#specific home extensions

[squoobest]

grand run semi-recap: local squid suffers for capitalism

[fatehbaz]

[T]he Dutch Republic, like its successor the Kingdom of the Netherlands, [...] throughout the early modern period had an advanced maritime [trading, exports] and (financial) service [banking, insurance] sector. Moreover, Dutch involvement in Atlantic slavery stretched over two and a half centuries. [...] Carefully estimating the scope of all the activities involved in moving, processing and retailing the goods derived from the forced labour performed by the enslaved in the Atlantic world [...] [shows] more clearly in what ways the gains from slavery percolated through the Dutch economy. [...] [This web] connected them [...] to the enslaved in Suriname and other Dutch colonies, as well as in non-Dutch colonies such as Saint Domingue [Haiti], which was one of the main suppliers of slave-produced goods to the Dutch economy until the enslaved revolted in 1791 and brought an end to the trade. [...] A significant part of the eighteenth-century Dutch elite was actively engaged in financing, insuring, organising and enabling the slave system, and drew much wealth from it. [...] [A] staggering 19% (expressed in value) of the Dutch Republic's trade in 1770 consisted of Atlantic slave-produced goods such as sugar, coffee, or indigo [...].

---

One point that deserves considerable emphasis is that [this slave-based Dutch wealth] [...] did not just depend on the increasing output of the Dutch Atlantic slave colonies. By 1770, the Dutch imported over fl.8 million worth of sugar and coffee from French ports. [...] [T]hese [...] routes successfully linked the Dutch trade sector to the massive expansion of slavery in Saint Domingue [the French colony of Haiti], which continued until the early 1790s when the revolution of the enslaved on the French part of that island ended slavery.

Before that time, Dutch sugar mills processed tens of millions of pounds of sugar from the French Caribbean, which were then exported over the Rhine and through the Sound to the German and Eastern European ‘slavery hinterlands’.

---

Coffee and indigo flowed through the Dutch Republic via the same trans-imperial routes, while the Dutch also imported tobacco produced by slaves in the British colonies, [and] gold and tobacco produced [by slaves] in Brazil [...]. The value of all the different components of slave-based trade combined amounted to a sum of fl.57.3 million, more than 23% of all the Dutch trade in 1770. [...] However, trade statistics alone cannot answer the question about the weight of this sector within the economy. [...] 1770 was a peak year for the issuing of new plantation loans [...] [T]he main processing industry that was fully based on slave-produced goods was the Holland-based sugar industry [...]. It has been estimated that in 1770 Amsterdam alone housed 110 refineries, out of a total of 150 refineries in the province of Holland. These processed approximately 50 million pounds of raw sugar per year, employing over 4,000 workers. [...] [I]n the four decades from 1738 to 1779, the slave-based contribution to GDP alone grew by fl.20.5 million, thus contributing almost 40% of all growth generated in the economy of Holland in this period. [...]

---

These [slave-based Dutch commodity] chains ran from [the plantation itself, through maritime trade, through commodity processing sites like sugar refineries, through export of these goods] [...] and from there to European metropoles and hinterlands that in the eighteenth century became mass consumers of slave-produced goods such as sugar and coffee. These chains tied the Dutch economy to slave-based production in Suriname and other Dutch colonies, but also to the plantation complexes of other European powers, most crucially the French in Saint Domingue, as the Dutch became major importers and processers of French coffee and sugar that they then redistributed to Northern and Central Europe. [...]

The explosive growth of production on slave plantations in the Dutch Guianas, combined with the international boom in coffee and sugar consumption, ensured that consistently high proportions (19% in 1770) of commodities entering and exiting Dutch harbors were produced on Atlantic slave plantations. [...] The Dutch economy profited from this Atlantic boom both as direct supplier of slave-produced goods [from slave plantations in the Dutch Guianas, from Dutch processing of sugar from slave plantations in French Haiti] and as intermediary [physically exporting sugar and coffee] between the Atlantic slave complexes of other European powers and the Northern and Central European hinterland.

---

Text above by: Pepijn Brandon and Ulbe Bosma. "Slavery and the Dutch economy, 1750-1800". Slavery & Abolition Volume 42 (2021), Issue 1. Published online 28 February 2021. DOI at: doi dot org slash 10.1080/01440396 . 2021. 1860464 [Text within brackets added by me for clarity and context. Bold emphasis and some paragraph breaks/contractions added by me. Presented here for commentary, teaching, criticism.]

[geddy-leesbian]

Thinking I will unveil my Luis Serra conspiracy theory after I finish my series of posts that are screenshot dumps of every part of the lakeside cabin

[jabberwockypie]

Oh, wow, you mean it's not helpful to label people with Inherently Just A Bad, Fucked Up Person Disease? Weird.

>Addressing stigma, the authors point out that clinicians are among the “worst offenders” in perpetuating negative stereotypes. They frequently pathologize individuals with this diagnosis, treating them as just “another borderline.” This can lead to inappropriate or even inadequate care, as “emotional instability” is sometimes used as grounds for excluding individuals from treatment.

THIS LITERALLY HAPPENED TO ME. A social worker excluded me from a program because I might be "combative" based on diagnosis alone

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TELOGEN EFFLUVIUM

Telogen effluvium is a temporary hair loss problem. In this hair growth is again possible. Telogen effluvium is caused due to excessive stress taken or exerted upon an individual. As soon as the individual completes his stress period and leads a normal life. Lack of zinc, iron, and vitamins is a common cause of Telogen effluvium. Since hair loss in the Telogen effluvium is temporary, hair restoration procedures are not that advisable. Because removal of hair restoration destroys the new hair grown on the scalp

ANAGEN EFFLUVIUM

Anagen refers to the stage in the hair cycle where the hairs are still growing. In Anagen effluvium, hairs in the Anagen stage start shedding. This means new hair growth is there but those hairs that are newly growing too are shedding. Boils and fungal infections on the scalp cause Anagen effluvium. Hormonal imbalance and stress can also cause this condition.

ALOPECIA AREATA

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TRACTION ALOPECIA

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[neverendingford]

.

[becausegoodheroesdeservekidneys]

I think the reader's response to this post is probably going to either be "That's incredibly minor" or "Holy shit YES I'M ALSO PROUD", depending on people's personal experiences with academia, but:

Today I am incredibly proud of one of my students.

In the interests of disguising identities, let's call them Ceri. Ceri is one of my third year undergrads (meaning their final year, for anyone unfamiliar with UK uni systems.) They transferred to us last year, and within two weeks I was giving them the contact info to get to Student Services and get themself screened for ADHD; they have some mental health struggles, but I clocked pretty quickly that they STRUGGLE with procrastination, and punctuality, and attending 9am lectures in particular. Naturally, as is the way of my people, it took them a further four months to remember to go to the screening. Lol. Lmao. Rofl, in fact.

But, they did it eventually! Their screening lit up like a Christmas tree at the ADHD section, and they got a free laptop and optional one week extensions and a study support worker named Claire. This has helped tremendously, and although mental health + until-then-unsupported ADHD meant their academic profile had slid sideways somewhat, with the new tools available and a couple of resits they passed the year and hit this year running.

