#sorry for . being sad on main so often these past 2 days i just

[uitzinnigmp3]

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[f2e5b1]

bitter orange — okkotsu yūta [2/3]

pairings. okkotsu yūta + f! reader/original character (main); past!orimito rika + f!reader; past!okkotsu yūta + orimito rika word count. 3.5k previous

PART TWO: sour grapes

You visit her grave often.

We’re sorry. She was too young. We knew how much she meant to you. Although you knew they didn’t actually care, because they never liked her in the first place. None of them mattered, none of it mattered. You stay in your room most days, walking home by yourself all the time. Yūta stopped talking to you after a couple weeks, stopped waiting for you at the gates to walk home together. You were fine with that; he’s got the ring, you don’t. Eventually, you stopped seeing him all together—it’s as if he disappeared along with her. Good, you hate him less that way.

In your first year of middle school, you start to see… them: deformed and grotesque, a glimpse of unimaginable nightmares that live among the shadows. They were smaller when you were younger, hiding away in small spots and silent and anxious but watching—always watching. They look bigger now, and, as you learn quickly, are very dangerous. Nobody else sees them, though, so you’ve always chalked it up to hallucinations.

But one day, a mysterious man with white hair visits you, calls himself Gojō Satoru and says he’s a “jujutsu sorcerer,” whatever that is. Cursed spirits, he calls them, born from humanity’s negative emotions. A sorcerer’s job is to “exorcize” them—so like a shaman but not really. What’s even funnier? He says you’re one of them—these sorcerers, that there’s this school who’ll train you to fight them, where you’ll meet others just like yourself.

Sometimes, you think of her whenever they’re around. They’re ugly and loud, always spewing indecipherable sentences and crying in the shadows, and they aren’t pretty, but you think of her anyways. It’s a disservice, you think, to have such thoughts, not when she had been so kind and beautiful, and these curses are so clearly not. They don’t have her long brown hair shining under the sun, don’t have her sparkling brown eyes crinkled in delight. Don’t have her smile either, upturned and sweet, with the little beauty mark on the right. And worst of all, they don’t have her voice, a beautiful melody in comparison to their unpleasant wailing. She wouldn’t have sounded like that.

You visit her grave often, but she’s never there. The ichigo daifuku rot on the cement, then get cleaned up after a day or two.

+

Okkotsu Yūta looks too close to death.

“You didn’t have to do that,” he says, hands clutching onto his bag like a sad attempt at a lifeline. When he stands, he visibly slouches, eyebags darker than his unruly hair. His head hangs like he has a noose around his neck, and if you look a little closer, his shadow consumes, almost like a sentient being, an insatiable darkness pooling under his feet. “I’m sorry.”

Funnily enough, it’s comforting.

“I didn’t do it for you,” you say, adjusting the strap of your bag as you walk ahead. He almost stumbles from trying to catch up, but falls within a steady pace a few meters behind.

“... Oh, okay. Um. Still, thanks.”

“I did it because they were being annoying.”

“... Yeah.”

You turn around to face him. “Are you embarrassed?”

He pauses. “What…?”

“Are you embarrassed because you were saved by a girl?”

He blinks, confused, with his wide blue eyes staring back at you. Then, he flushes, a dust of color finally appearing on his pale skin, “N—no! It’s just… we just haven’t talked in a while, so…”

“So, you don’t wanna talk?”

“No… I—... No, I do,” he stammers, as if trying to find his balance in the world. Gone was the energetic Okkotsu Yūta you knew from your childhood, who used to be stricken with adoration for his since-then-dead-fiancée, and now reduced to a gloomy, unsettling, lonely boy who gets bullied in side empty classrooms in his third year of junior high.

He finally catches up with you, having taken advantage of you gradually slowing down. He continues following you to somewhere you don’t even know where, perhaps home, but he follows you regardless. He’s too close, you think, but make no move to push him away. It’s not so bad to only hear your footsteps and the occasional car or two, even if you were making up most of the initial conversation; it’s a scenario that’s comforting, much like the shadow that trails after him. Though you don’t exactly know why it has that effect on you, not when it’s just Okkotsu Yūta—bane of your existence Okkotsu Yūta since you were nine years old. Why one glance at his shadow is like salvation for you is something completely beyond the realm of understanding, but it isn’t as if—

You pause. Oh.

It’s Rika, isn’t it?

“... Your knuckles are bleeding,” Yūta comments quietly, looking down at your hand. You both come to a stop, observing the scratch and cuts on your knuckles before he takes it in his grasp, inspecting it further. “I’m sorry,” he says, annoyingly guilty.

“Don’t apologize,” you say.

“Sorry—...”

He keeps his mouth shut.

You sort of understand now, why he has avoided everyone since then, why he doesn’t fight back even when it hurts, why he always looks like a dead man on the last thread of survival, eyes hollow and skin cold and pale, with darkness following him and darkness consuming him. Whether it be from divine punishment or an unfortunate mishap, at the wrong place at the wrong time, it is clear that Okkotsu Yūta is being haunted by a vengeful cursed spirit, because of course he is.

Of course he turns your first love into a curse.

He drops your hands, adjusts the straps of his bag, and continues walking, unknowing of your revelation. You watch him for a moment, your eyes dropping to the heavy shadow that encompasses him. That heavy, familiar shadow of his—

… And you go with the impossible.

You take his hand in yours.

There’s a pause after that, a sudden change in the air that makes the hairs on your necks stand up, a chill go down your spines, and you think you hear a low growl in the distance, a warning you do not obey. Yūta doesn’t look at you, as if he’s afraid something entirely out of his control will happen, a scene he’s seen countless times already, and yet he doesn’t let go. He grips your hand tightly, instead—afraid and unsure. For you, maybe? You don’t exactly know.

But a few moments pass, and nothing happens. So he relaxes just a bit, heaving out a shaky exhale and then he’s finally looking at you, tired eyes meeting your firm gaze.

Something clicks, then. Like the last piece of a puzzle is found.

And for the first time since Rika’s death, you walk home with Okkotsu Yūta.

+

It becomes a routine. You’d meet by the gates of your school, say nothing to each other, and start walking. After you cross the first street, you’d grab his hand and continue on without a word.

He adapts to it quickly, doesn’t even flinch or pull away. He hasn’t said anything about it, and neither have you. It feels incessant to do so, not when it feels… right. Like a gap has been filled somewhere in your heart, so close to making you whole, but so far it hasn’t really been enough; like you need more, but you’re also fine with this, whatever it is. Rika has been silent this whole time, an anvil of obsession resting on his shoulders that it's almost a good thing; she’s always been a jealous girl, so it’s nothing short of a miracle that she hasn’t even ripped you to shreds just yet. She knows you know she’s there, watching you—she has all the power to take you away from him, and you’d let her. You’d let her do anything to you if it comes down to it, really.

Yūta reeks of death, still, but you don’t mind anymore. It’s Rika, and that’s all that matters. You know it’s her because who else can it be? If Yūta’s being haunted by a cursed spirit then you would’ve long since exorcized it the moment you saw him—but who was the one who saw her get hit by a truck right in front of him, saw her bleed to death as she called out his name in her last breath? Who was the one who screamed out her name, begging for her to come back, to not leave him and was traumatized to hell and back at the sight of her small body crushed to nothing, the sound of her bones cracking underneath the pressure?

Who was the one who turned her into a curse?

You hate him for it, sometimes, for keeping her away from you, for not telling you. She’s a cursed spirit—but does he even know that? Does he know that there are people in this world capable of eradicating her? Does he hate it? To have her attached to him like a conjoined twin, so inseparable it makes you drown in your own envy, the green-eyed monster who has risen from the depths of your heart now that she is here. Is he afraid of her? Of what she has become? Of what he has made of her?

You aren’t. You love her, after all.

But he’s the one she haunts, because she loves Okkotsu Yūta. He wears the ring even now, buried deep under his shirt, and connected to his heart. You’re close enough to rip it away from him, leave him bleeding with nothing to hold onto the memory of her. But you don’t do it, even though you still hate him just a little bit without really ever doing anything about it; your heart is not so fickle to forget what he had stolen from you.

“What highschool are you going to?”

You slow down. “Why are you asking?”

He looks at the ground. “I don’t know—I just wanna know, I guess. Have you taken any entrance exams yet?”

“I’ve already decided where to go.”

“Oh… to where?”

“Still here, in Tokyo. It’s a religious private school, but it’s all the way up the mountains.”

He pauses. “I didn’t know you were religious.”

“It’s Buddhist.”

He’s silent for a while, thoughtful. And then he looks back at you, dark eyes boring into your own. “Did they give you a scholarship, or something like that?”

“Something like that,” you pick up the pace, and he’s forced to follow.

“Is it related to kendo? I didn’t know that religious private schools offer that kind of scholarship—especially those by the mountain-side… Isn’t that too rural?”

“Why do you think of kendo?”

His eyes flick over to your shoulder, where your cursed weapon usually sits in lieu of your school bag. This time it’s absent, since it’s mostly useless now that you’ve figured out your technique. “You always walk around with this long bag—like it could fit a shinai or something. Isn’t that what it is?”

“I guess so,” you don’t elaborate further, he doesn’t ask anymore questions.

Truthfully, you don’t know what to do. You’re elated at the fact that Rika has always been here, although silent and brooding and definitely now a dangerous entity capable of destroying a whole nation, perhaps even a Special Grade, what with all that cursed energy bursting forth from the seams of Yūta’s shadows that you can now sense from a mile away, but at the same time you find that you don’t really care that a powerful cursed spirit has been plaguing this city for years—not when it’s her.

All you know is that you don’t want to be the one to exorcize her.

You probably won’t be the one to do it anyway.

+

A month before graduation, Yūta tells you that he doesn’t want to say goodbye. As he speaks, you notice that his grip on your hand feels a little tighter than usual.

“Why not?” you ask calmly, though you think you’re doing a bad job at being nonchalant.

You don’t wanna leave Rika, either. She hasn’t shown herself to you yet, mostly remaining somewhere within Yūta without a single peep or squeak, but you think it’s better that way. You’ve long since resolved that you’re alright with being near her without actually seeing or confirming if she’s really there, not when you can feel her through Yūta anyway. It’s enough for you.

But he’s not looking at you, instead adamant at finding what’s so interesting about the ground. Somehow, he trusts you enough to guide him as you walk, to look out for poles or signs or walls that could hit him. You don’t exactly know how to feel about that information, so you store it away for another time.

“Okkotsu?” you call when he doesn’t reply.

“Yūta,” he’s looking at you now, hair falling over his dark, blue eyes.

“What?”

“You can call me ‘Yūta’,” he clarifies. “Ume-chan.”

You pause, slowing down to a halt. He gets a few extra steps ahead before he’s forced to stop, looking back at you curiously. Since when had he gotten such confidence? Last month he had just been a bumbling, timid boy, so much so that one misdirected glare from you could send him freezing on the spot.

“Okay,” you breathe out. “Yūta.”

He smiles, giddily, but then the atmosphere darkens just a little bit. He quickly falters at this, smile disappearing almost as fast as it appeared. He grips your hand tighter, looking down at the ground once again.

“Are you scared?” you ask.

He shakes his head weakly, looking up. “No…?”

“You’re lying,” you say.

Yūta looks down again. You wait for him, feel the coldness of his skin, and the slight chill of the weather.

“I want to go with you,” he finally admits. “I don’t wanna go somewhere you’re not.”

And you’re quiet, the silence filled in by the sound of people from the playground just a few miles ahead. Yūta gains the courage to look up to you, to see your reaction, hoping you aren’t too angry even though you hold so much hate in your heart for him. He knows that, at least.

(But you’re holding his hand, aren’t you? You fight his bullies, knuckles red and bruised, even though you don’t need to. You stay with him, even though you don’t have to. You make his life a little bit easier, even if you don’t really want to.)

“Why?” you ask, face betraying nothing, just plain curiosity. “Why do you say that?”

Yūta thinks that maybe he is afraid of her sometimes, even if he doesn’t want to be.

So he says, “It’s quieter when you’re around.”

He must have said something wrong for you to suddenly let go of him.

“I’m sorry—“

But then you take his hand again, not intertwining it, but settling it within yours so he can feel the warmth of your touch, like you never even let go in the first place.

“Don’t apologize,” you command, like you always do.

“… Okay.” And Yūta listens.

You squeeze his hand. He holds on to it tighter, like letting go once again will mean letting you go, and yet he’ll have to do that in a month anyway even if he really wished that isn’t the case.

“You can’t come with me,” you say, like it’s final. “That school… it doesn’t suit you.”

He searches for something in your eyes, and finds nothing. “Why not?”

Because they will kill her, you think. They’ll kill the both of you, and then you’ll be alone forever.

“It just won’t,” you say with finality.

“Okay,” he says, staring at you thoughtfully.

Your available hand reaches out to adjust the scarf around his neck, adjusting it so it hangs more loosely around him instead of tightly like a noose. The teal fabric bunches up in your hand as you move it around, patting it down before you find his dark eyes boring into yours. The spring chill caresses his face gently, softly swaying the unruly spikes of his hair as he watches you tend to him, the way you make him feel like a burden but he doesn’t mind if it's you.

You eventually finish with your work, moving on to continue walking home.

The silence disappears, because Yūta’s heart is too heavy with want.

+

There’s a few things that happen when you dream, but it mostly goes like this:

There’s a bench in the middle of a white void and a huge cherry blossom tree behind it, petals slowly falling onto the ground and covering it in a mass of light pink. Just a few feet in front of it is a koi pond, filled with differently colored koi that make them seem like a bunch of koinobori instead of the actual thing—black, red, white, yellow, green, and blue koi. You’re sitting on the bench, an unopened box of three ichigo daifuku sitting on your lap as you observe the fish swimming inside the relatively small pond.

It always starts this way when you dream of Rika; things change very little and progress nothing. But you find comfort in it either way, as it remains to be the only way you can see her, deep within your REM sleep where nothing in the world can disrupt it.

She eventually appears from the other side, sitting next to you without a word. When you turn to face her, she’s a bit visually different from the last time you saw her in reality—coming up to your height, her brown hair is just a little bit longer, but instead of her familiar dark blue dress, she wears a normal uniform from a normal high school you hope to get into. In your dreams, Rika has continued growing alongside you, blessed and healthy and happy. In your dreams, Rika is alive.

“You’re so sweet, Ume-chan,” she praises, taking the box of ichigo daifuku you offer her. “You always know what I want!”

Of course you do.

“Anything for you, Rika-chan,” you respond fondly.

She giggles, the soft lilt of her voice like an enchanting melody you’ll never get sick of. You like it. You like this. You like her.

When you take her hand in hers, she doesn’t protest, instead squeezing yours in return as some form of quick reassurance that yes, she’s here, and she’s right next to you. The both of you continue sitting on the bench for who knows how long, staring into the small pond with the colorful koi without uttering a single word—a serene silence that cannot be measured by time passing, every flick of the fish’s tail, the fall of the petals from behind.

Your dreams always start like this, and end like this. It’s not much, but you’ve long since found contentment in what this fantasy can give you, long since convinced yourself that anything is fine as long as you get to see her.

You close your eyes, preparing for the dream to finish up, to miss the warmth of her hand in yours and wake up to another day without her—but it doesn’t end there.

“Ume-chan?” Rika calls, slowly.

Your eyes open. “... Yeah?”

She’s properly facing you now, torso turned to your direction with this impassive expression. You watch her stare at you, mapping out her features, the curve of her nose, the length of her lashes—something, anything that could tell you that this could all be real, that this is not just a dream. That Rika is still alive and not merely a figment of your imagination, stuck behind the bars of your subconsciousness. Because all you are is a liar, and not once were you ever content with just seeing her here.

You just want her back.

Rika brings her palm up to your cheek, caressing your face with her tender touch. “Don’t cry, Ume-chan,” she says in her soft voice.

You didn’t even realize you were.

“I love you, Rika-chan,” you all but practically sob, leaning into her hand. It’s warm, it feels so real. “I love you so much. Please come back to me.”

Rika just smiles, wiping away your tears with her thumb. You can’t breathe, vision foggy from your tears and panic rising in your chest when her figure becomes nothing but a blurry mess in front of you. You reach out to her, knowing deep down that you’re just grabbing onto loose threads but—

Then, you wake up.

+

Yūta looks at you with wide eyes.

“... You’re bleeding!” he stammers, breath quickening as he stumbles away from you in a fit of fright. “Rika—Rika-chan attacked you…!”

He cowers away into the corner of the classroom, head in his hands, begging the world for nothing else to happen, for Rika not to come out and lunge at you again like she did with all his other bullies, like you’re one of them. Idiot, idiot, idiot Yūta! He should have seen this coming, should have known that nothing will stop Rika from endangering anyone, not even you. He can’t lose anyone again, not Rika, not you—especially you—he can’t take another loss anymore.

But when Yūta gathers enough courage to see how you’re doing, he can’t fight the surprise that crawls up his throat.

Because as you’re sitting there in front of him, fingers gently grazing the nasty gash on your cheek, staring back at him so quietly it’s too suffocating, and he feels so guilty, so miserable—

And yet, you’re smiling.

next

[edwardpinestar]

whats your writing process like?

Hi! Sorry for taking a bit to get to your ask, I've been taking my time to make the most comprehensive answer I can, and that takes a bit of thinking on my end to figure out what my process really even is.

My process can be divided into 6 (and a half) steps, which greatly blend and blur together, but that'll I'll separate out for an easier time telling you.

I will be using the 'A Guide To Becoming A God's Consort' AU (Also known as Cult of the Cat AU) and all its works as examples throughout this list.

Step 1 - Base Idea

The base idea is where it all begins. It's the gimmick of the story. What is the main focus of the story? What is this about? For CotC, that was it being a Cult of the Lamb adaption, with the Puss x Death ship. Strip away everything, and that's what this story is.

Step 2 - Rough Plot Ideas

Once I have the base idea, I start figuring out more. What ships will there be? How do I want this to feel? Do I want it to end happy, or sad? What are some of the things I want to happen? This isn't anywhere near complete, and is rather just a general idea about what I'll want. CotC actually started a bit unusually to most of my AUs. Rather than start writing with any proper ideas, I started with 'What To Do If Your God Propositions You (A Guide)', and that did not have a whole lot of thought put in it besides 'tentacle smuttiness and CotL crossover'. The planning of the plot of 'What to do when you fall in love with your god (A Guide)' came later, when I made the decision to take this beyond a smutty oneshot.

Step 3 - Peer Review

And then, I send the ideas over on Discord to some friends. This is only a recent thing for me, though putting this much time and thought into planning works is also quite new too. I used to wing it a lot, but I don't like doing that now. So, I send the ideas on over, and get criticism, as well as more ideas to add to it and further flesh out. We bounce ideas off of each other, building the ideas into more well rounded points, and fill in gaps. We also roleplay scenes, which I will later along the line adapt into the work.

Step 3 1/2 - Stew Time!

