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fitesorko · 2 years
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Suzanne Flon    Patricia Roc  
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randomrichards · 1 year
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MR. KLEIN:
Crooked art dealer
Seeks a man who shares his name
Kafka Nazi World
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letterboxd-loggd · 2 years
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One Deadly Summer (L'Été meurtrier) (1983) Jean Becker
November 27th 2022
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lobbycards · 2 months
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Escape to Nowhere (Le silencieux), French lobby card, 1973
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famousdeaths · 3 months
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Suzanne Flon was a French stage, film, and television actress. She won the Volpi Cup for Best Actress for her performance in the 1961 film Thou Shalt Not Kill....
Link: Suzanne Flon
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agentfascinateur · 26 days
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Haiti gained independence in 1804 after "the first successful large-scale revolt by enslaved people in history", becoming the first free black republic.
Women had key roles in the fight for Haiti's independence including Sanité Bélair, Cécile Fatiman, Marie-Jeanne Lamartiniére, Catherine Flon, Suzanne Simone Baptiste Louverture and more.
#keep surviving
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opera-ghosts · 8 months
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Jean De Reszke sings O Paradis from Meyerbeer's L'Africaine (March 15, 1901)
This is a live recording at the Metropolitan Opera (with very bad quality). The cast also included Lucienne Breval as Selika, Suzanne Adams as Ines, Giuseppe Campanari as Nelusko, Marcel Journet as Pedro, Eugene Dufriche as Diego, Jacques Bars as Alvar, Pol Plancon as Grand Inquisitor and High Priest, Mathilde Bauermeister as Anna and Aristide Masiero as Usher, conducted by Philippe Flon.
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byneddiedingo · 1 year
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José Ferrer and Zsa Zsa Gabor in Moulin Rouge (John Huston, 1952)
Cast: José Ferrer, Colette Marchand, Zsa Zsa Gabor, Suzanne Flon, Claude Nollier, Katherine Kath, Muriel Smith, Theodore Bikel, Peter Cushing, Christopher Lee. Screenplay: Anthony Veiller, John Huston, based on a novel by Pierre La Mure. Cinematography: Oswald Morris. Production design: Marcel Vertès. Film editing: Ralph Kemplen. Music: Georges Auric. 
If Moulin Rouge had a screenplay worthy of its visuals, it would be a classic. As it is, it's still worth seeing, thanks to a stellar effort to bring to life Toulouse-Lautrec's paintings and sketches of Parisian nightlife in the 1890s. The screenplay, by Anthony Veiller and director Huston, is based on a novel by Pierre La Mure, the rights to which José Ferrer had purchased with a view to playing Lautrec. He does so capably, subjecting himself to some real physical pain: Ferrer was 5-foot-10 and Lautrec was at least a foot shorter, owing to a childhood accident that shattered both his legs, so Ferrer performed many scenes on his knees, sometimes with an apparatus that concealed his lower legs from the camera. But that is one of the least interesting things about the movie, as is the rather conventional story of the struggles of a self-hating, alcoholic artist. What distinguishes the film is the extraordinary production design and art direction of Marcel Vertès and Paul Sheriff, and the dazzling Technicolor cinematography of Oswald Morris. Vertès and Sheriff won Oscars for their work, but Morris shockingly went unnominated. The most plausible theory for that oversight is that Sheriff clashed with the Technicolor consultants over his desire for a palette that reproduced the colors of Lautrec's art: The Technicolor corporation was notoriously persnickety about maintaining control over the way its process was used. It's possible that the cinematography branch wanted to avoid future hassles with Technicolor by denying Morris the nomination. (Ironically, one of the more interesting incidents from Lautrec's life depicted in the film involves his clashes with the lithographer over the colors used in posters made from his work.) The extraordinary beauty of the film and some lively dance sequences that bring to life performers such as La Goulue (Katherine Kath) and Chocolat (Rupert John) make it memorable. There are also good performances from Colette Marchand as Marie Charlet and Suzanne Flon as Myriamme Hayam. And less impressive work from Zsa Zsa Gabor, playing herself more than Jane Avril, and lipsynching poorly to Muriel Smith's voice in two songs by Georges Auric.
