#substack and beyond

[mehmetyildizmelbourne-blog]

Section 13: Essential Principles for Freelance Writers Beyond Substack

Summary of my Udemy Course “From Zero to Substack Hero.” Image source from the video location Purpose of this Series for New Readers This is a new series upon request from my readers. I recently developed a course titled “From Zero to Substack Hero” and published it on Udemy and shared it on Content Marketing Strategy Insights owned by Dr Mehmet Yildiz who kindly allowed me to use his Substack…

[thatssonanii]

Hey yall!

Come find my reviews on substack! I posted my first one not too long ago on the series opener of "Beyond the Gates"! Let's talk about it!

[museenkuss]

Museenkuss Magazine articles

🎀Retinol or How to become a Hag in your Mid-Twenties🎀

🦢”I dance naked for the neighbours”. The uninspired nature of performative sensuality🦢

🪞Self Experiment — I was pretty for a week🪞

[dallonwrites]

bobby character development at the moment is at a very fun point imo because mostly it is giving just a collection of seemingly random traits but all together they are cohesive to me because they make Him...like he's obsessed with volcanoes and wanted to go to college to study geography...he loves snakes...owns an electric guitar....makes his own jewellery. sorry i think he is so cool

[cynicalclassicist]

That's some impressive work from Zooey Zephyr and SJ Howell!

Just wanted to share some shockingly good news in these difficult times. The full article is really worth reading. [Find it here]

[goodsniff]

CREATING BLUEY - Tales from the Art Director

Chapter 4 - It's (gotta be) Done! Beyond Bluey

The final chapter. Beyond Bluey and the power of Animation

FREE on Substack

Thankyou all so much for following along. The outpouring of support and care for the artists behind the art has been really heartening throughout this whole process. Not to be cringe but I honestly think this medium captures the human spirit better than any other form of expression, so I know whatever the future brings for us we’ll be able to weather it for that reason alone. 🕊️

[emcaffs]

ive noticed that those who center their entire personality around being authentic tend to be the same people who can't keep stable relationships/friendships. once again: empathy as identity suits the chronically online bc little is asked of you in terms of actual activism/human compassion....

[strangebiology]

Success is Dependent on Secret Information

A lot of career success depends on you and the work you put into it, as well as luck beyond your control, but sadly, it also depends on secret information, magic words, and stupid little tricks.

That's not fair. I don't like it, but we can help by sharing that secret information--which is the antidote to gate-keeping. That's why I recently wrote this in my Authors of Nonfiction Books in Progress substack:

It can be really disheartening to realize that, when you thought you failed at something because you didn't do well enough, other people had the magic words. For instance, some injustices I've witnessed (that may or may not always be the case, or maybe not anymore!) include:

A good athletic score doesn't get you into a college sport--having a coach or parent talk to the college coach is mandatory

Many school-sponsored scholarships are often not tightly linked to grades, test scores, or financial need, but whether the student said the right words ("I can't afford that") to the right person (presumably some financial office person.)

Apparently, some aspects of some degrees are cheated on by most students (if that's the case, we should tell all students that it's ok to cheat on that so they don't waste their time on something that apparently wasn't important anyway, or worse, fail out just for being ethical.)

Especially related to books: Few people will mention that you can get grants! Not my agent, not my publisher, not the 1 zillion "pros and cons of trad publishing" articles out there mentioned grants (Grant eligibility is a HUGE benefit of trad publishing.) I got more money from grants than my entire book advance!

Let me know what magic words/secret knowledge you've learned, that you wish you knew sooner. Or: the widespread understanding of what information would make a field more fair?

And please share ANBIP with anyone writing, publishing, or seriously about to start writing, a nonfiction non-memoir book, especially if they're interested in the more practical side (I share more about resources and strategy than craft.)

[mariacallous]

I keep seeing these kind of tags on that post and like I get it but I also wish people would really read it because neither Snyder nor the substack author are saying things are fine or done or solved!

Some key excerpts to keep in mind:

Something is shifting. They are still breaking things and stealing things. And they will keep trying to break and to steal. But the propaganda magic around the oligarchical coup is fading. Nervous Musk, Trump, Vance have all been outclassed in public arguments these last few days. Government failure, stock market crash, and dictatorial alliances are not popular. People are starting to realize that there is no truth here beyond the desire for personal wealth and power.

and

None of this means that the country is out of the woods yet. As Professor Snyder wrote, Trump and his billionaires are going to try and try again, which means that it is going to take constant resistance from the American people to defeat them.

