#so i may not have all the answers

[napping-sapphic]

*gives you a gay little kiss that feels like home*

[sophiethewitch1]

dick grayson who needs to be useful and needed to feel loved vs reader who is hypervigilant of their own fault and tries desperately not to be a burden: fight

it ends in tears. unstoppable force versus immovable object. you don't want to make his life any harder because you can see he's struggling. he's just straight up begging. i said in last post tags he'd moan if you ask him to get you a glass of water. ask him to make you a snack and he'll just straight up come in his pants.

[elitadream]

I HAVE RETURNED!!! 💃🎉✨

[rox-of-iu]

ayoo guess who finally sat down and caught up with cultivate B)

is me. so you know what that means.

spoiler warning for cultivate ch 30-37

there was actually.... more things i wanted to draw but I already did so many I had to physically restrain myself hfsjkkdh anyway yes can you tell i love this fic very much

yet once again. cultivate by the wonderful @neonghostcat

[sneez]

digital study of a scene from the film eerie tales/unheimliche geschichten (1919) :-)

[canisalbus]

I'm sure you get loads of these but heck I said I'd give it a shot anyway!

Your artwork is so inspiring and beautiful. I recently graduated from art school with a degree in Animation Production but I've decided I'd love to be an illustrator some day. Your work really motivates me and gets my brain juice buzzin. Keep it up!!!

.

[intotheelliwoods]

Collaborative 2AL Comic Calling and Info!

Oh BOY did this blow up...

Ive polished up dialogue and framing, in total there should be 30 panels, exactly the tumblr image limit haha! Everyone who is participating gets to draw a panel! I will message you the dialogue, and a general layout once I get everyone in! :) I look forward to this!

30/30 Participants [full!]

If you are interested in joining, please message me here on tumblr or Discord! [Discord would be preferred in the long run]

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-> Deadline for panels?

2 Weeks! Hoping everything can be ready to go to post by September 24th!

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-> What style to use?

Your own! I would love it if you can have as much fun as you can making the panel! The more unique each panel is the better, I dont want to constrict anyones artistic ability outside dialogue, where characters are in a room, and a vague framing idea/expressions.

As for coloring, fully colored and digital would be preferred! Just blue blobs can also work! With the exception of 4 specific panels, flashback panels, in a black/white/red scheme to help differentiate what panel is a flashback, and what panel isnt. I will let you know if your panel is one of those specific 4!

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-> How will posting and crediting work?

When the panels are all done, I will gather them up into a singular post on this blog. Below the comic itself in order of panels would be everyones @ to the blog they want credited, Multiple blogs can also be credited ofc (For example If you drew panel 3 you will be the third @ on the list)

You are also free to add a signature or @ to your blog in the panel art itself!

[mattodore]

you want to play bitey?

[hiraganasakura]

Hi so me being me I've decided to hyperanalyze the conversation Qrow and Raven had in Higanbana practically line by line bcus I have Many Thoughts and this is the best way I can think of to get them all out. If you can't tell I'm absolutely obsessed with these two. Btw.

Thanks to the RWBY wiki for providing transcripts for every episode, otherwise I definitely would have missed smth despite having just watched this scene recently lol

I put it under the read more for easier scrolling due to how long this post got!

I immediately noticed smth in the very first lines of the interaction:

Raven: "Hello, brother." Qrow: "...Raven."

You'll notice throughout the whole conversation that Raven never calls Qrow by his name, only condescendingly referring to him as "brother" this one time and never calling him anything else. Meanwhile, Qrow directly refers to Raven a total of three times throughout the conversation, and only one doesn't call Raven by her name (which we'll get to shortly)

On the other hand, Qrow doesn't bother with even so much as a greeting beyond simply stating Raven's name

It's different ways of communicating their distance. While Raven holds her relationship with Qrow over his head — never once, even outside of this scene, does she call him "brother" with affection iirc, only derision and condescension — Qrow doesn't seem to rly know how to greet her. He hesitates before saying her name and approaching her, as if trying to assess the situation before acting

Qrow: "So, what do you want?" Raven: "A girl can't just catch up with her family?" Qrow: "She can, but you're not. Now how 'bout we get on with it? Unless you plan on keeping these [drinks] comin'."

Again, Raven seems to bring up her familial ties with Qrow as a tactic to get him to do what she wants — in this case, stick around to talk to her despite him not seeming to rly want to. Frankly, it feels manipulative. We're gonna put a pin in this for now and come back to it in just a moment

Additionally, Qrow already knows that Raven's not just here for a friendly chat between two siblings, and sees right thru her facade that it is. Raven is here bcus she wants smth from him. But interestingly, it is Raven in V5 that says, in an almost frustrated/disappointed tone, "Family. Only coming around when they need something." There's another pin; keep both in mind

Raven: "Does she have it?" Qrow: "...Did you know Yang lost her arm?" Raven: "That's not—" Qrow: "Rhetorical question, I know you know. It's just obnoxious that you'd bring up family and then carry on like your own daughter doesn't exist." Raven: "I saved her." Qrow: "Once. Because that was your rule, right? Real 'Mom of the Year' material, sis."

