#soulmate definition

[hardtreekoala]

Click here to discover how your perfect soulmate looks like.

[cactiaintracist]

ThEM

[mischievous-thunder]

Wade's saucy encounters with different Logan variants:

Then comes Wade's first meeting with his soulmate:

And that's the one Wade fell in love with

[karalovesallthegirls]

Also have another “first words spoken to you are on your skin” soulmate AU idea where Kara is a journalist assigned to shadow the controversial CEO of L-Corp for the day. It’s a big deal for her to get this assignment, so of course she trips the second she’s near the other woman and tries awkwardly to redeem herself.

The CEO stares at her almost in shock, and then says nothing. At all. Ever, for the entire day.

Kara spends hours following Lena Luthor around trying to fill the silence, but no amount of questions get her to talk. Lena almost seems to be running away at some points - like she’s trying to lose her? - and the few times she’s managed to catch her actually talking to someone she goes silent the second she sees Kara.

She asks around if Miss Luthor is usually like this and everyone looks at her like she’s crazy. Apparently she’s the only one who gets the silent treatment. By the end of her first day shadowing she’s walking away with half a page of observations and not a single quote. Miss Grant is going to kill her.

But that’s okay. It’s fine, this isn’t over. She has four days of shadowing ahead of her and she’ll be damned if she doesn’t finish this with a quote from the woman herself. It’s only a matter of time.

[aquariusdeanw]

they decided to go to the jump off?? Oh Paris 2024 high jump final you’re NOTHING compared to them

[landedinpayne]

i will never be normal about them i fear

[hauntingsofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[coachbeards]

"[Beard's] more interested in riding with Ted than he is in trying to nurture a relationship or anything like that." -- Brendan Hunt.

[bonus]

[paperultra]

candy stripes.

Pairing: OPLA!Vinsmoke Sanji x Fem!Reader Word Count: 5,048 words Warnings: Swearing, hospital setting [A/n: Soulmate AU. :)]

sortiger (adjective): delivering prophecies of the future; having the qualities of being oracular

Nobody else can see the string but you.

You wish you didn’t. It has no texture, no weight, so you can’t understand why it can’t be invisible too. But the string demands attention with every use of your hands, seizes your eye when you wash dishes in the morning and brush your teeth at night, a garish and bloody red that matches the stripes of your uniform.

You hate your string and you hate the color red.

Miss Xinyu, the old lady in Room 30, has one too. At least, that’s what she had told you when you gained the courage to mention yours one day, not knowing what it meant and how much you would come to dread it.

“It’s your red string of fate,” she had explained. “It connects you to the person who understands you more than anyone else in the world.”

In other words, your soulmate. Your one and only.

Miss Xinyu says you’re a lucky ducky, knowing what your future holds.

Her string goes into the ground now. You don’t think being reminded of a dead person whenever you look at your pinkie is very lucky.

The biggest reason why you hate the string so much, though, is because you’ve always had a problem doing what you’re supposed to unless you want to, which causes a lot of trouble for a nine-year-old girl. You already have trouble being nice to patients who are mean to you, so how can you love and wait for someone you’ve never met? It makes you feel icky.

Why can’t you choose? How come you have to have one at all?

Your only source of comfort is that your string is very, very thin and runs out of the hospital. That means your soulmate, whoever they are, is very, very far away. You’d very much like it to stay that way.

But it doesn’t.

—

Nurse Taoh wants you to watch the patients in Room 8 while he finishes his charts. You don’t really want to, if only because it’s Nurse Taoh asking – he likes to order you around more than Dr. Gu – but you don’t want to get into trouble again, so you go.

(… And okay, you are just a little bit curious about the new inpatients. You only know three things about them: one, they were brought in together last night while you were in your room poking holes into your paper instead of correcting it; two, they’re a man and a boy, presumably father and son; and three, everyone says it’s a miracle they’re still alive.)

(Then again, you’ve seen many miracles here.)

The unit is quiet as you walk down the hallway. Quiet, but not silent, as your polished shoes squeak like little mice against the floor and you whisper the room numbers as you pass by them. Two, four, six – eight.

