#sorry i wrote a thing

[templeofshame]

if i could only work this life out my way

2k, rated T

Something has Eddie wanting to move to LA. He just has to find a way to make sure that something is not just Richie.

[read on ao3]

[naturecalls111]

[tubbytarchia]

The bloodied moon cried for you, but you only heard the stars The weeping moon then bled for you, but you only saw her scars

[tarantula-hawk-wasp]

NEED something intense and homoerotic to happen to me this year

[solarmorrigan]

See, just because Steve lets Eddie and the kids play D&D at his house now doesn't mean he's really interested in the game, just the same as even though El and Max sometimes tag along, they're really there to hang out, not play. They each bring their own things to do, and one night El brings a ball of yarn and a shiny little metal hook and a vaguely rectangular yarn-thing that she focuses very hard on while the boys shout in the background.

Steve has no idea what she's doing; he'd say she's knitting, except he's almost certain that involves some kind of sticks, not a hook. But since he's not really doing anything himself, he sits down next to her and asks what she's up to.

"Joyce has been teaching me how to crochet. She says it will help with my hand-eye coordination." El holds up her project with a proud smile. "I am starting with a scarf."

It's not the world's most attractive scarf, but it's not like Steve could do better. He's still not entirely sure what crocheting is, to be perfectly honest. "Is that different from knitting?" he asks.

El nods gravely. "It is," she says, and takes to showing him how she loops the yarn over the hook and pulls it through the stitches in her scarf and adds a few more inches to the row she's working on.

When Steve's attention doesn't completely wane during her demonstration, she pulls a second ball of yarn out of her bag and presents it to Steve.

"Oh, I don't–" Steve tries to demur, but El is determined, and Steve has seen entire dimensions pale in the face of her determination.

This is how he finds himself crocheting a little chain of stitches with just his fingers, the same way Joyce had apparently started El off. El beams at him and returns to her own project, occasionally checking on his progress. The chain is a few feet long by the time everyone needs to be driven home, and Steve decides it actually hadn't been a bad way to pass the time. Kind of relaxing.

The next time everyone is over, El sits down with her scarf, and after a short while, Steve sits down next to her. He compliments how much longer the scarf has gotten (and it does seem like the shape has evened out a bit as she's been going along). She smiles and pulls another ball of yarn out of her bag. This time, she has an extra hook and seems intent on showing Steve what to do with it.

Almost involuntarily, Steve's attention flashes to the group clustered around the table, hesitating to take the yarn from El, and she frowns.

"Joyce says these types of skills are important for everyone to have," El says firmly, and, well– Steve's not really going to argue.

He learns how to crochet a chain with the hook. It feels odd in his hands at first—the shape too small, the metal a little too slick, the yarn not wrapping naturally around his fingers the way it does El's—but he gets the hang of it. When El is pleased with his progress, she shows him the stitch she's been using: a simple single crochet. It's tougher than it looks, and Steve understands immediately why El's scarf is so uneven; neither of them have ever done anything like this before.

Still, he doesn't hate it.

In fact, he really kind of enjoys it.

He enjoys it enough that he asks El to show him more the next time she's over. She's still new herself and is really only working with pretty much the same couple of stitches, but she proudly teaches him what she knows, and Steve picks it up as fast as she's able to lay it down.

Steve goes out and buys his own supplies, no longer content with mooching off of El's. He hadn't realized there were so many different kinds of yarn, and resigns himself to awkwardly asking one of the craft store employees what type might be best for beginners.

The employee—a woman about his mother’s age with a much warmer smile and far less judgement in her eyes—explains with great enthusiasm what all those different types of yarn might be used for, and how the size of the hook affects the outcome of the project, and shows him so many different pattern books his head spins. He realizes that she probably upsells him on a lot of shit, but he leaves with a few different sizes of hooks, some new yarn, and more excitement for a hobby than he's felt probably since high school.

El and Robin are the only ones who know about his new hobby, of course. It's not really that he's ashamed to tell the others, he just knows how teenage boys work and he's not keen on giving a bunch of fifteen-year-olds another reason to bully him. Maybe in a few months. In the meantime, he crochets at home while he's listening to the radio or watching TV, and he crochets at work during down times. Robin finds his newfound hobby morbidly fascinating, but vehemently denies any and all offers to teach her.

