#sorry this is really ramble-y

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[makiswirl]

jolyne..... but LITTLE

[kelocitta]

What why??

Theres a few reasons! I do want to clarify that I do like Saint and their campaign in a bubble, and still like downpour as a whole, they're just the most 'off' in terms of overall.

This is going to be very messy, and I haven't fully yet made up my mind on a lot of things

For starters Saint themselves... Downpour is for-sure less grounded in naturalistic biology than RW vanilla- and thats fine. The base game slugcats are all relatively mundane for a reason, but that also means their overall variety is limited- so downpour mixes that up with a bit of a fantastical slant and then tries its best to re-ground it various ways (Spearmaster is genetically modified, Gourmand is just very smart and very big, Artificer is implied to have been mutated by a toxic environment, rivulet is just fast and evolved for increased flooding). The issue with Saint here is that they are, by far, the most ungrounded in any sort of reality and a bit more 'magical'- but that aspect isn't really explained past maybe a short nod in the general direction of something. This isn't exactly a flaw in itself, but it does mean we have something immensely powerful in a way that's very... contradicting to the general vibe of the world. Especially as a little animal. Something like that can work, but its hard to make work, especially in a world set up like RW is. And then the campaign itself... for starters, I think its one that naturally going to be very polarizing depending on the way you read various things about RW- the characters in it, the things it touches on, and your own personal outlook on life. I'm a nerd for evolution and 'life finds a way' type stuff, and for me Saint goes a little too far in direction I don't really vibe with. Its really hard to explain here, but I'll try. For probably the most minor thing, the environment. There's a sort of undercurrent that the frozen over tundra of world as is a 'dying' environment. The undergrowth echo does add a counter to this mindset (By pointing out there is still life and beautiful blooming in a increasingly barren world) so its not the biggest thing, but its a outlook a lot of people tend to hold to begin with, so the ways it reinforces this is a little... sour? I suppose. Deserts and tundras and areas of low life are not dead or dying environments- they are their own ecosystems. They exist and are needed. Many things can not survive them. Many things can. Worlds and ecosystems are naturally always shifting and changing, and ecosystems like deserts and arctics stand equal to rainforests and coral reefs. We see some creatures have failed to adapt and died off, but so many others have begun to carve out their niches and are changing with the world- I think a tundra is a great metaphorical 'the world is shifting away from its old self' type thing. Everything being broken down and changed once more and a lot of things aren't surviving, some are, but changed. Metaphorically that is great. But Saint is there as a big, literal kill switch on the world (Small aside that yes, kill is an inaccurate descriptor. Ascension is by nature 'something else' than dying.) Its just a little... wrong, that the implied shift in what the world is- the last stains of the Ancient's being washed away into something new and independent, is being done with the literal removal of those remains rather than the natural clockwork of the world. Even without Saint there things would die and shift, iterators would crumple into nothing, buildings would break and become dust and rust- and from all that things would still claw their way to the next day. Their offspring and offspring's offspring would grow ever more different from them, until they hardly match. Something new would be borne from the dusts of an old one forgotten. Tundras would freeze over into something else, a change in the atmosphere would trigger a shift, and ice would melt into water once more. Thats another great big thing everything is a small part of. (For some reason if this space isn't here this whole post breaks?)