Qrow dodges Raven's question about the Relic and instead brings up her hypocrisy in how she treats family. And it's a good point. Here she is lording her siblingship with Qrow over his head while simultaneously defending and upholding her rule that she is only obligated to help her own daughter a single time. Another pinpoint on our little conspiracy board

Also, here's the one time in this conversation Qrow refers to Raven as "sis". Like Raven's use of "brother", Qrow's use of "sis" is very pointed and with intent. But it's not to manipulate Raven, it's a snarky jab meant to rly hammer home Qrow's point

Raven: "I told you Beacon would fall, and it did. I told you Ozpin would fail, and he has. Now you tell me. Does. Salem. Have it?" Qrow: "I thought you weren't interested in all of that." Raven: "I just want to know what we are up against." Qrow: "And which 'we' are you referring to?"

A few things of note here. At some point in the past, Raven expressed an outright disinterest in Ozpin's inner circle, at least to Qrow. Qrow also feels excluded in the "we" Raven mentions being against Salem. To me, there seems to be a distinct possibility here that it wasn't that Raven felt personally disinterested in Ozpin's operations, but that she somehow felt excluded and feigned a lack of interest in order to protect herself. An idea that is further supported in my eyes by the following dialogue:

Qrow: "You should come back, Raven. The only way we'd beat her is by working together. All of us." Raven: "You're the one who left. The tribe raised us, and you turned your back on them." Qrow: "They were killers and thieves." Raven: "They were your family." Qrow: "You have a very skewed perception of that word."

And there it is. Raven's problem is laid out here for us, loud and clear: She feels like she was the one abandoned, not the one running away. She says it outright! "You're the one who left." To her, Qrow is the traitor, the one who left their family behind. If you ask Qrow (or, for that matter, Tai, Yang, and even Summer based on the scene in V9), it's the opposite

Bcus they have different definitions of family

Another thing to pin (I promise this will all become clear soon)

Raven: "I lead our people now. And as leader, I will do everything in my power to ensure our survival." Qrow: "I saw. The people of Shion saw, too." Raven: "The weak die. The strong live. Those are the rules." Qrow: "Well, you've certainly got someone strong on your side. I've seen the damage." Raven: "We couldn't have known the Grimm would set in as quickly as they did." Qrow: "I'm not talking about the Grimm. And I'm not talking about you, either."

Notice Raven's shift from "the tribe" to "our people". More of that guilt tripping!

Additionally, Raven is *obsessed* with rules. One save. The weak die, the strong live. Raven lives and breathes rules, even seemingly arbitrary ones. Guess what this is? Another pin!

Raven: "If you don't know where the Relic is, then we have nothing left to talk about." Qrow: "I don't know where the Spring Maiden is, either, but if you do, I need you to tell me." Raven: "And why would I do that?" Qrow: "Because without her, we're all going to die." Raven: "...And which 'we' are you referring to?"

Qrow's "either" here implies that he also doesn't know where the Crown of Choice is, which is... interesting. He's one of Ozpin's closest lieutenants, and is in the dark on where Beacon's Relic is? Wherever it is, it is such a closely kept secret that even Ozpin's best spy doesn't know where it is (maybe so that in the event Qrow gets captured by Salem he can't be forced into giving her the information?)

Meanwhile, Raven's "And why would I [tell you]?" implies that she does know who the Spring Maiden is (obviously. Raven's the Spring Maiden lol) but refuses to disclose to Qrow

A lantern sputters out after Qrow says "Without [Spring] we're all going to die." Now, I genuinely can't remember if this is headcanon or canon, but iirc Misfortune seems to act up when Qrow's upset. He's clearly tired of this little game of dancing around topics that Raven's been playing with him

And once again, Raven indicates a feeling of exclusion from Qrow's life in the iconic final line. She gets the final word in before leaving

We've finally reached the end of the conversation. Now what does all of this tell us?

