#spring 2019 edition

[peonies-and-dreams]

such hours are beautiful to live, but very hard to describe

[myfashionburden]

rodarte ready-to-wear fall/winter 2023

[leafleerob]

The Sun and The Moon ☀️🌘

[so--much--stardust]

i want to feel what there is to feel while i am here

[zoennes]

Todɑy wɑs ɑ fɑirytɑle

[knittinganddrinkingtea]

Alberta Ferretti Limited Edition Spring 2019

Model: Josephine Le Tutour

[sleepy-vogue]

Victor & Rolf Spring 19 couture

[bakuhatsufallinlove]

Let's talk about Jump GIGA

Jump GIGA covers, 2016-2024. Volumes are published (left to right per row) as Winter, Spring, Summer, and Autumn releases, with 2018 and 2019 briefly breaking the pattern by having three Winter and three Summer volumes each. 2023 has an Early Spring volume in addition to the standard four.

So, people have pointed out that the 2024 Spring cover is, uh, not like other covers.

But I've only seen comparisons to other MHA GIGA covers and MHA Weekly Shonen Jump covers. Out of curiosity for what GIGA's typical marketing aesthetics might be, I put together a comparison between all of Jump GIGA's covers to date.

And, um. Some things stand out, to say the least.

First, let me clarify what Jump GIGA even is: it is a seasonal magazine from Shonen Jump, published separate from Weekly Shonen Jump. SJ is an absolutely massive brand and they have a number of magazines serialized outside of the most well-known weekly magazine.

The content of Jump GIGA is primarily made up of one-shots and spin-offs. From the beginning, a lot of the appeal has been the cool cover illustrations which showcase special merchandise that comes with the purchase of GIGA. Usually the cover also promotes big things going on related to the WSJ series, like movie events, new games, or special figurines for sale.

The marketing aesthetic has been clear from the start: the cover consists of one core illustration and a number of ads surrounding it. Most often you get a cover illustration of a protagonist, and then ads and merch for other series, e.g. Food Wars protagonist cover with One Piece film promotion and Haikyuu!! merch.

The purpose of this marketing direction is pretty obvious. Spin-offs and one-shots are not likely to generate a ton of interest consistently, so they lure people in with the cool covers and tempting limited edition merchandise of the series they already know and love. In this way, highlighting one series with the cover and different series with the merch makes sense, because maybe somebody doesn't care about Food Wars, but they definitely want those Haikyuu!! stickers, stuff like that.

Starting from 2020's Autumn volume, you can see a shift. For the first time, basically all of the merchandise is for the cover series. The Demon Slayer manga had already ended five months earlier in May, but a two-chapter spin-off was scheduled for release in WSJ during October. This GIGA was released exactly one day before the second chapter was published and it capitalizes on the hype.

After this point, only MHA and Jujutsu Kaisen dominate the cover and the merch in quite this way, with Black Clover getting attention last volume as a way to highlight the fact that it actually switched syndication from WSJ to GIGA.

Anyway, most commonly the cover illustration is a solo shot of a core cast member (usually but not always the protagonist), and if it's not a solo, it's a big cast illustration.

Only a few covers focus on two characters, and usually it's a crossover as opposed to characters from same series sharing the limelight.

Here we've got Food Wars' protagonist with the main characters from Dr. Stone and Act-Age.

The two covers most similar to the Izuku & Kacchan cover are 2022 Winter and 2023 Autumn.

Winter depicts the main trio of Blue Box in a seasonally-appropriate aesthetic. Not gonna lie, this one kinda makes me laugh--Blue Box is a romance and sports manga, and even though Christmas has a romantic air to it in Japan, instead of depicting any sort of like, hesitant but hopeful romantic energy between the heterosexual couple that actually get together later in the series, they focus primarily on the two girls being cute with the guy is a wee footnote? I mean, all right.

Meanwhile, Autumn depicts one of the protagonists with the series antagonist with a typical cool action style. I'm not very familiar with JJK, but I hear these two have got Some Drama going on, so, there's that.

The merch itself has also evolved over the years. Stickers and posters were present early on, but they have since expanded to decorative folders and now acrylic stands and coasters. 2021 Summer sees the first time the cover illustration is marketed as merch, with the Jujutsu Kaisen cover included as a decorative folder.

Right after that, the Kacchan cover of 2021 Autumn is included as a poster alongside earlier covers featuring Todoroki and Izuku.