Its sad, but theres a beauty in the way things lead into each other- erased in anyway meaningful way but their ghosts still etched imprinted into the shell of the new. Both insignificant and yet strangely important. I don't think Saint is implied to 'succeed' at all, of course. I think its very much hinted at that they'll be at whatever mission they have forever. But is also feels implied that this mission is supposed to be the intended end of the Ancients' 'era', pieces bit by bit ascended, finally removed from this cycle they can't perceive themselves as even a part of- and that even with this there will still be something new that takes their place. Their whole goal is ascension, so it makes sense ultimately. But it just feels... something is off about it, and maybe thats entirely on me. There's something I just don't like about it. A long time ago I was asked about Saint and the void worms (you can read that here, although note this was pretty early into DP's release) and I do think at least part of that is the idea that Saint pulls control from things. The worms, buried deep in the void sea, the last step to ascension... Crossing yourself out feels like a weighty choice, but one you have to seek. So a sort of mobile ascension that does it for you, these lizards and bugs that couldn't possibly comprehend what ascension is, creatures that mostly just know survival and all its ills... it feels like it skips all that weight behind that choice. The underground Ancient, stuck midway, says it was never something they really wanted anyway, seemly contended to be in the in-between. An outlier for sure, but an outlier none the less- one that makes it clear that things can comprehend the weight of ascension and what it offers and understand the world and its ills and still want to be a part of it. What does that mean of Saint, a system that brings that to you, without say? Sure most of the creatures they ascend are simple things, the others are iterators- Beings designed to seek that solution and even want it for themselves but to barred from being able to achieve it. These are all things that it should feel good to grant the blessings of ascension too, that final peace that is neither living nor dying, but I just think about that echo and the way it makes it clear that many, if given the choice, would not want to be crossed out. I like it in a bubble, removed from those things, but I don't know how I feel about it in the greater scheme of things, as a sort of end to rain world. If there is one thing I do like a lot though, its the finale- with the worm. It gives Saint's place in the world a distinct sense of wrongness, something capped at the void worms. The void worms are just... still at the center. Something ancient and unbreakable. A rule of existence Saint doesn't- can't, bypass.

[ennard-is-near]

(This whole thing is based off the theory that Michael is still alive in Security Breach, which is hilarious imo)

A FNaF game where you are the night guard in the Pizzaplex, and the antagonist is Michael Afton. He’s not trying to kill you or anything, you just have opposite goals (You like the animatronics and the Fazbear brand, he does not). He’s also trying to get you to quit or get fired.

Things are going wrong. Stuff is being stolen and vandalized. The animatronics are being tampered with, sometimes they’re vandalized too. Things never stay how you left them. You are starting to feel like someone has broken in, which is especially bad, because you’re a security guard. It’s your whole job to keep people out.

Your character will occasionally say how bad it smells in the room. Sometimes you remark that you’re being watched. There’s sometimes footsteps or scuffling noises in the background. If you look close enough in certain rooms, you can see the faint outline of a guy or two white dots in the darkness around the light from your flashlight. But you can’t find the source of whatever this is (he’s gotten too good at hiding).

Your character will become more aware that someone really is there throughout the game. You go from asking “Hello? Is someone here?” When something strange happens to saying “I know you did this!” To the darkness because you know he’s there. You can get more hostile towards him, if you’d like, calling him a twat or whatever. You could be nice to him, too. It doesn’t stop him, when you’re nice, because he seems to have some sort of goal (you couldn’t begin to guess what) but it’s not like he’s doing that much damage and he makes your job a little bit more fun.

You never see him, though. Other than the occasional glimpse of movement in the shadows or your flashlight’s glow reflecting off his eyes (that must be what it is, right?) he stays silent and hidden. That’s why you feel you can’t tell anyone, he’s clearly good at hiding and they wouldn’t find him. Plus, he’s annoying, but he doesn’t seem that harmful. (And maybe the darkness is just making you crazy. Maybe there really is nobody there)

But things are definitely going awry. For one, the animatronics are freaking out. They’re weird, almost hostile, towards you. The staffbots follow you around but don’t speak or offer you things, and it freaks you out a little (you can fight them, if you’d like, though it’s not really a fight and more just you beating them up. You could also try and incapacitate them or just try to ignore them). The Glamrocks are scary too, obviously. They chase you, grab you and jumpscare you. (One time though, it seems like one of them is actually going to kill you. It throws you to the floor and you cover your face with your hands. But instead of feeling the impact, there’s a strange noise. You open your eyes to see it incapacitated, and you can hear footsteps shuffling away. Huh.) Even Helpy begins demanding you quit, sometimes being friendly, “No amount of money is worth doing this job,” sometimes he’s meaner, “You’re going to quit or you’re going to die.” Whoever is in the shadows is definitely messing with them in some way.

