Tumgik
#societal not bodily
creekfiend · 2 years
Text
Tumblr media
I saw this on FB today and I wanna try and express something about it. Like, you know the curbcutter effect? Where when curbcuts are put in it benefits everyone (bicyclists, people with baby strollers etc) and not just disabled people?
There is also whatever the opposite of the curbcutter effect is. And this is that.
This isn't just anti-adhd/autism propaganda... this is anti-child propaganda.
Kids have developmentally appropriate ways that they need to move their bodies and express themselves and sitting perfectly still staring straight ahead is not natural or good for ANY CHILD.
Don't get me wrong, I was punished unduly as a kid for being neurodivergent (and other types of kid will ALSO be punished unduly for it... Black kids come to mind) and thus UNABLE to perform this -- but even the kids who ARE able to perform this type of behavior are not SERVED WELL by it. They don't benefit from it.
This is bad for everyone.
The idea that bc some kids may be capable of complying with unfair expectations, those expectations don't hurt them... is a dangerous idea. Compliance isn't thriving. Expectation of compliance isn't fair treatment.
46K notes · View notes
shouts-into-the-void · 9 months
Text
I'm becoming more and more convinced that everyone mad about the changes made in the Percy Jackson series just don't have critical thinking skills
73 notes · View notes
rosegardenofeden · 3 months
Text
There is this very pervasive "you first" philosophy a lot of transphobes (including other queer people) practice, where some ideal is proposed (i.e. gender abolition) and that ideal always applied more strictly and fervently towards trans people in order to portray trans folks as more regressive than cis people. Like no one is going after cis women celebrities for constantly going out in full-face makeup and super feminine dress and getting gender-affirming surgeries but the moment a trans woman ever does any of these things suddenly a bunch of assholes come out of the woodworks saying "ummmm ackshully it's super misogynistic to wear makeup or act feminine at all so you really should stop" when a lot of transfems do that to have a bare minimum of gender respect and euphoria, or for goddamn safety. It's always trans folks who have to be first down the well huh
8 notes · View notes
arseniccattails · 1 year
Text
When women (cis or trans) have facial hair, well, I think that is very cool of them.
7 notes · View notes
tranny-fragrance · 8 months
Text
i really don’t think in our society that you can rlly shave your body 100% fully as a personal choice for yourself
5 notes · View notes
kendallroyspeacoat · 2 years
Text
The downside of the body positivity movement being so gendered is that we become completely blind to the body shaming of non-women, because we don't immediately recognise what it looks like. People will claim jokes about small dick energy aren't body shaming because it's just a metaphor for someone being insecure, but even if you use that metaphor while genuinely believing that small dicks are nothing to be insecure about, your metaphor of choice is still intrinsically ridiculing precisely that insecurity.
11 notes · View notes
nickyhemmick · 1 year
Text
really curious to know what makes some men actually want to be fathers
5 notes · View notes
sniffanimal · 2 years
Text
Fellow nuance enjoyers, think carefully and consider the situations in which it may be beneficial not to, or what the ramifications would be of doing so, and realize there isn't always a good choice and bad choice, then raise your hand (if you choose to do so) ✋✋
2 notes · View notes
emlos · 5 months
Text
.
0 notes
whirlybirbs · 7 days
Text
Tumblr media
— CAN'T WE BE SEVENTEEN? ; shoto todoroki ; 焦凍
summary: he's loved you since he was seventeen. pairing: f!reader x pro hero!shoto ; reader was a 1-A student tags: mutual pining, heavy make-out, thinly veiled sugar daddy shoto, reader does not go pro, touya might be a dick but he's a hero now, shoto is bad at feelings wordcount: 5.6k a/n: i do not fucking know what came over me, enjoy your food my little todorokinas. yes the title is what you think it is. no i will not elaborate.
You never did go pro.
Truthfully, you thought there would be more pushback when, in your senior year, you announced your plan to pursue a degree in early childhood education with a focus on non-conforming quirk development. 
The War changed a lot. It changed you, your classmates, and the world. But, through it all one thing stuck with you:
What if someone helped Tenko Shimura?
How different would his life have been? How different would history have spun? 
You graduated at the top of your class and joined the faculty at Chiba Prefectural Preparatory School for Quirk Specialties two years ago. 
Chiba Prep was opened eight years ago in response to a societal cry for more infrastructure around what was dubbed "non-conforming quirks": a nice way to say quirks that can injure, maim, or kill. Maybe even all three on a bad day. Some parents still see their child being labeled as a non-conforming quirk user in the national database as akin to social suicide. 
You see it differently.
Your quirk allows you to manipulate emotions — anger, sadness, betrayal, love, hatred. If you can feel it, you can sink it into another's psyche deep enough to drive them to act. You can even imbue things with feelings. For example, a cup of warm milk can transform into more than just a simple comfort, now it can hold the feeling of home and safety, or even exhaustion strong enough to put even the biggest foe to rest. 
You could easily use your quirk with nefarious intent. 
You could steep hatred in someone's bone so deep it drives them to harm themselves. You could sew fury so solid into someone's mind it drives them to violence. 
Just a touch and you can control others with something so intrinsically personal it only exists within themselves: their feelings.