2023 Summer's cover is a huge, wrap-around MHA cast illustration and it was published three days after chapter 396 came out, strategically timed to highlight the big shift in the final battle as Ochako vs Toga ends and All Might vs. AFO begins. Merch includes a decorative folder of the wrap-around cover and character motif stickers.

And then we get this!?

A duo cover illustration where the cover art itself has been merchandised to hell and back!?!?

Acrylic stand and pin set!?

Double-sided coaster showing bkdk greatest hits!? With volume 29's river scene cover!?

There's also a double-sided poster featuring the Spring cover with the ninth popularity poll art and a decorative bag with the anniversary art. The cover art itself is plastered all over the volume, front, back, and spine, apparently a total of 19 times.

I honestly don't know what to say about this. It feels wild that this is actually what the cover is. Obviously it is a huge marketing push in anticipation of season 7, and Izuku and Katsuki are the most popular characters, but. it just feels... unique.

In the course of Jump GIGA's publication, this direction is kind of unprecedented. Genuinely no one could have expected this. This seems to be the first time there's been this much merch for a cover. And it was a solid fucking move, marketing-wise--it's sold out basically everywhere, everyone is talking about it. And even people who don't follow the series or ship these two can't help but comment on how strikingly romantic it looks!?

I don't know how much say Horikoshi had in what the cover was, but damn it sure feels like he drew this with immense affection. I kind of wonder if he personally pushed for it to be these two, rather than the typical solo shot, cast shot, or even a protagonist vs. antagonist shot.

I'm KO'd, man. idek if this post is useful to anybody I'm just on my hands and knees here.

Everybody knows what we're all here for, and it's these cute boys finally getting their happy ending.

EDIT NOTE: I gathered much of the information and many, many of the images in this post from a fan-made Jump Database. I neglected to say it properly when I first posted this, but special thanks to the very dedicated people who maintain that website!

[bfpnola]

Trans Reads is an ambitious project created by and for transgender people to openly access writing related to our communities. We believe education should be free and writing shouldn’t be behind a paywall. Transreads.org provides the opportunity to access, discuss, and distribute texts for free.

If you’re looking for books, chapters, texts, essays, or articles by, for, or about people who transverse or transcend western gender norms, you’re in the right place!

Trans Reads was formed through the work, consulting, and creativity of an anonymous group of trans people of various genders and races around the U.S. involved in organizing, academia, and trans liberation efforts. Trans Reads was launched in 2019 following increasing violence against trans people alongside the lack of accessible resources for trans people to learn about our own community.

There is a serious barrier for most trans people accessing content from our community. Trans people on average have less disposable income, time to read and purchase literature, and knowledge of the available texts. We created Trans Reads to address this problem directly. We offer the largest collection of free trans texts on the internet.

Get Involved:

Trans Reads is almost entirely generated through user content. By uploading, you can help a trans teen in a rural area learn about other girls like her. You could help a trans student who can’t afford a textbook easily pass their class. You can even share your own writing with the world on an easy-to-use platform exclusively for trans content. You can help grow our collection on our upload page. If you are interested in helping us upload texts for our collection, you can reach out on our contact page.

Ethics:

We are faced with the common ethical question about hurting the sales of trans authors. However, the largest ever study on piracy actually found that the piracy of copyrighted books, music, video games, and movies has no effect on sales. In the case of video games, piracy actually helped sales. As far back as 2002, we can see piracy boosting sales of media. Trans Reads strongly encourages you to purchase the books that you enjoy here or find other ways to support the author.

Academic authors rarely – if ever – see income from sales of their books, articles, or chapters. Most want to remove the paywalls withholding their content. Trans Reads is open to collaborating with authors, publishers, and journals on making this a possibility through our website.

History:

In 2014, Leslie Feinberg published the 20th-anniversary edition of Stone Butch Blues, one of the most influential works of transgender literature. The novel was a way for trans, gender nonconforming, and queer people to realize ourselves. It told us we aren’t alone. However, when the publisher went bankrupt, Leslie had to struggle to regain ownership over hir own novel.

“I had to work to recover my rights to Stone Butch Blues. When the first publisher went into Chapter 11 court, I had to spend thousands of dollars of my wages on legal fees to recover the right to this novel… While very ill in Spring 2012, I recovered my rights again.”

Ze didn’t want the book to be released as a film adaptation exploiting hir story for straight fantasies. Ze also used the opportunity to make the book more accessible. First editions shot up into hundreds of dollars. The least expensive print versions are still over $30 on Amazon. This simply isn’t affordable to most queer and trans people. The fight ended with Leslie publishing hir novel on hir website as a PDF, a strategy of reclaiming transgender narratives from greedy publishes by collective ownership of the text.

