While we're on the topic of De-aging AU's I wanna talk about Jason and Damian if Jason was 14 again real quick.
Do you guys think that Damian looks at this version of Jason, so different from the version he knows, nothing like the person he was told Jason was, and feels uncomfortably seen?
Damian was always told that Jason died because he was reckless, because he disobeyed orders, he was fired as Robin and he got himself killed. A cautionary tale, not a threat to his position. He dismisses Jason because Bruce does, because Dick does, because sometimes even Babs and Alfred do.
That's not the kid that he's looking at now. This Jason is happy, and smart, and full of love that has not yet soured into grief. He hangs on Bruce's every word, trains until his hands bleed and his body gives out to perfect the moves Bruce teaches him. He looks at Bruce with stars in his eyes and he calls him dad.
And Damian can't help but think, that this is the perfect Robin. The perfect son. And if Jason - sweet, loving, strong, Jason - can be fired, can die and have his room locked away and his pictures torn down, can have his last memory as Robin be as A Good Soldier, how could the rest of them ever compete? What could Damian do to stand a chance?
Jason will never grow out of the shadow of Robin, like the rest of them did. As long as Bruce, and Dick, and Babs, and Alfred look at him and see a dead kid who came back wrong, he will never get to be anything else. He will not get to be looked at through who he is now without the shadow of a dead boy looming over him.
And the worst part? Jason is exactly the same person he was back then. Bitter, sure, angry, justifiably, but he is still the boy with too much love in his heart and righteous fury festering in his gut. He is exactly the same boy who threw himself in front of an explosion to save his mother.
(The lines between the mother that betrayed him and the father that disgraced him are so very blurred. Fire or blade or crowbars or fists it does not matter. It ends the same way it always does because Jason Todd always dies, in every universe, in every timeline, Jason dies and crawls out only to be killed again and again and again.)
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"Penelope should have chosen Debling!"
My sister in Christ. . .he literally dumped her???
Like just before Colin Bridgerton was on his knees after outrunning her carriage to profess how he can't stop thinking about her in his love me, choose me, I'm yours speech, Debling did the Regency equivalent of calling her a floozy who would undoubtedly cheat on him when he abandoned her for several years to chase his passions (because she would never be one of said passions since she asked outright if he could ever come to care for her and he went 'hmmmm seems unlikely! good thing you have solitary hobbies to occupy you instead!') when he has been given 0 evidence of such other than realizing she liked to look out the window because she had a crush on the boy across the street. I was ready to challenge that man to a duel for Pen's honor
His feelings for her were middling at best, I mean Christ on a Pogostick, after he asked her mum for permission to propose he isn't even happy when he opens the door and Pen is there? She's looking like a snack- nay, a whole ass MEAL, and he can't even smile? He just nods at her and dips the fuck out? You don't think it would kill Penelope to know that both her sisters have husbands who absolutely adore them and she's out here with an absent dude who likely won't even write to her?
Portia's 'Love is make believe!' speech is so transparently full of shit when you realize that we've got Dankworth who is so obsessed with Prudence that he makes heart eyes at her every waking moment and considers her his little bonbon and Albion who loves Phillipa so much that he was waiting for her to consent to sex (not realizing she didn't know what it was) for two entire years because he would never pressure her and so he was content with finishing in his pants when he kissed her to make sure she was comfortable. And you want Penelope to settle for a life of loneliness? When Colin is so besotted with her that he dreams of her and breaks every societal expectation in the book as a notorious People Pleaser to run after her and cannot even wait for the morning after being intimate with her to introduce her as his wife to his family in the middle of the night? You want her to turn down Mr "When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible" Bridgerton? For LORD PENGUIN?
