#sorry this just sort of happened

[kvothbloodless]

skitter and bitch are a t4t lesbian couple but wildbow is too much of a coward to admit it

This Does sound like something id write bur i actually do think something is lost by making Taylor trans. Not like, anything Major, or that couldnt be elevated by other changes, but as is, I think such an important part of her is that her incredible sense of universal alienation is Without any justification.

Like. Shes so wholy internalized the view of herself that emma and sophia hammered into her, so internalized the fact that No One Will Ever Help Her, and this just like...isnt universally true? The Undersiders take to her right away (Bitch aside), and that was With her having the self-fulfilling belief that theres no point in reaching out because no one will ever like her. The Only reason she has the issues she did with the heroes is that Armsmaster poisoned that well, but it also serves to reinforce this belief, which gets pretty quickly dispelled (somewhat) (to the readers) once she joins the Wards.

But if shes trans, then suddenly there Is an actual reason for her to be mistrustful of strangers, for her to assume that if people really Knew Her, theyd dislike her. Because thats like, an actual valid worry in a world with widespread tranaphobia. It wouldnt in Any way reduce the bite of it, but it Would muddle the themes from stuff like Sophias bullying of her explicitly being overlooked because shes a Ward, beacuse now theres a secondary, separate motive for that. Hell it even somewhat muddles the issue of the bullying itself. Sophia targets her because shes weak and just takes it, not out of any larger beliefs. As it stands, the fact that No One steps in is entirely due to structural/cultural issues. Adding transphobia as a potential motive there sort of muddies that.

To be clear, having taylor be trans Could be amazing. All of the above arent really issues, so much as an opportunity for a new direction for themes that would need to be explored in full in order to keep the story from losing something. And having those themes Would add to the story A Lot. Worm definitely is lesser for having a central theme be the various circumstances that drive people to various moral actions and necessities, and then not exploring how specific forms of bigotry contribute to that on a wide scalw.

But like. Wildbow is too much of a coward to even leave it open to Interpretation whether either of them Might be attracted to women, so its not like id trust him to explore the themes of transness alienating you from a transphobic society, or to tie in his themes of society (and heroes) creating their own villains with that. I think he handled Averys coming out arc (and Veronas realizing who she is arc) in Pale Extremely well, but i still wouldnt trust him to write a story where "living in society while being queer" is a central theme.

That said, Rachel and Taylor would absolutrly have fucked sloppy style if Taylor had been with the undersiders longer, and Wildbow is a coward for disagreeing with this fact.

Hmm. This got away from me a bit. Anyways. Woe, long psot be upon ye

[ozziyo]

Tis but thy name that is my enemy.

[heritageposts]

What does life in North Korea look like outside of Pyongyang? 🇰🇵

Hey, I'm back again with a very scary "tankie" post that asks you to think of North Koreans as people, and to consider their country not as a cartoonish dystopia, but as a nation that, like any other place on earth, has culture, traditions, and history.

Below is a collection of pictures from various cities and places in North Korea, along with a brief dive into some of the historical events that informs life in the so-called "hermit kingdom."

Warning: very long post

Kaesong, the historic city

Beginning this post with Kaesong, one of the oldest cities in Korea. It's also one of the few major cities in the DPRK (i.e. "North Korea") that was not completely destroyed during the Korean war.

Every single city you'll see from this point on were victims of intense aerial bombardments from the U.S. and its allies, and had to be either partially or completely rebuilt after the war.

From 1951 to 1953, during what has now become known as the "forgotten war" in the West, the U.S. dropped 635,000 tons of bombs over Korea — most of it in the North, and on civilian population centers. An additional 32,000 tons of napalm was also deployed, engulfing whole cities in fire and inflicting people with horrific burns:

For such a simple thing to make, napalm had horrific human consequences. A bit of liquid fire, a sort of jellied gasoline, napalm clung to human skin on contact and melted off the flesh. Witnesses to napalm's impact described eyelids so burned they could not be shut and flesh that looked like "swollen, raw meat." - PBS

Ever wondered why North Koreans seem to hate the U.S so much? Well...

Keep in mind that only a few years prior to this, the U.S. had, as the first and only country in the world, used the atomic bomb as a weapon of war. Consider, too, the proximity between Japan and Korea — both geographically and as an "Other" in the Western imagination.