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alexlacquemanne · 10 months
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Novembre MMXXIII "November Who"
Films
Dr. Who and the Daleks (1965) de Gordon Flemyng avec Peter Cushing, Roy Castle, Jennie Linden, Roberta Tovey, Barrie Ingham, Michael Coles et Yvonne Antrobus
Ripoux contre ripoux (1990) de Claude Zidi avec Philippe Noiret, Thierry Lhermitte, Guy Marchand, Jean-Pierre Castaldi, Grace de Capitani, Line Renaud, Michel Aumont et Jean Benguigui
Coup de foudre et Conséquences (Fools Rush In) (1997) d'Andy Tennant avec Matthew Perry, Salma Hayek, Jon Tenney, Carlos Gómez, Tomás Milián, Siobhan Fallon et John Bennett Perry
Au-delà des grilles (Le mura di Malapaga) (1949) de René Clément avec Jean Gabin, Isa Miranda, Véra Talchi, Andrea Checchi, Robert Dalban et Ave Ninchi
Clemenceau, la force d'aimer (2023) de Lorraine Lévy avec Pierre Arditi, Emilie Caen, Elizabeth Bourgine, François Marthouret, Serge Riaboukine et Arthur Choisnet
L'Argent des autres (1978) de Christian de Chalonge avec Jean-Louis Trintignant, Catherine Deneuve, Laura et Michèle Kornbluh, Claude Brasseur, Michel Serrault, Gérard Séty et Jean Leuvrais
Mort sur la piste (2023) de Philippe Dajoux avec Jason Priestley, Eléonore Bernheim, Olivier Marchal, Roby Schinasi, Adèle Galloy et Olivia Courbis
Sylvia Scarlett (1935) de George Cukor avec Katharine Hepburn, Cary Grant, Brian Aherne, Edmund Gwenn, Nathalie Paley et Dennie Moore
La Cité sous la mer (City Beneath the Sea) (1953) de Budd Boetticher avec Robert Ryan, Mala Powers, Anthony Quinn, Suzan Ball, George Mathews, Karel Stepanek, Hilo Hattie et Lalo Rios
Second Tour (2023) de Albert Dupontel avec Cécile de France, Albert Dupontel, Nicolas Marié, Scali Delpeyrat, Jackie Berroyer, Christiane Millet, Philippe Uchan, Renaud Van Ruymbeke et Bouli Lanners
Seuls les anges ont des ailes (Only Angels Have Wings) (1939) de Howard Hawks avec Cary Grant, Jean Arthur, Richard Barthelmess, Rita Hayworth, Thomas Mitchell, Allyn Joslyn, Sig Ruman et Victor Kilian
Un pyjama pour deux (Lover Come Back) (1961) de Delbert Mann avec Rock Hudson, Doris Day, Tony Randall, Edie Adams, Jack Oakie, Jack Kruschen, Ann B. Davis : Millie et Joe Flynn
Le Couteau dans la plaie (1962) d'Anatole Litvak avec Sophia Loren, Anthony Perkins, Gig Young, Jean-Pierre Aumont, Régine, Yolande Turner, Tommy Norden, Mathilde Casadesus et Elina Labourdette
