#shut up delphi
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The feminine urge to be utterly destroyed by 4-5 men at once...
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fc5 ancient rome mystery cult au
#joseph as said leader of mystery cult#faith having some oracle of delphi vibes going on breathing in toxic fumes (bliss)#jacob who was working his way up the cursus honorum before he got stranded in the alps with miller on campaign in gaul#john as an orator and lawyer a la cicero (just as long winded) (does not shut up EVER)#hang on i'm having a Thought here#sorry. i'm overwhelmed by grief so i'm channeling the sad energy into brushing up on my toxic male interest#whining wombat
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the day i found out oomf meant "one of my followers" and not "one of my friends" pissed me off so bad i deleted twitter
#not like my account just the app#im really lazy#like what the fuck do you mean 'oNe Of My FoLlOwErS“ shut upppp what are you the pope#charles manson?? grow up.#its so pretentious go talk to a person in real life#anyway#delphi chatter#you will feel so much better if you stop thinking of people online as people who provide content/people who consume content i promise#including yourself!!!
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I say this in the least-pretentious, most mentally ill way possible, but it seems I have read Crime and Punishment so many times that I can recite parts of it from memory purely by accident and recall differences between the Macduff and Garnett translations on the spot
I must have read it about 900 times across the ages of 16 and 17 so I guess it makes sense that my brain built it into the walls but Jesus Christ
#at least i was blessed with the 'make me look impressive in front of normies' hyperfixation and not the 'can't shut up about pokémon'#hyperfixation while my brain was developing 😵💫#if i see an excerpt from it in the wild i can tell you the exact context and significance of the scene too.#good lord i was mentally ill when i was in high school. i feel like that obsession alone should have earned me a trip to the#guidance counselor#delphi washington
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just woke uo from a dream abkut seeing mcr ad sl a bunch of eu/latam dates got announced
#emma shut up#sorry for typos i literally rolled over to tupe this#gonna go back to sleep to see if i get anything else. like im the mcr oracle of delphi or smth
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Great, exalted Revel may we get a crumb of what happens next to the unclaimed humans 🥺🥺

I offer Tarn chilling in a napkin holder
How can I say no that? 🤣

What If Scenario Just Gone- Reunion Pt 2
• Staring at the group of extra displaced humans, Megatron swallows a growl. Fort Max had been contacted and is enroute. Delphi isn’t too far off from their current route to swing by and drop off First Aid and Pharma’s humans. Kup and the Wreckers are proving difficult to pin down. Leaving the Decepticon’s humans. Swindle he’s not worried about. The Scanvenger’s he’d been unfamiliar with, meaning they’re no threat. But Tarn? He’d been horrified when that human had actually started crying demanding the leader of the DJD. Saying they wanted to go home. To that psychopath.
• “So we find a world with breathable atmosphere. Or suit them up,” Rodimus says, hands gesturing as he talks. “And we drop them off and once we’re safely away, we message that maniac the coordinates.” Because just handing the human over? Letting him know their coordinates? Not happening.
• “And if something eats the human in the interim?” Ratchet growls, servos pressing against his helm. “They’re tiny and pretty much helpless,” he growls earning an indignant ‘hey’ from the human lounging in Drift’s hands and he frowns at them. “I can’t imagine Tarn would take it well.”
• “Stop sulking and go kill something. This is painful to watch,” Nickel groans and he glares. Because he’s not sulking. He’s furious. Someone, who he is going to execute slowly, painfully, stole from him. Somehow snatched you out of thin air. And for that? They’re going to bleed and suffer before he offlines them. Wet work not normally his style, but he’s willing to make an exception. And his console dings with an incoming message.
• Sliding down against the side of the big, clear box they’d stuck you in after poking air holes in the top and sealing shut the bottom, you’re not amused. At all. Acting like Tarn is the biggest, baddest monster around. At least they’d left you with water and snacks, though. You’d paced for hours before exhausting yourself. Head lifting to stare at the blinking transponder on top of your prison, you sigh. Sure, he’s scared you before, but this seems excessive. He’s not that bad.
• Landing the Peaceful Tyranny, he strides across the ground. Unable to look away from the little box as his temper flares out of control. Whoever had stolen you had abandoned you on this world? In a box? And your head lifts spotting him, standing to press tiny palms to the sides. He’s going to hunt them down for this, but right now he’s dropping to his knees and prying the lid off, reaching to lift you out and press you against the mesh of his neck. “Are you hurt?” Hears your shaky, little ‘no’ and vents. Can feel the others staring at his back. “Find out who sent that encoded message. I want to talk to them,” he growls as he stands, cupping you close.
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Questbound
Summary: A kiss locks the victory of your quest, it's only unfortunate that your quest companion is Luke Castellan—the bane of your existence and ex-lover. Note: I'm back hello hi this time with PJO! I do have Grishaverse drafts to release (someday) but that's for another time!! This is also cross-posted on Ao3 Word Count: 6.9k
In your many years at camp, the best advice you could probably give somebody is not to date another camper.
Not if they’re a fellow counselor.
Especially not if it’s Luke Castellan.
You learned that lesson the hard way years ago, when you were both a lot younger, with spunkier attitudes and clouded minds. It was a relationship wrenched raw with gritted teeth and hushed arguments, emotions clawing at throats and frustration gnawing at the mind. It was nothing short of tiring, and the only remark worth saying was that it wasn't worth it.
(Sort of. You’re a little too proud to admit that you had your fun during the relationship, and that you really did love Luke, or at least loved him to the extent that adolescent teens could. It was carefree and stupid and full of shared, sappy love-sick grins—and that wasn't so bad.
But you were both childish and angry, nonetheless. And that tipped the balance more often than you would have liked.)
Your breakup was a nasty, bitter fallout that screamed and thrashed all the way back down into the depths of forgotten pasts. After that, you and Luke fell into an explosive and rough dynamic of being at each other’s neck at every passing second, which seemed to have attracted attention from the gods above—and because the gods have such a unique sense of humour, one in particular has decided to grant you and Luke a quest.
And quests meant a trip to the attic of the Big House, and a meeting with the hippie-tie-dye Oracle of Delphi.
“Piss off the aunt lately?” Luke sucks at his teeth, ducking under the beams of the ceiling. You can feel his shadow melt into yours when the attic forcibly squeezes the two of you into the walkway cluttered wall-to-wall with quest paraphernalia.
“I didn't. You might have.” you scoff, suddenly a lot more conscious that your back was pressing into his chest, “You did break that poor girl’s heart from Aphrodite’s cabin a week ago. It’s sad, she was sobbing over her barbecue at dinner.”
“Keeping tabs on me, now?” he snickers, “That’s a new low, even for you.”
“I’m going to smack the shit out of you if you don't shut up, Castellan.”
You see Luke at the corner of your eye step ahead of you, giving a theatrical display of zipping his lips shut before snapping into a sleazy grin when you roll your eyes at him.
The Oracle of Delphi finally comes into sight at the edge of the attic, and Luke has to settle a hand across the base of your spine to keep you moving along when you freeze upon seeing the figure. Visiting the Oracle always left an uneasy feeling that settled like sediment at the bottom of your stomach, and Luke knows exactly, despite the low lights of the attic, that you would be picking at the skin beneath your nail.
He taps his finger on your spine to grab your attention, teasing spelled on his face, “Scared, smart girl?”
You swallow thickly before breaking away from his hand, “In your dreams, crook.”
Luke offers you a small chuckle as he anchors his palms on the beams near your head to keep you from bumping into them when you stalk along the attic, wary of the menacing figure right in front of you.
The skeleton is perched near the stained glass window, and silence simmers in the air so thick it almost shrouds your heartbeat in a muffled vacuum. After a few heavy seconds, the Oracle of Delphi slowly creaks into animation. There’s this odd pull of energy surrounding the flimsy skeleton, perfuming a spine-chilling and nerve-wracking pulse into the air, and into whatever summer clothing she had draped over her bones.
“Oracle of Delphi, we’ve come to seek your guidance.” Luke utters, and you cross your arms behind him, observing the decrepit and stop-motion-like movement of the figure. The skeleton encapsulates the feel of the Oracle in a snap of a finger, her arms creaking into animation and her skull snapping to your direction.
There are no eyes in the vessel as of the Oracle, but you can't mistake the sharp stare she gives you as she utters out the prophecy guided by the goddess of love, Aphrodite. And when she does, you feel a burdening weight forming on your shoulders and a thousand prickling needles at your spine.
Oh, you’ve got to be kidding.
Because to find a “second wind” and bring life and victory to your affairs, the quest from Aphrodite meant that you would have to share a kiss with the Hermes head counselor, your spiteful ex-lover, and the absolute bane of your existence, Luke Castellan.
What a funny joke this was.
—
“Well?” you’re cross-legged atop the ping-pong table, staring accusingly at Luke.
Luke rolls his eyes at you, sharpening his dagger against the wall of the dimly-lit Rec Room, “Well, what?”
The two of you ended up in the counselors’ meeting room just below the attic of the Big House after the prophecy sinked in enough for you and Luke to move down somewhere to confer.
“We’re contesting this with Chiron, aren't we?”
You observe Luke from the table, watching intently as he sighs in frustration, returning the dagger to its leather holster, giving you his full attention now.
“We aren't and we won’t.” he asserts, “And get off the ping-pong table, you’ll break it.”
There’s considerable pressure to his words, but you were never one to back down from his intimidation, so you stand your ground, “I’m going to contest this, Castellan. Whether you like it or not.”
“Under what possible circumstance?” He reasons with slight exasperation, “You know they won't let you contest a prophecy—from Aphrodite—off all gods.”
“It’s a clear case of conflict of interest.” the table creaks, and you heed Luke’s advice to hop off.
“That conflict of interest is a deliberate choice from the goddess. Besides, it’s a kiss. One kiss.” he sighs—you’ve been conferring about the prophecy for a while now, and every second is one wasted on argument instead of preparation, “Do I affect you so much that having me kissing you is such a huge deal? What, afraid you’ll come crawling back for more?”
You squint your eyes at the insinuation.
“The kiss isn’t a big deal for me. I don't care about that, you, and whatever relationship we had in the past.” your voice loses its venomous edge when you see Luke watching you intently through lidded eyes. His gaze is a pressuring expression, as if prompting you to speak more, and your mouth slips beyond grasp when you scoff, “You could kiss me right now and I wouldn't bat an eye.”
Oh shit.
The realization of your statement sinks in the second it leaves your lips. A gasp is stuck in your mouth, and you keenly watch Luke for a reaction.
Luke doesn't shoot his usual retort, taking his sweet time before getting off the wall with a grunt. He walks toward you with a heavy gait, one that echoes in the room as if in mockery of your position.
He finds himself almost between your legs, standing a breath’s width away. Luke chases your gaze when you snap your head the other way.
“Huh,” he smiles, and you feel the sinister intent behind it in your stomach, “Do you wanna repeat that for me?”
There’s a stern look on your face, refusing to budge out of self-preservation and dignity, and he tuts in response, “Look at you. You never change, do you? Pouring out emotion but never committing to it. You’re still all bark and no bite—” he whispers with a rough edge, “Like you’ve always been.”
Luke’s words are an obvious, honest-to-gods ploy. It’s nothing more than plain bait, and he’s waving it in your face to see if he can get you off your high horse and into the ground where he wanted you, and he knows if he pushes this narrative a little further, he can get you to bite down.
You blink, and feel the irritation bubbling, choked into the back of your throat. He didn't have the right to tell you about emotions when he was the one that left after the slightest bit of actual reciprocation.
A second passes and you try to give him a chance to take it back, but he only gives you a cocked eyebrow and a look as if impatiently waiting for your verdict.
He persists, and you huff before staring at him straight in the eye with a burning defiance.
Luke thinks, oh,
He’s fucking got you.
A sharp finger jabs itself into his chest, and Luke finds it exhilarating to have you on your toes, “I said,” the tone of your voice is as tense as a rope pulled taut, “You could kiss me right now, and I wouldn't do so much as bat an eye.”
Your pride is deadly as it is precarious—this is affirmed when Luke plants his palm on either side of your figure on the table, stepping an inch closer to where he has to crane his neck down to keep you in his sight in response to your dispute.
