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#still can't believe they recorded the song in one take at like 3 am...... THOSE ANIMALS ARE SOOO GOOD!!! SO TALENTED!!!
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May 18th... HOUSE OF THE RISING SUN DAY!! 🥹🌅✨️🐾
(outfit inspiration from @stellatheanimalsbandicons) ✨️
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earlgreytea68 · 1 year
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LOOK AWAY IF YOU DON'T WANT SO MUCH FOR (TOUR) DUST SPOILERS, OKAY?
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Set list:
(1) That Pink Seashell spoken word thing actually opens the show
(2) Love from the Other Side: I assumed they'd play this first, and they did, and they looked very happy with the reception that it got
(3) The Phoenix
(4) Sugar, We're Goin Down: I overheard two guys when I was leaving saying, "I only came to this show for that Sugar song, and it was the third song they played," whatever to those two guys lol
(5) Uma Thurman
(6) A Litttle Less Sixteen Candles, A Little More Touch Me
(7) Chicago Is So Two Years Ago: I know they always play this song when they play Chicago but the way the show is set up, there's this spoken intro that references a light being left on in Chicago, and then they launch into this song, and so I feel like maybe it's permanently in the set list for this tour, we'll see.
(8) Grand Theft Autumn: Patrick told the story again of how he wrote the lyrics while jogging with Pete. Here is exactly what he said, because I recorded it, hahaha: "I wrote this song out here, jogging, trying to figure out the words. This was back when I wrote a lot of the words. And Pete was jogging with me and he was like, 'Eh, maybe change this, maybe change this.' Before we knew it he was writing all the lyrics." And then Pete said, "Imagine us jogging" lolololol
(9) Calm Before the Storm
(10) This Ain't a Scene, It's an Arms Race: They added a little Peterick-y moment in here? I don't remember them playing at each other during this song in previous performances? It was cute, it was during the instrumental part before Patrick leads the singalong, maybe I've just always missed it? They played it each other and kind of did some kind of kick thing with their legs??
(11) Disloyal Order of Water Buffaloes: Honestly, always a delight to hear this song, this is one of my favorites <3
(12) Heaven, Iowa: THIS SONG LIVE, I SWEAR
(13) "The Take Over, the Breaks Over": OH MY GOD I LOVE THIS SONG AND I TOTALLY DIDN'T EXPECT THEM TO PLAY IT, I WAS SO HAPPY
(14) Headfirst Slide into Cooperstown on a Bad Bet: <3 Guess they got over being scared of playing this one lol
(15) Fake Out: I CANNOT TELL YOU HOW EXCITED I WAS THAT THEY PLAYED THIS ONE OMGGGGGGG. Also, there was some plan I wasn't aware of to, like, hold up cell phones with pink paper over the lights so the crowd lit up pink???? I have no idea who engineered that but it was CHARMING and at the end of the song Pete said, "Thanks for that, guys, that was beautiful," and the stage was on darkness so it seemed absolutely spontaneous on his part and I think they really did like the effect, so, Idk, future shows, keep doing it????
(16) Patrick did some kind of piano interlude where he played "Don't Stop Believin'"????? It was random but he was super charming, I think the rest of the band used it as a break, it was just SO GREAT. Part of his intro was: "Pete was putting together this show and he said to me, 'Hey, you should play piano.' And I was like, 'I kinda only play songs I wrote. I don't really play piano. I don't know how to play piano.' And he's like, 'Eh, you'll figure it out.'" And then Patrick sat down and played gorgeous piano ugh THANKS, PETE.
(17) Last of the Real Ones: I am glad Mania got some love.
(18) Save Rock and Roll
(19) PETE RECITED BABY ANNIHILATION WHAT. I SWEAR TO GOD. I SO DID NOT EXPECT THIS AND I STILL CAN'T BELIEVE THAT IT HAPPENED. If you're going to the show, pay attention, because I looked away and apparently there's, like, a magic trick at the end of the monologue where he disappears behind a piece of black silk?????
(20) Crazy Train cover: I...don't know what to say about this randomness hahaha but it happened??
(21) Dance Dance
(22) Hold Me Like a Grudge: I think Patrick adores singing this song, I really do.
(23) G.I.N.A.S.F.S.: I KNOW. I CAN'T BELIEVE IT, EITHER.
(24) My Songs Know What You Did in the Dark (Light Em Up)
(25) Thnks fr th Mmrs
(26) Centuries
(27) Saturday <3
The show ends with a little piano version of So Much (for) Stardust played over the sound system, so pay attention for that.
The set is super Alice in Wonderland-y and I adored it, it's playful and fantastical and has all these whimsical touches and interludes and I just thought it was delightful and at one point there were bubbles, and I heard some people complaining after the concert that the fantasy thing didn't suit their style of music and really, I was surrounded by downers after the concert, I thought they were perfect hahaha. Like, ABSOLUTELY PERFECT. They looked so, so, so tangibly happy, all of them. Patrick sounded fantastic and he looked like he was having a blast, he smiled the whole time.
I have a lot of videos but they seem like they're all pretty terrible, but I'll see how I feel in the morning lol
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astrangetorpedo · 7 days
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IN INTERVIEW
Julien Baker, the interview 6/8/2016
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At just 20 years old, Julien Baker gave us last year a first album of intense and rare emotional force, the superb Sprained Ankle reviewed here . A moving record that left a deep and lasting mark on me. It was therefore impossible to miss the young American's arrival in Paris and not to take advantage of the opportunity to try to get to know this outstanding artist a little better. A meeting was thus organized thanks to the invaluable help of Sean, her manager, in a café in the 12th arrondissement, two hours before the young lady's very first Parisian concert, on May 24. A one-on-one meeting that revealed to me an adorable and voluble young woman, incredibly touching and sincere, and above all determined to seize life with all her might! A moment of exchange and sharing that I am not ready to forget.
Hello Julien!
Julien Baker : Hello!
First of all, thank you very much for granting us this interview. I am a big fan of your music and it makes me really happy to meet you!
Oh, thank you! It's a great pleasure for me too, you know! I still can't believe that people like my music enough to want to meet me to talk about it. So thank you, from the bottom of my heart, really!
Perfect! Let’s start at the beginning of your story. I read that you’ve been making music for a while now. Could you summarize the journey that led you to where you are today?
Yeah, sure! I started listening to music in middle school. It was rock, I was really into it with painted nails, black eye makeup, all that stuff! [laughs] Then I started playing in bands, punk bands mostly. Then I joined Forrister which is the band I still play in today. We were playing shows in cities around our area. Then I went to college and a friend of mine who worked in a studio there offered me to record with him for free. Since my band couldn't be there, I did it solo, without any specific plans. I put the album out on Bandcamp for $2 or $3 a copy.
That's when Sean [Julien's manager] contacted me and suggested we release the album in a more official and professional way. I told him that I was actually in a band, Forrister, and that no one would be interested in me as a solo artist. He insisted and even though I didn't believe it at all, I agreed to give it a try. I'll always remember the day he called me to tell me that NPR [National Public Radio] was going to play my single. I hung up crying and immediately called my mom all excited to tell her the news! But then, as things seemed to start to take off for me, I started to doubt myself. I felt guilty towards the rest of the band, thinking that they would resent me for doing this project without them. So I called the drummer and asked him what they thought and he said they were just proud and super happy and not mad at me in any way. So I kept going and here I am! I never thought I would come to Europe and do all this, it's crazy, really!
During the band's time, did you already have this desire to write your own songs?
I don't think I had any real unfulfilled desire to do this.
But you were writing?
Yes, I wrote my own songs. But not because the band was holding me back or preventing me from doing it within the collective. It's just that sometimes you write songs but they don't fit the moment. So I put those lyrics aside, like that, without any specific goal. I've always written and played in different bands. There was enough space for all that, things didn't have to be done exclusively in one framework or another.
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Were your parents musicians?
Not really. Well my dad bought me a guitar and showed me how to play it. So I started playing by practicing at home on my own. I also took piano lessons but for a very short time. My teacher didn't really like me because I didn't work hard enough. I just played by ear without wanting to learn to read music and he didn't like that. So I taught myself. But my parents were big music fans. They played records all the time at home. When I was younger I wanted to go to a concert, my dad would come with me to make sure I was safe! He was the only adult in the middle of all these tattooed and pierced kids! [laughs] Oddly enough it never bothered me. When he made a surprise appearance at the Bowery Ballroom for my concert in New York, I was so proud! He and my mom have always been a great support!
This is really great!
Yes I know !
In addition to being an author and composer, you are also a student. Are you still going to university?
I just finished my semester. It's currently summer vacation. But I think I'm going to take a break in the fall. I completed the theoretical part of my literature course thanks to online courses. The last thing I need to fully validate my teaching diploma is the practical part, in school with students. I tried to do it last fall but it's complicated to carry out both projects at the same time: give lessons during the week then take a plane to California or New York on the weekend to play a concert, before returning to teach on Monday morning! So I'm going to take a break to devote all my time to music.
Do you want to teach one day?
I think I would really enjoy teaching. I love it. As a teenager I was a summer camp counselor, I love children. So yes it would be really cool to teach!
You studied literature. Did that influence your way of writing?
Yes, totally! I try to feed myself as much as I can from all these different ways of perceiving life and emotions that I find in books. It enriches me intellectually speaking. I have the feeling of learning new things about myself each time I discover a new author and this is then reflected in my writing I think, consciously or unconsciously.
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Are you familiar with French literature?
Voltaire! I often joke with my professor friends that I would really like to have a big Voltaire and Cervantes tattoo! I already have a Gabriel Garcia Marquez tattoo [Julien then shows me his 2-part tattoo on the inside of his 2 wrists]…
Is he your favorite writer?
One of my favorites, I can't choose just one! And so when my students would complain that Voltaire is an old man who's not cool, I could show them my Voltaire tattoo and prove to them that it's really cool! [laughs] Reading Candide really changed my life. It was incredible! I think the translation of the title is The Optimist , which is quite ironic. Cervantes wrote Don Quixote and we have this word in English, "quixotic" which means optimistic but optimistic to the extreme, to the point where even if everything is going wrong in your life and you know it, you continue to believe in it despite everything. There is a really romantic and admirable dimension to that attitude I find. Same for Candide where there is this quote that I always come back to when I feel really bad and which says: "I wanted to kill myself a hundred times, but I still loved life" . I think I cried when I first read that sentence. Anyway, I could talk about literature for hours, don't drag me down that dangerous path! [laughs]
Haha, ok. So back to the music! Listening to your album I couldn't help but think of two other artists I really like: Sharon Van Etten and TORRES…
I love TORRES!
Me too! I even did my very first interview with her!
Wow! She's amazing!
Do you agree with this comparison even if the artists in question do not come from the same scene as you?
I totally agree with this comparison! As a teenager I only listened to punk and thought that anything that wasn't punk was worthless. Then I grew up as a musician and learned to appreciate all styles. When you really love music, you love an artist as long as their music is honest and good, no matter what the style. It doesn't matter if it's hip hop or country or whatever!
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I totally agree!
And so I'm a big fan of TORRES! I loved her first album, the one before Sprinter . The song Honey is the very first one I heard from her.
The same !
And oh my god, what a song! I played with her in Chicago, I was added as the opening act at the very last minute, I felt so honored! On my way to the dressing room, I ran into her and as I was saying "Oh sorry, I don't want to bother you" she said "No, come on, this is a shared space, you have as much right to be here as I do" and she kindly invited me in. As for Sharon, it's funny because the first time I met her, she asked me to have lunch with her, can you imagine having lunch in New York with Sharon Van Etten! And she told me she was also going to invite her friend Mackenzie [Mackenzie Scott aka TORRES]. But our phones died and we couldn't get a hold of her. So in Chicago TORRES couldn't make the connection, I was just the little girl at the door!
Excellent! Are there any other musical influences that you would claim?
