#subject expert

[canisalbus]

I work with horses for a living and I’d like to hop on the bandwagon and suggest some breeds. I can’t remember if your beans are Italian, but that’s the assumption I’ve been going with so I apologize if I’m wrong!

Machete: Sardinian Anglo-Arab or Cavallino di Monterufoli

Vasco: Salernitano or Lipizzano (they come in colors that aren’t grey)

I have other recs if they aren’t Italian. I would add Neapolitan to Vasco, but you won’t find many (if any) photos of them. It went extinct in the 50s as its own unique breed. The Lipizzano is a descendant.

[slyvester101]

Caboose and Wash bonding over their head trauma.

Caboose and Wash sharing tips on how they remember things and keep track of dates and names and where they are versus where they’re supposed to be.

Caboose and Wash both being at risk/susceptible to seizures due to their head trauma, so all the sim troopers have to learn how to help them through it.

Caboose and Wash having panic attacks because they can’t remember an important detail about their lives (they should know this they should know this they should know this why don’t they know this?)

Caboose and Wash both being able to remember Tucker’s name. Always. First try. Easiest thing to remember. (Tucker being scared of the day they don’t.)

Caboose and Wash hating the giant gaps in their memory, so they spend a lot of time trying to fill it.

Caboose and Wash sharing stories all the time because they don’t want to forget…

What were we talking about again?

[slashify]

We all love tattoo artist Eddie, but consider tattoo artist Steve.

He has an American Robin perched on a trumpet on his bicep for Robin. He gave her a brightly colored ice cream cone on her shoulder in different shades of pink. She rambled about cultural tattoos and the history of tattoos in America when she wasn’t bitching at him (‘Ow! For the love of all that is holy, Dingus!’ ‘Do you need a break?’) the whole time he was doing it.

He finds one of the kids (Max) attempting a stick n poke and gathers them all around for a lecture on safety and cleanliness. He promises the kids he’ll tattoo them for free when they’re old enough.

He and Will have art sessions where they’ll pick a subject and draw it traditionally and then Steve gives him pointers on how he would make the design better for tattooing. Will ends up apprenticing with Steve when he turns 18.

Steve still wears blue jeans and polos. His work is good enough that his customers don’t give a shit how he dresses.

He’s compassionate about coverups. He knows what it’s like to have changed so much that who you once were doesn’t fit anymore.

He’s very versatile, switching between outlines, black and grey shading, subtle highlights, and bold coloring with ease. He can do cartoon work as well as he can do realistic plants, or big cats, or lettering (he checks the spelling five or more times. He’s never messed up, but it’s one of his biggest fears). He has a whole list of referrals from people who like how he does scales. He’s lost count of how many fish, dragons, and snakes he’s done. He’s comfortable with a lot of styles, but he doesn’t do portraits. When Will starts at the shop he excels at portraits. Steve’s happy he’s found his niche.

Steve’s at a tattoo expo to network and check out new techniques when he finds himself stopping to watch an artist doing a tattoo of a demon. The artist has long, dark hair pulled back in a ponytail, and a grin like sunshine, and manages to make something grotesque and beautiful at the same time. Steve checks out the guy’s portfolio and sees a lot of fantasy stuff, dragons and wizards and a familiar looking set of dice, and he knows he has to go grab Will from the food court.

[thatincorrectquotegeneratorguy]

I'm going to give a presentation about GMO food in a class of mine soon and, though I can't really cite any data from this because it's extremely biased, I'm gonna throw this out to test the vibes on how an activity I'm debating using might go

No nuance to this poll, just gut feel. Feel free to reply or reblog with nuance or reasoning, though

[moon-pepper]

I'm pretty firmly of the opinion that understanding history is necessary to prevent the worst parts of it from repeating, so I spend a lot of my free time trying to learn about things like colonialism, slavery, genocide -- and it worries me to no end to see how much the majority of people don't seem to understand even about events everyone is familiar with. I used to be baffled that anyone could genuinely believe slavery was "just how things were back then", but it makes sense when you realize that most history lessons only deal with what the people in power decided to do; public outrage about a particular action only matters in the historical context if that outrage led to actual mass revolution. Even before we get to the layers of whitewashing and propaganda constantly applied to history, there's an innate bias toward treating major political movements as though they just appear and disappear entirely at random. Which leads me to wonder...