What makes you any different from little Asuke, a shy little girl with a quirk that allows her to see people's greatest fears, and then manifest and control them? You're convinced she can use this for good, if only with practice. In your mind, her future is bright and glimmering. Perhaps she will become a therapist, focusing on exposure therapy? Or, maybe the most prolific horror novelist in their time? 
Or, bright and sunny Tao — a transplant whose parents sought out Chiba Prep's specialized education — whose heteromorphic quirk makes his bodily fluids, namely saliva, eat through nearly anything but his own biologics. A sneeze is quickly the most dangerous thing in the world for the cheery, lizard-bodied class clown. 
He's just a boy given a quirk that needs more care. 
He isn't a villain-in-training. 
None of them are.
It's important to teach them that young — and as their teacher for Year 3 of their elementary schooling, you aim to hammer that in as much as possible. They deserve to feel normal. To feel loved and supported. They aren't scary, they're children. 
So, you take it upon yourself to insist on pushing for privileges like field trips. There aren't many public spaces that welcome the classes of Chiba Prep with open arms. Over the years, there have been plenty of incidents. But, a day trip into the city to visit Tokyo's Hall of Heroes is green-lit with bubbling excitement from both faculty, the children, and their parents. 
You usually keep your history as a graduated member of Class 1-A quiet. 
After all, you never did go pro.
And even still, Shoto Todoroki never stopped thinking about you.
He remembers that weekend everyone moved back in for their last year before graduation. He remembers you smiling at him, and helping him drag up a duffel of luggage from the common room to his dorm. You made a joke about how you're sure he got taller over the summer, and how his hair is longer now. You said you liked it. 
It was the beginning of the end, then.
His crush was a silent, smothering thing. It made it hard to think. Shoto had enough on his plate thanks to Touya's acceptance into the Villain Rehabilitation Program and his father's insistence on staving off retirement. Not to mention his parent's divorce — no matter how amicable, it was still a separation. Add on training, tests, studying, finals, and j-term classes... And a desperate, writhing, burning crush on the nicest girl in class? 
Touya's elbow digs into Shoto's side.
It drags him back to reality — to the stifled quiet of the historical Hall of Heroes. 
Suddenly, the doors to the wing squeak open, and a tour guide ushers in the elementary school class. The buzzing excitement and wonder are visible on each of their faces as the attendant — one of the HoH's lead tour guides — excitedly explains the newest, in-progress addition to the Hall:
Endeavor's wing. 
There's a whisper of awe that ripples through the children as their teacher and co-teacher follow, and as the class moves through the large, open space. They're staring up eagerly at the gilded statue in the center of the room. It's larger than life and intimidating. Years ago, Shoto might have had to fight the odd tremble in his knees at the reminder it brings: to be small in his father's shadow again. But, things are different now. 
Very different.
Touya scoffs. "I thought this wing wasn't open to the public yet."
"They're just children," Shoto hums, turning his back on the gaggle across the way to inspect the large mural winding along the back end of the installation, "I'm sure it's—"
"Oh, ho, no way!"
Shoto quirks his brow at his brother's outburst. His elbow digs into Shoto's ribs again. 
"Ain't that the pretty girl you never got the balls to ask out your senior year?" comes the rasped drawl of his older brother's voice. Touya is clearly amused, his white hair hanging in his eyes as he leans forward to squint, "She is cute, Sho'—"
"Shut up," Shoto grits, turning his head over his shoulder; he tries to bite back the flurry of nerves that ignite in his gut, "Stop talking."
It is you.
You look... good. 
Happy. 
You're crouched by a small, timid girl in the back of the crowd. Your hand is in hers, and you're pointing upwards at the large paneled screens replaying Endeavor's most historic fights. You're explaining something to her, your knees bent as you squat. You look... the same. As if in the six years since they graduated, you sat still in time. 
For a second, it's like he's seventeen again.
It's his senior year, and he's stuck at the corner of the gym's edge with a half-empty glass of punch in his hand. The lights are low, and there's slow music playing. His tie feels too tight. Bakugo keeps telling him to 'ask her to dance already', and Kirishima is considering bashing his head through the wall. Even Midorya is trying to persuade Shoto. 
"It's prom, man! C'mon, this could be your last chance—"
Touya is about to be a real pain in the ass — his favorite pastime — and make some comment about your ass, but when he turns to lob the one-liner at his baby brother, Shoto's gone.
Shoto is on the move.
The crescendo of gasps draws your attention first.
Then, the cry of "WOAH, IT'S SHOTO!" leaves you dumbfounded. The rippling murmur of excitement bleeds into the children as their eyes — and the eyes of the tour guide — widen at the sight of the approaching Pro Hero. 
Shoto Todoroki.
He looks... good. 
Really good.
He's a bit older, and a bit more filled out than when you were both teenagers. You can see the strength in his arms and shoulders — it's a distant echo of his father's physique, though Shoto is so much more elegant and much... prettier. He's always been.
For a second, you're seventeen again.
It's your senior year, and you're sprawled across Momo Yaoyorozu's bed.
They had finally wrangled out of you who your crush was: something they hadn't been able to do in all their years as classmates.
