#structural change

[waidwund]

ex hard coal mine, coal coke production site – essen, germany // 08-2022  

© 2022 waidwund–photo  

[pendulouspuppyudders]

i love overeating and posting about it

[overthinkinglotr]

The Two Towers film is actually really impressive for how it feels like a cohesive story despite being about three groups of characters whose plotlines almost never intersect during the film’s runtime (Frodo/sam, Merry/Pippin, and Aragorn/Legolas/Gimli.)

Because the Fellowship almost never interacts with each other during the main plot, the filmmakers instead had to connect the plotlines thematically. Frodo/Sam never actually talk to Aragorn, but their plotlines mirror each other.

The Two Towers film is structured so that each splinter group of the Fellowship ultimately struggles with the same goal: they need to convince a despairing grief-stricken ally to aid in the war against Sauron. Theoden, Treebeard, and Faramir are all people who have suffered some great loss in the past wars. As a result, they are all set in their ways out of grief, and refuse to listen to the Fellowship’s advice or agree with their plans. (Until the very end.)

This is also where the films depart a lot from the source material. The two towers was probably the biggest adaptational challenge of the entire series, because the original book is split into two parts that focus on the POV of two different groups of characters (A Three Hunters book, and a Sam/Frodo book) — and then ends on a horrible cliffhanger. This works in the books but would not have worked on film at all.

The filmmakers’ attempts to build a Structured Film Story led to them emphasizing the idea of the Fellowship recruiting reluctant allies, and emphasizing the thematic idea of people being trapped within grief and stasis. Elrond predicts that the worst fate for Arwen would be to “linger on, in darkness and in doubt,” permanently frozen in grief; and this is the state we find most of the new characters in. Film!Theoden is portrayed as far more hesitant and grief-stricken than he was in the book, film!Treebeard is more reluctant and afraid of what war means for the Forest, and film!Faramir is more overwhelmed by the pressure to be like Boromir… and all three of them are overall far more heavily swayed by the Fellowship’s presence. (Though I still have beef with the way Faramir’s plotline was handled—XD) Because they needed to build out a structure that could work on film, they found this thematic throughline and really emphasized it.

Theoden’s grief over the death of his son makes him refuse the Fellowship’s advice to reach out to his allies or ride out against Saruman’s forces; Treebeard’s grief over the waning of the forest makes him decide that “he is on nobody’s side because nobody is on his side,” and Faramir’s grief over the death of Boromir makes him unwilling to try a solution that isn’t “what he believes Boromir would have done.”

These characters all start the film in a state of hopelessness and stasis and avoidance; then they’re ultimately forced to confront the source of their grief, and end the film by aiding the Fellowship.

This is also connected to the journey that all the Fellowship members need to go on. Frodo and Sam are forced to confront the grief at the idea that Frodo is being consumed by the Ring; Merry and Pippin have to face that “there won’t be a Shire” after Sauron’s victory; and Aragorn’s relationship with the people of Rohan forces him to confront his own fears about becoming a king and leading people to their death.

The plotlines are also really well connected through the use of music— like the Last March of the Ents leitmotif being used for Theoden’s choice to ride out against the Uruk-Hai, emphasizing the parallel between the way both characters have hesitated to “ride out and meet” the source of their grief.

And then Sam’s final speech, where a variation on the Shire leitmotif — (a version of the same variation that played in the end of Fellowship of the Ring)— becomes the final moment that ties all the disparate plot threads together. The film is centered on characters being overwhelmed by grief, and entering a state of numbness or stasis where they cut themselves off from the world. When this happens to Frodo, Sam encourages him to believes that there is still goodness in the world that’s worth fighting for— a culmination of all the ideas that have been built up throughout the past three hours.

Despite its flaws the film feels so cohesive, and the end of the film feels like such a satisfying resolution? Which is easy to take for granted because like, there were so many different moving pieces, and without a really clear thematic focus the film could’ve easily ended up falling apart.

[mari-lair]

Behold! The worse housemaiden in history

Decided to do my own role swap AU!