Until, that is, the last fortnight.

Now, I take them for a Habitat Management module that has two assessments: an academic poster presentation before Christmas, and a site-specific management plan in May. Naturally this means we are at that happy point in the year for the poster presentations. I give out the briefs at the start of the year, so they've had them since October; I've also been periodically checking in with them all for weeks, to make sure they don't have any major burning questions. The poster presentation was to pick a species reintroduction project, pull the habitat feasibility study out of it, and then critique that study; Ceri chose to look at the hen harrier reintroductions proposed for the southern UK. All good.

Which brings us nicely to today! Ceri's presentation is scheduled for 2.30. At 11am-1pm, I am lecturing the first years on Biodiversity, while Ceri is learning about environmental impact assessment with a colleague I shall call Aeron. This means we are separately occupied during those same hours.

Nevertheless, Aeron messages me at about 12.

"I think Ceri needs to see you after your lecture," he writes. "They're panicking, I genuinely think they might cry. I'm worried. Are you free at 1?"

I say I am. At 1, I get lunch and sit in the common area; Ceri comes to see me. To my personal shame, imagine all of the following takes place while I stuff my face with potato.

Now: this part is going to be uncomfortably familiar to anyone who has ever tried higher education with ADHD, especially unmedicated. It certainly was for me. All I can say is, I never had the courage to take the step here that Ceri did.

"I have to confess," they said quietly, and Aeron was right, they were fighting back tears. "My mental health has been so, so bad for the last fortnight. I've left it way, way too late. I don't have anything to present."

"Nothing at all?" I asked.

"I've been researching," they said helplessly. "I found loads on the decline of the hen harrier. But it wasn't until last night that I finally found a habitat feasibility study to critique. Generally... I've been burying my head about it, and it just got later and later. I thought I should come in for Aeron's lecture, and I should at least tell you."

This part is a minor thing, right? But honestly, I remember being in the grip of that particular shame spiral. I never did manage to tell my lecturers to their faces. I just avoided. I honestly can't imagine having the courage it took them to come in and tell me this, rather than just staying home and avoiding me.

"I think..." they said hesitantly, "I know I can submit up to a week late, for a capped mark. I think I need to do that, and apply for extenuating circumstances. But then I'll have both Aeron's assignment and yours due at the same time."

Which meant they would crumble under the pressure and likely struggle to pass both; so me, being as noble and heroic as I unarguably am, stopped eating potato and said, "Let's make that plan B."

(It was good potato. I am a hero.)

So, we made plan A: I moved their timeslot to 4.30, giving them three and a half hours. The shining piece of luck in this whole thing was that this was the crunch time assignment - if it had been Aeron's, they'd have had to try and write a 3000 report in that time. But for me, all they had to write was an academic poster, and those things are light on words by design. We found them a Canva template, and then we quickly sketched out a recommended structure based on the brief: if it's habitat feasibility, look at food availability, nesting site availability, and mortality risks in the target release site. Bullet point each. Bullet point how well the study assessed each. Write a quick intro and conclusion. Take notes as you go, and present the poster itself at 4.30.

"You think I should try?" they asked doubtfully, looking like I'd just asked them to go mano-a-mano with a feral badger.

"If you run out of time, so be it," I said. "But your brain is trying to protect you from a non-existent tiger. That's why you've procrastinated - it's been horrible, and you've been shame spiralling, and your brain is trying to shield you from the negative experience; but it's the wrong type of help for this situation! So while you're sitting there working on it, hating life, every time your brain goes 'This is hopeless, I can't do it', you think right back 'Yes I can, it just sucks.' And you carry on. Good?"

"Good," they said. "I'm going to mainline coffee and hole up in the library. Enjoy your potato."

And then, of course, I had to go and watch the other students' presentations, so that was the end of me being any help at all. I spent all afternoon wondering if they were going to manage it, or if I would be getting a message at 4.25 telling me they'd failed, and would have to submit late and hope for an EC.

And Tumblrs

Tumblrs

Let me FUCKING tell you

They turned up at 4.15, fifteen minutes early, wearing a mask of grim, harrowed determination and fuelled by spite and coffee, and they pulled up that poster and started presenting and yes, okay, I'll admit their actual delivery was dramatically unpolished and yes, they forgot to include the taxanomic name for the hen harrier on the poster and yes, fine, I admit that there were more than a few awkward moments where they lost their place in their hastily scribbled notebook but LET ME FUCKING TELL YOU -

They smashed it. It was well-critiqued, it had a map, it had full citations, it had a section on the hen harrier's specific ecology and role in the ecosystem, it had notes on their specific conservation measures. They described case studies they'd read about elsewhere. They answered the questions we threw at them with competence and depth. There was analysis. All that background research they'd done came right to the fore. They were even within the time limit by 15 seconds.

You would never have known they'd produced it in three hours, from a quivering and terrified mess fighting the bodily urge to dehydrate via tear ducts. After they left, the second marker and I looked at each other and went "So that was a 2:1, right?"

I caught up with Aeron downstairs and he was beaming. Apparently Ceri had seen him on their way out, and had gone over to talk to him. Aeron said the difference between the Ceri of this morning and the Ceri of then was like two different people; in four hours, they'd gone from their voice literally breaking as they admitted the problem, ashamed and broken, to being relaxed and happy and smiling.

"I reckon I've passed," they apparently told Aeron, pleased. "Maybe even a 2:2. There's things I wish I'd had the time to do better, but I'll be happy if I passed."

They won't know until late January what they got, because we're not allowed to release marks until 20 term days after hand-in, and the Christmas holidays are about to hit. But I'm really hoping I can be there when they're released.

But mostly, I'm just... insanely proud of them. I cannot tell you how happy I am. And I know, I know, obviously this is not a practice I would want to see them do regularly, or indeed ever again, and it only worked because they were fucking lucky with the assignment format, but like... when life is just punching you in the face, and you hit a breaking point... isn't it nice? That just this once, you pull off a miracle, and it's fixed? The disaster you thought was about to ruin you is gone? To get that relief?

Anyway. Super super proud today.

[makismei]

nanami loves watching you do your nails. of course, he’s offered to pay for your nail salon visits but you decline; your at home manicures are a fun hobby and you have full control of what colours and designs get painted onto your nails.

so instead, he funds your little hobby.

you never have to worry about being short of polish, nail tips, glue or charms. he’s even learned how to do your nails the way you prefer and offers to paint your dominant hand.

you have materials at his apartment and he’ll often come home to you at the living room coffee table, hunched over and gluing down clear heart decals and bows.

you show him your hand. “look, i tried using acetone to blend the nail extension and cuticle.”

kento inspects it, gingerly holding your hand. he nods, “it blends in nicely, my love.”

he reaches into his pocket, setting down a new bottle of polish on the table—specifically, the one you’ve been eying for a few weeks.

“kento!” you smile, “you didn’t have to.”

he leans in, pressing his lips to yours. “i wanted to.”