There's a sticky, Miss Midnight-themed face mask clinging to your expression as you try to flip through the large magazine in your hands as nonchalantly as possible. Mina's voice, as she paints Ochaco's nails a bright pink on the floor, is sweet and saccharine as she looks up at you.
"I think you and Shoto would be, like, the cutest couple ever." 
You're still crouched when the tour guide nervously — like she was caught doing something naughty — introduces The Pro Hero Shoto to the already-aware crowd of elementary school students and their teachers. It's like igniting a match; the uproar of excitement leaves you laughing as three of your boys push forward to bombard him with questions about his quirk. 
Asuke is smiling shyly, now. That's a small win. She's intrigued by the appearance of a real hero, not the "scary statues" — and her big, fat tears stopped rolling the moment you laid a gentle hand on her to quell her anxiety over the new environment with a push of comfort through your quirk. She unhooks her pinkie finger from yours as you guide her towards your co-teacher. 
"Boys," you call with a crisp air of authority as you stand and lead Asuke toward the bulk of the field trip group, "What have we learned about personal space?"
"It's fine, really, Insight," comes Shoto's voice; as warm and placid as you remember. 
"Insight?" mutters your co-teacher at the presumed hero-name; a look of confusion plasters itself on her face, and her big, feline ears perk up. She leans in to whisper in a way that borders on conspiratory, "Do you two know one another?"
"Old classmates," you confirm, not daring to get into the finer details.
Shoto's attention is entirely rooted in the way you manage the kids. There's something beautiful about the ease with which you handle the bouquet of students; you quell the excitement into a manageable decibel like it's as easy as breathing. 
"Shoto," you start as you gesture to him, "Has a very special quirk — Toyamai, he has ice like you. And, fire like Tojiro. He can regulate his temperature. Can anyone tell me what that means?"
There's a wave of hands shooting up, a few me, me, me's rise from the gaggle. 
You're using him as a teaching moment.
Shoto's smile is soft.
You nod at Ogomi, excitedly nodding as the reserved child speaks up. Normally, he hates public speaking. But, recently, he's started working with the speech pathologist during lunch. The boy bounces a little as he answers. "He doesn't g-get too hot, or too c-cold."
"Exactly! Isn't that cool?" you grin at the lazy attempt at a pun, "This is why it's important to learn about our quirks as much as we can!"
Touya thinks this whole thing is just too cute. 
You're different than he remembers — but, granted, things were sorta different last time he saw you. He was a little too busy tryna kill his old man and lil' Shoto. He's different now, too. A changed man! A real licensed hero. Support items and all. 
He hangs back. 
He... I mean, he is a jack-ass but he isn't gonna ruin this for Shoto. 
...It's kinda cute.
Just about as cute as Fuyumi said it was. 
Apparently, Shoto had opened up to her and Natsuo about his feelings after graduation — about how he regretted not doing anything about it. Fuyumi then told their mum, who then off-handedly mentioned it to Touya... and well Touya dug in because, duh, he is a whore for good gossip. He might be the family's black sheep, but Shoto is the glue that binds. 
And he deserves to be happy.
Your co-teacher is ushering the kids to the next installation — a viewing of All Might's Legacy, a new documentary following the retired pro's teaching career. It will be a good wind down for them, in comfy seats and the dark. It's hardly the sort of content an elementary school student would find riveting, but it is All Might. And they love him.
You hang back. 
Shoto's heart is hammering in his chest.
"Hey."
"Hi," you greet back, closing the door to the theater and stepping forward as you weave your arms around you, "Long time no see."
"Yea," Shoto breathes, his hands in his pockets as he meets you halfway across the museum's marble floors, "I... I see you're teaching."
His eyes are as pretty as they were back then. Slate grey and piercing turquoise. "I'm in my second year," you confirm softly, fiddling with the material of your sweater, "Congrats to your old man."
You gesture up at the statue, then wave around to the rest of the installation.
Shoto inhales, then nods; he's staring at your face, blissfully realizing you're just the way you were all those years ago. Kind. "I'll pass it along."
"How's he handling it?" you ask, your eyes raking across his expression and trying not to stick to the sharp slope of his jaw, or the bob of his Adam's apple, "Retirement, I mean."
"He's happy, I think. Touya and I are working together and... things are...  good."
Last month, Endeavor finally retired. He cited his age, and his dedication to passing his legacy to his two sons: Shoto and Touya. Shoto has planted himself firmly within the Top Ten in the last year or so, and shockingly, Touya isn't far behind. People love an underdog's redemption story, you suppose. 
And the underdog in question can read a room. 
This is getting a little too sexually tense for even him.
"Heeeeey, girl," he rasps out, staggering backward with a thumb over his shoulder, "Nice t' see ya. I'll let you two catch up, yea? I'm gonna go pop my head into the theater, see how the kids are handling the snooze fest on screen—"
You jump.
How long has he even been there?
"Hi, D— Touya," you strain, wincing a little; the rehab'd villain doesn't seem to mind.
"Hi, teach'. That cool with you?" he asks, wobbling his thumb and quirking a pierced eyebrow; it's comical, like he's trying to disarm you with humor, "Don't want you thinkin' I'm corrupting your youths—"
"It's fine," you breathe, ignoring the sting of age-old mistrust. You know better. Shoto wouldn't be here, with him, if Touya Todoroki hadn't changed. Endeavor wouldn't be entrusting his legacy to the ex-League of Villain member if he didn't believe in his capacity for good, "Just don't be disruptive."
