest Gentle Reader... ;)

Well, okay, looks like there a good handful of you for this idea! Yay!

I did want to preface this with a couple of notes first, though if you want to skip to the show meta, head straight for the 'read more' below...

My intention with this project is to explore the individual stories as well as the romantic relationship between Penelope Featherington (who is my favorite character on the show) and Colin Bridgerton. So, I'll be looking at every episode of the entire show and kind of go through their character arcs with a fine tooth comb. The first two seasons I plan on batching scenes together while Season 3 might end up almost scene by scene because it is so rich and dense with story.

The whole point is that I enjoy meta and media analysis and breaking down stories and looking at stories from every angle possible. I am usually pretty positive, but that doesn't mean even my favorites are not exempt from a critical eye from time to time. And I'm not hesitant to explore character, story, and production flaws when discussing things. I do, however, try to remain respectful.

While this is primarily Pen and Colin focused, I'll probably still end up opinioning on other things I like as well (and do have respect for other characters and ships on the show).

The only book I've read is The Duke and I. I don't plan on doing any book to tv analysis, but I do hope to get through Romancing Mister Bridgerton before I get to Season 3 so I can point out Easter Eggs.

I'm also no historical scholar. So, probably won't be doing any kind of historical analysis either. Sorry.

I'm a multi-fandom blog, and have lots of projects I'm working on, so I plan on rotating through them. Plus, I have a full time job and family and friends, which means please be patient as I work on the project. It's a labor of love! But maybe a slower one. <3

Not here to discuss the actors', creators', crew, etc's personal lives. While I may put in a tiny BTS tidbit I've picked up, I have no intention or desire to talk about anything but the story.

I always enjoy talking with you guys about things, my meta is only one interpretation of what's going on, and I'm always open to discussions! However, I block or ignore any kind of wank, so please be civil. :)

Tag : the lady whistledown papers (in case you want to follow along or black list it away)

Okay, let's dig into some meta!!

Episode 1 : A Diamond of the First Water (Part 1)

So, it may be something that's easily forgotten or overlooked, but the very first thing we hear when we open the show is Lady Whistledown's voice -- which of course, is really Penelope. Since it's the delightful Julie Andrews doing the voice, it doesn't really feel like it's an 18yo girl's commentary about life in the rich part of London society in the early 1800s, but here we are. It's all done to build a bit of mystery around Lady Whistledown.

But what I think is more fascinating is the fact that the show opens -- not with the Bridgertons but the Featheringtons. They are our starting point. They are our dysfunctional family unit that we may closer resemble in our own lives that we get to peek in on before heading over to the esteemed, charming, and seemingly perfect Bridgertons.

The Bridgertons might be the protagonists of the show -- but Lady Whistledown and (by extension) Penelope Featherington is our framing device. She sets up the world, gives us the expository layout of the land and gives us an insight into the world. So it makes sense that we're starting in Penelope's home -- the person, like the audience, who gets to look into the Bridgerton home, but not actually be a part of it (yet).

When we open, we get a great introduction to the Featheringtons, and in a quick few shots - learn a lot about of them.

First of all, the narration -- while I'm not going to take note of every single narration throughout the whole show, it is important to remember that it's Penelope who is ultimately speaking. And when we open the show -- the first thing she does is blast her own family.

Why? Because it's her only way to push back. Look at what's happening in this scene? Prudence is being forced into the tightest corset ever imaginable as Penelope (and Phillipa) look on in horror. Penelope is still young (she is 18yo) and is being thrust into the market earlier than she wants so that her mother can have all of her daughters out in society at the same time.

Unlike what we'll find over at the Bridgerton family household, the Featheringtons are ruled by a seemingly iron fisted mother who only wants her daughters to marry rich so she can retain her lifestyle and place in society while her father is uninterested in anything other than himself.

Later in season 3, she'll mention that this particular issue is her first issue. So, it's no surprise that she starts writing just as she's coming into society. It's her way of coping and her way of expressing herself. But, I'll also remind everyone, while she is incredibly savvy at her craft, she's also still so young, and not entirely aware of the power she's going to wield.

As for Pen herself -- she's genuinely concerned about her older sister. We don't get a sense of their dynamic yet, but at least we get to see Penelope's kind hearted nature. Prudence looks like she's being down right tortured by her 'tasteless, tactless' mama. And nothing about this is appealing to Penelope.