Big shout out for @anxiousapplepie own role swap aus for inspiring me

[honehonn3honey]

A protection that becomes more creepy

Azul in my heart. You can see the original art here and read the monster list here @lustlovehart

[Alt under the cut]

My first concept, since my style could not simulate the texture of slime in its purest state

It is quite thick so water can not enter or wet. Only small puddles where you can accumulate

It is a monster and that, magic, but I can imagine that it can only reach a height by the pressure, it can come out expelled sometimes

[deerspherestudios]

Hello! I just wanted to say that your new peoject Astronought is such an awesome and well-made game! Atom is just so so adorable omg, they are such a cutie patootie

Anyway here is my question! So, I’m guessing the reason the ship got damaged in its rear was because of Atom, right? But, like… can I ask how they managed to do that? Did they turn into a massive ball and shoot themselves down in an incomprehensible speed like a meteor or something?

I'm so sorry but that is literally what happened,,,

It literally came in like a wrecking ball. //lyr ref

[just-null]

(LATE) MAID DAY!!!!!!!!!

extra:

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[beaft]

funny to think that when i was a kid i was all "i REFUSE to ever work an office job, i am a wild creature, my spirit is free and tempestuous and cannot be contained within cubicle walls" and now at the age of [REDACTED] i'm like please. please give me an office job. please give me a sensible office job where all i have to do is get up at the same time each day and clock in and send emails and clock out again. i am on my knees begging.

[braceletofteeth]

Evilive (1x03) || Strangers From Hell (1x08)

[starry-bi-sky]

DPXDC CFAU Headcanon: Ghostspeak Edition

Ghosts in the Infinite Realms who saw Jason and Danny together called them "luzdra", a term in ghost speak that directly translates into the words "shared soul". It's literal definition is; "two ghosts with a bond so deep that it was as if they had split their souls in half and given one to the other", but in general it just means two ghosts with a profound, indescribable bond.

Luzdrus is the singular form of the word, and refers to only one ghost in the bond. While "luzdra" is plural and either refers to both of them together, or the relationship as a whole. It depends on the context of the conversation and who they're saying it to.

There is no romantic, platonic, or familial connotation behind the word. It just means "someone who shares a deep bond with someone" and can be between anyone.

It also does not mean soulmate, and if you say that you'll be corrected. Soulmates implies that their bond was destined by the universe, luzdra are two people who developed and built that bond themselves. It's a relationship forged between two (or more) people.

Some of Danny's rogues -- like Kitty and Johnny, who might've seen the two together and are possibly luzdra themselves -- still call him 'luzdrus' even after Jason's disappearance from the Zone. Danny doesn't know how to feel about it.

[clancysletter]

Tyler Joseph performing Car Radio in Santiago, Chile during The Clancy World Tour.

[njere]

"You risked your own life to protect so much.

I couldn't bear to let that go to waste."

[iggyshippingcorner]

big stobotnik doodle dump from the last few days! i almost never get big sketch pages and so it was such a delight to zone back into my body to find I had filled the canvas…

enjoy my fiddling with cybernetic designs and badnik styles! take a peek at image alt for more info :)

[theborzoiarebackintown]

Once again taking the leap on a foundation prospect! Myself and their breeder will be growing out the entire litter (just four, two boys and two girls) and making decisions on keepers later.

Worst case scenario is neither of the girls turn out and I’ve still got another summer of puppy raising experience under my belt.

Their breeder let me name them, the red girl with the squiggly blaze is now birkke, and the golden girl with almost no blaze is Tove (Viking/norse litter theme).

I like the pedigree and I like how everyone has been looking, so cross your fingers for me!!!

[chopshajen]

My entry for agressive_poetry’s DTIYS contest on instagram! Congrats to them for the 40k followers :D the characters are Tyler and Josh from their vulture AU

I love their vulture Tyler design, and this was a great excuse to draw some wings. I’ve never actually done a DTYIS before but it’s such a fun way to encourage people to make a share art! And there was the benefit that since it’s supposed to be in my own style, I didn’t have to actually face my enemies (doing colors or a background LOL) so I got to be happy doing lineart while the characters were once again banished to the Void