"when the fire takes and leave me nothing but ash, cup me in your loving palms and make me human again."
a short kaveh thoughtspost about you loving him, burnt edges and all.
i think loving kaveh, for all his brilliance and fancy, is exactly what loving an artist is like.
it's not uncommon for him to come home with tired eyes and aching, reaching limbs honed onto you. most nights, you like to tease him and compare your love to a particularly needy limpet, where not even the crashing waves of alhaitham's annoyance at his "shameless displays of affection" (punctuated by sharp, pointed remarks and long side-eyed glances) are enough to draw him from your side. he says he clings to you because he missed your warmth, and that not even the most potent of electro slimes could ever compare to the amount of energy you give with one embrace. you only laugh in return to his poetic musings with one hand raised to hide your flushed cheeks from sparkling red-wine eyes.
but what is uncommon, however, is the first night kaveh came to you, tired and aching and physically reaching as he always does, but hiding behind halfhearted eyes.
at first, you feared what you believed to be the worst: has he fallen out love? have i been lacking in some way? am i not good enough anymore?
he reached for you and held you, yes, but you could feel just from his touch alone just how distant his mind is from you. were you any weaker, you would've stayed quiet, unsure and hurting, and internalized all of these little unspoken things until the day you could not take anymore and leave behind your heart (your love, and only love) alone in the four walls of his shared home.
but you aren't.
so here you are now, with kaveh near-catatonic on the floor and your anxious, worried hands doing all you can to bring him back to you.
it's been a rough few days, weeks, months for kshahrewar's golden boy, chasing deadline after deadline and just barely maintaining his own self-imposed standard of quality, and kaveh is barely holding himself together. and try as he did to keep such unsightly matters away from you, you've noticed. you always do. and it's the sight of your worried, asking eyes and the sound of your voice flowing through him, "what's wrong, my heart? what is it? how can i help?" that finally breaks him.
he has never denied you anything (not his joy, his company, or his pleasure), and as loathe as he is for his weakness, he won't start now.
so kaveh falls to his knees, strangely disconnected from his body with frustration and fatigue raging in whatever hollow he left behind. he tilts forward when his strength leaves him (when he finally allows it to, after months of pushing more, just one more deadline—) and feels himself physically melt when you catch him in ready arms and hears the steady beat of your heart. his genius is a passionate, fiery thing, lighting the way to grander ventures and innovations that could lead sumeru's tomorrow, but just as all fires do, it burns.
but here, he thinks, in the scorched ground of your embrace that no fire could ever touch, he can rest.
kaveh hates to disturb or inconvenience you in any way — being his lover, he'd often joke with quick, unsure eyes and a crooked smile, is enough work already. but you recognize his doubts as well as you recognize your own. he can't fool you. not about this.
so, you reach down and curl yourself around him, guardian and shelter and lover all at once, and allow him refuge from the burning embers still glowing in the dredges of his beautiful, beautiful mind.
"it's alright," you kiss the reassurance into the crown of his tired head, heavy with the weight of all that he carries with his name as the light of kshahrewar. "take all the time you need, my love. the world can wait for you. rest."
dampness invades the cloth of your robes and you feel them, his gilded tears (always gilded, because everything about kaveh, even his grief, is golden) soak through the skin of your lap.
"i have so much work to do." his voice is a fragile, ruined thing.
"the world will wait, and i will help you. there is nothing you can't ask of me, kaveh."
"you already do so much," he gasps through a stuttering sob. "i will - i will not begrudge you, my heart, if you choose to..."
no. he can't say it. he doesn't want to say it. there's something to be said about the old warnings his elders had about not speaking ill fates into existence, and the fear that he almost did so makes him shake like a battered leaf, barely holding onto his branch, in the raging wind. he shakes and muffles sobs that tear at your heart, hoping you wouldn't hear and think any less of him (because you must, you must, oh, how could he ever show something so ugly to you), and you understand.
"i'm not going anywhere." the words leave you like dew falling off leaves after a storm, and they sting and soothe in the same breath the burns he's hidden for so long.
(am i good enough for you? is all i am enough for you? when my hands no longer hold my pens the same and my words escape me, and the clay has become too hard for me to shape, will you still love me then?)