And here is where all of those pins I wrote down are relevant. As I mentioned, the twins view family very differently

Qrow's view is pretty obvious: he views family as the ppl in his life who matter most to him. Unlike Raven, he does not view the tribe as family despite the fact that they raised him, disgustedly referring to them as "killers and thieves". It's implied that he was, in fact, neglected and/or likely abused by the Branwen tribe, saying in V6C4, "No one wanted me... I was cursed..." further explaining his distaste for them. Furthermore, despite not being related to Ruby by blood, they clearly consider one another family throughout the series, and he even seems closer to her than he seems to his niece who's actually blood related to him (I personally headcanon that he keeps more of a distance from Yang bcus she reminds him too much of Raven, who he feels abandoned and hurt by, but that's neither here nor there). Bloodlines and debts are secondary compared to loyalty, if they're considered at all. He is obviously furious that Raven only insists on saving Yang once and never directly interacting with her beyond that, despite Raven constantly guilting Qrow over abandoning his so-called "family" of the tribe. And yet. And yet. He still offers Raven a place back in his life, even if only to unite against Salem

Raven's view, to me, has been an enigma for a while. But after hyperanalyzing this conversation, after noting down all of those points of interest, I feel like I've finally cracked the code. Raven views family as an obligation, an exchange that always has an ulterior motive behind it. She seeks out Qrow only bcus she desires smth from him despite showing distaste when someone does the same to her; condescendingly calls Qrow "brother" more than his actual name and calls the tribe their "family" to try guilting him into doing what she wants; and feels fierce loyalty to the tribe but barely interacts with her daughter, only seeming to count one of the two as true family. She views the concept of family with cynicism and seems to feel an obligation to the tribe, as if she "owes" them for raising her

I think the two's perceptions of what defines family are all to do with the way the tribe treated both of them. This crosses a bit into headcanon territory, but as you can see by the above quotes and analysis, I rly don't think I'm just making it up entirely

As I already mentioned, I think it's implied that the Branwen tribe neglected/abused Qrow. In fact, we could probably blame their treatment of him for the deep self-loathing he has due to his "cursed" Semblance. But what about Raven?

Well, it's simple: I think she was abused, too, just in a different way. While Qrow was likely shown and told on a consistent basis that he was unwanted, unloved, undeserving of good things, Raven may have been shown and told she was wanted, loved, and deserving of good things... if she did what the tribe told her. If she repaid them for raising her and her brother, for being her "family". The way she uses her familial ties with Qrow as almost blackmail may be exactly the way the tribe treated her. Her obsession with following rules may stem from the fact that she had to follow the rules the tribe set for her in order to be accepted and deemed worth smth

As for her distance from Yang... honestly, I wonder if Raven is aware that Yang deserves better and keeps her distance as her way of doing that. When Summer confronts Raven in the V9 scene, Raven says, "...You're better at that life. Better than I was." She seems to have a fear and insecurity about being a good family member, a good mother, and maybe that's why she fled. Maybe she was scared of being like her abusers due to how she emulates them as a self-preservation tactic in so many other ways. Not entirely sure about this point tho

And I think too this is why the twins don't rly understand one another. They may have been unaware of the different ways in which the other was treated. Qrow, constantly unwanted and loathed, can't understand why Raven sticks around with the tribe; Raven, who obeyed the tribe and, in doing so, garnered enough of their favor to even eventually become leader, can't understand why Qrow can't just be "good", earn respect, and stay

This dissonance between the two experiences may also be completely intentional on the part of the tribe; abusers will often eliminate their targets' support systems in order to make them completely reliant on the abuser, so it's highly likely that the wedge was intentionally driven between the two siblings so that they could not find support in one another. This would also tie into why the twins seem to feel excluded from one another's lives and abandoned by one another: bcus they were made to feel that way by their common abusers, and did nothing to challenge these assumptions bcus they saw no reason to — and only seemed to keep proving one another right if they did

Which rly has some disturbing implications about how the Branwen tribe works. Like, do they just pick orphaned kids up off the street and abuse them into being perfect little bandits, molded to be of the greatest possible use and discarded if they're deemed worthless? Plus Qrow says his Semblance is how he got his name, which implies that the tribe also renames the kids they scoop up (possibly as a form of control or a way to make sure they can't be tracked down by any remaining family)? Plus there's the whole thing where Qrow and Raven were originally sent to Beacon to learn how to kill Huntsmen, which carries with it the implication that the Branwen tribe grooms literal orphan children into becoming stone-hearted murderers? What. The heck.

And if I'm right, if the Branwen tribe is that severely abusive, then like... wow, no wonder Qrow and Raven are Like That. They're both very deeply hurt people expressing it in different ways

I was considering adding their conversation at the Battle of Haven to this post, but I think that would be better as its own thing. Also I haven't gotten there on my rewatch yet so I may miss some details if I try to analyze it rn; it's better to wait overall methinks

But I have reached the point of my rewatch where we see Weiss and Whitley interact, and I think it would be very efficient to sum up what Qrow and Raven's relationship seems to be by using those siblings as a point of reference. Qrow = Weiss, actively trying to break free from and fight back against their abusers in different ways, while Raven = Whitley, continuing to do as their abusers want and have wanted as a method of self-preservation. Only, unlike Weiss and Whitley, Qrow and Raven have yet to come to a point where they can understand one another. I think that's a good way to briefly summarize the uh. Absolutely massive post this is.