Do fellow gentiles realize that the Nazis weren't new?

What I mean is that most coverage I see of the Nazi ascension to power in Germany presents them as this new, fringe group that came to power out of nowhere through solely violent means. Sometimes there will be explicit mention of the fact that antisemitism was extremely prevalent throughout Germany (occasionally even the rest of Europe!) prior to Hitler's political campaign, but oftentimes it seems implicit that mass antisemitism in Germany began when the NSDAP first formed. Even when the prior existence of antisemitism is brought up, the Nazis are portrayed as a new, unique evil; they did things that no democratic society would ever dream of doing, things that could only be achieved by either completely hiding them from the public or by threatening anyone who spoke against them. "Nazi" is simultaneously an easy epithet for any excessively cruel or restrictive person and a label that is far too severe to seriously apply to anyone because the Nazis were so evil in a way that nobody else was that nobody is truly deserving of comparison.

The thing is, though, that the policies put into place by the Nazi government in order to enable their genocidal end goal weren't original. Even setting aside the fact that they're often viewed as the inventors of genocide despite Hitler openly admitting that he got the idea from the treatment of Indigenous peoples by the U.S.A. (highly recommend watching this BadEmpanada video to learn about that), very few of the Nazis' beliefs or actions were original to the Nazis. The conspiratorial, racially-puristic ideas that the Nazis touted were derived from contemporary conservative thinkers all across the West, and many of the antisemitic legal policies they implemented as part of their Final Solution were practices that had been standard throughout Europe for centuries prior.

The infamous yellow-star badges used to identify Jewish citizens? Those were first devised and enforced the region (by both Christian and Muslim rulers) at least as early as the 800s; it was 1215 when Pope Innocent III declared that all Jewish and Muslim people living in Catholic lands should be required to wear identifying clothing with the explicit goal of segregating them from Christians. The Nazi ghettos to which Jewish citizens were forcibly relocated were inspired by ghettos which had existed to segregate and isolate Jewish populations for centuries; the only real difference is that these new ghettos were just preludes to concentration camps rather than being meant for long-term habitation. Just about every part of Western society had some form of restriction (mandated or voluntary) banning Jewish people from occupying certain jobs or limiting their presence in universities going back centuries before the Nazis existed. There were more than 350 years where Jewish people were not legally permitted to live in England.

The reason I bring all of this up is because, even among people who are conscious of Europe's widespread antisemitism prior to the rise of Nazism, there's a strong notion that the Nazis were so detestable because they came out of nowhere; that they completely defied the norms of the day and took their antisemitism to a level that even the deeply antisemitic societies of past Europe never would have.

In reality, the Nazis weren't much of an escalation -- they were a return. Legal segregation, expulsion, and even slaughter of Jewish people really only began to end when the Enlightenment came and public sentiment in the West began to favor secular government. The first country to abolish legal restrictions on Jewish people was Revolutionary France in the 1790s. Russia maintained its restrictions on Jewish citizens' rights up until it also saw revolution in 1917. The idea that Jewish people were responsible for all of society's ills and needed to be subjugated and exterminated was not a new idea that took hold of Germany due to its economic suffering after World War 1; it was a very old, very popular idea that most of Europe had only just begun to abandon and which was brought back in full force the moment it became politically convenient.

Consider how this compares to present-day politics. Jewish Germans were only granted equal rights in 1871 -- Adolf Hitler's father and mother were 34 and 11 years old, respectively -- and when the Nazi Party formed only 49 years later, the majority of adult Germans would have grown up in or been raised by parents who grew up in a world before religious desegregation. The Nazi Party's promise to the German public was not to introduce a newly bigoted society, but to bring back the bigotry they had grown up with and ensure that it would never leave again; they succeeded by using Germany's post-war suffering to "prove" their society was declining and blaming that decline on a recent major societal change, thereby convincing Christian Germans who were still deeply antisemitic that you see? we let the Jews have rights and not even fifty years later everything is awful. Many Germans did not need to be lied to or forced into supporting the Nazis because, to them, the Nazis were just fighting to revive the "Good Old Days" of their youths.