(As an aside -- this also sets up a couple of things for the show -- for one, throwing us into the historical nature of the show, as well as adding a slight bit of comedy to the over-the-topness of Portia's insistence. The show is telling us that, yeah, there are crude and unpleasant things going on, but we're not taking ourselves too seriously, so neither should you.)

Next, we shift over to the Bridgerton household, but I want to point out something first... Notice how the Featherington door knocker from earlier was much more adorned and intricate? The Featheringtons are more concerned with status and money and appearing as if they're better off than they really are, while the Bridgertons don't need nor want to show off in the same way. It's a neat little detail.

Also, the bee imagery for the Bridgertons always is amusing. Symbol of death there ;) In case you were wondering - the Featherington symbol is the butterfly.

So, it's important to note that the Featheringtons are the next door neighbors of the Bridgertons, and it's of no surprise that Penelope would, after disparaging her own family, turn her attention to the family that has captivated her most of her life.

Okay, I kind of love these paintings as an introduction to the Bridgertons. (Are there ones for Gregory and Hyacinth?) I think it's a fun touch to the whole historical setting of the show. And it makes them look as if they're these frozen, idyllic pictures and who are not exactly real. Which is great when combined with the Lady Whistledown dialogue going on how wonderfully attractive they are - because it sets us just slightly apart from them.

Like I said above - Penelope is on the outside, and as we move in, so are we, but we get to finally move in to see real people behind the paintings. (Also - omg, the look on Eloise's face is priceless and I love it)

Also. A+ casting, guys. I really believe they're all related. ;)

I also love the juxtaposition that when we first hear the Bridgertons talking, unlike their perfect, picture-esque counterparts in the paintings, we get Eloise complaining. (Look, I love Eloise a lot -- and she's the third in this crazy triangle, so we'll be talking a bit about her, too.) We also get a bit of chaos as the camera descends the stairs, with Gregory running around them and the banter between the sisters.

It's all great, quick character set up as each of the Bridgerton siblings gets a little beat in this sequence.

And... we get our first glimpse at Colin!

And here's the thing about Colin. He's the third son. Anthony may not be around at the very moment, but he's very much a father figure to a lot of them and is in a different place being the oldest and actual Lord of the Estate. His role is much different. And then there's Benedict - who is that second in command while Anthony is away. Benedict, though is the artsy one and the experimental one and is a bit more aloof in nature. Which brings us to Colin... Who doesn't have the same set in stone sense of purpose Anthony does nor the happiness of just floating through life the way Benedict does.

And so, this scene has a couple of tidbits to kind of illustrate his place in this huge household. He's says he'll go get Daphne (who is currently hiding out in her room, and whom everyone has been arguing about). Colin does like having purpose, and does like to help whenever he can.

And then there's his banter with Benedict about how he's better liked by Daphne than him. It's a great little moment, not only the show again allowing to us to know that we should not be taking this historical show too seriously, not only showing us the beloved sibling antics (which -- i really love all the sibling dynamics in this show), but also showing that Colin has a bit of a cheeky side, and isn't afraid to bring a bit a levity to the situation when he can.

Also, a tiny tidbit in relation to the book, Colin and Daphne (being close in age) are rather close in the book. We don't necessarily see it in the show due to the nature of wanting to highlight Anthony more, but I feel like these lines are a little nod to that, too.

Of course, then, Eloise screams at the top of her lungs, which is a moment I still laugh at. I love that while Benedict's jaw is dropped, Colin is entirely amused by her, as I'm sure she livens the entire household up.

We get both households coming out of their houses, and we get this sweet little moment where we see that, not only are they neighbors, but Penelope and Eloise know each other and are friends.

I love that Penelope is so overjoyed to be looking over to the Bridgertons that she kind of freezes in excitement and has to be ushered along.

Also as the camera pulls back, we see Eloise reading a Lady Whistledown pamphlet! The first time we see someone do so!