In conclusion, I may have cracked the majority of the Branwen twins' pre-Beacon backstory purely by hyperanalyzing a single conversation. Oopsies

[thecryptidart1st]

When did alive au Mikey get kicked out? Was that rough for him, or was he back on his feet pretty quick?

William found out about Michael’s relationship with Jeremy when he was about 16. And by the end of the night, Michael stormed out of house. Though Evan kept in contact, William fully disowned him, and Elizabeth refused to speak to him. And months after the fight, police cars had arrived to the house, taking Clara with them; William soon after filed for divorce. No one knew the full story of what happened that night, but the rumors speculated that Clara became completely distraught over what happened to Michael.

Things were rough during the couple of weeks living on Jeremy’s couch, as Michael struggled with the guilt of leaving his family for what was essentially his own happiness, and later what happened to his mother because of his actions. And this internal fighting with himself led to Mike panicking and walking out of Jeremy’s apartment…

…But, things started turning up when Charlie came home to Hurricane for the summer and found Michael living in his car.

Charlie didn’t care about Mike being gay; all she cared about was that her pseudo-brother was safe and happy. And she forced Henry to let him stay in the Emily household with them while he worked on getting his GED. Though Henry was hesistant about the circumstances, he also knew he couldn’t sit aside and let Mike suffer because of his and William’s internal homophobia.

So he offered Mike a job at Fredbear’s. Mike got his diploma through community college and he worked nights as a security guard. And over the years, he worked his way to a managerial role in Fazbear Entertainment. Charlie worked her summers alongside him and when she graduated, she started training full-time with her dad. When Henry retired, she inherited Fazbear Entertainment. And the first thing she did was make Mike her financial partner and creative director for future restaurants and animatronics.

Jeremy and Mike continue to be off and on in a relationship during this time, but regardless of their status, Jeremy at least helps Mike embrace his sexuality and make more friends in the LGBTQIA+ community in Utah. And when Sammy came home from college and started his service in the Hurricane Police Department, suddenly people at Fredbear's continually witnessed three of the town's local bachelors be "very friendly" with each other.

Over time, Elizabeth begrudgingly lets Evan invite Michael back into her life. Michael finds his mother thanks to Sammy's connections with the police department and continues to keep in contact with her to this day.

And when William has his heart attack years later, it was the first time seeing Michael after their fight...

and then he has another heart attack finding out his son is married to two different men and they have a boy together.

[g0nefischin]

Fallen down

[manglam-marfach]

dyke!Chilaios has me understanding breeding kink all of a sudden

[onaperduamedee]

Let me get this straight, Aes Sedai:

- are outlawed in a couple of nations;

- are hunted by militias that are disliked but still tolerated by the general population;

- cannot attack or conquer on account of the three oaths;

- are enslaved on another continent;

- can be cut out of relations with a nation without repercussions from other nations.

Can someone please explain how and why they are perceived as holding any sort of structural power because I am struggling to parse this one out?

I am not discounting their rigid and obsolete hierarchy, their unwillingness to reform, their wariness toward out-groups or their political manipulation (that said, I don't think it's that much worse than other nations) - these are all elements that make them an interesting and realistic community -, but I am frankly confused about the way some talk about Aes Sedai as if they are the equivalent of billionaires and oligarchs.

To rephrase it, this isn't a question about whether or not Aes Sedai as a group are good or bad - Moiraine covered that in TEotW -, but whether they hold structural power to the extent characters (and fans) think they do. I think a lot of their rules exist to maintain the illusion they do, but in practice they don't and that illusion is the only thing keeping people from treating them like parias.

[sneez]

Edward -> Èideard

hello dear friends! just letting you know that i have decided to try out the scots gaelic spelling of my name for a while to see if i prefer it to the english one. i deliberated about the matter for a long time before settling on edward but i have been Gazing Wistfully at the alternate spelling ever since then so i figured i may as well give it a chance given that i am as much scottish as i am english in all except physical location. in my accent the pronunciation is the same, and most of you call me ned anyway, so there will probably be very little change on the whole, but [vague gesture]. who am i to resist a little E with an accent

[greeenchrysanthemums]

Hello everyone who followed me for GG rivals au content! Unfortunately I have been both very busy and feeling very ill lately, so I hope you do not mind that the first chapter of the fic itself will not be out for probably a little while.

I wanted to get it out before the month was up, but I think I overestimated my abilities. It's simply not going to happen as soon as I had hoped.

[trashyshrew]

just dropping in to say I love the way you draw the folds in clothing - makes me want to reach out and feel the fabric, smooth it out a little. it’s like I can visually /feel/ the texture, if that makes sense?

and separately - if you’re still taking art suggestions - could you draw Shinobu Kocho please? 🦋

🤩 thank you so much!

but on to what you came for: