[images ID: three images of a comic titled "one must imagine sisyphus happy" by druid-for-hire. it is a visual narrative beginning with someone with wrist pain (depicted by bright orange nerves) working at a drafting table. the reader is shown the same wrist as the person uses it for many everyday tasks such as carrying a grocery basket, pushing elevator buttons, typing, and doing dishes, until the pain dissolves all the panels into chaos. the person then performs several physical therapy exercises until the pain subsides. they sit back down at a desk with their laptop, sigh, and begin typing. a small spark of pain reappears. end id]
a fun little piece i made during the semester and submitted into our school comic anthology! (which you can buy at the Static Fish table at MoCCAFest in NYC ;] ). it's about artists and injury
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“Nimona is still Nimona,” he says. “She could be a whale or a dragon or shark or a cat, and she’s still Nimona. Just as she could be a girl or a boy or a woman or a man or anything else. All of these other parts are all factions of her. None of them are the end-all be-all of who she is. So that is kind of how I think of my own gender now. There is still some of that monster girl that I still hold very close to my heart.”
ND Stevenson
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The main reason I think Goncharov worked better as a piece of mass produced fiction over Zepotha really does come down to the basic concepts of each piece.
Goncharov had a concrete idea from the start, it was a lost 1973 mafia film directed by Martin Scorsese. Meaning that people new to the joke could more easily understand how to add to the story. Martin Scorsese has an unique style to his films, he has directed multiple mafia/crime dramas that people could pull from to create a cohesive story that sounds plausible for him to have made. People were able to come up with characters (and the actors who played them) and an actual plot by just studying the genre and finding what would work.
Zepotha is just marketing a single artist's work under the idea of "an 80's horror film", no director, no actual genre other than "horror" (what kind of horror? Slasher seems to be the most popular, but Zepotha sounds more like a giallo style supernatural horror to me). There's no director listed, so no one knows how this film would play out or look. Because horror is such a vague descriptor here, people are throwing just about everything to the wall to see what sticks, which slows down the actual storytelling potential. People are making up characters first, before a plot leading to there being like 50 named characters, but any actual story is lost.
Tldr; Goncharov found it's footing much easier and faster by starting out with a concrete idea, while Zepotha is stumbling because it's vagueness makes it hard for anyone to agree on basic things like story or characters.
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A Linked Universe meets The Dark Crystal AU! I don't even remember what started it at this point. I remembered that the Dark Crystal and Age of Resistance are things I like, blinked, and woke up three days later with an AU and a bunch of art.
The designs and the story are a wip and for fun so expect a lot of variation! (I have a few different beginnings, ideas for different designs, etc)! :D
In addition to #linked universe I'll be using the tags #the dark crystal lu au and #courage of the dark crystal!
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WE HAVE OUR MERMAY BEFORE MAY ENDS YIPPIEEEE
I know usually ppl make the all the gang as merpeople, but I thought it'd be cute if Brad was a giant mermaid pesting a human Toby
I love them so much ❤️❤️❤️
I'll be doing an Alelisa version of mermay too!!! Not sure if it'll be out till the end of the month, but we shall see it for sure :>
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Thinking about the scene where Paul enlists the Southern Fremen in Dune part 2. I really love this scene, and, let's not kid ourselves, there's an element of power fantasy to it.
But there's something much sinister going on there. Paul specifically screams "I am Paul Muad'Dib Atreides, Duke of Arrakis". The mere fact of calling the planet Arrakis instead of its original Fremen name Dune, and the fact that he claims to be the legitimate Duke of the planet because he's the heir of House Atreides is an insult to Fremen independence. What he was allegedly fighting for this all time...
There's a consistent theme in this scene of Paul refusing to follow Fremen customs, like when he refuses to kill Stilgar and speaks anyway. Paul is doing that on purpose. He asserts his dominance by showing Fremen rules don't apply to him. He can dismiss anything he dislikes about their culture and remake it according to his will.
This scene shows simultaneously the crowning of Paul as a Fremen Messiah and the death of traditional Fremen culture. Paul is pursuing by other means what the Harkonens started.
What Paul is asking of (or rather demanding of) the Fremen, is that they join him in a revolution. But not a revolution towards more freedom, justice and equity. A revolution meant to create a society based around the supreme power of a tyrannical leader. And that's a central component of fascism.
Which can make us question the ethics of Villeneuve's film. This scene shows the birth of a fascist movement in a very epic and heroic light. The intended message of the film is clearly anti-authoritarian, but cinematography leaves much room for misinterpretation.
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what I'm learning is that MXTX series really have ☆*: .。The Range。.:*☆ and that my first impressions often don't survive for very long...
MDZS, initial impression: ooh revived necromancer that everyone fears, this is going to be dark and revenge-fuelled
MDZS, subsequent impression: these are Silly Lil Guys off on a romcom murder mystery
SVSSS first impression: nerd who got isekai'd into a shitty novel, crybaby puppy dog imprints on him
SVSSS subsequent impression: how many times now has the love interest tortured the main character? should I start a tally?
(i've only just finished SVSSS bk2, please no spoilers!!)
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ch 5 is coming in twsten ch5 is coming in twsten ch5 is coming in twsten (we gon die it's been a YEAR since I saw some clips and I have not emotionally recovered from the incredible deliveries by Silver's seiyuu because holy fuck) EGOOOOO ARE YOU READY TO SEE EVERYONE DESCENDING INTO MADNESS AGAIN (and a pool of tears??? MINE SPECIFICALLY)
YESSSSSS I AM SO EXCITED FOR EVERYONE ON ENG, chapter 5 is some of the most PEAK Diafamily content imo. 🤌 it's definitely my favorite part of episode 7 so far! (though 6 is pretty close...)
some (mostly) non-spoilery advice: on the hex maps, check out the non-required story cells, especially in the later parts! some are basically just throwaways, but there's some real good scenes hidden in there too that are potentially missable. 🥄 (it shows which cells you've cleared on previous attempts, so if you're low on resources and/or super impatient like me, do just the required ones to get through it, then when you're ready go back and restart as necessary to get to the others. enjoy! >:)
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