Trans Reads is dedicated to the memory of Leslie and all those who feel alone. Most individuals don’t have institutional access and cannot afford to pay for texts. Transreads.org allows visitors to effortlessly read texts by, for, or related to trans people online for free as PDFs. Trans Reads is the space where anyone can easily discuss, add, or download trans content.

This project is intended to foster discussion around the current state of learning. We refuse paywalls and withholding education. Trans Reads provides the opportunity to access, discuss, and distribute texts related to our community on its website in a matter of seconds.

Knowledge, learning, and community must be de-commodified for our collective liberation. Take it from Leslie:

“And on the day those paper deeds of ownership are torn up, it won’t matter about protecting Stone Butch Blues anymore from commercial exploitation.”

Authors shouldn’t live in fear of their work being exploited or inaccessible. Trans Reads is just one small part of trans autonomy from corporate publishers. However, it is a necessary step toward engaging with our radical history, politics, and futures.

Click here to upload a text.

[discord-lurking]

Dungeons and Daddies Wiki Drama: A Greek Tragedy Told through the Medium of Forum Posts (Part 1)

Prologue

Greek tragedies are typically formatted in three or more acts interspersed with choral interludes, beginning with a prologue, and ending with an exodus. In these, protagonists often meet their downfall due to their fatal flaw, or hamartia: the ways in which the protagonists are their own undoing. Our own human failings are the things that bring us the most pain.

When considering a three-act Greek tragedy structure for this, my first thought was to use the Oresteia as a framing device, a trilogy of plays written by Aeschylus about Agamemnon's family in the aftermath of the Trojan War. Upon reflection, though, the themes of the Oresteia (revenge vs. justice, perpetuating a cycle of violence, honor and punishment) didn't quite fit the story I was trying to tell.

No, this is a classic tale of hubris: excessive pride and its ultimate downfall.

After all, what position could come with more power than that of wiki moderator for a Dungeons and Dragons podcast series?

Act One: The Beginning of the End

The D&Dads wiki has historically been... unhelpful, at best. (Source: Myself.) Trouble had been brewing for a long time.

Forum posts from spring 2022 began noting issues cropping up around the wiki. First, it was a complaint about anonymous users "disrupting" the wiki (specifically on Jodie-related pages) while also fixing mistakes in articles.

I'm unsure what specific "disruptions" were meant, but the proposal to ban anonymous users didn't garner much traction.

March 21st, 2022:

After little activity for months (only one forum post, related to infoboxes), wiki user TwoRatner had a radical proposition: wiki migration.

December 17th, 2022:

TwoRatner suggested an alternate platform that would have different editing options, then made a potentially-prophetic statement: the wiki might be cursed.

This warning went unheeded.

December 27th, 2022:

Ten days after the migration suggestion, TwoRatner came back to ask if there were any recent changes. This went unanswered for months until new user Penguinwithafancytophat reported adding art to character pages (including Glenn, a main season 1 character since the start of the podcast in 2019, who incredibly might not have had any official art on his wiki page before March of 2023).

Spring of 2023 seemed to bring along a revival of the wiki, with new editors coming in, engaging with the forum, and attempting to make suggestions on how to improve wiki organization.

March 31st, 2023:

May 27th, 2023:

July 17th, 2023:

October 2nd, 2023:

Interestingly, the only administrator seen to be interacting with these enthusiastic new editors? Gaycowboyrats. Let's put a pin in that.

Enter: the drama.

It started out simple enough- a forum posts for administrators to discuss changes that needed to be made.

November 3rd, 2023:

76 replies.

Seventy. Six. Replies. Each deeply interesting in its own way.

However, this is a Tumblr post, not an Hbomberguy video essay, so I'll keep it brief.

The discussion started out as one might expect a wiki admin discussion to start:

Mods discussed blocks, deleting stub pages, spam, etc. Standard wiki business.

The first reply to ping my interest:

Removing cast pages from a wiki about their work seemed like an odd decision, in my non-wiki-editor opinion, but the last line is what really stuck out: "Besides, I hate the idea of someone vandalizing the pages to defame them."

Several questions arose for me:

Was this a known problem? Were people constantly vandalizing cast pages?

Would a vandalized fandom wiki page really defame somebody?

Isn't the point of wiki editing to remove vandalization on articles?

The administrators began to stand out to me as deeply invested in a very specific sense of wiki justice.

