˚✧₊⁎ foxtaru is only ever a service sub or a real mean rough dom :(( it depends on how close his rut is!!
when it’s far off, he’ll whine and fuck into you desperately. with his tail wagging softly and his drool dripping onto you it’s hard to say no when he asks so sweet ‘pretty please,’ can he fuck you. he’ll do anything for it, he swears!! it’s easy to bring him to tears if you make him wait, make him beg and pretend to think a bit too long about your answer. he’ll be humping your leg and apologizing for being so bad but he can’t help it!! he needs to slip his cock and knot into you :(( he’ll die, an exaggeration, if he doesn’t!! push him far enough and just gracing his cock with your shoe will have him spilling all messy on the ground…
but, during his ruts… he’s very different. foxtaru only knows how to take and breed when his hormones surge. expect to be knocked to the ground and stripped before you even notice he’s near!! he’s gotta put his knot into you even if it hurts and even if you cry. through snarls and groans he’ll promise you’ll be a very pretty mate and that he’s gonna protect you and your shared kits forever and ever; a very possessive boy. he has zero control when his ruts hit so try and learn the signs that show before it starts if you’re not interested in being bedridden for weeks!!
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We are concerned with the amount of different alternative universes we've read about/created/seen, so, question; you aren't from the 'main dimension'—in a sense...?—correct? We read some stuff on the blog, and it seems like you're different. Most definitely, anyways.
This isn't really a confession, but we've seen some asks already answered on the blog that aren't confessions, so we supposed that we'd ask this.
:D
Why the h3ll<censored if ya don't enjoy cursing>did we turn British while typing & reading this?...
Yes, this dimension is... quite a bit different from the "main one" as you call it. Quite a few things are different though I couldn't exactly say what as I don't keep up with other dimensions much.
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like clockwork someone who's been openly a sex pest for decades gets named as a rapist and sexual predator and we all get to play the hit parade with such classics as:
oh my god oh my god did you know this industry full of rich people who are rewarded for exploitative and abusive behaviour...has an issue with rape and abuse??? CAN YOU BELIEVE THERE'S ABUSE IN THIS INDUSTRY???? (yeah man we know. we've known for quite a while actually. for longer than I've been alive for sure.)
oh my god I can't believe there are rapists among us (1 in 3 women have experienced rape, who do you think is doing it?)
but he seemed so nice! (not really tbh)
well I met him and he never raped me and like, I'm really hot so if he was really a rapist he would have (Jesus fuck get help)
is it really rape to fuck 16 year old girls when you're in your 30s? (yeah it is if you fucking rape them mate)
can't believe everyone knew but never said!!! (they literally did say and also hey imagine if you will what reasons there might be too not say anything, such as, say, it's not your story to tell and the victim had expressed a wish to not be at the centre of a whole shitstorm)
Real Victims wouldn't go to journalists they'd go to the cops!!! (hey guys I have some upsetting news about the experience of reporting rape to the cops)
This is a conspiracy to make this irrelevant celebrity look bad! (please touch grass)
it's all just a bit of fun innit (no)
and every time we all over again have to go to this place where rape is simultaneously a significant threat and common experience (agreed) but also everyone who's ever talked about being raped is lying, and nobody's ever done a rape even if there's 20 years of documented evidence and on camera confessions and also their whole public persona is 'cheeky sex pest' (fucking. what?)
and then that guy hopefully gets cancelled and people feel a bit more guilty about watching him. and then they'll go HOORAY THE EVIL IS DEFEATED WE HAVE GOT RID OF THAT GUY THAT DID THE RAPES. OUR WORK HERE IS DONE. COMEDY/FILM/MUSIC/TV IS FREE OF PREDATORS NOW
and then 6.5 seconds later allegations will come out about someone else and we will start the whole thing again from scratch OH MY GOD CAN YOU BELIEVE THERE'S ABUSE IN THIS INDUSTRY???