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[aloha-from-angel]

A clip of the ending of the live-action Lilo and Stitch movie ended up on my feed, so y'all get to hear me bitch about it. Specifically, the idea of Nani giving up Lilo so she can go to a mainland college.

A. Fucking. US MAINLAND. College.

When we're out here doing SO MUCH trying to keep our Native Hawaiians home. Like, are you fucking serious? More Native Hawaiians (53%) now live outside of Hawaiʻi than within it! Only 23% of the Hawaiʻi population is listed as Native Hawaiian—and that number includes mixed-race individuals. (There’s mostly Mixed Plate Specials over here <3)

Think about that for a second. Out of well over a million people living in the islands, only around 300,000 are Native Hawaiian. That’s it.

And yeah, we can dig deeper into those statistics later, but for now, let’s just sit with how absolutely messed up it is that the underlying message of this Cash Grab L&S remake seems to be: “It’s good and right for Nani to give up her little sister to the state and go chase mainland dreams.”

Even worse? It’s Lilo who tells Nani to go. Like that’s supposed to be sweet or inspiring or something.

That is so freaking fucked up.

And it's such a gross misunderstanding of the issue WHY Nani shouldn't and WOULDN'T give her sister up.

Native Hawaiian children are more likely to be removed from their homes for neglect—not abuse. 

Several studies have found: 

Native Hawaiian kids were placed in care more often for neglect than non-Hawaiian kids. They are grossly overrepresented for being taken away because of neglect. 

"But Angel, if these kids are being neglected, they SHOULD be taken away and put in a stable environment, right?"

Yes! If they actually ARE being neglected! And if neglect wasn't based on subjective standards that target Native families! 

I went to a Hawaiian immersion school when I was in elementary school (Also because my brothers were in Special Education and this almost completely Native Hawaiian run school was the BEST for Special Education on the island) and did NOT know that Hawaiian kids were not the actual majority in Hawai‘i until I was in 7th grade and tossed in with the rest of the district in Middle school. 

A good portion of those kids were in foster care. 

Some were because of parental drug abuse or physical abuse, ect, (The local domestic violence shelter was up the road,) but a majority were from parents who were trying VERY hard to regain custody. Aunts and Uncles and Sisters and Brothers and Cousins and Tutus of all genders trying so hard to gain custody in a way that made it so it would be harder for them to be taken away. 

Some reasons I have PERSONALLY seen given as to why Native Hawaiian children have been removed from their homes are: 

"Inability to cope with parenting — (this is extremely subjective and is often a bullshit excuse to say that Native Hawaiian Caretakers aren't good enough. In the case I saw, it was because the mother was a teen mom, but she did a damn good job.) 

Inadequate housing — (Which also includes having "too many people in the house”, when culturally many native Hawaiians live with extended family. Case in point was because the kids lived with their five cousins.) 

Low or misused income — (Literally not having enough money when milk costs 10 dollars a gallon here…)

Broken families — (having a stepmom/stepdad, anything non-traditional.)

These aren't acts of violence against the kids. These are normal family lives. These kids would cry so hard about their home life, they wouldn’t focus on school, they’d act out, they’d hurt other kids and seek any sort of love and attention from stable adults. 

Native Hawaiian kids are: 

Overreported

 Overseparated 

Kept in the system longer 

More likely to re-enter foster care

This isn't unique to Hawai‘i and I won’t pretend it is. Bias in child welfare systems has also been extensively documented in African American and Native American communities, with indigenous peoples especially being targeted, especially recently. In acts that can only be described as a continuation of the White Man’s Burden ideology and residential schools, often POC children are tossed into group homes that see them as little more than a paycheck and a chance to “save the poor little wretches from their people”.

The problem was that the system was built on its own narrow ideas of what “good behavior” looked like—usually the way white middle-class kids were expected to act.

The stories I heard and the things I saw made me understand that the system was not just flawed—it is actively hurting ‘ohana in our state. The reasons kids were taken weren’t always about danger or neglect. 

It’s a quiet kind of violence, but it’s violence all the same. It fractures the very fabric of what makes a community strong—connections, histories, the ability to hold each other through hard times. 

POC children do not do well in the US foster system because of the systemic racism present.

Not to mention that Lilo has behavioral issues and is obviously going through a lot after her parents' death. She's neurodivergent, a POC, and vulnerable now that her parents are gone. 

Nani would be aware of these circumstances. She would never willingly give her sister to a system that is literally against her. And Tūtū can have Lilo removed from her home for anything from being “too old to be capable” to Lilo getting in trouble for violent behavior. (Which she's known for and likely will get worse now that the only person still alive from her immediate family is in FUCKING CALIFORNIA, WHICH, BTW, SENDS THEIR STUDENTS HERE TO STUDY MARINE BIO).

Yes, Nani is allowed to have a life outside of Lilo. She’s a 19-year-old who suddenly had to become a parent to her little sister after unimaginable loss. She’s doing it all alone—no real support system, no safety net, barely scraping by. She is SUFFERING.

But the beauty of the original Nani was that despite all that pain and pressure, she chose to fight tooth and nail for her sister. Because that’s her ʻohana. And as the original movie hammered home: ʻOhana means family. Family means nobody gets left behind or forgotten.

That wasn’t just a cute line or a throwaway bit. It was the theme of the story. It was a message about resilience, love, and keeping your loved ones together—especially in the face of colonialist systems that do try to tear families apart.

And Nani would know what would await Lilo if she were taken away—shuffled through the system, disconnected from her culture, her roots, her ʻāina. She’d be statistically more likely to end up homeless as soon as she turns 18. (Unfortunately this is a reality for so many foster kids I know.)

Yes, she left Lilo with David’s Tūtū. And yes, I’m sure David’s Tūtū is a lovely lady, even though she wasn’t in the original movie. But that’s full-on giving her sister up, letting go of custody and walking away for good. That’s not what the original Nani would do—and it sure as hell shouldn’t be painted as the “right” thing.

Lelau was one of those kids who was a real-life Lilo. (and Lilo was her obsession, ironically, she had so much Lilo and Stitch merch.) Lemme tell you a quick story about her.

She was my best friend for most of elementary school. She wasn’t “bad,” but she was different—emotional, lashed out and behaved in a way that was easy for adults to misread or just plain misunderstand. 

Her older brother had been taken by child services too, but because he was quieter, more “compliant,” he stayed with their older sister who already had a big family. That sister was trying to keep everything together, but with her own kids to raise, the weight was heavy. Meanwhile, Lelau got bounced around between different foster homes and relatives’ places because the system said she didn’t “behave.”

I think about Lelau a lot. I wonder what she would have thought if she watched this trash as a child, and saw herself in this Lilo, and saw herself as more of a burden than she already did.

Because here’s the truth: kids like Lelau already think they’re the problem. They hear it every day, even if no one says it out loud. It’s in the sigh when they walk into a room. It’s in the way teachers pull away, or how other kids are told to “be patient” with them like they’re some sort of test. It’s in the case files that reduce them to diagnoses and risk assessments. And it’s especially in the “well-meaning” media that repaints trauma and neurodivergence as something to grow out of—or to be handled by someone else entirely.