This one both is an isn't a joke, haha. More often than not, when an idea reaches the peer review point, and we've discussed it for a day or so, depending on how captivating it is, the idea then goes on the shelf. Or, it will go on the shelf during or right after Step 4. I have 8 work-in-progresses posted. I have 49 single, multichapter works, six series', and 26 oneshots in various draft states, but all in documents. All for Puss in Boots alone. I have more ideas that have gone through the first three steps that are just sitting in Discord, not put in documents. As much as I wish I could, I just can't write all the ideas I get, and it's only the ones that truly catch my attention that make it to Step 4 and beyond.

Step 4 - Transferring

Once I'm happy with an idea, and I transfer it over to a Google Document. I do this by copy-pasting all relevant Discord messages into an empty document. Then, I go through and tidy everything up to make it comprehensive, putting points together if they need to be, rewriting things to not be addressing other people, cutting out anything I decided against using, ect. I add to it as I see fit, further fleshing things out. Once its all ready and tidied, it either gets shelfed, or it goes onto the next stage.

Step 5 - Writing

This is the hardest step for me to explain. I just pull up a new document, and get to it. I try and keep my chapters around 3k words now, while my oneshots vary, some being 10k+, and others being split to have multiple chapters depending on how I feel about splitting. I will also, more often than not, listen to music, sometimes instrumentals, sometimes with lyrics depending on if I want the music to match the mood of what I'm writing, or if I am able to focus on writing if I have lyrics. If I have roleplays I want to add to the work, then I copy-paste them over, and rewrite them to fluff them up and make all the responses blend together seamlessly. I write until I reach my minimum word goal and feel I am at a good stopping point. I don't write drafts. What I post is what I wrote the first go around. If I don't like something, I will amend what I don't like, but other than that I don't do drafts.

Step 6 - Editing and Posting

These happen near simultaneously, so I'll just put these together. I do two rounds of reading and editing. I read it in the document, correcting any spelling, grammar and HTML tags. Then, I put it all into AO3, and go to see the work preview so I can check its all formatted correctly and see if I can pick out anymore mistakes. Once everything is ready, I post.

So that's my writing process! Titling and summary writing always varies as to when I do them. Sometimes they're the first things I come up with, other times its more around the middle, most of the time its the last. It depends on when the idea for a title comes to me, and when I can figure out a nice way to summaries the work.

Other authors, feel free to hop in and share your processes!

[happyhousewife-13]

~(Slang) Term of the day~

Cat Lady

Def. a single, typically older woman who owns (usually multiple) cats. She lives alone with her house full of cats, no husband or children, and a bottle of regret stuffed in her head that is often subconscious to them (seemingly), because they commonly act happy, however, the majority of them aren't.

~Word of Advice~

Ladies, please, don't be a Cat Lady.

Reasons why:

The Cat Lady is common

Nobody likes an idea or person that is common among many. Unless it is an admired subject or idea that many people adore, but generally, nobody really likes a recurrent person that follows the usual trends. In short, no one pays attention to the sheep.

Turns out, the vast majority of women who are aging past the dating market are currently single, non-married, and have no children. If you are a female, and you want to follow a career path as an adult, you are selfish.

Being selfish is fine, if that is what you want to do with your life. But when you hit your mid-thirties to 50's, without a family, don't blame society and men for your poor decision.

Children. Family. Those two things are what most woman (and men) will (at least at one point in their lives) wish they had after they have already live most of their lives.

The Cat Lady is lonely and sad

Ever wonder why the Cat Lady has so many cats? Just look at her environment. No husband to cook for and kiss after coming home from work. No children running around, playing, to look after and tend to.

The Cat Lady earns her name for her main solution. Cats. Lots of them (usually). She utilizes furry feline friends as a comforting tactic to feel better about her bad past decisions that led to her current situation.

Like I said before, the majority of women actually love children (sometimes subconsciously). If you are a woman, and you believe that your career/business, where you work daily and all you gain is money and maybe some social interactions with your co-workers/business partners, is genuinely more important than to start a healthy family with a healthy husband, I am sorry for you.

Ladies, when you have lived your whole life, working for a boss, trying to make profit to maintain your own livelihood, what do you think is going to happen when you retire?

You will be retired, infertile, sorrowful, lonely, and regretful (maybe even jealous). Although you can adopt a child, that is truthfully a terrible decision, because (1. You are elder now, and your just emotionally and mentally damaging the child by bringing them into your life, just to pass early of old age. (2. The chance of you being as happy with an adopted child compared to a biological child you created with your husband are not near equivalent. The bond with your adopted child may be seen a bit alienated to you because you might always subconsciously note that the child was birthed by someone else. Also, not having a father around is a big no-no in itself, which should have been number one. When there is no father figure, you will probably feel desperate to be wanted by a man, but high-value men, worthy of fatherhood, don't want to get into a relationship with an older woman with an adopted child in hopes of a fatherly figure. (3. Chances are, you don't know how to be a proper mother. That is the uncomfortable truth, I know, but it needs to be spoken. If you have focused and dedicated yourself to being a business woman, rather than a mother, then, I think we can all agree that you likely don't have the appropriate knowledge of being a mom. You reap what you sow from the things you devote yourself to: You study hard, work hard to be a career-focused individual, you earn the knowledge and rewards of a career-focused individual. You commit to learning how to be a mother, you learn how to cook, to sew, to clean, you earn the understanding and treats of being a mother. Unfortunately, vice versa doesn't function correctly here.

High-value men DO NOT find the Cat Lady attractive

The high-value man works hard to be the bread-winner, he wants a family, with a loyal, loving wife AND mother! Unfortunately, the Cat Lady fits none of those standards.

Previously, I stated how the Cat Lady will take the career path, rather than the family path, which is the Big Why for why a high-value man wouldn't tolerate her B.S. Either the career path, or she just chose to do nothing with her life and had 0 self-esteem for herself, restraining her from doing something beneficial and avoid the self-deprecating actions, in which, doing nothing would have the same effect in what types of men she attracts.

By the way, there is nothing wrong with being a woman and choosing a career path. I am simply saying that most men (specifically high-value men) desire families, to have children with a woman and support a family. Yes, you are selfish for it, because women are specifically built to make babies, and that's how it has always been since historic, native times, but you aren't a terrible person.

Now, these are why high-value men typically avoid the Cat Lady:

1.) They want a family, not a lecture.

Since prehistoric times, men have been structured with high levels of testosterone (sex drive hormone + muscle-building hormone), which women are commonly noticed to hold less of this hormone than men. Because of the substantial amount of this sex hormone men have, they are constantly driven to have sex with as many women as they possibly can. This is why men desire procreation. All men NEED sex in a way.

Procreation is satisfying to a man because he is not only releasing his tension, but also creating a family with a woman, and it makes him feel worthy of creating something.

When a high-value man is stuck with a Cat Lady, it is a nightmare waiting to unfold.

When he attempts to set traditional values and gender roles into the relationship, she will likely get hostile or just ignore his wishes. Let's admit it, Cat Ladies are customarily feminists. But ignoring that, if she wasn't a feminist and we played into role with her business skills.

It would be anticipated that she would try to steal the financial-providing role in the relationship, which is definitely intolerable. There have been gender-based positions rooted from the start of time, from our ancestors, which explains our humanly behaviors and nature. Some minor, others more noticeable, everything we do has in one way or another stemmed ancestrally.

It is simple: She has to have traditional values (to cook, clean, sew), have feminine attributes (emotional, kind, loving, empathetic, motherly, reserved). He has to be financially stable (enough to support the family), he pays the bills, the mortgage, and pays for the material necessities (food, hygienic products, handiwork tools, etc.), and most importantly, he protects the family.

If those standards cannot be met by both partners, it's not going to be a healthy family/relationship. If one of you can meet them, but the other can't, it is still not going to work. You two need each other, and you guys have to work together. You put yourselves in the position to be in a relationship with each other, so you have to help each other along the path to life if you want a healthy, stable, happy future together.

In this situation though, the Cat Lady proves unworthy of the high-value man, and so this relationship would never prove to successfully survive.

2.) High-value men admire and want virgin girls, not promiscuous girls

When healthy relationships are mentioned, body counts are very important to take note of.

To vet a woman, you have to eventually introduce the topic of body count. What is her body count? Quite a predominant question that calls for a nucleus answer. Her answer may be "2", but she might actually mean "5". Many women like to simplify their true answer to underplay and make herself feel a bit better.

It may be a comfort tactic for them, but either way, it is still lying. Of course, not ALL women do this, I don't shove the good people under the carpet with the wrong-doers. But I do find it a bit customary to see women trying to minimize their body count, and then add a follow-up by asking why the men are testing her for her body count, which just reveals that she is ashamed of the truth.

If she has little to no past sexual experiences, then why would she be offended for them asking her? Remember, what offends you reveals you. Some of these girls just make it too apparent of their past.

The problem involving body counts with the Cat Lady is that she likely has too many past sexual partners. This is probable because Cat Ladies typically relate lack of family and lack of proper traditional values with emotional baggage. Emotional baggage in women, when it comes to partnership, is commonly caused by too many partners she had in the past that hurt her.

Your body has a bonding mechanism, which is more prominent in women because of their emotional nature. When a woman has multiple past partners that she broke up with, since there is reasons as to why they broke up, she obviously wasn't content. Because of this, she will search for a better man than her previous, which means she holds higher standards for the next man after each split-up.

Once she meets you, after forming and then breaking multiple connections with her ex's, how high do you think her expectations will be for you? Quite high, but it all depends on how many ex's she has and how badly each emotionally hurt her. This is how the bonding mechanism works in women. However, in men, this function is quite diverse compared to the female's.

Perhaps one of the most important factor of what bonds a woman with a man, and in return, makes it harder for her bonding mechanism to cope, is sex. When a woman has sexual intercourse with her partner, she releases a love hormone, called oxytocin (OT). This hormone is why sex causes women to become emotionally attached to a man. According to the National Institutes of Health (NIH), during sex, women release an additional amount of OT compared to men.

Sex-Related Differences in Plasma Oxytocin Levels in Humans

National Institutes of Health (.gov)https://www.ncbi.nlm.nih.gov › articles › PMC6446474

This is why certain, smart men will focus on a woman's body count upon meeting her. This also explains why it was customary for historical men to have multiple wives/partners, and why men are supported and praised for it. Not to mention, the fact that men generally have to WORK for sex and earn it. From a woman's perspective, men are easy to get sex from, because they have higher testosterone levels (sex drive hormone), and will almost always take the opportunity to have sex with a woman, if possible.

The Cat Lady type is generally emotionally damaged, so she likely has lots of ex's. She substitutes a relationship with a human being by owning cats. Cats don't judge you and don't search for traditional values, physical attractiveness, and they can't emotionally harm you. This is a perfect artificial partnership, because she doesn't have to hold herself to any standards, and she doesn't have to worry about being held accountable. At the same time, her cats provide cuddles and fuzzy comfort. But, like I said, this is artificial, and in the end, you have a high chance of being unhappy with your decision.

While your female friends have already formed families, and have children of their own because they started early, you will be alone in your house, with your cats, no family, and no children. This is the moment where you would begin to regret your past mistakes and all of the poor choices you made that ultimately led you to where you currently are.

Let's be honest, nobody enjoys the feeling of regret. You have to be comfortable and do what you want in life. It is your choice. But, as a woman, when you choose career over family, the chances of regretful sensations and a sorrowful rest of your life are quite high.

Fulfilling your family's wishes, caring for them, kissing your husband when he gets home from work, playing with your children, spending time with your family as a whole is possibly one of the most generous, gratifying reward when you are a woman. You can disagree with me, but I believe that it is fulfilling from what I have seen. Eastern women talk about and share their experiences of being a loyal housewife and mother to their families, and the majority of those women describe it as worthwhile and pleasing to them.

Of course, I am fully aware that there are women who are abused by their partner/husband, and I do not condone that type of behavior. I do not pardon anyone who is toxic or abusive to their significant other and/or the people around them, whether the abuser be male or female.

In conclusion, ladies, learn your proper traditional values, stay virgins, and don't blame men if you make a bad decision, please. For both, ladies and gents, always try to self-improve, set standards for others but also yourself, and if you're in a relationship, put your lover's wants and needs into consideration. For example, a good routine is to ask the other daily "What can I do to serve you?", or something along those lines. Of course, this routine should be reciprocated between you two, or else you are just overly selfless and have no self-esteem.

Remember, every type of a relationship with someone must contain exchanges, reciprocation. If not, it can be unhealthy and unfair, and you two will likely end up hating each other.

~Thank you for reading!~

[rv2xlga]

its that time of the night again.

its 4 am, the eepiness is calling me but the voices are louder so ive come on here to rant abt shuake instead of doing smth productive like drawing❤️ i waste away ranting abt shuake on tumblr to drown out my sadness and overwhelming nostalgia at random times of the day, how wonderful!

i did one of those song association annotation thingies to capable of love by pinkpantheress (she’s so queen may i add) and it got me thinking so much about shuake and just as of late ive been thinking of them bc schl is ending so i finally have time to replay and play the games like p3 or tactica and q1/2 and be able to focus my time on them and also bc im seeing a psychiatrist very soon from now! which makes me think abt shuake a lot bc they are like. HUGE projection dolls for me and i think on that.. quite often especially akechi since he’s the main one for me, the one more personal to me. i think abt his bpd and mentally unwell brain quite often (lol) and i think the way their love is is just very fascinating to me.

i guess its nice or interesting i guess, to see the way i feel and view love be shown in a character so out of the blue. the way akechi’s love is for akira can be viewed this way and again, i think it’s all very interesting. i love shuake so much for this reason and what i wanted to talk about mostly today is how much they truly mean to each other. This is one thing i hate ppl in fandom spaces for bc they always manage to find SOMEWAY to ruin any nuances anything COULDVE had (ik atlus did not try past queerbaiting lmfao) and i hate how to anyone else not apart of these spaces but aware of them just sees anyone talking abt a ship and specifically any popular gay ship and is so quick to assume like wait i actually care lol 😭 and i bring this up bc i really love to view their characters like akira and akechi’s characters individually through the shuake lenses and perspective. tbh i dont really care for persona outside of them and obviously a few other things of course but shuake is the real reason why im even fixated on that game still in the first place so of course, naturally i will focus on this.

i love to think on how akechi subconsciously views akira in his head. i like to interpret akechi as just a nerd girlboy who has a little crush and all the fun cutesy things abt being a teen or whatever 😆 i think that’s all so cute and fun for him and i believe its so him and i love to view him as the teen he is, the child inside of him that’s ridiculous and goes off for hours ranting about his favorite things repeating himself over and over until he tires himself out or the lovey dovey part of him that thinks about akira in random parts of his day and cant stop giggling and smiling at a simple text yk like all the cutie things ☹️ it doesn’t remove nuance and it doesn’t remove character bc thats how teens act, obviously not as stereotypical as i described but that’s how ridiculous we are sometimes! and i love to think on how he views all these big horrible issues in a simple lenses.

doing the song associations with so many taylor songs and then a pink one really reminded me of this bc of the fact that taylor’s (OLD) lyrics are just so serious and more “mature” and i mostly mean folklore and evermore bc im talking abt cardigan specifically rn (that song is just so akechi im sorry) to now doing capable of love bc pink’s lyrics are simple! not bad just obviously more simple so i get to really view akechi in these lenses. I get to have that minute of writer relief even if he isnt my character but yk wtv ig😞 anywhoanywho, again, i love to view akechi in a simple lenses as the simple teen girl he is, its fun and why particularly? bc i personally feel it adds so much more depth to their dynamic. akechi has. ALL these problems going on, akira does too but they still make time for each other and ik i dont focus on akira much (im so fake lmao) but he plays into this just as much! although the council of the world has decided for him he must save it not them, he still makes friends with the enemy and enjoys their time together as if none of that wouldve mattered. he still loves unconditionally like if nobody was going to take that all away from him someday and i think thats so beautiful.

akechi still loves akira so much as if they really were together and akira loves him just the same. akechi is going through all these problems mentally and on the outside but still that child part of that craved love and connection/affection seeps through and overtakes him and his emotions, allowing his crow persona to like be free ig? and of course, that was not the only reason i like to think that it couldve been a part, even a teensy part bc again, they are just kids in love lmfao (so cringe) and yes, it is going to be cringe and a bit ridiculous BUT ITS SO SERIOUS YALL DONT UNDERSTAND

the way im not even done unpacking 25 PERCENT OF THEM YET there’s just so much depth that can be added to their connection, i love them they are so cringe-friendly i hate atlus but god bless shuake frfr 🙏🙏 but i just wanted to highlight this a bit bc i felt like i didnt enough in the insta story and tbh still but yk, to get some of it off my chest. i love gay people i can project on always a great flavor im off to my cave of inner thoughts now hopefully i knock tf out ❤️

[desiredmalfoy]

Love Lost (D.M. x Reader)

Pairing: Draco Malfoy x Reader

Universe: No Voldy but still pain in this story.

Genre: Angst! And more Angst!

Word Count: 1.3k

Summary: The reader feels like she’s losing Draco to Astoria. Does he still love her? Will he fix it?

Warning: Some bad words? Not too many.

{Draco Masterlist} { Main Masterlist }

(Credit to the gif owner)

I was in a mood for angst today lol. After having writers block for so long I finally came up with this. Hopefully I can finish my wips, ships and requests soon! Let me know if you want a part 2

You usually didn’t have a problem with any of Draco’s friends. Sure, some of them could be real idiots but for the most part they were nice to you. But you had recently ran into a problem, and her name was Astoria Greengrass. She was Daphne’s little sister who painfully obviously had a crush on your boyfriend. You hated seeming like an over jealous girlfriend, so you didn’t know how to truly react to this.

He had begun to spend more time with her after she had practically begged him for help in potions. She had come up to him in the common room when you were studying and pleaded with him for help. Her eyes seemed to sparkle when he finally agreed.

He seemed reluctant at first but ultimately agreed. He had said to you, “I’m only helping her so that she doesn’t tell her parents I refused. Last thing I need is my parents' comments.”

It had started innocent, he would help her twice a week in the library. As the weeks progressed, they were hanging out more and more often. He would finish quidditch practice and then meet her in the common room. Telling you that he would see you later but later never came.

He had even forgotten one of your dates. He apologized profusely and promised to make it up to you. He didn’t, he forgot too.

One date became two and then you lost count. You were tired of being disappointed.

You had walked into the common room after spending the evening studying with Pansy. All your friends had gotten together to study for an upcoming potions exam. All except Draco who didn’t show up. After walking in, that’s when you saw the two of them sitting in a corner table of the common room. You felt your stomach drop. Your mouth began to dry up and it felt sticky. You didn’t know how to react.

“What an arse”, Pansy mumbled to you. She reached for your hand to give it as squeeze. Letting you know she’s there for you. She had heard you complain all the time, she knew the pain you felt. And she was over seeing you getting walked over.