Things will get much easier for pro-democracy Americans if Democrats win control of the House in special elections this year or next year's midterm election.

Until then, it will be a grassroots battle.

I just really don't like this kneejerk reaction especially because it feels like it's ignoring the point of what both Snyder and the author are saying, which is that the more we fight and speak up and push back, the more likely that they falter and back off and we get some breathing and maneuvering space.

[drdemonprince]

I have heard from many trans and/or Autistic queer people that they like the idea of casual, anonymous sex of the sort that happens in the gay bathhouse, or the park marked on the Sniffies map, but they fear they will never be able to access it themselves. 

They assume that a trans person won’t ever be welcome, or that because they do not read neurotypical social cues with ease, the cruising ecosystem will forever remain inscrutable to them. Many harbor concerns about safety, having only ever been taught by movies and Law & Order episodes to associate cruising with seediness, criminality, and “threatening” male sexuality. 

I’m here to tell you that none of those impressions are accurate. Trans people are in the cruising spaces. We have always been there, we helped to shape these hidden corners and dusty backrooms into what they are, and for the vast majority of cruising patrons, our presence is not only welcome, but totally blasé. There are even trans-specific cruising nights in many areas! (See the bottom of this article for a list of Chicago-based ones!)

And though getting acclimated to the social norms of the sauna (or dungeon, or cruising bar) might seem confusing at first, it’s quite easy to study and mimic, even if you’re disabled. In many ways, it’s refreshingly more direct than most other forms of socializing. The cruising spot can be an arena for vanquishing shame, if you let it. 

Finally, it is important to note that it’s the seediness and secrecy of a cruising space that makes it so safe — it’s a self-policing community of queer people who respect the location, rely upon it, and who look after one another without the intruding eye of the straight public or the cops. 

If you’re queer and neuroweird and horny and you’re contemplating cruising, there is a place for you. You just have to overcome your understandable anxieties, study up on common cruising practices, and then venture forth to give it a try (maybe with a buddy the first time). 

In this piece, I will lay out some basic principles for cruising as a trans or Autistic person (though I think this advice applies broadly to anyone who feels a little out of place in cruising spots, which is everyone at first), explain the finer points of visiting backrooms, saunas, and parks specifically, and then I’ll wrap up with a list of resources for readers looking to find a cruising spot in their area. I’ll also close out with a list of cruising-related events in Chicago that are specifically T4T or sapphic in nature, because frankly, us gay dudes are wildly overrepresented in the scene. 

The full essay is free to read (or have narrated to you in the Substack app!) at drdevonprice.substack.com

[taliabhattwrites]

I’m sorry if you’ve answered this, or if it should be obvious, but you does your substack say trans/rad/fem? What is trans radical feminism? How does it differ from just radical feminism?

Yep! It says Trans/Rad/Fem, as does the title of my book.

The short version is that your average online hate speech aficionado who calls themselves a TE"RF" is no more well-versed in actual radical feminist literature than the billionaire writer. The most feminist literature they've read is likely wizard kidlit, and maybe the most hateful bits of 'Transsexual Empire' or a bit of Sheila Jeffreys if you're lucky.

Meanwhile, the radical feminist tradition was one that itself emerged as a materialist, inclusive, and more working-class counterpoint to the First Wave's doddering Friedanism. People don't recall much of the first wave, but it engendered such ironclad feminist arguments as "lesbians are not oppressed by patriarchy because they do not marry and are not confined to the domestic sphere", or "mothers and fathers are equally responsible for women doing to the bulk of childcare, because mothers are so reluctant to let go."

Truly, it's a miracle there were any subsequent waves at all.

Adrienne Rich's essay on Compulsory Heterosexuality can be viewed as something of a turning point, a collation of a more materialist framework (since I don't believe Rich necessarily originated all the points she raised). She, rather gently and with more patience than I have ever demonstrated, addressed the arguments of the heterosexual feminists and highlighted the coercive nature of patriarchy and of heterosexuality itself, which could be considered a social regime, a model that attempts to subsume all women into domestic servitude and sexual labor for men.