What they don’t get to see nearly enough is the fight to keep them. The fierce, messy, uncompromising love of someone who says: You’re not too much. You’re not broken. You’re mine, and I’m not letting go.

That’s what the original Lilo & Stitch gave us. That’s what Nani was. She wasn’t perfect—she yelled, she struggled, she made mistakes. But she stayed. She kept showing up. And she refused to let the system take her sister. That’s the kind of story Lelau needed. That we all needed as a kid. 

And yeah, the funny blue aliens were the real reasons we watched it as kids, but that doesn’t mean the message was lost on us.

So when I see these rewrites—this gross and horrible story where Nani gives up custody, where that decision is framed as “self-empowering” or “best for Lilo”—I feel sick. I know it’s just a story. But stories matter. Especially to kids who are already hanging on by a thread. Especially to kids like Lelau who don’t have stable adults around, who feel like a problem, who live every day waiting for someone to decide they’re too much and walk away.

Nani and other caregivers deserve better wages, free therapy, housing support, childcare, a goddamn village to help raise that child. Help shouldn’t mean losing the people they’re fighting for. Help should look like wrapping around both the kid and the caregiver. Keeping families together.

But the system doesn’t work that way—by design. It’s rooted in colonialism. It’s built to police poor families, brown families, Native families. It calls it “protection,” but it strips kids of their language, their culture, their names, and places them in homes that get paid to raise them out of context. That’s not safety. That’s assimilation.

Lelau got told again and again that her feelings were “too big,” her reactions were “bad behavior,” and that she needed to learn to “be good.” But what she really needed was someone to say, “I see you. I hear you. I get why this is hard. And I’m not going anywhere.”

She needed what Lilo got in the original story. A sister who would burn the world down if it meant keeping her safe. Her sister tried, god did that sister try, but it was so fucking hard. 

I guess I just keep wondering how many kids are watching this reboot, this sanitized versions of their own pain, and slowly internalizing that they are the problem. That the most “loving” thing they can do is to “stop being the burden”.

But that’s not love. That’s the system talking. That’s white supremacy and capitalism in a child welfare costume. That’s the lie kids like Lelau are told every single day.

And I’m just so fucking tired of it.

If you’re gonna tell a story about broken families, about loss, about trauma, about Hawai‘i, then tell the truth. Don’t paint giving up custody as this amazing, empowered choice if you’re not gonna talk about how the system coerces that “choice” out of people in the first place. Don’t act like this was the best option for the child themselves.

Because I’ve seen what happens when those kids grow up. I’ve seen what happens when no one fights for them. And I’ve seen the difference it makes when someone does.

[highdramas]

simmering | dr. jack abbot

pairing: jack abbot x f!resident!reader warnings: language, age gap (unspecified, but reader is late 20s/early 30s and jack is mid/late 40s), references to sex but nothing explicit, you and jack shower together after a horrible shift, pre-relationship domestic bliss, sweet sweet fluff <3 word count: 2.1k summary: you and jack are spent. you stumble into uncharted intimate territory in the confines of his luxurious shower. notes: if you are under 18 do not interact with my work or this fic. i wrote this kind of spur the moment today, but i'm very happy with how this turned out <3 this is a part of the ring of fire interconnected series, but it’s not necessary to read the prior parts to understand this fic. if you would like to, though, you can find the masterlist here <3 not proofread so apologies for any errors!

it’s a weird thing– the way that you feel entirely at ease in a place that should feel foreign.

jack’s apartment is homey. it’s in the swanky part of town that you always felt you’d never be able to afford. you assume it’s not the home that he shared with his wife; there are echoes of her, everywhere, but you don’t call them out. it doesn’t feel like your place to, anyway. because while she’s there, it’s jack that you feel all around you. you learn that he likes a specific scent of air freshener– woodsy and warm. you learn that he’s in dire need of some new pans, but you also learn that he’s not the greatest cook, so he’s been putting it off. you learn that he loves movies, and records.

you learn that he wears his dog tags, every day. at work, he keeps them tucked beneath scrubs, always out of view. at home, they rest heavy against his chest, and you’ve had to stop yourself from reaching out, trailing your finger along the chain.

it’s an effort to not touch him, most mornings. you’ve gone to his place after almost every single shift for the past two weeks. the two months prior to that, you were typically sitting at the park together until it was nearly ten in the morning and your stomachs were growling so loud it made you both laugh at yourselves.

the years before that, jack was your mentor, but you wouldn’t call him your friend. three months into your year as a senior resident and you feel like you’ve learned more about your attending than you had in the three years that you knew him prior. that’s not quite fair, you know. you knew him in the place he felt most comfortable, work. where he was always challenging you, he was always making you better, while helping you to trust your instincts, too, and letting them flourish. he knew when to push. you think he likes that you challenge him back, too. he always said that you were a fantastic learner. when you would pull through with an excellent save, the low rumble of his voice would often praise you. “good job, kid.”

but now you’re his senior resident and your relationship has changed. you’re not just his student in the sense of medicine. he’s teaching you how to be a leader, how to teach others. you’re his right hand. you’re an extension of one another in most ways, always working in tandem.

and you are fond of him in a way that is not professional. not even close.

when the two of you enter his apartment after a shift from hell– down a resident, new med student, a list of ridiculously rude patients– you each suck in a deep breath. your bags get dropped at the door, shoes kicked off, glasses of water each being filled and sucked down. you barely talked the whole car ride to his place. he had opened the door of his truck for you, closed it, and put on the punk rock station that he liked to listen to, sometimes.

“you should shower first,” jack breaks the quiet. “trust me. it’ll make you feel better.”

it was not the first time you’d showered at jack’s, and you figured it wouldn’t be the last, either. you level him with a look. “you told mckay on your way out the only thing you were looking forward to was a shower.”

“i’m a gentleman, kid. besides, you stink.”

you drop your jaw at him while he snickers. you don’t even mean to say it– you chalk it up to exhaustion bringing all your filters down. “we could always share. it is definitely big enough for two.”

the humor drops clean off of his face. when your brain catches up, and you realize what you’ve said, you shake your head. “i don’t know why i said that.” yes you do. you want to feel jack’s big hands on your shoulders, your neck. you’ve thought, not just once, about how good it would feel for them to run through your hair. the thought of that, the hot water from the shower…

fuck.

whatever is happening on your face, jack is not naive to. “are you sure about that?”

your mouth hangs open and he looks at you with that stare that is clinical, direct. “i–” your voice dies out in your throat. “that was inappropriate on my part. i’m sorry.”

“is that what you want?”

the question is straight forward, simple. all it requires is a yes or a no answer. but it feels so loaded, like a trick question before jack laughs and sends you off to gloria for inappropriate behavior. he seems to recognize this fear in you, because he shakes his head and takes a tentative step forward. “if i tell you, that i would want that…” he tilts his head to the side, seeking out that eye contact that he loves so much. “what would you say?”

you relent and meet his gaze. there’s something… real that simmers.

“that i do want it.”