As the war dragged on, and it became clear the U.S. and its allies would not "win" in any conventional sense, the fear that the U.S. would resort to nuclear weapons again loomed large, adding another frightening dimension to the war that can probably go a long way in explaining the DPRK's later obsession with acquiring their own nuclear bomb.

But even without the use of nuclear weapons, the indiscriminate attack on civilians, particularly from U.S. saturation bombings, was still horrific:

"The number of Korean dead, injured or missing by war’s end approached three million, ten percent of the overall population. The majority of those killed were in the North, which had half of the population of the South; although the DPRK does not have official figures, possibly twelve to fifteen percent of the population was killed in the war, a figure close to or surpassing the proportion of Soviet citizens killed in World War II" - Charles K. Armstrong

On top of the loss of life, there's also the material damage. By the end of the war, the U.S. Air Force had, by its own estimations, destroyed somewhere around 85% of all buildings in the DPRK, leaving most cities in complete ruin. There are even stories of U.S. bombers dropping their loads into the ocean because they couldn't find any visible targets to bomb.

What you'll see below of Kaesong, then, provides both a rare glimpse of what life in North Korea looked like before the war, and a reminder of what was destroyed.

Kaesong's main street, pictured below.

Due the stifling sanctions imposed on the DPRK—which has, in various forms and intensities, been in effect since the 1950s—car ownership is still low throughout the country, with most people getting around either by walking or biking, or by bus or train for longer distances.

Kaesong, which is regarded as an educational center, is also notable for its many Koryŏ-era monuments. A group of twelve such sites were granted UNESCO world heritage status in 2013.

Included is the Hyonjongnung Royal Tomb, a 14th-century mausoleum located just outside the city of Kaesong.

One of the statues guarding the tomb.

Before moving on the other cities, I also wanted to showcase one more of the DPRK's historical sites: Pohyonsa, a thousand-year-old Buddhist temple complex located in the Myohyang Mountains.

Like many of DPRK's historic sites, the temple complex suffered extensive damage during the Korean war, with the U.S. led bombings destroying over half of its 24 pre-war buildings.

The complex has since been restored and is in use today both as a residence for Buddhist monks, and as a historic site open to visitors.

Hamhung, the second largest city in the DPRK.

A coastal city located in the South Hamgyŏng Province. It has long served as a major industrial hub in the DPRK, and has one of the largest and busiest ports in the country.

Hamhung, like most of the coastal cities in the DPRK, was hit particularly hard during the war. Through relentless aerial bombardments, the US and its allies destroyed somewhere around 80-90% percent of all buildings, roads, and other infrastructure in the city.

Now, more than seventy years later, unexploded bombs, mortars and pieces of live ammunition are still being unearthed by the thousands in the area. As recently as 2016, one of North Korea's bomb squads—there's one in every province, faced with the same cleanup task—retrieved 370 unexploded mortar rounds... from an elementary school playground.

Experts in the DPRK estimate it will probably take over a hundred years to clean up all the unexploded ordnance—and that's just in and around Hamhung.

Hamhung's fertilizer plant, the biggest in North Korea.

When the war broke out, Hamhung was home to the largest nitrogen fertilizer plant in Asia. Since its product could be used in the creation of explosives, the existence of the plant is considered to have made Hamhung a target for U.S. aggression (though it's worth repeating that the U.S. carried out saturation bombings of most population centers in the country, irrespective of any so-called 'military value').

The plant was immediately rebuilt after the war, and—beyond its practical use—serves now as a monument of resistance to U.S. imperialism, and as a functional and symbolic site of self-reliance.

Chongjin, the third largest city in the DPRK.

Another coastal city and industrial hub. It underwent a massive development prior to the Korean war, housing around 300,000 people by the time the war broke out.

By 1953, the U.S. had destroyed most of Chongjin's industry, bombed its harbors, and killed one third of the population.

Wonsan, a rebuilt seaside city.

The city of Wonsan is a vital link between the DPRK's east and west coasts, and acts today as both a popular holiday destination for North Koreans, and as a central location for the country's growing tourism industry.

Considered a strategically important location during the war, Wonsan is notable for having endured one of the longest naval blockades in modern history, lasting a total of 861 days.

By the end of the war, the U.S. estimated that they had destroyed around 80% of the city.