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my first two jobs ever, in order, were "board game teacher" and "university library assistant," so tho I've never formally studied games (I have been dropping out of college on and off since 2015, and was a freshman in 2012 lmao) I've been casually exposed to games and the people who make and play them in a professional context, as well as having the research skills to help close the gaps. i actually kind of hate playing board games but i loved GM-ing the coop arkham horror and watching my players, which i did for seven years straight.
my current fixation is the result of several years' fucking around on YT watching all kinds of game content, from LPs to specific game dissection to video essayists. jacob geller and folding ideas are kind of gold standards, but this week I've been really enjoying errant signals in particular. Sometimes I'm introduced to concepts this way - ludonarrative dissonance, ergodic literature, the magic circle, etc. that, and getting recommendations from friends or accidentally stumbling into game studies via other research (such as the paper i wrote a few years ago on theater-as-games in prison contexts). most of it though is having thoughts and opinions on things and letting it percolate until i am dangerous enough to find someone who's already explained a concept better than I could, and then running with that. find something that cites its sources, and then chase the ones that seem interesting.
my syllabus post is very much not a reclist, though i do in varying ways recommend everything on that list and it might be of use. here's some stuff I think would be great starting points:
Rules of Play - Game Design Fundamentals, Salen and Zimmerman. This book is an excellent resource, as it introduces a wide variety of scholars who you can dive into as it is relevant to your interests as well as providing tons of useful frameworks and vocabulary to go hunting. It's an easy read with concise bullet-point summaries after each chapter, and the PDF is hyperlinked for easy navigation. I might have found this via Wikipedia, honestly.
A Play of Bodies: A Phenomenology of Video Game Experience, Keogh. What I'm currently liveblogging - it is firmly a literary/philosophical work, rather than by/for designers, and correspondingly it's a little more difficult without at least passing familiarity with cyborg theory or any brand or offshoot of post-modernism, but still fairly digestible and a great read so far.
My Life as a Night Elf Priest: An Anthropological Account of World of Warcraft, Nardi. Found this during my theater-and-games paper, and MMO anthropology is not really my thing, but it's a nice complement to the other books as an explicitly player-theorist perspective. Also provides a more approachable introduction to a variety of theorists and sources. (Open access on JSTOR!)
Draw Your Weapons, Sarah Sentilles. I'm biased because I discovered this book by accidentally attending an author event at my local museum, and the games portion is incidental, but if you can find it I think this analysis of the relationship between depictions of violence and violence itself is worth your time. Memorable re: games for its discussion of Press F To Pay Respects.
here are some videos which I offer as examples of channels you might enjoy diving into, looking for additional jumping-off points:
Playing as Anyone in Watch Dogs Legion, Errant Signal. I really appreciate Errant Signal's thoughtful, personal approach to analysis and especially his highlighting of buried gems in his Blips series as well as his non-self-deprecating reevaluation of some of his older analyses over his decade plus career making videos.
Controllers Control Everything, Game Makers Toolkit. Discovered via the Boss Keys series highlighting the souls games, and although I think his channel is (increasingly) geared toward devs, these are well-constructed, thoughtful videos about many aspects of game design. Even when I don't personally get what makes him enjoy Zelda dungeons in that specific way (I'm an outlier), I appreciate his analysis.
Mega Microvideos 2, Matthewmatosis. Perhaps better known for his extremely long-form essays, I love Matthewmatosis' series of microessays framed like Wario Ware minigames. They are brief but don't pull punches, and the format is uniquely delightful. (See also this microessay mixtape.)
Making Sense of Catherine Full Body, SuperButterBuns. She doesn't do much essay content, I guess, but I she loves Catherine and the Persona series, and this dissection of Catherine Full Body is an absolute treat.
Jon Bois. Okay, mostly not about games, but like - come on. 17776 and Breaking Madden, alongside everything else he's ever done, fit because I feel like they do. If nothing else, I think Pretty Good and his general use of Google Earth as a medium for storytelling have a lot of utility in talking about digital media. He's good for the soul.
The Future of Writing About Games, Jacob Geller. One of the gold standards for a reason - and especially if you're looking for further solid recommendations for other writing/creating about games. This video in particular discusses & links to some really great pieces, but his Big List of Other People's Video Essays is also a great way to spend the next month of your life. (You might notice some crossover between this list and his, only some of which is coincidental.)
if i have any conclusion, it's that my current fixation on digital literalism is me finally finding an outlet/academic match-up with a fascination i developed in 2015 when studying gonzo lit. i think the utility of academia and the long history of scholarship on a given topic, as a non-academic, is to help you express ideas or reinterpret beliefs or experiences you've had to others without having to reinvent the wheel. i always become most energized when i stop worrying about knowing all the bg and chase whatever is useful and affirming or enlightening to me. and you can get pretty far if you think about why you like what you do, and just - enthusiastically also consume non-academic stuff. maybe this is a note more for myself! but thank you for the opportunity to monologue.
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