Do you know David Banzan?
Nope…
Ok. There's a band called Pedro The Lion and David Bazan is the lead singer. He influenced me quite a bit. And do you know Death Cab For Cutie?
Yes of course !
They were the first non-punk band I listened to. At the time I only listened to loud and fast music, but when I heard Transatlanticism for the first time it was a shock, everything changed. They really meant a lot to me.
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Your texts are very strong and very personal. When you wrote them, did you think about the impact they could have on those around you first and then on the general public?
Well, at first, I didn't imagine that this solo album would lead me anywhere, I was convinced that my music would only be made with my band Forrister. So when I released the album on Bandcamp, I really thought that only my friends would listen to it. So I wrote all these songs like that, just for me, without really thinking about the scope of the lyrics. And I'm ultimately happy that I didn't think about it because if I had known what was waiting for me, I think I would have most certainly changed things, I would have probably been more reserved in my words. But if it's difficult for me to show my vulnerability, I realize that it's totally worth it when young people come up to me after concerts to tell me that my music has helped them in difficult times in their lives. It's of course a little embarrassing for me to share such intimate things but if these things make others feel good, then I think it's worth it in the end.
But isn't it a little scary to expose yourself so completely naked and transparent? It's so brave, I don't know if I could do it myself!
Well, you see, it's exactly the same for me, I'm not sure I would have been able to do it if I had known everything in advance! But now that it has happened, I feel that from now on I have the right, the license to be brave. Perhaps it was the plans of destiny or God, something like that.
And isn't it too difficult for you to sing songs every day that inevitably bring you back to painful moments?
I think there are two options. Option one: I can sing these songs every night, let them take me back in time and feel sorry for myself. Option two: there is the quote from this poet that I love who says that all the horrible things in life just need to be seen from a different and courageous perspective. Things that seem bad can indeed turn out to be good in the end. So I have chosen to let the dark and sad aspects of my songs become pretexts to be positive and happy. Because yes, all these things have happened to me but if that had not been the case, I probably would never have written these lyrics and I would not be here today in Paris talking to you, Laurence! In the grand scheme of things, everything has a meaning and works for our good in the end.
That's very beautiful what you say! [laughs] To talk about lighter things, this is your first time in Europe, isn't it?
Yes !
How do you feel?
I love it! I have such a good time. Well I don't sleep much... [laughs]
Is it the time difference or the excitement?
Well now it's the excitement! But a week ago it was also the jet lag [laughs]. Imagine, we traveled for over 30 hours straight to get here! I first took a plane to Richmond and then a train to Washington DC. We then took a flight to Iceland where we took another flight to Copenhagen. Once there we took a train but due to a problem on the tracks we had to take a bus that took us to another train! When we arrived at the hotel, we were totally exhausted! [laughs] It was 11 o'clock in the evening but at that time of year the sun hadn't set because we were so far north and my body didn't understand anything at all! But hey after a good night's sleep everything was better! And now if I don't sleep it's just because I don't want to miss anything, not a single minute you know! I thought I would never be able to afford to travel and once again it seems that Destiny's plans are extraordinarily kind to me. I feel so grateful and lucky!
And that's just the beginning!
I hope so! But you know, even if everything had to stop, well in any case it would have been much, much more than I could have imagined! I am so grateful for everything that is happening to me!
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Are there any particular places you want to discover?
Sean has been here before and wants to show me places he liked. Today he took me to see the Sacré-Cœur which is beautiful. On my side, there are also places I would like to visit, especially in Barcelona, ​​because I am majoring in Spanish literature. I would like to go to the café where Picasso had his very first exhibition, long before he was famous. I would also like to see the Sagrada Familia, Gaudi's work, visit a museum, buy a Viva Cataluña t-shirt and eat paella. I am so excited to be able to do all these things!
That's great! But it's going to take you some time to do all of this!
We are staying there for the whole festival [Primavera Sound Festival]. So we should have some time. Of course we won't sleep much because in the evening I also want to attend the concerts!
You'll sleep when you get home!
Exactly! Since I am a big coffee drinker, one of my friends gave me a badge for my jacket that says "I will sleep when I am dead" ! [laughs] There are indeed so many things to experience in one life! [laughs]
And what are your plans for after the European tour?
We're actually going to be touring until the end of the year.
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Will you come back to Europe?
We're going to Australia in November I think. I can't wait! We're also going to tour the States so as for Europe I don't really know... And then I hope to have some free time early next year. I'm always writing new songs that I play live. I must have 30 demos on my computer and I'd really like to record them. So it would be great if I could get into the studio early next year!
Last question: do you have one or more musical recommendations to share with us?
Lucy Dacus!
Oh I love it!
We played together in Washington DC. I had never heard her songs before Washington and I remember hearing the lyrics to Map On A Wall which say "I hope good comes from good and good comes from bad anyway" and I started crying all by myself watching her play. Her music is so beautiful, so powerful! And we have so much in common: questions of spirituality, sexuality and faith, questions about gender too and the place of girls in rock music. We are really like two halves of the same person. We have the same booker and were approached by the same label. And when I saw her again in Richmond I knew we operated exactly the same way. So our biggest fear is that we will one day become jaded and arrogant. We want to remain grateful, sincere and enthusiastic. There are so many people who do this for a long time and end up jaded. It's really great to find someone who feels exactly the same way you do, and that's the case with Lucy. We're platonic soulmates! She's a very, very dear friend.
You must tell her at all costs to come and shoot in Europe and in Paris because there are people waiting for her here!
Promise! I'll send her a message as soon as I have wifi!
Lucy Dacus! A perfect choice! Thank you very much Julien!
Thank you! It was great!
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photos by jean-marc ferré 📸
interview by lolo from paris (who has great footage of that paris show on his youtube account) 📝
wayback link for the interview 🔗
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hit-song-showdown · 8 months
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My favorite songs of 2023
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I am putting together my favorite songs released in 2023. I started off doing a project where I listened to as many new albums as I could (and recording my findings in a spreadsheet), but that project tapered off around June when my move + school year started. But even though I wasn't able to listen to every album that came out, I still came out of 2023 with some of my favorite musical projects of all time. Also as another disclaimer: I am not a professional music writer.
I am also limiting this list to 1 song per album/project.
1. Scaring the Hoes by JPEGMafia and Danny Brown. I wish I could go back and experience again what happened to my brain when I first heard this track so I could properly convey it with text. When I first saw this project was announced, I knew it would take over my life. When I heard this track before the album was released, I knew I would have to form some kind of religion around it. The reason why I'm limiting this list to one track per album is because Scaring the Hoes has 14 tracks so I wouldn't be able to fit them all (other songs I would have given the number 1 spot include Burfict!, Shut Yo Bitch Ass Up/Muddy Waters, God Loves You, and Kingdom Hearts Key). But the title track is the perfect introduction. It's less of a single and more of a thesis statement for the entire project. The production throughout this album is incredible, but STH hits different. The rhythmic, almost menacing handclaps (fun fact: those aren't handclaps--that's the sound my asscheeks make when this song comes on) and the horn sample which I can only describe as Blood Money era Tom Waitsian, it is by far my favorite beat of 2023. Combined with Danny and JPEG's charisma and the way they bounce back and forth, this song is a shot of adrenaline straight to the heart. Also I saw them live and that experience elevated a 10/10 to a 20/10 for me.
2. Prof. Aronnax' Descent into the Vast Oceans by Ahab. I started seriously listening to German nautical funeral doom metal band, Ahab around early 2022 so this was the first new release I got to experience. Even though I loved what I heard previously, nothing could have prepared me for this. The opening track is everything I want from a doom metal song. It starts out with a frantic onslaught of screaming and inhuman growls before mellowing out into a serene instrumental before the mournful vocals kick in. It really feels like the initial shock of your body slamming into the water, then having to slowly drift among the waves as your muscles give out and you're taken deeper into the depths. That's what I like about doom metal: it's music to decay to. This track (and by extension this album) hooked me from a story-telling perspective right away, which shouldn't be a surprise as it was based on Jules Verne's Twenty Thousand Leagues Under the Sea. The story presented in this album intrigued me so much that I had to read the book for myself. Then I read it again. Then I read two different translations. Now I'm working on a visual novel adaptation. I know metrics for album rankings are subjective, so I'm willing to give an album an extra bump if it gets me to read a 19th century novel at least five times in less than two months and learn Python coding. (Other tracks I would have included: the album is at its strongest as a single listening experience, but I especially enjoyed Mobilis in Mobili and Ægri Somnia).