Masikryong Ski Resort, located close to Wonsan. It opened to the public in 2014 and is the first, I believe, that was built with foreign tourists in mind.

Sariwon, another rebuilt city

One of the worst hit cities during the Korean War, with an estimated destruction level of 95%.

I've written about its Wikipedia page here before, which used to mockingly describe its 'folk customs street'—a project built to preserve old Korean traditions and customs—as an "inaccurate romanticized recreation of an ancient Korean street."

No mention, of course, of the destruction caused by the US-led aerial bombings, or any historical context at all that could possibly even hint at why the preservation of old traditions might be particularly important for the city.

Life outside of the towns and cities

In the rural parts of the DPRK, life primarily revolves around agriculture. As the sanctions they're under make it difficult to acquire fuel, farming in the DPRK relies heavily on manual labour, which again, to avoid food shortages, requires that a large portion of the labour force resides in the countryside.

Unlike what many may think, the reliance on manual labour in farming is a relatively "new" development. Up until the crisis of the 1990s, the DPRK was a highly industrialized nation, with a modernized agricultural system and a high urbanization rate. But, as the access to cheap fuel from the USSR and China disappeared, and the sanctions placed upon them by Western nations heavily restricted their ability to import fuel from other sources, having a fuel-dependent agricultural industry became a recipe for disaster, and required an immediate and brutal restructuring.

For a more detailed breakdown of what lead to the crisis in the 90s, and how it reshaped the DPRKs approach to agriculture, check out this article by Zhun Xu.

Some typical newly built rural housing, surrounded by farmland.

Tumblr only allows 20 pictures per post, but if you want to see more pictures of life outside Pyongyang, check out this imgur album.

[rystiel]

idk what we’re all calling the concept of fiddlestan working together but i’m calling my version the portal partners AU 🙏🏼

[firewasabeast]

prompt: something where buck and tommy argue over gerrard. like, buck doesn't know how tommy could have been so passive, and tommy's like way over that version of himself or something. I know a lot of people don't want that to happen in the show, and I get it, but I'd like a fic version!

“I have never, in all my life, dealt with someone so- so... so evil!” Buck was pacing back and forth in Tommy's living room, just as he'd been for the last half hour since he arrived.

“Really, Evan? Never?”

“You don't understand, Tommy. Gerrard is, it's like he's targeting me, but not in a bad way.”

“There's a good way to be targeted?” Tommy asked from his spot on the couch.

Buck sighed, placing his hands on his hips. “It's like he- he wants us to be buddies, ya know? He thinks I'll be his puppy or something. H- He's treating everyone else like garbage except for me and it makes me feel really weird. He took me golfing, Tommy. Golfing.”

“You fit his ideal firefighter, Babe. He needs minions, he's gonna latch onto you.”

“What do you mean his ideal firefighter? What even is that?”

“White, strong, straight,” Tommy replied simply.

Buck raised an eyebrow. “What we did yesterday morning was very not straight.”

“Yeah, but does he know that?”

“Does he know what we did yesterday morning?”

Tommy tilted his head. “Evan.”

Finally, Buck plopped down on the couch, staring toward the blank TV. “I figured he knew after we went to the medal ceremony together.”

“It's not like we made out in front of the crowd. For all he knows, we're friends.”

Buck was silent for a moment. “I've never really talked about my personal life with him,” he admitted. “Didn't really want to. N- Not because I'm ashamed or anything,” he added quickly, looking at Tommy with wide eyes. “I'm not. I promise, I- I'm not ashamed.”

“I know, Evan.” Tommy reached over and gave Buck's hand a squeeze. “You're a very good ally.”

He glared at Tommy. “I'll never live that down, will I?”

“Nope.”

Buck grew quiet again, and Tommy was beginning to think the conversation was over.

Then Buck, barely above a whisper, said, “I don't want him to think we're just friends.”

“It's fine if he does,” Tommy replied. “I don't mind. Probably best that way, honestly.”

Buck's eyebrows furrowed. He turned more toward Tommy, his back leaning against the armrest. “What do you mean?”

Tommy contemplated his words before speaking. “Listen, I'm not telling you to be buddy-buddy with the guy. I definitely do not recommend that. I'm also not saying to turn a blind eye to all the crap he pulls. But, why make it harder on yourself?”