Casting judgment on someone whose life was nearly destroyed by his own non-conforming quirk would go against everything you taught the kids anyway.
"Touya's whole thing is being disruptive," Shoto grits as his oldest brother slips silently through the doors, "I apologize for him—"
"No," you wave him off, laughing a little, "Don't. It's... nice to see you two together."
Shoto's expression is soft as he wanders a little closer. "It took time — and a lot of therapy — but we've all managed to come out the other side."
"That's great to hear, Shoto," you breathe, your eyes flitting across his face, "I'm really happy for you."
There's a long silence, then — and you can't help but ignore the roil of butterflies in your stomach. The eye contact is heavy with some unspoken thing, and both of your tongues are weighted by secrets-never-turned-confessions. 
It's like finally this dance you've been doing around one another for years breaks — and the two of you throw caution to the wind at the exact same moment. 
"Would you like to—"
"Are you free—"
Hesitant, slow grins bloom on both your faces.
"Dinner?" is all he manages after a sweet moment of soaking up your soft smile, "If you're available...?"
You make yourself available.
Yaoyorozu almost dies when you call her that night — winded from tearing through your entire wardrobe. You explained you had nothing to wear a-and you needed something nice, and you only have an hour to get ready, because Todoroki — yes, stop screaming, Todoroki — is picking you up at 8pm.
Little bro is nervous. Touya can tell. 
From his spot on the sofa, the white-haired ex-degenerate scoffs. Natsuo is digging around for some cufflinks in Shoto's dresser.
"Seriously, Sho'? A suit?" 
"It's a nice restaurant," his brother says tightly, adjusting the collar of the black button-down, "I booked the upstairs dining room for privacy." 
"Who the hell told you t' do that?" Touya quirks a skeptical brow.
"Father was the one who suggested it."
"...That old dog." 
Natsuo rolls his eyes at the exchange before throwing his hands as he emerges from the closet. "Do you have any links that aren't emblazoned with U.A. High School's crest?"
The ones in Natsuo's hands have his graduation year on them.
Shoto winces.
"Want me to ask dear ol' dog of a dad?" Touya snarks from the corner, his posture becoming less and less upright as he scrolls on his phone.
"Already did," comes the soft voice of Fuyumi; she's smiling, padding into Shoto's room with a velvet box, "He offered up his nicest pair. He also says not to screw it up with Insight. He likes her."
Of course, he likes her. You worked under Endeavor for a brief work-study period during your third year. Shoto remembers hearing grumbled praise over dinner one night about your talent for de-escalation.
"You told him who I was seeing?" Shoto asks incredulously, taking the box and working the cufflinks on. He's starting to feel exasperated.
Fuyumi nods, popping down beside Touya. 
"He asked. I'm not gonna lie to him."
"Did y' tell ma?" Touya rasps, peeking up over his phone to inspect Shoto's outfit. Not half bad, honestly. He looks good in all black. A man after his own heart, "M'sure she's gonna be real excited—"
"Yes," Shoto grumbles, "I called her earlier—"
"Chiba Prep is a really good school, y'know," Natsuo buts in as he tries to find a tie that matches Shoto's outfit. Ultimately, though, the middle brother decides against it and tosses the options over his shoulder, "They're, like, on the leading edge for quirk therapies."
"Hey, nerd? Quiet down. The big kids are gossiping," Touya shirks, turning back to Shoto, "What did mum say?" 
"She wants me to call her after—"
"One, you're gonna call mum the morning after," Touya raises a finger, "Because if you don't get laid, I'll be so fuckin' disap—"
Fuyumi slaps Touya's chest. He lets out a pained yelp at the solid smack.
"Uh, ow," he rubs his sternum. "An' two, take a deep breath. You look like you're gonna shit yourself. Those are my pants and they're expensive."
Shoto lets out a long breath. 
Fuyumi's smile is sweet like honey. "Aw, Sho'! It's gonna go great. You two have known each other for such a long time, and catching up is going to be amazing. Just be yourself! Confident and kind—"
"—Hold the door open for her, and pull her chair out," Natsuo adds as he adjusts Shoto's collar for him, "Car door, too—"
It's Touya's turn. He's dead serious. "—And do not chicken out on kissing her at the end of the night. I swear to god."
Easier said than done.
You never did go pro.
Those years of hardened battle instincts have lost their edge. You try to remind yourself this is just Shoto, not The Shoto — but you're a little lost in the whole celebrity of it all when he picks you up in a very nice, sporty little car with ENDVRplates. 
You answer the door and he forgets how to breathe.
He has flowers for you. They're blue and blooming and beautiful. 
Fuyumi's contribution. 
You settled then you were going to kiss him at the end of the night.
The restaurant is... nice. Really nice. The sort of nice you could never aspire to experience on your teacher's salary. Even the valet is a concept that has your head spinning. But, Shoto handles it all with cool ease. The entire time, his hand is settled on your lower back. 
It feels like you've been lit on fire.
You're glad Momo was able to create a dress fitting for the occasion. It's sleek and black. Comfortable, too. Not much can be said for your heels on that front, but it's fine. 