Luke leans his head forward, the mocking grin etched right in his mouth, “You’re sure?”
You aren't, but you’ve gone so far now that retracting your sentiments is equivalent to admitting complete defeat.
And defeat to Luke Castellan was a defeat you could never stomach.
So you persist.
“Try me.” you lift your chin as if to push him further to do what he’s been threatening to. You decide there was a large chance of Luke bluffing, so you prompt, “You don't have the balls to do it, Castellan.”
The heartbeat in your ribs thrums and pounds at your bones, a clear display of your body knowing that you should run before anything untoward happens, but your burning pride keeps your feet planted on the ground.
Luke is the closest he’s ever been since you broke up, head slanted into place with his mouth just above yours. The position is familiar, and you hate that you feel it in the pit of your stomach; Luke was so terribly close. He studies your most miniscule of movements, eyes wandering and lingering on your jaw, your neck, and your lips.
The action is an arrogant, self-assured display of power, fueled by the slight, unwanted flush on your face ignited by the suffocating proximity and the sandalwood perfume on his neck—and when he tips closer, it hits you that maybe Luke wasn't bluffing at all.
So, you do the next best thing after realizing you backed yourself into a corner: you close your eyes and wait for Luke’s mouth on yours.
…
Except, it never comes.
You peek your eyes open with a slow wind, Luke has a smug satisfaction written all over his face. He slips his mouth just above your ear, breath hot and searing when he whispers, “Liar.”
You swallow your dignity into your stomach at the realization that he just humiliated you to your face, and you whisper back at him with a hardened gaze, “I’m gonna make you wish you were dead, you damn crook.”
“Do your best, sweets.” the endearment is an offensive spit in your face. Luke takes a step back before stretching his limbs with a faux yawn as he walks to the door, “Good luck with the contention. Let me know how it goes.”
—
Luke knows you like the back of his hand.
He knows you inside out, from your oddly niche allergies, to the callouses you have on your fingers because you used to compete in unauthorized, handwritten poetry competitions with the campers from Apollo, Demeter, and Aphrodite before Chiron shut it down.
(The poetry competitions somehow turned into betting games, which were also unsanctioned.)
He knows you’re just about the most brilliant strategist at camp, as proven by the quest paraphernalia displayed in the attic that you’ve managed to snag along the way, but you let the younger campers like Annabeth hone their skills and take center stage during camp games.
He knows you have marks on your neck that map out the shape of the Lyra constellation, traced from your neck down to the bottom of your collarbone, and he knows, by heart, how long it takes to kiss the stars, one by one, before you give out on your knees.
Most of all, Luke knows that when you despise somebody, you despise them with a burning hatred that singes and ignites everything around you with charring smoke and flame.
And that’s what he exactly gets for being the ex from a relationship felled by a spiteful fallout: your loud hatred, concentrated resentment, and your sweet, sweet unbridled attention in the quest.
Frankly, Luke supposes having your attention is worth it, despite being rooted in bad faith and distrust in his actions.
“My feet are killing me.” you suck at your teeth, eyes glued to the thickets, “This route’s going to wear us down faster than Aphrodite could ever do.”
You’ve done nothing but go and complain about Luke’s decisions for the past couple of days, and it’s a deliberate call on your end—being annoying and insubordinate just enough to piss him off, but never too much as to jeopardize the quest and its goal.
To be fair, you were the daughter of a war goddess. Your words held weight, and not to mention considerable influence and accuracy on your calls on strategy and quest location planning.
It was just that you were using your mother’s gifts to piss the hell off Hermes’ kid.
It’s a lure dangled just above his face, just out of reach to push Luke to his very limit. You’re convinced it’s an art form in itself, the act of patience and persistence in getting somebody to break.
But you haven't had much luck, because as the world would have it, Luke knew what you were doing, and decided he wasn't going to give you the slightest bit of satisfaction by displaying irritation.
He’ll do just about anything to keep your eye on him.
“Are they, now?” Luke answers, a few steps away from you. He keeps walking, and when he doesn't hear your feet shuffling behind him, he turns around, “Sore?”
“Deadly.” you groan, rolling your ankles off the ground. In your defense, the trail ahead was rigorous, bumpy, and slippery from the recent rainfall. Not to mention the elevation gain throughout. You had more than enough of a right to complain, “We should’ve just cut through the highway instead of playing hiker.”
There was some truth to your assertion—it really would wear you down, but not so exaggeratedly.
Luke crosses his arms, a usual telltale hint of irritation, but none of it is present in his voice, “And be picked off the asphalt by a rogue Fury?”
“At least a Fury would take the pressure off my feet.” you grumble, and continue walking forward when you realize Luke just wasn't biting down. You look to the sky in an attempt to clear your head.
In your reflections, you fail to notice that Luke’s gone quiet with mischief, and you see your clear fault of letting your guard down when you get picked off the ground and hauled over his shoulder like cattle.
“Castellan—” you gasp, your vision in a whiplash, “What the hell! Put me down!”
Luke secures an arm over the back of your knees, the other one supporting your hip on his shoulder. He speaks to you with no hint of a struggle, “You wanted to put the pressure off your feet, right?”
“And the first solution that came to mind was to carry me on your shoulder?” you say in disbelief, propping yourself up with your arms on his back, “That's not how things work, you freak!”
“You’d rather I carry you in my arms?”
“I’d rather you put me down on the ground!”
“And let you hurt your small princess feet?” Luke coos in a voice so sickeningly sweet, it makes you feel as if nauseous from a sugar rush, “You know I’d never let you do that.”
“Gods, I hate you.” you grumble with a voice hinting resignation. You go limp on top of his shoulder when you realize there’s no point in arguing with him, “You’re the worst.”
“Get used to it.” Luke says, starting to walk the trail into the forest, “The worst hasn't even happened yet.”
“And that’s supposed to be what?”
He taps you thrice on the back of your knee, “I’ll let you figure that out on your own.”
—
It’s hard to forget that you and Luke are exes by the way you two fall quickly into a routine when left alone. Despite the rough start to your quest that resulted in petty arguments, derailments, and relentless teasing, your disgruntlement with Luke has sort of fizzled out into something a little more tameable, something malleable under shared snickers and a few will-they-won’t-they situations.
It starts off in treks where he takes your pack without a second thought when your breathing lags a little more than usual because you weren't as physically inclined as you'd like, in moments where you catch him forking away at the raisins in your bread so you wouldn't recoil at the sight, and during slow days when the journey is oddly peaceful, and the two of you wordlessly take detours to see pretty trails that Luke gets a little too excited over.
It ends with Luke falling from a spiraling tree root sprawled on the soil, and with flowering wounds on his hands and face.
“You’re a mess.”
You frown over the soft orange spires of the campfire, watching Luke with a pitiful red bruise birthed from his own actions. He’s fussing over his own wounds, and he tries, really, to the best of his abilities, but Luke hasn't attended a first aid class from Apollo’s cabin in years—and it’s showing in the way he tries to treat the bloody marks on his face.
“You’re pitiful.” You comment, looking down at his hunched figure over the sprawled kit. It doesn't help that it’s nighttime and he struggles more and more with adequate light without burning himself on the bonfire, “A disgrace. Pathetic.”
“I’m hurt.” He says, going back to applying an ointment that comes out way too watery because he doesn't know you have to shake it, “I’m hurt and you’re being mean to me.”
You can hear the obvious dramatisation in his voice, evident in the way he draws out his vowels. He’s pitiful and pathetic—just like you said—but for some reason, you find yourself slumped on a log next to him, stealing the balm from his hands.
“Give it to me.” You grit through your teeth, like you’ve been forced to help him by some unknown force, “Best swordsman in 300 years, and he cannot apply healing ointment on himself.”
It’s a comment made under your breath, and when you shake the tube and apply the cream on his arm, you miss the small smile Luke gives you.
The air is so cold with the night air and ripe with tenderness, and the two of you don't miss its hint when you touch Luke’s chin to move his head to the side, applying ointment on the gash lining his cheekbone.
“I’m shocked you’re not even recoiling at this.” You mutter, lathering out a pea-sized amount on his face, “You must hate it so much.”
It’s rare that you strike up a conversation first, but it seems like the intimacy of the moment has gotten to you, so Luke entertains you, “At what?”
“This.” You sign to the two of you, “I’ve done this to you a lot before, but it embarrasses you every time, doesn't it?”
It always started with you having to fuss over him, and with Luke being pissed off—and ended with an fiery argument without fail.
It was a stupid thing to argue about; but when you’ve just passed the honeymoon threshold of a young relationship, everything felt far too intense far too early.
Luke cannot find it in himself to answer immediately, a little embarrassed by the idea of his past actions, so you pacify the situation by talking, “I get it, you know.” You hum, “I was overbearing, and young, and overexcited.”
“And I was stupid, and angry, and cowardly.” Luke answers, an airy chuckle coming out of his lips, “I think we’re just fair. Actually, I might've been worse.”
You shrug, keeping your concentration on the gash. Luke’s eyes are peeking at the side, taking a look at you through feathered eyelashes.
“Hey, smart girl?”
A hum of acknowledgment lets him know you’re listening despite the utter focus on his cheek.
“I really was stupid back then for a lot of things, wasn't I?”
You stop momentarily. It’s wordless knowledge, knowing what he’s referring to, but you aren't sure you want to mull it over right now. The moment is too dangerously intimate to dabble in something so sensitive, so you decide to respond by whispering out an “Mhm.” before continuing on.
Luke watches you and your concentrated look, your lips jutted out and your nose in a slight scrunch. He feels like he’ll physically melt at the feeling of your hands cradling his face.
You’re finished with fussing over his wounds, and in a state of effortless muscle memory from all the times you had to do this to him before, your grip on his chin unconsciously angles him to face you, and you move to give him a peck on the side of his lip.
You’re so precariously near when you catch yourself and jolt into freezing. There’s only a breath’s width between you and him. It leaves you with Luke’s eyes gazing right into yours, eyes as wide as deer in headlights.
You can hear nothing but the crickets of the forest, the crackling of the firepit, and the ring of your slowly accelerating heartbeat. The time stills into a simmering tick.
Luke’s eyes flicker somewhere down in a split-second, and he squints at you, “Were you going to give me a kiss?”
You’re taken out of the trance, and in a flash of panic, quickly push Luke’s face away from yours, “You look horrible up close, Castellan.”
It’s an offhand comment, but Luke doesn't seem to mind when he scoffs out a comment of his own, “Oh please, we’ve made out a lot closer before.”
A red flush comes out of your face, shocked that he would bring up something so old, “And I hated every second of it every single time.”
You didn't—but his ego doesn't deserve to know that.
“If you hated it so much, you’re about to seethe at the next act of our quest,” Luke shrugs, stretching his arms into the ground behind him.
“And that's what, now?”
“Prophecy says you owe me a kiss, remember?”
—
Oh, shit. You forgot about the kiss.
Completely blinded by your deliberate attempts to usurp Luke’s decisions as primary of the quest, you seem to have forgotten the damning condition of your victory—to share a kiss with your past lover.
Simply put, Aphrodite was bored and decided it was time to pair together people who hated each other to death and make them kiss like dolls.
Was it to rekindle buried feelings? Maybe. Was it to drive the offsprings of gods into insanity? Oh, absolutely.
But whatever Aphrodite wanted to achieve by having you and Luke venture out into the world, it still doesn't do so much as change the thoughts plaguing your head for the last few days.
When was this kiss going to happen?
Since leaving the camp, and after that shred of intimacy that night, every passing moment became ripe with untouched tension, thick enough to cut through with a knife and a saw. You felt your heartbeat pound into your ear at the times when Luke would pull you close when he knew a creature was watching a little too intently, or when he would sit between your legs and let you fuss over his shoulder to have his minor wounds treated.
Normal occurrences at a quest, but with the prophecy looming over your head like an unrelenting shadow of misfortune, you were always distracted at the thought of: is this it?
Your agitation with the prophecy and your fear at the thought that Luke would smoothen you into kindness put you on edge, and soon enough your composure unraveled like loose threads and your formerly safe antics almost cost you and Luke your lives.