3. What A Man by Debby Friday. This is a track off of Nigerian-Canadian electronic musician Debby Friday's first album Good Luck and holy shit, what a debut. This is such a well-formed project I can't believe it. I was already enjoying the album throughout the first few tracks. It brought me back to listening to 2000s club music and thinking "wow I wish I got invited to parties." But then I got to What A Man and the world screeched to a halt. I think I was posting on my main blog at the time, so anyone unfortunate enough to follow me had a chance to see my incoherent screeching in real time. This track is incredible. Debby's warm and sultry voice, the spacey production, THE ELECTRIC GUITAR? The first time the guitar kicks in, that's just a teaser for what ended up being one of my favorite music moments of the year. The electric guitar feels like an oncoming storm and Debby is standing strong before it, taking on the wind and rain as her voice becomes louder and almost yearning. Then the song builds with Debby yelling to the high heavens as the guitars wail around her before fading back down into the low bass and rhythmic breathing motif found throughout the album. This track is an experience, and the music video is gorgeous too (the picture I chose for the banner is from the video itself) and the fact that it has less than 20K views hurts me. (Other tracks I would have included: I Got It, So Hard To Tell, Let U Down)
4. Bite Back by Algiers (ft. billy woods and Backxwash). Speaking of songs that build... This is the sixth track off of Algiers' album, Shook and by this point I was already feeling pretty good about the release. I was already prepared to put the opening track, Everybody Shatter on my top 20, but when Bite Back kicked in, something changed. Here's a recreation of my initial reaction: "this sounds pretty good, I like the way this intro...is that billy woods??") Just to be transparent: billy woods' involvement would have been enough to give this an automatic top slot for me, but it helps that his verse is fantastic. His flow is slower than the introductory verse, but that only makes his lyrics stand out more. From the opening lines "One hand wash the other, they both wash the face / Centrifugal force and inertia keep everything in its place / Slowly, spinning in space, speeding, lead foot on the brakes" I knew I was in for something special. One thing I really appreciate about this track is the production. billy woods has a very steady flow with an almost menacing quality to it depending on the subject matter of the lyrics, and the beat shifts during his verse to reflect that. It sounds like it could be a billy woods beat, but it doesn't sound like one of his beats was carelessly shoved into an Algiers song. It's like the beat ebbs and flows with the artists involved. The production gets gradually more intense as billy picks up more ferocity in his delivery. A detail I really like is when billy says "claws rattling, delicate as roaches' wings," the percussion on the backing track picks up an almost rattling quality, but it doesn't sound corny or too obvious. Then billy continues, the backing track picking up even more intensity until it feels like each noise is blasting at full power...and then the tension releases and settles down with Algiers frontman, Franklin James Fisher, delivering the second verse. His delivery contrasts wonderfully with billy woods' too, with his faster, almost whispered vocals allowing the track to pick up momentum again after the previous release of tension. This track knows when to breathe and it's fantastic. But it also knows when to take the air from your lungs as Fisher goes all out with the vocals in the hook and third verse, reinstating what an absolute powerhouse vocalist he is. And just when the track is at its peak ferocity, in comes Backxwash with the steel chair! If billy and Fisher were allowing the beat to gradually shift under their performances, Backxwash grabs the song by the throat and makes it do whatever she wants. Her verse then trades off into Fisher delivering the outro, operating at full power in his delivery. This song is so well-crafted and none of the artists feel out of place. (Other tracks I would have included: Everybody Shatter, A Good Man, Irreversible Damage)
5. Billions by Caroline Polachek. As of writing this, I haven't been keeping up with other people's year end lists, but I know this album is going to make everyone else's. So I feel a bit intimidated to talk about it, but I will try. The production on this album is so good my brain can't even comprehend how it was crafted. I've seen it described as "maximalist," but that doesn't fully capture how well this album knows when to pull back and let the tracks breathe. Billions is one of the more sparse tracks compared to some of the others, but that only makes each production decision stand out more. The second time Caroline says "give me the closure," you hear a little musical sting in the background (probably some kind of synth, but at first listen I thought it was an electric guitar) which didn't show up after the first time that lyric was sung. It's that attention to detail and letting the production build on itself that makes this project incredible. And it goes without saying that Caroline is an outstanding vocalist. She sounds like a siren. It's ridiculous. (Other tracks I would have included: Welcome to My Island, I Believe, Hopedrunk Everasking)
6. The Black Seminole by Lil Yachty. Opening track off of Lil Yachty's psychedelic rock album, Let's Start Here, and what an opening track on a fantastic project. It should be clear by this point that I love songs that build, and holy shit does this song build. I first listened to this album while I was on a plane, and this track synced up with my takeoff. So while the plane was lifting off the ground and I was being pressed against my seat, Lil Yachty gave the final line before the electric guitars and the female vocalist kicked in, both wailing with equal ferocity. Top 10 music experiences of the year, but even going back to listen to that same track when I'm not on an airplane delivered the same euphoric experience. (Other tracks I would have included: Drive Me Crazy, Should I B, We Saw the Sun)
7. Xena by Skrillex and Nai Barghouti. I debated whether to put this song or Hydrate on the list, but Xena was the first track that made me fall in love with this album. With vocals by Palestinian singer, Nai Barghouti, Skrillex delivers an absolutely outstanding dubstep track. Like Billions, it's the kind of music production that makes me have to step back and fully appreciate the craft. The song is incredible at building intensity, but he also knows when to pull back to let the tension build again. And Barghouti isn't just a feature--she is the heartbeat of this song. Her voice melds with the production so well, but in a way that sounds like she's commanding it. My absolute favorite part of the song is when she starts singing in her lower register as the production turns to more naturalistic instruments. Sometimes I see electronic producers robbing their singers of their voices for the sake of cohesive production, but that isn't the case here. Nai Barghouti's voice is crisp, unique, and perfect. It's a fantastic melding of producer and vocalist that makes way more sense than it should. (Other tracks I would have included: Hydrate, Rumble, Ratata)
8. Babylon by Bus by billy woods and Kenny Segal. I already talked about billy woods, but he was a feature so this still counts. Everything I already said about billy woods' skills applies here as well, especially now that he has full control over the track. billy's flow sounds both effortless, and that he knows the perfect word to use for each line. And he uses interesting words. "Glistening waterbug on clean counter / Plague mask, gave the place a cursory glower / He ran away, I gave chase but gave up and sat on his gate for hours" I love this series of bars. He is a storyteller. And then, the beat pauses after billy's first verse, with low menacing notes, a clattering of naturalistic metallic percussion, and then the switch up??? Seriously the way the beat ramps up for SkrapKnel's verses takes the song to another level. The way the Curly Castro and PremRock pass the mic back and forth to each other is outstanding. This doesn't feel like a guest verse; this is a fully realized project. The shamelessness is even more apparent when billy takes the mic again for the final verse, but now with more ferocity in his delivery as if he's building off of the energy created by SkrapKnel. This song is masterful. "I take care of these words, Munchausen by proxy / Somehow beat the tox screen / God save the queen, but that train doesn't stop here anymore" (Other tracks I would have included: FaceTime, Year Zero, Soft Landing)
9. Drain You Empty by Cannibal Corpse. I listened to this album right around midterms and I needed it. But this was the song I kept coming back to. For one, it's fun. Obviously: it's Cannibal Corpse. But I love the way the song opens with a full minute of just blasting you before the drums, riffs, and screams really kick in. Good god the drumming on this album is so good. I absolutely love Corpsegrinder's delivery on this track. The way he shifts from bellowing growls to shrieks, the way he speeds up his delivery to match the pace of the drums, it's so good. I'm sorry I don't have a better analysis. It's fun. (Other tracks I would have included: Chaos Horrific, Overlords of Violence, Blood Blind)
10. Crossing Guard by Model/Actriz. This is a song that made me wish I went to gay clubs more. Yes, it's a killer dance song, but what draws me in is how chaotic the production is. It starts out slow and quiet, then bam! The production starts screeching at you in a glorious onslaught of noise, held together with a fantastic bassline. I love the vocalist too. He can be monotone and subtle, but he also knows how to raise his voice to match the ferocity of the production. I listened to this song countless times last year (often while crossing the street and trying not to get hit by cars), and the line "Like Germanotta, Stefani / Pull the weight from under me" will be stuck in my head forever. (Other tracks I would have included: Donkey Show, Amaranth)
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jiminsass-istant · 3 months
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The JIMIN LOVERS CLUB..or should i say Smeraldo Garden Marching Band..
This might get lengthy, but I'll try to speak my heart out because what else is tumblr for ? Let's have a one sided chat.
From the recent happenings surrounding MUSE, we have seen Jimin lovers (pjms, jimin biased armies and some real OT7s) fight hard for Jimin.
I still remember how in 2023 after FACE, so called 'armies' made long threads and wrote long essays on how Jimin was indeed not sabotaged, but everything was his own choice. I wish I'd remember their @, but it's best not to spend energy entertaining people who love to stay blind just to satisfy their ego of being OT7 army. (yes it's an ego and a persona they can't let go of)
Seeing Jimin lovers promote using posters made me so proud. You know what it reminded me of? (Contd. Below)
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It reminded me of early OG army. The army that would promote BTS when they were smaller and had lesser influence. The type of dedication that makes a big artist.
And you know what? That kind of dedication can now be been in Jimin lovers. They are getting down on streets, they are streaming, buying, doing everything they can. A dynamic fandom is what makes an artist organic and successful.
On some level, i believe:
"The next BTS is Jimin and the next ARMY are Jimin Fans"
I know this sounds bold and some of you may come at me for this. Army fandom is not the same as it was- it's filled with visual stans, twitter warriors who make shooter accounts just to feel something in their lives, toxic shippers, youtube and tiktok fans who have never streamed a song, consume 90% unofficial content because the real bts and their music is not why they were here in the first place.
But Jimin lovers (not the toxic solos) are in it for good. My TL on twitter is good. I follow some good OT7 armies, some scholar armies, people who deep dive into music, JM fanbases, and funny smaller accounts. I'm actually glad I've cleared my TL of shipper drama and irrational solos. The community is good out there.
Bonus: My opinion on member release during Jimin schedule(Type 1)
Honestly, from what I've seen so far, members are aware of what fellow members are releasing and when. So for those who think Jimin isn't aware...i have news for you. And don't forget that vmin kinda text regularly (there's proof). Even if Jimin knew that Tae plans to release this on army day, he's the kind of person who would absolutely support it. We all know the kind of person Jimin is. And it's not like BTS hasn't released more than 1 content in one day. The only difference is that now members are solo artists.
BUT- I do think that releasing 2 things and giving pre-orders for that other thing so close to Jimin's release is a bad decision on company's part.
They could have had other surprises or gifts for army day. Or could have announced the photobook pre-orders before Muse announcement. The timing is indeed terrible.
This could mean 2 things-
1. They are indeed intending on taking away attention (and sales) from SGMB.
2. They are using the momentum of the fandom to sell a photobook. Because we all know how active the fandom is during Jimin's releases.
3. Both of the above.
I think those who have their priorities right will buy Muse first. A photobook can wait, there are no records to make.
MUSE prep:
I have YT and AM premium, but I am about to make a premium for spoti too because apparently it's so important..ugh. Hope you are doing everything you can for Jimin. Getting free premium trial account is so easy for all streaming platform. Please do it. Just cancel the subscription in August if you don't have the money. And then make another account. It's possible, you can do it. :) Buy the album too if you can!
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ihearyou-jikook · 1 year
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Anti-jikookers, don't worry Jikook is doing well.
I’ve seen a lot of my fav jikook bloggers being bombarded by antis, insecure jikookers, haters, whatever you want to call them…asking about or trying to claim that JM and JK must not be on good terms or broken up because of things JK has said about JM’s songs or his schedule.
Here’s some thoughts on that, feel free to read on or don’t. Cause who am I to talk about this?
No really…who am I? 🤷‍♀️
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Credit: Video Clip Here
I’m Park Jimin! That’s who! 🤣 Sorry couldn’t help myself.
Moving on...👀
Since I am new to the community, for the record: I do believe Jikook is in a long-term committed relationship.
One of the many reasons why I love watching Jikook interactions is that they remind me so much of me and my husband. I have been with him for 16 years. 3 of which, we have been married. Jikook is so unbelievably domestic, especially in the last few years IMO. 
Do you think they live together? You may be wondering.
My hot take: I think they live together as often as they can, given their occupations and being a closeted couple. They probably have a few properties that they use. 
Now, on to the trolls that want to use JK’s words as proof that Jikook are broken up, not close, blah blah blah.
There is no doubt that JM and JK mean a lot to each other. There is plenty of evidence of them paying a lot of attention to each other and knowing a lot about each other such as their likes, dislikes, and being able to read each other like a damn book. 
Listen, I can do the same thing with my husband and he can with me. Especially since he and I also started dating very young at 18 yrs old. We have grown up and changed over the many years we have been together. These are the big overarching important things.
When it comes to daily details over a few busy days, weeks, or months. There's no way I would expect my husband to remember every single detail I chatted to him about my job, a project I am working on, or what I did 2 days ago. 
Look, selective hearing is a thing and it is prevalent in long-term relationships. Ask anyone who’s been in a relationship for over 5 years. I can tell my husband before bed “I’m going in late to work tomorrow” and he will ask me in the morning “Aren’t you going to be late for work?” 🤨
Yup, look forward to long-term committed and/or married-life. 😂
I’d also like to remind anyone who forgot about this:
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Credit: Video Clip Here
***For those of you with no humor or who can't tell by the tone and smirk of JK, he is definitely teasing JM.
We now know that JK obviously knew about the most romantic song of all time, which was a love letter to him on Jimin's album. (I said it. Mad? Stay mad.)
As for the other songs on the album, Jimin probably didn’t explain too many details about each and every song. Jimin seems to get very shy when he is creating music. I can relate because I hate sharing my unfinished art and creative endeavors with anyone let alone my husband who is my best friend. The creative process can sometimes be very delicate depending on your personality and we know Jimin is very hard on himself and has a lot of self-doubts. Again, I can relate.
Lastly, when you are suddenly very busy and have little or no time to spend with your partner one of the LAST things you wanna do when you are with them is talk about work. Ugh.
Jimin and Jungkook are musicians and that is their job. They are part of the few who have been able to build their career from their passion which they love, but it is still considered work.
I’m sure when they have quality time together, they want it to be about enjoying each other's company. Not about work 24/7. Especially since evidence has shown they are the type of couple that enjoys spending a lot of time together.
Uhhh....this has gotten pretty long and I’m probably writing to a wall so….끝!
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heartsoulrocknroll · 7 months
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Piano Man Ranked
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This was so hard for me, because I love every song on this album. These rankings are based primarily on the album versions, but if I was unsure, the position was ultimately determined by my favorite live version. I firmly believe that you can't truly appreciate how great the songs on this album are without hearing them played live by the 1976-1982 Billy Joel band.