You stop and knock, three sharp raps against the brown wood.

“Hello?” You open the door and poke your head in. “My name is –”

The squiggly-patterned curtain that often separates patients for privacy is drawn, and you clamp your mouth shut as you realize the patient closest to you is asleep.

Shutting the door silently, you creep closer to the foot of his bed. The man underneath the sheets lies quietly; he is little more than a skeleton, eyes sunken and bones sticking out underneath blistered skin. His beard is long and scraggly, but it pales in comparison to his mustache, each side braided and sticking out to the sides.

He looks angry, even though he’s sleeping. You hope he’s not the type to wake up and yell at you as you tiptoe past to check on the boy.

You pass the curtain, catch a glimpse of the bed sheets, and see –

Red.

Your feet root themselves in place, the room suddenly devoid of air.

You stare. Blink hard, twice. Look again. Then, trembling, you look down at your hand.

Your eyes trace the string around your own finger, following down to the dip of it that barely touches the ground and back up over the blankets until it ends in a red loop around the boy’s pinkie, tied off with a little bow.

Your stomach turns.

Stumbling forward, you make your way to the visitor’s chair in the corner. You slump down into it and stare straight ahead at the curtain, refusing to look at the boy’s face.

He continues to sleep.

You don’t want him to wake up.

—

The boy does not stir during your first meeting, but that small mercy is quickly eclipsed two days later by a single bowl of chicken broth.

The look on your face is sour as you walk down the hallway again, the broth splashing up against the lid with each step. Because most of the patients in the hospital you live in are elderly, the staff have somehow gotten it into their heads that you simply must spend time with the boy in Room 8 because he is your age and you need to socialize with other kids. You very much don’t want to. Not with him, at least.

Dr. Gu is just leaving the room when you arrive. She gives you a quick smile, the corners of her eyes wrinkling, and pats your head.

“So you heard that the boy woke up, huh?”

You grunt, looking away with a pout. “Can’t you give this to him, Dr. Gu?”

“Nope. I have to finish my rounds,” she says. “Go in and have a chat. His name is Sanji. You’ll like him.”

“I doubt it,” you mumble underneath your breath.

Dr. Gu probably hears you, but she doesn’t scold you, merely patting your head one last time before you enter Room 8.

The dividing curtain is drawn this time. The window curtains are pulled back, too; it’s a somewhat cloudy day outside, but bright enough to sharpen the shadows on the walls and make the boy look even paler than you remember.

His eyes are closed as you approach. A sprout of hope that he might have fallen asleep again blooms in your chest – you’ll just leave the broth on the table, you think to yourself, and go about the rest of your day. Nobody said you had to watch him drink it.

You get about five feet away, already planning to drop some books off to the other rooms, when the boy’s nose suddenly twitches.

His eyes open to thin slits. Your hope shrivels like a weed in the desert as he speaks.

“What’s that?” His voice is quiet and raspy.

Your eyebrow twitches. “It’s just chicken broth,” you say tartly, setting the tray down on the overbed table and turning it around so that it’s over his lap. You take off the lid and steam bursts from the bowl.

The boy reaches up to rub his eyes. The red string dangles from his pinkie, and you quickly look away with a scowl.

“Who are you?” he asks, scooting back to sit up more as he gradually becomes more alert.

Reluctantly, you give him your name. “Will you need help with the soup?”

He shakes his head. His gaze latches onto the contents of his bowl, and he stops, transfixed.

You scramble to stop him as he suddenly grabs the bowl and attempts to gulp it all down in one go.

“Don’t do that! You’ll throw up!” Without thinking, you seize his hands and pry the bowl away from his mouth. A few drops of broth splash over the blankets and his gown, and your irritation grows. Now you’ll have to fix that. “Drink it slowly.”

“I haven’t eaten anything for weeks,” the boy complains. “What do you know?”

“I’ve been studying medicine since I was a little kid,” you retort. “So I know a lot.”

He frowns. “You are a little kid.”

“I’m nine years old!”

“No, I’m nine! You don’t look as old as me!”

There’s no way this … this brat is the same age as you! Fuming, you let go of the bowl and jab a finger at his face. “I am nine years old and I know more than you! You can’t drink the broth like that!”