“Oh looks who’s here (y/n)! We finally found him!” Pansy exclaimed dramatically. This caused the two of them to break from their world and turn to the two of you.

“What do you mean Parkinson?” Draco asked, breaking the silence in the room. The air felt stifling. Astoria only looked up at you and Pansy, not making a comment.

“We were all meant to study together.” Pansy answered bluntly. “Did you forget that too Malfoy?”

“What the bloody hell do you mean?”

“You seem to forget everything as of late” You got the courage to speak up suddenly, beating Pansy. You glanced over at her as she gave you an encouraging look.“ I mean you always seem to forget our dates.”

The lump in your throat grew more and more by the second.

“Babe I-”

“I’m getting quite tired. It’s been a long steady session. I’ll see you all tomorrow.” You interrupted him, stopping him before he spoke. You had enough of this and the last thing you needed was for them to see you cry.

You let go of Pansy's hand and adjusted the strap of your bag. You made your way towards your dorm, trying to get out of there as fast as possible.

You walked into your dorm, slamming it shut. You threw your book bag across the room. Letting out some of the anger you felt. You grabbed a pillow from your bed and threw it at the door. You threw yourself onto your bed, frustrated beyond belief. The door opened and revealed the last person you wanted to see.

“What are we exactly”, you asked bluntly as he walked into your dorm. Draco looked at you confused as he looked towards you.

“What do you even mean?”

“I mean I don’t feel like your girlfriend anymore.” You rolled your eyes at his lack of comprehension. “You barely want to be around me it seems. I haven’t seen you in days Draco but you know who has? Astoria.”

“Don’t be bloody ridiculous (y/n). She’s my friend and nothing more. You’re overreacting.” It was his turn to roll his eyes at you.

You stood up suddenly and went to stand face to face with you. “Really? A friend is someone who’s super touchy with you? Someone who openly flirts with you?”

“She’s my friend! You’re just jealous!” His face was becoming redder with anger.

“You’re so draft Draco!” You threw your hands up in anger. Your voice rising slightly in pitch as you kept on getting angrier. “Everyone can see it! Hell, even Crabbe asked me if I was even still your girlfriend. You know how bloody obvious it has to be for that git to see it?”

“You know you wouldn’t like it if it was another guy treating me the way Astoria is with you.”

“She doesn’t like me!” He yelled, frustrated at the situation and at himself. Because it was finally dawning on him what a horrible boyfriend he had been these past few weeks. “And it doesn’t matter if she did because I don’t like her! Please understand that (y/n)!”

“Yes it does! Because you don’t set any boundaries and let her do whatever. You let her think you’re interested. And not one time do you stop & think about me.”

“You have forgotten our dates! You literally left me all alone waiting for you in the astronomy tower because you never showed.” You continued your rant and Draco stayed silent at your outburst. He stared at you with wide eyes and shock. He had never seen you like this.

“Did you know I’m not doing the best on potions anymore? I’m struggling and you don’t seem to care Draco. But sure, as long as Astoria is passing it’s okay I guess.” You were crying at this point as you continued you’re rant. Tears freely flowing from your cheeks. You hated crying, you hated seeming weak.

Draco attempted to wipe the tears from your cheeks but you moved away. Not wanting him to touch you right now. You let out a deep breath, voice quivering. “I don’t know how much more I can handle. My heart can’t take much more.”

“What do you mean darling? I love you. Please (y/n), I love you so much. I never wanted to hurt you.”

“I think you’re a little too late for that.”

“Please. Please think about this. I’m so sorry.” He was now starting to cry himself, something that was rare for him. He didn’t just cry for anyone. But his tears didn’t take away the hurt he had caused.

“You’ve broken my trust. You’ve hurt me. It’s going to take more than saying I’m sorry to let this all go.”

“I’ll do anything love.”

“You have to see where your heart lies. If you do actually love me, you’ll have to gain my trust back Draco.”

“Babe…” he grabbed your cheeks titling your head to look at him in the eyes. Both your eyes shining from the tears. “I’ll do that and so much more.”

“For the sake of our relationship, I hope you mean it. But I think I need some time to myself tonight and maybe tomorrow too.” You grabbed his hands, taking them away from your face. You gave them a slight squeeze before letting them go. Hoping that this wouldn’t be the last time you held them.

He left without saying another word. As you watched him walk out of your dorm, you dropped to the floor. Letting all the emotions of the past weeks flowing out. All the hurt, all the sadness and all the angry flowing down your cheeks.

Thoughts? Part 2??

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[johnemulaney]

John Mulaney: From Scratch in Las Vegas, September 4

Once again, spoilers for the show and what will presumably be in the special. This is about his relapse so tread with caution is that will be an issue for you. However, the tone of his struggle is the same one he used in his past specials so if you didn’t have any issues then, I think you’d be ok with this. Of course, use your own best judgement, friends.

The opener was Seaton Smith. 

He opened with trying to find the rich people in the crowd but acknowledged that they’d go mwrmwmwrw money isn’t everything so then he started talking about golf and went aha I got ya’ll. 

There was a joke about weed being the only Christian drug

He had a bit about when white people are nice, be nervous

He had a bit about there being a black man on the Bachelor and was like America (ABC and Disney+) were not ready for a black man to be fucking a house full of 50 white women. That shit premiered on Tuesday and the Capitol burned on Wednesday.

He also did some crowd work and roasted a couple in the front row for having different answers about kids and she was like I didn’t hear the question and was roasted about how not hearing questions you don’t want to answer is certainly a tactic, often used by drug dealers

He also had a bit about how different child rearing is in Texas versus New York and about how hitting your kids is treated differently, like his dad would have just threatened it whimsically. 

Now on to the Main Event!

The first thing he said was “hiiiiiiiiii” exactly in the tone you think he said it in. he followed that up with a little shrug looking adorable and a little bashful

“It’s him! Mr. Problems. Oh Las Vegas, Oh my god” he then talks about how Vegas is a land of vice and a Choice for him to preform in as a recovering addict. He had a sober buddy and 3 bodyguards with him at all times. 

“And here’s what happened” December 18, 2020, he gets invited to a friends apartment for dinner AND HE’S TWO HOURS LATE because he stopped, coked out of his mind, at SNL for a haircut because he still had his building access badge and he went to the hair department and they were like, he’ll leave faster if we just do this, and then he stopped at his drug dealers. 

He called venmo and cashapp, apps for drug deals and was like what do normal people even use them for. He maxed both out paying for drugs. 

He was the best looking person at his intervention. “Coke skinny, new cut” and the 12 people intervening looked like shit. He looked “tears for fears while they all looked jerry garcia” (I hope you know who those musicians are besties). 

He immediately yelled “Can I go to the bathroom” to you know, dump his drugs because when you walk into that, you know what it is. 

He was not allowed to go (he would be asked if he still needed to pee later and would say “what?”

There were 6 people in NYC and 6 people over zoom in LA because he guesses 6 people couldn’t be bothered to fly in for HIS INTERVENTION

Interventions can go two ways, it can be kind of accusatory and this is how you let us all down, or it can be supportive. Everyone but Nick Kroll got the memo to be supportive.

Nick Kroll went first.

Nick Kroll listed all the ways John was a bad best friend and brother over zoom and John was getting texts during the intervention saying Nick wasn’t supposed to do that and they were all sorry. 

Bill Hader went next. he originally wasn’t going to be able to make it so he had recorded a thing but since he was there, he did it live. (He would eventually send the video to John in rehab, which is not what you want on the way to rehab “awesome, more intervention”)

He tried to derail the intervention, “there’s not enough latinx representation” he said he’d go to any rehab except the one they had picked out for him. This was a star-studded affair and he was mad no one was being funny. 

 Natasha Lyons went next, telling him his life and career is in shambles

So he gets carted off to rehab after this intervention. Don’t let 12 comedians pack your bags for 2 months at rehab. it was bombas socks and iphone chargers. 

A little secret about rehab, you’re not allowed to bring drugs in. You remember how he was late? In his pocket on the way to rehab included: a huge amount of pills, 3g of coke (which was 2g by the time he got there, courtesy of a koala station in a gas station bathroom), and $2000 in cash. He had other plans for the weekend. He was admitted for xanax, coke, perocet, and adderall addiction. Say what you will, but he does not do anything half way.

It’s 4am when he’s sent to detox, he’s been awake for 3 days. 

He also gives a small lesson on how to get drugs. Find the lowest rated doctors on yelp and webmd reviews and go ask for them, they need all the business they can get. You become like Captain Phillips, I am the doctor now. 

Dr. Michael was his shady doctor. He was a first avenue apartment where he would write prescriptions from his kitchenette where his girl Minerva was always asleep. “I didn’t kill my wife Minerva.” But John would ask for his drugs, Dr. Michael would write the script and then ask what he needed it for. Dr. Michael would also make John take his shirt off, always offering a flu shot and going no, shirt all the way off (in case you were wondering how bad this addiction actually was)

The first moral is now you know. The second moral is get vaccinated.

He’s sent to the regular ward the next afternoon and they finally get him to sleep. 

He’s sketched out that doctors have last names at this establishment

He asks for drugs such as klonopin and is taken aback a bit when he doesn’t get them. The doctor is like PA state law says no, and so John suggests they go to a CVS in Jersey to get some. 

His bestie Pete Davidson starts calling that night. Except Pete changes his number every month and a half so John has him send a selfie and saves the new number under some other random name, at this point in time, Pete is saved as Al Pacino. (We get an Al Pacino impression) John is asleep and his nurse sees Al Pacino trying to call him 5 times and so she wakes him up. 

Pete Davidson and John Mulaney did not do drugs together. (The author is lowkey surprised and sad about that, like if Pete was my bestie, we’d make so many poor choices) But Pete was always very supportive of his sobriety. 

John needs recognition so badly, in group when they introduced themselves he said “I’m John M.” and no one cared. So he left a tabloid out with the news of his admittance and his face on it in the rec room on the table. The not being someone was “driving him bananas.” When they talked about what they do for a living and he said I’m a a stand up comedian, someone asked if he made a living that way. He said “yeah ask your daughter” (or your son)

One of the things you do at rehab is break up with your drug dealer.

One of his drug dealers only bought drugs to keep John from buying worse off the streets and only got into the game because John kept asking him for drugs and was his only buyer. That guy was originally a painter and John has no idea how they met. John is the only person to turn an innocent man into a drug dealer. 

Here he did the Baby J is back baby joke. the Park Theater is one of the biggest stages in the world so he did that joke in one pace across the stage and said the stage is that joke long. 

“I am no longer on drugs. It’s very good but also ah---” He’s in a 12 step anonymous group. 

“I need attention, clearly.” After a show you think he would be sated, but no. 

He wants that attention that the kid who’s grandparent died and showed up to school dressed for the funeral and got to sit in the beanbag chair for reading despite it not being his turn, gets. He went on about being willing to let one of the lesser important grandparents die so he could get attention, for quite a while. 

He feels left behind in science, like his C’s and D’s in those classes. All those classes were was putting things on a windowsill for the janitor to throw away. He had a bit about how the fuck people put dinosaurs back together, it’s like getting wayfair furniture without the instructions. 

He also things the moon belongs to America. Like we got there first and when other countries say stuff about the moon he’s like mmmmmmm.

He also had a joke about paying to get into college and like, for white people that’s always how it’s been. 

The show ended with him going over the highlights of that GQ interview that he was so coked out for that he forgot he did it entirely. He has no memory of it at all. He was just called up that day and asked for an interview and you know how coke is the best drug to receive attention on? He just did whatever he wanted with that attention. 

And that was the show.

[atinymonster]

tears and kisses

ateez 9th member.

when jiyu and sunwoo are given the chance to make up with one another.

the way i sort of got carried away but hehe it’s okay 🥺

➴ taglist: @banhmi07, @jiyeons-closet, @jaeminpeachy, @mochibabycakes, @euphoriamingi, @marsophilia, @goddessofdestructionbeast, @studioreader, @dkdlwhs12

➴ masterlist

"Wait, this is a horrible idea, Eric.”

“No it’s not, calm down Sunwoo. You look like you’re about to puke,” Eric rolled his eyes at his friend’s dramatics.  

“Because I am!” Sunwoo whisper-shouted as to not distract their manager who was currently driving them. 

A week had passed with no signs of reconciliation between Jiyu and Sunwoo. Which meant a week of Eric and the other boys dealing with a sulking and brooding Sunwoo who scrambled for his phone at every notification that he received. Even during the live broadcast for Kingdom, his members could tell how much he wanted to approach Jiyu, but his hesitance held him back. 

Eventually, he decided enough was enough for the sake of not only Jiyu and Sunwoo, but for the sanity of everyone else who so desperately wanted the two to make up. 

“Alright guys, we have a plan!” Eric and Haknyeon suddenly declared in the middle of their dorm living room. 

“What plan?” Hyunjae asked before a lightbulb went off in his head. “Oh, for our brooding rapper over there?”

Eric nodded. “Precisely.”

Sunwoo rolled his eyes, yet he couldn’t ignore the small spark of hope that ignited in his chest. He had been wracking his brain all day for the past week on how to apologize to Jiyu, but he was afraid she was still angry with him despite her small smiles and encouragement towards him during the recent Kingdom live broadcast. 

“I texted Wooyoung, and he said everyone else was willing to help us. Without Jiyu’s knowledge of course.”

“What if she’s still angry at me?” Sunwoo groaned, burying his head into his hands. The closer they were to arriving at KQ, Sunwoo felt the stress and anxiousness weighing down on him even more. 

Eric stifled his chuckles. According to Wooyoung, Jiyu worried about the exact same thing, which was the main reason why neither of them were able to make the first move to reconcile. “Wooyoung told us Jiyu wasn’t angry anymore. He said she was feeling regretful if anything.

And he was right. Despite Jiyu’s attempts to try and act like her normal, everyone could tell her mind was elsewhere with the amount of spacing out she’s done.

The recent offline fansign they had was the hardest for her, having adorable comments about Sunwoo being thrown at her so often. All she could do was smile as a response, even if all she wanted to do was break down and cry. The boys all took turns looking out for her, and they felt a pang of guilt whenever they overheard an ATINY talk to her about Sunwoo.

But what could they do? Nothing. Jiyu had told them numerous times that she didn’t want to raise any suspicions, and that she didn’t want to bring the mood down since it was their first time seeing ATINY in person after a whole year.

The boys hated seeing her so lifeless and saddened when they didn’t have any schedules, so when Wooyoung received a text from Haknyeon asking for their cooperation in getting the two together again, he wasted no time informing the others (minus Jiyu) and gaining their approval.

“So what choreography are we learning today?” Jiyu asked, plopping down onto the floor while waiting for Wooyoung to choose a song on the practice room monitor.

Every so often on their free days, the two would take the time to learn another group’s dance together for fun and to keep their dance skills sharp. Not that Jiyu minded; dance was an escape for her, and she could really use a dance session at the moment to clear her head. 

Wooyoung knew that, so he used the dance session as a way to try and lift her spirits, as well as a way to keep her in the room so she didn’t bump into Sunwoo prematurely.

“I’ll teach you Don’t Call Me! I need a buddy to dance with and we can record it to show ATINY later,” he answered, peeking at his phone every so often to keep an eye out for a text from one of the others to let him know when Sunwoo would arrive.

[hongjoong] is everything okay so far?

[wooyoung] yep! she’s still with me in the dance room :)

[san] great! now let’s all pray the two of them make up soon...i don’t like seeing baby monster so sad :(

[yeosang] yeah, it’s weird when she’s all frowning and not her usual bubbly self

[hongjoong] i know, it’s weird not having her voice resonate through the dorm everyday...

[hongjoong] anyways, we’ll direct sunwoo to practice studio 2, so send jiyu there too when we text you again later

“Who are you texting?”

Wooyoung felt his heart stop the moment he looked up and saw that she was about to peer over and read the text messages. Turning off his phone, his mind was scrambling for a valid excuse. 

“Nothing, San just started spamming me with messages again,” he chuckled, letting out a discreet sigh of relief when she believed him. “Come one, let’s start!”

Jiyu’s ability to quickly pick up choreography was both a blessing and a curse. This was one of the rare times where Wooyoung found it a curse. She was able to learn the first verse all in ten minutes, and Wooyoung only learned up to the end of first chorus to teach her. At this rate, they were most likely going to finish before Sunwoo even arrived.

“Okay, let’s take a break? I’m sure your body still hurts from practicing for Kingdom.” Wooyoung said, trying to mask how frantic he was. Luckily, she agreed, sliding down the wall and resting her head in his shoulder before letting out a sigh.

“Feeling okay?” he asked, patting her head.

“If I’m being honest, not really. I just...miss him,” she quietly admitted, her chest tightening as various emotions began to overtake her mind. She never talked to any of the boys about how she was really feeling, not wanting to burden them with her personal problem. While she was extremely grateful that they tried everything within their power to cheer her up, she didn’t want them to feel obligated to stick with her every second of the day just to make sure she was okay. 

Wooyoung bit his lip. He felt a sense of guilt for not being able to tell her that Sunwoo was on his way over as they spoke. “Do you want to talk to him?” 

Jiyu touched her now-empty wrist, missing the weight of the bracelet that she had thoughtlessly left behind at Sunwoo’s studio. “I won’t lie, I do want to talk to him again...but does he want to talk to me is the real question.”

Before he could reply, he heard his phone’s ringtone go off—his cue to send Jiyu to meet Sunwoo. His heart started to pound in anticipation for the moment they’ve all been waiting for. Fishing out his phone from his jacket pocket, he couldn’t stop the small smile that spread across his face, a smile that didn’t go unnoticed by Jiyu.

“San again?” she giggled, completely unaware of who and what was waiting for her just down and around the corner of the hall.

“No, uh, Seonghwa hyung wanted to do a VLIVE, but the wifi connection’s acting up again. Can you run over to practice studio 2 and help him out?” he asked, mentally apologizing to Seonghwa for hinting that he was an old man for not knowing how to fix a simple wifi connection (when in reality, he most likely knew how).

He must’ve been blessed with luck for the day because Jiyu agreed without hesitation or suspicion, mumbling about how she swore she showed him how to reset it a few weeks ago. 

A few minutes after she left, the practice room door opened and the others, along with Eric, quietly filed into the room to join Wooyoung in anxiously waiting for the outcome of their little plan. 

“Mission accomplished!” Yunho whisper shouted with a little grin. 

“We can’t say that yet. Not until we know if they made up or not,” Seonghwa reminded. Deep down, he was worried for Jiyu. Should the outcome be one that they weren’t hoping for, he knew Jiyu would be strong, accept the results, and push through. But how would she really feel deep down?

It was a mutual concern of their’s. They knew Jiyu would never want to worry them, they knew she’d just keep how she really felt to herself if things went downhill, so they really hoped with all their heart that everything would turn out alright for her. She couldn’t lose another person she loved, it wouldn’t be fair for her.