Somehow, Shoto managed to book the entire upper floor of this place in all its glimmering glory — it's just the two of you alone in a sea of tables. 
The waiter is pouring you a glass of the chef's suggested pairing of sake.
You thank him, smile, and take a sip as Shoto unbuttons his suit jacket and watches you. 
For a second, you're seventeen again.
Sero and Kirishima were always in cahoots when it came to parties back then — somehow, between the two of them, they always managed to smuggle enough booze onto campus to obliterate any semblance of promised sobriety from even the most stoic members of 1-A. 
You remember one night, after a lot of hounding, you finally gave in and joined a few of your classmates on the back lawn for a few drinks. 
A few beers turned into a cup or two of wine, and then another big gulp of whatever deranged jungle juice concoction Kaminiari managed to cook up. It tasted terrible, but you were too drunk to really care. Shoto was no better. He was nursing his fourth drink of the night — a rarity he was even drinking at all — and seemed completely fine with the way your arms brushed as the two of you sat close in the grass. 
He was always so nervous around you. Now, he just seemed... happy. 
"I can't believe there is only one week left until graduation."
Graduation day was the last time you saw him. 
Until this morning, that is. 
You smile into your drink. 
"What?" you ask when his eyes never leave your face.
His fingers twitch towards his own glass. Shoto blinks, then rolls his jaw. He was caught staring. He clears his throat, looking a bit shy. "Nothing."
"Nothing?" you press playfully, cocking your head to the side.
"You..." he starts, then bawks. You're stunning, and it's making it hard to even think straight. He thought these feelings might have mellowed out over the years but seeing you again has just reignited everything. He feels like a hormonal teenager again, "You look beautiful."
Your expression falters into something lovesick. You chew your lip. "You're not so bad yourself, Todoroki."
He manages a half-smile. "Touya had me worried the suit was a bit much."
The idea of Touya offering him advice on his outfit strikes a chord in your heart. It makes you smile even bigger than before. "Well, you can tell Touya that I like it. A lot."
You rake your eyes up and down him. On purpose.
He notices.
Shoto's face feels hot. 
He tries to shake the bone-deep want that has swept his entire body up in its grip, but it's difficult when every single word out of your mouth reminds him just how in love he was with you back in school. You explain, excitedly, why you chose to teach at Chiba Prefectural Prep and catch him up on where you've been living since graduating. He's pleased to learn you're still in the area, living in the city, and decidedly in love with the commute to the school. 
Shoto's always been a good listener — but you can see how much he's changed when he begins to speak about his career. He seems so much more sure of himself than he was all those years ago. It wasn't that he was... unsure... but, no. He was shy. Quiet.
Now, less so. 
It's adorable. 
Dinner comes and goes with conversation over sushi that is far too good for you to even process. It's easy talking to him. It was easy talking to Shoto back, then, too but... Things are different. You're both different. Not in a bad way, but in a way that feels like coming home. 
While you both wait outside for the valet, Shoto shrugs his jacket off and puts it over your shoulders without a single word. Suddenly, you're cradled in a warmth that's very Shoto — his cologne clings to the collar and you bury yourself a little deeper into it. 
Shyly, you step closer and steal his hand. It's calloused and warm. He laced his fingers with yours as if practiced. You bite back a grin. You give his hand a little squeeze when you spot the car coming around the corner.
His silence is calming — and he squeezes your hand back. When you look up at him, you realize he's already looking at you. 
His face is close. It's so... intimate. Very. Nearly better than a kiss. 
But, you've wanted to kiss Shoto Todoroki since you were seventeen. 
The valet driver interrupts the moment with a respectful call of Shoto's name and offers the keys with a shake of the hand. With a little bit of hesitancy, Shoto remembers the thing Natsuo said — the car door, too — and moves around the passenger side to open the door for you. 
It's sweet.
Really sweet. 
The car ride back to your apartment is punctuated with easy conversation — you ask him about Bakugo and Midorya, and you're pleased to hear they're both doing well. He asks about Momo, and if you still keep in touch with Mina and Ochaco. He smiles to himself when you admit you did call Momo for help with an outfit. 
"She did a beautiful job," Shoto breathes, a palm moving from the gear shift to brush over the dress' fabric on your thigh.
His hand settles there. 
Your stomach does a flip. 
You chew your lip, swallow down a sudden burst of nerves, and let your hand rest over his. You squeeze it. Shoto tries to focus on the road. His gaze drifts for a moment at a red light, his heterochromatic eyes dancing across your figure. 
Keep it together. 
He isn't seventeen.
He's twenty-five. He's a Professional Hero. One of the Top Ten in all of Japan. He's more than capable of keeping it together in the face of physical touch from the woman he's dreamed about for years. 
...Right?
Green light.
His hand is still on your thigh when he pulls up to your apartment. 
The touch is relinquished in favor of putting the sports car in park. 
It makes your chest ache.
Shoto swallows thickly.
Do not chicken out on kissing her at the end of the night.
He'll never forgive himself. But, admittedly, he's bad at this. He's not good at reading body language, or even knowing himself enough to realize he looks mildly terrified as you blink up at him in the passenger's seat. His heart is hammering a mile a minute.