1) The Ballad of Billy the Kid
I am so obsessed with this song. I think it's one of the greatest songs Billy has ever written, from the excellent instrumentation and arrangement to the fanastic storytelling lyrics. I love the album recording. The clip-clop of the horse hooves. The campfire harmonica. But the back and forth between the band (especially when the strings come in) and those ICONIC piano riffs does something to my brain. I freak out every time I hear it even though I've heard it repeatedly for 12 years. And the piano work throughout the entire song is just phenomenal. The live versions obviously don't have the strings, but the post-1975 live versions with the core Billy Joel band have a whole different energy that make the strings unnecessary. I have to mention the 1976 University of Connecticut live performance of this song, because that particular combination of Billy's vocals, Billy's kickass piano playing, and the band's pure energy literally makes me the audibly-yellin', hand-wavin', object-throwin' kind of insane.
2) Somewhere Along the Line
This song reminds me a bit of James Taylor in parts, but then those big backing vocals and piano riffs come in and take the song in another direction. The melody is great, the lyrics are some of the best on the album, and Billy just goes nuts on the piano, especially on the break after the third verse, during the fourth verse, and on the break that closes the song. I love the album recording, but this is another song that really comes to life in the live setting with the slightly higher tempo, the more prominent guitar riffs, Liberty on the drums, and Billy singing and playing like the world-class singer and piano player that he is.
3) Worse Comes to Worst
This song rocks so hard and blends so many musical styles. The signature guitar riff is super funky. The pedal steel guitar makes another appearance for more country undertones. The background vocals provide a gospel flavor, while the steel drums come in later on for a bit of a Caribbean feel. But even still, this remains distinctly a rock 'n' roll song. The album version is great for the aforementioned reasons, but the live versions rock so much harder. I love the 1977 CW Post live version more than life itself. I know I never shut up about it, but my god, Liberty's drumming adds so much drive to these early songs, and Billy sings the hell out of this song live.
4) Travelin' Prayer
I love absolutely everything about this song. The brushes on the drums, the bass, the opening piano, the banjo, the fiddle, the lyrics, Billy's vocal, the psychotic tempo. This is just a fantastic country/bluegrass song that takes what is great about those genres and improves it with the incorporation of Billy's brilliant piano breaks, especially the piano solo during the first instrumental break, which just rocks. This song doesn't have as strong of a country feel without the banjo and fiddle, but the live performances with Liberty's energetic drums, Richie's sax additions, Doug's driving bass, and Billy's piano improvs are incredible in an entirely different way.
5) Ain't No Crime
The soulful, gospelly vibes of this song really do it for me. I LOVE the use of the organ, and the piano riffs slap so hard it ain't funny. This is another song that needs to be heard live to be truly appreciated, with Liberty on the drums and Richie adding some sax. Billy goes crazy on the piano and does such a fantastic, soulful vocal on this song live.
6) Captain Jack
This is just an epic song. Billy's piano parts in the intro and the verses are beautifully done. The combination of Billy's organ and that legendary guitar riff in the chorus is so dramatic and really gives the song its epic feel. The lyrics are a great commentary on how people can have everything and still be overcome by the aimlessness and hopelessness of life. I like the album version, but this is another song that really takes on a whole new life in the live setting with Billy improvising on the piano and singing so incredibly well, while Liberty adds the dramatic opening cymbals and the ridiculous driving drum transitions from the third and fourth verses into the third and fourth choruses. 😭😭
7) Piano Man
No matter how many times I hear this song, I will never stop loving it. It's popular for a reason: it's great. That iconic opening piano riff gets me every time. The harmonica parts are great. The piano break after the third verse rocks on the album, and rocks even harder live. These are some of the best lyrics on the album. They are excellent, immersive, storytelling lyrics with a great rhyme scheme.
8) If I Only Had the Words (To Tell You)
This is a gorgeous melody with a distinctly beautiful opening piano riff, more beautiful piano work throughout the song, and some nice strings toward the end. This is also one of those songs that really makes me go, "Damn, that guy can sing." I am a freak about singing, and there is a live version of this (supposedly from Carnegie Hall in 1974) in which Billy gives a vocal performance that brings me to tears if I focus on it too hard. Billy may not like the sound of his own voice, but I'd give anything to sing like that.
9) You're My Home
This is a great, country-sounding song. It's one of those classic, beautiful Billy Joel melodies. The album version isn't very piano-heavy, but there are a few nice piano bits in there. And the instrumentation is great nonethless, from the finger picking on the acoustic guitar to the pedal steel guitar. Billy's vocal here is really beautiful as well.
10) Stop in Nevada
This is a beautiful song with a great melody and a great build from the quiet piano and pedal steel in the verses to the big, full choruses with the backing choir and the strings
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esparafuso · 2 years
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Monday, November 7th, 2022
Dear Diary, where do I even begin. Perhaps saying I still can't believe I saw my favourite band performing live for the first time.
I'm an anxious person and shows always seemed so far away from me, from where I lived and from what I thought I'd have the guts of attending. If it wasn't for my friend Lya (@/sorethpid) I'd perhaps still be dreaming about how cool it would be if I lived the same experience I keep seeing others have for years and years.
In an impulse, we bought tickets for Primavera Sound 2022 happening in São Paulo. It wasn't cheap, but both of us had savings and were crazy enough to spend it on a ticket and flight tickets and a hotel room.
We live in different states, so it was thrilling to meet her again (third time personally), as we met on the internet 6 years ago here on tumblr, two artists drawing Arctic Monkeys fanart and rambling to the other about our favourite things about them, and our favourite album, and how much we wish we had the chance of hearing them live.
It happened on Saturday, November 5th. Her first festival, my first show ever in life, we got to the place and tried to keep it cool among all the stylish people around. It was okay though, we were just happy to be there. We decided to buy two donuts (we admittedly didn't plan food very well, too anxious to get to the place already) and after a couple stops we headed to the stage to take a look, but decided to stay there already when we saw the narrow place and the realisation that soon the whole thing would be packed w ppl hit us (later on, we saw we would better had stopped by a nearby bathroom for Lya, but okay)
The gig would start at 10pm, and we were there at 4:30pm. We got to know the music of a sweet artist called Helado Negro, which we supported and danced along even not knowing the lyrics. One hour and a half break, and then came Interpol. I personally didn't listen to the band much, but they kicked ass and made everyone super pumped and jumpy (myself included). Another one hour and a half before AM.
Gigs aren't kind to shorter ppl, we learned that. We tried our best to adjust and see the stage (which was actually way closer than we expected to get) and managed with some struggle. Our boots were also a literal pain, and I don't remember feeling my feet hurting this bad in my life, to the point I had to keep dancing to keep the pain manageable - only forgotten when an artist was performing. Especially the ones we were dying to see more.
Seeing the stage being set up made us already excited. Matt's golden drumkit, Nick's bass, Alex's and Jamie's guitars going through the soundproof, curtains being set on the back of the stage - we saw THREE regular sized disco balls being brought up when Interpol's stage was being set, and we knew who they belonged to, and yet they didn't make it to the final thing for AM.
After 3 false alarms, here they come. Screams ringing in my ear, I saw those four men (plus two) walk into my sight of vision and I can't even describe how I felt. They quickly assumed positions and the heavy synth of Sculptures resonated from the speakers - the The Car song we were more hopeful they would perform (we didn't even know they had played it before in Rio).
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the photos really aren't the strongest bcs of how overwhelmed I was and the little space in my phone (another thing I forgot to prepare properly, like an idiot)... some recordings didn't go through, like Potion approaching, which made me sad but at least I got some :'D
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I wish I could put here what my eyes saw, because I could see their FACIAL FEATURES from where I was, which was unbelievable close in my book. I managed to save the recording of Pretty Visitors, really hoping to get my beloved Agile Beast's crazy good drumming
I recorded another for Do Me a Favour, my favourite Arctic Monkeys song, where I kept shaking from crying but can't upload here pls of Tumblr's limit of videos in a post.
The whole time I sang and danced and screamed and cried, I just kept repeating in my head that they were real people, they existed, they weren't a fever dream or a gif or a video I saw on the internet, they were living humans right in front of me, and up until now I can't wrap my head around the fact I stood so close to them. I listened to them sing and play a few meters away from me, I could feel Matt's drums resonating in my heart, I saw Nick on the side looking SO soft, Jamie being the closest one, doing his little quirks and hops, Alex singing and dancing and. being a goofie, Matt playing and singing and making me absolutely lose it.
Even now typing all this makes me cry becasue I know I will never forget this experience. I just love and appreciate this band so much. I'm not the fan that knows all the lyrics of ALL songs yet, and I don't have their physical merch and albums, and this was only the first time I saw them live, but they hold a very special and meaningful place in my life that I will never forget.
The crowd overall was amazing, we sang everything they put out, screamed our lungs out and clapped and threw our hands in the air and pleaded them to come back. They waved to everyone and Alex threw us many kisses, and I hope they enjoyed their night as much as we basked in their presence.
Leaving the festival was very difficult due to bad logistics, my feet were incredibly sore, it was super cold outside and hundreds of ppl couldn't get a ride back home for the life of us - but we managed. And even then, when we arrived at the hotel, the only memory in our minds was their presence and their music still buzzing in our heads and hearts.
I hope we will have the chance of going to another one - we sure are thirsty for more now that we saw that it IS possible to see them live - but until then: Thank you Monkeys for this unforgettable night, and for existing and making us feel such strong emotions with your amazing music and journey as a band overall.
P.s.: thank you also whoever recorded the gig properly, because then we can see everything we lived in another, high definition angle, for the rest of our lives.
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icharchivist · 1 year
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I knew Sakurai voices Cloud, which is never not funny to me, man is everywhere (rip though, his own actions have greatly tainted my enjoyment of his work), but I wasnt aware Suzuken was in FF as well! Amazing. According to Google he was Zack (your cruuuuush ha ha, I am bullying you <3), so again two characters voiced by these two men who have a weird thing going on. That is objectively hilarious
THE FACT YOU RECOGNIZE ZACK AS MY CRUSH. HELLO. HELP.
BUT YEAH. YEAH.
*grabs your shoulders gently* you have no idea. how much this fact is haunting me.
Like i started playing gbf because a picture of Percival got my attention, but, i cannot stress enough, those two were almost the reason i got into granblue because a friend got into my DMs like "holy shit Icha you're never going to believe it."
See, the ending of Crisis Core has been something that like. actively changed the direction of my life? like i'm not even kidding it's that drastic. A friend dared me to play the ending of Crisis Core and that, if i cried, i would have to play the whole game, and at the time, i was very much thinking video games were a waste of time and everything bc of my mom's teachings (i was like 12 okay), so i scoffed and thought yeah alright. And i was such a mess because of the ending of CC my life changed drastically after that. (and considering how ff7 in particular changed my life and helped me through horrible times, this is pretty telling.)
The reason i'm bringing it up is that the ending of CC is "Zack dies trying to protect Cloud, who at this point is in a coma, and Cloud manages to crawl to Zack's body to hear his last words, while still lethargic, and Zack just manages to tell Cloud by the end that Cloud has to keep living and be his living legacy (especially to counter the fact Cloud tends to have suicidal idealization esp in the result of his grief later on)". (all of that with the knowledge Cloud is going to forget all about it bc trauma).
And it ruined my life. it genuinely ruined my life. I ended up becoming obsessed with this concept of "becoming the legacy of the person you loved, who died to protect you". "living legacy" was part of my url in the way back.
And i mention it, but, i have a Zack/Cloud playlist and one of the song in it that kills me the most is called Saturn by Sleeping At Last. It's relevant.
AND SO.
MY FRIEND. MY BESTIE. SWEETHEART OF MY LIFE. (who also followed me because she loved the way i talked about Cloud at the time. despite the fact she didn't know anything about ff7 back then she just loved my enthusiasm. She's still my bestie to this day).
Just one day hit me up like "Icha..... do you know that in Granblue there's a ship that fits Saturn by Sleeping at Last too? Literally a Living Legacy ship???"