"i'm here, kaveh. yours, for as long you'll have me, and you're mine, for as long as you'll allow."
forever, then. through the blur of his tears, he raises his head and presses himself, cheek and nose and crown, to your waiting hands like a devout believer laying worship to the first temple that has given him solace in years. forever, forever and ever until the sands of time erode whatever is left of us that loves away.
he drinks in the comfort of your shared silence, basks in the security that even now, at his worst and most unbecoming, you still love him enough to allow him this. his heart settles, slowly, and his mind calms into something less frenzied, less a forest fire, and into something he can recognize as himself again.
kaveh has always loved your hands, endlessly gentle and comforting as they are. he could recognize you blind, deaf, and mute, from the sheer comfort your touch brings him alone. he grasps them in his own calloused fingers and lays soft, grateful kisses to each segment, knuckle, and stretch of skin wound around it. it's these hands that have soothed his physical aches with skin-warmed salves and massages. it's these hands that have calmed his mind in the worst of his passionate genius, running careful fingers through golden strands and reminding him "that the mind can churn and charge all it wants, love, but the body has needs too." it's these hands that have cupped him, left as nothing but ash and bitter tears and dead dirt by his own fiery resolutions, and sculpted him into something human again.
i love you, he does not say because the weight of all the love he feels, both in him and from you, chokes him to silence. instead, he closes his watery eyes and presses himself closer, closer to you, and breathes.
he shakes again in your embrace, but more softly, this time. calloused fingers curl around yours in a desperate bid to keep you close, so much like the stubborn limpet you'd liken kaveh to during nights when the fires hadn't burned him yet, and you understand.
i love you too.
[i may not know much about kaveh, but he is very precious 2 me. i hope i did him some justice with this, and that you enjoyed reading it!]
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i love ryomina
no but seriously. even when i’m thinking about other things that captivate my interest, i find myself coming back to them and feeling like i fell down three whole flights of staircases every time i do. they are one of my favorite pairs in media and are very special to me.
it’s the way that ryoji and minato’s lives are inevitably intertwined with each other due to the circumstances 10 years ago on the moonlight bridge. without no minato, there is no ryoji. minato as he is today is because of ryoji. they have irreparably affected each other’s lives that you cannot discuss one without bringing up the other one.
ryoji mochizuki, who is death, pharos, thanatos, nyx avatar, the man of many names and identities, is the perfect summation of p3′s messages and themes.
minato arisato, the wildcard and protagonist, who has boundless kindness in his actions despite the unfortunate cards handed to him.
the two of them complement each other and tell a beautiful story from start to finish.
minato’s personas capture this perfectly. he awakens to orpheus, who’s flames burns bright, is snuffed out by thanatos during the encounter against the arcana magician. a visual precursor of the idea that ryoji stole from the life that minato could have had.
it’s the way that over the course of the game as minato interacts with pharos, talking throughout the dark hour, forging a bond that cannot be broken, that allows ryoji to exist. minato humanizes death.
november. the bells toll, calling the appriser. and yet, it’s peaceful... quiet, and full of life. ryoji, who breaks free from death’s chains, refusing his role, is given the chance to live for a month. to make the most of the humanity that minato has given him over those ten years. and what a life he lived. ryoji’s life is a reflection of what minato’s life could have been like in another universe.
it is the way the two of them are reflections of each other. ryoji with his hair down is just like minato. they are both stubbornly committed to choosing to be kind, to love life, yet are chained down by the cards the narrative dealt them with. they finish each other’s sentences, knowing each other intimately in a way no one else does.
how is that, a boy who lived for only one month, profoundly changes the course of the narrative? he is simultaneously relevant and irrelevant. blink, and you miss it, the beautiful life that he led.
ryoji is horrified at the revelations of being the appriser. he who so desperately wished to forget that his existence was meant to bring the end to all life, was unable to escape the inevitability of death. in a non-human way, of course. he becomes remorseful. a shadow of his brief time as a human who was enamored by the small beautiful things that life had to offer.
he is swallowed by grief. grief knowing that his very existence will take away not only minato’s life, but everyone else’s. the very thing that ryoji loved- life, fundamentally went against the role he was born for- to be the harbinger of death. and unable to grapple with this sadness he believes that the best thing for minato to do is to kill him, so that SEES can live in bliss not knowing about their inevitable end.
SEES is left rattled, calling into question what the meaning of life is and what they do when faced against the inevitability of death.
and!!! minato chooses!! for ryoji to live!! even in spite of what ryoji is MEANT to embody, minato still stubbornly chooses to defy death itself! and if that’s not cool i don’t know what is!! minato wants everyone to have the chance to live!!
so he climbs. he ascends tartarus, to meet ryoji, again, who is now the nyx avatar. and i just think there’s something so so beautiful about being able to use messiah, minato’s ultimate persona, against nyx avatar.
messiah, being the fusion of orpheus and thanatos is peak ryomina to me. because ryoji and minato have established an unbreakable bond from having been entwined for 10 years, minato still has a piece of death with him, and by proxy!! ryoji is able to defy and rebel against nyx trying to bring the fall! and i think that’s fucking cool shit if you ask me!
even when all of the arcanas have been gone through, it’s still not enough to stop the fall. and yet. minato knows. in the way that ryoji was sealed in minato 10 years ago by aigis... minato becomes the great seal so that everyone can live. it comes full circle.
march rolls around. he fulfills his promise to SEES on graduation day. minato dies from exhaustion. but goddamn does his sacrifice make me weep- he’s had such, such a tiring journey. he’s been through so many things because he was at the wrong place at the wrong time. but at the end of it all, he’s reunited with ryoji in death.