“you mean that?”

you nod your head. jack shakes his. “no,” he empties that glass of water. “i want to hear you say it. all of it.”

your cheeks flame. “i’m exhausted. you’re exhausted. neither one of us should wait. we're grown adults that see and handle naked bodies all day for a living.” you meet his eyes. "we can handle sharing a shower."

this seems to satisfy him. he nods his head towards his bedroom, and the truly beautiful adjoining bathroom. he approaches his fancy shower, starts the water, and turns it as hot as it will go. “i know you,” he says, almost to himself, as he pulls out two towels, two washcloths. “bet you like to give yourself a third degree burn every time you shower.”

casting your eyes down, you laugh, because of course he can guess such a small detail about you. you watch as he takes a small shower chair out of the shower and sets it to the side. he rummages through a cabinet before he pulls out a cover for his leg, sliding it on and fastening it properly around his prosthetic. it strikes you that this is not something he would let just anyone see. it strikes you, because you feel honored, and you feel humbled that he would share this part of himself with you.

the sound of the water running, the feeling of steam curling around you– it sets every part of you on fire. you and jack look at each other head on. “i’ll get in first, and give you your privacy.”

you nod your head. you turn around away from him as he undresses, the sound of fabric rustling and falling to the ground. you hear that way the pattern of the water hitting the tile change when he carefully steps in. “your turn.”

you peer over your shoulder, and meet jack’s gaze. he smirks and turns around, facing the wall, true to his promise.

hurrying up and following suit, you get in the shower after him. he turns around to face you, water beginning to cascade over the both of you. ”will you let me take care of you?” he grabs the bottle of shampoo and shakes it. “you worked hard today, kid. let me.”

his hands are sure of themselves when they touch you, take your shoulders and turn you around. they’re confident as he makes sure your hair is properly wetted. they’re steady as he pools shampoo into the palm of his hand and begins to lather your scalp. you can’t help it, you groan– your head falls forward. you feel his thumbs begin to rub at the base of your neck, the place where it feels like all of your worries from the day come to congregate. “jesus christ,” he hisses. “you’re tense.”

“nothing an ibuprofen can’t fix,” you try to joke.

he shakes his head. “you’re killin’ me.”

“i don’t have time to go to the chiropractor, or get a massage.”

“make time.” his hands, sudsy from the vanilla shampoo that you’d brought over a week ago, knead into your upper spine. “trust me. you can’t heal others if you don’t heal yourself.”

“did you read that in a book?”

“no. had a good mentor tell me that, years ago. army days.” his hands still before they move back up to your hair. “you won’t last if you don’t do the things you need to do, for you.”

“like have my attending wash my hair for me?” you ask, smiling at the wall of his shower.

“exactly like that.” he tilts your head back and forth, rinsing the shampoo out, before he lathers your conditioner in his hands and smooth out the ends with it.

for as intimate as this all is… it doesn’t feel scary. you’re so tired, that it just feels good to have his hands all over you. it sets you on fire, yes, but not the blazing kind, the kind that would make you push him up against the wall and ask him to have his way with you. it’s a slow, simmering fire. the kind that stays controlled. the kind that can burn ten times as hot. a true slow burn.

you turn around, and finally meet him, eye to eye. your eyes trail downward to his dog tags. without letting yourself think about it too hard, you take it, your fingernails just barely scraping his chest. you watch his chest rise sharply as you run your thumb along the engraving. his hands flex at his sides.

“your turn,” you say, taking his shampoo. he turns around, allowing you to reach forward and work it into his hair. he groans, a hand splaying on the tile. you admire the freckles that dance across his back, and before you can think too much about it, you touch one with your finger, trailing to across his skin from freckle to freckle. “who knew you were hiding all of these?”

“i’m irish,” he bites back, goosebumps rising on his skin. he looks at you from over his shoulder. he looks good enough to eat.

you take the shower head and use it to carefully rinse out his hair. he takes it back from you and spins you once more, making sure the conditioner doesn’t continue to linger in your hair. and, back to back, you pass body wash back and forth, listening to the sound of the other wash their body.

“you can’t wash your leg with that thing on, can you?”

“nah. i’ll get back in and use the seat and wash it after i crash. it can wait.”

you don’t push. ( one day, though you don’t know it yet, you’ll sink to your knees in that same shower and reach a level of intimacy you didn’t know was possible, washing his leg, tending to him. but today isn’t that day. )

as the two of you rinse off, you’re left with this feeling, this feeling that something has changed, shifted, morphed. jack’s hands touched you like you were precious. you offered him that same care. jack turns the water off. you reach for the two towels and pass one to him and you dry off, side by side. you climb out first, the fluffy towel wrapped around your body, and without thinking twice about it, you offer jack your hand to transfer out from the shower. the towel hangs low on his hips, and you have to force yourself not to ogle him. “just take my hand,” you urge, words soft.

jack does. your thumb slides across his knuckles and you hesitate to drop it, even as he has both feet steady on the ground. there’s only a foot of space between the two of you. when you look at him, he’s already staring at you. “i needed that,” he admits in the quiet space that exists between you. the vulnerable space. the one that you’ve created here, in your little post-work oasis. “thank you.”

“you don’t need to thank me. i needed it too.” you feel yourself start to grow warm. “i think i also need to smoke.”

he sucks in a breath, the tension finally snapping, both of you smiling, content. this is easy, this is routine: smoke, sit on the couch, relax. “yeah. i got a little pack of joints on the coffee table.”

“can i crash here for a few hours? then i’ll get out of your hair?”

“stay as long as you want.” jack says it without missing a beat. he scratches at his chest, leaving angry red marks in his path. you have to tell yourself that it is not appropriate to want to trace them with your tongue.

it’s also not appropriate to shower with your attending, your mind counters. that wasn’t appropriate, but you did it.

standing there, you accept that you would do it again.

[fleurvi]

Secret Talents | Arcane Women

Request for arcane women discovering you have a hidden talent.

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characters: ambessa, caitlyn, grayson, mel, sevika, vi

cw: Ambessa's is suggestive

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Ambessa Medarda - Dancing

She's sitting there in her chair, eyes fixed on you as your body moves to the music Ambessa picked specifically for you. You take care in each movement. The extensions of your arms and legs draw her in. She has a drink in one hand as the other, empty hand awaits your approach. Her eyes scan your body as you walk towards her, gaze lingering on your hips. When you had agreed to give her a lap dance, she had no idea how enticing you would be.

You kick a leg over her lap, body rolling directly in her face, and you see her hand twitch with eagerness. She keeps her hand at her side though, giving you time to work before she completely loses her patience.

“You didn't tell me you could move like this. I'm impressed. Should we test how flexible you really are?”

✩♬ ₊˚.✂️⋆☾⋆⁺₊✧

Caitlyn Kiramman - Sewing

Caitlyn comes to see you after training, muttering to herself about the noticeable tear in her trousers. You wait until she removes the trousers and asks her to pass them over to you while she changes into pyjamas. You reach under the bed for your sewing kit and find the right thread colour. Caitlyn joins you in bed, curious as to what you're doing. When she sees that you're sewing up the hole for her, it warms her heart. It's oddly domestic and makes you feel like an old couple that's been doing this for years.