Garde à vue (1981) de Claude Miller avec Lino Ventura, Michel Serrault, Romy Schneider, Guy Marchand, Pierre Maguelon, Jean-Claude Penchenat et Elsa Lunghini
La Sanction (The Eiger Sanction) (1975) de Clint Eastwood avec Clint Eastwood, George Kennedy, Vonetta McGee, Jack Cassidy, Heidi Brühl, Thayer David, Reiner Schöne, Michael Grimm et Jean-Pierre Bernard
Deux Hommes dans la ville (1973) de José Giovanni avec Jean Gabin, Alain Delon, Michel Bouquet, Mimsy Farmer, Victor Lanoux, Ilaria Occhini, Guido Alberti, Cécile Vassort, Bernard Giraudeau et Christine Fabréga
JFK (1991) de Oliver Stone avec Kevin Costner, Tommy Lee Jones, Gary Oldman, Kevin Bacon, Laurie Metcalf, Jay O. Sanders, Michael Rooker, Sissy Spacek, Joe Pesci et Jack Lemmon
Le Juge et l'Assassin (1976) de Bertrand Tavernier avec Michel Galabru, Philippe Noiret, Isabelle Huppert, Jean-Claude Brialy, Renée Faure, Cécile Vassort, Yves Robert, Jean-Roger Caussimon et Jean Bretonnière
Le Fugitif (The Fugitive) (1993) d'Andrew Davis avec Harrison Ford, Tommy Lee Jones, Sela Ward, Julianne Moore, Joe Pantoliano, Andreas Katsulas, Jeroen Krabbé et L. Scott Caldwell
Un singe en hiver (1962) de Henri Verneuil avec Jean Gabin, Jean-Paul Belmondo, Suzanne Flon : Suzanne Quentin, Gabrielle Dorziat, Hella Petri, Marcelle Arnold, Charles Bouillaud et Anne-Marie Coffinet
Doctor Who (1996) de Geoffrey Sax avec Sylvester McCoy, Paul McGann, Eric Roberts, Daphne Ashbrook, Yee Jee Tso, John Novak et Michael David Simms
Séries
Doctor Who Saison 19, 20 Series 1, 3, 11, 5, 4
Castrovalva - Four to Doomsday - Kinda - The Visitation - Black Orchid - Rose - La fin du monde - Des morts inassouvis - Earthshock - Time-Flight - Destination: Skaro - Ark of Infinity - La Famille de sang - Smith, la Montre et le Docteur - The Day of the Doctor - Snakedance - The Star Beast - The Ghost Monument - Le Colocataire - La Chute de Pompéi
Top Gear Saison 20
A l'abordage ! - Ils ont roulé sur l'eau - Mission Camping-Car
Brokenwood Saison 8, 5, 4, 3
Quatre incendies et un enterrement - Dix petits héritiers - Tu ne tueras point - Un Noël rouge
Affaires sensibles
Les étonnantes enquêtes du bureau des ovnis - 1975, l'année de la femme - Caravelle Ajaccio-Nice : un crash secret Défense ?
Coffre à Catch
#140 : "Elles répondaient au nom de Bella" (avec Max MK) - #141 : Qui sera le futur Mr Money in the Bank? - #142 : Y'a R les amis!! Y'a R ! - #143 : Tiffany prend les rennes et Finlay prend la Trique !