and i think this is why ryomina continues to evoke so much emotions for me, to this day. the relationship that they have embodies so much of persona 3′s messages and themes that it makes me feel like a microwave with nothing running in it.
p3′s message is very hopeful, for me. my favorite takeaway from it is that even if death is inevitable, appreciating the life that we were given and choosing to live as best as we can with kindness (even if we can’t feasibly do everything), is just? really nice? and you see this manifest in both ryoji and minato’s personalities and what they do for the other characters.
ryomina just feels so distinct to me, the flavor that their relationship ties back to my favorite takeaways from this game and im just!! god!! i love you minato arisato! i love you ryoji mochizuki! im so glad that i could meet them! i’m happy that they changed my life! they made me want to appreciate the connections in life even if they were fleeting! they made me!! want to pay attention to the good moments in life and cherish them!
i love ryomina so much!!! i’m so glad that these two could bring so much joy into my life! and i hope that others can have this joy too! 💛💙
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Season 8 was like 6 years ago(I feel old) and I know ppl have differing opinions on the Mr Echo thing (but it was intended, made it to storyboard and blocked animation and then dropped, soooo) but. I can see his recruitment p easily tbh. Bc the whole reason Dr J was in that lighthouse was because he was resurrected, forced there, and ordered to build Skulkin vehicles by Samukai. But Samukai in the flashback we see has already been deposed as leader of the Skulkin/Underworld. Which means the orders to do so most likely came from Garmadon.
And since Mr. E is one of the head honchos, he's likely an early arrival to the team, so I don't think Harumi has a whole lot figured out at this point, she's just got her Trauma and some Bad Influence Friends and an obsession with Lord Garmadon. So. Like. Plausible deniability road trip that she's just visiting important markers of Ninjago's recent past, all of which involve Lord Garmadon in some meaningful way; its sightseeing, its cathartic, and it gives her time to develop her dream Motorcycle Gang/Resurrection Cult. She's not looking for anyone at the Lighthouse, but she is looking for vehicle blueprints so she can be the Koolest leader on the block. But oops she looks in the basement and there's an Echo.
And she's flipping out bc??? A Ninja???? In the Lighthouse basement??? I mean it makes sense that it would be this one but???
Except this rusty old robot has no idea what she's talking about with this Ninja stuff, he's just waiting for his dad to come back.
And Harumi pauses.
Because how long has he been waiting? He's not sure, he had no proper way to measure time in the basement, and he doesn't have the best view of his clockwork heartpiece. But it was after his father saw a strange ship docking; Echo was worried it was the People who had locked up his father in the first place, but instead his dad sounded happy when he saw whoever was out there. It could have been a front, though, as clearly it was never safe to let Echo back out. Then Dr J popped down briefly, while everyone above was resting, to tell Echo he was desperately needed elsewhere, that it wasn't safe to bring Echo, but that he'd be back in no time.
And the pieces are fitting together for Harumi. And she's like. Your dad's dead, bro.
And he's like. What? Did he die doing what was needed of him?
And she's like. Oh, no. He died a few years later.
And he's like. Why didn't he come back for me????
And she's like. Probably because they kept him away.
And he's like. Who's they?
And she's like. The Ninja I was talking about earlier.
And it surely can't be hard in universe to find pictures of Zane and Dr J post s2-pre s3, so she pulls one up and shows Echo who is freaking out bc why is that one kind of like him and Harumi explains that that was the droid his father created first, that he became a Ninja, and that hes probably the one who took their father away and kept echo waiting for years.
But Echo has doubts, shocked as he is abt a new older brother, he wants to believe the good in the situation so he's unsure. But Harumi mentions that the Ninja's failures to uphold more than their self preservation/interests has led to uncountable losses and devastation in Ninjago time and time again, before delving into her own story. And she seems so kind, and so hurt, and I do think there's a genuine connection btwn these two that forms from this shared emotional torment that they decide came from the Ninja, and now Echo is more receptive.
And then Harumi gets to start her Garmadon pitch because wait! If Echo was made here, then that could only have happened because of Lord Garmadon. And she reiterates that he's the reason she and her city could have even survived The Great Devourer. And maybe Echo's family-by-creation left, maybe they were untrustworthy and lacking, but that's OK bc if you look at it all a certain way, Garmadon is more of a father to Echo than Dr J was. And Echo is a vulnerable, overwhelmed mess who just found out his dad fucked off for years without him and also died, and also he has a brother??? Who their dad clearly seems to have favored??? Did they even know about Echo??? Did they delight in their life free of him???
Basically. Kinda Spinel-core but getting abandoned and left completely alone does that to you. Especially when the first person to find you after being abandoned is a deeply hurt and misguided teen who is probably kinda desperate for someone, anyone else to see the Ninja the way she sees them.
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