You guys remember Disney's Sleeping Beauty? There's a moment when they enter the castle the three good fairies are announced. The dude who announces the Featherington sisters reminds me of that -- introducing Flora, Fauna, and Merriweather! (Don't even come at me, it's my favorite Disney movie)

Anyway... we get LW's narration that this is a pivotal moment for London society at the time -- when the girls are presented to the Queen and enter the marriage mart. Basically, it's a coming of age for young women. And while Prudence might have the most embarrassing moment by fainting (I mean - who's to blame her, really) Penelope looks so awkward going out there -- before her time, really not emotionally ready, and just not graceful in the way that the other girls, including even her sisters, just are.

Okay, so it's not really our first Polin moment, but there is a pseudo moment buried in here.

But first - I want to acknowledge that Penelope, feeling out of place, and at ill-ease with her surroundings, throws a glance over to Eloise. I love Eloise's truly perplexed look as she watches her friend go through something that neither of them really want -- as if trying to grapple how any of this is real. Penelope and Eloise's bond is incredibly important to both their characters and the show (and is something I enjoy as much as I love all the Polin).

As for Colin standing over there in the corner... No, there's not really anything to pull out here. But! There is going to be a moment in season 3, when Colin is writing in his journal, where it's clear that he's thinking about this moment, and describing watching her as she heads towards the queen. It's a cute callback to this moment, and even if we don't really see it -- it's still there. He's still noticing her, even if it's very, very subtly.

LW continues her narration about how important the Queen's opinion is of the ladies of society, and how important it is to make a good impression. But fascinatingly, Penelope is too busy looking at the ceilings and being in awe of her surroundings to really take notice of what the Queen is doing. She's a bit, understandably, shocked. (and another great comedic moment as Portia kind of knocks her back into focusing.)

It's great for setting the atmosphere of the show, but also allowing us, through Penelope, to take in our surroundings and be in awe of what we're witnessing.

It's also, I'll add, to be an awkward contrast to when Daphne comes in and is completely flawless in her entrance. Penelope is our side character. She's not our main character. And main characters are supposed to have a level of perfection to them. (Or so we're been accustomed to believe.) I think one thing I'm happy to see on the show is that, while we're still going to get a lot of romance story tropes, the show does try to dismantle a few of the stereotypes as we go along.

Also, two quick smaller notes... we don't really get to see Colin's reaction to Daphne -- Anthony and the sister are too in the way, and he doesn't have much of a discernable reaction when we do see him. And, the narration makes note that Daphne is going to burn quickly, which honestly made me laugh a little.

And.... that takes us up to the credits! Which is where I'll be stopping for now. Since this is the first episode and an introduction to the world, there's actually lot of both Penelope and Colin in it, so there's a lot to go through... stay tuned ;)

[hallowpen]

There was a lot of destructive criticism surrounding My Marvellous Dream is You, but I actually thought the series was quite good despite its shortcomings. I'm a lot more forgiving than most when it comes to Thai GL series, and that will have absolutely affected my viewing experience. But... every time I would see a comment that just read "This is boring/terrible/stupid" without ever elaborating, I felt very much like Khun Pu's character from Be My Favorite hehe

*WARNING*: There will be minor spoilers for the final episode of My Marvellous Dream is You, should that be something you wish to avoid.

I will be the first to admit, that I was very skeptical about this series in the first handful of episodes. So let's just get my personal negatives out of the way first... I think, by now, it's no secret that I do not support where a lot of Thai GL adaptations source from. So, this series already had an admittedly disadvantaged subjective expectation from the get go. It wasn't really surprising to see pacing issues within the first 5ish episodes, that seems to be a common occurrence in Thai GLs produced by IDOLfactory. Whether that is a result of the novels the series have thus far been adapted from OR from a choice in direction is up to you. I, personally, think it's a bit of both. Where I believe certain productions struggle in letting their narratives breathe, I find the complete opposite problem to be true with IDOLfactory. There were a lot of plot points that needed restructuring or to be removed entirely in order to have a stronger cohesive story that focused on the main characters' relationship more so than it did.

Now, while I stand behind my opinion that the series could have benefited from tighter and better organized storytelling, a lot of the groundwork was there to make a decent character driven narrative. And that's what I've chosen to focus on. Wan and Kim are both deeply flawed characters. There were so many inferences to be drawn from character relevant visuals and their joint backstory that truly informed their current dynamic.

The👏🏾character👏🏾focused👏🏾visuals👏🏾in👏🏾this👏🏾show!!!