Happy Days Saison 4
De l'huile sur le feu - Remise des prix : première partie - Remise des prix : deuxième partie - Le Jour J est arrivé - Les Mauvais Garçons - Howard inventeur - Le Chien de Fonzie - Ralphy a de sacrés ennuis - Le Baptême de Fonzie
Downton Abbey Saison 4
La Succession - Lettre posthume - Faste et Renaissance - Le Prétendant - Rien n'est terminé - Une vraie surprise - Dernières Festivités
Professeur T Saison 1
Anatomie d'un souvenir - Un poisson nommé Walter - Règles d'or - L'amour d'une mère - Sophie sait tout - Le fils dévoué
The Crown Saison 6
Persona Non Grata - Deux photographies - Dis-Moi Oui - Onde de choc
Spectacles
Prom 10 : Doctor Who at the Proms (2010) avec Karen Gillan, Arthur Darvill et Matt Smith
Taratata 30 (2023)
La symphonie des jeux vidéos aux Chorégies d'Orange (2021)
Doctor Who at the Proms (2013) avec Neve McIntosh, Dan Starkey, Matt Smith, Jenna Coleman, Carole Ann Ford, Peter Davison, Nicholas Briggs, Ben Foster et Murray Gold
Le vison voyageur (2023) de John Chapman et Ray Cooney avec Michel Fau, Sébastien Castro, Armelle, Nicole Calfan, Anne-Sophie Germanaz, Alexis Driollet, Delphine Beaulieu et Arnaud Pfeiffer
Doctor Who: A Celebration (2006) avec David Tennant, Murray Gold et Russell T Davies
Drôle De Genre (2023) de Jade-Rose Parker avec Victoria Abril, Lionnel Astier, Axel Huet et Jade-Rose Parker
Prom 13: Doctor Who Prom (2008) avec Freema Agyeman, Noel Clarke, Camille Coduri et Catherine Tate
Livres
Doctor Who le dixième docteur, Tome 1 : Les révolutions de la terreur de Elena Casagrande, Nick Abadzis et Arianna Florean
Les contes du vortex de Pepperpot x Friends (Pauline Cadart Serizel, Marie Valerio, Rémi Germain, Robin Brou, Manon Segur, Julien Cadart Serizel, Flavia Valerio et Gökan Martin)
Le docteur Who entre en scène de Terrance Dicks
Doctor Who le dixième docteur, Tome 3 : Les fontaines de l'éternité de Elena Casagrande et Nick Abadzis
Les Daleks de David Whitaker
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indiejones · 1 year
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WORLD CINEMA’S TOP 236 ACTRESSES OF ALL TIME! (@INDIES)
http://www.imdb.com/list/ls569475215/
Position.  Name.
1 Barbara Stanwyck 2 Olivia de Havilland 3 Meena Kumari 4 Geraldine Page 5 Audrey Hepburn 6 Suchitra Sen 7 Vivien Leigh 8 Ginger Rogers 9 Elizabeth Taylor 10 Katharine Hepburn 11 Kate Winslet 12 Julia Roberts 13 Norma Shearer 14 Nathalie Lissenko 15 Hasmik Agopyan 16 Catherine Deneuve 17 Chulpan Khamatova 18 Nataliya Vdovina 19 Elena Solovey 20 Brigitte Bardot 21 Aleksandra Khokhlova 22 Jeanne Moreau 23 Anna Karina 24 Isabelle Adjani 25 Romy Schneider 26 Léa Seydoux 27 Mélanie Laurent 28 Audrey Tautou 29 Ekaterina Chtchelkanova 30 Vanessa Paradis 31 Simone Signoret 32 Emmanuelle Béart 33 Isabelle Huppert 34 Sandrine Bonnaire 35 Carole Bouquet 36 Anne Parillaud 37 Fanny Ardant 38 Sophie Marceau 39 Nathalie Baye 40 Anouk Aimée 41 Alexa Davalos 42 Josiane Balasko 43 Clémence Poésy 44 Natalija Janichkina 45 Laetitia Casta 46 Eva Green 47 Elodie Yung 48 Kristin Scott Thomas 49 Anna Mouglalis 50 Astrid Bergès-Frisbey 51 Charlotte Gainsbourg 52 Capucine 53 Roxane Mesquida 54 Jane Birkin 55 Bérénice Bejo 56 Olga Kurylenko 57 Leslie Caron 58 Josephine Baker 59 Pom Klementieff 60 Noémie Merlant 61 Adèle Haenel 62 Adèle Exarchopoulos 63 Emma Mackey 64 Yael Grobglas 65 Emmanuelle Seigner 66 Juliette Binoche 67 Ellen Burstyn 68 Madhavi Mukherjee 69 Isabelle Weingarten 70 Sarah Adler 71 Christa Théret 72 Karin