One night, Helpy tells you, “Sorry, you are going to get fired.” And that night is horrible. Shit is breaking all the time, and the Glamrocks and Staffbots are all over the place, either destroyed or with completely ruined AI. You can’t stop it (maybe you should have been [nicer/meaner] to whoever is doing this) all you can do is try and undo as much damage as possible and tell whoever is there that you really need this job. He doesn’t listen.

When 6am rolls around, your boss arrives and you’re presented with a pink slip. He tells you that your behavior is unacceptable. You either made all this mess yourself or allowed someone else to do it and neglected your job. You’ve been nothing but unprofessional for the duration of your employment, anyway. The animatronics have clearly been tamped with by someone with some knowledge of how they work, not just some random vandal. You must have been messing with them for a while to learn how they worked and took it too far. And, adding insult to injury, tells you that you make every room you’re in smell like death. You don’t have anything to say to defend yourself, you definitely can’t blame a person hiding in the darkness who you didn’t report before and have never fully seen, so you just leave.

Bonus: Here’s an image I made last night at like 2am. It’s just one of the SB rooms but I make it darker and added the flashlight and some other things.

Anyway, sorry this post got so long and turned sort of into fanfiction. I had fun writing it, though. I was just thinking about the fact that Michael might still be kicking in Security Breach (again, hilarious. Also why is he barefoot? Put shoes on, Jesus Christ) and was like “Well, what if you had to play against him?” Because Michael making the lives of night guards harder is very ironic, even if he has good intentions. And it spiraled and turned into this. If you made it this far, wow thanks for reading <3

[cerubean]

finally starting a new gameplay save to explore growing together, this is max and india

apartment build by florwalsims (pls go check out their builds if you haven’t already! they’re so realistically detailed and fit perfectly in del sol valley)

[herrscherofmagic]

At the risk of being overly pessimistic, I've got some thoughts to share about HI3rd and Part 2 and whatnot. This is more of a vent post than any proper discussion or analysis but I want to share these thoughts somewhere because it's been on my mind for ages, and learning that the new UI comes tomorrow with the new patch has finally pushed me to write this.

Regarding Part 2, I will say that I'm willing to give it a shot. I know quite a few people (at least in some parts of the honkai community) felt a bit iffy about the Salt Snow Holy City arc, but I ended up loving it. So even though I haven't even started the current Fu Hua story arc, I do want to catch up and continue with the story.

But when I think about the past of HI3rd... I can't help but feel a genuine pain at the wasted potential of this game, its stories, and its characters.

There's a charm about early HI3rd that I really enjoy, partially out of nostalgia but also thinking about what could've been. So far, it seems like Mihoyo is intent on going full steam ahead and moving on. I don't see any sight of older valkyries being given minor updates (i.e. voicelines and basic animations/emoting), nor the early story being reworked, and even the original UI is getting straight-up replaced with a new design theme.

What do I think about when I think "early HI3rd"?

Hyperion. St. Freya. Shicksal. AE.

Of course this includes classic stuff like the White Comet battlesuit, or the early story arcs like the Battle of Schicksal.

But I'm also thinking about the incredibly neglected Armada and Dorm systems.

I'm thinking about all the different Valkyries and Valkyrie squads that we're told exist, yet only serve the tiniest slivers of roles in the story. The Phosdjinns (Susannah's old squad). Wendy & the Valkyries at the Schicksal base she was stationed at. Jackal, before she quit Schicksal and joined AE. Ana Schariac. Alvitr. Ragna.

I'm thinking about the fact that we still know virtually nothing about Bianka's brief stay at St. Freya. Or about how Rita struggled to become an S-Rank Valkyrie as a relatively normal person who had no stigmata like Bianka nor Herrscher powers like Kiana.

In terms of aesthetics, I think about the bright colors we associate with Hyperion and the old menus.

I think about all the old weapons & stigmata, and even the new ones, and how they have tiny descriptions that hint as so many interesting things behind the scenes. AE's Project: MEI, for instance, or Schicksal's St. 1504 labs.