As a political party, the Nazis were functionally identical to all of the modern-day pundits eagerly proclaiming that racial equality and LGBT equality and religious diversity and welfare policies are destroying the country. Any period of significant economic downturn, any large cultural shift, any major catastrophe no matter the cause is automatically the decline of Western Society to them -- and the blame for that decline is always placed on the most relevant pro-equality social movements. What makes the Nazis unique is not their goals or the beliefs that fueled them; what makes the Nazis unique is that they're the latest and largest example of a group like them gaining power and then rapidly losing that power, which makes them simultaneously martyr idols for subsequent fascists and sacrificial vessels through which liberals can pretend the world's evils were expunged.

Any major shift in favor of granting rights to the oppressed inevitably stirs up a proportional conservative backlash with the effort of reversing course -- not just by revoking those new rights, but by making the previous inequality worse so that it becomes harder to undo again. If we care about ensuring an equitable future, it is vital to understand that the fight for that future does not end with a law being passed. It ends only when equality for all is so well-established as a social norm that there is no way to benefit from pushing for its destruction. Do not get complacent.

[willow-p012]

Kotoko's PTSD/C-PTSD Symptoms

So earlier I said I could make an entire post on Kotoko's PTSD symptoms, for lack of a better start, here it is!

Hyperarousal (feeling "on edge")

Someone with PTSD may be very anxious and find it difficult to relax. They may be constantly aware of threats and easily startled.

In the beginning of Harrow, we see her relatively relaxed, looking over her research, but then...

She turns to look at the camera, clutching her fist and seemingly startled. Even when seemingly alone, she can't relax fully, not for long. Then we see the wolf appears besides her, something she seems almost horrified with in the end of Deep Cover. Also, in Harrow, even within her own mind she is clenching her fist, tense.

Re-experiencing

Re-experiencing is the most typical symptom of PTSD. This is when a person involuntarily and vividly relives the traumatic event in the form of:

•flashbacks

When she sees Keiko, multiple images of other people being harmed flash across. While these could be other victims of the same man, I have also seen it argued that it is Kotoko in the past and that the man is just a fill-in of the sorts. It could be a traumatic flashback in that case.

•nightmares

I don't believe we have anything that exactly fits this criteria, but we do have other types of possible re-livings.

•repetitive and distressing images or sensations

The wolf is not only mirroring Kotoko with blood around the mouth, but is also looming over her. Many perpetrators of violence have nightmares of seeing blood on their hands, like Kotoko here, but it doesn't entirely seem like Kotoko sees herself as a monster, not fully. She is not the monster, but the monster is so terrifyingly like her, it is constantly looming over here.

"They’re still here, still here, it grates me"

Is the line that goes with this, and considering the insults she gave the prisoners before you may think she's talking about them, which she may be, but what she uses in Japanese is much more vague. More like "it's" as far as I know(?) correct me if I'm wrong. In this scenario, she could easily be talking about some form of trauma she is remembering.

•physical sensations, such as pain, sweating, feeling sick or trembling

Possibly just from overexertion, but her expression speaks of more (I don't think she's horrified by her actions or anything at this point). She looks absoloutely terrified for a moment before she looks certain in herself again. She's sweating (as mentioned before) and may be described as looking "sick", if we go by the flashback explanation for the scenes she sees before she attacks, then she'd likely just be coming down from it. Panic attacks and flashbacks both have heavy physical affects on the body, even without them literally being a form flashbacks can take.

Avoidance and emotional numbing

Some people attempt to deal with their feelings by trying not to feel anything at all. This is known as emotional numbing.This can lead to the person becoming isolated and withdrawn, and they may also give up pursuing activities they used to enjoy.

Q: Don’t you feel scared of killing people? A: If it’s for the world. How I feel about it is completely irrelevant.

Q: Don’t you feel a sense of isolation in your current situation? A: It feels like nothings changed. If the world gets even a little better just by me undertaking this isolation, then that is the role the strong play.

In both of these, she attempts to say she feels nothing about a situation or that her feelings are irrelevant.