I legit had my friend SUMMARIZE ALL OF WMTSB TO ME. in early 2019 before i even considered getting into gbf (i made an account in August and started playing in November of that year.)
and a few weeks later suddenly she hits me with "WAIT I DIDNT TELL YOU THEY'RE VOICED BY SAKURAI AND SUZUKEN"
And i was there. my life ruined. never fucking recovering
For the record if you didn't check the link those are the lyrics of Saturn:
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*grabs your shoulders still gently* do you realize. Do you realize the amount of psych dmg i have been taking ever since i got into granblue fantasy. The stuff that has been following me.
AND SO. "Character A is [indisposed] and Character B dies trying to protect them. When Character A wakes up they're not in the best shape, but they manage to crawl to Character B's dying corpse to hear their last words, in which they're told to keep on living and carry on the legacy of what they used to do before that". APPLIES TO BOTH THOSE DYNAMICS. DO YOU THINK I EVER RECOVERED FROM THIS.
So yeah this is like, actually a source of a whole lot of my pain reading wmtsb, and i can't bring it up all the time, but it literally follows me. I'm fucked.
Honestly very touched you managed to connect the dots on how haunting it is for me. My life is a joke.
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Dates I Would Take The Venus Signs On <3
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Hi everybody! I love you and all the Venus signs very much. So I decided that I wanted to do my best to make you all feel loved and appreciated!!! Btw this post was meant to go out yesterday but stuffs happened I'm sorry :(
Remember: You are gorgeous, you are smart, you are strong, you matter and I adore you. Enjoy!!!
ARIES: Roller-skating date!!! I cannot skate for shit, but you can have a good time laughing at my failure. It would be light, but still active and involved. I would try my best for you and you'd find it amusing and sort of endearing. Even if you can't skate either, I just know you're better than me. We could have fun choosing cute skates, or get matching ones!!! I would hook up my phone to the speakers and turn on the playlist I made for you. We would talk about nothing especially important, maybe sing a lil bit, but overall laugh and bask in each other's company. I would take you out for food afterwards, completely your choice. You are just so fun!! You are so energising!! You make people feel like they are on cloud-9 and could go on forever.
TAURUS: Dancing date!!! Let me elaborate. It would be us, alone, dancing in our special place that no one else knows. We would be dressed our best clothes, whatever makes you feel as gorgeous as you are. I would have a dessert charcuterie board for you, with strawberries and chocolate. I would set up a cute vintage record player and play all your favourite songs. I would hold you as close as you are comfortable with and kiss your neck softly, as I look at you with nothing but utter adoration. You can bring your guard down, it's just us. I am safe. I hold nothing but love and dedication for you. I only hope that my hours of effort is able to show a sliver of my feelings for you.
GEMINI: Mario Kart date!!! Our relationship may be destroyed after this, but I'll take my chances. You will be very good at it, because multitasking and stuff, but also it's not serious. We can see different sides of each other without getting insanely serious and intense. I wholeheartedly believe that building on our friendship would be the strongest way to progress our relationship anyway. I love seeing how excited you get about winning, I love seeing how passionate you can be, I love seeing you think and work out what the best thing to do is. I don't need to let you beat me, you can destroy me all by yourself. For once though, I'm not mad about it. Maybe seeing how beautiful you look when you're excited and happy is better than winning.
CANCER: Build-A-Bear date!! I'm sorry it sounds corny and stuff, but listen. You mean I get to snuggle a bear?? That you, my love, made for me?? You custom made it?? For me?? It smells like you?? It has your personality??? I am sobbing. It will immediately become my new favourite thing, second only to yourself. You bring me so much comfort and joy, I am so lucky that I get to experience those feelings when you are gone now too!! I also love the idea of telling you exactly how I feel via teddy bear. You are powerful and gentle and nurturing and safe and scary. Words cannot do you justice. Neither can a bear, but maybe it's a start??? I would also make you a bracelet to out on your bear, with my initials on it.
LEO: Shopping trip date!! This is not to be superficial, but so you finally spend some time and (my) money on yourself for once. You try on outfits that make you feel confident, I flirt and hype you up!! I will find outfits to match or correlate with yours in some way <3. I would buy you a bouquet of those year-lasting roses in your favourite colour and carefully craft you a perfume/cologne that would suit you pleasantly. None of these are to be materialistic or anything at all, I promise. I'm simply trying to make sure you feel as handsome as you possibly can. Also, make sure you KNOW I adore you from all the effort I put in :). You are the light of my life and you deserve the world. Please let me give it to you.
VIRGO: Picnic date!!! I would take us out to a richly green forest, that looks as if it could be home to the fairies. I would take out the frog cookies, bear-shaped sandwiches and heart-shaped cake. Yes, all for you, my love. I would bring a number of find-a-words, crosswords, games like that for us to play. We don't have to, but I figured it could be nice. Otherwise we can make a Pinterest board of our life together, or talk about how much better life would be if we owned a cat. I would gift you one of my crystals (cleansed of course) and tell you what it means. No matter what crystal it is or what it 'means', the truth is the only meaning it holds in that moment is "I love you". I would kiss you on the cheek, then pick up a beautiful flower on the floor. I press the flower once I get home, so it can be yours to keep as a memento.
LIBRA: Festival date!! I know that feels like an odd choice for Libra Venus, but hear me out. I take you out to do fun things!! We get cute and tasty food!! I go on rides with you!! I win prizes for you, and vice versa (if you want)!!! I can hold your hand and drag you around behind me excitedly. We can people-watch, talk about how we are clearly the cutest couple there. We can take pretty pictures, and you playfully hit me but blush as I remark that nothing could be as pretty as you. We see the petting zoo and talk about how good pet-parents we would be (we wouldn't). I would take so many polaroids of you. Darling, you deserve your own gallery.
SCORPIO: Driving date!!! I don't mean for this to sound boring, but it just feels more intimate you know? You are the one I can be myself around, you are the one that loves me despite everything, you are the one that is my safe haven from the world. I want you all to myself, and what better way to get you alone with me than a long drive in the middle of a beautiful nowhere? Tell me about your biggest dreams and ambitions, your biggest fears, your greatest shame, your favourite things, your deepest and truest feelings. No one else is around, so I can focus on only you. I can give you the undivided attention and unconditional love you deserve.
SAGITTARIUS: Anime date!!! I'm sorry if you don't watch anime, but it always makes me think of Sagittarius. I want to watch your eyes light up as I turn on your favourite. I want to watch you laugh at the jokes, even if you've heard them before. I want to see your whole body glow when I tell you I enjoy it too. I want to jokingly suggest we recreate any romantic scenes and make you flustered, but you don't back down from a challenge and we actually do it. I want to compare favourite characters and have affectionate arguments about why the other is very wrong (if any of you are wondering, Saiki Kusuo - aka my pfp - from The Disastrous Life of Saiki K is the best anime character, along with many more. Let me know if y'all want my list <3). Anyway!!! Just,,, cute anime date w y'all <3
CAPRICORN: Museum date!!! Tbh this is my placement and it's probably my dream date so I chose it. I don't care too much what kind of museum it is, as long as it's cool and interesting. I want to impress you with my care and knowledge on the world and historical subjects. I want you to know I'm mature and reliable ad stable and secure cuz I go to museums and that's totally something a responsible person would do??? I want to admire you while you admire the artifacts. All of this goes double if it's an environmental museum or something like that!!!
AQUARIUS: Star-gazing date!! Inquisitively and lovingly staring into something as impossibly incomprehensible as the galaxy is the most Aquarius thing I can imagine. We will take turns pointing out constellations and getting super excited about them. We will also take turns in telling the other each story behind each constellation. Even if they know it already, it's so fun anyway. Creating shapes with the stars, trying to figure out if they look like anything, and realising the person next to me is somehow more outstanding than the stars themselves. The star-gazing will quickly turn into a philosophical discussion, but it's equally as magical.
PISCES: Painting date!!! Buying the biggest canvas we can find, and then searching for an empty park to set up in. Painting shitty ('artistic') works of each other. Using the colours and the brush to convey feelings that words can't quite express clearly enough. Staring at you as I try to do your perfect features justice on this canvas. Unfortunately, you were clearly created ethereal by the gods and I am not that talented. I'll try my darn best though!! I'm just trying to show you how unfathomably magnificent you are :( please gimme kiss to feel better, I am not an artist <3
Okay everybody, that's all I have for today!! I'm not sure how I feel about this post tbh, but I hope you enjoyed!!! I also wanted to say that some of these sound weirdly personal, but they are not lol. I am literally just talking about that placement. Anyway!!! I love you all dearly, I hope you enjoyed. Sending you all so so so so so so so so much love !!!!!! <3333333
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writingtheafterglow · 3 years
Note
so this is littlemix member!reader x tom holland
basically the girls bring out a new song about women empowerment (we have to stan😏) and like not needing a man (reader and tom are already together btw) and tom gets a little upset because he thinks the reader doesn’t want him but she reassures him that he’s perfect and it’s a fluffy ending where he really likes the song and promotes it with the girls <3
thank you:))
(Aww! Yes <3)
title: Joan of Arc
pairing: Tom Holland x Reader, Little Mix x member!Reader (platonic)
warnings: fluff and Tom being insecure
summary: You and you're band mates are in the process of recording a song. Tom hears the lyrics and becomes a little insecure.
A/N: This is probably gonna be my last request before I start my series, but I just had to do this it's so cute :). Enjoy!
"You ready,Y/N?" Pierre asks. You nod walking into the studio. Your boyfriend was right behind you with his hand on your back. Tom insisted on coming with you to the studio on his day off. He wanted to see the process of you girls making your new album "LM5". You girls only had one song left to record, Joan of Arc.
"I'm so excited to see you sing, Darling" Tom says rubs your back. You feel your cheeks start to turn red. You two have only been daiting for about a month, so you're still getting used to all his compliments.
"Um hello we're singing too, Spiderman" Jesy says laughing at your boyfriend. Tom rolls his eyes then sits next to the guy recording your group.
"I still can't believe you have a boyfriend, you've been the single one in the group for so long" Leigh Anne says teasingly. You roll your eyes then give her the middle finger.
"We're just teasing, y/n/n" Jade says before entering the sound booth. You all start to enter, but before you do you make sure to give Tom a peck on his cheek. You guys haven't really kissed on the lips yet, you're trying to take things slow so cheek kisses work. You enter the sound booth and place your headphones on.
The guy recording you gives a thumbs up and the music starts. Leigh starts singing. You glance over to see Tom moving his head to the beat. Next up to sing is Pierre, you then hear the deep voice say
Oh, you on that feminist tip?
Hell yeah I am!
All five of you sing. Now it's your turn to sing solo.
I don't need a man
If I'm loving you it's cause I can.
Tom loved the seductive sound of your voice. If he was being honest it was turning him on...that was until he processed the words you just said. He brushed it off and kept listening to you and the other girls sing. Then it was your turn again.
I don't need a man
If I'm loving you it's cause I can
Tom starts to feel sad hearing you sing those words. He knows that Little Mix is notorious for writing feminist and women empowerment songs, but this one just made him feel a certain way. Maybe you don't need him. Maybe you're too good for him.
I don't need your cash
I put my own rock on my hand
That line honestly hurt the worst. He wanted to put a ring on your hand one day. He wanted to spoil the living hell out of you. He knew you were the one for him, but what if he wasn't the one for you? You're to perfect, that's what he thought. To perfect for him. He wants you happy, but he doubts he can make you as happy as you deserve.
Just then you all come out of the booth
"That was great ladies, you're free to go." The man says. Tom gets up and walks towards the door without you. You and the other four girls look at each other with a confused look. Jesy nods her head telling you to go after him. You run out of the studio and see Tom sitting on a couch in the lobby. You walk over to him and tap his shoulder.
"Hey Bubs, what's wrong?" You ask sitting next to him. He doesn't meet your gaze at first, he's looking down at his hands. So you take it upon yourself to cup his chin and make him look you in the eyes.
"Hi" you say with that cute voice that Tom couldn't resist. His face starts to heat up and he chuckles. Then he frowns again.