I remember how often some people used to go "oh Genshin, pffft whatever, Honkai is so much better and it has cool animations and songs and it's Depression Impact and all that stuff!!!" and I used to agree with that. In some cases I still do.

But then I think about how EMPTY HI3rd feels. Genshin has some issues, but it's story has continuously been getting better, and the early content is still a fairly solid foundation. There's tons of interesting lore archives and hidden details across countless weapons, texts, and archive entries. You can learn so much about the past of Mondstadt's Aristocracy or the civilization of Sal Vindagnyr, or about the Yakshas, and Adpeti, or the 5 Inazuma sword-forging schools, and Enkanomiya, and so on.

But there's almost nothing about Schicksal or AE. We know almost nothing about how these two factions operate, aside from "they have a bunch of fancy tech".

Hyperion's not the only flying ship Schicksal has. Aside from Helios we also see and hear about others like the shuttle that the Immortal Blades used in Arc City, or the large ships we see flying in the background of the Armada home screen.

Where are those ships built? Who's crewing them? What does Schicksal do with all these resources? How are the Valkyries in these ships and stationed in bases across the world fighting Honkai in their own way?

What about AE? Sure AE has robots, but robots alone aren't enough. AE still needs leaders and people to make decisions. We know about the obvious Welt, Tesla, and Einstein. But what about Raiden's father, Raiden Ryoma, who we saw play an active role helping AE in the Second Eruption? How does he use ME to help support AE's operations? Are there others like him who make their own investments and sacrifices to help protect their corner of the world?

What was Susannah's life like before and after she joined the Phosdjinns? What about the Phosdjinns themselves? We know a tiny bit about them: their squad leader, Matilla, seemed to come to lead the squad after the past leader died in combat. The other member, Zofia, seemed to promise the old squad leader to protect Matilla. And Matilla chose Susannah herself, so she may be at least partly responsible for getting Susannah up to the point where she could join the Immortal Blades.

What's their story?

What about Ragna and the Valkyrie Assault Squad? I remember there was a CG long ago, Idk if it was permanent content or a temporary event CG, but it revealed that Ragna knew both Rita & Bianka as well as Himeko. So the same person that trained Himeko and led her into battle also gave guidance to Rita and Bianka. What was her life like? How were these incredibly influential Valkyries changed by this role model they have in common?

And speaking of Rita... in the Meow Town Escape event, Rita told Susannah how she had to work hard to join the Immortal Blades and become an S-ranker. Rita has no legendary stigma like Bianka, nor is she a Herrscher like Kiana, nor a MANTIS like Hua. So how did she get to become an S-rank? What trials did she endure, what sacrifices did she have to make?

What about Sin Mal? What happened to Cocolia's orphanage after the failure of the X-10 experiment? How did Cocolia end up working with AE, and how did she end up serving as an agent(?) for World Serpent as well?

Speaking of Cocolia, what happened to her after the Second Eruption? She went from being a minor officer in the Red Army in the middle of Siberia, to running an orphanage that also ran a secret set of experiments. What did she endure in all those years?

There's so much more I could go on about. Wendy, Ana, pre-World Serpent Jackal, Alvitr, Amber, Dr. Nagamitsu, Sin Mal.

All these characters have hints of their stories throughout the game. Sometimes it's a small set of flashbacks, some are fortunate enough to star in a single arc, and some are unfortunate enough to get most of their character development in temporary events.

And of course St. Freya itself could do with more screentime since most of that story is told through manga, not even in the game itself.

But all of these details lead... nowhere.

HI3rd is full of countless seeds of stories, little snippets that tell us that there's so much more beyond the story of our main trio. These characters don't all need full story arcs, of course not. The main story is written and done (though I think the first few chapters deserve a solid remake).

But there could've been something more. Archive entries, weapon & stigmata descriptions, new Valkyrie Chronicles episodes, etc. Schicksal HQ OW could've been revamped to tell us more about the Immortal Blades, Otto, Amber, and Dr. Nagamitsu. Sakura Samsara could've been polished to meet modern standards, giving both Kallen and Sakura fans better content without having to write them into a new part of the story.