You’re met with silence. The boy’s eyes are wider than saucers. Pride wells up inside you at your ability to shut him up.

But then he puts the bowl down and seizes your hand, and your pride gives way to horror as he folds down your index finger and lifts your pinkie – the pinkie with the red string wrapped around it.

He lifts his own pinkie, the rest of his fingers folded. Your jaw clenches when you see how the string has shortened to mere inches, bridging the space between his hand and yours.

“Holy shit,” the boy says. The largest grin spreads across his face, and it’s blinding and scary and you hate it, you hate it. “It’s you! You’re my soulmate, aren’t you?!”

“No,” you reply quickly, whipping your hand behind your back and backing away. “No, I’m not!”

“But you see the string too! I knew I’d meet you some day. How come you’re”— he pushes the table away, eagerly but just gentle enough so no more of the broth spills—“how come you’re hiding it behind your back?”

“I’m not your soulmate,” you bark, panic rising in your chest. “Don’t you ever say that!”

You only catch a glimpse of the hurt that flashes across the boy’s face before you turn around and dash out of the room.

Mrs. Hong finds you in the storage closet later, curled up behind the shelves of gauze and IV tubing. She coaxes you out with a promise of rice balls and no questions asked. You wish all the adults were more like her.

—

The next day, Miss Jaylee hoists you over her shoulder like a human sacrifice and brings you to Room 8.

“I don’t want to see him! You can’t make me!”

“He’s refusing treatment and food unless he sees you,” the woman answers briskly, each of her steps jostling you up and down. “You don’t want to be responsible if Sanji dies, do you?”

“I don’t care if he dies!”

Miss Jaylee clicks her tongue and walks faster.

You flail, feeling a little guilty for your cruel words but too proud to take them back. Sanji couldn’t have heard you, anyway, and nobody here is going to let him die no matter what he does or what you say.

You hear a door swing open. Miss Jaylee walks into Room 8 and turns around, and you lift your head, glaring at Sanji as his face lights up and his cheeks turn rosy.

“[Y/n]!”

Your own cheeks burn in embarrassment at the position you’re currently in. This, you only now realize, is way worse than walking into the room voluntarily.

“How come they’re carrying you? Are you okay?” he asks.

“Let them treat you,” you snap, arms limp and dangling. “And eat your stupid food or I’ll get in trouble.”

“Okay.” You nod, opening your mouth to speak again only for him to continue, “But only if I get to talk to you afterwards.”

What is he, a prince?! What makes it so easy for him to demand such things?

“That wasn’t what you told them,” you protest, squirming, but Miss Jaylee only tightens her arm around your waist.

(“Be nice,” she warns. You growl.)

“It’s important,” Sanji stresses, looking pointedly down at his hand and then back at you.

You bite down on your tongue as the red string glimmers in the light.

Dr. Gu and Nurse Taoh stare at you expectantly. Your neck is starting to ache from craning it, and there’s a feeling that you’ll never stand on your own two feet again unless you do what he wants.

“… Fine,” you hiss through gritted teeth.

Only once you promise to stay does Miss Jaylee let you slide off her shoulder. You stand to the side, arms crossed impatiently as they take Sanji’s vitals and ask him some questions. He’s only half paying attention, head turning to look at you more than once, which you merely turn up your nose at.

“All right, we’ll leave you two to chat now,” Dr. Gu says. “If you need anything, just let [Y/n] know, okay?”

“Okay,” Sanji says.

With that, the three adults leave, and you and Sanji are left alone once more.

“I’m glad you came. They were starting to get mad at me,” he says, then cuts straight to the chase. “How come you don’t want to be my soulmate?”

“Because I don’t want a soulmate,” you immediately reply.

“But why? It’s nice, isn’t it? Being special to each other?”

“You can’t be special to me. We’re not even friends.”

For the second time, Sanji looks hurt.

“…We’re not?” he asks. You shake your head. “But … you brought me food.”

You’re befuddled. “Because Dr. Gu made me,” you say, trying to ignore the disappointment on his face. “Besides, I yelled at you yesterday. Friends don’t yell at each other.”