She's quiet as she watches you work, wondering where you learned such a skill. You pass her fixed trousers back over, telling her they're good as new, and she checks your work, thoroughly impressed.

“This is pretty good. How long have you been sewing? I've got a ton more clothes you can fix for me.”

✩♬ ₊˚.✂️⋆☾⋆⁺₊✧

Grayson - Puzzle Solving

Being married, Grayson enjoys having some kind of domestic peace. A cozy break from her dangerous job. When she comes home from a rough day to see you sitting at the kitchen table, whizzing through a puzzle book, she feels a protective instinct bubble in her stomach. She wishes she could frame this moment and keep it forever.

She leans over your shoulder, watching as you clear through a page of riddles. You get the answers faster than she could've thought, and she admires your deduction method that you messily jot down in the empty spaces. Your intelligence is a trait of yours that she values highly.

“You should come and work for me. Your brain is incredible, you know that?”

Mel Medarda - Piano

Mel is a fan of the arts, whether it be musical, theatrical, literary or visual. When she finds a book of sheet music among your belongings, she asks you to play for her. She leans on the piano, watching as you play for her. The focused look on your face is adorable, and the natural way your hands move among the keys is enchanting. Your musical talents fuel her own creativity.

Mel asks you to play for her while she paints. Knowing you're playing for her inspires some of her art pieces. If you ever want to pursue music professionally, you have her full support. Until then, your music will stay her sole artistic muse.

“Can you play that piece again? It's my favourite. It reminds me of us.”

✩♬ ₊˚.✂️⋆☾⋆⁺₊✧

Sevika - Singing

Sevika's got a soft spot for you. She catches you singing when you think you're alone and stays until the final note. She makes sure you can't see her at first. Then, she makes herself known when you're finished. She lets you know how much she likes your voice. It's like a moment of peace for her.

She asks you to sing for her when you're alone after a rough day. Your voice is like a warm blanket over her. She doesn't want anyone else to hear you though. She's selfish and wants to keep you all to herself.

“You're like my personal little songbird.”

✩♬ ₊˚.✂️⋆☾⋆⁺₊✧

Vi - Art

She finds a sketchbook of yours with cute doodles in it and asks you to replicate the designs on her gauntlets. She keeps any pieces of paper, folded napkins or fabric that you happen to scribble on. When it comes to more serious and larger pieces, she's relatively well-behaved. She watches you work, uncharacteristically quiet, as she focuses on your movements. She struggles to shut her mouth sometimes, but she really likes seeing your final products, so she behaves.

She brags about your talents and shows off what she's kept of yours. She wants everyone to see how amazingly gifted you are. Anything she finds that has an indicator of your drawing makes it into her personal collection.

“Hey baby, I got new gear. How about you pretty it up for me?”

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thank you for reading!!!

my requests are open!

[vardapilled]

Haint Blue and Indigo: The Colors of Annie and Smoke

This is by no means an extensive history of haint blue and indigo*, but I just wanted to dip a bit into how much is said just by looking at one layer of costuming for Sinners. In this case color—how it's able to convey just how deeply rooted Annie is to her heritage/history, and to me, how this case of colors shows so beautifully Smoke's connection to Annie and his love for her.

"There's that haint blue that Annie lives around as part of a spiritual color. So I took the haint blue and used it in her clothes. I wanted her to have these layers. You first meet her [...] She's a community person. She's a healer, a spiritual leader." - Ruth E. Carter, Costume Design for Sinners (emphasis mine)

Haint blue is a color seen painted on porches, doorways and windows in the American South. As the name suggests, it was believed (though the oral histories are difficult to come by beyond the 30s), to ward off evil spirits. Using haint blue, according to the Gullah-Geechee, tricked evil spirts into thinking they had come across water or sky, bodies they were unable to cross, therefore deterring them from crossing over the blue.

Annie's costume was infused with this color; the blue on her cotton blouse and her skirt belted with feathers and beads. When we're introduced to Annie, her home has a collection of blues: from the wooden panelling, scraps of fabric hanging in the background, and blue bottles strewn about. This infusion of haint blue in her home is also a deliberate choice as talked about by production designer Hannah Beachler.

*Corrections, whether through comments or reblogs, for this post are definitely welcome! I cite my sources at the end of this long post.

This type of blue is not a specific color but rather, it becomes Haint Blue when it is used for the purpose of warding off haints, a belief rooted in Gullah-Geechee beliefs. (Though for technicalites' sake, it is a range of blues -> blue greens). After the 1800s, this way of using blue trickled down from the Gullah-Geechees in South Carolina to places such Louisina where Annie is suggested to be from.

The Old Plantation (Slaves Dancing on a South Carolina Plantation), ca. 1785-1795. watercolor on paper, attributed to John Rose, Beaufort County, South Carolina

Blue has always had a fraught history with enslaved Native Americans and Africans. The production of indigo was a profitable commodity demanded by the British empire as early as the 18th century. This production of indigo however, while it oppressed, was also a way for Black and Native Americans to express their individuality, and for people such as the Gullah-Geechee, their spirituality. Annie continues to draw strength from her roots and it's incredible to see it so profusely in so many aspects of her character, including her clothes.

So here is where I deviate a bit from "canon" per se, or give some interpretation of Ruth E.'s and Coogler's "Smoke is blue." We talk a lot about how the movie does a great job of showing how, though Smoke wasn't completely "sold" on hoodoo, but that he did very much believe in Annie. And that trust between them goes beyond what Smoke's willing to communicate through words (he wears the mojo bag through the war, through Chicago, and removes it only when he's ready to die. How he let's her take the reigns when talking to Cornbread. How he follows through with his promise as painful as it was).

"Smoke is blue. Stack is red." - Ruth E. Carter explaining how Ryan Coogler first posed the characters to her as a jumping off point for costuming.

Whether or not it's a conscious knowledge, I like to think that he dresses in blue as an extension of that trust. That bond between Annie and Smoke and the protection that comes with it bleeds into something as "ordinary" as Smoke's choice of color. One can say that maybe the color reminds him of Annie, and I also think there's some argument to be made about the universe answering Annie's prayers of protection, wrapping Smoke in an extra layer, another ward against evil.

----

Sources:

Blue Roots by Robert Pickney

Red, White and Black Make Blue: Indigo in the Fabric of Colonial South Carolina Life by Andrea Freeser

Haint Blue, the Ghost-Tricking Color of Southern Homes and Gullah Folktales

What the Color ‘Haint Blue’ Means to the Descendants of Enslaved Africans

Interviews of Ruth E. Carter and Hannah Beachler linked in the pull quotes above.

[ruesol]

Boxer!Sukuna who dedicates his first ever win to you

Note: female reader

Masterlist

Your heart was racing. Sukuna had prepared you for the fact that boxing arenas could get overwhelming with the constant yelling and cheering for violence, but you still felt uneasy watching your boyfriend receive punch after punch.