Users TwoRatner, Brazil86, and TheOneTrueGod41 agreed with Honic's take.

Another thing to ping my interest: these users seemed to share a similar odd, slightly stilted, writing style. Almost Tommy Wiseau-esque.

Brazil86 expressed optimism about users engaging with wiki pages, something that would begin to set them apart from other administrators.

As I read, themes began to emerge: wiki justice, and incongruous one-liners.

Quoth Honic Washington: "I just found a wave of nonsense fish. My backyard is full of them. Hey, TOTG41, do you like jazz? I like jazz."

Truly, modern poetry.

Administrator Marth8204 suggested giving people more time. More time for what? Unclear. It seems a plan was afoot.

TwoRatner came in with a hot take: "I feel like we need a community more right now, than adding links that people can search for in the search bar."

Brazil86 agreed: Changing the navigation was less important than getting people editing and making friends.

Another theme began to emerge: wiki community as more important than wiki functionality.

Gaycowboyrats had some (incredibly reasonable) objections to this, pointing out that the wiki was a resource for many visitors who might not participate- something that is generally true of wikis as a form of content.

Honic Washington responded to this, the signs of wiki-related stress beginning to show.

Honic posts a long rant about the thankless task of moderating a wiki, which goes largely unacknowledged.

Notable TwoRatner quotes:

"You can't crack open a few omelets without punching a few egg-rolls."

"Now Freddie will get more money. What do you all say? I think I helped quite a bit."

Another theme emerges: discontent in the wiki moderator ranks.

Honic reaches full Joker mode. Again, this goes largely unacknowledged.

Honic: "I am leader. I am a painter! Keep your rules. Keep your status. Keep your friends."

"Keep your status"- words that will reverberate throughout the rest of this tale.

The final theme? Wiki moderator status, and the maintenance of it.

After Honic's bomb drop, conversation about regular wiki moderation continued, with mods considering the addition of a bot to make edits.

Admin Discussion Zone, first started by Honic Washington, ends not with a bang but with a whimper.

Over nearly a year of forum posts, patterns emerged.

Firstly- users attempting to engage in the wiki, wiki administrators not engaging with these new users, then wiki administrators bemoaning the lack of user engagement.

The notable exception was Gaycowboyrats, the only wiki administrator to engage with new users in the forums. Gaycowboyrats, the administrator whose (incredibly reasonable) suggestions ended with Honic Washington's villain-esque monologues and denouement as a moderator.

Secondly- administrators putting forth large-scale, drastic solutions to real or perceived wiki problems. This includes Cheesoid4 wanting to ban anonymous users, TwoRatner suggesting site migration, Honic deleting cast pages to prevent vandalism, and more to come.

Thirdly- wiki administrators seeming to share similar styles of speech and occasional non-sequiturs. Interestingly, this mainly seems to include the wiki administrators who agree with each other.

Funny how that happens.

Chorus

Stay tuned for Part 2, where the forum drama really starts to heat up.

[f1-birb]

I love how A lot of ex McLaren Drivers nasilały adopted Lando and they love him. Lewis, Jenson, Fernando or Mika.

~ Nando adopted him from Daytona 24 onwards. With Daytona he was so impressed with little baby 18yo Lando during the race that he went on to borderline wax poetry, and then Lando was the test/reserve for McLaren and did his apprenticeship in 2018, so when he wasn't racing in F2 he was learning the ins and outs, doing all sorts of jobs from sweeping the garage to making tea, and he learnt a lot from Fernando (probably insane to him since it was Lewis and Nando in 2007 that got him into F1 and McLaren) ~ a little bonus:

EDIT: thanks to an anon for the additional info, these two go further back than I was aware of! Lando was doing his internship at with McLaren as well as doing some test driver duties in 2017. 2018 was when they were in a team for Daytona 24 together and he became McLaren's reserve driver. And even before that, he's known Fernando since he won the WKC in an FA Kart

~ Jenson seemed to love Lando basically from the start, this interview springs to mind in particular, they're both Somerset Boys, and then he seems to have grown more and more endeared. Jenson has usually vouched for Lando for things, and the feeling is clearly mutual too from how at ease Lando is during interviews with JB

~ Lewis was actually a bit of a surprise, but seemed (to me at least) mildly amused by the rookies and Lando, I'm distinctly reminded of Silverstone 2019 and the iconic press conference, but Lewis' fondness for Lando in particular seemed to come after Sochi and then grew from there, and there's been a lot of sweet moments since. There's a few instances over radio, Lewis checked on Lando when he was sick in Barcelona last year and sitting on the floor under an umbrella during the drivers parade, stealing Lando's bucket hat, a few drivers parades this year where we saw the two of them talk to each other for most if not the whole thing