One of the most interesting parts of watching a series, for me, is having to pick up on certain character cues in order to understand and delve deeper into the core of their behaviors.

Wan and Kim share a trauma, and it's easy to see how they both became so dependent on one another to fill the void their fathers left.

In flashbacks, Wan is presented as egoistic and headstrong since high school. She is also shown to be extremely protective of Kim before she even realizes her feelings. Kim, on the other hand, is a bit more sensitive. She cherishes Wan's attention and affection to a point where she would be willing to play a little dirty in order to keep it for herself.

All of these emotions become heightened once they are forced into adult life with adult problems. Wan is struggling with her mental health. While trying to balance fame and the repercussions her actions might have on her career, Wan must also deal with her mother's alcoholism... which has essentially caused her to check out from Wan's life. Her need to have Kim by her side, and never leave her, has become less protective and more possessive. Kim's desire for approval and affection has led to an over devotion of herself to Wan and constant worrying about disappointing her mother. She's neglected her own wants and needs for so long, that she's afraid putting herself first would be considered too selfish...too much like her dad. Her mother's cancer diagnosis further pushes Kim to continue to place her mother's wishes over her own desires. Even though comments about Wan and Kim being 'annoying' or 'frustrating' were aiming to be negative... they weren't exactly wrong. The audience was supposed to feel that way. Heck, even the surrounding characters called out their behavior on more than one occasion. Because in an effort to not lose one another, Kim and Wan fell into a cyclically unhealthy dynamic where their actions and reactions were actually pushing each other away. Their inability to communicate their true feelings to each other beyond their (unbeknownst) shared dreams prevented them from making any true progress toward a romantic relationship that they both so desperately wanted, but were each terribly afraid to pursue. Their feelings for each other were put up against the reality that their love being unreciprocated could spell the end of their relationship altogether. There was an added pressure of being unfairly compared to their fathers, where any romance between them might be found 'unacceptable'. Couple that with societal views of same-sex relationships, and you can understand why these two were so hesitant to reveal their truths.

(Quick sidenote: I did not agree with the idea that what Kim and Wan did was exactly the same to what their fathers did. They did not leave and abandon their families. Marwin didn't make it easy for them, and given the glimpse we saw into his family's cruelty, it made all the sense in the world to have him react in the way he did. Kim and Wan were at least willing to stay and face the hard consequences of their choice, no matter the outcome.)

I think them having to work through all of their issues made the moment of Kim and Wan finally deciding to be together that much more satisfying... And that was the point Kru A was trying to make when he explained his direction for their relationship on social media after hearing viewer feedback (He was subsequently rudely criticized by interfans for that decision, to the point where he alluded to the fact that he might take a break from directing... but that's a whole other discussion).

That final scene of them being married purposely not clarifying whether it was in a dream or in reality alluded to the fact that their shared dream world and their real life were no longer at odds, finally. I thought it was very fitting.

The frustration caused by KimWan's lack of communication reminded me of a similar dynamic between Team and Win in Between Us, a series that suffered from a lot of the same problems (not enough focus on the two leads and irrelevant plot points). However, those characters and the actors that portrayed them didn't receive even half the amount of negative reactions. They existed, trust me, but there were a lot of positive reviews to balance it out. I'm not going to get into what that means, because I think you can make the inference for yourself.

All in all, I don't think this series deserves to be completely written off. Is it perfect? No... but an effort was made, and it wouldn't hurt to make the effort in return to understand the vision. Fay and May did an incredible job for their first go around as main leads. And I hope they get the chance to develop their craft further.

[generouskittentidalwave]

Watching the She-ra reboot after 5-6 years

Hey remember that show in 2018 that came out on Netflix during Tumblr's Twitter era and stirred up enough toxicity to turn you into Dave the Skeleton in the highschool science classroom?

Well BUCKLE IN for a RIDE cause I recently watched that show for the first time after avoiding it for YEARS, after seeing the fans and the haters be so devoted to either the fans praising it like a godsent deity or haters devoting their whole life to finding something wrong with every aspect of the show that it makes you wonder if they realized that they've become the Catra that they sought to destroy, I decided to avoid even touching the show and went about my life in other fandoms.