("I will find a way to damage myself with that hook and I think we both know that," she says. "It's just kind of wild to see you with a grandma hobby."

Steve threatens to tell El she called it that, and Robin shortly finds a new label for it.)

Fall rolls around and the air acquires a chill sometime in mid-October. Steve's been making practice scarves for a little while now (largely because he really only knows how to make rectangles at this point, but he doesn’t have the attention span for a whole blanket just yet), and he even considers wearing his least heinous attempt despite the fact he's never really wanted for good winter clothes. Then he notices Eddie.

Most of their little group has begun dressing appropriately for the weather, but Eddie doesn't do much more than add a pair of fingerless black gloves and maybe a heavier leather jacket to his ensemble. Steve's not even sure it's because he can't afford it – he's pretty sure it's because Eddie is committed to his aesthetic. Nancy had tried to force an extra scarf on him one day after a little cold snap, when they'd woken to frost on the ground (the scarf is blue, patterned with white snowflakes; it's actually Mike’s, but Mike is also refusing to wear it and Steve suspects Nancy doesn’t want to hold it, but also doesn’t want to get in trouble for letting Mike lose it), but Eddie had declined, insisting it doesn't match his vibe.

Steve can respect this. He himself has a certain aesthetic going on. However, he can also see that Eddie is definitely cold, and that just won't do.

He picks through the scarves and other various wooly things he's accumulated so far, but decides none of them would suit Eddie and, besides that, none of them are really warm enough. If he's going to make Eddie a scarf, it ought to be a good one.

So Steve sucks it up and heads into Melvald's one day when he knows Joyce will be on shift, hoping she won't be too busy for a quick chat.

When he catches her, Steve explains that El had shown him the basics of crocheting but that his ambitions have outgrown his skills and maybe if she isn't too busy sometime, Joyce would be willing to show him a little more?

Joyce, because she’s a saint, says she would be delighted, and invites Steve to come over on their next shared day off.

When he gets there, she tries to ask him who he's making the scarf for, and the best he manages is, "...someone."

Joyce bites down on a smile. "Someone?"

"It's a surprise," Steve finally declares.

"For everyone?"

"Yes."

Joyce bravely manages to not laugh at Steve and instead asks him what kind of scarf he thinks Someone would like.

Steve decides that it needs to be thick, but it should also be soft. It should also be textured, because Ed– because Someone really likes fiddling with things. He can't get too ambitious with colors or patterns, but he decides that black and grey stripes will be perfectly suitable.

(He doesn't kid himself into thinking that by the time their brainstorming session is over, Joyce hasn't figured out exactly who he's talking about, but she's kind enough not to say it out loud.)

Steve's always been good with repetition and patterns—it's probably one of the reasons he’d found crocheting so relaxing in the first place—and he picks up the new stitches with ease under Joyce's deft instruction. She sends him home with the practice piece he'd made with some of her scrap yarn, and after a quick stopover at the craft store on his way home (he briefly gets stuck between shades of grey, but eventually decides on the silvery one over the steely one), he's ready to begin.

He expects making the scarf to be tougher, but once he gets into the rhythm of it, he sails right through. It takes him less than a week (albeit devoting a few solid hours to it every day, possibly more on his days off) to end up with what is, if he may say so himself, a pretty fine scarf.

The challenge comes in actually giving it to Eddie.

Christmas would be an excellent excuse for presenting it to him, except that's a little over a month away, and Steve doesn't want Eddie to go cold until then. Instead, he takes to keeping the scarf in his glove compartment just in case the perfect occasion for giving Eddie a scarf arises.

And much to Steve's surprise, one actually does.

It's right after the first real snow, and Steve has insisted on driving to pick Eddie up so they can hang out (Steve has nightmares about Eddie's driving when road conditions are optimal, never mind when the roads may be icy). He can see Eddie shivering under his jacket, blowing warm air into his cupped hands (Steve wonders if he could learn how to crochet gloves at some point, too. Ones with full fingers), so he ever-so-casually gestures to the glove box and tells Eddie, "Hey, if you're cold, I've got an extra scarf in there."