“I thought that you were maybe just really surprised …” His voice gets smaller and smaller. “Some people get mad when they’re just surprised …”

“I wasn’t surprised. I saw it when you were still asleep.”

“Oh,” Sanji mumbles. He looks down at the sheets, scratching at the wrinkle in the thin white fabric. “Okay.”

He says nothing more. You fidget, wondering if he’s pretending to look like he’s about to cry or if he really is trying not to. You’re not good with people who start crying.

You chew on your bottom lip. Sanji tucks his hand with the string on it underneath his bed sheets, his eyes disappearing behind his tangled hair, and fine, you feel kind of bad whether he’s tricking you or not.

“I’ll only be friends with you if you don’t talk about being soulmates,” you finally tell him begrudgingly. “Not ever, okay?”

His head shoots back up. “Really?!”

“Only if you don’t talk about it! I’m serious.” You huff at Sanji’s sudden change in mood and click your tongue. “If you stay sad you might not get better.  Don’t get the wrong idea!”

He nods, grinning bigger than ever.

Oh, dear, you think as he promises that he’ll be a really, really good friend, you might have made a mistake.

—

By the fifth day, Zeff, the man who was brought in with Sanji, is awake.

You hear them arguing before you see them, pushing a cart of books for Sanji to browse through as per your agreement the day before. They’re loud, and Sanji calls the man an old shitbag right as you knock and push the door open.

“I’m here,” you announce, and the two quiet down to look at you. You give Zeff a polite smile. “Hello, sir. I’m [Y/n].”

“Hello, little miss,” Zeff says, his features softening from the angry expression he’d directed towards Sanji a moment before.

“Why are you being nice to her and not me?” Sanji pipes up from his side of the room, all puffed-out cheeks and petulantly crossed arms.

“Because she don’t make my ears ring with nonstop whining,” the man answers sharply. “Now get a book and read so I can finally have some peace and quiet.”

“You get a book and read,” Sanji grumbles.

“What was that, boy?”

You cut in before they start bickering all over again. “Do you want a book too, Mr. Zeff?”

Zeff’s gaze flicks over to you once more, and your shoulders tense. The man takes a deep, calming breath, and then he sighs, reclining back into his pillow and closing his eyes. “No, thank you, little miss,” he mutters. “Reading’s no good for my head right now.”

“Do you have a headache?” He grunts in affirmation. “Do you want me to get a nurse?”

“No, no, don’t need any of that.”

“You didn’t tell me you had a headache,” Sanji accuses.

Zeff’s mustache twitches. “All you need to know is that you oughta stop yappin’ when a man wants peace and quiet!”

(Not again.)

As you give up and walk over to draw the curtains, Sanji says your name desperately. “Can we read somewhere else?” he pleads when you glance at him. “I don’t want to be stuck in here with him right now.”

Narrowing your eyes, you appraise his weak-looking frame, pointedly skimming past the red string that snakes over to you. “Can you even walk around yet?”

“Yeah,” he says defensively. He wriggles out of the bed sheets and swings his legs over the side of the bed. Holding onto the side rail, he stands up and grips the IV pole for support. Though he’s a little shaky, he shuffles a few steps towards you and smiles when he manages to do so. “See?”

Well, you think, if you and Sanji stay here, you’ll need to have some light in order to read. But it will probably help Zeff if the room is as dark as possible, so if you guys go somewhere else, Sanji’s lamp won’t need to be on.

“Okay,” you agree. “Wait here. I’ll get some slippers.”

Ten minutes later, with Sanji shuffling along in his slippers, IV pole in one hand and your arm in the other, the two of you arrive at the common room and find chairs in the corner to sit down in.

“These’re mostly history books and stories for old people,” you explain as you pull out the one cooking-related book you could find from the top basket of the cart. “This was the only food one I could find.”

“That’s okay.” Sanji takes the book from you and begins to flip through it. “Oh, this one’s about seafood in the South Blue! Have you ever had any?”

“No.”

“Me, neither. I’ll try it someday, though … hey, this fish looks like a fried egg!”

Against your will, you perk up. “… Really?”