"Seriously what's wrong, Lovie?" You ask him scooting closer and placing your legs over his. Now you're pretty much sitting on his lap. He carefully places his hand on your thigh. He makes sure you're okay with it though, obviously you were.
"Tell me, please" You says pouting. He can't resist you when you do that.
"It's...." He then mumbles the last part. Looking down at his lap.
"What?" You ask playing with his messy curls. You brushed a stray one out of his face and he looked in your eyes taking a deep breath.
"It's your song" he says quietly, but loud enough that you heard him.
"What's wrong with it?" You ask, fearing he thought you sucked.
"You....you said.....you didn't need a man and well...that kinda makes me realize, you don't, you're to perfect for me and I don't deserve you. In one line you said, "Drop your man down like you don't want him no more" and...I don't know it's stupid...you just...you deserve someone better." Tom says frowning.
"That's what this is about?" You say giggling a little. He nods, afraid that you thought he was stupid.
"Tom, the song was right I don't need a man" You tell him. He looks at you, all his hope drained. He then looks away and tries not to cry, but you cup his cheek to make him look back at you.
"No woman needs a man...that is unless it's their soulmate. You're mine Tom, so I do need you." You reassure him. Tom's face instantly lights up. He pulls you closer, given you were already about an inch apart, and crashes his lips into yours. You and Tom were having your first kiss...in the middle of the studio, so it didn't surprise you when you heard squealing and clapping from behind you. You pull away and look over your shoulder to see Leigh, Pierre, Jade, and Jesy instantly hide behind the front desk.
"How long have you lot been standing there?" You ask you friends who slowly get up from behind the table.
"Not that long..." Pierre starts. You give them a knowing look.
"...only since you left the room." Jade says smiling at the end. You shake your head and turn back to Tom smiling. He was already looking at you, his eyes filled with adoration. You rest your heads on each other's.
You wake up to your phone buzzing every few seconds. You opened your phone to see a shit ton of Instagram notifications.
Tom Holland tagged you in a post
You clicked on the notification and it took you too a post Tom made just a few minutes ago.
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♥️ liked by jadethirlwall, lifesaloha and 98,098,678 others
Tagged y/instagram
tomholland2013 ✔: She doesn't need a man...well I guess I'm the only exception. My girl is a badass, I adore you Y/N xxx. I can definitely fall for a woman like her (haha get it 😉). Also go listen to Little Mix's new album LM5!
jadethirlwall: Aww <3
hazosterfield: how'd you get her? Haha
↳ tomholland2013: I ask myself that everyday
samholland1999: Blink twice if you need help, Y/N :)
↳ tomholland2013: oh fuck off, Sam
y/instagram: aww Tom <3 Thanks Lovie. I'm about to come over rn.
↳ tomholland2013: Well it's my job as your boyfriend to adore you, so why not post it :). See you in a few xxx
You knock on Tom's door and he opens it. You immediately wrap your arms around his neck and his go around you waist. He lifts you off the ground and spins you. Once you're back in the ground Tom kisses you on your lips, cheek, nose, forehead, basically your entire face.
"You're the best" You tell him.
"No you" he says before pulling you into a long passionate kiss.
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Taglist: @vavilip @supraveng @getreeljas @allthisfortommy
Follow @spideymix for more
© emma - spideymix 2021
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rapunzelfromthemoon · 3 years
Text
Rampion crew boys as 1D songs that remind me of them (mostly about their relationship with their love interest)
Pt. 1: Kai
Diana
"the front pages are your pictures, they make you look so small, how could someone not miss you at all? I never would mistreat you, oh I'm not a criminal, I speak a different language, but I still hear your call
Diana, let me be the one to light a fire inside those eyes, you've been lonely, you don't even know me but I can feel you crying
Diana, let me be the one to lift your heart up and save your life, I don't think you even realize, baby, you'd be saving mine"
(Diana is a goddess of the moon, just like Selene. Kai witnessed people treat Cinder badly, and the press destroying her after the ball, but saving her from that was never his original plan, actually, they both ended up helping and saving each other. Bonus: "I'm not a criminal" is him being jealous of Thorne when him and Cinder broke out of jail lol).
Girl almighty
"her light is as loud as as many ambulances as it takes to save a saviour, now, she floats through the room on a big balloon, some say she's such a fake, that her love is made up, no
let's have another toast to the girl almighty, let's pray we stay young, stay made of lightning
am I the only, only believer? there's something happening here, I hope you feel what I'm feeling too, I'd get down, I'd get down, I'd get down on my knees for ya,
I'd get down on my knees for you"
(We know my boy is whipped for Cinder and, as Torin said, even "idolized" her at some point. He always believed in her, even when everyone else was calling her a liar. Always treating her as if she was a goddess, just like who she was named after, he sure doesn't hesitate to get down on his knees for her. *See also: that dreamy last chapter of Winter*).
Stockholm syndrome
"who's that shadow holding me hostage? I've been here for days, who's this whisper telling me that I'm never gonna get away? I know they'll be coming to find me soon, but I fear I'm getting used to being held by you
Baby look what you've done to me, baby look what you've done now, baby I'll never leave if you keep holding me this way
all my life I've been on my own, I used the light to guide me home, but now together we're alone and there's no other place I'd ever wanna go"
(This is kind of a joke lol. We all know what happens at the end of Cress, so, that. Even Thorne makes a joke about it).
Magic
"baby, c'mon over, I don't care if people find out, they say that we're no good together and it's never gonna work out
'cause you, you've got this spell on me, I don't know what to believe, kiss you once now I can't leave, 'cause everything you do is magic, but everything you do is magic
so let them take the pictures, spread it all around the world now, I wanna put it on my record, I want everyone to know now"
(Kai truly never gave a single flying flip about people seeing him with Cinder, even if he was the prince and she was just a mechanic. And when he knew about her being a cyborg, though it surprised him at first, he never hid his support for her. Neither his feelings, though he tried. Even when he found out she was lunar, and the glamour stuff, her magic, had him doubting everything, he still let her explain herself and believed in her. Because to him, she had always been magic, in the best way).
Part 2: Wolf
Part 3: Thorne
Part 4: Jacin
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love-amihan · 3 years
Text
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EP. 3; SWEET LULLABIES
amihan's note: this contains more writing than pictures!! really excited with this series, the ideas just kept coming in my head kfndkf how are you all liking this so far? i'd love hear your thoughts in replies! or you can send me an ask, whichever you're comfortable with ^3^)/ enough chit chats, here you go happy reading!
masterlist; regrets@1004
friend!megumi x fem!reader, friend!yuji x fem!reader
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you knocked on megumi's door bouncing on the balls of your feet, "gumi i swear to god i will kick this door down!" you shouted from the other side, hearing his footsteps you wear a glare on your face as soon as the door opened "sorry was doing something"
you let out a huff making your way inside his house, your glare soon turned to a soft smile seeing the acoustic guitar lying down on his couch. you turned and face him showing your smile, he raises a brow at the sudden change of your mood "for someone who grew up with a person that sang nonstop to them, you sure get excited every time"
megumi sat down holding his guitar, his finger mindlessly plucking the strings random chords filling the room. "but yuta's overrated" you said waving a hand around, you situated yourself in front of him leaning on your hand. "besides, it's not like you always sing to us"
he just shrugs looking up at you before returning his attention back to his guitar, "why did you call me so suddenly anyways?" your head slightly tilting to the side, "yuta said he was gonna be busy today recording a cover, he forgot that we we're gonna have one of those jamming"
"and you called me just for that?" you got confused since it's not like he need someone to hear him sing a cover song, "no, been composing something actually" you gasped loudly causing him to look back at you, "what?"
you pointed a finger at him other hand on your chest, showing you're hurt "and you didn't tell us- me?!" megumi grumbles looking to the side, his mouth slowly turning into a pout "it's nothing special, why would i need to?" you shake your head at him before realizing something.
"wait. does that mean i'm the first to hear it?" you look at him, your eyes sparkling in excitement. he shake his head, "actually it was yuta" you threw your hands up not caring about his statement, "no, i stand by that i'm the first" he let out a sigh, yuji really has been rubbing off on you.
"let's hear it let's hear it let's hear it" you chanted clapping your hands together, his fingers gliding in the right place for the correct chords. "it's still a bit rough, tell me if you hear something wrong or if you have any suggestion" he reminded you giving you a last look, you eagerly nod at him before he looked back down clearing his throat as the start of the song nears. his soft voice echoes the room blending perfectly with the warm sound of his guitar.
you stare at megumi with wide eyes after he finished his little performance, "what do you think?" he asked while putting away his guitar, "i think i'll have another famous friend" you exclaimed at him still amazed by his creation. he rolled his eyes at you, "so that's all i am to you huh? fame?" he crossed his arms playing around with you
you gasp sitting down next to him, "of course it's about your bank too, i mean jeez gojo really went into depositing money on your account" you turn and look at megumi who's laughing a little, "what? it's true" he raises a brow "the money?" you frown bumping shoulders with him slightly "about gojo silly"
you giggle hearing him breathe out in relief, "can't believe you really think of me like that" he shrugs "gotta be safe" you pushed him to the side yelling at him while he laughed at you.
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you repeatedly scroll on your phone getting frustrated as seconds pass by, you can't believe it yuji really forgot this. he's leaving you in his inbox, not even on read! you can't help but feel a little upset by this, it's been your thing for so long and it felt like it was part of your daily routine at this point.
you shake your head trying not to overthink, "no, he's most likely just busy" you said to yourself nodding in encouragement. you blink down at your phone screen not knowing you were calling someone,
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"y/n?" you heard megumi's voice from your phone speaker, "heyyyy i didn't realized i called you, sorry about that" you mumble to your phone as you press it against your ear, "did something happened? you don't sound like you usually do" he voiced out, talkative than usual.
you let out a sigh, lips slowly turning into a pout. "kind of a childish reason" you muttered drawing circles on your lap, "when wasn't?" you groan hearing his chuckle on the other side, "on a serious note, you wanna talk about it?" you shake your head before remembering you're on a call,
"don't wanna" megumi hummed, "wanna facetime instead?" you agreed angling your phone where he can see you properly, you waved at the camera seeing him leaning on his bed's headboard, you leaned on the pillow you're hugging mumbling your words "can you sing for me again?"
megumi looks at you for a minute before sighing, "fine since you're upset today" he cleared his throat beginning to sing you a song. before you knew it, your eyes are slowly drooping close, megumi's voice lulling you in the background. a few minutes passed and you're already fast asleep, he looked at your peaceful state longingly "so pretty" his voice cause you to stir in your sleep.
he purses his lips almost getting caught, holding his breath until you make no move of waking up. megumi smiled before taking a screenshot, "sweet dreams beautiful, hope you'll feel better when you wake up" he whispers before tapping the end call button.
-random facts;
megumi respects yuta more than the others because of his talents
yuta and megumi spend most of their time jamming
one time when the group decided to let loose, megumi got so wasted that he just randomly burst out singing on the top of his lungs
no yuji's not holding a video of that as a form of blackmail
you accidentally broke yuta's guitar back in your childhood yuta was and still so heartbroken bout that
maki is slowly getting encouraged by nobara to join her on making megumi confessed
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copyright © 2021 by love-amihan all rights reserved. do not repost in other platforms. reblogs are welcome and highly appreciated! <33
taglist; @lumpiang-toge @deanodonk @duhsies @syynnaaah @calamariie @champagnetvstes @kirustne @iamlowkeycrying @asheseiler @janessawonderwall @erueru501 @mknz01-blog @xmellows @sukunas-cult-leader
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natromanxoff · 4 years
Text
Queen live at Royal Dublin Society Simmonscourt in Dublin, Ireland - November 22, 1979 (Part-1)
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Tonight is the opening night of the "Crazy Tour," the tour when Queen decided to go back and play the smaller, more intimate venues (especially the London ones). The lighting rig had to be scaled down to accommodate most of the venues. There used to be five rows of red and green lights and four rows of white, but the red and green have been cut back to four as well. Along with the change in the band's attire (particularly Freddie's pants with knee-pads) and Roger's bass drum head sporting a picture of himself, all these factors make pictures from this tour easy to distinguish from those taken earlier in the year.