While the boys were waiting in the practice room, Jiyu made her way down to the studio. It was odd, Seonghwa never mentioned anything about a VLIVE today, but given how often she’s spaced out the past few days, she wouldn’t be surprised if his notification went in one ear and out the other.

“Seonghwa? I thought I showed you how to reset the wifi—”

The words died in her throat when she opened the door and instead of seeing Seonghwa, she saw the one person she’s been missing like crazy. She was convinced it was a hallucination that her mind had conjured, or that she was dreaming. 

“No, no, shut up mind, you’re not doing this to me right now,” she mumbled to herself with her eyes closed, about to close the door and open it again in hopes that she’d see Seonghwa instead of Sunwoo sitting at the monitor table. 

“Hey, hey.”

Before she could close the door, Sunwoo held it open before pulling her inside and closing the door. 

And that’s when it hit her that he wasn’t a hallucination. She felt the warmth of his hand on her’s when he pulled her in, and she felt his body’s warmth and his breath on her shoulder when he pulled her in for a hug the second the door closed. 

Sunwoo noticed how she tensed when he brought her into his arms, and a pang of sadness shook within his chest. “I’m sorry,” he mumbled, feeling his eyes water. He tightened his hold on her, afraid that she would disappear if he loosened his grip. 

Feeling his body tremble, her arms moved on their own, gingerly wrapping themselves around him and her hands drawing small, comforting circles on his back. Tears pricked at her own eyes but she refused to let them fall. 

Basking in the warmth of each other’s arms, no words were exchanged. They just silently rocked side-to-side as Jiyu tried to comfort the boy in her arms. 

Despite her calm exterior, she was a mess on the inside. Her heart was pounding in her chest from having the presence and warmth of her beloved back while her mind tried to find the words to say. 

“I’m sorry, too,” she managed to say even though her voice started to crack from trying to keep her tears in. There were so many things she wanted to say, but she couldn’t bring herself to.

Lifting his head from her shoulder, tearily chuckled before bumping foreheads with her. “Hey, don’t cry.” he mumbled, feeling his heart break at the sight of her crying. He’d never seen her cry before, not even on the night of their fight. 

But his words seemed to only encourage her tears and before she realized, she felt the tears slipping down her cheeks and the small sobs wracking through her body. She felt relief crash into her; relief that this all wasn’t a hallucination or a dream, and relief that he wasn’t there to break up with her.

Sunwoo sniffled before stroking her cheek to wipe away the river of tears, all while gently shushing her and whispering words of comfort. Once he felt her breath start to even out again, he guided her to the chairs and sat her down in one while he sat on the other. Jiyu couldn’t look at him, but the tight grip of her hands on his conveyed everything.

“I’m sorry for that night,” he quietly said, rubbing circles on the back of her hand with his thumbs, “I should’ve just asked you about it rather than assume and take out my anger on you like that. And—” 

He paused, feeling his throat tighten as he remember all the horrible words he said. “I’m sorry for accusing you of being unfaithful. I really don’t think of you like that, I swear.”

Jiyu cupped his face in her hands and raised his head so he was looking at her. His bambi eyes were now filled with tears again, and it sent ripple of sadness throughout her chest. “It’s okay, I forgive you,” she cooed, using her thumbs to wipe away the stray tears that escaped his eyes.

“And I’m sorry for lashing out at you, too...and for saying things would’ve been better if we broke up.”

Sunwoo didn’t respond, but the way he nuzzled his face further into her hands answered for him, and she let out a little giggle. He felt the corners of his lips tug upwards at the sound of her laughter; he had terribly missed the sound. 

Another moment of silence passed before Jiyu started to speak again. “My brother’s my only family left.”

Sunwoo’s eyes widened before they wandered to find her own. Taking her hands away from his face and resting them on his own again, she took a deep breath before continuing. “My parents died in an accident when I was three. Jiyong and I were the only survivors so we were sent to Guangzhou to live with our grandparents. That’s why we’re so affectionate with each other...we’re all we have left here in Korea.”

No matter how many times she spoke of her family, it never got easier. There was still the stinging pain in her chest, the guilt she carried around for years always started to resurface, and the anxious feeling that the person would think less of her when they found out about her broken family.

But Sunwoo just brought her in for the tightest hug he’s ever given her and buried his face into the crook of her neck. He knew she didn’t tell him that to make him feel worse about himself, but it still broke his heart when he realized he had accused her of cheating when in reality, she was with the only family she had left. 

Countless apologies left his lips as Jiyu carded her fingers through his curly hair. No matter how many times he heard her whisper that it was okay, it didn’t ease the guilt that consumed his mind.

“I told you because I trust you. You didn’t even know, so please don’t blame yourself.”

It took a few minutes for her to soothe him, but she didn’t mind. She missed hugging him, she missed feeling his body against her’s, she just missed him. Too busy caught up in her thoughts, she missed how he fumbled around for something in his pocket before feeling a cold sensation wrap around her wrist. Looking down, she couldn’t control the smile that grew on her face when she saw the familiar white bracelet. 

“I think this belongs to you, lovebug” he chuckled, satisfied when he saw a genuine smile instead of the forced ones she gave him during the live broadcast.

Her heart swelled with happiness at the nickname that she thought she’d never be able to hear again. “Thank you, sunshine,” she returned the nickname, an indirect reassurance that they were okay, that everything was okay. 

With him still hugging onto her, she leaned down to place a quick kiss on his cheek, laughter rumbling from her chest when he started pouting and claiming she missed.

“I don’t think I missed, Woo—” 

Before she could even finish, she felt him swiftly readjust their position so that he was pressing her against the chair, his hands firmly pressed onto the armrests to keep himself up. “I think you did, love,” he smirked before leaning down and pressing his lips against her’s.

It wasn’t their first kiss, but she still felt the volcano of butterflies erupting, fluttering around in her stomach. She wrapped her arms around his neck when one of his hands gently grabbed onto the side of her neck. 

Pulling away, Sunwoo placed one last kiss onto her forehead before getting up and offering his hand out to her. “Come on, let’s go tell everyone the good news,” he giggled. It always threw her in for a loop at how he could switch from looking like he wanted to devour her back to an adorable puppy in a few seconds, (although Sunwoo could say the same about her). 

Taking his hand and letting him hoist her up, she held him back before he could walk towards the door. Looking back and cocking his head to the side, he swore his heart almost stopped when she smiled up at him. 

“I love you, sunshine,” she said, her aura resembling a puppy that had it’s tail happily wagging.

Eyes filled with adoration and affection, he smiled before leaning down to peck her lips one last time. “I love you, too lovebug.”

[servicetopkaradanvers]

I'm not sure if this is exactly the right place to say this, but I don't know if there is. And you're a smart person and critical thinker who has talked about this before. If this is totally weird, you can just delete it ofc. I've never properly watched Supergirl but I started reading fanfic around the time my mental health got real bad so it was a comfort thing I didn't bring too much thought to. I really identify with Lena and in the past, part of me has understood her actions-

and I know that they're wrong. The anti-alien rhetoric is obviously an allegory for racism or homophobia. She's violated people's basic human rights. And I'm scared that I'm a bad person because sometimes, I kind of get it. Which is insane because i'm a lesbian enby of color, i mean i get targeted by most of the -ist/ism actions. And I'm also too tired to think about things critically all the time. Supercorp was my comfort fic, content thing-

I knew it was problematic (the whole James thing makes me sick to my stomach, scared and sad) but I didn't know that Lena as a character was written that way. The metaphors never really clicked in my head because I never thought about it, but now I feel absolutely horrible about myself because I like and identify with Lena. I'm not really sure how to move on from here- I'm just tired. I wish there could be just one thing, one piece of media that wasn't prejudiced (granted sg is not the place to go if you want decent rep and the like) and all of those things I said earlier. Its just me somehow trying to justify how I felt and empathized with something I shouldn't have. So yeah, sorry that was really long. I hope you have a lovely day- sorry for the spam

FIRST of all, you’re fine, babe! Both in sending me this and in enjoying The Bad Media. That’s my thesis here: You’re fine. With this in mind, let’s unpack this big ol suitcase:

We’re living in a fandom moment where more than ever before, we’re thinking about the ideas we consume in fiction and how they may or may not affect us. This is a net positive! Fiction is not reality, but it undeniably impacts it, so for this and many other reasons, we should always think critically about what resonates with us and why. Does this mean dissecting every facet of something to find all the ways it might fall in line with oppressive power structures? Absolutely not.

You, as an individual, do not owe anyone an explanation for why you enjoy anything. Period. How you relate to a given character or why you like them is nobody's business but your own.

Supergirl, as a piece of media, is singularly awful in its lackluster lipservice to progressivism while simultaneously refusing to deliver any progressive themes. Socially and politically, it is a useless liberal wet dream. Kara is an immigrant from a dead culture working as the muscle for a secret FBI offshoot with zero accountability for all of the other aliens in diaspora she has rounded up and dumped into a cell without trial. Alex is allegedly a lesbian, but the key points of her endgame relationship are constantly deemed not important enough to get screen time, which is made even more absurd when examined from the angle that this series is marketed directly toward LGBT people. An embarrassing percentage of villains on this show are women of color, which is particularly loud when there are only 2 women in the main cast who aren't white. And "main" is extremely generous, given that Kelly is just there to Give Advice Good and everything M'gann says and does is as dry as toast.

My point here is that the whole show is rotted to its roots, and whatever quietly libertarian or even fascism-enabling bullshit they push onto Lena in a given week is par for the crusty, shitty course. Kara deciding that she's ok with the alien detection device because "there are bad aliens" is a lovely (read: awful) microcosm of why this show sucks so fucking hard. "People are entitled to their opinions" is for debates on whether pineapple goes on pizza, not for whether we should casually out, endanger, and disenfranchise our [insert minority metaphor here] because some of them are mean.

But what I would love for this fandom to wrap its head around, and what I hope you understand, anon, is that just because it happens on the show, doesn't mean we have to give a rat's ass about it. What the hell is The Canon, anyway? Especially in the case for Supergirl, which can't even get its own continuity right. Especially for an IP that has been rebooted dozens of times before and will be rebooted again in the future. We can just decide that Lena realized the horrible injustices she enabled through her position of power. We can even decide that they just didn't happen at all! This is all fake. It's not set in stone. Who came up with it, anyway? A network with a list of buzzwords they want included and a couple of D-tier showrunners cranking down caffeine to meet an absurdly tight deadline. It's not special. I can guarantee that you care about it infinitely more than they do, and you haven't even watched the damn show.

On a more personal level, people who are hurt, depressed, or traumatized have always and will always look for themselves in fiction. Myself included! And despite what lofty platitudes there may be on the matter, suffering does not make us kind. It does not make us better. Sometimes it's just suffering. Often it pulls us further from who we are meant to be. Often it just makes us "worse."

Trauma has made Lena emotionally brittle. A lifetime of manipulation and abuse has taught her to compartmentalize herself and lock her feelings behind a maze of doors. When she does let love in, she accepts it so wild and vulnerable that she can't see the red flags behind the rosy lenses. She latches so hard onto people she deems virtuous that she holds them to a standard none could fulfill. Her pain has to go somewhere, so it oozes out of her, into Non Nocere, into the post-reveal rift. She's a powder keg, and Kara spent 4 years shoveling more gunpowder onto the pile while holding the match between her teeth.

And despite these fatal flaws that make perfect sense through the eyes of Lena's trauma, she is so full of love. Like Kara, her suffering did not make her kind. She is kind in spite of her suffering. These are the characters we are drawn to when we're hurting. Lena’s trauma is an inextricable part of her, but it is not all of her, and neither are her mistakes.

There truly is not and never will be a piece of media that is absolutely innocent of the harmful structures thrust upon us by society, because we ourselves also participate in that society whether we are critical of it or not, whether we strive to change it or not. I'm flawed. You're flawed. Bettering ourselves is not a journey toward an ultimate destination of perfection. It is a garden we nurture in an endless labor of love because the joy that comes from seeing it flourish and change vastly outweighs the work we put into it and the weeds popping up around its unkempt edges. This is a lesson Lena herself could probably stand to internalize. Probably with lots and lots of therapy. Lots. And lots.

So, to circle back to the start of this? You're fine. You recognized the logic in a traumatized character's mistakes because our own gravest errors more often than not stem from the ways we have been harmed in the past. It's what makes Lena (or, at the very least, the many adaptations of Lena that exist in this fandom) a good character. She is, to her core, characterized proof that a crumbling foundation and poisonous soil do not define us. Which is why watching her heal and grow and learn a healthier kind of love is so, so wonderful.

In closing, I think it's worth mentioning that being critical of media does not mean that we stop enjoying the parts of it we like. There is a lot of gold to be pulled from the steaming pile of shit that is CW Supergirl, and that's why we're all here in the first place. So I really hope you can continue to enjoy it in whatever way makes you smile <3

[woogurl]

(hi, it’s me again pretending as if i didn’t go on an unannounced hiatus).

yes, i’m back...for now. i’m not sure for how long. as i’m too busy these days, but i wanted to specifically make this post because it’s been bothering me for a while now. someone mentioned this in the woosan tag as well, but it’s...

non-atiny’s(and some anti-shipping atiny) who constantly feel the need to expose woosan as some cleverly put together ship that was carefully manufactured by the company. i’ve seen so many titles on youtube and posts on twitter saying how:

“woosan is obvious fanservice” and “woosan; a prime example of queerbating in kpop” 

i’ve never seen a ship be so criticized for being ‘out there’ and ‘in your face’. i’ve made a post on fanservice before but this post will mainly be focused on why i think it’s completely unfair, dishonest, homophobic, and antagonistic to view their relationship as manufactured and fake. and before you go, ‘i’m sure they’re good friends but all that other stuff is clearly done by the company.’ and don’t get me wrong, bc kq is very much aware of the ships and do try to profit off of fanservice...like every other company. but the clearest indicator of this not being MOSTLY all fanservice is something i’ve mentioned many times before.

1. the rest of the ships in ateez not being anywhere near the intimacy and skinship as woosan.

2. body language. 

3. the members THEMSELVES explaining their dynamics.

4. kq not FORCING ships.

ever since predebut and debut there’s ALWAYS been three main ships in ateez. seongjoong, yungi, and ofc woosan. 

as you could see, woosan was definitely thee most popular ship. however, i do believe their popularity grew over time because during the early era i’m sure seongjoong dominated, even on fanfic sites they dominate the amount of fanfics written about them. however, woosan’s clear comfort and intimacy with each other made them more popular among atiny’s and even non atiny’s they even had some taekookers saying their ship was realer and that’s saying something xD. 

something people really, no i mean REALLY need to understand is...doing fanservice does not invalidate an entire relationship. 

there are plenty of celeb couples who enjoy publicly dating and showing affection. 

then comes the argument of well, “if they were real they wouldn’t be so obvious about it.”

this statement bothers me because, people who believe that showing too much skinship is fanservice but then they’ll turn around and say at the same time it’s just culture???

it’s fair to see them doing their fake love dance routine and going THAT’S FANSERVICE. but looking at those moments and going ‘nah, their entire friendship gotta be fanservice.’ is delusional to me, as u like to call us shippers. 

even if you do not ship them romantically, it’s odd to me that people see two same-sex idols expressing comfortability, intimacy and skinship together and feel like if they’re too open about it or if it looks too gay then it’s....fake? even tho fans love to say it’s just apart of their culture. but if it gets too gay, then it’s fanservice. 

i can’t. xD

just because they’re completely comfortable with being intimate doesn’t mean they’re being forced to act that way...it literally just means they ARE that way. 

i constantly put emphasis on being comfortable with skinship and intimacy bc, to me that’s just not something the company can force. body language is a reaction from your true emotions and your inner most thoughts. IT IS THE FOUNDATION TO FIGURING OUT WHAT A PERSON TRULY FEELS INSIDE AS THEIR EMOTIONS WILL ALWAYS TRANSLATE THROUGH THEIR BODY. if u are uncomfortable it will be revealed through body language. and i know a ton of seongjoong shippers are gonna hate me for this, but they are a prime example of this. trust me i’m not here to start a ship war, i am purely just using them as an example of discomfort in body language. 

body language is something a company cannot control.

seongjoong show definite signs of being uncomfortable with intimacy, heck shippers use that one moment seonghwa expressed sadness bc hj hugged the other members and not him as a shipping moment lol. but even when they do hug it looks uncomfortable. my guess is bc hj is not good at expressing his feelings and isn’t a touchy person. and even tho seonghwa is comfortable with skinship, it’s understandable that it can become uncomfortable for him bc of the things i mentioned before as well as the power dynamics and age difference between them.

and here i am going to be stoned bc, i have more to say about seongjoong(don’t kill me). 

bc something the company also can’t control is what OR who the members hang out with OUTSIDE of group activities. so that’s why i’m also mentioning that i also don’t think seongjoong is as close as shippers think they are as...seonghwa mostly hangs out with woosan. and it is almost always mentioned how often woosan hang out together off camera. even early on. woosan hung out so much that it literally came to a point where yeosang felt like his bestfriend was taken from him. 

can we mention again how happy that makes san? and let’s not forget the moment woo said seonghwa was into him, but san was like. ‘you’re into me tho’ and they BOTH tried to gloss over that.

wooyoung: wHaT dO u mEaN? 

lol. people love to say how much san’s whipped for woo, but woo’s probably even more whipped. 

here’s more evidence of woosan enjoying each others company off camera. https://woogurl.tumblr.com/post/614348590729625600/nobody-wooyoung-san-and-i-bass-boosted#notes. 

we can even talk about a more recent moment. the ateez debate about mint chocolate. dunno what’s with these kpop idols debating about mint choco ‘cause bts did it too. lol. anyway, they ended up talking about the group dynamics. and how woosan again are always together. 

i-i’m sorry, but does moment remind y’all of a past moment? LMFAO. seonghwa’s feeling yeosang’s pain. 

seonghwa’s just like woosan says they’re tired of each other but can’t detach themselves. and here’s more evidence that the company isn’t forcing them. for those who thinks kq has some masterplan when it comes to promoting ships.

when they talk about their dynamics, jongho says he feels left out but hj exposes him and says, ‘we’ve tried to pair him with someone but he(jongho) just doesn’t do it’

so this just solidifies my statement from earlier, if the members don’t wanna promote a ship. they ain’t gonna do it. we got one or two vlives from twoho and das it. lmfao. don’t get me wrong. i’m sure jongho get along well with yunho as well as the other members, but promoting any of the other ships in ateez like woosan isn’t gonna work well. ‘cause the rest of the members don’t have the same dynamics. woosan are comfortable with skinship and being intimate with each other and the other members just are not.

another piece of evidence is the members tired reaction whenever woosan is mentioned. lmfao. 

this was so dramatic omg. but the members reactions are very telling of woosan’s relationship off screen. if woosan was just fanservice i do not believe the members would react the way they do, maybe share some knowing glances at each other like. ‘pfft, they think woosan’s real’ but their reactions are always big or very indicative of something bigger happening behind the scenes. lol. 

i’m not gonna go into too much details, bc the members reactions to woosan are an entirely different post(i got so many posts to make. xD).