What if you don't want to kiss him?
When would he even kiss you? Now? Or at the door?
Why does he feel like he's going to die?
"This was really... Shoto, are you okay?" you ask as you unbuckle your seatbelt; you pause, your brows knitting tightly. 
"What?" he asks, blinking back to the present moment. The look of fear disappears, "Sorry. Yes. I'm fine."
You're working his jacket off your shoulders, gently leaning to fold it neatly in your lap. Your voice dips low, into something playful. "You didn't look fine..."
"I—" Shoto clamps his mouth shut as he leans an elbow on the center console, "Sorry. I suppose I'm just nervous."
"Nervous?" you grin, a little giggle punctuating your words as you wriggle in the red, leather seat, "Why?"
Your expression makes his expression crack. He ducks his head as he huffs out a laugh. You continue to egg him on via expression alone. "I... Stop it."
"Stop what?" you push some more, your back pressed to the door as you face him in the car, "You're the one being weird—"
"I'm not being weird—"
"Then what's wrong, Shoto?" you tease in a sing-song voice.
"I'm nervous because I want to kiss you."
His words are punctuated by a slow look that takes in every inch of your face. Butterfly wings kiss your stomach walls. And your knees. You feel a little tremble in your chest. 
It feels like someone has sucker punched you square in the sternum. Shoto's no better. He isn't entirely sure what the expression on your face means. Is that... good? Are you happy?
Your voice is a little quieter now. You duck your head and fiddle with his suit jacket as you lean back against the seat, a little closer now. 
"You don't need to be."
Shoto's breath catches at that.
So, he makes his move.
His hand comes first — his calloused palm settles nicely against your face, his thumb brushing your cheekbone as his pointer finger brushes the underside of your jaw. Shoto is slow. Methodical. It's like he's trying to ground himself in the moment. 
Truth be told, he thinks he might be blacking out.
Your eyes flit up his wrist — a dark leather band around his wrist with an expensive watch face, a dark dress shirt with glimmering cufflinks, strong arms and a broad chest, and you can see the dip of his collarbone where the top two buttons of his shirt remain undone. 
He looks so damn handsome with his sharp jaw, pretty eyes, and his trademark white and crimson hair. Even his scar is beautiful. 
The touch pulls you in like he's got his own personal orbit.  
Your elbows are braced along the center console, your eyes flicking across his face as his fingers continue to brush along the soft expanse of your cheek. You wring your fingers together. 
Then, his eyes stick to your lips.
"Can I kiss you?" he whispers, his breath fanning across your face. 
You never did go pro.
But, Shoto did. 
It shows. 
Because, at this moment, all you can do is nod feebly before you're swept into the sort of kiss people go to war for. It's the sort of kiss that sticks to your ribs, that feels like warm, fresh food. It's the sort of kiss that would drive you to the brink, that would make you nod and agree sure, let's get married and have three kids, let's name one after your father, and paint the house blue like your mother's favorite flower—
His mouth is eager, but not in an overbearing way. It's gentle. Slow. As if he needs to remind himself this is real and not some midnight fiction that leaves him aching and alone. Shoto reminds himself to be tepid, pliable, and easy, which is easier said than done when somewhere deep inside of him there's a seventeen-year-old screaming in victory. 
It's better than anything he could have ever imagined. 
And then you whimper. 
It's a sound tied between bliss and relief and it's muttered against his mouth as you lean in and let your fingers brush the fabric of his dress shirt. The tips of your fingers brush his abdomen and he flexes, the feeling foreign and warm. It warrants his other hand to drift to your face and you break for a breath; he doesn't care that there's lipstick smeared across his mouth. He's kissing you again — this time a little bit more feverish, a little bit more aching. 
You melt against him, this time your hands trembling to grip his wrists.
He needs to slow down.
He is not having sex with you in his father's car.
That's shameless.
He needs to slow down.
He has to, or he'll lose himself in this and he refuses to fuck this up. 
Shoto's breath is ragged when he finally peels himself away, his lip parted and eyes half-lidded. His grip on your face is still so soft, so gentle. It's very him. 
You're glad you didn't do this when you were seventeen.
It would have permanently altered your brain chemistry, you're sure of it. How could you ever kiss someone else again after that? 
He's rubbing your cheek with his thumb. You swallow, and try to level out your breathing. It's hard when he's still so close, when he's so... perfect. 
"I've wanted to do that," he murmurs against your cheek, "Since our last year at Yuei."
A well-kissed smile breaks across your face. You reel back, your nose wrinkling as you shake your head in disbelief. Shoto is smiling. A real smile. The sort that's so rare you can count on one hand the amount of times you've ever seen it in person. 
"Are you serious?"
"Very," he says, chastely pressing another to your other cheek as he leans back.
"Me too," you admit shyly, "Can we... do it again sometime?"
Shoto's eyes widen incrementally. Then, his smile eases back onto his face. 
"Are you free this weekend?"
"I can be," you reply easily with a honeyed look, "And I will be. For you."
"I get off patrol on Saturday around seven," he explains before asking timidly, "We could... do dinner again?"
"Works for me," you breathe as you move for the handle of the car door, "After all, I never went Pro. Weekends are free."
Shoto scoffs. 