Many people with PTSD try to push memories of the event out of their mind, often distracting themselves with work or hobbies.

Q: What are your parent’s occupations?A: They’re just the normal office worker and housewife. Did you want me to be born in with some unique circumstances?

She presses harder with the pencil when answering this question, perhaps indicating some sort of anger or avoidance when the topic of her parents (or just past) comes up. Though, I feel as if this is some of the most speculation in this post.

Feelings of worthlessness, shame and guilt

She seems to hate herself immensely, only loving herself through her role as a "savior".

Such as the conflicted look she has in this scene, before we're shown the bloody scales. While I do think she is also experiencing some form of flashback in this scene, we're clearly being shown that she understands her justice is violent on some sort of subconscious level. She likely does feel guilty because of this, even if she does not want to admit it, because of the manner it's being shown to us.

"From the beginning, I've never asked for your understanding! My actions, one by one, are bringing earth closer to peace. Useless Weaklings should just shut up and let me protect them!"

Losing it, losing it, What should I hope for

Laugh and I can get to like myself

She is showing a deep disdain and sense of hopelessness for herself. She searches for purpose in the label of "Hero" without any other way to feel as if she likes herself, hence why she gets angry in the first example when someone seems to speak up against her. Without her vigilantism, she feels worthless.

Problems controlling your emotions

Very commonly, those with C-PTSD will experience a lot of anger and unstable emotions.

*Sigh* How ridiculous... It's always like this...All of you weaklings always act like this... All of you enjoy seeing someone getting hurt...

All of you enjoy seeing a bad person falling down...

You keep asking for it, but as soon as it happens near you by your own choice, you all start complaining and evading your responsibility...You're always like this... Always such idiots!

Here, we can see her getting angry when denied her escapism of vigilantism by Es. If you listen to the voice drama, it almost sounds as if she's about to cry. As if she is experiencing a very unstable set of emotions and doesn't know how to control them so she is lashing out with anger. She asks them to let her keep her purpose, still angry,

If you don't have strength on your own, let me take care of it, Es! I can do it in MILGRAM!

Do you understand now?! Don't make me wait!!!

In the line I mentioned before, the "From the beginning" one, she is also displaying this. The only context I can imagine for this is someone who is horrified or denying her (Keiko in my theory), and when faced with this she lashes out with anger again.

In Deep Cover, we constantly see her anger surrounded by her being scared, desperate, ect. She lashes out when scared, sad, and other feelings because she seemingly does not know how else to deal with her feelings.

Finding it hard to feel connected with other people

I ffeel like this is already very well-explained with the quote

Q: Don’t you feel a sense of isolation in your current situation? A: It feels like nothings changed. If the world gets even a little better just by me undertaking this isolation, then that is the role the strong play.

When ostracised due to the fact she actually beat people within an inch of her life, she claims she feels no more isolated. From the beginning, she couldn't connect with them, even if she does have feelings of fondness for some. And her introduction immediately shows that she is weary of others, not wanting to say anything more than her name and age.

Yuzuriha Kotoko. 20 years old. I don’t feel like telling you much else right now. That is, before I find out what your intentions are.

She completely avoids normal people, further isolating herself by naming herself one of the only "strong" in a group of "weak", and via dehumanisation as a "tool"..... Oh, and that leads me into my next point.

Dissociation

The way dissociation manifests varies from individual to individual, though it always involves some form of distancing from the traumatic experience, memory or source of anguish.

In Harrow, we see her mindspace. The first time we see it, she is obviously stressed, with eyebags and an almost despaired expression. And then, she opens her eyes and she is in her mindspace.

When experiencing a source of anguish (her feelings towards the injustices of the world and the result of her overworking), she retreats into her own mind, sometimes completely by accident. Almost everytime we see this mindspace, she is surrounded by her research (her overworking and the despair she feels from seeing what is happening) or she is straight up seeing Keiko be kidnapped and possibly experiencing flashbacks.

She removes herself from "herself" in a way by calling herself a tool, a fang- inhuman. By calling herself that, accepting other people (Es) seeing her like that, she is removing herself from the larger group of "people" (and the events of her past by giving herself a current purpose), which also ties back into her disconnection from other people.