Queen's old front of house sound technician returned to the job after a long illness (the Jazz album is dedicated to him for this reason).
The show now begins with an intense drone leading into the thunder and lightning. Combined with their lighting rig (even the scaled down version), this would be a very effective opening of their show. It has been said that people were often left breathless before the band even played a note.
Being their first gig in the UK since releasing Live Killers, the band decide to shake things up a bit by opening the show with Let Me Entertain You, followed by the fast We Will Rock You. The setlist is otherwise mostly similar to the live album and previous tour, with a couple new songs added to the repertoire (Mustapha made its first appearance in Saarbrucken in the summer).
Tonight would see the first performances of Save Me and Crazy Little Thing Called Love, which had been recently recorded. The latter has been released as a single and would fare quite well on the charts, becoming their first American #1. Save Me would be released as a single early next year, peaking at #11 in the UK. On stage, Brian May plays the piano on the ballad. Through 1981, he'd play the first two verses on piano and switch to guitar at the second chorus. The instrumentation would change slightly in 1982 with the addition of an auxiliary keyboardist. In the meantime, these 1979 versions would have the band finishing the song at the end of the last chorus, omitting the piano outro.
As for Crazy Little Thing Called Love, Brian would start on acoustic guitar, switch to a black Telecaster for the guitar solo, and to his beloved Red Special for the finale of the song. Unlike the 1950s-flavoured studio version, it would become a heavy rock song by the final verse. By 1982, the end of the song would often be a relatively long jam. Freddie would play a 12-string Ovation Pacemaker acoustic guitar for the song through 1982, and would switch to a cream-coloured Telecaster from 1984 to 1986. Throughout the years, he would often joke about how he knew how to play only a few chords on the guitar.
On stage, the band end Crazy Little Thing Called Love with a coda similar to the one in You're My Best Friend.
This is Queen's first of four shows they would play in Ireland, and so they perform a one-off version of Danny Boy in the encore. As told by someone who attended the show, almost no one in the audience knew the words of the second verse, while Freddie had done his homework.
During Now I'm Here, a fan manages to make his way on stage for a brief moment, and Freddie sings, "Now He's Here." An audience recording of the song was reportedly broadcast on the radio not long after the show, but no known copy has survived.
At the end of the show, instead of playing their version of Britain's national anthem as always, in Ireland the band use the outro from the A Day At The Races album - the only location where they would make a political gesture like this.
Here is a review of this show from the Dublin Evening Press, submitted by Rob Schoorl.
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Photos 1-3 were taken by Eddie Mallin.
Fan Stories
“I couldn't believe it! Summer 1979 and I was reading a review of a gig in one of Dublin's evening newspapers. At the end of the review, added almost as an afterthought, was news that the promoter, Pat Egan, was planning to bring Queen to Dublin! I read and re-read it but still could not believe it. Queen, at last, would make their debut in front of an Irish audience! The Crazy Tour would begin in Dublin. Fast forward to the autumn and myself and a number of friends from school eagerly queued up to buy tickets to see our heroes. After buying the tickets, it was a long countdown to the show which would take place on Thursday November 22nd 1979. I still clearly remember the date even after all the years. Eventually the day arrived. That night Queen were on Top of the Pops with Crazy Little Thing Called Love but I didn't mind missing it. We were going to the real thing! After a long day in school we made our way to the RDS in Dublin. After a wait outside the gates we were allowed in to the venue and found a standing place near the front of the stage. I recall it got ever more crowded at the front of the stage and before the show, the tour manager (was it Gerry Stickells?) had to go on stage and appeal to people near the stage to relax and step back. Eventually the lights dimmed, there was a tremendous roar from the crowd, the Pizza Oven exploded into light and there were our heroes only yards away from us. I recall at the time being so overwhelmed by the amazing lights and the fact that we could almost touch Freddie, dressed all in black leather and sunglasses, that I barely registered that Let Me Entertain You was the opener. After that, it was into We Will Rock You and, largely the same songs and running order as the Live Killers album which I knew very well (!!) at that time and had almost worn out playing over the previous months. There were however some exceptions. Of most interest to Queen fans now and the biggest shock to me then was that Danny Boy was played live - a great version, from what I recall which received a terrific ovation from the audience. Also, If You Can't Beat Them was played which surprised me as it wasn't included on Live Killers and I wasn't even aware at that time that it was ever played live. The Dublin show was the first time that Save Me and Crazy Little Thing were played live. I remember being astounded at the power and range of Freddie's voice - even better than Live Killers. At that stage he was developing as a singer and over the next few years became recognised as one of the best rock singers and best frontmen in the business. (Am I the only one who was slightly disappointed with the quality and range of his voice during the final Magic Tour especially when compared to earlier tours?). The gig was a terrific show, especially to a young person attending his first major rock gig, and many of the songs are still memorable to me. During Now I'm Here one idiot actually got up on stage and Freddie sang "Now *he's* here" before he was removed from the stage. One girl also managed to get up on stage and plant a kiss on Freddie during the show. The following night, a couple of songs recorded during the show by someone in the audience were played on the Radio Dublin pirate radio station. These included Now I'm Here. A bootleg of the gig definitely exists *somewhere* but, try as I might, I cannot track it down. I would be grateful if anyone reading this comes across it or has it in their collection, that they get in touch with me!” - John Brogan
“The first night of the Crazy tour - amazing show. Seen some people on the web note that they played Danny Boy that night but for some reason I can only remember Brian playing it as part of his solo and us singing our heads off. Freddie handing out a champagne glass to a friend of mine who still has it. Anyway it was nearly 30 years ago and I find it hard to remember what I did last week never mind that long ago. They ended the show with the outro from A Day At The Races which took me a while to figure out what it actually was. The lighting rig was totally amazing - the pizza oven was aptly named - it was scorching and the intensity of the light when it turned around behind the band to face the audience was something else made a couple of friends that night (in the horse show bar opposite the venue) that I am still in contact with and we are all still crazy after all these years.” - Gary aka hoops
“A couple of notes on the Queen show in Dublin, 1979. Fred was in red trousers, not black as John Brogan has mentioned above. Small point but there you go. And when it came time for the audience to sing along to Danny Boy, almost no one knew the words of the second verse - I remember one chap shouting out to Freddie that he was doing a grand job all by himself. I saw them sixteen times in all and that show, the first, has a very special place in my memory. On the subject of bootlegs from that show, a chap in Aungier Street in Dublin used to have just about every show ever played in Dublin by anyone worth taping. I got a really bad and incomplete (C60) copy of the Queen show from him just as a record of having been there - his voice could be heard just before the start of the show, discussing bootlegging. The tape is somewhere in a box in my house and should I come across it, I'll let you know.” - Paul
Part-2
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c-grace · 3 years
Text
Since there are loads of [unnecessary] opinions on how Aloy looks, which I, frankly have nothing to complain about. I still believe she is very beautiful and her looks makes sense, not to mention the original model is stunning.
So lemme just take some time to write out this scenario I thought of that I found very cute and emotional, idk 'bout everyone else but it did make me cry when I thought of it.
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POV: You and Aloy are both outsiders, but you were cast out from being a "defect", the both of you only got to know each other during the last few years before the proving.
A little something I wanna mention, this is sorta a Y/N fanfic but without the Y/N, so wherever you feel like you need to add your name in the dialogue, you can do that but I did it so that there would be no need for the name. I hope you enjoy~
T.W: Slight mention of death and injury.
Aloy × F.reader/G.N
Also this has song lyrics in here, if that's not to your taste, I'm sorry but I couldn't think of anything else
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"Oh! I found something!"
"What? What did you find?"
"Tada! Another audio file!"
I lifted the device and showed it to Aloy and waved it with satisfaction. "And here I thought you found something useful." Aloy grumbled.
"It's important to me, you know how I love to study the old ones' musical pieces, especially the singing, they all sound.....I don't even have words to describe them." I held tightly onto the device. Using Aloy's focus I scanned the device and played the audio, and without a doubt, it was a musical piece.
"You sure love music, huh?" Aloy smiled and eyed me for a moment, "Yes, all the pieces from the metal world have a certain, essence to them, it feels like it's calling out to me." But that joy was cut short once I remembered of the proving.
"But then, with the proving coming along, the matriarchs might not let me visit any ruins and I won't be able to study them anymore." I huffed and kicked a rock away.
"Who cares? I'll take you to see more of the ruins, they didn't care for us for so long. What is it to them that we see who the old ones really were?" Aloy never understood, nor took high regard to any of the tribal laws and I do agree with her but I have no one other than her to accompany me to explore all these new wonders.
I believe Aloy can do whatever it is that she wants, no one, not even the matriarchs will be able to stop her from going to where she wishes to go. I only have her and if she were to be cast out once again just because of me, I don't think I would like that all that much.
"Thank you Aloy, oh that reminds me, I learned this song, I want you to hear it."
"Can't wait to hear it then. I can't believe it's tomorrow, how are you taking to it?" She looked at me worried and I could get where it was coming from. I get anxious quite often, taking down a watcher, without any preparation, will make me sick to the stomach. "Yeah, I've given myself a 'pep-talk and I think it's working, I don't feel too worried about it now."
"Thats good, alright, I think it's time we leave, Rost said he needs to meet with me." She stretched her hand over to me and I held on firmly, it was calloused yet warm, I felt safe by her side.
The both of us went on our ways and I made it back to the little tent that I called my study and home, I have journaled all the music I have found and dated every one of them. So far, I have recorded 12, 5 of which were addressed to someone else, it was as though they had sung while they mourned for them, wishing they could be with them and the rest were of random order but interesting nonetheless.
I set the recordings aside and tried to make myself fall asleep, the proving was not too far from now. I didn't train my whole life for it but rather, I just wanted to belong somewhere. Aloy is.....different, to her, the tribe means nothing but a means to know more of the world, she said it herself, she wishes to know why she was cast out and never once thought of the tribe in good light.
I had no sense of conflict in me, unlike Aloy, I liked to keep to myself and I ran away at the sight of the tribe members because I was afraid. I was afraid of how they would treat me but that sense of fear became a threat to me.
I learnt how to live on my own, I knew why it was that I was an outcast. My parents didn't want me, said that I would often act strange and I never understood why, till one day the matriarchs marked me an outcast and left me on my own. It was a little over 3 or 4 years ago, where I met Aloy, we grew close.
I never told Aloy, why I was cast away, I didn't want her to be burdened. I kept to myself but this time, with these songs I wanna let her know, all these withheld emotions are making me feel like I could rot from the inside. I am in a way excited for the proving.
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"Aloy! Watch out!"
'I didn't think it would come to this, no, please, stop this.'
"Stay where you are, I'll come to you, alright?!" She shouted but the sound of blasts had muffled all the sound around me. The proving was going well, with Aloy and I being named braves but the celebration was cut short when all of a sudden, intruders had marched in and openly attacked everyone on sight.
"Kill all of them, don't let anyone of them come out alive!" The invaders sounded.
I frantically grabbed my arrows and shot at a few of them, two had missed and the rest 4 had all landed a hit, killing them on contact.
"We can't hold them!"
Aloy had been covering for all the braves and took a stand at holding them down, I decided to let myself all out and help Aloy and guided the remaining to the exit but not many made it.
"I'll hold them down, go! Make it to the slip-wire! Vala! You go too, I'll cover!" I directed all of them, Vala looked reluctant but went on ahead. "There's more of them!" I heard Bast shout and I whipped my head and shot my arrows, this time, all of them landed.