Well years have passed and like a Hallmark movie time abruptly went on and the drama soon faded, the tides have settled, the war has ended, and neither side remains the same. The fans have grown up, matured and enjoy the show as it is and the haters have lost all that sweet sustenance back in 2019 and have went the ways of the DoDo. With everything finally settled, I joined in on the rush of new fans recently that started rewatching the series and wanted to display my thoughts as well as a first time watcher ^^

I went in well aware of all the criticisms in mind, and having seen the original She-ra, and I just gotta say that my worrisome thoughts on watching it was completely washed away from the start of the show. I was worried of Adora being that one marysue character that is from the bad guys side but is actually a good a guy with the personality of white bread and with flaws of just being "a little bit QuiRkY" but she completely shooed away those fears. She is a well balanced character with a unique and well done backstory, her character breaking away from the steriotypical chosen ones and her having flaws that don't take away her being a good person but instead have their own charm and relatability that makes her very fun and down to earth. She is so golden retriever coded and I love it. What I like most though is that she wasn't "random main character comes in to lead everyone to victory out of nowhere" , instead of making her the unsaid leader, they made her the main character who is the muscle of the group and part of the heart and has to learn overtime and understand their ways instead of making her the leader. It makes way for her to pave and earn her way as being the main character instead of it being given by default by making her the leader and I love that break away. And that break away also helps to counter the fears I heard about the white savior trope by making Adora the way she was and making Glimmer and Glimmer's mom the queen the actual leaders of the rebellion that they helped start.

Love the best friends squad, I love Glimmer's growth and her bond with Adora, I like how she went downhill and built herself back up again as a person as it was very realistic with her being so young and having to replace her mom as queen. Bow is my spirit animal, period, but I really want to know more about his huge family. I imagine that because they are all historians they must go to the academy or similar academies that Bow was meant to go to and I can see why they wouldn't question him not being there as 12 siblings is A LOT to keep track of. Swiftwind is great but he shall always be known as Horsie and the queen's sacrifice hurts everytime I see it, I love how she owned up to her own flaws. Shadowweaver messed up being a mother figure 3 times, she needs parenting classes fr, 'nough said. I love all the princesses but Mermista is my personal favorite. Also why is aunt cast named Castaspella, I can't even say it without dying of laughter 💀🖐️

Now I know some of you are sitting at your computer with 5 monsters in hand and sweat anxiously dripping from your forehead as you dramatically hover over the keys just WAITING to write a five page essay response if I even dare to utter the name Catra and her relationship with Adora. So, I'ma give you my opinion.

Honestly, their romance was the end goal since the beginning and the story made that clear and honestly I like Catra's growth as a character from her knowing she has anger issues and actively working on it to better herself, helping to save others and helping to save Adora in the end. Her realizing that pushing others away to protect herself only harms her and everyone around her in the end and her realistically taking it slow and steady to better herself as a person for herself and for Adora is something a really like. Yes their relationship was hella toxic, especially in the middle (but I do like how Adora recognized that and punched Catra when they were in the portal). The build up was great, the middle ground of her doubling down was great, and I think her growth at the end was great and that the two are happy and not in a toxic relationship with eachother anymore at the end. I think what truly makes it odd is although the redemption was great the time constraints made it so they couldn't flesh it out to help answer and address the past actions that were caused by her, they did so great with her slowly becoming better and better, and so it wouldn't have come off as bad as it did if they had just a bit more time to address everything with that instead of being forced to dive right into it which definitely left a- well- less than good impression to it's audience. But they tried their best with what they could do and honestly for a show as surprisingly dark as this I'm just glad they aren't in a toxic relationship anymore and are happy in the end and that Catra got redeemed. It definitely wasn't trying to romanize abuse, however it came off as such due to constraints and them rushing the ending which gave plenty of ammo to people who already hated the show to have a reason to hate it more. In my opinion if you don't like it that's valid, if you do like it that's valid, me personally I'm not a romance person so I couldn't care enough either way.

Now to address some things I know some people are waiting for, but in speed run fashion. Mara's She-ra design was the fault of the designers not agreeing on what they wanted her to look like, I was expecting her to have brown flowing hair not blonde, I get the stripping of individuality message they tried to go with, it just needed better designers and better execution but that's as deep as it goes. It's not that they are racist, they are more along the lines of "you need a more organized team cause her design changes every five seconds like wtf" kind of situation. I'm glad they didn't automatically forgive Hordak or accept him but I'm glad he was changed enough to not be a killer that's mass murdering people anymore and as long no one is dying by his hands anymore and people don't automatically forgive him then that's fine by me, whatever keeps others from dying a horrible unnecessary death.