He's possibly not as casual as he hopes he is (or maybe Eddie just sees through him, like he always seems to), because Eddie gives him a look. "You do, huh?"

"Yep."

Steve concentrates very hard on the road in order to avoid Eddie's eyes. It doesn't stop him from hearing the little laugh Eddie lets out before popping open the glove compartment.

"Oh," Eddie says quietly as he pulls the scarf out, likely having been expecting another castoff piece of outerwear. "This is... actually really nice."

For a moment, Steve can't help but glance over to see the way Eddie is fingering the crocheted ridges of the scarf, running a thumb over the bright silver stripes picked out of the black, and he immediately looks back up at the road.

"Yeah. You should– you can, uh. Keep it. If you want," he says, and wonders what happened to the days when he was smooth.

"No, man, this is, like, for real nice. I couldn't take this," Eddie says, though he's still holding the scarf in his lap.

Steve draws a breath in. "I mean, I was kind of hoping you would, since it's for you."

"Seriously?"

They have unfortunately arrived at Steve's house at this point, and there will be no avoiding the conversation now.

"Yeah," Steve says. "I, uh. Made it for you. So you should take it. Don't let my hard work go to waste, yeah?"

"You're shitting me," Eddie unfolds the scarf and holds it up in delighted scrutiny. "You made this?"

(Distantly, Steve appreciates that the emphasis isn't on "you made this?" Like Eddie doesn't immediately doubt he's capable, only that he's holding a handmade item at all.)

"Yeah. No big deal." Steve shrugs.

"You made this for me." Eddie looks at Steve, and it sounds like that had been meant as a question, though it comes out in flat uncertainty.

"Yeah. Just noticed you were cold, but you won't wear anything that doesn't match your aesthetic," Steve tries to tease, wiggling his fingers at Eddie's outfit, but Eddie doesn't say anything in return.

He doesn't say anything for just long enough that Steve gets insecure all over again, reaching hesitantly for the scarf.

"But, I mean, if that's weird, or whatever, you don't have to-"

"Nope. Fuck off, I'm wearing this forever." Eddie loops the scarf quickly around his neck and squeezes the ends in his hands. "Jesus, this is soft."

Steve grins. "I'm not sure it'll last forever, but I can make you another after than one wears out."

"You'd better," Eddie says, and he's grinning too. "So, what, you knit?"

Steve points a very serious finger into Eddie's face. "Crochet. There's a difference," he says sternly.

Then, because he can't help it, he bops the end of Eddie's nose before getting out of the car, leaving Eddie to scramble out behind him, laughing and calling him a dork as he goes.

(The kids, incidentally, don't tease Steve nearly as much as he'd thought they would when they find out.

This is possibly because they're more mature than he gave them credit for, but more likely it’s because El is standing beside him and daring them to say anything unfavorable about their shared hobby.

Mostly they just let it slide, though Dustin demands to know why Eddie got a scarf and he didn't. Then Lucas wants one, too, because Mike and Max have already received various bits of outerwear from El, and he's not about to be left out. And then Robin, of course, will want to know why Steve hasn’t made her anything, once she finds out that he’s making things for the kids.

Steve resigns himself to a busy winter spent under a pile of yarn.

It's not really a hardship.)

[Part 2 | Part 3 | Part 4 | Epilogue | Ao3]

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[clovariia]

we can FINALLY post our pieces for the @tohgrimoire zine!!! i wrote a fic about luz and her family visiting her father's grave. it's a tragic but healing time for all of them.

thank you so much to @astrolavas for drawing the devastating spot art and the zine's writing mod @taruchinator for helping with beta reading!!! all the zine contributors and mods were so sweet and encouraging. i'm so grateful that i got to be a part of this project! thank you to everyone for all the support!!!!!! 🦉💕

🔗 https://archiveofourown.org/works/58919038

[imaredshirt]

Give me a Stan who thinks Fiddleford doesn't know how to throw a punch, much less defend himself in a fight with your average goon, so one morning he takes it upon himself to show the nerd a few basic jabs and hooks and maybe an uppercut or two behind the cabin, because let's face it, there's gonna be a time when Stan can't be there to take a hit for the guy or defend his nerd butt. So he's gonna teach him some stuff for his own peace of mind.