For the next half-hour, Sanji fawns over the spices used on grilled Sea King meat and how to cook wine clams and the best fish for South Blue-style sushi. And it’s … not boring. He doesn’t hog the book, and the pictures are cool, and he asks you which ones you think are the coolest or would taste the best. Looking at a book with another kid is different from reading with an adult. It feels like you’re sharing, not like you’re being tested on your comprehension or how to pronounce long words.

Hanging out with Sanji is okay when the string doesn’t sour it.

“So you want to cook all of these one day?” you ask after scanning through a full-color page of steamed Ocean Hawk feet.

“I want to cook things from all four seas,” Sanji says. His legs bounce with excitement. “That’s why I’m gonna find the All Blue.”

“What’s that?”

The boy glows.

“It’s where the North, East, South, and West Blue seas all meet. Think about it – fresh-caught fish from all over the world all in one place! I’ll be able to cook dishes no one’s ever cooked or tasted before.”

You’ve never heard of such a place. But Sanji talks about it with such conviction, such resolve, that you figure the All Blue could really exist.

“I hope you find it,” you say, and you mean it.

“I will.” Sanji closes the book. “And when I do, I’ll cook something just for you. A-As a friend.”

He peeks over at you, his eyes even brighter and bluer than before, his cheeks flushing a familiar red. And you find yourself believing him, just a little bit.

—

Sanji keeps his promise.

You know he still likes you (blech) and so does most of the staff (double blech). Nurse Taoh thinks it’s funny and teases you about your little boyfriend in Room 8 who always asks where you are. Mrs. Hong reminds you to be sensitive whenever you stop by to pick up meals. Dr. Gu tells you to tell her right away if Sanji ever does something that makes you uncomfortable.

But he never does. Sometimes his words spill out clumsily like a broken faucet and other times he blushes and stutters, leaving you to wonder what he’s going on about, but he doesn’t try to kiss you or hold your hand, and he doesn’t say a word about the red string that is very much still there. If anything, he just annoys you at times, with how nice he is to you and how sunny he gets when you eat lunch with him sometimes.

You’ve never seen somebody so happy to be in a hospital before, even if it’s just because he wants you to like him. It’s weird.

It’s on the eighth day of Zeff and Sanji’s stay that you learn not everything is how it seems.

You’d gotten in trouble the night before for digging holes in the garden – you had kept the seed from your dinner plum and wanted to see if you could make it grow, but Miss Jaylee had caught you while taking Mr. Hu out for some air – so you’re somewhat grumpy on your way to Room 8, two notebooks in hand.

One of them is blank for Sanji. He wants to record all the meals he’s gotten and write down how he would make them. The second notebook is full of your notes that you need to study for your quiz tomorrow.

Zeff is sleeping again when you enter. You move quietly across the room to where Sanji is lying with his back to the door.

“Sanji.” You can see his shoulders tense underneath the sheets, but strangely, he does not roll over to face you. “I have your notebook.”

No answer. That is even stranger.

Frowning, you walk around to the other side of the bed. Sanji moves to bury his face into his pillow, but not before you hear a very soft, wet sniffle.

“Sanji?”

“Sorry.” His voice is high and so muffled you can barely understand him. “You can just leave it on the table.”

“Why are you crying?” In the back of your head, you know it is not the most sensitive thing to ask. But for some reason, you need to know. “I won’t laugh or tell anyone.”

You hear another sniffle from the mop of blond hair. It takes a long time for Sanji to answer, but he eventually does.

“I don’t like hospitals.”

Your brow furrows. “Oh,” you say, somewhat surprised. Most people don’t like being in a hospital, you’re pretty sure of that, but you didn’t know Sanji didn’t like it this much. “Why?”

Maybe he’s tired of getting poked all the time, or the bland food, or the hospital smell. Nobody here can change that. Maybe he’s homesick. The hospital can’t fix that, either.

Sanji turns his head slightly and takes in a small, shuddering breath. “’Cause it … it makes me remember my mum … when she was sick,” he mumbles, almost too quiet to hear.

“… Oh.”