You knew your boyfriend was just a rookie boxer but you couldn’t help but pray that by some miracle, he would be able to defeat his opponent. He had been training specifically for this match for the past two months and had sacrificed his blood, sweat and tears for it. It didn’t help that his opponent was a seasoned winner.

Your chest tightened as Sukuna was struck down once again. All you could think about was how he would study his opponent’s moves late at night while you stayed up with him. You pressed your hands together, hoping that he would win by some miracle.

Almost as if on cue, Sukuna managed to dodge a critical hit and wound his arm to absolutely knock out his opponent. The other fighter fell on to the ground and did not get up even after the countdown. The referee grabbed Sukuna’s hand and raised it in the air as the crowd erupted in cheers.

You let out a sigh of relief and clapped as loudly as possible for your boyfriend’s triumph. It was his first win as a professional boxer. He was going to start making a name for himself pretty soon and you could only imagine what was to come after. He deserved this. It was all because of his hard work and resilience.

Sukuna’s tired eyes searched for yours in the VIP box and you smiled at him. He returned an exhausted one back to you and proceeded to do something you never expected.

He kissed his fingers and pointed to you, all your friends and in the VIP box began clamoring with teases and giggles.

Even while being adorned with his belt, Sukuna’s eyes never left yours. He mentioned earlier that your presence was integral to his success but you never knew it was to such a degree. You blew him a flowing kiss and he chuckled at the sight. He didn’t even bother to look at the cameras looming around him until his manager told him to pose for the pictures.

Of course, after his first win, he was immediately subject to a press conference. He sulked at first, hoping that he could share at least a moment with you before being bombarded with questions but he decided to get it over with so he could go home soon.

“Mr. Sukuna, how do you feel after your first win.”

“Fucking tired.” Your bruised and battered boyfriend replied. The crowded erupted into a few giggles and murmurs at his deadpan reply.

“Would you like to mention any people that helped you become a good fighter?”

“Aside from my coach, I want to dedicate my win to my girlfriend. She put up with a lot of my shit while training.”

You giggled at his reply from backstage. Supporting wasn’t a chore but it was extensive work. Cooking twice the amount of food so he could bulk, constantly having your sleep disturbed because he would train in the early hours of the morning, and not go too crazy when you ate out on dates was difficult but well worth the effort.

-

After the press conference, you two were back home. Sukuna had retired to your bedroom while you did the finishing touches of your night time skin care.

“The winner of today’s fight commands his woman’s presence.” Your boyfriend called out, urging you to hurry up. You put away your containers and walked to the bedroom. “I’m here, your majesty.” You sarcastically replied as you laid down next to him. He had a frown on his face from being alone.

He opened up the blanket to let you in and slotted you next to him with your back facing his chest. His arms wrapped around you as he tucked your head under his chin. “I forgot to congratulate you earlier.” You speak out.

He hums and squeezes you. “Thanks. Only took you 3 hours to say that.” You could almost feel him sulk.

“Can you blame me? You were surrounded by people. I needed to let you have your moment.” You reasoned.

“What about when we were driving back? It was just you and me in the car.”

“You fell asleep as soon as your ass touched the seat.”

He scoffed at your reply and pushed you away. “Whatever, it’s not like getting a congratulatory kiss from my girlfriend was the only thing I wanted.” He said as he turned his back you.

This man was a big baby. The world saw him as an upcoming and fearful fighter but here he was sulking over the fact that you didn’t give him attention.

You giggled and rubbed his back to soothe him. “I can still give you a congratulatory kiss if you want.” For a second, you swore that he almost turned around but he gave you the silent treatment instead. “Kuna,” you whined. As much as you cringed while saying it, you knew using that nickname was his weakness.

“What?”

“I’m sorry, baby. Let me give you the kind of kiss a winner deserves.” You said as you rubbed his stomach. The man turned around, eyes not meeting yours. He was still sporting the frown from earlier.

You held his face in your hands. Your fingers traced his tattoos and you could see his eyes rapidly moving because of your touch. You giggled and moved your fingers to his lips. Luckily, his opponent missed them during the fight so you could easily kiss him.

You slowly pressed your lips against his and he immediately reciprocated. While your touch was delicate with your hand on cradling face, his touch was rougher. His hand entwined in your hair as his body pressed to yours. Your tongue entered his mouth and he gladly welcomed it which a slight suck.

His free hand travelled down to your waist and rolled you on top of him. The kiss would’ve gotten more heated if he didn’t wince all of a sudden.

“What’s wrong, Kuna?”

He propped you back down on the bed. And grabbed the area right beneath his chest. “Ah shit, I forgot about my rib getting bruised.” You grimaced at the thought of him being in pain.

“Want me to get some ice? I can always sleep on the couch so I don’t end up accidentally kicking you.” You said out of concern.

His eyes widened and he quickly shook his head. “Don’t worry, it’s not that bad.” He grabbed ahold of your waist again and just pulled you close to him. “I didn’t win that trophy so my girlfriend could sleep on the couch. And since I’m a boxing champion, I can handle a few punches from you.”

“But-“

“Shush.” He pecked you on the lips to keep you from protesting. “This is how I wanna celebrate my first win. With you next to me.”

[blade-liger-4ever]

Why I think Miko Nakadai is arguably the best human character in TFP

Don't misunderstand, I know Miko was handled haphazardly throughout the series' run. That said, aside from her skipping off into the battlefield, she was actually a great character - and, in my personal opinion, the actual audience surrogate character in TFP.

Now, let me explain.

Although Miko's backstory is told and not shown - a rich daughter who had everything she could ever want, up to and including two pure-breed cats and piano lessons from age three onwards (which, coincidentally, tells us she's brainy despite her antics) - much can be inferred from what snippets of her past we get, along with her interactions with the Autobots. For one, she obviously can't stand most adult supervision, which is likely because of a few things. For one, back home in Japan, Miko would have had to be proper and polite, always restrained, and had to do what she was told. While this is normal (to an extent) in the West, in the East this is etiquette that needs to be obeyed, especially if you're as well off as she is; her actions, specifically in Japan, will reflect on her parents, but to a far lesser extent in America. Thus, when presented with the freedoms of the USA, Miko not only jumps at the chance for an exchange program that will give her the mobility she craves, she also chooses the place that has the least amount of glamor. By extension of choosing to settle in Jasper, Miko's also displaying two other traits: she's not afraid of going to a place vastly different from her home, and she isn't disgusted by a small town with very little monetary value to it.

Secondly, Miko's disregard for authority from adults but deference to the 'Bots teases us with an insecurity - namely, an insecurity that no adult ever gives her a chance to make her own decisions.

Just think about it: All the times Miko's blown off the human adults, it's when they've tried to decide her life for her. Miko has, from what we can see, had her whole life dictated, up to and including those piano lessons. She may be a prodigy at almost everything, but her preferred instrument is the guitar - and yet, she wasn't given lessons in that from the time she was a toddler. Therefore, she feels confined and controlled by the authority of her elders. And so, while Miko may be able to sway Bulkhead into getting her out of detention and consistently slip past the watchful eyes of the 'Bots, it's out of a desperate motivation to control her own life. Now, she does hold too much interest in the battles and getting to watch them, but wouldn't you have that same eagerness if Gundams or Jaegers came to life before your eyes? Yes, she knows their lives are in danger, that they couldn't come home, but there's still a fantastical element to all of this about the Autobots. And it remains so because while she loves them all, Bulkhead is the only one who, while giving her life advice and trying to keep her in check/alive, lets her make her own decisions and take control of her life and her actions.