(A quick aside--if you've ever encountered any arguments on this site along the lines of "CompHet is only for lesbians", do note that the original text involves Rich, a lesbian, laying out the argument to hetfeminists that all women, even straight women, are subjected to a mandatory heterosexual existence, and are punished for trying to live outside of it, as by pursuing economic independence or choosing to be childless.)

For me personally, given the rather dismal state of Indian feminism, which is dominated by affluent liberals and ignores the more radical prolefem and dalit feminist elements attempting to come to the fore, it was refreshing to finally behold a piece of feminist literature that identifies and names forced marriage as an aspect of patriarchy, one that a significant chunk of women all over the world, both within Western territories and without, live with. So much mainstream feminism in the 2000s and beyond was located in the interpersonal, the foregrounding of choices women "should" make, ignoring that for the vast majority of us, patriarchy either denies us any choice at all, or presents us with false ones, harshly punishing us for some choices while presenting them as "free".

(Liberal ideologies and systems, bound up as they are in a veneration of contracts between equal parties, account very poorly for contracts between parties on unequal footing, where one is at a significant material disadvantage and cannot truly make a "free" choice.)

Besides, it is neither true that modern feminism entirely discarded the second wave--look at "gender is a social construct" and "heteronormativity" for now-banal feminist concepts steeped in radfem origins--nor is it true that the "third wave", such as it was, was entirely aa step forward in inclusivity, trans-acceptance, class consciousness, or even racial justice. One need only look at the state of modern feminist discourses to see how well the latest "waves" have managed to argue the case for trans liberation, and my current most well-known essay is a deep dive into the Orientalist, transmisogynistic origins of "third genders", an idea the queer academy has uncritically absorbed and even championed.

I am under no misapprehensions that second-wave feminists would be my pals. A lot of them were white, for one thing. It is, however, a tradition that is both more diverse than the prevailing image of white, middle-class lesbian academics would have you believe, and one that has more than a few useful things to say, especially to a transfeminist.

I don't think we are best served by erecting a cordon sanitaire around the second wave and refusing to engage with it critically. I've read Transsexual Empire, for fuck's sake, and doing so revealed to me just how paper-thin this reactionary movement has always been. That book is as farcical and easily disproved as Hilary Cass' recent bilious screed, but both were elevated to legislative and political relevancy not due to their veracity, but because institutions simply need any literature to provide a veneer of legitimacy to their transphobia. That the texts exist at all is enough.

I have, in short, made my life's work engaging with scholarship that has historically ignored us, vilified us, or instrumentalized us, and that is as true for second-wave feminists as it is for cultural anthropologists. I just believe that Monique Wittig and Adrienne Rich made valuable contributions to feminist thought, and even as we remember all that their missteps, we should not erase what they did right.

On a personal note, I can think of no better revenge than taking the abandoned threads of the radical feminist tradition and finally fulfilling its aborted potential, as a transfeminist. The trans question tore the movement apart because of a subset of zealots who couldn't and wouldn't see us as sisters in the feminist struggle.

I am going to finish what they started, and make the conclusions that they couldn't. We're good at cleaning up other people's messes, after all.

[mehmetyildizmelbourne-blog]

Introduction to Level 4 of Udemy Course From Zero to Substack Hero

Section 21: Mastery and Beyond on Substack Source link to the image For those who missed, I shared the scripts of 20 sections covering levels 1, 2, and 3 of this exciting course. Today, I will provide a quick intro to Level 4 of From Zero to Substack Hero, which will be available on Udemy soon, but I have already uploaded the videos to my publication on Substack for members. Level 4 of our…

[hope-for-the-planet]

Where would you want to follow H4TP beyond tumblr?

I'm definitely not going anywhere (and I'm always pretty skeptical of the waves of "tumblr is going to shut down") but I don't want this blog to die if the end actually comes to pass.

However, I try to keep my social media use fairly limited. Tumblr is the only place I'm active beyond just having an account for my friends to send me things and occasionally lurk, so I don't feel like I have a very good handle on where tumblr folks are dispersing to or what the other good options are out there.

I'm making a poll of some options I've seen floating around, but please feel free to suggest something else!

And again, the tumblr version of this blog is sticking around until the bitter end regardless of whether H4TP expands anywhere else.

[ekingston]

Hello! So sorry to bother, but have you had any updates on the Word-Stream/Speechify situation?