You had assumed, upon learning that Zeff and Sanji were not at all related, that Sanji was like you and never knew his parents. He’d never talked about having any before, only his time on the Orbit and with Zeff. But he does know them – his mother, at least. And she was sick. The memory is what’s making him so sad, and it’s yet another thing that the hospital can’t help.

You don’t want him to be sad. You did make him your friend, after all, even if he does annoy you sometimes.

“I’m sorry,” you say, standing awkwardly with his notebook still in your possession. You remember what Miss Jaylee has told other patients before. “That, um, must have been really hard for you.”

Sanji squeezes his pillow more tightly.

Should you go? Should you talk to him some more?

“Please don’t tell anybody,” he whispers before you can decide. “Especially Zeff.”

“I won’t,” you reply firmly. “I said I wouldn’t, didn’t I?”

“I’m sorry I can’t hang out today. I really wanted to, but, um …”

“It’s okay. We can do it later.”

“Okay.”

You set his notebook and a pen on the bedside table. After some thought, you refill his water and, after even more hesitation, fix the bed sheets on him a bit so they’re not as twisted up. That is the best you can do.

The red string follows you as you quietly leave Room 8, and you don’t think about it at all.

—

“How do you spell necessary?”

“N-E-S-E-S-A-R-Y.”

“That doesn’t look right. I think it’s S-S-A-R-Y.”

“Maybe you can find it in the book,” Sanji suggests, kicking his feet as he lies on his belly next to you.

“Yeah, maybe.” You flip through the pages of your textbook, searching for the correct spelling lest you get marked off again.

It is the tenth day. Sanji is doing alright, and Zeff is up and about with his new leg. Dr. Gu says they’re good to go, so they’re leaving after Zeff finishes breakfast. You’re not sure how to feel about it.

In the meantime, Sanji is helping you with your essay about scurvy. He knows quite a bit about it, which makes sense since he’s lived at sea, and you hope the perspective he’s supplying will impress Dr. Gu.

(“That’s why every ship needs a good cook,” he tells you proudly. “We make sure everyone eats right so they stay healthy.”

“That’s why you and Mr. Zeff are going to have a restaurant ship, right?”

“Mmhm.”)

Sanji rests his face in his hands, cheeks squished against his palms while you continue to scan through your textbook. You finally find the word in a photo caption and, with a triumphant noise, jot it down correctly.

Someone knocks on your door. The two of you turn to face it simultaneously.

“[Y/n]?” It’s Mrs. Guo.

“Yeah?” you call, already slightly irritated.

“Is Sanji there? It’s time for him to leave.”

A frown presses down on your lips. Sanji sighs and gets up as slowly as possible, taking his notebook with him.

“Coming,” he says.

The two of you dawdle on your way to the hospital entrance. You pet Cabby the dog when you run into him and his handler and stop by the kitchen so Sanji can thank the cooks. There’s no rush, not really, but an uneasy feeling continues to well up in your stomach anyway.

Upon arriving at your destination, Zeff waiting at the double doors with a giant bag of treasure slung over his shoulder, Sanji stops and turns to face you.

“I’m – I’m going now,” he says, as if just realizing it.

“Okay,” you say.

You and Sanji stand in silence for a moment before Sanji’s bottom lip starts to wobble.

Yours starts to wobble too. The uneasy feeling in your stomach bubbles up into your throat and behind your eyes.

“I’ll write you,” he blurts, voice cracking. “You’ll come visit, won’t you?”

“I don’t know.” You don’t know if they’ll let you. The hospital is busy and the ocean is big, bigger than you, and you don’t know it at all like Zeff and Sanji do. “But I’ll write back.”

“Promise?”

“I promise.”

You are crying now.

For the first time, your arms wrap around Sanji, and he clings back as both of you bawl. Your tears and snot stain the shoulder of his brand-new clothes. Your uniform grows damp at the collar. It doesn’t matter at all.

“I don’t know if I’ll see you again,” you croak into his shirt, face hot and eyes blurry.

His grip tightens. “You will,” Sanji replies in between sniffles. “I know it. Even if it’s when we’re really old, we’ll see each other again.”

“Okay.”

You believe him. Not because of fate, but because you want to.