If other people recognise more or can se more examples please share!! She's so very dear to me and I want to understand her as well as I can.

[notllorstel]

Finishing this made me want to doodle some post tf events Theo and Randal. Don’t want to use brain power for words today, so use your imagination in the meantime. Brief context, Randal’s got a deadline and needs peer review.

[smile-files]

a doodle of my new teardrop gjinka!! i think they turned out pretty cute :)

[stari-hun]

I love when people mention characters haven't interacted and I just pull up my insane chart of character interactions. It's so fun getting to be like ermm ashually they were in the same location for months at the very least so ur ship is ex possible

Plus I still need to read the character stories to add them but ehhhhhhhhh

[fictionadventurer]

Love it when the mutuals talk about the thing they're an expert in and I metaphorically sit cross-legged at their feet, looking up at them with shining eyes as I soak in their wisdom.

[freckliedan]

i'm going to straight up start filtering urls of people who use ableist language because it's popular on tiktok. delulu isn't a funny or cute way of talking it's misuse of a word with a specific use. there's already so much stigma and oppression faced by people who experience delusions/psychosis/etc and the way people use the word delulu makes things worse.

have you guys not been seeing people who are directly harmed by this talk about it since the moment it started happening? do you not care at all about solidarity with disabled/mentally ill/mad people?

not using words is the easiest thing in the world. why is this still happening on my dash.

[tiktaalic]

been watching a lot of hbomb due to the vid drop which means now i'm getting. hold on. i have to block a tumblr user. which means now i'm getting a lot of sarah z recommendations and i finally went oh alright let me look at her uploads surely i can give her a chance. only to get really mad when i see she got 2 million views on regurgitating tumblr posts INCORRECTLY about what happened to destiel surrounded by other #tumblranecdotes .

[dragonomatopoeia]

sick to bastard death of 'analysis' or commentary that takes on an authoritative tone when it's completely vibes based. especially when the author tries to claim that it's an objective assessment instead of a subjective perspective that lacks any basis in evidence or expertise

[01tsubomi]

cultural perspective being indispensible in media consumption but looking back i find it so funny that for years and years before teaching in japan i thought it was another suspension-of-disbelief surrealist kagepro thing that haruka and takane spent all their time in a homeroom class for just the two of them and now the maximum number of kids we've ever had in my special needs class is 3

[lesbiankordian]

Parallels between Bungou Stray Dogs and Divine Comedy

I believe that in the current chapters Asagiri is purposely sneaking in parallels to Dante Alighieri's Divine Comedy. This post will cover the similarities and possible references between bsd's current arc and that book. At first I thought the Meursault prison corresponds to Hell, but now I believe it's actually Purgatory.

Introduction

Similarities

Final thoughts

Divine Comedy (in which the author - Dante - made himself the main character) talks about one's path to breaking free from sin and their growth as a person. It's divided into three parts: Hell, Purgatory and Paradise. During the first two parts, Dante's guide is Virgil (Beatrice comes at the end of Purgatory). In Hell they're going downwards, to the lower circles; in Purgatory they're going upwards, to the higher terraces.

The difference between those two places is that in Hell the souls are suffering endless tortures for their sins, meanwhile in Purgatory they're atoning for them and will eventually leave that place. Depending on what we think is more similar to what's happening in the Meursault prison, we could either interpret it as Hell or Purgatory.

As I said, I believe that it's Purgatory, as the characters are going up, starting from the lowest floor, and that journey helps them (Sigma and Dazai) to grow as a person.

When it comes to Fyodor, I'm not so sure. His goal is to get rid of the abilities, which he compares to a sin. This point acts more as an argument for the Meursault prison, or even his arc overall, to be Hell (not that it's like Hell for him, but more like that's how he thinks of the current events other characters are going through), as his idea of making the ability users free of the the sin is killing them and that's nothing like Purgatory. One could argue tho, that it is similar to the latter, because he wants to release the people from the sin, his idea how to do it and methods are just different.