“Because it's living a lie, Tommy.”

“It's not lying if you just don't mention it.”

Buck huffed out a breath. “You want me to hide who I am? I distinctly remember that being the reason our first date ended so abruptly.”

Tommy let out a deep breath. “I'm not saying to hide, Evan. And that's not exactly the reason our date ended, you know that. I'm saying if there's been no reason to bring it up so far, why bring it up now? What he thinks about you doesn't matter.”

“It matters to me.”

Tommy squeezed his eyes shut, trying to rid himself of the growing frustration. “So, what? You wanna walk into Gerrard's office and say 'Hey, I'm bisexual by the way. Also, I'm dating that Tommy guy you worked with years ago. You know, the one you made fun of when you saw him at the medal ceremony?' You really think that's the best thing to do?”

“It's better than being his puppet like y-” Buck cut himself off abruptly.

“Like me?” Tommy finished. “That's what you were gonna say, isn't it?”

“Tommy, I-”

“It's true,” he continued with a shrug. “I was his puppet. I did whatever he wanted me to do and I didn't question it. Even after he was going to let me die in that explosion, I still stuck by his side. I don't deny that part of my life, Evan.”

“I wasn't trying t-”

“You know I apologized for all of that well over a decade ago, right? I feel like I remember us talking about that.”

“W- We did.”

“And I would never want or expect you to be who I was. You know that?”

“I know, Tommy, I-”

“And I'd never ask you to hide yourself, because I did that too and-”

“If you'd let me finish a damn sentence,” Buck snapped.

Tommy stopped, stared at Buck with pursed lips. A silent go ahead.

“I don't- I didn't. I... Ugh, Tommy!”

A pause, then. “That's what you needed to let out?”

“God, you're being so annoying right now!” Buck could feel his body getting hot.

“No, I'm trying to stop you from getting needlessly harassed at work.”

“By essentially cutting off a part of myself every time I'm there!”

“Evan, if your sexuality hasn't come up by now I don't see a reason why it ever would! It's not cutting off a part of yourself, it's just existing!”

“But I- I'm getting special treatment because he doesn't think that part exists,” Buck tried to explain. “I don't want to be his right hand man, Tommy. That might've worked for you but it doesn't work for me.” The words came out harsher than he intended. He knew it was a low blow to bring up something from so long ago, something long dead and buried. But Tommy had made him upset, and he needed to make Tommy upset too.

Except Tommy didn't get upset. He got quiet.

Somehow, that was worse.

A tension so thick you could cut it with a knife filled the air.

After what felt like an eternity, Tommy stood, letting out a sigh. “I'll be back,” he said, beginning to walk out of the living room.

“What- Where are you going?” Buck nearly shot out of his seat. “Are you leaving?”

Tommy turned back to him. “First of all, my house,” he said, motioning around the room. “Second, I'm going into the kitchen to get a drink.”

“Well, I- do you want me to leave?”

“I didn't say that, Evan. I mean, I'm not gonna block the exit if you wanna go, but I prefer to finish the arguments I get involved in.”

Buck sat back down. “Then I'm staying.”

“Good. You want water or something?”

Buck folded his arms over his chest. “With ice.”

“Okay.”

A couple of minutes later, Tommy returned with two cups of water in his hand. He held Buck's out to him, Buck taking it with a low, “Thank you.”

“Mhm.” They both took a few sips, then Buck stared down at the ice in his cup until Tommy started talking again. “You're not wrong,” he said. “Being his right hand man did work for me for a long time. It's not something I'm proud of, and I don't make excuses for it, but I also don't really appreciate it being thrown up in my face.”

Buck set his glass on the coffee table. “That wasn't fair of me, I- I know that. I was just angry. I'm sorry.”

“I probably should have tried explaining myself a bit better,” Tommy replied. “I'm sorry too.” He set his own cup down, then held his arm out toward Buck. “Will you come here?”

Buck didn't hesitate to move into Tommy's space. He curled up next to him, resting his head on Tommy's chest while Tommy wrapped him in his arms. “I can't help wanting to protect you, Evan,” Tommy said, pressing a kiss to Buck's head. “I know you don't need it, and I know it's selfish, but the idea of you getting harassed by that man for any reason, it- it scares me. I have,” he let out a humorless laugh, “I have never been as brave as you. I still feel nauseous every time I see the guy. But I never want you to feel like I want you to hide yourself, or that I want you to be like me. That's not what I meant.”