Lastly Wooyoung’s Tatto. I know right? He’s very committed to fanservice guys. 

Amicus ad Aras is something that woosan made to signify their friendship, and the fact woo got a tattoo on his body of it means a lot. not to mention woo himself taking initiative to find something that represented their relationship. 

i feel like i need to reiterate that the meaning of this tattoo was to define his relationship to san specifically so it applies to san specifically. woo has many MANY friends AS WELL as bestfriends yet he got a tattoo that can only be truly applied to san and no one else. 

u can continue saying theyy’re just good friends doing fanservice, but it’s obv that woo has many good friends. so the next question u gotta answer is what separates san from the others.

[fleetwoodmak99]

Long Past Dawn

Eric Draven x reader

This is requested from @sister-morticia "Hi!! Can I please request an Eric Draven x reader whump with lots of hurt and comfort/worried!Eric? I need some caring fluff! Thank you!! ☺️" I had so much fun working on this!!! I'll be posting a part 2 as hcs of the aftermath soon. It will focus more on the comforting aspects. Also I’m really sorry this is long. 

WARNINGS: Panic attacks, hyperventilating, serious wounds, gun violence, mentions of blood, depression, talks of deep sadness, death, resurrection, paranoia, explosions, and fainting.

SUMMARY: It has been a year since you lost your lover, Eric Draven. While you have managed to get by, it has been extremely difficult. After having a particularly hard night, you decide it might be a good idea to go for a walk to release some steam, only to fall upon a danger situation.

Its been a entire year since you had lost the love of your life, Eric Draven.

It was around Halloween. The leaves on the trees were starting to change from green to orange and yellow as the air turned cool.

Halloween used to be Eric’s favorite time of the year. Always making a big deal about it with lots of horror movie marathons and tons of candy. Now, you had none of that.

No celebrating, no watching horror movies all night, no eating a bunch of candy, no Eric.

Even though it had been a whole year since that dark night, it still haunted your every waking thought.

Every day seemed to bring a new struggle. The worst of it being at night. The pain of losing Eric broke you down to the point where you could do nothing but spend most nights crying.

Anxiety making itself known at every turn. Always worried that the men responsible for taking the life of your lover and leaving you for dead will one day realize you aren't and come after you.

Memories of that night plagued your dreams often. Seeing flashes of T-Birds gang breaking through the door of your shared apartment and attacking you while you were cooking dinner.

The panic consuming your chest becoming too overpowering as you relived that night over and over again. Jolting awake in a pile of sweat when it became too much. Feeling your stomach turn to the sickening thoughts roaming around in your head.

You tried to calm your thoughts. You really did. But the terror that filled your chest was too powerful.

A strong force making you leave the warmth of your bed in an attempt to ease your mind. Pacing around the room, completely lost in thought.

Are they going to come after me? Will they want to harm me?

The demanding thoughts running through your head was starting to cause a wave of nausea to wash over your body.

No. They don't know you are alive. They would have come after you if they had.

You were lucky enough to get Sergeant Albrecht assigned to your case. He was the only one on the force who was kind to you.

Albrecht helped you stay under the radar until you were able to get enough money to move far, far away. The main problem being that you couldn't find a good steady income that would get you out of this hell hole while not blowing your cover, creating the never ending cycle of being trapped in the city. Being doomed to live here forever with no escape.

Still, you felt an overwhelming ache in your stomach every time you thought of Top Dollar still being out there, controlling most of the violence in the city. Hoping that the brutality won't one day unleash on you.

Knowing that it went against the rules you had started following in an attempt to protect yourself further, you decided it might be a good idea to go for a quick late night walk. Noting the dangers of what you might be doing, but it was your last attempt to ease your anxieties and distract you from the pain.

Hoping that the fresh cool air will be a jolt to your system, you grabbed a light jacket and black high tops, placing it over your pajamas and venturing out into the night.

Stepping out of the safety of the apartment building and into the bitter cold. Feeling the tip of your fingers and toes already starting to turn into ice. Still, you were determined to complete your walk as it has always been a good way of distraction you from your intrusive thoughts.

With that being said, the streets of Detroit certainly looked different at night. Feeling a thick layer of sorrow and rage in the air. It being so thick it became difficult to breath.

Choosing to ignore it, you kept walking.

A smile spreading across your lips when you see a group of children in Halloween costumes running with bags of candy in their hands, laughing as they did so.

Curiosity taking over as to why children would be out this late on Devil’s Night. Seeing as you did much worse things when you were a kid, you let it slide.

Either way, you began to have doubts if this was a good idea, deciding it might be time to head back and hide from the world once more.

Turning around and walking the other way, you could already feel a wave of relief washing over you as you made your way back only for your heart to be ripped out of your chest when a booming explosion erupted just up the road. A burst of light blinding you as the ground rumbled.

The sudden event sending you onto the ground, holding your heads up to your head in an attempt to protect yourself from the eruption.

Trying your best to focus on what exactly was happening as the light started to dim into small flames and a bundle of smoke coming from an old abandoned building.

At first, you wanted to run the other way. Knowing that this was most likely the work of Top Dollar or some other big mob boss trying to cause some havoc in an already broken city.

Yet when you tried to get up, you remained planted on the ground. Your body being completely immobilized and without breath.

As you tried getting your strength back, you started to hear a faint scream coming from up the road. Your thoughts immediately going to the children you had seen giggling to each other just moments ago.

You tried remembering which way they had went. Hoping that they were far away from the building now engulfed in flames but after hearing more yelling, you knew you had to make sure no one was hurt or worse.

With a new found determination, you felt yourself starting to grow stronger, experiencing a rush of adrenaline fueling your body.

This time when attempting to get up, you were able to get onto your feet. Your legs still feeling weak, you forced yourself not to waste time and move towards the very thing you made you shake.

Getting closer to the fire, you could start to feel the heat coming from the flames. Inspecting the building, you couldn't see anyone inside. In fact, you couldn't see anyone at all.

You thought for sure the police or at least the fire department would be on their way considering it was a Devil’s Night tradition for the whole city to burn. Yet no one was there. It was almost unnatural.

You were pulled from your thoughts when you heard not a scream but groaning, murmuring and the collusion of masses coming from the back side of another building. 

With caution, you started to make your way towards the sounds. Leaning on another building for support, gaining distance from the heat.

Hearing the unknown sounds starting to grow louder and louder, you could see the silhouette of different bodies laying on the ground. You didn't know if they were dead or unconscious.

Deciding to grab a nearby wooden stick. Just in case.

Two men suddenly bursting in front of you, struggling against each other. They rolled around the dirt floor, one trying to get the upper hand on the other. Both eventually getting up and starting to throw hands. 

You couldn't decide whether to intervene and try to break them up or start running, but once again your body worked against you. Forcing your mind to turn blank and stay in place. Making you now watch the whole thing go down.

At first glance, you couldn't recognized who the men were yet you couldn't help the strange feeling that you were meant to be here. Somehow this was related to you. You felt it deep down.

You tried analyzing them as they continued, trying your best not to be seen.

One of the men was a lot shorter than the other and had greasy shaggy dark brown hair underneath a worn out black knit hat with baggy clothes.

While the other one taller, and more muscular. Mostly wearing tight fit leather. His dark brown hair was longer than the other one, resting just above his shoulders. Black and white paint covering his face as some type of mask.

His hits being more calculated and precise going against the others, who was becoming more and more sloppy by the minute.

As the two men start to taunt each other. Somehow neither seemed to notice you as you stood there in fear. Your heart sinking when you hear one of the men starting to speak. You recognized that voice, clear as day.

The short man was Skank. He was apart of T-Bird's gang, who worked for none other than Top Dollar.

Shit. You need to leave now.

Finally, you were able to slowly make yourself move backwards as your feet stumbled on themselves. You tried your best not to make any noise, not even risking breathing. You couldn't help your eyes from being glued to them.

"I-I know you. You're that guy we had to straighten out cause you and your partner were protesting Top Dollar's tenant relocation program. B-But you're supposed to be dead. We killed you, dead." Skank mumbled, slightly laughing in disbelief at the end.

This made you stop. Your body turning cold.

You knew exactly what he was talking about. Remember a few months before the attack, gathering other tenants to protest. But that wasn't what was making your nerves go wild.

It was who Skank was fighting with.

No. There was no way. He has to be talking about someone else.

You didn't even want to think of the possibility of seeing Eric again. Knowing that there was no possible way that could ever happen.

But why did he look so familiar? When you heard the strangers voice, deep down you knew.

"I guess not all things that die, stay dead." His voice was deep and raspy, showing off his classic sarcasm that reminded you of Eric before his death.

How could this be happening? There was no way that could be Eric. No way.

As your thoughts battled it out in your head as to if this was a dream or not, Skank began to laugh hysterically like he was losing his mind as well. Slowly starting to move his hand behind his back to retrieve the loaded gun resting on his waistband.

While you hadn't noticed, Eric did. Giving off an eerie smile before springing into action, darting right for Skank.

Not being quick enough as a gun shot ring out, causing you to let out a small shriek. Placing your hands upon your ears in an attempt to shelter them from the sharp pain booming through it. Dropping the wooden stick in the process. Closing your eyes to try and hid yourself, knowing fully well that it was useless.

Not being able to contain your breath anymore, you started to hyperventilate. Trying your best to get your breath under control but finding it almost impossible as it kept escaping you.

Not even realizing that the two men had turned their attention to you. Eric taking a second glance as he couldn't believe his eye. He was in complete disbelief that it was you standing right there. Eric assumed you died as well that night, seeing you there made his blood drain from his face.

As the pain in your ears started to die down, you slowly forced your eyes open. Blinking a few times before getting a clear picture as to what was going on. Seeing the two men wrestling to take control of the gun. Eric grabbing at Skank's face, trying to block his vision. Somehow Eric seemed completely fine for being just fired upon.

Was he hit at all? Was he hurt?

Panic fueling your body to run but when you looked at Eric, you knew that wasn't going to be possible.

Now you needed answers.

What was he doing here? How is he alive? How long has he been alive? A day? The whole year?

Not knowing if it was the sense of curiosity or the excitement of seeing Eric in the flesh that made your heart pound. Being completely convinced that this was all just a dream. 

Hearing another bang piercing through your ears once again, causing your body to flinch out of instinct. All this followed by a tight pressure coming from the side of your thigh. Even though it wasn’t painful, it was still enough to send your body to the cold ground. 

At first not realizing why until you began to see a pool of red liquid starting to collect underneath your leg. Knowing fully well now that you were Skank's target. Lucky for you, he has terrible aim. 

Hearing who you assumed to be Eric and Shank struggle against each other once again but you couldn't find the courage to look away from your wound.

Now feeling a strong burning sensation beginning to form on the right side of your thigh, pinpointing exactly where a bullet had ripped itself through your leg. Leaving a nickel sized hole in its place.

Quickly placing your hand on it, in an attempt to somehow ease the intense feeling that throbbed through your entire leg. Feeling a wet sticky substance slipping through your fingers.

Your body starting to jitter uncontrollably as darkness began to form around the edges of your vision. The world starting to go blurry around you.

A comforting hand suddenly resting on top of yours, causing you to jerk yourself back. Only for you to make eye contact with the worried gray eyes of Eric.

A sense of relief washing over you, a small smile resting on your lips. Quickly fading, when he applied a slight pressure to your injury, trying to stop the bleeding. Causing the pain to become more intense.

Your thoughts moving to Skank, hoping he was no longer a threat. You scanned the area, your sight landing on him running down the alleyway and disappearing as he rounded the corner of a building. Your vision starting to become more and more faint as you tried to focus.

You felt a gentle hand caressing your cheek, pulling your sight back to Eric.

"I need you to stay awake, y/n." You could hear the panic in Eric’s voice.

You tried to respond.

You wanted to tell him you were trying, that you missed him, that you loved him. Yet nothing but a slight whine came out.

The energy starting to leave your body as a dull ache started to form at the back of your head. Losing all control off your body as it went limp.

The darkness completely consuming your vision as your heart pounded.

Eventually not fighting it anymore and allowing sleep to take over as the world disappeared. The last thing you remembered was hearing Eric calling your name.

[omniscientwreck]

Hi🖤 Omni! If you're looking for a fic request I've got one.

Okay so Essek is Feeblminded by remaining Volstrucker at his tower. Verin came to visit later that day and has been taling care of Essek, as they both would be scared of the Umavi's wrath should someone find out.

Well Caleb comes to visit a few day's later and Certainly gets a surprise.

Fluff ensues.

I'm talking the Unicorn from Despicable Me level Fluffy😁😁😁

Hi Umbra! Sorry I'm incredibly late answering this, life is weird but I hope the length makes up for it! I know I said drabble but like this just turned into a whole fic so I hope you enjoy!

Verin had worried when Essek’s door hadn’t opened of its own accord, usually he knows when he’s arrived. Deciding something was certainly wrong he barges his way into his brother’s tower. He finds it silent which is normal but unnerving and the unnatural stillness as he calls for Essek has his hackles up.

His knuckles pale as he grips the hilt of his sword and searches methodically throughout the tower. Finding the main floor empty he heads up the stairs to the library. There’s a shuffle, a falling book, a whimper. He draws his sword, adrenaline coursing through his veins. The door is ajar and he can hear shuffling. He thrusts it open is momentarily relieved to see his brother. His hair is tousled and white is stained with flecks of red, his robes are torn and his mantle is askew.

He’s never seen him like this before and his heart lurches. Surprise and fear are plastered across his features, far more freely than Verin’s ever seen him feel. He doesn’t talk and he seems to not even recognize him. Checking the rest of the room, the sword is returned to its sheath and Verin crouches, reaching a hand to Essek.

“Brother, what happened?” Silence, a whimper. “Essek? What’s wrong? It’s Verin, your brother.” His brows unknot, and the tension in his jaw slackens. There’s a looseness to his demeanor and as he stands he waves his hand as if to float, but nothing happens. He tries again and again. The first try was decisive, after watching him for so long Verin knows what it looks like when he casts it. The second time it’s not quite right, the third time it gets looser still. By the time Verin has stopped counting and Verin has grabbed Essek’s hands to calm him it seemed like Essek didn’t know what he was attempting to do.

“Is this some kind of spell? What happened?” His brother looks up with the face of a stranger. His eyes are open and sad, his ears fall just a touch and Essek leans in to hug Verin. He’s never wanted to do that before.

Verin hugs him back. “Oh Essie, what are we going to do?”

Caleb approaches Essek’s tower and is struck by immediate concern when the door doesn’t open for him. Essek always lets him in when he arrives, and with everything that’s happened he immediately panics. Caleb tries to tell himself Essek must be busy and has missed him tripping the wards. So, he lifts the knocker and gives the door a few raps.

He’d asked Caleb to meet him here to assist in the transport of his most important items after their trip to Aeor. He needs to run, he knows it and Caleb knows that turning himself in to the Dynasty would mean certain death so he’s agreed to help. No amount of good will from the Bright Queen would let them bargain for his favour. Selfishly, Caleb won’t allow him to get caught, so he will harbor Essek for some time, helping him stay out of the eyes of the Dynasty.

Eventually he knocks again, beginning to hold a firebolt just in case. “Uh, just a minute,” calls a stranger’s voice from behind the wood. “I’ll be right there.”

The door opens just a crack, “Who is it?”

“I am Caleb Widogast of the Mighty Nein, who is this?” His hand is up and encircled in flame.

“Oh thank the Light, one moment.” Whoever he is, he’s clearly relieved. Caleb’s firebolt stays held.

As the door opens Caleb is greeted by a tall drow, muscular with long braided back hair. He looks familiar but Caleb cannot place him. His features are slowly fading into relief from what must have been a deep concern. “Hello Caleb Widogast, I am Verin Thelyss and I am so glad you’re here. Your the wizard yes?”

Nodding, bewildered as he’s being dragged into Essek’s home by his brother, Caleb can hardly remember to respond, “Uh ja, that’s me. Where is Essek?”

“Well so I came by a few days ago and he didn’t let me into the tower which was weird. There have been some rumors going around and when our mother said he was back I had to ask. I don’t know if you know but… well it’s bad.”

He’s leading him upstairs as he explains and the back of Caleb’s neck is on fire. Verin doesn’t know, but there are rumors that are most likely true. Is he too late?

“So, I’m hoping since you also practice the arcane you might know what’s happened here and how to solve it.”

He leads Caleb into the library and Essek is seated on a chair idly flipping through a book far too quickly. It doesn’t even look like he’s reading, Caleb knows what he looks like when he’s reading. The quiet concentration and the tension it brings his jaw is completely missing. When Essek looks up at him there’s recognition but no words and when he rises to make his way to Caleb, he walks.

He’s wide-eyed and has a sweet smile across his face, it’s difficult to look away but if he doesn’t the heat rising in his cheeks will show. “Essek, what is it mein Freunde?”

No words. Why can’t he talk and why isn’t he floating?

“Essek?” A gentle hand reaches up to rest on his cheek and the heat takes over at the abrupt contact. Especially with Verin standing over his shoulder observing them. “Verin how long has he been like this?”

“About 2 days. I didn’t really know what had happened and if the Umavi found out well… I’m unsure what she would do.” Verin is a little more easier to map out than Essek had been initially and he’s been told enough stories about Dierta to understand the undercurrent of Verin’s words.

“Ja, I understand.” Verin starts at that and Caleb just continues past it, “I believe he has been affected by the spell Feeblemind. I - ah - have experience with this kind of thing. We have friends that can cure him but I will have to contact them, which I will not be able to do until tomorrow.”

Essek’s hand has wound its way into Caleb’s and he tries and fails miserably to contain the blush that he knows is spreading to his ears. Memories of little touches in Aeor flood back and Caleb pushes away thoughts of conversations he’d promised they’d have later, after Essek was safe. To call to attention this thing between them and get it out in the open before it drives him mad. Even if Essek’s feelings do not align with his it will be better to have it in the open.

“So this isn’t hurting him?”

Caleb turns to Essek, “Are you okay? Are you hurt?” He remembers a blur of time, when his mind had failed him. He remembers terror, looking down at his hands and not knowing whose they were. He didn’t have an anchor, nothing but his own thoughts, with someone there it might be different. Essek can’t understand him but the tone of voice seems to elicit some positive emotions and Essek squeezes his hand, a contented smile across his face, “He seems alright to me. It is unpleasant to be cut off from your casting, but he isn’t in pain and he isn’t alone.” It’s difficult to mitigate the emotion bleeding into his voice.

He pushes down memories of the years he’d been locked away and squeezes Essek’s hand back, reassuringly. “Have you gotten him to eat?”

Verin nods, “Occasionally. Probably not as much as he needs. I’m not exactly an excellent cook and nobody can see him like this so I’ve sent his staff away.”