Heck, I even think Mihoyo could've even released a "St Freya semi-open world". Make a "Chapter 0" prologue that takes place in Nagazora when Mei awakens her Herrscher power and when she & Kiana meet Bronya. Then make a couple of short story missions mandatory in the Schicksal semi-open world, then lead that into Chapter 1. That way the Main trio gets a proper introduction and we're not thrown into an in-progress story with no proper beginning.

Then that Schicksal semi-open world could have been filled with all sorts of content that develop the early story without having to cram lots of stuff into the post-Selene events. Short slice-of-life stories in the St. Freya school days, little peeks at the past life of Himeko and Theresa, archive entries telling us more about Schicksal & St. Freya.

Players that want to advance the main story can do so almost right away, just with a bit of extra context going into the action. But old & new players alike could revisit this era of Honkai and learn more about these beloved characters, and the rest of the story could continue as-is without having to cram extra story arcs elsewhere somehow.

I've been thinking about all this stuff for months, hell maybe a couple years now. As someone who plays HI3rd, Genshin, and HSR, and enjoys all 3 games equally, I like to see how these games can all learn from one another. HI3rd has so, so much room to grow as a game and as a story experience, and Genshin & HSR provide a lot of examples of ways this can be done.

There's a lot of room to adjust the early story of HI3rd and add content without bogging down the pacing of the main sequence of events, just like Genshin & HSR have lots of side content like character stories, stuff that's important and enjoyable but also isn't part of the main story and doesn't get in the way of those events.

But as far as I can tell... none of this is ever going to happen. At least not anytime soon.

Part 2 is here, and the new UI is coming. We'll soon get introduced to a new cast of characters, and new stories will be told.

But I don't agree with the whole "let the past stay in the past" thing here, because these aren't finished stories. HI3rd has countless untold and unfinished stories already.

I think expanding on the stories of these characters and organizations will only improve the rest of the game.

Learning about Jackal's past will make her more than just a mustache-twirling villain that throws a tantrum when Senti breaks her toys.

Learning about Wendy will make her an actual character and not a shitty "look at this character and their sad back story, oh no they turned evil, oh no they died off-screen! how sad :(" character.

Learning about Himeko's past is obviously going to make her sacrifice feel more impactful. Final Lesson was already sad, but what if we had in-game story content that showed us what happened to her when her father died, and when she joined Schicksal? What if we got to witness her growth under Ragna's leadership and the way her life was changed when Ragna died?

All of these characters could benefit from a bit more backstory, even the Main Trio. Exploring these early stories would make HI3rd's setting feel so much more alive and thought-out. Not everyone cares that much about these characters, but Mihoyo has the power to give them a reason to care.

I know not everyone likes the way the Elysian Realm story played out, but I think nearly all of us can agree that the Elysian Realm did a great job at presenting the story of the Flame-chasers. We get archive entries that tell us key scenes of their past, and we interactions with them that show us their personalities. But so many other characters outside of the Elysian Realm get nothing like that.

Obviously implementing even some of these ideas would take a lot of time and effort. I understand why Mihoyo might've chosen not to address the early story, because for a given amount of resources they're gonna make more profit off of continuing to move on and make new characters and focus the story around them.

But knowing why things happen doesn't stop me from being disappointed about them. Even if Part 2 turns out positively, that won't fix all the broken things in Part 1.

As I write this, I'm listening to one of the Genshin OSTs from the Narzissenkreuz Ordo. Having finished that world quest series recently, I keep thinking about just how incredible that story was. The story of these characters and the tragedy they endured reminds me so much of the struggle of the Flame-chasers. But that was all side-content. It was unvoiced quests with minor characters with simple models. But they had so much life to them. They had interesting motives to push them through the story, and they had interesting connections with each other. The story of the Narzissenkreuz is just one part of the many intertwined stories of Teyvat, and it's a beautiful part.