Then, as you open the door and swing a leg out:
"Oh, and tell Touya I thought the suit sexy."
Shoto's laugh is dry. You leave his jacket on the seat and scurry into your apartment with a lovesick wave. He swears he sees the silhouette of a familiar ponytail greet you at the door, but he doesn't dwell on it. He waits until you're inside and the lights to the front door are shut off.
Then it hits him. He has another date with you this weekend. 
Not so seventeen anymore, Shoto Todoroki. 
1K notes · View notes
snjzjdnsksoeoels · 1 year
Text
Some of y'all try to be sooooo liberal that you literally circle right back around to conservative ideology and you don't even realize it
1 note · View note
askfordoodles · 4 months
Text
A detail I don't see mentioned about the confrontation between Blitzø and Stolas is that while Blitzø is understandably angry and lashing out, he also ends his rant with an invitation to Stolas, imploring, no, demanding he meet him at his level, to get as angry as he is, to FIGHT HIM, right then and there.
We've seen frequently that imps are violent in general, they're originally native to Wrath, and we see that most of their bonding rituals often involve violence and/or bodily harm (just look at how much Millie and Sallie May messed each other up at the end and while being able to laugh about it; a broken bottle fight and broken bones is their version of a light-hearted pillow fight)
While Blitzø is also very self-destructive, even by Hell's standards, it should be noted that he's technically begging for Stolas to connect with him in this moment, to speak a language he understands. "At least respect me enough to fight me! If you care, why walk away? Get real with me, if we can't get physical with our genitals, then at least let us get physical with our fists!"
Unfortunately, Stolas has had the exact opposite cultural upbringing, having been taught his whole life that emotional outbursts are unseemly and improper, so his main go-to for conflicts is avoidance. He avoided confrontation with his father, he basically avoided Stella as much as he could even when she was openly shitting on him at parties; and ONLY just recently has he managed to stand up for himself and when he finally does, it's not to strike back, but simply stand his ground for once, emboldened his new-found love for Blitzø and the knowledge that his daughter isn't fooled by the act anymore and will soon be of age anyway.
It is not currently in Stolas' nature to be confrontational the way Blitzø desperately needs him to be.
Blitzø says: "Please, if you ever actually cared, you'd fight for us Get mad, show me that you care!"
What Stolas hears is just the most literal interpretation with zero subtext, because he isn't attuned to the subtleties of arguing and especially not what it looks like for imps, i.e. he focuses on the "I always hated you" interpretation.
Both gave the other an opening, but only heard dismissal, because it wasn't spoken in a language they were familiar with.
I'm not saying either handled things well here, Blitzø shouldn't immediately respond with anger and Stolas shouldn't default to walking away, that's my whole point.
I just thought it was an interesting angle that their differences aren't just societal (privilege/wealth/respect) but also cultural in how it influences how they each handle emotional confrontation, or, in the case of Stolas, how they don't.
2K notes · View notes
thecrownestt · 3 months
Text
This idea is rattling around in my head, but I'm kinda digging it?
I find the casual mindlessness of a feedee to be hot at times. Stoned feedee if you will. Throw a super capable, sharp feeder. Bodily Contrast is sweet, but how about contrast of the mind, of the demeanor.
Let's find a restaurant that's decently out of the way. No chance we'll otherwise conduct ourselves over in that town, know anyone, etc. Somewhere where we can be faceless little ol lady and her man. Dress her up in her finest leggings and ridiculous t-shirt. Maybe a low cut tank top to show off her meaty arms and obscene cleavage. Have him dress competently. Nice pressed shirt. Flattering attire. Wear a nice watch even. Nice. He looks nice.
Have her rip a blunt. Smash some edibles. Who cares. Get her thoughts all bungled. Get her words soupy. Grin at me with your blood shot eyes. Be a little more basic for me. Follow your urges.
I'll order for the two of us. Be channeled into your inner farm animal. Focused on food. Lazily be aware of someone in our presence, but keep tearing at your bread and munch away while I speak to the adult.
A wordless dinner. Light salad with a glass of wine for me. Charmingly taking my time while reveling in the moment. Exerting my control over you to the point that you're utterly free to gorge without societal repercussion. We won't be back in this town... not until we want to do this again. Be a bit of a hot mess. Burp if you must. Don't excuse yourself. Take that deep breath, you need to make room for the next plate that is making its way over.
I'll call for the bill when you finish. I'll ease you out of your seat and to the sitting area. I'll pull the car around. Load you up like a blissful fat pig. Such a pig.
440 notes · View notes
alex2xander · 6 months
Text
Shout out to all the tumblr users dealing with daily fatigue and severe depression.
Respect to those who have medium and high support needs who need assistance with bodily functions.
Love to those who cannot safely leave their bedrooms or home due to the pandemic and lack of societal support.
Care to those who spend the majority of their life online because this is the only way they can socialize with the outside world
There are so many of us trying to make it day to day. I love you and you're not alone in this.