Vala and Bast had got caught between the shots, I watched their bodies hit the floor and a look of dread had washed over Aloy but I could feel the anger that brewed within. She shot them down, all of them.
But it wasn't long before a man had grabbed her by the neck, and something in me snapped, all I saw was that Aloy was in danger. My body moved on its own and I had grabbed my dagger and drove it into the man's side, he screamed but he lifted his arm and thrust it to my gut, sending me straight to the ground.
Before I had lost my senses, I caught a glance at Aloy who had laid on the ground, at least, no longer choked by that man.
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"A-Aloy! You're awake! You're awake...Aloy..." It hadn't been too long since the attack but my injuries are far from okay but at that moment, all that mattered to me now was Aloy. She awoke but her face was pale and her breath, uneasy.
"No, no, no......ugh, I—I have to get out of here..." She clutched on to the side of her head. "Aloy, I'll gather your armour and Focus, just wait here, I'll co—"
She grabbed onto my hand locked her fingers around mine, her hands were shivering. "Aloy?"
"You're alive, I...I thought I lost you..too...." She whimpered, I crouched down and held on to her hands softly, "You can't take me out that easy." Slowly caressing the side of her face, I smiled meekly.
"Rost...he saved me...but."
"He didn't make it Aloy. I don't know what happened either, you'll have to talk to Teersa."
"Where are we?" Her feeble voice asked, "We're inside the sacred mountain, I'm not sure why, I was nursed outside the mountain, they didn't say much when I asked if I could see you." She nodded and slouched down. I went on ahead and brought in her focus, there was another focus with it but I just handed them all to her without questions.
I quietly left the mountains and waited outside for Aloy. It took a while but she came out with Teersa.
The two walked to the rest of the matriarchs, they were talking amongst themselves and it was then I heard that Aloy had been bestowed the mark of a seeker, Lansra did not take to highly of this decision and made some unwanted remarks to Aloy.
I glared at her, hoping that it would do something but she huffed and grunted, walking on just fine.
The rain had poured on harder with time, it felt like it was meant to weep but was choking instead, an odd feeling but that was how I had felt.
"Aloy, of the Nora? Or would you rather prefer, Aloy, a seeker from the Nora?" I tried to put a little lightness to the heavy air around. "I don't think I like either of them." She made a face at my names.
"Alright, then....Aha! Aloy.....despite the Nora?"
"That sounds better." She smiles wide. "Listen...I need to go, I need to find out who those killers were and why they came here, which means that I need to leave the sacred lands." Her smile drops and she looks at me apologetically.
"No no, you have more to worry about than me, it's alright, I can hold my own." I reassured her but her look of response was doubting all of it.
"Aloy, go, I know how much this means to you. I would only be a burden if you were to worry about me. I want you to go out of this place, I know you've always been curious about the lands beyond." There was so much I that I wanted to convey.
So much that I wanted to ask but I pinched myself to not do that.
"Before I go, I wanted to hear that song you wanted to let me listen to, at least let me hold on to that." She pleaded and held on to my clothes. "I-I don't know Aloy, right now, if I did that, I would appear more—"
"Here, you can just record it on my focus."
She removed her focus and placed it in my palm, I looked at the device and glanced back at her. I heaved a sigh and excused myself from the area.
'Am I seriously doing this now? Yes, c'mon me! You can do this!'
There goes my heart beating
'Cause you are the reason
I'm losing my sleep
Please come back now
There goes my mind racing
And you are the reason
That I'm still breathing
I'm hopeless now
I'd climb every mountain
And swim every ocean
Just to be with you
And fix what I've broken
Oh, 'cause I need you to see
That you are the reason
I started to cry at thought of having to let go of Aloy, she would be far off and I would be here, possibly just waiting. I wouldn't have the slightest clue where she would be, but I would hold strong, not only for her but for myself.
I won't have any more music files for me to explore so this was the last of all of them. Before I stopped recording, I quietly whispered, "I...I...love you, I love you Aloy and I hope you will be safe. I may or may not be here when you come back but if it weren't for you giving me a reason to be here, I would have never bothered going on with that life I had..."
"And I would have lost myself if it weren't for you."
At the familiar voice, that was none other than Aloy's, I had lost all reason and the shock had gotten me wailing silently.
"I'll be back, you are all that I look forward to when I return." She grabbed my face and pressed our foreheads together. "You sang well, I didn't know I meant that...much to you..." She whispered.
"You are the reason I'm even here. Come back safe, Aloy-despite the Nora." I clutched on to her clothes.
She placed a gentle kiss on my forehead and went on her way, she didn't turn back and I looked at her back, fading off.
'I'll be here, Aloy.....my Aloy.'
•END•
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Alright! Phew, that was done. I have never written a one-shot ever, I don't even know the word count cause I was just writing without thinking too much.
Anyway, it was more emotional in my head so I did cry a little but it's pretty meh on paper 😂
Aight, this distracted me from all the bs of the world, I hope it distracted some of y'all too.
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clumsyclifford · 3 years
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just finished writing this and realized how long it got oh jeez i am so sorry. i promise it is just me rambling about nothing and does not require a lot of thought.
i made a playlist of r5's entire discography and am listening to it (in order) because there is something wrong with me. if only it had their very first ever ep on it (ready set rock ep you may have been slight garbage but i don't love you any less for it). oh god i realized i fucked up and didn't add the songs by "ross lynch and r5" from the austin & ally soundtrack. i'm already three songs into louder and they would have been between louder and say you'll stay. what do i have to do is actually one of r5's best songs and i'm pretty sure i remember ross calling it one of his favs fairly recently?? which was so valid of him. anyways. this is now an r5 song ranking. i'm bored and avoiding doing assignments. i'm going to name my top 10 r5 songs off the top of my head. source: me trying to remember every song they've ever released.
no. 1: easy love. nothing comes close. my fav song they ever made. they haven't made anything that even compares since (this is /hj. tde has some valid songs).
no. 2: wishing i was 23. what do you mean i only love this song because of my nostalgia bias no i don't.
no. 3: what do i have to do? i will not elaborate i do not know why i adore this song as much as i do it's just a cute song.
no. 4: repeating days. THE END. THE FUCKING END AFTER THE SONG ENDS THE "all i've got is cheap wine" PART ross sounds so vulnerable and him with just the guitar makes me so :(((((( it's so gorgeous that part makes the whole song and that makes it top 3 for me.
no. 5: i want u bad. THAT SONG FUCKS LIVE. I DO NOT WANT TO THINK ABOUT THE FACT THAT I WILL PROBABLY NEVER SEE IT LIVE AGAIN. (speaking of concerts i can't believe you bought concert tix and fucking forgot??? that is actually so fucking funny bella it made me laugh i will not lie)
no. 6: dark side. so so valid of them. it just fucks. it's so good. it makes u want to dance. u named a fic after a lyric from it which was so valid.
no. 7: did you have your fun? i love this song. no i will not elaborate. it is a sexy song. what's that one lyric from it that's hot. "love me, leave me, left me numb" some lyrics you love for no particular reason and for me that's one of those lyrics.
no. 8: f.e.e.l.g.o.o.d. this has alwayysss been one of my favs by them. since it dropped. some lore about it: the like crowd yelling that's in it they recorded live at a festival they played and i remember there being hype about this being an unreleased song when they had the crowd chanting "f-e-e-l-g-o-o-d" with no explanation. also another fun fact is that the final version of this is just a demo?? source: my slightly faulty memory remembering ross saying something about some demos being so good that you keep them as they are and it later being revealed this was the song he was talking about.
no. 9: i know you got away. sexy song. they released a vocals only version of it (that has apparently since been deleted?? i went to look for it on youtube and couldn't find it?? wtf r5) that has stuck with me ever since.
no. 10: loud. but more specifically the acoustic or live version. this was their encore song that they played to end every show. i MISS IT. it holds a special place in my heart.
honorable mentions: hurts good (a good song and THEIR LAST THEY EVER RELEASED VV SAD), wild hearts (fun fact almost picked a lyric from this song as my senior quote till i found out they didn't write this song), fallin' for you (YOU LIKE MISMATCHED SOCKS WITH POLKA DOTS YOU LIKE YOUR PIZZA COLD I THINK THATS HOT i never saw this song live and i'm still fucking pissed about it ok), do it again (it's such a sweet song :(((( "listen to the airplanes as we count the stars" gives me the same vibes as six feet under the stars), things are looking up (generally just a cute song!! this whole ep is just very good and very cute!! when i saw it live one time during the bridge ross was like "everyone shut up this is my favorite part >:(" and that was so valid of him) i can't say i'm in love (it's just a fun song!! it was a bonus track on sln from another country), trading time (this is the only song from the new addictions ep that i listed and u know what i'm Not sorry)
ok. i will spare you and stop rambling. other honorable mentions: if you have never listened to cool girl (feat. the driver era) by new beat fund i highly recommend. it's an okay song but it was one of the first songs released after they rebranded as tde and includes ross saying motherfucker with his whole chest. i will never again feel what i felt the first time i heard that song having listened exclusively to them as r5 whose songs they couldn't curse in because they were on a disney label.
in conclusion. i miss r5. ross saying fuck is kinda hot. i listened to the entirety of louder while writing this. i am sorry to dump this in your askbox. i still have multiple assignments to do and should probably go to sleep at a decent time. it feels fitting to finally stop writing while easy love is on. when i was 12 and this ep came out i thought "dirtbags" was a curse word and was scared to sing it. they changed it to "douchebags" live.
that's all. goodbye. have a lovely night. listen to r5's discography for clear skin thriving crops etc etc. sorry to lovepost about them in your askbox i only have (1) former r5 mutual that i still talk to (a very interesting but long story. she's the gemini bestie) and she will only lovepost about r5 once in a while. feel free to ignore my ask calling cody bellinger hot i was a different person when i wrote it i am now a changed woman. LOVE YOU MWAH - bella but she misses r5
hi hi im going to answer this with minimal thought because im tired but i dont wanna leave this sitting in my inbox forever but for the record all your r5 opinions are valid. ok lets go
1. easy love slaps ive heard it a couple times over the last few days (it played in the car today while i was driving sam n meghna to the airport) and it does fuck i can see why it's your fave
2. i do not know this song
3. A BOP A WHOLE FUCKIN BOP
4. oh i do love repeating days great choice i would have to hear it a few more times to get it in my head but i remember really liking it when i listened to the album it's on
5. also a banger and i'm glad my concert tickets situation made you laugh it made me laugh too imagine being this useless gldskfjgs
6. DARK SIDE FUUUUUUUUUUUUUUCKS GIVE IN TO YOUR DARK SIDE YOUR DARK SIDE IIIIIIIII SEE THE WAY YOU LOOK AT MEEEEE
7. ANOTHER FUCKING BANGER this one is probably among my favorite r5 songs maybe top 5 LOVE ME LEAVE ME LEFT ME NUMB (guitar moment) DID YOU HAVE YOUR FUUUuuuuUUUUUNNNNN i feel the same way about this lyric as you
8. oh shit thats pretty cool i dont know this song tbh i cant remember how it goes i know ive heard it once or twice but. id have to listen to it again so i will keep you posted on that
9. i do not know this one either
10. interesting choice for top ten but i support you, this song fucks and ever since you mentioned it it's been in my subconscious and randomly getting stuck in my head i think i need to listen to it to get it out. it does hit ur right
11. i don't know hurts good or wild hearts or things are looking up or i can't say i'm in love or trading time well enough to say anything about them. but i really like fallin for you it's one of those cheap fun songs but emphasis on fun, and also really like do it again one day ill write a fic based on that song
i have not listened to cool girl i put it on my to listen playlist so hopefully i remember to listen to it soon ill be honest though i dont think im prepared for ross lynch saying motherfucker w his whole chest like i think itll take me out. so. anyway. i hope you got your assignments done. thank you for the r5 lovedump feel free to drop in anytime with more
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