Thistle struggling to reconcile Mithrun saying Delgal’s dead with the illusion he’s been living, cracks forming on memories of a time Delgal refused soup from him.
Thistle in "Delgal’s" arms, refusing soup because he no longer feels needs.
Eating is the privilege of the living
We were supposed to have dinner together
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Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.
Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
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law and luffy are just like. what if I saw you at the peak of your miracle working competence, and then the literal next time I saw you it was at your most isolated and broken. and what if that moment of seeing you alone and grieving and terrified was the moment where I decided you were someone worth keeping, someone who I personally cared about and wanted around. how does that not make you wanna lose your fucking mind.
and then the other thing on top of that which always gets me is the way that you can just so clearly see that neither of them has any idea how to fit this relationship into any preexisting context - Luffy calls him part of his crew, but law is the captain of his own crew and would clearly die before giving that up; law calls them allies but it is glaringly obvious that they care about each other in a way that goes beyond that. of course Luffy is generally a lot less bothered about this than law, who routinely wants to put his own head through a wall about it, but it’s just such a fun layer to their dynamic I think.
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It’s kinda funny that Jason is, in every sense of the word, the most normal Robin. Unironically, there wasn’t anything uniquely special about him before he was Robin. He was a street kid. His dad was a goon (which makes sense for Gotham. It’s a goon breeding ground) and his adoptive mom was a girl who fell in love with the bad boy, got disowned by her upper middle class parents and adopted her boyfriend’s infant son. Even his biological mother isn’t anything special! She was just a doctor who ended up becoming corrupt.
Jason Todd was no circus kid who could do an impossible signature trick. He wasn’t being scouted by some evil hidden organization.
He wasn’t the rich boy genius who lived next door.
He’s not the son of a supervillain (as lame as cluemaster is, he still *counts*).
He’s not the secret son of Bruce Wayne.
And he’s not a metahuman, nor did he led a whole organization of teens to fight when Batman couldn’t.
He’s the most regular boy to ever enter become a hero in Gotham. He wanted to do good things for the sake of doing good. He grew up poor with regular parents, where bad things happened to them. The kinds of things that could happen to *any* person living in Gotham.
There is nothing about him, pre-Robin and as Robin, that makes him Not Like Regular Kids.
His dad was a goon (who, depending on the run, was either killed by Two-Face OR. Just sent to prison and killed in prison! Which makes his backstory even PLAINER-) and his mother was a drug addict with cancer. Jason ends up homeless, and almost steals the bat mobile tires. The only thing that makes him stand out from any other tragedy befallen kid in Gotham is the fact he was bold enough to do that, get Batman’s attention, and continue to be bold enough to go against a crime lord (who was apparently his grandmother, the most interesting person in his family, but since she’s almost never brought up, she’s likely no more significant than a one-issue villain in the crime lord power hierarchy). Batman realized that Jason wasn’t going to really stop, and honestly he kinda grew on him, so he decided to adopt Jason, and eventually allow him to become Robin.
There just isn’t anything amazingly special about his backstory. The few moments where something could have been done to make it more interesting (like his biological mother) but ended up taking the most boring option. You can’t do much of anything now to enhance his past without upsetting much more well established canon, and not without making people wonder “well if his grandmother was such a big name in crime, why hasn’t she been brought up before?”
Jason Todd was a wonderful Robin (providing that he actually has a writer who likes him). He has a golden heart, he’s the voice of reason. He’s everything that a Robin needs to be for Batman. But compared to everyone else, he was nothing special. In a way, his lack of Not Like Regular Kids makes him stand out in a much more subtle way.
As if someone asked the question “Do I need to be someone special to be Robin?” And the answer was “You don’t need to be someone special, you just need to be brave, like Jason Todd was.”
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The women at this dinner are SO. DONE.
Tori, who has anticipated the dynamics at this dinner all along and has pegged David immediately as the slimeball he is, is clearly wondering how she got sat between these two massive male egos. She's armed and ready for her confrontations with David (perhaps even looking forward to them just a tiny bit?) when things take a turn for the worse. Protective older sister mode activated.
I debated adding Jane here, but she's reacting to the posturing and conflict between the men just as much as Tori or Sarah, so she deserves to be included. She spends the meal deflecting, changing topics, trying to keep the conversation in safe waters. She silently but visibly disagrees when Charlie downplays his rugby abilities (thank you, someone, for acknowledging he's not actually that bad!). But when Nick finally confronts David, her face shows dread. Anyone who's read Alice's cannon knows Jane has a complicated family history riddled with conflict, and her instinctive fear shows clearly in this moment before she realizes that Nick is going to handle this problem gracefully rather than violently.
And Sarah. Having seen how lovingly she navigates life with Nick and how sensitively she helps him with his problems, we can only imagine that she has to have been pushed to the absolute edge by her time with Stephane to react the way she does here. I'm not even getting into the second half of the argument after Nick leaves the table--that's a whole other post--but Sarah is completely comfortable placing the blame squarely where it belongs, even in front of company. Sarah Nelson, putting men in their place left and right.
Leading ladies, indeed.
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"Sklonda is a Brennan insert" "Jawbone is a Brennan insert" ALL WRONG The Nightmare King is a Brennan insert because they're the ones who get to destroy British Kristen and Brennan, as a human being, needed that win
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