I love you people who have to be carried, lifted, or escorted in mobility aids to do daily living tasks
I love you people who depend entirely on your cariers and personal aids for every function
I love you people who haven't been able to shower in over a week and therefore have tangled or matted hair and body odour
I love you people who have been wearing the same clothes for over a week
I love you people who dont have the energy to get out of bed to use the bathroom and need to use diapers or a bed pan
I love you people who havent been able to cook their own meal in months
I love you people who have piles of dirty clothes and trash scattered around their room
I love you people who uncontrollably drool on yourself and your property
I love you people who have slowly lost mobility and function over time and are adjusting to their new life
594 notes · View notes
anistarrose · 28 days
Text
Just for the record, if a post about sex positivity ever says something like "those people who don't like sex are trying so hard to pretend that they're oppressed," that is a telltale indicator that this particular vein of sex positivity has been infected by aphobia brainrot, please abandon ship and locate a less shitty, more rigorous and principled vein of sex positivity immediately.
People can be oppressed for any deviation, in any "direction," from the "normal" amount and kind of sex. Sex positivity that acknowledges this, and holistically applies core principles of bodily autonomy and freedom from societal norms, is real and it's worth it. I promise. Stop conflating asexuality with sex negativity now, I'm begging you.
327 notes · View notes
johannestevans · 11 months
Text
Tumblr media
Big deep dive into themes of sexual violence and rape culture as portrayed in Alien (1979, dir. Ridley Scott)! About 13k.
---
Here is a horror film about rape — and not just rape, but forced impregnation and reproductive coercion — that doesn’t use the word rape, doesn’t use words like sexual violence. Although the reproductive threat remains the same and the alien herself is phallic in appearance, the xenomorph’s assault is a degree removed from “actual” on-screen sex, so those words are never needed. The xenomorph penetrates her prey via her facehuggers, and through this process, impregnates them against their will, sometimes without even their awareness. It is a direct parallel to sexual violence amongst human predators and their victims but is not in itself sexual when presented on screen.
Because it doesn’t use those words, we strip off the assumptions people have about the gendered aspect of this sort of violence. In the sci-fi setting, using a unisex cast and also introducing androids as well as human beings, we also strip off the forced binary of male and female.
In Alien (1979), it’s not just cisgender women who are at risk of being forcibly impregnated with a dangerous parasite that could kill them as it grows inside them, as with human pregnancy as assumed by cis society — it’s everybody. And because the monster is an alien — a big, clawed alien that’s very penis-like in its design — there is not the same ability for the filmmakers to in some way romanticise or downplay the violence of the assault.
There’s no need to humanise the rapist or explain that he’s a lonely man who just wants female companionship, really, and shouldn’t society provide for a man like him? Isn’t the real cause of his violence against women that no woman provided for him, to cater to his needs as a man?
There’s no need to humanise the xenomorph or her facehuggers — they are alien creatures who seek only to breed and survive. They have no voice, only violent action.
But here comes the real horror of the film and what ramps up the terror inherent in it: yes, the xenomorph and her children are acting only on instinct, but Earth’s society is thinking about the value of it. The xenomorph’s offspring might be worth money. They might be converted into weapons and fire power, and scientific advancement.
In real life, the damage is losing the rapists who work at the company, or dealing with the media fall-out that might occur if rape victims spoke up about toxic work environments, or the legal fees that might be incurred — and thus, victims are silenced, let go, the working culture makes certain to defend and further enfranchise abusers while silencing and disenfranchising victims.
In Alien, The Company does what any company does in our society. It measures the damage caused by not just the assaults and the coerced impregnation and the death that will be caused in the result, against the potential profit of the xenomorph’s DNA, no matter how scary or violent or traumatising the xenomorph and its behaviours are.
Alien (1979) then becomes a perfect metaphor and parallel for sexual violence in our society — and especially as a male victim of sexual violence myself, but also as a transgender man, it really cuts to the core of the horror of it for me.
Yes, it’s terrifying to be raped, but it’s not terrifying because men are strong, and they all want to rape women, who are always so pure and innocent — women rape other women or men or nonbinary people; men rape other men and the same; corporations and other for-profit enterprises might work towards invasions and corruptions of individual bodily autonomy because it benefits them monetarily or societally; other political and governing bodies might work toward the same.
The terror of rape is in the invasion of your body against your will, your powerlessness to stop it or defend yourself, whether by force or coercion. It’s in the collapse of your desires for your body and its purpose as you see it to that of another person’s, or a third party’s.
And when that rape can come with the threat of pregnancy, there is a further terror — can you access emergency contraceptive and/or abortion services? Will they be delivered to you without prejudice and without delay? Will you be forced to submit to further invasions of your body, having a rape kit done, being tested for STIs, and having to describe your assault to police or to other violent authority figures, who as you describe it, will demean and undermine you, and do anything to discredit your testimony? Will you have to flee your state or country to get medical services to end a pregnancy? Will you be blocked off from these and forced by the state to carry a pregnancy to term, on top of having already been raped by an individual?
Unlike many other horror movies about rape, no one gets raped in Alien (1979), and then at the end, does a stirring monologue to sad piano music about how, yes, they were raped and attacked, but they couldn’t possibly kill “an innocent life” by having an abortion, because any female rape victim’s natural instinct is, of course, to want to be a mother to their rapist’s children. Anti-abortion activists aren’t putting facehuggers on their posters and their propaganda.
Read more on Patreon / / Read more on Medium
859 notes · View notes