Just one: like I posted on Xitter and Bluesky last night, as of yesterday afternoon, the links to individual works as they were listed on WordStream are gone from both Google and Bing. Hurray, right? Surely we’re all sick of this whole debacle and there’s far more important things to worry about. If all is well that ends well, surely there’s no need to still be angry.

Well, I am. Here’s why:

When I checked on Wednesday, the links to my own work on WordStream were still listed. So rather than it taking a week after Cliff Weitzman first hid the fanwork from view, it took a little over a week from the moment he first promised privately that they would be deleted. Which, fine. Perhaps Cliff didn’t really know what he was talking about when he gave that timeframe. Or maybe he told a little white lie to create the impression that he always intended to do the right thing. It seems more likely to me, though, that Cliff still believed—even after the backlash he received—that he would get away with honoring only individual takedown requests. Or worse, that he needed just a little bit more time with the stolen material to figure out an alternative way to profit off it—preferably without us noticing, this time.

But who knows? I certainly don’t! All we can do is speculate, because publicly, Cliff Weitzman has remained completely silent on his copyright infringements. All we got was the initial justifications he and his sockpuppet accounts used in comments on the original Reddit and Tumblr posts. After those were so understandably ill-received, Cliff only ever communicated with a few individual authors who contacted him directly and repeatedly, blocking people who addressed the issue on Twitter and quietly distancing himself from WordStream by deleting a blog he’d posted to Speechify.com dated December 20th—where Cliff promoted WordStream’s platform specifically to fanfiction readers. (See my enormous timeline post for details and screenshots of said posts before they were taken down.)

And this is why I’m still angry: As long as Cliff Weitzman faces no real consequences for his actions, he won’t see a need to own up to his mistake; and as long as he’s able to delay taking responsibility, this isn’t over. This didn’t end well.

After all, wasn’t this the next-best scenario for Cliff, second only to him turning WordStream into a (for him) effortless, infinite money-making machine? He took something we provided for free and fed it to AI so he could more easily put it behind a paywall; we found out and protested; Cliff quietly erased all evidence of his crime; and we went—almost equally quietly—away.

I want to make sure you know that I continue to be genuinely amazed and intensely grateful for how quickly the news about WordStream’s copyright infringement was shared—and continues to be shared—throughout fandom, on tumblr in particular. If it hadn’t been for our collective outcry here and on Reddit, WordStream would very likely still be up in its original form, and Weitzman would be reaping the benefits (those subscription prices were steep) today.

But it’s been frustrating to see that, with the exception of mentions in articles on Substack and Fansplaining (the latter of which is a particularly awesome and thorough read on fandom’s decontextualization) and a Fanlore listing, our outrage never really spilled out beyond the safely insulated, out-of-the-way spaces that are tumblr, a handful of subreddits and bluesky. And I believe that—unfortunately—we are collectively responsible for that part, as well.

Most of us seemed content to only spread the word by circulating the same two posts on tumblr. (Have we all given up completely on every other social media platform? Am I the only remaining straggler?) And soon after Cliff Weitzman hid WordStream’s fanfiction category from view, our interest in the issue took a sharp dive even there. Are we genuinely deceived into believing the issue has been fully resolved? Do we truly fail to realize that Weitzman’s refusal to admit that what he did was wrong left the door wide open for the next greed-driven tech bro to wander through? Or is the true naivety in thinking that, as a community, we can keep this kind of attack on fandom from happening again? Has our disillusionment already gotten that bad?

However the situation spins out from here, Cliff’s actions will set a precedent. If we fail to show Cliff and his ilk that attempts to profit off fandom’s unpaid labor have consequences, their tech companies will keep trying until something eventually sticks. They might be a little smarter about it next time; obscure their sources a bit better, maybe leave the titles and the authors’ names off. Or maybe they’ll go a bolder route: maybe next time they cross the line they’ll do it boldly enough for IP holders to take notice and stop tolerating fanwork entirely.

Doesn’t that make you angry, too?