Viard 73 Déborah François 74 Marie Gillain 75 Juliet Berto 76 Mélanie Doutey 77 Monique Mélinand 78 Stéphane Audran 79 Léa Drucker 80 Dominique Labourier 81 Angélique Litzenburger 82 Françoise Lebrun 83 Valérie Donzelli 84 Bernadette Lafont 85 Sylvie Testud 86 Cécile de France 87 Katia Leclerc O'Wallis 88 Zouzou 89 Françoise Fabian 90 Maria Schneider 91 Agnès Jaoui 92 Valeria Bruni Tedeschi 93 Aurora Cornu 94 Stacy Martin 95 Lola Créton 96 Laurence de Monaghan 97 Dominique Blanc 98 Béatrice Romand 99 Mélanie Thierry 100 Caroline Cellier 101 Michèle Moretti 102 Geneviève Page 103 Elina Labourdette 104 Anne Wiazemsky 105 Marie Dubois 106 Claudine Auger 107 Annie Girardot 108 Juliette Mayniel 109 Brigitte Fossey 110 Martine Carol 111 Dolly Scal 112 Patricia Gozzi 113 Marilou Berry 114 Maria Mauban 115 Janine Darcey 116 Suzanne Flon 117 Colette Marchand 118 Françoise Arnoul 119 Ludivine Sagnier 120 Béatrice Dalle 121 Claude Nollier 122 Josette Day 123 Nicole Stéphane 124 Catherine Salée 125 Dominique Sanda 126 Marina Hands 127 Cécile Aubry 128 Nicole Ladmiral 129 Bulle Ogier 130 Véra Clouzot 131 Simone Renant 132 Sylvia Bataille 133 Suzy Delair 134 Jane Marken 135 Nane Germon 136 Lucienne Bogaert 137 Renée Carl 138 Catherine Frot 139 María Casares 140 Arletty 141 Odette Joyeux 142 Marguerite Moreno 143 Madeleine Robinson 144 Héléna Manson 145 Paulette Dubost 146 Micheline Francey 147 Ginette Leclerc 148 Mady Berry 149 Edwige Feuillère 150 Jacqueline Laurent 151 Mila Parély 152 Florelle 153 Claudette Colbert 154 Danielle Darrieux 155 Rolla France 156 Annabella 157 Anne Chevalier 158 Lya Lys 159 Simone Mareuil 160 Maria Falconetti 161 Yvette Andréyor 162 Musidora 163 Nora Arnezeder 164 Virginie Ledoyen 165 Michèle Morgan 166 Marine Vacth 167 Louise Bourgoin 168 Caridad de Laberdesque 169 Pauline Carton 170 Sévérine Lerczinska 171 Odette Talazac 172 Léora Barbara 173 Simone Simon 174 Marion Cotillard 175 Mireille Darc 176 Edith Scob 177 Chantal Goya 178 Emmanuelle Riva 179 Chiara Mastroianni 180 Claire Maurier 181 Marika Green 182 Delphine Seyrig 183 Mylène Demongeot 184 Marie-France Pisier 185 Françoise Dorléac 186 Marina Vlady 187 Stella Dassas 188 Marpessa Dawn 189 Elsa Zylberstein 190 Bleuette Bernon 191 Sara Forestier 192 Pascale Ogier 193 Amanda Langlet 194 Julie Delpy 195 Linh-Dan Pham 196 Nelly Borgeaud 197 Nicole Garcia 198 Irène Jacob 199 Myriem Roussel 200 Arielle Dombasle 201 Marie Rivière 202 Solveig Dommartin 203 Émilie Dequenne 204 Ariane Labed 205 Zabou Breitman 206 Romane Bohringer 207 Sabine Azéma 208 Hafsia Herzi 209 Andréa Ferréol 210 Jeanne Balibar 211 Isabelle Renauld 212 Mireille Perrier 213 Juliana Samarine 214 Catherine Mouchet 215 Aurora Marion 216 Anaïs Demoustier 217 Judith Chemla 218 Marie Laforêt 219 Michele Valley 220 Hélène Alexandridis 221 Anne Consigny 222 Macha Méril 223 Anne Brochet 224 Miou-Miou 225 Anne Teyssèdre 226 Joséphine Sanz 227 Gabrielle Sanz 228 Fantine Harduin 229 Charlotte Véry 230 Élodie Bouchez 231 Natacha Régnier 232 Pili Groyne 233 Yolande Moreau 234 Emmanuelle Devos 235 Nina Meurisse 236 Florence Darel
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“Monsieur Klein” de Joseph Losey (1976) - sur un scénario initié par Costa-Gavras et achevé par Franco Solinas - avec Alain Delon, Juliet Berto, Francine Bergé, Michel Lonsdale, Suzanne Flon, Jeanne Moreau, Massimo Girotti, Jean Bouise, Louis Seigner, Michel Aumont, Fred Personne et les participations d'Isabelle Sadoyan et Gérard Jugnot, août 2024.