But it wasn't always you making the trip a hassle.
Your heavy, dragging breaths fill the tight brick alleyway just on the outskirts of the city you cut through to make a “harmless” shortcut Luke hounded you into taking, where you caught the attention of a rogue minotaur hungry for demigod dessert. Now, you have burnt soles and a creature hot on your tail.
It was a shortcut no different from the one you had insisted on taking, but Luke reason that the alternative trail was the same amount of time, with less elevation, and with more places to get food and water—but before you could leave, you realized why the town felt a lot more deserted than usual.
Luke pulled you inside the slim space by the arm, clutching you close into his body and angling you away from the mouth of the alleyway. He has one hand clamped over your mouth and the other on the base of your spine, pulling you so intensely near that you can smell his perfume and feel the ridges on his chest.
You hear the minotaur’s guttural growls and heavy gait echoing with a sharp thud, slowly and slowly until it disappears out of earshot. It’s only then that you feel the heartbeat pounding into your bones once the adrenaline runs out of your bloodstream.
You seem to realize the minotaur’s disappearance a lot faster than Luke does, with his hand remaining over your mouth and his body still pressed close to yours.
Oh, he was so incredibly close.
The flush on your face deepens at every single passing moment, your fingers picking at the skin beneath your nails, with your body becoming hypersensitive to every point that touches his, fueled by the force of the two brick walls squeezing the two of you together. His body feels warm from the constant running that led you to this moment, excreting bodily heat that seeps into yours the longer he holds you close.
When Luke gazes down after ensuring that the minotaur was out of the immediate area, he finds you studying him with a wide set of eyes. He doesn't say anything, mostly because his ego is enjoying the show, watching you stare at his chest, and his arms, his neck, before ending up on his eyes.
You retain eye contact, and Luke cranes his head to your side to check on you. Luke liked getting in close for things he only wanted you to hear, so when he tipped his head down to ask if you were alright, you stalled—like deer in headlights—and panicked at the feeling of his face so close to yours. You break out of Luke’s hold when the panic seeps into your bones, and you stumble onto the open streets.
You crane your gaze to the left—and meet eyes with the minotaur.
—
The hotel off the highway is dingy and obviously seen better (and more graceful) days, with peeling wall paint, dusty carpets, and a receptionist with a mean streak who barely cares for the customers arriving. The ringer on the desk barely makes a sound over her nail file.
She files her nail with a vigorous back-and-forth, the scratching of the material screeching into your ear like nails on a chalkboard. The bright purple of her hair is mirrored by the bubblegum in her mouth, deflating in a scandalous pop when she decides to entertain you.
Well, not you exactly, but the view of the tall, handsome man standing just behind you. Who was, believe it or not, clutching his injured shoulder.
(Minotaur’s fault; not yours, directly)
You can see the instant attraction in her eyes when it lands on Luke’s figure, and you feel a dull sensation in your ribs.
“Well,” she smacks her lip, looking as if she wanted to undress Luke with her eyes, “Two separate rooms, I hope.”
“Excuse me?” you say, stopping halfway from digging into your bag for the money.
“Two rooms, right?” the receptionist rolls her eyes at you, dragging her words along the floor. She fetches two keys on the counter but keeps them beneath her palm, batting her eyelashes at Luke, “Hey, you—pretty boy. I’m a pretty good masseuse, you know.”
You press your lips together, holding back the incredulous expression your face is dying to spit out.
Two customers annoyed and frustrated at each other, looking for a room; one with a bad shoulder, and the other a sleeve catching on a doorknob away from crashing out into misery.
And the damn receptionist decides it's time to snag a quick hookup?
She continues her little show of seduction, leaning over the counter in her slightly-undone button down. There’s venom and honey dripping on her voice, and a bony finger catches itself on her lip, “I can heal that shoulder of yours real good if you let me come up to your floor.”
It’s unbelievable at this point, you decide. You could tolerate this a lot better if you were having a better day, but today was not that, at all.
Your anger, burning hot and bright, slowly becomes slightly clouded by a churning feeling at the bottom of your stomach when you realize you haven't heard Luke answer—nor did you know how he was reacting to the woman at all.
Was he enjoying the attention? Was he considering blowing off steam with her? Did he like it?
Why do you care?
You don't. That’s what you put your resolve on—and there are more serious things to think about, like how you’re on the verge of failure in your quest. He could fool around with anyone, and that wouldn't be your business. It shouldn't be your business.
Whatever turns him productive enough to lead you to completion of Aphrodite’s favor.
Your thoughts are on the verge of collapse, but as if by some wicked timing, the receptionist shakes you out of your trance and pushes you into irritability tenfold when she slips over to you one key.
“Here’s ‘ya room. Leave your boy to me, hm?”
You feel like a kettle, slowly boiling until it’s time to explode and spill over scalding hot insults and lectures about the lack of decency being given. You’re about to start when you feel a chin nuzzled into your shoulder and a hand at your waist.
Luke whispers in your ear, “She’s not worth it.”, staring at the receptionist dead in the eye before exchanging the one key for money.
“Just one room. We’ll be fine, alone.”
The elevator ride is dragging, and you’re standing on opposite sides as if Luke wasn't just clinging on you from the last minute as a response to the flirty receptionist. He looks at the floor with a restrained expression, and you have a flat frown on your mouth. It takes what feels like decades before the carriage reaches your floor.
The doors open into a narrow hall, dimly lit with matching dull carpets from the lobby. Your room isn't in any better shape than the rest of the building. It might be worse when the door shuts and another misunderstanding erupts.
“What happened back there?” Luke asks, his voice pulled taut by tension, but held back by the need to not escalate the situation, “Why did you freak out on me?”
Luke knows you’re keeping something secret, you’ve had a shift in behaviour that he doesn't exactly recognize, but feels familiar all the same.
You keep his gaze leveled to yours, “I’m not the one at fault here, Castellan. We wouldn't have been there if we took the original route.”
“Fine,” he groans, “It was my fault we ended up in that stupid alley in the city outskirts. I didn't factor in why the map wouldn't mark it as a route in the first place. But that’s not what I’m asking, isn't it?”
“What are you asking then?”
“Why’d you freak out on me in that alley?”
“And that’s such a big deal?”
“It’s a big deal because that meltdown of yours cost us an injury, supplies, and now transport money that we have to use on this hotel.” he stalks closer, tone suspiciously clear of malice, “You’re smart. You know we don't have enough time or resources for the quest, no?”
“I know that.” you snarl. You don't even know when you stood up, “Shit happens, Castellan. I can't control when and where I panic.”
“But you can.” he shrugs. You have no idea when he got so close, “I may not know what happened, but I do know you—you’re calm, collected; you hate being driven by emotion and you are Athena’s favourite child for a reason.”
You look away to the side, refusing to make eye contact, “What are you trying to say?”
“I’m saying,” Luke drawls, as if the answer is staring at you, “Either your skills have downgraded for absolutely no reason at all, and you’ve become a shame of a daughter of a war goddess—or, something else has shook you to your core entirely. Something, or someone. That’s my guess.”
It was true—you were shaken by the prophecy and let the panic from it settle far too deep into your bones, but you were a lot more pissed by the way Luke was speaking to you. As if he knew you from the inside out, and to hell with him thinking that way.
He didn't have the right.
“You wanna know the reason, crook?” Your finger jabs into his shoulder, and you have to look up to his towering height to meet his gaze and get your point across. You were at such a close proximity now, it's as if you could taste the smugness in his voice.
He rolls his eyes, and shrugs mockingly, “Well, don't keep me waiting.”
You let out a good exhale before you postulate.
“The prophecy got under my skin.” Luke senses the tinge of nervousness in your voice, the end of your sentence faltering into a low mutter, “As much as I want to be the perfect quest companion you need so bad, the prophecy that we would have to eventually kiss crawled into my head and won't leave my consciousness since.” your voice tries to remain steadfast, “Every time you’re near, I think about the kiss, and I panic because I wouldn't know what to do with myself and I wouldn't know what to do with you. Happy now?”
You pull out a sharp exhale, “You make me nervous, Castellan. You still make me nervous.”
Luke stares at you like gears are turning in his head, his eyes flickering between your gaze and your lips. The realization of what you just said hits you in the ribs, and you feel as if the oxygen in the room is too little to keep you alive and breathing. You swallow your pride and your embarrassment, wide-eyed and on your toes.
You almost move to ask Luke to say something, anything really, but he cuts you off wordlessly when his hand weaves its way into your hair and his mouth finds its slot against yours.
Time grinds into a halt, and you realize that in all the times you imagined the prophesized kiss in shameful fever dreams and trances, you never expected for it to be this: Luke kisses you like he’s been starving for months. He’s deprived and angry and desperate and moves as if there wasn't anything else he’d rather be doing than to dishevel you in the middle of the room and leave your knees weak and trembling like he used to.
Oh, gods. The kiss is like water, like a delirious thirst in your bones finally quenched and an itch you’ve been dying to scratch. You’re stunned at first, but find yourself kissing him back just as quick and just as desperate.
“I waited far too long for this.” he rasps into your mouth, tongue swiping on your bottom lip to open your mouth, “Couldn't get my mind off you even when we broke up.”
“Shut up, Castellan, for once.” you breathe out, and Luke can’t help to restrain himself when he smiles against your lips.
“I tried everything to get close again.” He says in between kisses, “Who knew we only needed a damn quest?”
The two of you are sprawled on the creaking twin-bed mattress, and Luke, despite his bad shoulder, hauls you into his lap with a burning intention to keep you there. His lips trace from pecking at your lips, to nibbling at the skin behind your ear, to tracing down searing hot, open-mouthed kisses on the bottom of your jaw.
“Castellan, I—” you gasp, melting between his mouth and the hand that’s running lines over your hips.
“That’s not my name.” he mutters between kisses, turning you over with your back to the mattress, “Say my name, smart girl.”
If you were in any sort of proper thought, you’d be flushed red and annoyed at Luke for speaking to you this way—but all rationality is thrown through the window when his lips are on your neck.
You swallow your pride, your dignity, and everything in between, “Luke.” it’s a whimper when it comes out, and he pulls you in impossibly closer.
He hums in satisfaction, dropping his head over one of the moles on your neck. Luke gives it a small lick before smoothing it over with a kiss, “Vega.”
To your collarbone, “Sheliak.”
Down to the mole just above your chest, “Sulafat.”
He’s naming the stars in the Lyra constellation, and your mouth lets out a choked moan, “Luke, shit—”
Luke pulls away after one more quick peck, and he doesn't waste time admiring your figure from head to toe. You’re resting against the white pillows, breathing heavily with a disheveled look when he asks, “You good?”
The moment finally sinks into your mind in a panicked, cascading waterfall of information—that you’ve just shamelessly made out with your ex after a frustrating run, and that you were basically pinned against him on a bed.
It’s a wash of fresh, hot shame. Before you can help it, words spill out your mouth in an attempt to save face.
“That,” you blink, still a little hazy from having Luke’s mouth on yours.
“Go on,” He says, patiently, “Take your time.”
“Well, that’s—uhm” you inhale, “—don’t take that personally, Castellan.” you rasp out, trying to hide the weakness in your voice, “That was just for the quest.”
“Yeah?”
“Yeah.” you nod cautiously, “We’ve got the prophecy out the way now, haven't we?”
You doubt you were convincing him any more than you were convincing yourself when Luke gives you a sickeningly sweet grin. He’s still pinned over you, like he refuses to be anywhere else.
“Mhm,” he coos, “Sure it was.”
“That didn't mean anything to me.” you repeat, to yourself more than anyone, “And that didn't mean anything to you.”
“Speak for yourself,” Luke shrugs, now falling into the pillows next to you. He closes his eyes, sinking into the bed, “That meant the world to me.
There’s a mixture of confidence and lack of hesitation in his voice, and when you prop yourself on your elbows to look at him, he was disheveled with smeared lip gloss all over his mouth, and he looked the happiest he’s been in days.
“Hear that?” he goads with a lilt that sounds suspiciously like bait, like he’s prompting you to retaliate, “I said the kiss meant the world to me.”