There’s this whole other mess of thoughts I would love to be able to untangle about how commercial influence is contributing to the steady erosion of fandom’s foundations, but I’m tired, and other people have said it all much more eloquently than I ever could. Seriously, go read that article on Fansplaining. Or listen to the podcast version of it. Better yet, as long as you’re wearing your noise-canceling headphones, go listen to a podfic of one of your favorite fandoms’ works, and enjoy the collaborative joy and creativity of the people who Cliff Weitzman refuses to believe exist. (In one of Speechify’s other blogs, Cliff claims there are only 272 podfics on AO3. Would you like to run that ChatGPT prompt again, Cliff?). Honestly, much like Cliff Weitzman’s infuriating denial of the fact that fandom fucking has this covered, thank you very much, there’s so. Many. More. Things for us to talk about. There’s the connotations of WordStream’s dubious ‘upload’ button, for instance, or the fact that the app scraped (and in some cases, allegedly, still lists) copyright-protected original fiction as well, or WordStream’s complete lack of contact information, which is illegal for an internationally operating app. And oh! Has anyone reported more thoroughly on Cliff’s app’s options to ‘simplify’ or ‘modernize’ uploaded works, or—my own very favorite abomination—to translate them into something Cliff calls ‘Gen-Z Language’? Much like his atrocious AI book covers, it would be hilarious, if it didn’t make steam come out of my ears.

Anyway, there it is. I highly recommend you do all of that. And then, if you aren’t familiar with it already, go do some research re: fair use and your rights as the copyright owner of your works. A good number of people commenting on this controversy expressed stunned surprise or fearful hesitation about claiming any sort of ownership of their fanfiction. The more informed we are about our rights, the more willing we will be to defend them.

Please don’t stop writing or sharing your work. If you can’t bring yourself to work on your WIPs today (trust me, I get it), post about this situation instead. Tweets, skeets, whateverthefucks—about WordStream’s theft, about how this reflects on Speechify’s already shady business practices, about how Cliff’s actions and justifications have personally affected you. You’re welcome to share or copy my posts on these platforms, but since Cliff already blocked me, I very much prefer you post your own. If you do, call Cliff Weitzman by his full name and tag or include both WordStream and Speechify to ensure Weitzman will recognize he has both a personal as well as a professional stake in handling the situation with integrity. Leave your concerns in reviews on the Speechify app. (We weren’t provided with a more appropriate place to put them, after all!) Consider calling for a Speechify boycott until Cliff accepts accountability for his actions.

Do avoid making exaggerated claims, and don’t call for physical retaliation against Cliff’s person or his property. We don’t want to give him or Speechify even the weakest of grounds to claim defamation or threats of violence. Focus on the facts: they’re incriminating enough by themselves. Show Cliff that we’re determined to keep bringing up his company’s wrongdoings in public spaces until he demonstrates that he understands why taking these freely shared fanworks and monetizing them was wrong, and takes steps to ensure it won’t happen again.

One last thing—and this is really more of a general reminder—please stop suggesting I handle this situation for you. People have come to me asking for action items. The resulting flashbacks to my days as an office assistant were extremely upsetting. In all seriousness, casting me as some sort of coordinator or driving force behind this backlash actively hurts the cause. Not only does it downplay fandom’s collective efforts, it also makes our message extremely vulnerable. It would be all too easy for Cliff to silence one singular source. Wikipedia will not maintain mentions of this controversy as long as it leads only to Easter Kingston’s attempt to summarize what happened as it was happening. You only know my name because I stumbled upon WordStream’s theft and decided to get my friends involved. I am not more knowledgeable, more skilled or more angrily invested in this issue than you are (or can, or should, be). I draw pictures and I write stories and I worry about the shift I’m seeing in fandom after having been on this ride for even a few pre-livejournal rounds.

I’m not going to stop doing any of those things. But I am going to allow myself to step away for a bit, make my wife dinner, and catch up on our shows.

I trust you’ve got it from here.

[spiderfreedom]

I honestly owe detrans people, and especially detrans women, so much, because reading about their experiences has taught me a lot about... well, everything? About myself and my own trauma re: femaleness, autism. About the factors that lead people to transition. About resilience and moving forward and making a life for yourself in a world where there's no space for you.