“Alright, well I’ll just do this then.” he begins casting the tower, “I understand if you want to stay but if you need to go I can care for him.” he wants Verin to leave, he wants him gone so badly, to just take care of Essek properly without the shadow of somebody who doesn’t know hanging over them.

“I should be back to Bazzoxan soon. They’ll begin asking after me.” Caleb finishes casting the tower and leads Essek in. Just before he enters, Verin stops him, “You mean something to each other. I’ve never seen him act this way before, granted there’s an arcane influence but genuinely he has never smiled like he did when he saw you. I trust you with this because I think he would. Do not betray that.”

Caleb nods, “Of course not. We’ve faced the most difficult challenges of my life together and with our friends. I will care for him.” Verin seems satisfied with that and makes to leave, and Caleb enters the tower to find Essek waiting in the centre of the tower. He has an idea of where he wants to go. As the tower door closes behind Verin, he and Essek begin to drift upwards. Essek opens his mouth as if to reflexively murmur ‘up’ as had become their custom in their long travels together and his brows knot in distress, as if he’s realized again that his voice will not come. Caleb reaches for his hand, to comfort him and says it for them both, to which Essek smiles.

The drow releases Caleb’s hand and begins to swirl around, never leaving the central column and Caleb is forced to mirror his motions lest they collide. He flashes back to a moment of levity when they’d first come to Aeor. They had showboated then, dancing around each other as their works often did. This Essek is less restrained and his eyes and nose crinkle into a genuine smile when Caleb joins his frivolity.

They stop at the ninth floor which Caleb had known to be Esseks’ destination and immediately Essek lays on the pillows he always places in the corner. Usually, on their research expedition, he tranced in his room but on particularly emotional days they both preferred an expanse of stars above them as they rested. It became tradition and over time they’d drifted closer and closer together, until they would sometimes come to consciousness to find that through the night Essek had curled into Caleb’s side or that their hands had wound together unknowingly.

Now, Essek’s eyes are wide and his mouth hangs open in wonder as though it’s his first time seeing it all over again. Caleb stands over him, following his gaze up to the idly shifting starscape above. Caleb is quickly distracted by the versions of them that traverse different paths. Sometimes in each other’s company, other times in solitude. In a few they hold hands or make contact at the shoulders. Those are the ones he likes the most.

When his gaze is pulled back downwards, Essek stares up at him with a tenderness that quickly turns to expectation. He’s arranged burgundy cushions across the floor beside him for Caleb and so he obliges. As he stretches out across the crude bed slender, cool fingers interlock his own and he lays back and tells Essek of the constellations he’s hidden among the stars.

When Caleb himself was in this state he remembered lacking familiarity. Nothing around him made sense and the upheaval of his life only moments prior had only amplified the disorientation of the magic that kept him prisoner for 11 years.

Essek has someone to watch over him, he’s in a place that evidently brings him much joy and in recent months he’s found himself halfway to peace. Caleb finds his heart swell at the idea of making this experience bearable.

The silence was always the worst so he points to guide the elf’s eyes as he tells them the stories behind each constellation. He tells him of Nila, gentle and fierce. Of Twiggy, ever optimistic and wholly delightful. He tells him about Reani who Essek has spent some time with. Brief recognition flashes across his face, though it’s quickly replaced with frustration. Caleb remembers. He remembers knowing that someone was there who he should recognize but not having the words to know he had forgotten their name. He was in terror and treated everyone as a threat. Essek treats everything with wonder and discovery. The innocence is sweet and a syrupy feeling pools in Caleb’s throat as he’s again confronted with the way his heart swells when Essek looks at Caleb with that same contented smile.

He scoots closer and this is entirely too much. The idea that this version of Essek may curl into his side willingly, while they were fully conscious where the other version cannot unsettles him. Instead he stands, offering his hand, “Why don’t we get you something to eat ja?” There’s a momentary droop of his ears, much more pronounced than any movement he’d seen before before he lifts Essek and they go down to the dining room.

If there is to be anything significant between them it cannot be spurred under these circumstances. Caleb has to know he means it. As they wait while he cats prepare what had become their usual fare while traversing Aeor, he defaults to telling stories. First he tells him of the tunnels they traversed to reach the Dynasty, crafting an illusion as well as he can of the crystalline caves they made camp in. Food arrives and he continues weaving story and image as Essek picks at the well spiced soup comprised mainly of squash and potato. As he crafts an illusion of the dragon turtle they’d fought just after the peace talks out of amber and morphs its shape to a smaller turtle and then a sea slug, laughing to himself at the absurdity, he notices the clink of Essek’s spoon has long subsided.

Glancing over electric eyes focus on him instead of the illusion, so he drops it. “Ah, Es tut mir Leid, I know I tend to get carried away.” A little contented noise bubbles from Essek’s throat and his heart squeezes. In a desperate attempt to try and get Essek to eat more he turns back to his own soup and looks expectantly over to his friend.

Giving him a look of exasperation, he mirrors Caleb and eats most of the soup. Caleb rips up bread and encourages him to dip it in what’s left of the soup and finally, the bowl is empty. They leave the cats to clean up and Essek’s hand grasps Caleb’s again and squeezes. He knows he shouldn’t draw conclusions or let himself be taken by these gestures that the man wouldn’t make if he’d had the presence of mind, but it’s turning into a losing game.

With the time spent on the ninth floor and the prolonged battle of coaxing Essek to eat they only have a few hours until sleep. Essek takes his customary seat on the couch in the study and Caleb withdraws some of the lighter fiction that now populates the shelves. Lying back on the sofa, feet resting on the armrest, head by Essek he holds up the copy of Der Katzenprinz to show the illustrations. “You seem to like hearing me talk so why don’t I share this with you? Either way you won’t understand what I say so I will read it to you as it was originally intended.”

He begins, in Zemnian to tell him the fairy story that had brought him so much joy as a child, and the cats bring them hot chocolate as instructed. Warm mug in hand, Essek sits patiently through the story and as it turns to a close, picks up another of the books Caleb has gathered and thrusts it upon his chest. A real laugh bubbles up at that and he obliges.

As the night winds on and the mugs are emptied, Essek’s hand winds its way through Caleb’s hair, gently combing. When he looks up at Essek he’s met with soft, drooping eyes and a plain smile laced with nothing but care. He tries to stop Essek over the course of the book but finds that the drow always goes back to his hair so eventually, he leaves it. When Essek’s breaths even and elongate and he’s having trouble keeping his eyes open, Caleb sends him to trance.

He’s met with a slightly mournful look as Essek settles into the cushions he’s provided for trancing, but Caleb squeezes his shoulder, “If something goes wrong the cats will know to come get me. This is for the best.” Looking not at all reassured, but staying in place, Essek lets him leave without protest.

In the middle of sleep, dreamless and warm, there’s pressure. Then a caterwaul cuts through his subconscious followed by several more. He awakes with a start and immediately the cats gather around his feet as he pulls on slippers. They lead him to Essek’s room, where through the closed doors he can hear the sounds of furniture being disturbed.

Barging in, heart pounding, he finds Essek with tears streaming down his face. “Essek Schatz what’s wrong?” He kneels, abandoning any sense of propriety or boundaries and as he collapses into Caleb’s arms with nearly silent sobs he’s struck by how small the other man is.

“It’s alright Essek, whatever it was it cannot hurt you. I will keep you safe as you have done me.” They’ve never talked about the nights when the cats would do the same to Essek as they’d done to Caleb. When he’d been awoken from nightmares with angry red scratches down his forearms and a friend to bandage them. They’ve never quite discussed the comfort in Essek trancing just beside Caleb’s bed on difficult nights and he’s tried to stifle contemplation about the safety the man brings to his subconscious. The timing wasn’t right and despite his own longing he couldn’t make that step towards Essek. Not then.

Now, however, the elf shudders in his arms and he brings him into his lap, lighting soft amber globules of light to examine Essek. When he finds no physical harm he puts them out again and draws him in tighter as Essek clutches at the sides of his nightshirt and curls into his chest. He sings gentle lullabies his mother had once used to soothe him, voice cracking slightly as he flexes it in a long forgotten way. Eventually the shaking stops and breath becomes more solid, but hands stay grasped into his shirt so, with assistance from the cats, he maneuvers them into an easier sleeping position. Ever determined, Essek stays in his arms the whole time and when he tries to encourage him to trance beside him, arms wind around his waist.

“Okay, okay. If this will help.” Caleb resigns himself to creaky joints the next morning and sleeps with Essek in his arms, pushing away any indulgent thoughts of future nights spent with him in the same orientation.

When he awakes Essek is gone from his lap, though their fingers are laced and his head rests atop the drow’s on his shoulder. “Guten Morgen Essek.” He startles and smiles over at Caleb. Open, honest, vulnerable. They need to fix this. “I just need to prepare and then we will see Jester ja?” He receives a blank stare in return and nods to himself. “I will be back in a few moments and then we will go to Nicodranas. Just wait here.” He leaves and dresses quickly, returning to find Essek essentially where he’d been left. He takes a moment to glance over his spellbook and concentrates as he casts Sending, “Hallo Jester, I need your assistance with a pretty big restoration. Can you help today?”

She sounds half-asleep as she responds, “Caleb? Oh hi! Yeah I can help, just come to mama’s, we’re in Nicodranas. Oh my gosh I have to tell you, the dragon turtle-” her word economy same as ever.

“Okay Essek, Jester can help. I don’t know where you kept your parasol but I’m sure she can make you another.” With that they head out the door and Caleb transports them safely to the Lavish Chateau. Essek’s hand never leaves his.

Upon arrival they’re beset by a shouted greeting and Jester crushes Caleb in a hug before even realizing the other man is there. “Ohmigod Essek hi! I missed you!” Instead of awkwardly patting her back as he usually does, he wraps his arms around her waist and pulls her in. “Hey Caleb, what’s going on with Essek?”

She pulls back and sees his broad smile and dancing eyes and looks at Caleb distinctly concerned. “Ah- I’m afraid he is a victim of the Feeblemind spell. It’s what they used against me in… well.” Her face clouds with understanding. “He’s okay physically though, whoever attacked him clearly just needed him out of the way. If you can use Greater Restoration that will undo the effects. He’s been ah - rather clingy.”

She waggles her eyebrows at him, making suggestive noise, and gets out the required diamond dust, sprinkling it delicately over Essek who watches in wonder. She puts both hands on her shoulders and green radiant energy emanates from her and passes to him. Before long he’s shaking his head and stepping back, voice hoarse from disuse, “Where- Jester? Thank you oh my gods thank you.”

She grins back at him, “I’m glad you’re back Essek! It’s a good thing Caleb brought you here you were acting so weird-”

She’s cut off as he chokes out, “Caleb.” and looks over with a deep violet flush and wide, apologetic eyes. “I ah- I am sorry for putting you through that. I-”

“Nein, do not apologize. Maybe we should get back to your tower to try and piece together who did this to you and what they were after ja?’

Essek nods and casts his levitation cantrip, shoulders sagging with relief when it works. “Yes, of course. Thank you Jester, I’m sorry we can’t stay but-”

She hugs the both of them again, “It’s okay, you have lots to talk about probably I don’t know bye!” she gives Caleb a wink as he begins casting the spell again and to his surprise Essek’s hand winds itself in his as they vanish.

They’re back in the tower and Caleb looks down, Essek’s hand still in his. Essek drops it and there’s a flush set deep into his cheeks and it spreads to his cheeks as their eyes meet. “Caleb I-” he swallows “I remember most of what happened, though not very clearly. I um-” his eyes are downcast and Caleb braces for what he believes to be coming, “Thank you for your patience. I’m sorry if I made you uncomfortable it is very difficult to explain but I think you’re aware of the feeling. I didn’t exactly have my full faculties and I fear I broke boundaries that may have encroached too far on your hospitality and our friendship.”

It’s difficult to see him so apologetic for the affection displayed. This thing between them has gone unspoken quite too long and before he realizes it he’s speaking, “Don’t apologize for that Schatz, I ah- I didn’t mind. There’s something I think we ought to discuss fairly plainly because I do not want to mince words about the way I feel anymore, it’s tiring.”

Essek looks up to meet him, steeling himself and as Caleb is about to speak he cuts him off, “I am aware enough of how I acted to realize I cannot properly hide my feelings further.” He takes a deep breath, the back of Caleb’s neck is burning and time has all but frozen, “I care deeply for you Caleb. It is difficult to bring myself to those words for I know this is the last thing I deserve but here I am, a fool for you. I know that there were moments in Aeor, I hold them close to my heart as precious things in a life of solitude. If you do not do the same, if you do not feel the same I will remain your friend if you’ll allow it, your research partner, anything. But-” he looks down almost sheepishly, “I owe it to you to be forthright and so I will tell you that if you’ll have me, I would very much like to see where this takes us.”

A smile breaks across Caleb’s face as their eyes meet, “May I kiss you?”

Essek draws in a sharp breath, eyes wide, and nods. It takes Caleb only a moment to close the gap, hands sliding around Essek’s waist and over the back of his neck as he leads them together. Essek’s hands hold his shoulders and his eyes flutter closed as their lips meet, electricity and heat mixing. When they finally pull back they’re both flushed. Essek lets out a huff of a laugh and Caleb wraps him tightly as he brings him in again, smiling into another kiss.

[vaguely-concerned]

The Mandalorian Chapter 15 rewatch thoughts

- mayfeld does hear when the droid talks to him the first time, you can see him pretending not to like he hopes he’ll just go away haha. I also guess he’s had a lot of time to think, picking apart pieces of the large fascist machine he used to be a part of and going over everything he clearly regrets 

- hahaha fennec and boba are in the back intensely keeping watch the entire time they’re on the prison planet. I suppose a good two thirds of this crew is uuuuh extremely wanted by the new republic lol

- the thing din’s voice does at the end when he says “but you still know your imperial clearances and protocols. don’t you.” is beyond fucking words, it sends a chill right through me

- 

1) din fiddling with that panel; I think he’s phenomenally nervous behind the helmet here, that’s the sort of keeping his hands busy he does when he’s anxious and 2) why the hell does boba have this many chairs instead of like space for cargo haha does he throw bounty hunter parties in here or what

- ngl boba correctly guessing at a glance what sort of ore they’re mining and informing everyone in his sardonic deadpan voice is Big Sexy  

I love how he and fennec are standing together when they’re both present in these opening scenes too, first at the very back when they’re keeping a lookout: 

and then in the foreground while they discuss the scan 

it’s a nice subtle way to get across that they already have a dynamic, they’re somewhat used to working together as a unit at this point. (she’s also looking over at him when she asks what they might be mining in there, like she’s mostly asking his opinion instead of opening it to the floor. they’re talking the mission out between them before din enters the conversation)

- the inside of slave 1 when the ship’s moving makes me a little bit motion sick, I really love seeing it but I hope we don’t stay in here too often haha

- aaaw the small weary sigh din gives upon realizing none of his bros can go with mayfeld. I’m sorry about basically your entire life buddy

-

the awkward way din adjusts the helmet like he’s trying to get used to the way it feels ;______;  

- ah the distinct implication that mayfeld is needling din about this because he’s actually feeling super uncomfortable being back in empire gear and he needs to transfer that discomfort over onto someone else so he won’t have to feel through it... very psychologically understandable and such a fucking piece of shit asshole character trait to give in to haha

- din’s level of side eye is so epic you can see it straight through the helmet fhaskjfhd

- neat detail: din’s head turns slightly toward mayfeld when he calls mandalorians a ‘race’. (it’s sort of cool  that we as the audience know why that bothers him, but mayfeld probably didn’t even pick up on it). also shows that mayfeld doesn’t actually quite understand what he’s talking about, even when he makes decent points he’s caught up in his own myopic nihilistic point of view. ‘we’re all the same’ ------> ‘everyone’s secretly as shitty as me deep down’. (which also betrays a lot of self loathing, since we see later he does have the capacity to NOT be that shitty when he chooses to. rick famuyiwa manages to get a LOT of really interesting nuanced stuff into this character in two short episodes, that’s super impressive)   

the bright sunny look on mayfeld’s face when din finally gives in and takes the bait tho fsajdkfhasj he’s awful but that’s very funny

- rip all these excellent dudes who really only wanted to accomplish the noble goal of ruining the empire’s entire day and didn’t know they were also trying to blow up My Dad Who Does Not Deserve Any Of This, it’s honestly just really sad that there’s no moment to talk that out

well at least they blew up the entire refinery on their way out, I’m sure that’s the way they would have wanted their memories honored lol

- the comedy beat of din running out of ammo for the first time ever and the music briefly cutting out for it is so so good for me 

hahahaha din seems to actually take a moment to be a little aghast at that dude who ends up crushed under the treads of the tank thing, he’s just sort of staring for a few seconds too long and that’s how pirate nr 2 takes him by surprise and shatters his shoulder armour 

- I feel a bit bad -- two of the ‘pirates’ try to hold on to each other for balance and then din punches them apart and off the tank :( I mean it’s not like he could just let them murderate him either but like. ouch I’m guessing this one might haunt him for a while for several reasons huh

(the sequence is actually this guy, let’s call him pirate 3, swings the spear at din and misses, instead hitting his buddy who’s trying to get to his feet, then looks horrified and grabs for him to make sure he doesn’t fall off, and then... mando’s forehead happens to them haha)

- poor fennec and cara just running up that hill while everything’s on fire, they must be wondering what the FUCK is going on (at least cara knows that things blowing up is a sure sign din djarin is in the middle there somewhere)

- everything about carano in real life aside for one second -- I do like that we get this contrast in build between our main female characters of the episode and the way their costume designs enhance it

 - awwww the little gesture din does with his hand after he removes it from mayfeld’s chest after stopping him from leaving, it’s just so... sweet. it’s a little bit appeal, a little bit reassurance, it just lightens/softens the tone of what he says a bit (he has quite a lot of like... not conciliatory mannerisms exactly, but small touches here and there that are there to communicate that he’s not angry/aggressive or trying to be a dick about it even when he’s emphatic. I keep wondering how much that is just him being him and how much is him being practiced at settling other people’s hot tempers)  

- this shot is just... genius

it’s din seen entirely from the outside, with nothing of what we’ve learned to recognize as him for almost two seasons now in view -- not even his face, which we have at least a tenuous fledgling attachment to from before. it’s like we get introduced to him almost as if anew again and again in this episode, just like he’s getting introduced to new aspects of himself and what he’s willing to do and having to struggle to find ways to have that fit with who he is. his discomfort and stress is our discomfort and stress. it’s so interesting 

- I can’t stop cackling at this moment even in all the tension -- you only get a sliver of din’s profile but you can feel the sheer MURDER radiating off him sdhfasjk

- aaaaaaaagh the way you get a whole different view of din’s habitual impassiveness when you can actually see his face... the way he keeps appealing to mayfeld ‘just don’t make more trouble, just shut up’, the way he goes completely silent and watchful and frozen..... those are all really obvious trauma responses, and it leads you to wonder how often he touches into that even when he’s in his element, when he’s got the full armour on. hmngh my heart  

- ‘the believer’ is such a galaxy brain title for this episode, because it could be referring to either of the three men around this table or all of them at once. (and crucially the only person whose beliefs aren’t in a living, breathing state of adapting to the world around them is the empire officer, with his horrific inhuman ideology. mayfeld thinks he believes in nothing, and proves himself explosively wrong by the end of the episode, and it’s redeeming for him in some capacity. din is facing a more internal dilemma of different parts of his (and his culture’s) beliefs/values clashing and having to decide which one’s more important, to his identity and to how to exist in the world as a person (and love for the baby wins out supremely in the end. of course it does Y_____Y). the empire dude only sees the same sterile fascist world at the end of his shit rainbow that he’s clearly always done, even when faced with proof that it’s untenable. (I mean he wouldn’t give a fuck that it’s immoral because he’s y’know evil, but he’s not even fazed by the fact that the empire provably FAILED, and failed so quickly) his belief is a dead and deadening thing to contrast the others. man when this show goes off with the themes it goes OFF haha) 

- love the triumphant heroic mando music kicking in as we’re finally getting to pick off imps, love that for us 

- din’s protective instincts at work again, he helps mayfeld to his feet and makes sure he’s safely on board before going further in himself ;_______;

- fennec’s professional approval at mayfeld’s shot hahaha. well I guess he was supposed to be a sharpshooter back in the day huh

I do Not think she likes mayfeld even after all that, though, the withering look she sends him on her way past... should have killed him stone dead on the spot

- seeing din back in the armour is like a physical relief, I can breathe again haha

- tfw you catch yourself thinking ‘at least when all this is over we can go back to the razor crest and everything will be normal again’ and then you rEMEMBER 😭😭😭😭😭😭😭😭😭😭

[thoughts-on-bangtan]

being honest i dont get jm using a award to say he misses tannie... we don’t know 90% of their lives but they are very close to the point of still sleeping together sometimes. and going deep if they were really a couple jm woudnt miss taes dog right? and even as friends he could visit it. unless its because of their schedule right... this kind of comment sometimes confuses me and haters will use it as “they arent close” lol. i just wanted to know your pov.