Fiddleford just kind of genially goes along with it, following Stan around the back of the cabin and watching with hands on his hips and a smile as Stan gets into position.

"This is one of the most basic punches in the world, so pay attention, 'cause I'm not gonna show you again," Stan says, knees slightly bent and fists up.

Fidds nods. "You've got my full attention, Stanley."

Stan isn't sure if he's imagining the way Fidds is eyeing him up and down, but he automatically flexes his arms a little more than he needs to. Up ahead, Ford is sitting on a tree stump and taking samples of the air or something (Stan had stopped listening to Ford's explanation once his words went from interesting to Big Science Shit that Stanley Does NOT Care About) and he's watching them with this amused grin, rolling his eyes skyward when Stan won't stop flexing and showing his arms off.

Stan ignores him and rolls his shoulders before jabbing his fists forward in a quick one-two. "There - you catch that?"

Fidds has got his arms crossed now and gives Stan a thumbs up. "Sure did!"

"See, just like this," Stan says, and shows him again despite saying earlier that he wouldn't.

He shows him a few more punches, going over each one a couple times before telling the engineer to mirror him, even getting in close to adjust the guy's scrawny arms and balled fists. He's being real professional about it and everything and doesn't understand why Ford keeps grinning and shaking his head at them, which is making him a little incensed but he stamps it down because Fidds is watching him with this nerdy, dopey smile while letting himself be maneuvered around and he's gotta learn to defend himself 'cause Stan can't stand the thought of some jerkwad wiping that smile off the nerd's face.

"See," he says near the end of the lesson, tapping his fist right against Fidds’s chin. "Do it right and your fist'll hit right here."

Fidds tilts his head a fraction at the touch. "Well alright then, seems easy enough."

"Yeah, like I said, if you do it right. Gimme your hand-" he takes Fidds’s wrist and taps the guy's balled fist against his own stubbly jaw. "Right here. You got that?"

Fidds nods. "Sure do!"

"Good." Stan drops Fidds’s wrist and gets into position again. "Then come on - lay one on me."

Fidds pulls back and blinks at him. "Come again?"

"Hit me!" Stan taps his jaw. "Right here!"

The guy suddenly looks nervous and galnces over at Ford for help. "Hit you? Stanley, I don't think-"

This is what Stan means. Fidds isn't always gonna be able to look to him or Ford to save him. He gets this weird, uncomfortable feeling in his chest at the thought of Fidds facing off against some asshat on his own, and that alone is enough to keep him from letting the guys off easy, if only to get rid of the weird feeling. Maybe a bit selfish but he doesn't care.

"Ah, come on, one little punch ain't gonna hurt ya, Fidds."

"I'm not worried about me," Fidds says, and then frowns when Stan barks a laugh.

"You think you're gonna hurt ME?"

Fidds is still frowning when Ford calls over in an amused, warning tone, "This is not a good idea, Stanely!"

"Just worry about your air test or whatever and leave us alone," Stan calls back. Ford shrugs and scribbles something in his journal, and when Stan turns back to Fidds, Fidds is finally getting into position.

He looks unsure, watching Stan nervously as Stan stands before him with his arms crossed.

"Hey, not bad form - you ready?"

"Well, I suppose so," Fidds says, accent coming in a little thicker than before. "Stan, if you're sure, I should probably warn ya-"

"Don't tell me nothing, just punch me!"

Fidds presses his lips into a line and throws his fist - and jabs Stan on the chin just hard enough to tilt Stan's head half an inch to the side.

"That's it?" Stan guffaws and shakes his head. "That was barely a tap!"

"I don't wanna hurt ya!" Fidds says, sounding so conflicted that Stan gets this urge to pull him into a headlock and ruffle his hair and drive the worry away.

Instead he riles him up.

"Please," he says. "Fidds, look - one of these days I'm not gonna be there to take a hit for you, and then what're you gonna do? Just let some jerk punch ya around?"