Buck ran his hand slowly up and down Tommy's chest. “I know. I- I get it. I've never dealt with a Gerrard before, not directly. Didn't think I'd ever have to.”

Tommy hummed. He ran his fingers through Buck's hair. “I will back whatever decision you make,” he assured him. “Whether you tell him or you don't, I am right beside you. I never want you to think I'm not.”

Buck propped himself up enough to be able to look at Tommy. “I know you are,” he replied, bringing a hand to Tommy's face. He stroked his thumb along Tommy's cheek, then leaned up for a kiss. “That's why I love you.”

Tommy sucked in a breath. His heart began to race. They'd never said those words before. Honestly, Tommy had stopped himself a few times, figuring it was way too soon.

But, as always, Evan burst through every door Tommy had locked up in his mind.

“I love you too, Evan,” he replied, and he hoped Evan could feel just how much he meant those words.

But, in case he couldn't, Tommy pulled him in for another, deeper kiss. Holding him close and tight while he wished they could stay right here in this moment for the rest of their lives.

When they finally separated for some air, Buck sat up straighter. “I'm going to tell him,” he said without an ounce of fear or hesitation. “Maybe not the way you suggested, but I... I want him to know I'm yours, and your mine, and screw whatever he has to say about it.”

And God, if Tommy thought he couldn't love this man anymore than he already did, there went Evan proving him wrong.

He nodded. “Okay.” He brought Buck's hand to his lips, pressed a kiss against his knuckles. “I'm with you. I love you.”

Buck smiled, wrapping himself up in Tommy once again. “I love you more.”

[ritasanderson]

JadeSorrenOrdan real

[strawlessandbraless]

Flaming Bisexual Dean Winchester - the Michael Sword ⚔️

[tsukasalover]

it’s kinda stupid to call rui “sassy” or say he was acting “mean” for simply doing what any person would do realistically after tsukasa humiliated nene in the main story. i swear this fandom has gone over this a thousand times and yet for some reason it’s still so hard for people to accept that tsukasa was being a self centered asshole. that’s not even exaggerating anything that’s just the truth.

btw (if im wrong correct me) but rui has never gotten angry at someone unreasonably he’s actually quite mature and doesn’t just?? explode over things so i dont know why him refusing to work with tsukasa even after nene forgave him is seen as a “mean” thing… let’s not forget he still believed tsukasa hadnt changed at all and only wanted to be in shows for selfish purposes. it’s not bad to admit that tsukasa is egotistical and has acted much more mean in unacceptable ways than rui + has had to own up to this and work hard to grow as a person over time

[blaithnne]

This is their dynamic during and post S3

[atthebell]

@ everyone saying bagi doesn't consider cellbit her brother anymore/doesn't care about him.... how does it feel to completely misunderstand her character

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[spacebubblehomebase]

Hi! With your stargazers au, what radio symbols do you use with Alastor's powers? What do those symbols mean and is there some special thought behind choices in symbols?

📻: "These ones, my dear?"

Keen eye! They're actually various electrical symbols for radio stations and are NOT VOODOO at all. As I'm not a practitioner of the Vaudoux religion, I didn't feel qualified enough to represent their practices all willy nilly. Though Alastor is still very much an actual Creole Vodouisant who lived in New Orleans Louisiana in my #HHStargazersAU! This design choice for his magic came to mind when I realized that since I couldn't use the more natural voodoo deer side of him, I could just shift focus to his more electronic radio hosting aspect. Which actually had symbolisms of their own! Be it his radio symbols or sound waves. Pictograms that were likely used on signs, books, or instructions, and such. That's how his green spells came to be in my story and they're usually just the general symbols for radio! ^v^

-Bubbly💙

[sorrelpaws]

no offense but i genuinely fear that their potential dynamic will go severely underutilized

[sugarpasteltmnt]

(whispers) hey friends I appreciate your excitement but gentle reminder it’s not very polite to ask fanfic writers when the next chapter is gunna come out

[lazycranberrydoodles]

woe mundane monopoly headcanons be upon ye

follow for more of modern au hua cheng’s outfits

[starflungwaddledee]

offering three cookies 🍪🍪🍪

(<< part 1)