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juliopison · 2 months
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CINE La fortuna de vivir (1999) Título original: Les enfants du Marais Francia Dirección: Jean Becker Idioma: Francés con Subtítulos en Español
Atención: Solo para ver en PC o Notebook Para ver el Film pulsa el Link: https://artecafejcp.wixsite.com/escenario-cafejcp/post/la-fortuna-de-vivir-1999
Reparto: Jacques Villeret, Jacques Gamblin, André Dussollier, Michel Serrault, Isabelle Carré, Éric Cantona, Suzanne Flon
Género: Comedia. Romance. Drama | Años 30. Vida rural
Sinopsis: Francia, años 30. Garris y Riton viven en las marismas, a orillas del río Loira, trabajan juntos y comparten su vida con dos amigos más: Tane, conductor de tren, y Amedée, soñador y devorador de clásicos literarios. Los cuatro conocen a Pépé, un anciano millonario que proviene también de las marismas, pero que no reniega de su humilde pasado. Garris se enamora en secreto de Marie. Por su parte, Riton provoca la ira de Jo Sardi, un boxeador que acaba en la cárcel, donde urdirá un plan de venganza que trastocará la tranquila existencia del grupo de amigos.
Críticas: "Comedia costumbrista. Hermoso canto a la libertad, agridulce, lleno de fuerza y emoción. Ay de quien no llore con el hermoso final, uno de los más agridulces que este cronista recuerda" -M. Torreiro: Diario El País
"Un reparto que te roba el alma. No se la pierda" -Jordi Batlle Caminal: Fotogramas
"Con una dirección de actores sobresaliente, narra con brillantez las relaciones de un grupo de amigos" -Manolo Marinero: Diario El Mundo
Premios: nom.Mejor película nom.Mejor dirección (Jean Becker) nom.Mejor actor secundario (André Dussollier) nom.Mejor banda sonora original (Pierre Bachelet) nom.Mejor sonido (Guillaume Sciama, William Flageollet)
Posición en rankings FA: 52 Mejores películas francesas de todos los tiempos 81 Mejores películas de los años 90 122 Mejores películas románticas de la historia del cine 137 Mejores películas de comedia
Café Mientras Tanto jcp
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project1939 · 10 months
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Day 87- Film: Moulin Rouge 
Release date: December 23rd, 1952. 
Studio: Romulus Films 
Genre: Drama 
Director: John Huston 
Producer: John and James Woolf 
Actors: Jose Ferrer, Zsa Zsa Gabor, Suzanne Flon, Colette Marchand 
Plot Summary: This is a snapshot of the life of famous French artist Toulouse-Lautrec. We see him grow up crippled, hang around Paris’ seedy nighttime haunts, work as an artist, and drink to numb the pain of being disabled. 
My Rating (out of five stars): *** ½  
This is another film that falls into the “mixed” category for me. There are some things I really liked about it, and some things that just didn’t work. I don’t know that I would wholeheartedly recommend seeing it, but it’s worth seeing if you have some interest in Toulouse-Lautrec or Paris of the 1890s. 