You find it unimaginable to believe him, but when Luke gathers your hands in his and places them against his lips with a soft exhale, you feel your stern resolve melting at every passing second.
“You don't mean that.” Your voice sounds even weaker now, like you’re hanging on by a thread.
“I do. I mean every single word.” Luke kisses your knuckles, softly whispering, “I can prove it to you, if you’ll let me.”
It’s scary.
It’s a scary realization to know what Luke’s asking for, and an even scarier realization was the fact that you were willing to give him another shot.
A second wind. Like what the prophecy asked for.
“You’re lucky I tolerate you, you crook.”
In your many years at camp, still, the best advice you could probably give somebody is not to date another camper.
But when you’re tasked to go on a journey with them promising a kiss at the end, maybe it wouldn't hurt to give it a chance.
Especially if it’s somebody like Luke Castellan.
“The luckiest alive, smart girl.”
—
“That’s my victory, then, forehead-spawn.”
A sultry voice echoes in Olympus. Aphrodite leisurely fans her face with a smug look, satisfied by the outcome of the prophecy.
Athena gives her nothing but a disgruntled expression.
#luke castellan x reader#luke castellan x you#luke castellan#pjo#percy jackon and the olympians#riordanverse
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ridiculously long list of things i’ve noticed about thomas grant and adam wadsworth’s portrayals of albus and scorpius
sorry in advance if this is messy, i wrote this at like 4am
albus flinches away when james steps too close to him!!!
when scorpius asks albus whether he prefers albus or al, he doesn’t have to think about his answer. instead he just looks shocked that someone was actually asking that, like nobody’s ever considered his feelings before. makes me feel like he’d been waiting his entire life for someone to actually ask him that.
tom’s albus doesn’t cry during the fight with harry like i’ve seen a lot of the other actors do. he just stares blankly ahead of him and completely shuts down. i’m head over heels in love with this choice because it really hammers home how hard it is for albus to express his feelings or communicate with anyone.
albus’s reaction to the love potion really really makes me believe that ron intended it to be a mean gay joke. even if ron didn’t intend for it to come across that way, that’s definitely what albus takes it as.
scorpius is just staring vacantly at a wall before he spots albus on the train in their 4th year. not sure if this is a specific acting choice or if i’m just reading into it too much?
they hold hands for a second and stand with their faces an inch away from each other as soon as they duck into their train compartment. their body language in private is so different from their body language in public.
albus squeezes his eyes closed when they hug. he really needed that physical affection but he hates anyone but scorpius being near him.
scorpius puts his hand on albus’s chest when the train starts moving. nothing to say about that its just really gay.
my favorite delivery of “oooo a quiz… WIZZO!!!” i fucking love how he does jazz hands when he says it, especially because it’s the second time he does jazz hands in that scene. he’s so me.
albus does so many little hand gestures in this scene, he’s way more comfortable being expressive around scorpius. he almost mirrors scorpius’s stupid little mannerisms.
bonus- not scorbus related but craig is first seen wearing his beanie on the train during the this sequence (where albus and scorpius decide to run away)!! idk if they don’t do this in other productions or if i just hadn’t ever picked up on it before, but it’s a really cute detail. does anyone know if he canonically got it when he became head boy?
when amos first tells them to leave, scorpius grabs onto albus’s sleeve
not even technically them but the ron and harry actors grab onto each other sooooo much (as albus and scorpius)
in love with how long scorpius hold out his “WIIIIIIIZZZOOOO” and how albus tries to match his energy with the “DOUBLE WIZZO”
delphi steals scorp’s little phrases and his awkward way of speaking and his mannerisms to try and appeal to albus because she knows that he reeeeally likes him- and i hate hate HATEEEE how she makes him feel like a freak for being himself when all the while she’s stealing his personality. scorpius plays with the fabric of his sweater and then fidgets with his hands after she tries to make him feel left out in the forbidden forest and i can FEEL what he’s feeling through the screen.
scorpius is JEALOUS jealous of delphi and when he talks to her his voice is quiet and monotone, which is the most un-scorpius thing ever. i love it. you can feel how much he hates her. i hate her too, this delphi is despicable. (very talented actress!!)
when scorpius tears his eyes away from the beautiful sight in front of them to look at albus and say “you’re my best friend” (which is crazy enough on its own) he talks in a really sweet, low voice before returning really quickly to his normal scorp-voice, as if he was afraid to let albus think about what had just happened
albus jumps up and down with excitement when they announce the triwizard tournament. he starts and then has to stop himself from cheering for hogwarts. funny that a guy who was just saying how much he hates hogwarts would do a thing like that.
everyone around scorpius gets startled when he starts cheering for krum because his screaming is so weird lmao
at the end of the scene where albus tells scorpius they’ll be better off without each other, scorpius just slumps over on the steps and stays there for the ENTIRETY of the next scene until he eventually gets wheeled off with the stairs. it looks like he’s fiddling with something? maybe his wand? maybe just his hands?
obviously the staircase ballet is the staircase ballet, but the way they look at each other is just AAAAUUUUGHHHHHHH
at the end of the ballet scorpius steps towards albus first, but albus is the one who reaches his hand out and slinks down onto the steps
obsessed with that gay little purse scorpius carries the time turner in
delphi gets scorpius to let his guard down during their conversation and scorpius starts talking like himself in front of her again!!!
albus does the little puke-gag-joke-thing in the library to try and make scorpius feel better </3
they’re both fidgeting with their hands throughout their whole conversation :(
ALBUS’S LITTLE GIGGLE WHEN SCORPIUS AGREES TO COME WITH HIM TO FIX TIME
this isn’t specific to this production but scorpius’s shoes are one of my favorite details. in the normal world, he wears big clunky shoes to showcase his awkwardness, whereas in the dark dimension he wears running shoes!! evil scorp is athletic!!!
the second “im fighting for albus” that comes out of scorpius’s mouth is said almost entirely to himself
their little hug in the water :,)
i LOVE LOVE LOVE that scorpius tries to hug draco and he pushes him away and throws his jacket at him in such a cold manner. it makes their hug near the end feel so much more important to their relationship. as soon as we meet scorpius he immediately refers to himself as having daddy issues and we don’t see nearly enough of that in this play.
bonus p2- one of my favorite parts of this show is the in trouble again number!!! i love the background gang and all of their little scenes like this. craig being a little gossip monger is funny as shit!!!! it gives him so much personality and makes his death that much sadder :(
the delivery of “scorpius��.. he matters to me…. you know that don’t you?” is INSANE. tom grant delivers all of the coming out adjacent lines so perfectly.
i love how scorpius moves his body. he waves his arms around in the air so often.
scorpius tickled albus lmao they’re so weird
when scorpius talks about hating the other world, albus throws in “apart from polly chapman fancying you” quite bitterly and scorpius almost completely cuts him off. he doesn’t acknowledge what he said in any way shape or form and albus seems to notice that he’s not interested in polly.
scorpius rubs his socks on the floor while he talks :3
the choice to have scorpius move from his bed to albus’s bed and pull albus’s blanket into his lap when he tells him that he changed himself back for him is so AAAUGHHH
AND SCORPIUS DOES THE SAME THING THAT HE DID EARLIER AGAIN!!! he gets all quiet and sweet when he’s sort of admitting his feelings to albus and then all of a sudden he stands up and goes back to his normal loud voice
“MALFOY THE UNANXIOUS IS A PRRRRRETTY GOOD LIIIIAAAR”
delphi mocking scorpius and him immediately tensing up oh he hates her ass so much
scorpius reaches out to try and intercept albus handing delphi the time turner and albus giggles at scorpius because he’s happy she’s not extremely pissed at them
scorpius holds onto the railing right up until he gets his hands bound together because he’s afraid of heights. thought it was cute that adam chose to do this even though his fear of heights isn’t mentioned anywhere in this version.
i LOVE the torture scene in this version. albus is stone faced when delphi is threatening to torture him and then he IMMEDIATELY falls to his knees begging and pleading when she turns toward scorpius.
delphi is quite literally outing albus in this scene. the silence after she says that love is his weakness and points to scorpius is SO long and SO loud omg. it’s quite literally ten whole seconds (i counted) of albus and scorpius just looking at each other. it genuinely feels like she just spilled out what he’s been keeping inside of himself for so long, it’s gutwrenching. i guess they did just watch craig die so they do in fact have bigger problems, but you can see albus’s heart stop beating and its so terrible.
i love how albus turns to scorpius when the stationmaster starts unintelligibly talking to them like “hey, you’re doing the talking rn just so you know”
i’m obsessed with how excited scorpius is to tell albus all about the history of the place they’re in. in love with his little gasps at everything he sees and his jump when he says “SQUEAK!”
albus motioning for scorpius to stop when he’s demonstrating how to scream for help lmaoooo
albus pointing with both hands at scorpius while they try to come up with a plan is so cute. albus believes in him so much.
i love how scorpius keeps hugging draco even as he’s talking
their foreheads are literally brushing against each other my god these bitches gay
albus asks “and thats who you want in your palace?” in an almost panicked way like he’s afraid scorpius doesn’t feel the same way about him.
albus holds onto scorpius’s shoulders while rose tries to reassure them that they didn’t just get walked in on lmao
3rd and final instance of scorpius trying to change the subject- asking immediately about quidditch so albus doesn’t get the chance to say anything related to what just happened
scorpius says “come on” like he’s trying to get albus to come cut a rug with him at a middle school dance
obsessed with their little gagging and puking bit and how they made it a callback to what albus does in the library
maybe my favorite hug moment from any scorbus duo. i love how albus initially reacts with shock but then melts into it and closes his eyes, only pulling away to make sure he’s not reading the situation entirely wrong (he’s not)
my favorite ending scene by far. the coming out hits SO hard. the way albus fiddles with his zipper and scrunches up his sleeve in his hand, you can tell how absolutely terrified he is of saying this to his dad. the line delivery is genuinely fantastic. the more he pauses the longer you have to take it all in- and he pauses a LOT.
okie thanks for reading!!!!!
#hpcc#scorbus#the cursed child#scorpius malfoy#albus potter#albus severus potter#harry potter and the cursed child#harry potter#albus x scorpius#cursed child#scorpius hyperion malfoy#craig bowker jr#james sirius potter#lily luna potter#rose granger weasley#yann fredericks#polly chapman#karl jenkins
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omg qween goddess supreme hedwig221b can you please, pretty please rec me some regency and/or historical sterek 🥹
hoping you have a good day/night (idk your timezone lol)
Hi, love! You know me so well... historical aus, my beloved 💜
When All the Pieces Fit by NARKOTIKA
"Does he even realize? With the cooking and cleaning andandand—now this fucking baby?" Isaac fumes. Said baby waves its fist in the air, and Stiles bends to haul him onto a hip. The baby babbles something and Stiles nods his head with complete seriousness, as if everything out of its mouth is perfectly sensible and coherent. Then the kid starts mouthing at Stiles' nipple through his dress and everyone goes dead silent. "I'm going to wife him so hard," Ethan announces, and they all break out into argument over who has the best chance at mating the boy in the river.
Elskende by DarkAthena (seraphim_grace)
Stiles is an omega concubine, kept sequestered away in the city of Beacon Hills, waiting for his lord Gerard Argent when the Wulver take the city and the alpha takes the omega.
Pride and Place by DarkAthena (seraphim_grace)
Derek Hale, Earl of Osterbrook, has inherited, following the death of Lord Montfort, a run down house in Yorkshire he neither needs nor wants, convinced his staff are robbing him, and with the mystery of a missing ward, he manages to get himself talked into a ridiculous bet, that he cannot pass as a steward until Midwinter, nearly two months away. So can he maintain the charade? Find the missing child? and manage to turn the shambles of a house around, or will he give up and let Peter take the thousand pounds he bet.
A Princely Knight by Dexterous_Sinistrous
He would stand by Stiles’ side, a constant shadow of protection until his death. A life for a life, one worth much more than an orphan turned thief turned royal guard could comprehend. In truth, Derek saw the one person he would gladly give his life for, because Stiles made this world better. ~*~ Or, Stiles is a prince and Derek is his knight.