~ I haven't seen too much with Mika and Lando, but I know he's been pretty complimentary about him, and also turned heads when he made the bold claim (at the time) that McLaren will be the ones to challenge Red Bull and then lo and behold Austria and then the upgrades since and here we are

[arrakisser]

PAUL ATREIDES (HIGH FASHION EDITION)

Elie Saab Fall 2022 Haute Couture Balmain Fall/Winter 2016 Paris Ann Demeulemeester Spring 2019 DUNE: PART ONE, TWO (2021, 2024) dir. Denis Villeneuve

[haveyouseenthishorrormovie]

SUMMARY: Jack, a man desperate to improve his life throws away his beloved childhood plush, Benny. It's a move that has disastrous consequences when Benny springs to life with deadly intentions.

This movie is one the mod recommends more on the basis that one man, Karl Holt, directed, wrote, produced, shot, edited and starred in this movie. He created the design of Benny, and did the VFX for him too. It's truly a passion project.

[outrunningthedark]

regarding ryan clearly stating multiple times that eddie is heterosexual, do you know if that has ever happened before? was he ever this unambiguous? and what about oliver? has he ever talked about buck's sexuality in definite terms? i know he agreed with the view that buck is bisexual but i wonder if he ever said in an interview or somewhere that buck is heterosexual.

This question got me going on a deep dive (and having fun). SO. With the caveat that I ofc have not uncovered every EARLY interview in print, the short answer is: No. But I brought context! Oliver, interestingly, (from what I can find) did not have to deal with much Buddie speculation from journalists in season two and even early season three during the tsunami arc. Here's a TVInsider article about Buck, Actually that calls Buddie a bromance. Oliver says something we heard when he was doing promo in March - supporting Buddie means people care about the characters and the show, so was happy know the fans are so invested in the story. Here are three articles about the tsunami arc that focus on the Buck and Christopher dynamic instead of Buddie. Here's an article previewing the the second half of season 3 in which Buck and Christoper are once again mentioned, and Oliver gave this response that I have NEVER seen mentioned (👀): "I'm just waiting for Buck to be called [Christopher's] godfather." I did find ONE TVInsider interview for the 3B premiere where Oliver said Buddie was a "friendship, bromance, whatever you want to call it" BUT also allowed for the possibility of it being romantic in the future after discussing the Buddie edits he and Ryan find on social media. (He was definitely not looking at his character as fully hetero just from edits/clips because that RS article we've all decided to ignore said season four was when Tim first brought it to Oliver as a possibility.) As for Ryan. Like I said, I can't find anything atm where he *explicitly* refers to his character as straight or heterosexual, but his answers have never offered room for SERIOUS speculation. Interview with Anthem Magazine from spring 2019 in which Ryan first (? I think) brought up two men having emotional ties to each other being a "taboo quality". (And we can see his mind hasn't changed, understandably.) Here's another with TheWrap on Eddie Begins where he says Buck's reaction to thinking he lost Eddie would be the same for anyone who thought they lost a brother. Bonus: This is also the interview where he mentions having assumed Lena was going to be set up as LI and was surprised it didn't happen. Ryan was asked about the Buck/Abby reunion to close season 3, calls Buck Eddie's "wingman". Just for comparison. I'm also gonna include a link to a Hello Mag interview (with the well-known Buddie shipper) where she REALLY took advantage of the Buckley-Diaz story line after the shooting. (And where I *personally* think Buddie started getting out of hand with the media because of the online reaction. If people on instagram and twitter and tumblr didn't know what Buddie was before, they definitely did after 4x14.) I'm still keeping my eyes peeled, so if I spot anything else to add that I think would be of interest, I will be sure to do that. :)

[joshuarenfroe]

Solange for i-D Magazine’s Spring 2019 “The Homegrown edition” by Tim Walker.

[all-things-are-nothing-to-me]

The leftist mind can not comprehend having ethics. States and autonomy can not coexist.

They also don't understand what critical support means, it's support while being critical of the thing. Big shocker. You can support & show solidarity with Palestinian people and take action against zionism without blindly supporting states and antisemitic groups. It's why I say critical support for Fauda, a lot of the time what they're saying doesn't even sound like anarchism to me but they're on the frontlines against zionism and they're not reactionaries so they get some love from me.

Leftoids grow a spine.