Overall, in conclusion, love the show, great depth, great characters, love the humor and amazing magical girl transformations, awesome rep, stronk princess punching things, would most definitely recommend, especially now with all the wave of chaos it's initial release sucked in now evaporated. (Seriously there are full tags and blogs deticated to hating a show about glowing princesses fighting aliens, it's okay to not like a show but come on people there is more to life than that 💀) Enjoy it, have fun, and I hope you have a great day/night! ^^

[sidsinning]

You should do a simp(even if platonic) post for your fave female hazbin character for varieties sake

I think my fav is Charlie

Although I feel like she's been done a lil bit dirty despite appearing in every ep? Like she mostly gets involved in other people's stories rather than her own which is why I appreciate episodes like Dad Beat Dad. Her and a lot of different characters are being explored all at once in the most organic way the show is capable of in its current state (biased from me bc the characters focused here are all my favs lol)

She's my favorite but I do wish we would get deeper focus on her

Not that she has no focus and is an empty character ofc

But yeah

I like how she is a go getter and very motivated in her goals despite how impossible they are, despite the lack of support she gets from even the people on her own side

Ofc how her personality is vastly different from the rest of the cast who are all less naive and more cynical than her, almost like she should've been born in heaven which catches people off guard in hell (most definitely gets this from Lucifer)

(The fact that Lilith thrived in Hell kinda tells you things but that's for another post for another day lol)

Sir Pentious' redemption is absolutely thanks to her direct influence- and bc of that the mans ended up the first sinner in heaven which is a HUGE W for her, bc it's smtg no one, not even the king of hell has been able to achieve

Angel Dust has definitely been more influenced by Husk from what we've seen in the show, but its bc Charlie gave Angel Dust a safe space in the first place for him to flourish despite his raunchy behavior

So even if she fails when trying to directly confront an issue with a flawed perspective, she still ends up positively affecting others which is cool

Also appreciate that her efforts to make people listen to her message are finally recognized by the end of the season with the cannibals

She's powerful and full of potential, but definitely not at the point where she can handle certain things on her own without help or mentorship which is cool and smtg we can still explore

Yes

She's best girl so far

[miraculouslbcnreactions]

So, controversial topic. taking in count that in a month, the webcomic "scarlet lady" is gonna end ¿what are your feelings about it?

I know that there's people out there that don't like it for the chloe salt, but i have to admit that the damnation that chloe went through, at least for me, gave her more agency than canon, for the fact that it wasn't manipulated by outside forces like canon did, it gave her the right to choose to be better or worse.

Another great element is that it does what canon refused to do: five back Adrian his agency by letting him vent his frustrations AND let him realize that his father is a bastard.

If you don't agree, that's more than excellent, i want to know your take in this topic, that being positive or negative 😄👍

My friend, you are talking to a big Scarlet Lady fan, so I'm happy to give my thoughts! Get ready for some gushing and in-depth discussion of the adaptation process. That's really what all fanfiction is, but Scarlet Lady is more of an adaptation than most since it's a true canon rewrite that often requires you to know canon to fully appreciate its jokes and meta commentary.

Before we get into it, I want to give a link to the comic for those who haven't read it. The artist/writer is @zoe-oneesama and this is page one of the comic. I'd follow the comic link if you haven't read it as the comic is nearing its end, so going straight to Zoe's page will spoil you on elements of ending.

General Thoughts on Adaptation

Adaptation is an art, not a science. There are things that are objective elements of a story. Things you really cannot change if you want people to feel like you're telling an adaptation of a given tale. But there are also plenty of elements that are more subjective. Things some people might consider vital, but that aren't truly necessary to stay true to the story's core. (Yes, the character core thing applies to stories too!)

For example, to be a Cinderella adaptation, you need to have some sort of big reveal moment where "the prince" finds Cinderella, but that moment doesn't need to involve a slipper and the prince doesn't need to be an actual prince. My favorite modern Cinderella adaptation is A Cinderella Story: Once Upon a Song and it twists both of those elements while keeping the major story beats in place, making it fully deserving of the Cinderella label while also being its own unique story that isn't a straight retelling, it's an adaptation.