And that's why she keeps going to the field. That's why she only listens to the reprimands with half an ear and why she recovers so fast from Optimus' near death experiences, as well as Raf's close call with death.

And that's why Miko's world shatters when Bulkhead is left in a half-dead coma from his fight with Hardshell. Because the one person in the universe who gave her freedom and care without deciding her life for her was not just seriously injured, but possibly on death's door.

That's why Miko runs around without a care until the S2 episode "Hurt": because she wants autonomy to decide her life, even if it's stupid choices that could get her killed.

And after "Hurt", we see a new Miko. Yes, she remains gung-ho and fierce, but she stops running onto the battlefield. She takes less enjoyment from the War. Because now, with the reality of war fresh in her mind, she knows the risks and the stakes involved, and she will never take that or her friends for granted anymore. This is further proved when Miko 'sneaks' along for "Chain of Command", but with a twist: she asks Wheeljack if she can come along - and if memory serves, this is the first mission Bulkhead's been on with herself present since the events before "Hurt". Clearly, Miko is still worried about losing Bulkhead - only, this time, she values the words of the 'Bots, and now seeks permission to join a mission, though she wisely asks Wheeljack for this blessing.

This is the beautiful part of her arc, crowned by her battle with Starscream and his Seekers (which is also just straight up awesome.) When she's kicked the afts of everyone, and Starscream tries to intimidate her with his usual "I killed Cliffjumper" speech, Miko's response is this calm, slightly rough, retort:

"Big whoop. I snuffed Hardshell."

In this moment, Miko Nakadai is shown to have grown from an excitable child into an unyielding, but mature, adult warrior. She no longer treats the War and the 'Bots like a game, or a release. She treats them as her friends who she will gladly risk her own life for.

And that, in my opinion, makes her the best human protagonist in all of Transformers: Prime, and Transformers media in general.

As for what I said earlier about her being the true audience surrogate, be honest with yourselves: If any of us were given the chance to meet the Autobots, wouldn't you be just as irrepressible as Miko, as eager to help as she was, and tempted to go to the battlefield to see the action/make sure your 'Bot wasn't going to die? That's what I mean when I say she's the audience surrogate - Miko acts like we would, and learns as we would about the War and the 'Bots if we suddenly came across them.

That's my two cents on Miko, and why she's the human character I respect the most in Transformers...probably of all time. If you liked it, I'm glad; Miko deserves better, and I hope I explained why well.

Til next time, folks!

"Autobots, transform!"

[meshalagna]

Astro Vedic Observations pt.3

Saturn ruled women/ Saturn Ascendant Women- Very beautiful face structure .

• Vibe: Sculpted, angular bone structure (think sharp cheekbones, defined jawline) • Takeaway: Statuesque, disciplined beauty

Leo in 12th house and Leo stellium in 12th house- may not make u as show off as other Leo stelliums or Leo natives may make u more minimalist.

• Vibe: Creative gifts kept behind the scenes • Takeaway: Quiet flair—more introspective than showy

rahu in 2nd house- esp in Taurus u like to eat different types of food may tend to like a specific cuisine that they were not born into . something unusual about there childhood or father maybe both.

Your 5th-House Ruler & Body Pleasures

The 5th house rules ......

Intelligence & Learning

Creativity & Self-Expression

Romance & Love Affairs

Children & Progeny

Past-Life Merit (Punya) & Speculative Risk-Taking

Spiritual Creativity & Mantras

Recreation, Play & Leisure

Depending on where your 5th lord is and what sign is in your 5th house you can determine these aspects in your life.

5th Lord in 1st House (Ascendant)

Self‐expression & Creativity: You wear your heart on your sleeve—your creativity is woven into your personality.

Romance & Magnetism: There’s a natural playfulness about you; you attract admirers easily.

Children & Legacy: You identify strongly with your offspring or creative “projects,” often seeing them as extensions of yourself.

5th Lord in 2nd House

Creative Speech: You may find your art or ideas expressed through writing, singing, or speaking.

Romance & Values: You seek partners who share your core values or enrich your sense of security.

Finances & Speculation: Luck can come via investment, teaching, or speculative ventures.

5th Lord in 3rd House

Creative Communication: You’re quick with witty banter, storytelling, or social‐media flair.

Courage & Initiative: Boldness in learning new skills or hobbies; you thrive on mental challenges.

Siblings & Networking: Joy often comes through partnerships with siblings or close peers.

5th Lord in 4th House

Domestic Creativity: Your home is your canvas—gardening, interior design, or cooking may be passions.

Emotional Roots: Romance is nurtured in private settings; you crave a cozy, stable love life.

Children & Heritage: Strong ties to family traditions; you honor ancestry in how you raise kids.

5th Lord in 5th House (Own House)

Pure Strength: Native place of the 5th lord—creativity, romance, and children flourish naturally.

Self-Confidence: You shine in any activity that lets you showcase your talents.

Fertility & Play: A rich imagination and abundant joy in playful pursuits.

5th Lord in 6th House

Service-oriented Creativity: You may find fulfillment teaching, healing arts, or creative therapy.

Romance & Duty: Partners might be coworkers or share your service ethos.

Health & Routine: Creative outlets tied to wellness—dance classes, dog‐walking clubs, etc.

5th Lord in 7th House

Partnerships & Play: You express your creative side most fully with a significant other or in collaborations.

Romantic Contracts: Marriage can bring children or spur creative projects.

Public Image: You present a charming, youthful persona in social settings.

5th Lord in 8th House

Transformative Creativity: Your art or romance has a deep, intense quality—think poetry born of pain.

Shared Resources: Gains (or losses) through partner’s finances, inheritance, or speculation.

Mystery & Magnetism: You attract lovers who are enigmatic or drawn to taboo subjects.

5th Lord in 9th House

Creative Vision: You channel your gifts into teaching, writing about philosophy, or world‐travel inspired art.

Romance Abroad: Partners from different cultures or faiths.

Children & Belief: You impart moral or spiritual values to your offspring.

5th Lord in 10th House

Career Creativity: Your profession may involve art, entertainment, or anything requiring imagination.

Public Recognition: You gain fame or status through your creative talents or by being a “child” of a public figure.

Romance & Ambition: You seek partners who support or boost your reputation.

5th Lord in 11th House

Social Creativity: You thrive in group projects—bands, theater troupes, online communities.

Romance & Friendship: Your lovers may start as friends or meet via networks.

Gains through Creativity: Financial rewards come from social circles or collective ventures.

5th Lord in 12th House

Hidden Talents: You may be quietly creative—writing in solitude, composing music in private.

Romantic Seclusion: Affairs might be secret or detached.

Spiritual Joy: Creative self-expression channels through dreams, mysticism, or charitable work.