Some of my favorite writings from detrans people:

somenuancepls (Michelle Alava, active on substack) has multiple great posts, especially on resilience and growth for detrans people. I recommend "Actually I was just crazy the whole time" (on the mindset that leads medical transition to be viewed as a panacea), "We Shouldn't Have to Be Here" (on how detrans people are expected to act as martyrs) and "Let's Talk About How We Talk About Detransition" (on how to ethically and compassionately talk about transition and detransition without harming (de)/transitioners).

destroyyourbinder (no longer active) has so many amazing posts that I really can't list them all, but "Unriddling the Sphinx: Autism and the Magnetism of Gender Transition" was genuinely revelatory for me as a gender non-conforming autistic woman. (It also kinda sent me spiraling for a few days so if you are also an autistic gnc, read with caution)

funkypsyche has been writing a lot about 'woke' culture in a way I don't agree with, but "The Archetypal FTM Sensitive, Quirky, Artistic Weird Girls" (on the type of people attracted to transmasc identification and the ways society fails them - do you see also see yourself in this list?) is a good read. As a supplement, there is "The History of Tumblr: Gender and Woke Indoctrination, Video Essay", and if you can get through the parts about, well, 'woke indoctrination', it provides a perspective on tumblr and its relationship to mental illness and gender. You do not realize how much mental illness is normalized and glorified on tumblr until you see someone explaining it from the outside and you go "huh, I did not realize that happens and that I do that, too..."

Max Robinson wrote "Detransition: Beyond, Before, and After", the only academic text on detransition to my knowledge. An in depth view on factors influencing transition such as lesbophobia, and the relationship between gender dysphoria and body dysmorphia and how the latter is treated as frivolous and vain while the former is treated as profound and serious.

And there are a lot of tweets I've collected I can't really link here, there are many detransitioners on Twitter. I really do recommend reading a broad variety of detransitioned people, detrans women and men. Even read people who retrans like CrashChaosChats, who once wrote on detransition but then retransitioned after finding that she was unable to deal with dysphoria. If you actually care about dysphoric people, trans people, and detrans people, you need to read broadly to understand the full range of reasons people transition or detransition or retransition.

Feel free to reblog with your additions of writings by detrans people, or people you follow on Twitter or other social media if they don't have long-form content.

[fuckyeahgoodomens]

Good Omens graphic novel update: January 2024 ❤ 🐍😊

A toast to the new year, courtesy of your favourite angel and demon. Let’s start off 2024 with a preview of some new artwork from the Loot Packs, this time courtesy of Mark Buckingham: 

Our updates will, naturally, become more packed as the year goes on, and for January it’s a fairly swift one, but we promise from here in, there will be lots to cover. 

An update from Colleen

For those of you who missed it, Colleen Doran, our ineffable artist, has posted an update over on Substack detailing her 2023 working on the graphic novel, but also her own journey with various health issues and looking ahead to 2024. As she mentions, but it is worth reiterating: the Good Omens HQ team sends all the good wishes and support to Colleen, now publicly as we had previously done privately. The graphic novel is more than worth the wait. You can read Colleen's full post here.

Some admin...

Final reminder: Cameos 

Thanks to everyone who has submitted their photos. We’ve collated everyone’s excellent pictures for the various tier levels and been in touch if there are any issues, but we have to issue a final reminder for those who backed a cameo tier and have yet to submit. We have sent several individual chases to anyone outstanding and we want to make sure everyone who backed the tier gets their cameo. A final deadline of Friday 9th February 2024 has been set; while we will share any images submitted with Colleen beyond then, with the graphic novel significantly underway, we cannot guarantee inclusion beyond the deadline. 

Addresses

We’ve been messaged a lot about this, so to put minds at ease: we’ve not yet asked for addresses, and this will be done via PledgeManager when it launches later in the year. If you’re moving house, or have moved since backing, don’t worry! All is fine, and can be updated down the road. If you’d like to add more items, this will also be possible there. We’ll notify backers when it’s live, but you can also sign up for an update from PledgeManager if you’d like. 

A Masterful Masterpost

If you'd like to dive more into the behind the scenes of the graphic novel, there's a great masterpost to check out courtesy of @captainfantasticalright. You can view that on Tumblr and TikTok.

Pins? Pins! 

We’ve heard you asking for updates beyond the pins and while we’re working on getting a number of the items to the final stages for production and photographing to share with you, and plan to have some for next month’s update (wait until you see the socks that have just arrived), we’re not quite there yet. So, for those fans of “how many times can you say pins in an update”, here’s a first look at the bookshop pin from the mystery pin packs:

Pins are being notoriously shiny in photos, but exciting nonetheless. Here’s the first(!) delivery of pins that have arrived at GOHQ: 

Safe to say, we have a lot of pins. How many times have we said pins so far? One more for good measure: pins. 

A surprise!

(x) Until next time.