i have so much love for the ending of Lost. they said despite the suffering you went through together, your time with these people was the most important thing in your lifetime. here’s a chance to fully experience it again without the pain, sorry it had to be like this the first time<3
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one more thing about phantom traveler that excited me: the ending scene where sam and dean call john's phone and hear his answering machine.
dean is upset by this confirmation. it's the first time dean has had to really grapple with the truth: that john is intentionally avoiding them, that he's fine, actually, and that he's not in danger. it shatters the illusions that have driven him since the first episode, and this is disappointing. it's a betrayal of the expectations he had for his father.
phantom traveler is an episode about fear—dean's fear, specifically. the A story introduces his fear of flying, but it also gives indications of what else he's afraid of.
the episode hints at the perhaps surprising rigidity of their roles in hunting, with dean as the more active fighter and sam as the more passive intellectual, even when dean is scared stiff on the plane. given further context throughout the season, this can very well be extrapolated to mean that dean is afraid of sam getting hurt. he has to protect sam; that's his job, and taking on the more physically dangerous role and leaving sam in a safer position allows him to ensure that protection.
in other words, dean is afraid of losing sam.
the end of this episode hints at another, similar fear. if the episode is about fear, then dean's reaction to john's betrayal should logically also be about fear. the betrayal here is that john is running away from them, leaving them behind, avoiding them. he's intentionally breaking apart the family unit, and since john presumably doesn't know that sam is with him, that means john is intentionally leaving dean alone.
so dean is also afraid of losing john, and of being alone (aka, without a family).
we've seen this before, and we'll see it again.
dean's desire to be surrounded by his family also informs his fear of being alone, abandoned by his family or separated from them. it informs what he's willing to do to avoid that outcome, by, as seen in this episode, shoving his fear aside to perform his role (and as we later learn about him, by remaining blindly loyal to john, a result of his failure to protect sam from the shtriga).
this is the episode that truly begins dean's narrative arc, pushes him out of his comfort zone both through the A story with the plane demon and through the B story with john's answering machine. dean will not be able to return to the comfort and security of his loyalty and will instead have to confront his fears as they become more and more inescapable. sam's overarching conflict between family and freedom began with the pilot, and now four episodes in dean's conflict has been forcefully dug up and he can no longer avoid the choices he'll have to make.
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Rewatching Season 1, just closed Episode 7 again, and now I'm thinking about Jim.
Jim, who lost their father right in front of them.
Who inherited a legacy of revenge they never wanted.
Who was taught over and over again that life is pain and disappointment and burden.
Who left home all alone in the world to get their vengeance at their Nana's advice.
Who found Oluwande as a way into Spanish Jackie's proximity to get the man who stole their whole life.
Who ran away with Oluwande at their heels, the first time they've run with someone running with them.
Who had to hide and lie and keep their lips sealed to board The Revenge and did so with only a single ally they could trust.
Who had to slowly learn how to talk, not in the literal sense, but metaphorically, to be vulnerable.
Who saw their Nana again and let themselves be sent back to a life of settling a tiresome grudge.
Who had to decide, for the very first time themselves, that they wanted the good out of life.
About Jim who went back home, to The Revenge.
Who got back just in time to kiss Oluwande and hold him close and bed him in their shared room. Who lost him just as quickly. Who was alone again, but in an entirely new way. Who woke up with a pounding headache pinned under glowering eyes. Who's been pushed to the breaking point of killing and raiding without a cause to believe in.
Who still held so much heart and longing for closeness. Who told Fang stories to help him stop crying and laugh, who even did the little wooden boy voice to make sure it worked. Who started to fall for Archie in the middle of all the hurt and cold loneliness that took a hold of their home, of their Revenge, the only one they've ever really cared for.
And then... just when Ed seemed to be getting better than he had in a while, they were in a storm. Surrounded by screaming weather and getting soaked with rain. And as they find themselves staring down the barrel of death, only hours or minutes from complete destruction and erasure, they are commanded to snuff out their recent string of hope.
And Blackbeard cackles as he tells them all love dies, he was just hastening the process.
And it hit them again, with the same force as Archie's fist hits their jaw... it's the same thing.
"Life is pain."
"Life is disappointing."
"Life is pointless if you aren't mad and making a statement."
The world was telling them again, that was how it worked.
And they didn't listen. They didn't bend to the universal law they kept having barked into their face. Instead they reached down, and pulled Archie to her feet. And Jim pressed their forehead into hers. Knowing they were going to die soon. It was just a fact, Blackbeard was always going to blow the mast, no matter if they listened.
So Jim was going to stop fighting. Stop scrambling desperate and scrappy to survive. They were just going to hold the little bit of love they had within reach, and wait for the Life that's aways been hard to end.
More OFMD
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With the last couple years bringing us many very frustrating shows, it is so refreshing with good omens to be frustrated for the right reasons.
We're not frustrated with the writers for making nonsensical characters decisions that fit only with their vision of the show in their head and not what is actually on screen. No, we're frustrated with the characters for making perfectly understandable, in character decisions, that are only frustrating because we can see the whole picture as an objective viewer. We're never stuck going "what the fuck were they thinking" cause we can see perfectly well what they were thinking.
I don't know, it's just nice to be able to say "fuck you (affectionate)" to the creator, instead of "fuck you (derogatory)"
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