I bring all this up because, as readers of this blog may have already guessed, Scarlet Lady does a lot of things that I personally would not do when adapting Miraculous. A big one being that I prefer a more complex take on Gabriel, but that's simply a matter of preference. A complex Gabriel is not a requirement for adapting Miraculous. Complex Gabriel vs comedic villain Gabriel is just a choice you have to make when it comes to adapting canon because canon is such a mess that both options have straight up backing in the source text. Even if they didn't, Gabriel's core role - villain - is one that leaves you a lot of room for interpretation based on other factors that we'll talk about in a second.

I'll close off this section with this: having read all of Scarlet Lady, I'll be so bold as to say that Zoe and I almost perfectly align when it comes to identifying the flaws in Miraculous because I've agreed with pretty much every change she's made. She did a fantastic job staying true to the core of canon while also telling the story she wanted to tell. It's not the way I'd redo canon, but it doesn't need to be for me to call it a fantastic story. Plus a lot of the different choices I'd make come down to narrative style and tone.

Narrative Style and Tone

I'm a novelist at heart, which means that I favor serialized storytelling. For those who don't know that word, it means stories that are one coherent whole just broken into chunks. Stories where the order matters. You can't start watching at a random episode, you have to start at the beginning. And skipping an episode usually means that you'll have no idea what's going on.

Miraculous is not a serialized show. It's primarily an episodic show, a word that means that episode order doesn't matter. Every installment stands alone.

Obviously Miraculous isn't completely episodic, but that's fine. Purely episodic narratives are rare these days. Most stories have at least minor serialized elements even if those elements are often ignored for multiple episodes at a time. This is where both Miraculous and Scarlet Lady fall. They're mostly episodic stories with serialized elements popping up every now and then.

Miraculous does this element poorly because it acts like it's a purely episodic show and then takes that to an absurd extreme. Rules, characters, and lore can never be counted on to stay the same from episode to episode even though that's not actually how episodic stories work. Scarlet Lady doesn't make this mistake. It understands that episodic narratives should have STORIES that stand alone, but that the WORLD the stories take place in must stay consistent.

Now that we've gone over the basic format stuff, let's talk about tone.

Generally speaking, tone is the vibe of your story. It can be serious, silly, dramatic, and so on. One of Miraculous' biggest flaws is that its tone is all over the place. It's a silly romcom that brings in serious topics in serious ways and then handles them with all the grace of a hippo performing ballet in a china shop because of course it does! Those topics are horribly suited to the show's overall tone so it has no way to properly address them.

This is one of the many things I love about Scarlet Lady. It takes the show's absurdist tone and honors it. That's why Zoe's version of Gabriel works so well! He's a silly cartoony villain in a silly cartoony comic as he should be. It's also why my versions of Gabriel tend to be more complex. More serious serialized narratives are where more serious complex villains thrive. Neither option is better than the other, it all comes down to how you're adapting the original work. Zoe's choices are perfect for her version's style and tone. If mine are even close to that good for my preferred style and tone, then I'll be a happy author.

Narrative Weight & The Chloe Thing

This is getting long, so I'll end with a note on Chloe since you brought her up as it's another great example of the fact that there are very few choices that are inherently right or wrong when it comes to adaptation.

I don't know if I'd say that I'm a Chloe fan, but I certainly don't hate her. I also love what Zoe did with the character! It's a prime example of a thing that I've talked about before: the issue with Chloe is not a lack of redemption. The issue is that Chloe was given too much narrative weight to be what canon made her.

Quick definition: narrative weight is the importance a narrative places on a person, event, thing, etc. The more time you dedicate to an element of your narrative, the more weight that element has in the eyes of your audience. The more they expect the element to matter. The way that you develop the element will also shape audience expectations.

In the context of canon, Chloe has more development than almost any other side character. We know more about her family, her childhood, her personality, and so on. This was an absurd choice for canon to make because Chloe is not actually important to the story they told. You could pull her out of canon and almost nothing would change. Gabriel can make akumas do whatever he wants so, lore wise, he didn't need Miracle Queen. In fact, he arguably shouldn't have made Miracle Queen. He could have just taken the miracle box and jumped right into the plot of season five. Similarly, Chloe being mayor was an absurd one-note moment that's easily replaced with something more logical.