And then I think about HI3rd, and I wish I could have this same experience with HI3rd, where I could think about the lives of these characters and their motives and the struggles they go through, but I just can't. Not without diving fully into the realm of fanfiction and dreaming up stories that give these characters the life they never got to live, and which they may never get to live in the canon of HI3rd.

All these seeds of stories that were planted years ago and neglected ever since. Never watered, never sprouting, never getting to see the sun.

[gummy-axolotl]

Hey guys if you haven't seen Centaurworld please watch it it's really good

[thelionandtheeagle]

Do you guys wanna see something so immensely Tim Drake it kills the man? (In a good way. Affectionately. I love him so much)

There's so much that could be said here, it's great

[oh-meow-swirls]

it's kind of weird to me that they didn't bother releasing sushi and tempura internationally at all but at the same time i'm kinda glad they didn't cuz like. yo-kai watch was financially failing in the west by the time 3 released. i feel like if they had released sushi and tempura the franchise would've completely tanked before we got sukiyaki which would've sucked. honestly if anything i feel like it's more surprising that we got all three versions of 2 instead of them just releasing psychic specters but tbf i think yo-kai watch was doing well in the west when 2 released. 2 is just inexplicably what killed the franchise despite being a masterpiece-

[macabreblublu]

Long time hyperfixations are coming back

And guess what that is?

Yes, non-humans again

Specifically Aliens

Yautjas :)))

Also that pic above is nice but that didn’t do it justice

Lemme just

Good good, but needs a lil close up

Ok I couldn’t find perfect photos but basically I just wanna see these beautiful hunks😩👌🏼

*me checking off Yautja on my hyperfixation list

Anyways yeah, art for these dudes are coming-

[monards]

i will never stop hating tests with vague answers and questions. “would you rather go to a party or library” i need. details!!!! clarification!!!!! is it a big/populated party. do I know someone there. is this party far away from my house. is it spontaneous or commemorating or centered around an actual event. is this a popular library where people will be. what books do they have. is it a school or public library. I CANNY TWKE THIS ANYMOIRE IS IT THAT HARD TO GUVE DETAILS.!!!!!!!!!!!

[nattikay]

NattiKay fursuit 3.0: digitigrade edition is in the works 👀 still in the planning/materials gathering stage atm but hoping to start on the actual work within the next week or so. If all goes according to plan she should be ready in time for AWU in a few months!

NattiKay 1.0 was made in 2017, followed shortly by 2.0 in 2018. I'd wanted a digi suit even back then but I was new to fursuit making and figured digitigrade might be a bit above my level, so I stuck with plantigrade. Welp, since then I've upgraded almost every part of 2.0 at least once (at this point it's probably more like 2.7 or smth lol)...EXCEPT for the wings and bodysuit, which is still that same plantigrade one I made in 2018, so it's been in use for nearly six years now. The most recent upgrade was her current head, which was...I think two years ago?

SOOO...after getting inspired by seeing some of @happyfoxx-art's WIPs, I've decided...it's finally time. No more 2.2, 2.5, 2.8. It's time for 3.0!! Gonna make every single part fresh!! And finally gonna try to upgrade to digi style legs!! Been wanting to for years and now the time is right!!

I'm a little apprehensive because I know it's gonna be a ton of work and I'm wary of getting burnt out (has happened before, usually because of rushing to finish before a con) but I am DETERMINED to pace myself and take my time and do it RIGHT even if that means slow. I'm starting early enough that there should still be plenty of time to get it done before AWU without feeling rushed, and if I'm gonna put in all the time effort to make a whole new suit from scratch instead of just a replacement here and there I want it to look GOOD. Been looking up tons of tips and tutorials and such and definitely hype! I'm trying to temper my expectations because of course my execution is not gonna be pro level BUT there's definitely a lot of potential and it should at least be decent!!