Meant to be One by sunhazeheart
His nerves felt like a live wire was running hot beneath his skin, hands fidgeting with the silken material of his robe. If he had the concentration to spare, he might had worried about tearing it. It was all he could do to sit there at the vanity, eyes squeezed shut, and try to give in the constricting pressure around his chest that said that he was about to fall into a panic attack. Breath in. Breath out. His own heartbeat rushed in his ears. Being mated to the reclusive king with a frightening reputation to his name, bundled away from his home and father, and then surrounded by underwhelmingly distant faces hiding secrets was not how Stiles Stilinski imagine spending his life soon after turning eighteen. He can only remind himself that it is for the good of his people, both old and newly acquired. But, perhaps first assumptions are made too hastily and a fated match can be made, even surrounded by threats of war, revenge and death’s waiting embrace.
The Wolf Lord by mikkimouse
"You never know," Lydia said. "Perhaps the Wolf Lord will ask you to dance tonight." Stiles scoffed. "Oh, yes, of course he will. And then he'll transform into a giant black wolf and whisk me away to his estate to live happily ever after." He rolled his eyes at the thought. "Actually, I rather hope he does ask me to dance. I can tell him how ridiculous these masquerades are."
To Whom The Wolf King Bows by MadcapRomantic
Stiles Stilinski meets The Wolf King, the very boogeyman he'd spent his younger years terrified of; yet the man is little, if anything, like the tales he's heard. But, Stiles has spent the last ten years of his life as a slave, under the harsh whip of the cruel King Gerard Argent, and trusting Derek - trusting anyone - is beyond difficult.
Where the Shadow Ends by Green
Derek goes undercover to Delphi to figure out what's wrong with the oracle. He doesn't mean to fall in love.
The Hills Call
Five years ago, Prince Derek of the Hale Empire had fallen for the son of a Baron, Genim of Stilinski. His mother had not approved, and after some time imprisoned Genim escaped to the Dukedom of the Shore, where he was taken in by Duke Christopher and Lady Allison. Now, Prince Derek is on his deathbed from a poisoning and it is up to Genim, now called Stiles, to nurse him back to health. Wary of the Hale Empire, Stiles returns with their young son to see if he can heal Derek of his illness and escape the threats he still feels from the Empress herself.
The Light in the Woods by DiscontentedWinter
To honour a treaty with the people of a strange land, Derek Hale, prince of the kingdom of Triskelion, has to marry Stiles.
I encourage you heavily to go through the works of Dexterous_Sinistrous and DarkAthena (seraphim_grace), these two are my crushes and I am in awe of their work, it's so good. I could genuinely sit here and list dozens of their fics - I already did list some of my most beloved fics of theirs...
[masterlist link]
#sterek#sterek fic#stiles x derek#sterek fanfic#eternal sterek#stiles stilinski#derek hale#derek x stiles#sterek fanfiction#sterek fic rec#i also didn't check how many of these are abo#probably a lot lol#idc i love it#genuinely like i went through my saved historical fics#and the majority was dexterous and DarkAthena
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I don't share well. I'm possessive and jealous and it makes me rather irrationally upset to see other people shipping with my F/Os unless I know those people and am friendly with them. And sometimes it makes me sad because the culture on tumblr is very much pro-sharing, at least in the corner I've found. Which makes me feel like the odd one out.
#it feels so lonely#and i know i don't talk a lot about my selfships#but i'm kind of afraid to?#i feel like i'm gonna be judged against another shipper#and i know that's a me thing...#i dunno#since my corner of the OM fandom went their separate ways i feel so lonely#at least i have one amazing friend i talk to regularly about it#(read: sometimes i worry i annoy them with how much i yap at them lol)#anyway...#the oracle speaks#shut up delphi#probs will delete later
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its the most wonderful time of the year
decorating home/sickfic/civilian!reader || LSS gift for @delphi-shield
Summary: deck the home with warmth and laughter, falalalalalalalala
"Really, Claire. It's fine." You wrap the garland around the porch. "He's busy. I get it."
"Yeah, but it's not really an excuse for it." She mumbles. "I'm sorry, I really did try and convince them."
"It's alright." You sniffle. "I'll just rest up at home. Even if he comes late, it's fine."
"And you're working up a cold! Ugh. Where's the man of the house when he's supposed to be helping you?" She mumbles. "I'd drop by, but Chris is kind of..."
"It's fine." You laugh. "I'm not dying."
"Are you sure? It's so snowy in the neighborhoods. Isn't the snow stacked up already where you are? And you're out on the porch? Ugh, wish there was an HOA service for shoveling snow off the driveways. They only do the streets." She sighs. "Oh, Chris is calling. Call me if you need anything! Happy Holidays!"
"Happy Holidays." You laugh. "See you around."
You sneeze as soon as the call ends, and you glance at the finished porch.
Really, it's a shame Leon isn't coming home until a little bit later. It's cold and lonely alone, but you suppose you knew it was coming when you first got married to him.
The ring makes your ring finger feel extra cold. Stupid metal.
You kick the plastic box back inside and shut the door, glancing one last time at the wall of snow that's built up around your porch. Even if Leon wanted to come home, he'd probably have to stay out. No way he would be able to get through all that snow.
You reach for the mistletoe and get the hook ready, humming slowly to yourself as you twist the hook into the hole as you peel back the tape. A fun little tradition. Most couples walked in together anyway, and on occasion there would be two unfortunate souls. It's not like you were really enforcing it as a rule anyway. You bring a folded chair over to get the final bit of the screw into the door.
The mistletoe glimmers under the houselights, and you step down from the chair after hooking it on.
The front door jingles with the sound of keys, and you spin around with the chair in hand to a sight of a very sweaty Leon and a hole in the snow.
"What— oh, oh my god? What? HELLO? HI?!" You gasp, tossing the chair as your arms find themselves around Leon's neck, and he laughs, squeezing you back. "How did you get here? You're supposed to be back tomorrow? What?!"
Leon's laugh rumbles through his chest to yours, and he rests his cheek in the crook of your shoulder. "Hi sweetheart."
"Oh my god!" You pinch at his cheek, eyes sparkling as he hums. "Did you dig through the snow? Honey, we're snowed in!"
He glances up at the mistletoe and presses a quick kiss to your cheek.
"You were snowed in. Nothing stops a man from getting to his spouse." He hums, raising a brow at the color on your nose. "Have you been sniffling?"
"A little. Just winter chills."
"Oh, sweetheart." He mumbles, hauling you up into his arms as you yell.
"Wait, wait, Leon the chair."
"No. I was about to start on the tree since I finished the porch."
"I'll deal with that later." He hums. "I'll shovel out the driveway too. Did you run up a fever?"
"No, just chills. I'm just congested and sniffly." You hum, and he presses his forehead to yours.
"You're fine. At least you're not burning up. Did you make yourself a cup of tea?"
"Leon, I'll be fine. I just need—"
"I'll get you a cup of tea, light the fireplace, and then you can tell me which ornaments go on the tree." He hums. "I know where the box is. I'm horrible at driving, not cooking."
"I'm shocked you didn't crash the car in the snow."
"Almost did."
"What."
"I couldn't possibly die before I get to see you for Christmas again." He hums.
"And if I get you sick?"
"Then hot tea on the couch for us both with the fireplace and TV on."
"Sounds fun." You sniffle. "Not the part where you get sick, though. I think I'll be fine."
"You want me to get you some ginger?"
You grimace. "...sure."
Leon hands you a glass of tea and bundles you up as he sits on the ground, pulling out ornaments from the box.
"Which ones are you feeling?"
"Shouldn't you shower first?"
"I'm clean, sweetheart. I swear." He hums. "It wasn't a mission this time. Showered at the gym before I came."
You sigh, humming as you press the tea to your lips. "I want the white ornaments."
"A boring white christmas?"
"The house is set up with white and blue this year for some reason. Maybe that's what I'm leaning towards."
"Thoughts on gold?"
"Yes."
"Thoughts on green."
"Too many colors." You hum. "Gold white and blue."
"Sounds good. No silver?"
"No. Need something warm." You hum. "The gold is a nice pop."
"Whatever you say, sweetheart." He hums. "You got a placement you want?"
"Nah. Put em where you think they look good."
Leon hangs the ornaments up, the crystal ones he got for each year on display next to them, and the crystal droplets he had made a while back when he had been bored at home over break. Leon does a lot around the house, and it seems he found joy in making things for fun.
The mug in your hand warms your heart as you watch Leon hang everything up and look back at you for nods of encouragement and hums of approval.
"Look good?"
"Looks wonderful." You hum quietly to yourself. "Nicely done, Leon."
He walks around the couch with the box, not forgetting to lean down and catch a quick kiss before he puts everything back into storage.
"Thank you, sweetheart. Do you want anything for dinner? Did you eat already?"
"I had dinner already." You hum. "Leftovers are in the fridge."
"Alright."
You huddle on the couch and turn the TV on, catching up on a show you had missed out on while decoration, humming as Leon heats the food in the back.
"Food on the couch?"
"As long as you don't stain." You hum, throwing the blanket over his legs as you lean on him. "Anything fun happen at work?"
"Nah. Just the usual. I'm offended the president made me stay behind just to toast me in private."
"It's an honor, honey."
"Yes, but it's the handful of days before Christmas." Leon mumbles. "I'd like to spend time with you for as long as possible before they send me back to the middle of nowhere."
"Fair." You hum.
"Did you open today's advent calendar?"
You blink at him, and he raises a brow back at you.
"Day... twenty five?"
"Merry Christmas, baby." He laughs, kicking off the blanket and putting his plate of food down.
He hands you a box, and you raise a brow. "gold bars."
"Guess again."
"Plane tickets."
"God, how the hell do you even guess shit like that?!"
"Plane tickets?!" You gasp, tearing the envelope open as you scream. "Where the hell are you flying us?"
"To your retirement home. It's bingo time for you, sweetheart."
"Leon Scott Kennedy, if anything, you're the one who'll be stuck in a retirement home." You huff. "You and your broken joints."
"It's a box, sweetheart."
"Is it a plush." You hum, opening the box as you gasp. A weighted pokemon?!"
Leon nods. "Saw you looking at them."
"Did you stalk down my amazon wishlist?"
He averts his eyes, and you laugh.
"I have a gift for you too, honey."
"Is it a new watch?"
"You might want to check the garage." You kick at the blanket and take your mug with you. Leon stops to wrap the blanket around you before tugging you along with him.
"You got me something to crash again?"
"Maybe." You hum. "You'll live. Your health insurance covers everything."
"Aren't you happy one of us risks our life in our day to day to pay little to nothing for insurance?"
"Fuck, yeah." You hit the lights to the garage as Leon opens the door, and he blinks.
"My bike?"
"Not yours, but the same model and everything. I found it while I was—"
Leon wraps his arms around you, forcing the arm with the hot tea to the side as he takes it from you, letting you wrap your arms back around him.
"You like it?"
"I love it, baby." He mumbles. "You wonderful thing. Love you so much."
"Love you too." You hum. "I bought full coverage insurance, so they'll replace it if you crash it again."
"God, I think I must've done something better than save Ashley in a past life or something." He mumbles into your skin as you laugh.
"Maybe you were a survivor of war or something." You hum, running your hand through his hair. "You like it?"
"I love it, sweetheart. Merry Christmas."
"Merry Christmas, Leon."

@leonsecretsanta 2024 ❤️
#leonsecretsanta2024#leon kennedy x reader#leon s kennedy x reader#leon s kennedy#reader insert#☾.fics#☾.events
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Or: a PJO AU
-
Cellbit hasn't been a demigod since he was eight years old staring a snake woman in the eyes in downtown Manhattan. It's been almost ten years since then, and he hasn't bothered with the gods since. (Good riddance.)
But then, of course, Richarlyson.
And then, of course, the spiders.
Oh, the spiders...
So now Cellbit has Richarlyson in the back seat of a stolen car with Pac and Mike on either side of him, Felps riding shotgun and shouting insults at the dozen or so dog-sized spiders chasing them down the highway. They're just under five minutes away from where Cellbit vaguely remembers camp being, which means Richarlyson is just under five minutes away from what is going to be the worst day of his life.