His character and ability are based on Crime and Punishment and that's literally what Dante's Hell is - endless punishment for one's sins. Moreover, Fyodor sees himself as the God's subordinate and Divine Comedy talks about the souls' sufferings because of their wrongdoings to God. It also talks about Dante's path to getting closer to God (metaphorically and literally), and Fyodor thinks of himself as someone between God and the people.

This analysis won't focus on him, but I wanted to point out the (important) religious themes in both of the stories.

What's also interesting is that Dazai and Fyodor (as the most dangerous ability users) had their cells located on the lowest level - similarly to Hell, where the worst people, traitors, were at the lowest ring. Although Dazai is a traitor to the PM, I don't think he parallels those from Dante's work, as they were meant to symbolize that betrayal is bad, but Asagiri shows that what Dazai did was good for him. They correspond to them in their "lack" of humanity and various commited crimes.

Now more of the similarities!

1. Briareus

Purgatory, Canto XII; bsd chapter 98

The prison officer's nickname is "Hundred ability Briareus". In Greek mythology Briareus is one of the Hundred-Handers, who helped Zeus and the Olympians to overthrow the Titans.

Quick comparison to bsd: while bsd! Briareus gets killed by a person who's "working" for a prisoner, og Briareus eventually becomes a guard of those he was fighting against.

Briareus is also a character in Divine Comedy. He has two appearances: in Hell he's a giant inhabitating the Ninth Circle; in the first terrace of Purgatory he's one of the giants whose sin was pride. I'll focus on the latter, as it's more similar to the scene from chapter 98.

Dante's Briareus is a sympol of pride and bsd!Briareus says how powerful he is. Moreover, they're both more or less carved into the ground / wall (Dante's Briareus as a form of penance, bsd!Briareus by Chuuya's ability) of the first terrace / floor.

That would mean the Meursault prison is our Purgatory.

(more under the cut)

That scene also reminds me of the beginning of the Fifteen light novel, where Chuuya is really confident in his ability and makes fun of PM for being weak - interesting how he's the one to meet and kill Briareus (in Divine Comedy the meetings help Dante to become free of the sins). Also, the PM member from Fifteen is rather scared of Chuuya and shows him no respect, as opposed to the prison officer.

2. Flames and separation

In Canto XXVII, so almost at the end of Purgatory, Dante has to go through the flames in order to go to Paradise. Virgil can't come with him, as he's not Christian. Instead, he encourages Dante and reminds him of his free will.

In chapter 106.5 Sigma and Dazai also are in a situation involving flames, and even tho none of them actually go through them, they split up - Dazai doesn't leave the lift. Just like Dante and Virgil.

That, and the fact that a big part of Sigma's character is about being used (so not having free will) makes me believe they're paralleling Dante, making Dazai Virgil, their guide through the prison.

Sigma is in the process of finding themselves - similarly to Dante, who with the help of Virgil learns truths about love, good and bad, etc. This heavily reminds me of the conversation from chapter 105.5 about why Dazai chose them and his relationship with ADA.

Here's a comparison of their conversations:

After Dante goes through the flames and leaves Virgil, he sees the march of the Church, and Sigma may find Fyodor in the next chapters. Moreover, Beatrice says the Church is divided and sinful. The people are going into the direction of the tree of knowledge of good and evil (the tree that Eve and Adam got their apple from). Fyodor's view on the world really fits that description, take dead apple and the manifestation of his ability as an example.

3. Water

In Canto XXXI (where Beatrice is the guide) Dante goes through the waters of the river Lethe, which makes him forget his past sins. In XXXIII (the last part of Purgatory) Dante dips in Eone and becomes fully purified.

That obviously reminds me of Fyodor and Chuuya, and then Sigma and Dazai, drowning.