Judging by Admin 2's reaction, as well as some others in our asks, I have a feeling I was the only one with a more realistic expectation, or lack of expectations, as I waited for the BTS profiles to be posted. Based on last year's, I knew expecting something grand out of Tae, and especially Jimin, would just be me setting myself up for failure, which is what I think happened here.

But, let's discuss it.

I spent a solid couple of hours making an excel table last night that contains everything every member said about every member (sourcing 3 translators for maximum insight) to see if really what Jimin chose for Tae is so "bad" that suddenly people are sending us asks like this one, and another one I'll add later down the line. And the conclusion I've come to is that...what he gave to Tae, as well as Hobi and Seokjin, as awards are the only ones that have any actual emotional/personal connection to them.

With Namjoon and JK Jimin basically states the obvious--Namjoon is tall and JK has gained muscle mass, meaning nothing new or with a proper emotional connection was stated; to Yoongi he made the same request many other members have made, so a work connection, nothing inherently personal.

Now, compared to that--Seokjin teases him/them, which isn't new info, so Jimin asked him to stop or do it less, a valid request which I'm sure he also voiced to Seokjin outside of this FESTA profile and also shows a degree of personal connection; Hobi gets requested to not walk away after asking Jimin a question, which again shows a personal connection and that it's a reoccurring thing; and lastly Tae with Tannie.

Something I've noticed is that some ARMY, who are used to our western celebrities and draw conclusions about idols based on those parameters, forget that BTS are busy, like whatever you consider busy, take that and multiply it by ten. During his vlive with Hobi and Yoongi back in April, Tae said that they are much busier and their lives far more hectic than any of us realize. Taking that into account, and the fact that one of the members (I think it might have been Seokjin) mentioned they work at least ten hours a day for 360 days a year with practice, MV and CF filming, photoshoots, interviews, recording and working on music, meetings, and many other things we have no idea about, do you really think Yeontan lives with Tae full time? A dog needs to get walked and fed but if Tae is out of the house every day for at least ten hours, what would happen to Tannie? He'd just sit around at home alone all day which just isn't fair, so I'm sure Tannie lives with Tae's parents much the same way Micky lives with Hobi's parents and/or his sister, JKs dog lives with his family, Holly lives with Yoongi’s brother, Moni with Namjoon's, and years ago Seokjin had to give his sugar gliders to his parents because he was too busy to take care of them.

Based on that of that, I'm not sure how often Tae get's to see Tannie. Probably not all that often, to be honest. So, if Tannie's owner doesn't get to see him often, I'd assume Jimin gets to see him even less (if we work on the assumption that Tannie lives with Tae's parents and thus Tae could only really see him when visiting them or when they visit him, that means Jimin wouldn't be able to see Tannie just like that either, since that would be like intruding on family time, right?). And we know Jimin loves Tannie, so him using that award to say he misses him and is asking about him shows care and an emotional connection to Tannie. Do I think Jimin also asks Tae privately about Tannie? Absolutely. And still, while Jimin didn't give Tae the, I don't know, "hot body Award" like Yoongi did with Namjoon or the "person I love most in the world award" (which we should know by now would never happen, and if you expected something of that intensity level, than I'm sorry but you've set yourself up for disappointment from the start), he still drew a personal and emotional connection between himself and Tae, as well as the pet Tae loves dearly.

More below the cut:

Jimin could’ve asked about the other pets of the members, but he didn’t, he only ever really talked about Tannie, and here he does it again, so doesn’t that show that he has a bond with him, a closer one than the other members since they don’t/didn’t ask about him (except for Hobi that one time on weverse)?

Speaking of Hobi, am I the only one who finds it interesting and cute that he only drew little hearts for Jimin and Tae when writing down their awards?

Also, we have to remember that these profiles are for us, fan content (remember when Jimin asked Tae last year to post more pictures of Tannie on weverse because ARMY miss seeing him, so what if this is drawing a connection/parallel to that?), and not meant as the members “confessing” something to each other that they otherwise wouldn’t or don’t have the chance to do so. It’s not meant to be all that serious and instead just be fun and nice for us to read, show us a bit of their dynamic and that’s it, no world shattering revelations to be found, from any of them. Or do you really think Yoongi doesn’t like Jimin just because he told Jimin he’s trying too hard to be funny? It’s just part of their dynamic. Or that none of the members have anything else to say to JK besides commenting on his body/appearance? As for vmin, I’d like to remind us of this moment from their Friends subunit interview for FESTA 2020:

Whatever Jimin and Tae want to say to each other, they don’t need FESTA to do it, or us to be there as witnesses. Like Tae didn’t already say enough by telling us that 95z is love. Or Jimin by writing Friends.

From anon: because of you I came back da Namjin. I am a senior army and 2 years ago I left Namjin because I thought they broke up. You made me three Vmin but after what JK wrote about Jimin and after Jm himself about his chances I think that vmin are not together or Jimin withdrew. I think Jk would not dare to write about Jm that he has cute fingers etc if vmin were a relationship. it goes too far and confuses Jk too much. I don't want to say that J / k*ok is real because it certainly isn't !!!!

Now this is where I just sit and sigh heavily because it’s exactly what I expected and I will admit it irks me to no end. Let’s establish a little timeline:

Based on the FESTA Mission! BTS 4 Cuts Teaser that was posted earlier we can deduce that at least part of FESTA was already being prepared back in the first half of March, since on March 12th Jimin, Namjoon and Seokjin had their salad making vlive. Let’s suppose that everything FESTA related was prepared and written out by the members around that time as well. Sometime later BTS filmed YOU QUIZ followed by LET’S BTS and BTSxGame Caterers and everything else we’ve seen after that.

Or going a little further back to sometime in November 2020 while they were preparing for MMA 2020 and the Black Swan performance. We got the practice video today and if you pay attention to Jimin and Tae even there you notice that while Tae is waiting for his turn in the choreography, Jimin runs past him after his part is done (0:55) and they pat each other or do a “high five” or something along those lines as a way to cheer each other on. A very “we’re broken up” or “I will break up with him soon” thing to do, right? Or in min-January when Tae posted seven pictures out of which three were of just Jimin after an ARMY on weverse asked if anyone had any nice pictures they could use as wallpaper for their phone. Between all that I’m having a hard time honestly finding any moment where either of them seemed sad or “cold” toward the other the way you would be and feel if the person you love pulled away from you or broke up with you.

If you are still unconvinced and still think that is what Jimin tried to communicate to us, would Tae really have gone on national TV and said he likes Jimin the most? And would Jimin have agreed that he likes him a lot as well? Or looking at the making video of their Kloud Beer CF that was posted today as well, would Jimin really be looking and interacting with Tae this way if he decided to end things between them?

Also, going back a little, your mention of Jimin reflecting upon opportunities/chances now that it’s a new year. My question is based on what you made the judgment that this comment has to be about vmin and not about something entirely different in Jimin’s life, or maybe something connected to BTS as a whole? Just because of him asking Tae about Tannie? Jimin, as well as Tae and the other members, have entire lives outside of just their bonds with each other, entire careers, passion projects, families, friend groups, and that little bit of time they have to themselves, so immediately thinking Jimin’s comment must be related to his relationship/bond with Tae basically makes it seem like Jimin’s life is a romcom or a TV show in which the only thing that matters is if the main character will date or remain in a relationship with character B or not, but life isn’t like that.

Personally it reminded me of something Tae said during their Bring the Soul documentary about how BTS had the opportunities to go higher faster but they decided against them. Perhaps Jimin’s comment was about something like this as well, especially since we know Jimin is a very private person and very selective of the personal things he shares with us and the ones he doesn’t.

For the FESTA profile JK decided to give Jimin the “Cute Award” with the explanation that his “Face, height, fingers are cute” which, honestly, is just saying something that a) is true and b) has been said in millions of ways by every member across the last couple of years. I don’t see what the issue here is? During one of the episodes of BTSxGame Caterers Seokjin said that Jimin is very cute and that he has a small, beautiful face, so really he even added the word beautiful in there, which JK did not, so what really is the issue here? The fact its JK, right, that’s where the issue lies, to which I ask why? On this blog we’ve already established that there is (in our opinion and based on everything we’ve seen and heard) no romantic connection between JK and Jimin (nor Tae), not now and not in the past either, so why is him saying that Jimin is cute (which he is known for even by people outside of ARMY, or like James Cordon calling him his cute baby mochi) is an issue but Seokjin or any other member is not? Either we use the same measurements for everyone or we don’t compare or make such assumptions about any of them.

What I find curious, because this does make it seem like you, anon, are someone influenced by J*k*ok shippers and their opinions, see an issue in JK saying that about Jimin, and how that’s “proof” that Jimin and Tae can’t possibly be together, and yet you took no issue to Namjoon basically saying he wants to give Tae an award because he is so handsome he is above every list or Yoongi comparing him to Michelangelo's David, both of these being much more superlative and grand complements/awards than JK saying Jimin’s face, height and fingers are cute.

It’s funny how things that Jimin and Tae have said about and to each other that make their bond very clear (I want to live with my lovely Taehyungie forever or here is my love for you while handing Tae a bunch of red heart balloons or 95z is love, a statement I’m sure he wouldn’t post if that sentiment weren’t mutual) are all questioned or ignored, but something as basically trivial as a comment about Jimin being cute is turned into a major issue. The mental gymnastics is fascinating.

Lastly, going back to the first anon and their mention of how haters will use Jimin’s Award for Tae as “proof” that they “aren’t close anymore”--why do we care? Like Namjoon said in the Mic Drop lyrics Haters gon’ hate. They will say a lot of things about a lot of things and even make things up if they feel like it to push their agenda, so really, regardless of what Jimin would’ve said, or not said, they would’ve found a way to twist it and make it fit their narrative. Besides, what haters think has no actual effect or bearing on what Tae and Jimin have with each other, and neither does what other shippers claim. Haters and other shippers don’t control the narrative, BTS do, and everything Jimin and Tae have shown us in 2021, as well as the last eight years, shows me that their bond has only ever grown stronger and closer and more beautiful and awe inspiring, even while haters claimed they stopped being friends years ago, so why should you or I care what they think?

Like Yoongi once said in one of his vlives about how haters can write all they want, he won’t read it while they will get sued.

[aspoonofsugar]

The “One” Divided Into “Two”

Hello anons, hello friend,

these asks can be answered together!

First of all:

Hello! I just want to say that I love your RWBY metas! So I'm wondering, have you ever done metas about Emerald and Mercury?

Thank you! And yes, I have written a little bit about Mercury and Emerald here. I would also recommend this wonderful meta by @hamliet because it has an interesting Mercury theory in it.

Now. this answer is gonna mix some analysis with speculation because Emerald and Mercury’s story must still enter its climax. Once it does and we are given a specific interpretative key I will be happy to write more metas on them!

I’ll start with this:

Those two are so out of place in Salem's faction and the last look they share made me doubt that Mercury is rotten to the core and more of a kid who didnt know what he's in for. Since Em has switched sides, is it possible that Merc might follow? I really like him, so I'm hoping that he won't go down like Watts.

In my opinion, yes and here is why.

CHILDREN LOST IN A NARRATIVE

1) Emerald and Mercury have been child-coded since their first appearance:

Roman: Oh, look! She sent the kids again! This is turning out just like the divorce!

2) Both have received a save the cat moment early on:

Emerald: It's almost sad.

Mercury: Emerald, get up, we need to go. (...) Emerald!

Both child-coding and save the cat moments are often used to make characters more sympathetic and this applies to both Emerald and Mercury, even more so than Cinder.

This is why, for example, the major death they are directly involved in:

turns out to be a temporary one.

As a side note, I like thinking of Emerald and Mercury as the Cat and the Fox in Penny’s story since they act as false friends to the main cast, betray them and cause Penny’s first death. Moreover, in the novel, both characters end up suffering consequences for their life-styles. The two murder kids are the same:

At the same time, details about Emerald and Mercury’s backgrounds and motivations are given to the viewers pretty early on:

We are shown Cinder recruiting both and these scenes clearly paint them as two vulnerable kids that get manipulated and groomed:

Raven: Two children you’ve tricked into following you.

Emerald is presented as a scaredy cat and Cinder wins her over by promising the bare minumum aka some security and basic care.

Mercury is given even less aka a narrative to keep himself together:

Cinder: And you're his son. We saw your fight from the treeline. He's taught you well.

Mercury: Guess so.

Cinder: What's your name?

Mercury: Mercury.

Cinder: Mercury... Tell me, are you anything like your father?

Mercury: All my life, my father trained me to be a killer, an assassin like him. And then moments after I killed him, you two showed up looking for someone with my exact skills. Just felt like it was meant to be.

Cinder praises his abilities and frames his trauma as something that makes him strong, not broken. And Mercury has completely embraced this narrative since then.

In short, Emerald and Mercury are framed as two kids lost in an illusory narrative Cinder has crafted. That said, they are also characters in a proper narrative and they are given sympathetic backgrounds and positive qualities that hint they can be better than they currently are.

In particular, Emerald should overcome her emotional dependence on others to make the right thing:

In both volume 3 and volume 8 she is shown the destruction of a city. However, the first time she puts distance between herself and others’ pain, as symbolically conveyed by her looking from above. In volume 8, though, she is shown the same pain up close and she can’t ignore it anymore. This is why the others drag Emerald towards the people crying and light invades the screen when she finally meets the sheltered crew. She is forced to face an uncomfortable truth she wants to ignore.

Mercury should instead let himself depend on others more. He should open up to others and fight for his one positive bond:

Mercury: Back off, freak.

Which leads us to:

What do you like most about Emerald and Mercury's relationship and bond as it is explored in RWBY?

EMERCURY: COMPLEMENTARITY

Emerald and Mercury’s bond being a key one is conveyed both symbolically and in terms of their respective abilities.

When it comes to their abilities, I have written about it in the meta linked above:

In short, Emerald mostly relies on her semblance, while Mercury mostly relies on his legs and fighting prowess.

This detail adds to the idea that Emerald and Mercury have been acting as a unit and have been complementing each other. Emerald acts as the “soul” and Mercury as the “body”.

The soul is one’s personal essence (like the semblance). It is where (once again) wishes reside. The body is what protects the soul and is animated by instincts and self-survival.

They complement each other. This complementarity is shown in Emerald and Mercury’s fights.

In the Vytal festival, Mercury takes on both Coco and Yatsuhashi for a short while, so that Emerald can size her chance to fight Coco at her own terms (and she wins by using her semblance).

In the Battle of Heaven, Emerald uses her semblance to help Mercury fight and, in a sense, she compensates for his lack of one:

The human soul is about wishes, but also duties:

Penny: I feel like I wish I could do both the things I need to do and the things I want to do. Is that normal?

One must accept their feelings, but also struggle with them:

Winter: But yes Penny, we must still acknowledge our personal feelings, wrestle with them. It ensures us that we’re on the right path. It’s what makes us human.

And must do the right thing out of their own free will:

Winter: Penny. The general is making hard choices so we don’t have to.

This is Emerald’s personal struggle. She must let go of her feelings for Cinder and fight her own fear in order to do the right thing.

The human body lets people feel both others’ warmth:

And others’ cruelty:

However, Mercury refuses to feel both. He refuses to truly process his own trauma and pushes his feelings of care for Emerald away:

As far as their symbolism goes, they are linked in at least three different ways.

1) One of the attributes of the Roman god Mercury is that he is the protector of thieves and Emerald’s surname capitalized means thief. What is more:

Mercury: Ooh, Emerald! Master thief! Please don't take my money! I barely have enough to get by!

2) Mercury/Hermes is also the god of alchemy and the one who wrote the Emerald Tablet aka a tablet with the truth of alchemy on it. You, @hamliet​, have written a meta on it, so I won’t add more.

3) According to at least some traditions, emerald is the gemstone associated with the planet Mercury.

So, it is clear the two characters are meant to be important in each other’s arcs.

Let’s now look at Emerald and Mercury’s bond, as it is explored through their interactions.

Mercury clearly cares about Emerald and gets along well with her. She is the only person he shows vulnerability to.

This is what their scene in Lost is about:

Emerald: Why did you come with us, the night Cinder and I found you?

Mercury: Why are you asking--

Emerald: Just answer the question.

Emerald is trying to open herself up and wants Mercury to open up too. This is why she gets annoyed when Mercury gives her a superficial answer. Still, in that conversation, Mercury is genuinelly trying to answer Emerald’s feelings:

Mercury: I'm sorry you didn't have a mommy that loved you, but I had a father who hated me! He never went easy on me! Every day of training was a beating. And when I unlocked my Semblance, he stole it with his! "This is a crutch!" "This makes you weak!" He told me I could have it back when I was strong. So I got strong, but I never got it back! I've had to work harder than anyone to get where I am. You may not like it here without Cinder, but I think I'm right where I'm supposed to be!