The Good: 
The art. We see a lot of Toulouse-Lautrec's artworks- finished works, things in progress, and lots of shots of him looking at things that inspired him. We even get moments of the people in some of his paintings and drawings coming to life. That was my favorite part of the film. 
The color. Supposedly Housten wanted the film to look like Toulouse-Lautrec directed it, and he was very specific in his use of color. This is technically Technicolor, but you might easily not guess it. The brightness of the normal colors was dimmed down and there was often almost a watercolor feel to it. I prefer the more vivid bright Technicolor, but I really liked this in the context of this film. 
The effects to make Ferrer look much shorter generally worked. Obviously there was no CGI back then, but the film did pretty well, considering all the constraints of the era. 
The overhanging sense of tragedy and despair. This wasn’t a film that tried to romanticize his life- for the most part (we’ll get to that!). The despair contrasted well with the life and vivacity in his work. 
There was some glimpse of the reality of his lifestyle. We never directly hear that one of the women he is around is a prostitute, but it’s hard not to infer it. 
Some witticisms in the script. There were lots of good quips and snappy comebacks that I found enjoyable. 
It looked more modern than nearly any film I’ve seen so far from 1952. If you had showed me a clip out of context, I would probably guess it was from the mid to late 1960s. The color looked a lot like later versions, and the subject matter was more adult in a lot of ways as well. 
The Bad: 
Zsa Zsa and lip synching! I’ve never really understood Gabor’s appeal at all, and I found her annoying in this. Then add in the atrocious and obvious lip-synching, and I hated it. I wanted to fast forward through all her singing scenes. 
I didn’t always like Ferrer’s portrayal. He played it really guarded and kind of emotionally blank at times. Sometimes this worked, given Toulouse-Lautrec's need for self-protection, but sometimes I wished he showed more emotion. This was true for a lot of his line delivery as well. 
His mother in the film was younger than he was! It was crazy. They also didn’t seem to know how to properly age the actress who played her. Instead of going for wrinkles, they seemed to decide, “Let’s make her skin more and more grey! Put more circles under her eyes! She should look like a zombie!” It didn’t work, and it was distracting. 
The way they tried to make it all about women. Most films- especially of this era- base everything around a love story. Toulouse-Lautrec didn’t have a “normal” romantic life, given his deformity, and it felt like the film was just shoving women at him to try and make his love life more traditional in the biography sense. Couldn’t they make the film more about other areas of his life? 
The romance? I’m not sure if Myriamme Hyam really existed, but I’m pretty sure she didn’t. It just wasn’t believable. I didn’t buy it in the movie, and I wouldn’t buy it in real life either. The actors also didn’t have much chemistry, I felt. 
Some of the fictionalizing tried to put too nice of a bow on things. Of course, there were no obvious prostitutes, and we never hear about the syphilis he had that contributed to his death. Did he really find out just before he died that his art was going to hang in the Louvre? And did his father openly admit he was wrong about his son’s work? Some of it seemed a little too rosy. 
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ulrichgebert · 4 years
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Das wirkt jetzt wie vergleichende Studien. Außer dem gemeinsamen Titel/Schauplatz, dem unverzichtbaren Can-Can und daß es sich beide Filme hätten leichter machen können, wenn sie einen kleineren Schauspieler als Toulouse-Lautrec geheuert hätten, hat John Hustons Moulin Rouge nicht allzuviel gemein mit Baz Luhrmanns. Es ist eine leidlich seriöse und sehr elegant gefilmte Künstlerbiographie in gedämpftem Technicolor. Auch schön.
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frankenpagie · 5 years
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2.6.20
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tcmparty · 5 years
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@tcmparty live tweet schedule for the week beginning Monday, May 29, 2019. Look for us on Twitter…watch and tweet along…remember to add #TCMParty to your tweets so everyone can find them :) All times are Eastern.
Saturday, May 4 at 5:30 PM THE TRAIN (1964) French resistance fighters try to stop the Nazis from taking a trainload of art treasures to Germany. Check out some backstory here.
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