Because of this, there are a lot of things you can do when adapting Chloe. Everything from turning her back into a one-dimensional mean girl to redeeming her to what Zoe did: take Chloe's narrative weight and petty brat behavior and lean into both to make Chloe a main antagonist while also acknowledging the fact that Chloe is a messed up teenage girl who needs some serious help. I'm super excited to see the end of Chloe's arc in Scarlet Lady as I think it's going to be one of my favorites in the fandom. That is admittedly not a high bar as I'm very picky when it comes to Chloe content. I think most of it falls flat because most of it fails to let Chloe hit some sort of rock bottom when she absolutely needs to if you want to do anything interesting with her. She's not the kind of person who will easily change or see the error of her ways.

Conclusion

Scarlet Lady is a fantastic adaption of Miraculous and Zoe is a fantastic and funny adapter. The comic might not be to your tastes - and that's fine, nothing has universal appeal - but it's still a great example of how to honor source material while doing your own thing with it, which is a true skill. One of the problems with many modern retellings and reboots is that the people running the show don't understand how to adapt a narrative. They take far too much creative freedom and end up with something that doesn't feel anything like the source.

If I found out that Zoe somehow got hired to adapt something I love, then I wouldn't have any concerns. I'd have no idea what she'd do with it, but I'd be confident that it wouldn't spit in the face of the thing I love. I'd personally read a hundred Miraculous re-imaginings with her at the helm.

[electraslight]

Gwen Tennyson is one of my favorite characters in anything ever but there's this pervasiveness in this fandom that shes. Well. A nice, good person. And I don't really like that, especially when shes absolved of her very clear faults to the detriment of other characters. Basically all of Gwen and Kevin's relationship is Gwen doing things to Kevin that, in a normal show, she would be made to apologize for, like rushing him into a relationship when he has made it clear he is not interested at that moment, trying to make him jealous and putting their whole team in danger (which is entirely put on bens shoulders and not hers), hitting him as a punchline for a joke when all Kevin's done is make a silly comment, calling him ugly, blah blah blah you get my point I've been over this a billion times. There are other characters who get the short stick too. In the episode where Elena pretends to be Julie and puts the alien trio under the impression that she ditched nationals to hang out with ben, sure as a friend you'd be worried, but Gwen keeps saying over and over that it's not like julie, she shouldn't put a boy over herself, telling her she made a bad decision, even when julie tells her no, I've made my decision, I don't want to talk about this. Gwen does not respect anyone's boundaries even people like Kevin, Julie, and Ben, who are supposed to be her friends. But people in the fandom characterize Gwen as sweet, kind, helpful, never in the wrong ever even when she is doing something horrible. Remember when people used to say that "Gwen didn't deserve kevin" not because of the constant belittling of his interests, lack of appreciation of his boundaries (see also: those scenes in Trade Off where Kevin repeatedly takes her hand off of him and she keeps trying to touch him anyway), and general nastiness, but because Kevin, who was at the time under the impression that Gwen was getting tired of him (wonder why he'd think that what with her calling him hideous every other episode) got groomed, assaulted, and enslaved. And that's his fault I guess because he's a guy and guys can't get abused. Gwevin is so good you guys the only problem is Kevin,the guy who left his entire support system to go live with his girlfriend, the guy who carries her bags and nonstop talks about how much he lives her when she can never muster up a word to say about him besides "He's nice" and "he's changed". Gwen is always in the right because shes a girl boss character who is not allowed to have flaws besides being stuck up or whatever, and it's totally OK if she needlessly suspects everyone around her and crosses the boundaries of basically everyone she talks to. Read me this: if you think female characters should be strong, why shouldn't you acknowledge Gwen's flaws? Why is it better to have a character who's kind, sweet, motherly, badass but only in ways that won't upstage the male main character, than an awkward, horrible teenage girl who loves people so strongly she strangles them, who's overly paranoid based on her own biases, who views her friends as projects she can fix, but God she is trying so hard. God, I'm begging you, please factor this in to your Gwen fanworks, I'm so tired of her being portrayed as a good person. Shes not a good person. Shes a 16 year old girl.

(Also sorry I talked so much about gwevin its just that Gwen isn't allowed to be her own person outside of men in this show)