Chuuya - he's currently a vampire (who, because of that, might not remember his past for now - Lethe?). Both the transition to a vampire and being dipped in water have metaphorical meanings involving changing as a person. That situation, along with Dazai's words, could have helped him gain consciousness, at least for a second (you know the whole "his eyes were back to normal" thing), and "cleanse" him from the vampirism. Moreover, in his speech Dazai talked about their relationship, and the one who was by Dante's side when he went through Lethe was Beatrice, his lover. She also talked about love (Canto XXX) and Dazai's farewell was really emotional and more authentic than what he usually says. (Of course I'm not saying they're lovers, just pointing out the similarities)

Sigma - before drowning in Meursault, there was a different panel that showed them being in water. Fyodor talked there about Sigma's loneliness in this world - is Sigma's amnesia similar to Dante going through Lethe? (Or: before coming into Purgatory, Dante had to be washed, because he had to leave his worldly life behind. I think that fact corresponds to Sigma's life even more). Then we got the recent chapters where Dazai saves Sigma. I didn't find many "cleansing" themes in that scene, except for that panel, which reminds me of baptism (it cleanses the person from sins and is done with water):

What we can also get from these similarities is that Dazai doesn't necessarily have to correspond to Virgil, but also Beatrice, another guide.

4. Dreams

Throughout his journey, Dante has dreams that help him understand things better in one way or another. In one of them he sees Beatrice, who I already compared to Dazai. Atsushi "hallucinated" as well, in chapter 105. In that vision he sees Dazai who makes / motivates him to move. Atsushi's much like Dante as well - they both are on a journey to become a better version of themselves, but also idealise their mentors.

5. Ango

Just like the spirit, Ango is helping Dazai and Sigma to go through the prison (upwards). Dazai also calls him an 'angel'.

Purgatory, Canto XVII; bsd chapter 101

6. Mykola

The game Fyodor, Dazai and Sigma are playing was made by Mykola. One of the most famous works of the real Mykola Hohol is Dead souls, which some believe that he wanted it to be the Russian Divine Comedy. The book was meant to be a trilogy, but only one volume (that was meant to correspond to Dante's Hell) was created. I even found a reference to it, in which Chichikov (the main character) is compared to Dante:

That point acts more as an argument for the game to be Hell, not Purgatory, but the relatedness to Divine Comedy is there. Or maybe it's more that Mykola wants the game to be like Hell, not Purgatory - either for Fyodor or Dazai, it's supposed to end in death. The other one's experience would be like Purgatory, tho, as he'd successfully leave the prison.

Or maybe, it's his journey that he wants to be like Chichikov and Dante's (since he wants to become free). Either way, that person is supposed to go through Purgatory later.

Also, does it mean the game is going to end before it was supposed to? If it hasn't already.

edit: more similarities in the reblogs!!

To sum up, I think one character doesn't have to correspond to just one person from Divine Comedy - and vice versa. Dazai is Virgil, but at the same time Beatrice, another guide, and also has some parts of Dante - he grows and goes through the Purgatory.

We don't have only one Dante - both Sigma and Atsushi share his traits and both go through their own paths to knowing themselves better (with the help of Dazai, too).

Bram and Aya's relationship is the one where, in my opinion, the levels of danteness and virgilness are most equal. Aya is Bram's guide, literally caries him on her back, but also shows him modern technology. Bram also helps Aya and guards her. Not to mention, they're at the highest part of the airport now, which means they have gone upwards.

I argued the Meursault prison is Purgatory, but I also found some similarities to Hell. It can be that it shares both of their traits, maybe depending on a character and what's happening to them.

The question is: is Asagiri writing this arc with so many similarities to Divine Comedy on accident or on purpose? Because if it was just the themes and archetypes that were alike, I wouldn't ask this question, but some of the things I listed are too resembling of Dante's work for me, especially Briareus and what happened in the lift. Not to mention real Hohol's connection to Divine Comedy.

If you have thoughts on this subject, please share! I've spent so much time thinking about this, I don't know anymore if I've gaslighted myself into thinking Asagiri must be doing it on purpose or not (but at the same time!! the similarities!!!). Yes, Dante is way older than every bsd author, but 1) we also have Shakespeare and 2) I believe it's a reference to Divine Comedy as a book, not that he'll be a new character (it'd be so cool tho). But even if it's not Asagiri's conscious doing, the similarities are still very interesting and I enjoyed looking for them.

[shoechoe]

i don't really understand it when people say they have like 5 hyperfixations at the same time. how is that possible

same for when people say something is a "mild hyperfixation" i feel like if it's "mild" it's not a hyperfixation it's just like, an interest of yours