Here, Mercury is telling Emerald details of his past he would not be sharing if he did not trust her. He can’t let himself be completely vulnerable, though, so he discloses them by lashing out at Emerald. He mixes violence with authentic vulnerability and also with care:

Mercury: Cinder doesn't care about you! She doesn't care about either of us!

He has seen how self-destructive Emerald can get when it comes to Cinder:

And he is trying to have Emerald move on from her obsession.

However, Mercury’s small steps towards opening up and caring for another person are constantly challenged:

Tyrian: Oh yes, the world is mean, and I'm a big, bad man now just like the others.

Mercury: How long have you been standing there?!

The moment he opens up to Emerald, Tyrian appears to threathen and mock him.

Mercury’s positive development lies in accepting his own feelings of pain and in sharing them with others, so that he can be helped. However, the environment he is in goes in the way of it:

Emerald: Mercury, I wanted to...

Here, Emerald is trying to either apologize to Mercury for their fight or to at least check out on him. Still, Mercury is not listening to her because he is too frightened by what Salem is doing.

Mercury’s current struggle is conveyed in a nutshell by the glance he gives to his left in Midnight:

Is he looking at Emerald out of concern?

Or at Salem out of caution?

It is not clear. Still, what is sure is that Mercury should focus on Emerald, but Salem goes in the way. He deep down wants to care about others, but he is too scared to do so:

Tyrian: All you ever learned was pain and violence, and now you're too afraid to leave it. Such a tragedy.

At the same time, Mercury is for Emerald what she has been looking for in Cinder:

Emerald: We don't need him! Everything was going fine!

She initially refuses him, but it is clear that with time Mercury becomes the thing most similar to a family Emerald has:

She has been so fixated on Cinder and on how she can be worthy of Cinder’s love that she has missed how much Mercury has tried to protect her all along.

This is why Hazel is important for Emerald’s development:

Hazel: No more Gretchens, boy.

His sacrifice is about breaking his personal cycle of pain. His story starts with Gretchen dying when she was only a girl and it ends with him preventing another girl’s death. At the same time, he also helps breaking the cyle of abuse between Emerald and Cinder.

Emerald is told the truth about her relationship with Cinder by Mercury. Moreover, it seems something finally clicks for her here:

She observes Salem’s manipulation of Cinder and understands Cinder has been manipulating her in the same way.

However, it is thanks to Hazel’s sacrifice that Emerald sees what a genuine parental bond should be like. It should be about the parent protecting the child:

Hazel: What Gretchen would have done. And that starts with getting you away from here. Both of you.

And not the child protecting the parent:

Emerald: I know I can’t beat you. But I can fill that thing full of holes before you take me down.

It should be about the parent caring for the child unconditionally:

Hazel: Go.

And not about the child working hard to gain a parent’s love:

Cinder: You… You brought me back here. We failed.

Emerald: Cinder, you were hurt. I was just trying to help.

At the same time, Hazel’s death has taught Emerald the pain of losing a loved one:

And has forced Emerald to stand on her own two legs:

Oscar: I've seen what you can do, Emerald. However this fight ends, we could really use someone like you.

She can’t be protected forever, but she should start protecting others. She is powerful enough to do so and she must accept this responsibility.

So

I think Emerald could be key to Mercury's redemption

I think so too. Emerald saving Mercury is the perfect objective for her personal arc. It forces her to act as the savior instead of the one being saved.

Moreover, Mercury told her the truth about herself:

Mercury: You're in denial.

So Emerald might do the same for Mercury. This would also fit with her being the Emerald Tablet. The Tablet is written by Mercury to convey the truth to the world. Here, it might very well be the inverse: the Emerald Tablet might convey the truth to Mercury.

In general, Mercury and Tyrian’s foiling has to pay off, just like Emerald and Hazel’s:

The set-up is there for Tyrian and Mercury’s subplot to be about breaking cycles as well. Mercury’s story is about a child left alone with his abuser. Nobody comes to save him, so Mercury is forced to save himself by killing Marcus. Still, this only leads to him being stuck in the idea he is nothing, but an extension of his father. Right now, the cycle is repeating, but it is possible this time things will go differently because there is at least one person who cares about him.

Not only that, but (and this is nothing, but a baseless theory) even Qrow (aka a character who has unfinished business with Tyrian) might be a thematic fit to help Mercury:

Mercury: Bad hair, used a scythe, and smelled like my dad after a long day. It was him.

After all, Mercury himself draws a comparison between Qrow and his father since they are both alcoholic. However, Qrow has started a journey of rehabilitation for the sake of his nieces and their friends.

Qrow sees himself as bad for others and fundamentally unlucky because of his background and his semblance. So, his third fight with Tyrian being about saving a kid, who, in a sense, is even less lucky than him and has no semblance might be thematically fitting.

Despite it all, Qrow found a family and a place to belong and he might help Mercury find his (Emerald) as well.

SEMBLANCE OF THE SELF

Got no gun But I gleam like a blade and I'm harder than iron

Delusion I'll steal til your blind and defeat you from inside your mind

Emerald’s best weapon is her semblance, while Mercury’s semblance was stolen, so he could become a weapon.

This difference symbolizes their respective reactions to abuse.

Emerald uses her illusions as a coping mechanism.

This mechanism is well conveyed in CEM’s fight against Amber:

On one hand, Emerald creates a child version of herself who is well dressed and owns a bike. It is a rich version of Emerald because she must think that is the kind of child others would stop by to help. She does not believe she is likable or lovable. This is why she makes an illusory alter-ego, which is both true (she deep down is a crying child) and false (she is a street rat with nothing).

In general, this is Emerald’s way to approach others:

Emerald: Just left the stadium after your amazing fight! You guys were awesome!

Ren: Because she's scared. Just like us..

Emerald: Or maybe because I know how to get out of here. Anybody coming?

She either fakes an overly friendly demeanor or acts tougher than she is. In any case, she hides her true self.

On the other hand, Emerald is symbolically trapping herself in an illusion together with Amber. Amber can’t see the dangerous thief in front of her, but Emerald too can’t see the generous woman who is offering food to a crying child:

Cinder: Follow me, and you’ll never be hungry again.

Cinder promises Emerald food and love and this lie makes the girl unable  to see the genuine article when it is right there.

So Emerald tricks both others and herself. This is how she survives abuse.

This is why she keeps believing in Cinder while she is gone:

Emerald: You’re here! I knew you’d co--

And this is why symbolically her semblance grows stronger in an abusive environment:

Emerald: I’ve been working on my Semblance. I can help. I won’t tell anybody.

Salem: You really have been honing that Semblance of yours.

After all, this is when Emerald gets a “power-up”:

She has just lost Cinder and finds herself stuck with Salem. Her reaction is to have a breakdown and to project an illusion in the minds of nine people, when she had previously stated she could only do one/two minds at most.

Mercury weaponizes his trauma.

This is why his legs are Mercury’s true weapon, while Talaria is there just to cover and embellish the pain and ugliness under it.

Mercury fights Amber with only its bare legs because symbolically his trauma is still fresh and he has yet to work out a structured coping mechanism to it. His meeting with Cinder is the first step in this construction that evolves in the following months and is still evolving:

In CEM’s fight against Amber, Mercury uses his unfeeling legs to whitstand the violence of the elements:

Fire

Earth and Water

Air

He goes through the whole cycle without feeling any pain simply because his trauma has made him unfeeling:

I'm the one That was ripped from the earth and exposed to the sun

Marcus has literally turned Mercury into Iron:

But I gleam like a blade and I'm harder than iron

Still, the point is that mercury as a metal is not as hard as iron, but (in the alchemical scale of metals) is way more refined and closer to gold. Mercury can be better than his father, but his way to survive abuse is to repress himself.

This is why his semblance was stolen by his abuser. It is because abuse has taken away Mercury’s personhood.

So, both Emerald and Mercury face abuse by masking or repressing themselves. The difference is a matter of degree. Mercury can suppress his emotions and needs more, while Emerald can’t.

Theirs is a foiling about feeling too much to the point of self-harm and of feeling too little to the point of negation.

So, Emerald must struggle with her feelings not to be controlled by them, while Mercury must aknowledge them.

Emerald’s Hallucinations is a Semblance of The Self because it hides both Emerald herself and the truth.

This is interesting because, as stated above, the Emerald Tablet should convey the truth about alchemy. However, Emerald’s environment has turned her into an inversion of herself:

I'm the one Who rose out of filth and was loved by no-one

She is a gemstone, but is currently covered in dirt. She needs to polish herself, so she can shine and fit better in her allusion.

Mercury’s stolen semblance is a Semblance of The Self because it is linked to Mercury’s self-expression, which he must claim back.

Until then, he is bound to be stuck in an abusive cycle as nothing, but a weapon.

In general, there is some symbolism around Mercury which needs unpacking:

Mercury quoting Marcus:"This is a crutch!" "This makes you weak!"

Firstly, he has clearly interiorized what his father told him here. He refuses the idea of weakness and crutches to the point that his prosthetics, which are literal crutches get turned into weapons and even covered by other weapons. However, this refusal of crutches means Mercury can’t heal. After all, crutches, bandages and treatment are necessary to become healthy once again.

Secondly, there is this: 

I'll run circles round ya, I can touch the sky

The God Mercury’s main attribute is that he can overcome any boundary. He can go wherever he wants in no time. However, Mercury is the opposite because no matter what, he can’t leave his abusive environment. This has to do once again with his father’s abuse which culminated with Marcus taking Mercury’s legs. This is symbolically why Mercury is trapped.

Like for Emerald, Mercury’s arc should be about growing into his allusion, so that he can finally be free.

Still, how to turn Emerald and Mercury in the positive versions of their allusions? The answer has to do with this question:

(I think Emerald could be key to) maybe Cinder's (redemption) too

I’M THE ONE

Emerald and Mercury are two parts of the individual (body and soul) and two parts of a Huntsman (semblance and weapon):

Ren: A common philosophy is that a warrior's Semblance is a part of who they are.

Ruby: Just weapons? They're an extension of ourselves! They're a part of us! Oh, they're so cool.

Together they make a unit. Together they make Cinder. They are two sides of her trauma, her two sins:

Emerald: Actually, I was wondering, do you have any copies of "The Thief and The Butcher"?

And the wounds behind those sins.

This is why Cinder takes them in, but also why she abuses them.

She uses them as weapons:

In CEM’s fight against Amber she lets them go in first and has them take the majority of Amber’s hits.

Not only that, but she uses them as “red herrings” she hides behind.

She acts as if Amber’s blow takes her out of the fight, while Amber focuses on Mercury who resists her attack:

She has Emerald display her semblance at full force, so that the girl becomes Amber’s first target:

She makes her own illusion where Emerald and Mercury are her smokescreen.

However, her two disciples are not just things she can use as she pleases. They are two people who depend on her:

Mercury: You mean--

Emerald: She's alive?

They are literally two kids she takes in framing their relationship as parental/hierarchical hence she is responsible for them.

However, she fails them and leaves them in a dangerous environment. This is why they both leave her out of self-survival.

Narratively, Emerald and Mercury are two kids that must grow up. Right now, they are in some kind of adolescent phase. They have started their emancipation from their “parent”, but they have still to grow until they’ll be able to truly face Cinder.

It will probably be in this confrontation that they will affirm their growth. Right now, Cinder does not need to be coddled, but to be called out. Both Neo and Watts try to, but Cinder ignores them and retaliates against them. She needs a call out she can’t ignore and Emerald and Mercury are too rooted in who she deep down is for her to be unaffected by them.

At the same time, it would mark Mercury and Emerald’s first step into adulthood. Only then they can stop being a “half” and can truly become “one”, so a whole person.

[doloresdraws]

| time-lapse of the painting on my youtube |

❤ I wrote these for Twitter, but decided to post them here as well ❤

Werner Adler, Nosferatu residing in San Francisco, Embraced in 1970 in his mid 30s.

1. Werner is pretty chill most of the time, more than angry he gets frustrated from not being satisfied with his writing or when he says something that makes complete sense, yet the other person still fails to acknowledge it, especially when it is about something important.

2. I think he never believed in soulmates, until he met Leslie. Now when she is gone, a part of him is gone too.

3. His pet peeves: When people call themselves stupid or speak about themselves in a degrading way, especially women and children. Also when he sees grammar mistakes like they're/their, etc.

4. Unfortunately, what used to be his happy place now brings him a lot of pain, so he rarely allows his thoughts to venture there. When Leslie was still alive and he thought she was living a happy, fulfilled life somewhere, he often thought about their life together.

5. He has suffered from depression since his teens, but his happiest time was when Leslie said yes to his clumsy proposal, they got married and were planning their future together. Despite his coming and going depression and some bad days, she made him very happy.

6. His least happy time: Finding out that Leslie was dead, running to the hospital morgue and seeing and holding her lifeless body in his arms.

7. I think he is neither. He would sit at the bar minding his own business.

8. As a mortal, he never had any serious physical injuries (mainly because he was at home most of the time) As a vampire he got his wrist broken by the Gangrel who had found him after the Embrace, Werner didn't understand anything and wanted to just run away.

9. He doesn't really remember his Embrace as he was passed out sleeping, so the Embrace itself isn't a traumatic experience for him. There is a lot he would rather forget during his Kindred existence, but nothing tops his desperate attempt of Embracing Leslie's dead body.

10. His childhood wasn't exactly filled with many good memories. His parents argued a lot and it ended up in divorce that left him living with his quite overprotective mother. His fav memory would probably be time he spent hanging out with his best friend, a neighbor kid Mike.

11. Honestly, no, he doesn't have a type. He was seriously in love only with Leslie. They had a connection right away as she as an artist understood his need to be sometimes left alone with his writing and at the same time possessed quite a different, more positive outlook in life.

12. A pen that he bought from his first salary. Lucky for him, he was able to keep it even after his Embrace. Also his and Leslie's wedding rings and her journal that he stole after sneaking into her husband's hotel room and going through her things.

13. +14. No tattoos or piercings, even if he wasn't a Kindred/Nosferatu he wouldn't even consider it. He is quite old school, he doesn't really like them.

15. He had his dream house already. Not long before he got Embraced, he and Leslie had bought a house in a small town in Maine. It wasn't much, but they had so many plans for the garden and for the kid's rooms.

16. I think others, especially Kindred of other clans wouldn't probably expect him to be so well-mannered, gentle and well-spoken considering his dishevelled, unclean looks. He just sees no point in showering or caring for his look when he isn't really socializing with anyone anyway.

17. He is very thoughtful when it comes to gifts. He is that kind of person that would give you a present out of the blue, just because he would see something that he thinks you would enjoy.

18. He has a love-hate relationship with his writing. Some days he thinks he is really good at capturing the right mood with his words, other days he is questioning his writing skills and if he should even continue. He isn't proud of anything that he does, unfortunately.

19. A stranger would probably describe him as a sad man who desperately needs a bath and new clothes.

20. A close friend (Kayley) would describe him as kind & caring, but broken man who is trying his best and tries to do the right things.

21. He actually isn't concerned about his looks at all, he didn't care much about his looks even when he looked normal. His biggest insecurity is fear that somehow deep inside he is a bad person and that he somehow deserves what happened.

22. Physical: dexterity, non-physical: Intelligence.

23. If he knew that the lie was for his own good, he would actually appreciate the thought. If it was a lie to spare him from fear (I am looking at you Kayley) he would get upset at the sheer irresponsibility and the harm that could have happened and you would be in for a lecture.

24. He doesn't care much for the weather when he's spending most of his nights alone in his sewer haven, but he finds rainy nights inspiring and accurate to his own feelings of despair. He sometimes goes to the cemetery when it pours, stands in the rain and allows himself to cry.

25. He has no problems saying I love you to the people that he cares about when it feels right and appropriate to the situation. Though he usually never says it first, but more as a response :)

26. He doesn't like to talk about his worries - like when he was a mortal he really didn't like to talk about his fear of not having enough skill to make it as a writer, as he felt like he was failing Leslie to not make enough money for them to be able to raise a family.

27. He murdered a man that was a threat to Kayley and Jane. He really thought that there wasn't another way, but he sent the children away while he did it, so they didn't have to see. He was on the verge of frenzy and part of him could justify the murder as the man was a scumbag.

28. He isn't ticklish, but he would probably try to stop you tickling him anyway.

29. As a mortal, he had pretty low pain tolerance, but as a Nosferatu and after Leslie's death he realized that any amount of physical pain was nothing compared to the crippling pain and guilt that he feels inside everytime his mind slips and he thinks about what happened.

30. He wishes he had the courage to walk up to Kyle (Leslie's then husband) and tell him that he was sorry, that he was weak, selfish and negligent and that it was his fault that Kyle lost his wife and his unborn child. But of course, he never did it, and now Kyle is an old man.

31. Messy: feeding is a very stressful ordeal for him, he only feeds on the homeless men from his herd and he gives them money for it. It's always a terrible time for him, it takes him a while to actually bite down and then he wants to be done with it as soon as possible.

32. When 14 yo Kayley made him bite her after she found out the truth about what he was and she wanted a proof that it didn’t hurt when he fed on people, despite him reassuring her it didn’t. He was deeply hurt by this request, but he forgave her, he realized she was just a curious child, she didn't know how much pain this was causing him.

33. When Leslie found him and despite seeing how he changed, she still told him she loved him and was willing to stay with him. And maybe even more when they had met a few years later and despite the time, he could still see love for him in her eyes like nothing had changed…

34. Hard choice between vision & touch. Both would hinder his ability to write and that is that is the only thing that keeps him somehow sane. Well, together with caring for Kayley, but as she is growing older it is better she sees less of him and has a normal life.

35. He can hold on small talks pretty well,it's actually the only kind of talk he is willing to have with other Kindred after Leslie's death. Mirabelle especially noticed the change in his behavior, but she understands that they weren't really friends and she has no right to pry.

36. He would ask Leslie if she can forgive him for what happened to her and her unborn child. But the truth also is that he is absolutely terrified at the idea as he fears that the truth is that wherever she is, she hates him.

37. The past-so he would have never traveled to San Francisco, or at least he would have traveled to the night when Leslie came to him and this time he would be stronger and pushed her away, not letting her touch him... The future is pointless, there is nothing left there for him.

38. Positive - Leslie made him feel understood, Kayley - gave him some will to live back, Jane - made him feel like he made a difference in her life by persuading her to own her mistakes.

Negative - His Sire who made him question why he deserved this fate for his kindness.

39. He was used to live alone, then he met Leslie and then he was alone again. He was always a solitary person, so the solitude and isolation actually didn't even bother him after the Embrace.

40. The worst had already happened to him, so for a time there wasn't really anything that would make him terrified. But then he met Kayley and of course he fears for her safety as he feels responsible for her. He's afraid that her compassion will one day cost her her life.

Werner © me/doloresdraws