(Cellbit never got claimed, thank the gods. Mike says that he doesn't believe in divine authority, so he won't recognize whoever his parent is. Pac is long-claimed by now, but this also isn't his camp or pantheon. And Felps is... Felps.)
Richarlsyon has his headphones on, and he's watching The Lorax on his tablet (also stolen.) This is probably why the spiders are chasing them, but Cellbit doesn't have the heart to take it away from them.
Spiders... eugh. Of course, it just had to be spiders.
Cellbit watches a spider lunge for the driver's side door via the side mirror.
With a grimace, he takes one hand off of the wheel and slams his door open with his free hand.
The spider goes flying, and it's immediately run over and squished into a spider-shaped mass of goo on the road.
"Ewwww," Pac complains.
Cellbit wrinkles his nose in agreement. He pulls his door shut and stabilizes the car and tries not to think about how the squished-up spider is going to reform in a second and come after him and probably, like, murder him in his sleep after he drops Richarlyson off.
(The downside of refusing to associate with the gods for a decade is a distinct lack of celestial bronze weaponry. Except for...)
"Keep an eye out for a sign," Cellbit tells the others. "It's... strawberries? Something about strawberries."
The car jerks as a couple of spiders leap onto the trunk and start hissing.
Cellbit swears and sharply turns the car to the left, sending the spiders- and Mike- flying.
Mike shouts, and then he screams as a spider jumps up onto the window next to him.
"What the fuck?" he yells. "Pac!"
"Got it!" Pac cheerily says.
With only a little hesitation, he unbuckles his seat belt, leans across both an unbothered Richarlyson and a freaked-out Mike, rolls the window down, and stabs the spider through with the blade of his gladius. The spider screeches and dissolves into dust.
One down, so many more to go.
Pac grins and sits back in his seat. He ruffles Richarlyson's hair as he does so, retracting his sword back into his watch and re-buckling his seat belt.
Cellbit turns his attention back to the road. No signs yet... but it's also been ten years since he's been in New York, let alone at camp. Things could have changed. Things probably did change, and probably not for the better. Maybe the campers lost the war. Maybe the Titans won (but probably not considering the world hasn't been destroyed in the years since 2009.) Maybe Bagi-
"Delphi Strawberry Service," Felps hums. He looks at Cellbit. "Is that it?"
Cellbit answers by jerking the car so hard to the right that everybody inside, himself included, is pulled to the side. He grits his teeth and tries to stay as upright as he can.
(Why is he the only one who can drive, again?)
The car pulls onto a familiar gravel road. There's a tall tree on the hill ahead of them. Even through the windows, Cellbit can smell the scent of sweet, fresh strawberries and bonfire smoke. There are people on the hill braiding flowers.
The spiders continue giving chase. One must manage to puncture one of the tires with its fangs, because one of the lights on the dashboard goes red, and the car starts to wobble and slow down.
Cellbit groans and presses his foot to the gas. "Nooo, come on!"
They're so close! He can see the Golden Fleece waving in the wind.
He can also see a very large statue of a woman towering above the treeline. She looks... familiar. In a bad way.
Cellbit shudders and tears his eyes away from the statue. It's none of his business, anyway; he's just dropping Richarlyson off, and then he and the others are leaving before they're noticed.
Another tire is popped. The car stops.
Finally, Richarlyson takes his headphones off.
"Where are we?" he asks.
Cellbit tries to smile at him through the rear-view mirror.
"We're going to summer camp, remember?" he attempts.
Richarlyson- six years old and too smart for his age- does not appear to be too happy about that statement. Makes sense, he didn't want to leave California in the first place. Cellbit doesn't blame him; the weather is much more tolerable there than it is in New York.
The car shakes as spiders start climbing it. They start trying to break through the windows using their evil little spider legs and their absolutely horrifying spider fangs: enormous pointy things oozing a purple liquid that bubbles as it hits the glass.
Cellbit bites back a whimper. They're so big...
Pac's mouth narrows. He presses the button on his watch and only flinches a little as his gladius pops out of it.
Mike steels himself. He clicks his seat belt off, and he picks his bag up off of the floor and puts it in his lap- ready to run.
Felps, though, smiles wide and turns around in his seat to look at Richarlyson.
"Are you ready to run again?" he asks.
Richarlyson is good at many things, but he's best at running away from his problems (just like everyone else in the car), and the killer spiders are definitely problems.
So Richarlyson nods and clutches his tablet to his chest. He should really leave it behind, but...
"On the count of three," Cellbit tells everybody.
He takes his seat belt off and gets his backpack from the floor by his feet. He checks his boot and lets out a tense breath. Okay. It's there.
"Um," Cellbit says.
The spiders manage to crack the back windshield. Richarlyson gasps and rushes to take his seat belt off.
"Dois."
Pac yanks his seat belt off and grabs the door handle. His eyes flicker between the spiders and Richarlyson and Mike and Cellbit and Felps, though they linger on Felps for just a moment too long to be normal.
(Oh, Pac...)
"Três!"
Cellbit shoves the door open and jumps out of it, pulling his knife from his boot and stabbing it right into the abdomen of the closest spider.
"Wait, you meant on three!?" Pac screeches, tumbling out of the car and swinging his gladius at the nearest group of spiders.
"Yes!" Cellbit snaps. "What did you think I meant?"
He rips the knife out of the spider, panting heavily from both fear and exhilaration. The edges of his vision are red and dripping with blood, but the spider simple crumbles into dust at his hands.
Mike stumbles out of the car, Richarlyson in his arms and his bag on his back.
"I thought you meant after you counted to three!" Pac shouts.
He spins in a neat circle and manages to decapitate two spiders at once. They dissolve, but two more spiders take their places immediately.
Mike takes off down the road towards the hill, grumbling about Richarlyson's weight as he goes. Richarlyson starts talking about Mike's weight in return, and there are spiders.
There are spiders.
Oh fuck.
Knife's effects be damned, Cellbit screams and jerks backwards in sheer terror as a spider scrambles onto his side of the car. He falls onto his ass on the gravel and scoots away, eyes wide. His hands shake and his vision flickers back into something resembling normalcy and he can't breathe- fucking spiders, of course they're spiders! What else would they be? Fucking spiders, of course!
"Cellbit!" Pac cries.
"I've got him," Felps says, finally getting out of the car.
He calmly raises his arms above his head and stretches. As he does so, he walks around the side of the car and crouches by Cellbit's side.
"These things suck," he tells Cellbit, voice so low that Cellbit is convinced that only he can hear it. "Let's just run away."
There's just that smallest hint of magic in his voice, but Cellbit isn't worried about it. No, he's used to it. He's known Felps basically since he ran away, he's more than used to it.
His body stands. Cellbit only comes back to himself as he's approaching the hill, Felps and Pac close behind.
He skids to a stop just in front of the camp borders. He can seen Mike and Richarlyson already safe on the other side, and he can see a group of campers gathered around them and attending to Richarlyson, whose fake tears are convincing enough to get three or so campers to give him all of their flower crowns and chains.
Pac crosses the border and shivers. He immediately runs to Mike's side, clicking his gladius away and taking Richarlyson from him.
Felps stops next to Cellbit.
"Come on," he whispers. "The spiders, man."
Cellbit gulps. He feels all tingly; the statue of the woman stares angrily down at him, furious over his very existence.
A spider hisses, entirely too close to Cellbit for his comfort.
He yelps and rushes across the border, and it feels like his first breath of fresh air in a decade as he does so.
He hates it.
Felps follows, sticking close to Cellbit's side. He smiles and waves politely at the campers staring at the two of them.
Or, well. Staring at the air over Cellbit's head.
One of the campers, a taller boy with messy brown hair and a blue bandana loosely tied around his forehead, looks positively befuddled. Why?
"Don't get any bright ideas," Cellbit warns the campers. "I'm not staying. None of us are."
Richarlyson raises a dejected hand. "Except for me. They're abandoning me..."
He bursts into a fresh round of crocodile tears. Most of the campers coo and gather around him and Pac and Mike; Cellbit watches as Pac steals the watch off of a girl's wrist, and as Mike snags a solid handful of golden rings from several different campers. (Nothing ever changes.)
But the boy with the bandana keeps staring at Cellbit.
Slightly unnerved, Cellbit shuffles closer to Felps, who ignores him and looks up at the statue with his hand acting as a visor over his eyes.
"Oh, look. The Athena Parthenos," he comments. "When did that get here?"
Athena...
He nudges Cellbit in the side with a grin. "Look, Cellbit. It's your mom!"
...What?
"No," Cellbit firmly says, completely ignoring the various puzzle pieces clicking into place in his head. "I don't have a mom. Now, come on, we need to take care of the..."
He trails off as he turns around and sees the gaggle of spiders pressed up against the camp's barrier hissing and quivering and oozing.
His voice trails off into a whisper: "...spiders."
He can't help it. He drops his knife in shock, and, as he does so, an ice-cold needle jams itself into the side of his brain.
Cellbit immediately drops to his knees and scrambles to pick the knife up. He wipes it on his jeans, holds it, looks at it, loves it.
His reflection in the blade is clear. The glowing golden owl symbol floating above his head is even clearer.
"Told you," Felps says.
Cellbit reaches back and smacks his leg. Felps kicks at him. Cellbit smacks him again.
Richarlyson starts crying again. This time, he sounds serious. (He is only six...)
Cellbit sighs and stands, carefully tucking his knife back into his boot as he does so.
As he raises his head, he's met with the boy with the bandana standing only a foot or so away from him with his hands in his pockets.
"Hey," he says, "so if you don't want to stay, keep away from the training grounds. The Athena cabin is down there, and I... well, let's just say the head counselor is gonna want to see you."
He winks, and he walks off to join the other campers.
The Athena cabin's head counselor... who? If he's, then... oh, fuck.
Cellbit grabs Felps' arm and looks up at him desperately.
"Kill the spiders," he begs. "Please. We need to get out of here."
Felps pats the back of Cellbit's head reassuringly.
He smiles. "No."
And then he goes to squeeze through the campers to get to Richarlyson, who immediately brightens upon seeing him.
Cellbit looks at the spiders. He looks at the- what did Felps call it?- Athena Parthenos. He looks at the campers.
He looks at the hill as there's a scream from it, a screechy: "What the fuck? Are those spiders?"
The boy with the bandana looks up at the girl on the hill and offers a wave. "Bagi! Hey! I thought you were training?"
"I heard screaming," the girl explains. "I came to help."
She has a sword in one of her hands and a shield in the other. She's gotten her nose pierced in the last ten years. She looks... happy.
Quietly, Cellbit starts backing away. If he can make it into the woods and then run, he might be able to outsmart the spiders before they can catch him.
The girl looks at Richarlyson. She looks at Pac and Mike and Felps.
And then she looks at Cellbit, and she drops her sword.
Yeah, no.
Cellbit turns on his heel, and he books it into the forest.
He hasn't been a demigod in ten years, and he sure as hell isn't going to start again now.
#a.d.'s fics i suppose#a.d.'s fics i suppose.#qsmppjo au#<- that's it that's the tag#idk how happy i am with this? but i love writing these types of chase-action scenes
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anyway. we should talk more about the multiple minor sea gods/children of poseidon there are with powers of prophecy, and that some sources state that poseidon was one of the gods who presided over the oracle of delphi before handing it over to apollo, and the fact that percy was the one to inadvertently find the NEXT oracle of delphi, and how on a meta level that all so beautifully explains why percy has insanely vivid and near prescient dreams compared to other demigods, and that kronos directly attributes it to his father's nature, which goes back to the question of why beings of the sea are associated with prophecy in the first place. but I know rick never thought that hard about it so I'll shut the fuck up now!!
#percy jackson#poseidon#pjo#hoo#it makes me so crazy like oh my goddddd guys I need to study percy under a microscope#takes him by the shoulders. WHAT ARE YOU!!!!!!!!!! WHY ARE YOU THE WAY THAT YOU ARE
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Every Awful Thing Minos Has Done
Y'all know why you're here, there's no need for any introduction.