—

You write to each other every single week for the next ten years. You tell each other everything.

Well, almost everything.

—

“You seem nervous,” Nami says. “Don’t tell me a little bribery got under your skin?”

“No, no.” You wipe your hands on your thighs and try to relax against the back of the booth. “Just … not used to places like this, that’s all.”

The Baratie is nicer than you imagined. Sanji had kept you up to date over the years, sending newspaper clippings and recipe drafts as the restaurant he and Zeff founded grew in staff members and reputation, but seeing it in person is a whole different deal. You’re telling the truth when you said you’re not used to a place like this.

But it’s not why you’re nervous.

“Hey, look!” Usopp exclaims, pointing across the room. “I think those guys are gonna fight.”

The rest of you look. Near the kitchen, two men are arguing, and the pink-haired man sitting at the table stands up when the pirate shoves his food onto the floor.

Usopp sucks his teeth. “Yikes.”

Luffy leans forward in interest. Zoro simply stares, and Nami rolls her eyes.

One of the waiters approaches them. You watch as he tries to deescalate the situation, but neither party is having it.

The pink-haired man draws a gun.

Within seconds, the gun and both would-be brawlers are on the floor.

The waiter shoves his foot into the pink-haired man’s back to keep him down, then picks up the plate of bread rolls again, stepping over both groaning bodies with the ease of one who’s done it before.

He reassures the other customers as he approaches your booth. You’re not concerned about the fight so much as you are about the way that you know.

It’s been ten years, but you just know, even before he gets close enough for you to see the red string that trails up and disappears into the black of his pants pocket. Even before you see the blue of his eyes and the annoyed set of his brow, exactly the same as you remember.

He places the rolls down onto the table, and for the first time, you wonder what you want.

“Hi, welcome to our shitty restaurant where the only thing worse than the ambience is the food. My name is Sanji. What can I get for you?”

[lizgohome]

soulmates

[robotspock]

what if i ended it all right now.

[ryah-wolfe]

Fic idea: Neil doesn’t join the Palmetto Exy team but does still end up going to the university. But trouble still finds him, because he never knows when to stop talking, and he ends up getting help from Matt Boyd.

Now Neil finds himself with his first friend who never pushes for answers but who seems just happy to hangout/study together. But now Matt has started inviting him to games, and while Neil alway found an excuse not to go, he’s started to feel guilty for saying no all the time. Going to one game can’t hurt right?

Mat seeing his best friend in the crowd plays harder than ever before, this ends up catching the rest of the foxes attentions. And gets Neil dubbed a good luck charm.

Also bringing Neil to Andrew’s attention.

(I need more Neil and Matt friendship fics)

[gunsatthaphan]

yes they are 🥹🫶🏻

[dearestgentlereaders]

it’s their love language

[thegroundhogdidit]

that soulmate au where the first words to each other are tattooed on each other's wrists except it's shawngus and they were both so young when they first spoke to each other that neither of them even remember it so they're both waiting for a soulmate that they already have

[ingravinoveritas]

I know most folks have probably seen this already, but I really need to talk about how insane it is that David mentioned Michael as a possible Doctor on an episode of DW Confidential in 2007.

This was ten years before filming GO season 1, and there was absolutely no reason for David to be saying Michael's name. Julie and Jane did not bring Michael up in any capacity, nor was he specifically relevant to the conversation. Yet of all the names David could have said, out of all the countless UK actors in the business...he said "Michael Sheen."

There is this idea that soulmates are "loud." That it means seeing someone from across a crowded room as music swells dramatically in the background. But soulmates are also quiet. A soulmate can be someone you talk about when no one is listening. Someone you think about and who makes you blush for no real reason at all. Someone who lives in the back of your mind, vibrating at a steady hum that you don't even hear at first.

Until it gets louder.

Until they're suddenly a part of your life in a way you never expected.

Until you can't remember anymore what life was like without them.

From BYT in 2003 to this DW Confidential in 2007 to Good Omens in 2017 on into the present. Call it the invisible red string. Call it Fate. Whatever it is that's between them, I am and will forever be in awe at Michael always being on David's mind (and vice-versa), and how they finally found each other...