Be so serious right now
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been thinking about the differences between SASASAP and ISAT lately. because looking just at ISAT and the two hats ending, you'd think loop went through the exact same house as our siffrin, but looking at SASASAP, it's different. it's mixed up. it's obviously a condensed prototype.
but. that doesn't have to mean it's a different universe entirely.
maybe that's just what happens after a thousand loops.
the house warped in act 5. siffrin lost their shit and the house got changed and corrupted, far past its baseline king uncanniness. so it wouldn't be too out-of-the-question for it to be able to warp in more subtle ways as well, due to a more subtle breakdown.
like a jpeg uploaded and downloaded a thousand times, siffrin changed, and the loops changed. over a thousand loops of efficiency, the house got more efficient. rooms combining. items moving. data compressing. and of course, run in a changed house, the script changed as well. it did so slowly, one bit at a time, over a thousand loops of zoned-out half-listening – and by the time siffrin would have noticed each difference, they were already used to it. (and in the moments that they did look at a room that was less familiar than it should be and realize that they had no idea where to find the key, well. that's just classic siffrin, isn't it.)
through sheer repetition, siffrin was corrupted, and the loops and the house along with them. all purpose lost, all signals distorted, until finally they couldn't recognize the meaning in any of it. it was all noise and despair.
so they made a wish. and the loop restarted. not just a reboot, but something more complete.
the data was backed up onto a star – a guide, a warning, a reference – and the loops were factory reset. and for the first time in a thousand loops, siffrin woke up to a clear mind and the crisp sound of birdsong.
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Another Bella-as-narrator problem is Irina.
In the books, Bella doesn't meet her until the not-fight and only saw her once before that, at a distance. To Bella, she's just the person who ran to the Volturi and reported what she thought was an immortal child. Bella has no reason to like this person or to care that she died. Probably blames her for everything that went down and you know what, that's fair.
But the Cullens? This should have been a much bigger deal to them. They've known Irina and considered her family way longer than they've known Bella! Decades longer! Hell, they've known her longer than they've known Alice and Jasper! They met the Denali coven in the 1930s, Jasper and Alice in 1950.
And sure, they can be angry and upset that she ran to the Volturi without talking to them first, they can resent her for being the reason the Denali wouldn't help in Eclipse. But that doesn't erase decades of family ties. She's also horrified, ashamed and apologetic when she realizes she made a mistake. These people who considered her a 'cousin,' family, just watched her be torn apart and burned. That . . . that should leave some kind of mark!
But she means nothing to Bella so her death means nothing to the story. It SHOULD, though, if the Cullens were given space to have feelings outside of the Bella Bubble. Hell, only Tanya and Kate are upset by it; even Eleazar and Carmen don't seem to care! "The atmosphere of celebration was too much for Tanya and Kate. They needed time to grieve for their lost sister."
I get they're all relieved and happy not to have been destroyed by the Volturi and all, but Irina's death should have been a bigger deal to the rest of the Cullens (and to Carmen and Eleazar).
It would be so easy, too? "We're safe now, Alice and Jasper are back, why is everyone still so glum?" "We've lost a member of our family." "Irina? But she betrayed you!" "Families are complicated, love."
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How old is everyone, really?!?!
Prefacing this with the information that the legal drinking age in Japan is 20 years old bc it's important.
OKAY so at first we were only shown that it's the third years who go to Rui's bar. This made me think, "Oh, I guess that'd make the third years a bunch of 20 years old, at the very least. So Darkwick is like a university?"
But then come Episode 6 and we were told that they don't actually serve real alcohol at Rui's bar. Not to mention we saw Ritsu getting fussy about a bar in the school grounds. This made me think, "So Darkwick is a high school? Everyone here is a minor?? Which is it???" (※To be fair, Ritsu was only fussing about the existence of a bar and not the possibility of underage drinking cmiiw)
And last, Episode 8. Here we saw Taiga ordering a martini一an alcoholic drink. And when Ritsu came to fetch him, he didn't scold him about underage drinking so that means Taiga is at least 20 years old (Ritsu warned Jin about Swords and Arms law when he took out his artifact so if Taiga really is underaged, Ritsu would definitely scold him).
But what caught me truly off guard is when Ritsu snatched the cocktail and drank it himself. Ritsu "Stickler for the Rules" Shinjo is drinking alcohol. There's a few possible explanation for this a) Ritsu is of drinking age; b) Ritsu is making an exception and broke a rule bc he's exasperated with Taiga (less likely considering how much of a stick in the mud about rules he is); c) Writer Team's mistake.
I'm leaning more to a), which means all of the first years is also at least 20 years old. That makes the second and third years in their early twenties. So Darwick is still a kind of university? Or does age isn't one of the parameter to enroll there?
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