The White Bull
Let's start this list with the zoophilic myth, and begin our journey with the mistake that, although mild compared to other wrongdoings commited by this man, clearly had interesting consequences. Minos refused to sacrifice the bull Poseidon sent to him. Poseidon did not find it funny. Therefore he punished him by making his wife lust for the beast he was never able to be in the bed.
Pseudo-Apollodorus, Bibliotheca 3. 8 - 11 (trans. Aldrich) (Greek mythographer C2nd A.D.) : "Minos aspired to the throne [of Krete (Crete)], but was rebuffed. He claimed, however, that he had received the sovereignty from the gods, and to prove it he said that whatever he prayed for would come about. So while sacrificing to Poseidon, he prayed for a bull to appear from the depths of the sea, and promised to sacrifice it upon its appearance. And Poseidon did send up to him a splendid bull. Thus Minos received the rule, but he sent the bull to his herds and sacrificed another... Poseidon was angry that the bull was not sacrificed, and turned it wild. He also devised that Pasiphae should develop a lust for it."
Ganymede
Poor minor Ganymede cannot be happy for five minutes. In this obscure, less known myth, he was kidnapped and raped by Minos. It is also speculated in Plato's Laws that cretans invented the myth of Ganymede being carried away by Zeus in order to justify Pederasty. Like father, like son.
Athenaeus, Deipnosophists:
"And many men used to be as fond of having boys as their favourites as women for their mistresses. And this was a frequent fashion in many very well regulated cities of Greece. Accordingly, the Cretans, as I have said before, and the Chalcidians in Euboea, were very much addicted to the custom of having boy-favourites. Therefore Echemenes, in his history of Crete, says that it was not Zeus who carried off Ganymedes, but Minos. But the before-mentioned Chalcidians say that Ganymedes was carried off from them by Zeus; and they show the spot, which they call Harpagium; and it is a place which produces extraordinary myrtles. And Minos abandoned his enmity to the Athenians, although it had originated in consequence of the death of his son, out of his love for Theseus; and he gave his daughter Phaedra to Theseus for his wife, as Zenis (or Zeneus) of Chios, tells us in his History of his Native Land."
Asterion
If the previous part is already disturbing you then let's delve deeper into this figure's heinous acts, and talk about the abusive relationships he had with his step-son, whom he didn't even bother to call by his own name and referred to as the "Bull of Minos" instead. While the Minotaur was admittedly one of the most famous monsters from Greek Mythology, one aspect I've seen being brought not so often into discussion is the way he was mistreated by Minos to the point of being isolated by humanity by getting imprisoned into the Labyrinth made by Daedalus, and how he's very likely a product of bestiality above it all. As the old saying goes: "Violence begets violence."
Apollodorus, Library:
"And she gave birth to Asterius, who was called the Minotaur. He had the face of a bull, but the rest of him was human; and Minos, in compliance with certain oracles, shut him up and guarded him in the Labyrinth. Now the Labyrinth which Daedalus constructed was a chamber "that with its tangled windings perplexed the outward way." The story of the Minotaur, and Androgeus, and Phaedra, and Ariadne, I will tell hereafter in my account of Theseus."
The Annual Sacrifices
Additionally, Minos not only that threw Asterion into a cage labyrinth, but also ordered that every year fourteen innocent people must be sacrificed annually to him. Everything stopped once Theseus offered himself as volunteer and eventually managed to kill the Minotaur.
Pseudo-Apollodorus, Bibliotheca 3. 213 : "The god [i.e. the oracle of Delphoi (Delphi)] told them [the Athenians] to give Minos [king of Krete (Crete)] whatever retribution he should chose... He ordered them to send seven young men and seven girls, unarmed, to be served as food to the Minotauros (Minotaur). The Minotauros was kept in a labyrinth, from which there was no escape after one entered, for it closed off its imperceivable exit with convoluted flexions. It had been constructed by Daidalos (Daedalus)."
This custom was also linked in the death of Minos' son, Androgenus, who was killed by Athenians. Consequently, Minos came up with this decision as a form of "making peace" with Athens.
Daedalus and Icarus
Depending on the version, either Minos threw Daedalus and his son into the Labyrinth after Theseus' victory and then followed him once they flew away (quite literally), or Daedalus found out earlier that Minos intented to punish him for helping Pasiphae mate with the bull and left Crete.
Apollodorus, Library (epitome):
"On being apprized of the flight of Theseus and his company, Minos shut up the guilty Daedalus in the Labyrinth, along with his son Icarus, who had been borne to Daedalus by Naucrate, a female slave of Minos. But Daedalus constructed wings for himself and his son, and enjoined his son, when he took to flight, neither to fly high, lest the glue should melt in the sun and the wings should drop off, nor to fly near the sea, lest the pinions should be detached by the damp."
Diodorus Siculus, 1-7:
"But Daedalus, they say, on learning that Minos had made threats against him because he had fashioned the cow, became fearful of the anger of the king and departed from Crete, Pasiphae helping him and providing a vessel for his escape. 6 With him fled also his son Icarus and they put in at a certain island which lay in the open sea. But when Icarus was disembarking onto the island in a reckless manner, he fell into the sea and perished, and in memory of him the sea was named the Icarian and the island was called Icaria. Daedalus, however, sailing away from this island, landed in Sicily near the territory over which Cocalus reigned as king, who courteously received Daedalus and because of his genius and his renown made him his close friend. 7 But certain writers of myths have the following account: Daedalus remained a while longer in Crete, being kept hidden by Pasiphae, and king Minos, desiring to wreak vengeance upon him and yet being unable to find him, caused all the boats which were on the island to be searched and announced that he would give a great sum of money to the man who should discover Daedalus. 8 Thereupon Daedalus, despairing of making his escape by any boat, fashioned with amazing ingenuity wings which were cleverly designed and marvellously fitted together with wax; and fastening these on his son's body and his own he spread them out for flight, to the astonishment of all, and made his escape over the open sea which lies near the island of Crete. 9 As for Icarus, because of the ignorance of youth he made his flight too far aloft and fell into the sea when the wax which held the wings together was melted by the sun, whereas Daedalus, by flying close to the sea and repeatedly wetting the wings, made his way in safety, marvellous to relate, to Sicily. Now as for these matters, even though the myth is a tale of marvel, we none the less have thought it best not to leave it unmentioned."
Furthermore, in Memorabilia of Socrates Daedalus isn't considered the king's former friend. Instead, it is stated that Minos enslaved him once he arrived in Crete because of his brilliant mind:
Xenephon, Memorabilia of Socrates:
But wisdom now, Socrates, — that at any rate is indisputably a good thing; for what is there that a wise man would not do better than a fool?" "Indeed! have you not heard how Daedalus was seized by Minos because of his wisdom, and was forced to be his slave, and was robbed of his country and his liberty, and essaying to escape with his son, lost the boy and could not save himself, but was carried off to the barbarians and again lived as a slave there?" "That is the story, of course." "And have you not heard the story of Palamedes? Surely, for all the poets sing of him, how that he was envied for his wisdom and done to death by Odysseus." "Another well-known tale!" "And how many others, do you suppose, have been kidnapped on account of their wisdom, and haled off to the great King's court, and live in slavery there?"
Dictynna
Diodorus' account mentions Minos' attempt to rape the cretan goddess Dictynna.
Diodorus Siculus, 1-7:
"Britomartis, who is also called Dictynna, the myths relate, was born at Caeno in Crete of Zeus and Carme, the daughter of Eubulus who was the son of Demeter; she invented the nets (dictya) which are used in hunting, whence she has been called Dictynna, and she passed her time in the company of Artemis, this being the reason why some men think Dictynna and Artemis are one and the same goddess; and the Cretans have instituted sacrifices and built temples in honour of this goddess. 4 But those men who tell the tale that she has been named Dictynna because she fled into some fishermen's nets when she was pursued by Minos, who would have ravished her, have missed the truth; for it is not a probable story that the goddess should ever have got into so helpless a state that she would have required the aid that men can give, being as she is the daughter of the greatest one of the gods, nor is it right to ascribe such an impious deed to Minos, who tradition unanimously declares avowed just principles and strove to attain a manner of life which was approved by men."
Scylla
One myth version involving Scylla has her falling in love with Minos and helping him become the master of Megara, only for him to betray and drown her.
Apollodorus, Library:
"But not long afterwards, being master of the sea, he attacked Athens with a fleet and captured Megara, then ruled by king Nisus, son of Pandion, and he slew Megareus, son of Hippomenes, who had come from Onchestus to the help of Nisus. Now Nisus perished through his daughter's treachery. For he had a purple hair on the middle of his head, and an oracle ran that when it was pulled out he should die; and his daughter Scylla fell in love with Minos and pulled out the hair. But when Minos had made himself master of Megara, he tied the damsel by the feet to the stern of the ship and drowned her."
Procris
Apollodorus and Antonius' accounts give us a different characterization of the Athenian princess Procris, at least compared to her earlier myths.
According to Apollodorus, Procris was discovered in bed with Pteleon by her husband, so she fled to Minos. Unfortunately, Minos was lusting over this girl. Even more unfortunate, due to reasons this guy refused to mention Pasiphae cursed Minos to, uhm... ejaculate scorpions? Which therefore ment that every woman he was sleeping with eventually died. Yaaay.... Anyway, Procris had no choice but to sleep with Minos, but before that she managed to cure his genital sickness with a circean herb. She had to leave Crete though due to his wife's jealousy.
"Chthonia was married to Butes, Creusa to Xuthus, and Procris to Cephalus, son of Deion. Bribed by a golden crown, Procris admitted Pteleon to her bed, and being detected by Cephalus she fled to Minos. But he fell in love with her and tried to seduce her. Now if any woman had intercourse with Minos, it was impossible for her to escape with life; for because Minos cohabited with many women, Pasiphae bewitched him, and whenever he took another woman to his bed, he discharged wild beasts at her joints, and so the women perished. But Minos had a swift dog and a dart that flew straight; and in return for these gifts Procris shared his bed, having first given him the Circaean root to drink that he might not harm her. But afterwards, fearing the wife of Minos, she came to Athens and being reconciled to Cephalus she went forth with him to the chase; for she was fond of hunting. As she was in pursuit of game in the thicket, Cephalus, not knowing she was there, threw a dart, hit and killed Procris, and, being tried in the Areopagus, was condemned to perpetual banishment."
Antonius, one the other hand, writes that Minos and Pasiphae were an infertile couple due to Minos' venomous equipment, and that the only woman who didn't die from having sex with him was his wife since she was a daughter of Helios. Procris helped them though to be able to reproduce themselves by -Oh, man...- inserting the bladder of a goat into a woman so that Minos would ejaculate the animals into that woman first before having intercourse with his wife. At this point I'm genuinely wondering wheter Antonius forgot that Pasiphae was technically able to cure Minos with her powers, or if Pasiphae was actually this type of freak... *side eyeing that bull*
"Cephalus, son of Deion, married at Thoricus in Attica Procris, daughter of Erechtheus. Cephalus was a handsome and brave youth and the goddess of Dawn fell in love with him because of his beauty. She kidnapped him, keeping him at home as a lover. And then Cephalus put Procris to a test to see if she was inclined to remain faithful to him. He pretended that he was going out hunting and sent in to Procris one of his servants who was not known to her, with a great deal of gold. He was instructed to say that a foreign gentleman had fallen in love with her and offered her this gold if she would have intercourse with him. At first Procris refused the gold but when the man sent double the quantity, she agreed and accepted the proposition. When Cephalus saw her approaching the house in order to lie with the foreigner, he brought out a flaming torch and discovered her. In her shame Procris forsook Cephalus and went off as a fugitive to Minos the king of Crete. She found on arrival that he was afflicted by childlessness and promised a cure, showing him how to beget children. Now Minos would ejaculate snakes, scorpions and millipedes, killing the women with whom he had intercourse. But his wife Pasiphae, daughter of the Sun, was immortal. Procris accordingly devised the following to make Minos fertile. She inserted the bladder of a goat into a woman and Minos first emitted the snakes into the bladder; then he went over to Pasiphae and entered her. And when children were born to them, Minos gave Procris his spear and his dog."
Plutarch's Account
Plutarch portrays Minos in a significantly more negative light in Life of Theseus:
"Not long afterwards there came from Crete for the third time the collectors of the tribute. Now as to this tribute, most writers agree that because Androgeos was thought to have been treacherously killed within the confines of Attica, not only did Minos harass the inhabitants of that country greatly in war, but Heaven also laid it waste, for barrenness and pestilence smote it sorely, and its rivers dried up; also that when their god assured them in his commands that if they appeased Minos and became reconciled to him, the wrath of Heaven would abate and there would be an end of their miseries, they sent heralds and made their supplication and entered into an agreement to send him every nine years a tribute of seven youths and as many maidens."
[...]
"Philochorus, however, says that the Cretans do not admit this, but declare that the Labyrinth was a dungeon, with no other inconvenience than that its prisoners could not escape; and that Minos instituted funeral games in honour of Androgeos, and as prizes for the victors, gave these Athenian youth, who were in the meantime imprisoned in the Labyrinth; and that the victor in the first games was the man who had the greatest power at that time under Minos, and was his general, Taurus by name, who was not reasonable and gentle in his disposition, but treated the Athenian youth with arrogance and cruelty."
[...]
"And Aristotle himself also, in his "Constitution of Bottiaea," clearly does not think that these youths were put to death by Minos, but that they spent the rest of their lives as slaves in Crete. And they say that the Cretans once, in fulfilment of an ancient vow, sent an offering of their first-born to Delphi, and that some descendants of those Athenians were among the victims, and went forth with them; and that when they were unable to support themselves there, they first crossed over into Italy and dwelt in that country round about Iapygia, and from there journeyed again into Thrace and were called Bottiaeans; and that this was the reason why the maidens of Bottiaea, in performing a certain sacrifice, sing as an accompaniment: "To Athens let us go!" And verily it seems to be a grievous thing for a man to be at enmity with a city which has a language and a literature."
[...]
"For Minos was always abused and reviled in the Attic theatres, and it did not avail him either that Hesiod called him "most royal," or that Homer styled him "a confidant of Zeus," but the tragic poets prevailed, and from platform and stage showered obloquy down upon him, as a man of cruelty and violence. And yet they say that Minos was a king and lawgiver, and that Rhadamanthus was a judge under him, and a guardian of the principles of justice defined by him."
[...]
"And Demon says also that Taurus, the general of Minos, was killed in a naval battle in the harbour as Theseus was sailing out. But as Philochorus tells the story, Minos was holding the funeral games, and Taurus was expected to conquer all his competitors in them, as he had done before, and was grudged his success. For his disposition made his power hateful, and he was accused of too great intimacy with Pasiphae. Therefore when Theseus asked the privilege of entering the lists, it was granted him by Minos."
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What's the thing that stands out to you the most about albus and by extension his relationship with scorpius?
I'm gonna give 2 answers for this but they technically intermingle: One thing that stands out to me about Albus as a character, and one thing that stands out to me about his relationship with Scorpius.
Albus is a character who wears his emotions on his sleeve, even if he doesn't want to. This means we know alot about the motives behind his actions that run deeper than just "I want to save Cedric Diggory because my dad sucks." He's surly, self isolating, grumpy, and often seems rather anxious.
I think the thing that stands out the most to me is actually his relationships with others.
Albus has one friend, Scorpius. You can clearly see that Albus felt comfortable the moment he talked to him on the train, all awkward smiles and giggles. Then, when his cousin (who he grew up with), deemed he wasn't a good fit to be a friend and told Albus they were leaving, he outright denied her.
Cut to a while later, and Albus becomes a shut in. Its never explicitly shown but I take that when McGonagall called Albus "Isolated and surly" she was referencing to him refusing to make other friends. I don't doubt there were people who did try and befriend Albus despite him having a reputation, I just think Albus refused to give them the time of day. He had been laughed at and ridiculed by other students tons of times before, he learned to rely on gut feelings. If Albus doesn't immediately feel like he can trust you, he won't trust you, and it'll take a hell of a long time to change that due to his relentless stubborn. Plus his general opinion of the student body is already more terrible because he knows how everyone in Hogwarts feels about his bestfriend, who he deems more important than anyone else.
Cut yet again! Rose attempts to talk to Albus on the train to Hogwarts as they enter fourth year. Rose seems like she wants to make amends, trying to get Albus to talk to her and apologise, but Albus is still not having it. He sees through her, he knows his cousin. She'd never apologise herself, even if she knows she's wrong. Albus doesn't want to be pitied, and he also knows how rude Rose can be to Scorpius. So once again she's shut down.
Then we move on to him meeting Delphi, and there's something different. He seems slightly confused at first, but he relaxes as she talks. Albus sees this dorky, quirky lady, who talks about how people would make fun of her as a kid, and he automatically trusts her. It was definetly an odd feeling to have, because the only other person he'd felt that from was Scorpius, but Albus has an issue where he sets people he cares about on a pedestal and finds it almost impossible to imagine them doing any wrong, or expects them to always act a specific way. Delphi was in Albus' circle now, and he wanst planning to lose that.
But... then we notice something. Albus becomes slightly distant towards Scorpius whenever Delphi is around. He thinks he really likes her, and he knows she's practically a stranger but he swears there's this magnetic pull that just makes him want to be around her all the time. Scorpius is sort of jealous, but he's happy Albus has made a friend.
It's been pointed out before that majority of Delphis personality was took from Scorpius because she knew that would make Albus like her more. And it worked. She knows Albus find it difficult connecting with people he cant relate to, so she talked about her issues with expectations and not asking to be born into the family you were. (OK this is getting off topic let's go back on track).
In summary, how Albus finds it so incredibly difficult to connect with people then, when does, holds them so close to his heart, is what stands out most to me. Its crucial! Albus is not a person who trusts easily, but he takes great pride in those he can call his friend, even if it's few (cough ONE cough).
On that note... Answer 2. What stands out to me most about Scorpius and Albus's relationship? (Let's go the romantic route)
For me, its the way they are so different from every other ship. I don't think you can compare them to anything, because it won't be the same.
I see alot of people say its a parallel to Wolfstar but... it isn't. Alteast not how they'd be in canon. Because the Dynamics are completely different, and so are the characters personalities.
I think how unique their relationship is is what makes it so special. They were both misunderstood kids who realistically should've despised eachother just like their parents, but they didn't. They took comfort in eachothers presence and didn't care that everyone bullied them, because atleast they were together. Albus would end the world for Scorpius, and Scorpius would save the world for Albus. And it isn't even a Gryffindor/Slytherin relationship either! Which the fandom seems to like alot!
They are two bestfriends, from the same house, who would rather be with eachother than anyone else in the world. The closest thing to soulmates you're gonna get.
Anywhoooo that's my answerrr thank you for the ask anon I was in my feels beforehand and then I got to rant it all out on my favs
#harry potter#hp#cursed child#hp next gen#harry potter next generation#albus severus potter#albus potter#scorpius malfoy#scorbus#AHHHHHH sorry#AhhhhHHHHHHHH pardon me#me when i see my favourite grumpy awkward boy#Oh my god Albus is going through puberty in Cursed Child why is that so funny to me
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I've been completely cursed by the idea of a fnaf au and it's chewing at my brain from the inside Me and my BF came up w this by accident after finishing playing wandersong last week, so you get this curse leveled at you as well
Au details and more doodles under the cut, there's a lot of text.
Yes the protagonist is Gregory again, yes it's kinda security breach plot for this one, no i never saw the ending of security breach, and don't remember the plot very well. I apologise if i get it all completely wrong, i'm just having fun.
Also when has me not knowing the plot of something stopped me from making an au, lol.






So, we eneded up with Kind of 7ish areas in this complex, the main of them being presided over by the Overseers, they act kind of like the Ai overlooking the way the area runs.
There are a bunch of smaller free-ish roaming animatronics that sometimes stick around certain areas, sometimes they don't, depending on their role and attitude.
So we have:
Kiwi - Cockatoo, they're a singer in the band (the fellas from Delphi). They were meant to be in Order's area, Chismest, initially but, but then they didn't fit and as such their primary location is Delphi, Wind's area, with the rest ofthe band.
Miriam - Grey cat, she's a magician. Was probably meant to be a singer as well, but then her Ai didn't really work for that so they stuck her w the magic act. She and Kiwi are friends (obviously, lol).
Audrey - Badger. She's a 'hero' and her roaming ground is some rides (like that one foxy pirate ride in security breach, there's more than 1). She's probably the most popular singuar animatronic in the complex, cuz idk kids love heroes. She has a sword that lights up (has batteries and a cord to charge it) which isnt sharp but. You know, lightning sword and pointing it at robots goes so well, doesnt it :)
The rest of the Delphi band: Ash -Tiger, Manny - Weasel, Viola - Rabbit.






The overseers are mostly not free-roaming over the whole complex, but all that has a catch. Most of them have some sort of limited mobility thing going on that prevents them from leaving their designated area (as such they cannot chase you outside of their area if they're chasers). This has 1 exception.
Wind queen is not energy efficient, either because something in her batteries is broken or she was just built like that because her tech is older, as such she cannot be away from her charging stations for too long or she'll shut down. She presides over the broad 'entertaintment' section (Delphi), which incudes a show stage (for the band) and Miriam's magic show and maybe other kinds of acts. She's meant to be a chicken i guess.
Chaos queen is a giant Whale that's mostly hung up on wires and can only move like that, there is no roaming to speak of, she can only move a little. Her area is the waterpark, because idk indoor waterparks are a thing i guess.
Queen of Order has no legs and moves by a rail embedded into the floor, obvious limited mobility there. Her area (Chismest) is the crafts section (such as workshops and stuff) as well as the main maintenance area (which isn't accessible to te customers obviously). She's human shaped.
Sun king & Moon queen share an area. They're both permanently in go-karts and cannot get out of them (i cant draw car-shaped anything to save my life, forgive me). Their area is an outdoors area off-of the complex building, they have raceways and maybe a playground and like a party area i think. They have a rivalry in their programmed lore. They bicker at most opportunities. Meant to be a Salamander and a Moth.
King of Hearts is hard-coded to not leave his area, it's one of the few things about his code that's Completely stable. His area (Mt Ichor) is the rides, he and Audrey are the two 'protagonists' of that area, although the kids love Audrey a lot more. He's a white wolf.
And finally, Dream king. He's lazy so he doesn't walk around basically ever, but he can just do that. He can free roam if he wanted to (and does leave in plot just like in cannon) he just usually doesnt get off his throne. His area (Langtree) is the daycare, cuz dreams and sleep. He's a cat, obvi.

The fairies are helper AI! Helpy-like. They're just software, appear on help termnals and the fazwatch equivalent maybe.

Mask is a human tech, they're chill. They teach ppl (and animatronics if they wanna listen) to dance in free time.
Maybe ditto for Eyala, idk abt her yet.

(ignore the 'idk who this is' note, it was an early sketch before i decided it was Gregory)



Some things go to shit. The plot still has Gregory hinding from a security guard and wanting to leave the complex but unable to do so through the front door. As such he has to go through all areas in one way or another.
Kiwi is much like rockstar freddy here, except they never have the % chance to kill you, they're just a sweetie. Miriam is an enemy you have to run from for a little while, but Kiwi convinces her to help instead. So you get 2 ally animatronics in this one, be it one of them is begrudging.
Audrey. Goes off the deep end at some point. Her role is partially to report if other animatronics are bugged out, broken or acting like they shouldn't, but eventually she decides that deactivating them herself is the better idea, but the way the deactivates the ones she judges as defective is hitting them over and over with an electrified sword till they stop moving. She's also actively hunting for Gregory to give him over to security.
Kiwi and Miriam both get hurt by Audrey, as in canon. idk what exactly the plot is beyond all this yet.
Jesus fucking christ this is a lot of text.
Ask me abt this au if you want. I'll draw for it more unless i burn out immediately.
#my art#fanart#wandersong#wandersong fanart#wandersong kiwi#wandersong miriam#wandersong audrey#fnaf security breach#fnaf au#ro rambles#tw violence#just in case#god this au has been gnawing at me since we accidentally came up w it
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