Fidds looks slightly perplexed. "Where is this all comin from? No, Stanley, I am NOT gonna just let some jerk punch me around."

"Good! So you gotta learn to defend yourself!" Fidds still looks unsure, so Stan tries a different angle. "Okay, how 'bout this - what if some jerks are beating up on me and Ford, huh? You're just gonna let em?"

Fidds looks up. "What? No, I am not!"

"You're gonna defend us?"

"Dangnabbit, Stan - of course I am!"

"Not gonna let us get our teeth kicked out?"

"What!? No!"

"Then show me!" Stan slaps a hand against his own chin. "Right here, come on! I'm some jerk who just threw your friend Stan to the ground and I'm about to kick him in the gut, what're ya gonna-"

The blow lands hard. Stan's head jerks to the side and he's thrown off balance, and he sees actual stars before his vision clears again and he realizes he's crumpled on the ground. His head swims as hands pull him around onto his back.

"Mother o pearl!" Fidds gasps. He's got his hands on Stan's face, careful touch at complete odds with the punch he'd just landed in the same place. "Are you alright? I am so sorry! I hit ya and you weren't even ready and - you just got me so riled up and I tried to tell ya and I shoulda said earlier instead o just lettin ya show me all those moves, but I just wanted to, well - goddangit, Ford, this ain't funny."

Ford's laughing as he comes up behind them, looking down at where Stan is staring kinda dazedly up at Fidds, who's kneeling by his side in the cool grass. "We did try to tell him, Fiddleford."

"Tell me what?" Stan demands. His jaw is already aching but Fidds’s hands feel kinda good so he doesn't tell him to move.

"Fiddleford was a boxing champion back back in his hometown," Ford says.

Stan blinks. "Bwuh-?"

"Not much of a champion," Fidds says with a wince, but he's blushing a bit as he goes on, "It was never anythin official, but - well, I did win more than a few matches at some backyard parties, see, and - well, people usually don't think I got any hittin power or can defend myself, but my Ma's been all too happy to teach me since I was little, and-"

The guy's rambling, and Stan quits being able to understand what he's saying half way through cause the accent is coming in thick and Ford’s chuckling and standing there looking proud of his best friend and Stan’s a little worried that he's still jarred from the hit, cause when he looks at Fidds kneeling there, one hand one Stan's chest and the other bashfully rubbing his neck while he rambles on - he's still seeing stars.

Later, while Stan sits in the living room with an bag of ice in his jaw and Fiddleford sitting next to him, still rambling about all the times he'd knocked a few guys into the mud in some backcountry hoedown get-together or whatever, Stan can lean back and relax and grin, knowing Fidds is gonna be just fine.

He can't wait to teach him wrestling.

[coddda]

Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.

Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).

Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?

Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)

In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.

And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."

And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.

It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.

It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.

It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).

Anyways that's what I've been thinking of how's your guys' days going

[pacebone]

"Young Girl with Squiddle," referred to in some archaic texts as "Bruja Infanta,"¹ is commonly considered a seminal work of the Early Carapacian Revival.² Like a majority of the paintings from this era, the original is assumed to have been lost during the fall of Prospit.³ Only alchemized copies remain today.⁴

[ilovematsunos]

[paint-it-dead]

[ganondoodle]

(OC redesign?)

so here is Shargons (he/they) possible redesign (of his humanoid form; basic, with clothes and one with the coat)

also wrote a few basic notes about him on there but my hand hurts now so i will write more about him in a reblog if theres interest ( •̀ ω •́ )y

[floccinaucinihilipilificationa]

Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡

[solarmorrigan]

I invite you to imagine: preschool or kindergarten teacher Steve who, after a long day at work, gets his wires a little crossed while in bed with Eddie

Leans in to murmur in Eddie’s ear how good he’s being, how well he’s following Steve’s instructions

Accidentally murmurs, great listening ears, instead

They need to pause after that so Steve can die of embarrassment and Eddie can recover from laughing so hard he almost asphyxiates

[radioactive-earthshine]

NGL I have STRONG opinions about digital releases omitting the letters to the editor section of older comics. I feel like the letters are a part of comic history and should be aggressively preserved.