I will admit I'm "cheating" with the head by using a premade base this time though. Found a really adorable expanding-foam-cast one for sale and I'm hoping the fact that it'll be all smooth and symmetrical will help with the furring, especially around where the muzzle connects to the head, which is a spot I've always struggled with sculpting and furring in the past. And I suppose if I end up not liking it for whatever reason I could always go back and sculpt my own anyways. We shall see!

[woltourney]

i've seen some posts and tags going around about this so i'd just like to say:

this tournament wasn't ever meant as a competitive thing. to me, it really doesn't matter who wins/loses, though if you want to win (or lose- i've seen one person who does) that's super fair! but from the beginning, this was meant to be a small thing for me and my friends to show off people's WoLs and OCs to the world, and everyone has already won (to me) just by letting me get a chance to know them.

i don't have a chance to show off my WoL much, and i see a lot of people who don't quite know how to either. i thought this would be a really fun way to highlight people's characters, and provide a way for people to get to know each other and find people they might want to chat with, hang out with, RP with- etc.

it stunned me how many people actually joined this little competition- and if it was open longer, we no doubt would've gotten way more people! i'm shocked by the amount of support i've seen.

be kind to your fellow competitors, and please know it was never my intention to start any kind of discourse or fighting on who the real ultimate WoL is. everyone's is incredible. i just thought this would be a really fun way of highlighting characters that might not get shown off otherwise.

i'm sorry if i've ever made it seem like this was a real 'who's the best WoL'- it was meant in a joking tone from the start as to who the 'best' was, and that's why there was never an offer of a prize or otherwise.

also- i'm okay with comments saying 'VOTE FOR X' and such! those aren't what this post is about. i've just seen some concerns about the intentions of this competition, which is fair! not everyone runs these tournaments with the kindest intentions.

[nebuladreamz]

Fuck it, I have been having artblock these past couple of days and I need the practice thumbs up-

Send me some Security Breach/DCA drawing requests!

[atrociousaiden]

I think we need to talk more about the ways that capitalism is just so incredibly rooted in our everyday society, even to a degree where we don’t notice it

Like- just now, I have a school project I need to have finished by tomorrow. But im just so incredibly incapable of doing anything today, I just can’t. But I’m still overcome by this guilt and beating myself up because I’m not getting anything done!! And when that happens I have to remind myself that the idea of productivity above physical and mental health is toxic. I have to reminded myself that feeling guilty or shameful for not being productive isn’t how it should be. I have to remind myself that it’s the adhd, it’s the executive dysfunction, it’s the depression that’s making this so difficult, and I have to reminds myself that when the structure built around productivity and work above all else tells you that you’re lazy and worthless for struggling, there’s something wrong with that.

it’s just so hard to remember sometimes, and I think most people probably need reminders too.

[suddencolds]

hi hi vanessa! what anime have u been watching recently? looking for recs to kill some time (may or may not also be for fetish purposes ehehe)

Hi anon!!! This is such a fun question, and I'm sad to say you caught me at a time where I have a very boring answer to it T.T It's already late April, but I've finished a total of two (😭) animes this year. (So few, I know! I wish I had more to recommend you 💔)

Between work and everything else, it's just been a hectic time... (I also have a couple I have to get around to finishing 😭😭 I've been putting off watching the last few eps of J//JK s2, because the friends that I've watched the rest of s2 with have been busy. I also started Fri//eren back in January; I just haven't found time to get back to it 😵‍💫)

I did finish Cher//y Magic! 🍒 (Though if you're sending me this message, I feel like you probably have already seen it around?). It's such a cute, fluffy romance/slice of life, that—despite its fantastical premise—is actually quite grounded, imo... a very cozy watch overall <3

I've also been wanting to watch Shi//guang Dai//liren (Link Click) at some point! I was also talking about watching Sa//saki to Mi//yano with a friend (if you're reading this, hi!)

Anime-wise, I have nothing to offer you on the snz front 🙇‍♀️ I have been very bad about setting aside time for myself to watch things. BUT if you ever watch any of the aforementioned shows, and want to talk abt them with someone... or if you want to watch/read something with me book-club-style... please feel free to hit me up :D