#tagging as such so all the cool kids can see it

[diazsdimples]

bucktommy + "To be fair, that wasn't the stupidest thing I could've done"

"To be fair, that wasn't the stupidest thing I could've done," Buck pants as he leans against the cool, brick wall. He pulls off his helmet and runs his fingers through his hair, knowing he's likely smeared soot all over his face. The building is still smouldering behind them, but Eddie and Ravi both have the hoses directed towards the flames. It's under control. Tommy looks like he could explode. His boyfriend is usually very calm and level headed, perfect traits for a first responder, but right now he looks set to rip Buck's head off. "Wasn't the stupidest - you could have - Evan, are you fucking kidding me?" Eddie and Ravi's heads turn towards the outburst and Buck winces, not wanting their first proper fight as a couple to be on full display for all their coworkers to witness. He grabs Tommy's arm and pulls him around the side of the building, away from any flapping ears. "Tommy, it's okay, I'm fine. She's fine. We're fine," he reassures Tommy as he reaches into the pocket of his turnout and pulls out the reason behind his sudden expedition into a burning building without a second's thought. The kitten is tiny in his hands, her fur rumpled and soot smudges over the beautiful, white coat. When the little girl he and Tommy had pulled from the building had said her kitten was still stuck inside the inferno, Buck hadn't hesitated before sprinting back into the building, not even with Bobby, Tommy and Eddie all yelling at him. He just hadn't anticipated Tommy to follow him back in. "Yeah but you could have been not fine! I agreed to help this shift as a favour to Bobby, not so I could get a front row seat to my boyfriend burning alive!" Buck swallows thickly and transfers the kitten into one hand so he can reach out to cup Tommy's face with the other. Tommy doesn't meet his eye, instead looking resolutely behind Buck. His jaw ticks as Buck strokes along his cheekbone with his thumb. "Tommy, I-I'm not going to burn alive. I was just gonna get her and come right back," he explains. Tommy's got to understand, right? Buck's a professional, he'd never do anything to put himself in any real danger. If he thought he couldn't get to the kitten before the building collapsed or got too hot then he would never have set foot in it. Tommy finally meets Buck's eyes then, and Buck is alarmed to see that his eyes are swimming behind a film of tears. Fuck, he's really fucked up here hasn't he? "Tommy, I-" "I can't lose you, Evan," Tommy cuts in, circling a hand around Buck's wrist and lowering his hand from Tommy's jaw. "Not like that." Buck swallows again, and he must tighten his grip on the kitten because she lets out a pitiful meow, her tiny tongue rasping against his glove as she licks at him. "I'm sorry," he whispers, hanging his head as the gravity of the situation washes over him. Tommy thought he was going to lose Buck. Tommy thought Buck was going to die. "I didn't mean to scare you." Tommy curls his fingers under Buck's chin and lifts his head, forcing eye contact. "I know you didn't, I just - baby, you mean so much to me," Tommy says, his voice raw and choked with emotion as he searches Buck's face, his eyes drinking in every inch of Buck as if he's worried it's the last time he'll be able to see him again. "Please, please don't ever do that again." "I won't, Tommy, I swear I won't," Buck promises, and he leans forwards to kiss Tommy softly. Tommy responds instantly, wrapping his arm around Buck's waist and pulling him close. Their lips move in tandem with one another, Tommy running his tongue along the seam of Buck's lips until he opens, and Buck licking back in apology. "Hey," Buck says as they pull away, resting their foreheads together. "I love you." Tommy huffs out a small laugh and kisses Buck again, lighter this time but no less emotionally charged. "I love you too."

Send me a ship and a sentence and I'll finish it!

(once again tagging @theotherbuckley)

[needlebeetles]

I am seeing a bit of straying from the source material in the Kipperlilly Copperkettle tag tonight, so I’d just like to say: She thinks magical hardship specifically gives students an unfair advantage at Aguefort, not having an association with the magical generally. So, Kristen Applebees the literal chosen one of a god, Adaine Abernant, Oracle of Everyone, and Fabian Aramais Seacaster, son of an incredibly rich pirate who later becomes an incredibly powerful demon, would not fall underneath this rule. Riz Gukgak, whose dad got eaten by a dragon, would. I will concede that experiencing magical hardship does can give characters a kind of automatic questline, (“your dad is cursed? go uncurse your dad!”) but also like. This questline comes at the expense of having experienced magical hardship. Riz’s dad is dead.

Kipperlilly (so far, I do suspect there might be something up with her family, cause kids who want so badly to have something loudly fucked up happening to them usually have something quietly and mundanely fucked up happening to them) lived a relatively comfortable, if boring, life, but grew jealous over the fact that other adventurers got cool meaningful quests while she and her party were killing rats in the starting area (by choice).

There is very much a “stigma” against normies in Elmville, and while I can’t blame Kipperlilly, teenager, for getting caught up in that, it’s literally fine to just be an accountant, or a janitor, or a librarian. Or a middling adventuring party. Kipperlilly Copperkettle is a theatre kid jealous of child celebrities, and while that’s like. Fair and fine, she’s not a martyr for having all these big emotions centering around being mundane and not going on incredibly traumatizing quests where the world ends if you fuck it up. She’s a teenager internalizing the social values of the place she grew up in and getting mad about not fitting them without confronting the fact that these values are flawed and harmful, because she’s a teenager (which is, imo, a much more interesting narrative).

[illusioncanthurtme--art]

In which Zim disappears for a decade.

This looks like such garbage, but this has been sitting in my head for a month and I needed it OUT OF ME!!!!

[coquelicoq]

what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.

[carnivalcarriondiscarded]

yeah so i'm falling for @weevmo's Guys... they're so neat! i dig their vibes and can't wait to see what Corduroy Stew is all about <3

[ace-with--a-mace]

they banned ap psych in florida cuz the class ap discusses sexuailty and gender which violates ron desantis' piece of shit dont say gay law so fuck you ron for that

in the college board statement they say it was banned because "teaching foundational content on sexual orientation and gender identity is illegal under state law" which is bullshit because these gov leaders believe anything lgbtq is a brain disease so you'd think theyd keep the brain learning class

they banned ap african american studies because "it lacks educational value and historical accuracy" which is making it easier for them to erase black history that is so intertwined with the history of this country that most everything here is so deeply antiblack

this mf has his head so far up his ass that hes ruining our education system even more than it already was

[turtledotjpeg]

This started out as just "hey I like both of these characters what if they interacted," but after seeing Melody crying about Kacho in chapter 400 I really wanted to draw her with someone who Gets It

if no one else will give them a hug... can they hug each other :'(

Oito & Melody both have a tendency to freak out a bit in stressful situations, so I wondered if they might amplify that in each other haha. But on the other hand I could see them empathizing with each other and maybe being able to comfort each other? (or maybe I'm just a bit delusional lol)

[roomy-ghosted]

JUST started a good Durge playthrough and I'm dying over my absolute little guy bard Tinfoil.

[not-a-font]

I think it would actually be really funny if Danny and Billy had opposite problems.

So I've always had a head canon that ghosts born from people dying don't age, but since Danny is still technically alive, his human form would continue to get older while his ghost form remains stagnant as a teenager.

This is fine for Danny since it hides his identity better, but it does have the side effect of making him look like a child, which is fine because Danny's perfectly secure in being a little goofy to play up his hero persona of a dead teenager. So Danny's like 30 something but as Phantom he's like "yeah I'm totally 14 or whatever."

Meanwhile there's Billy the 9 year old masquerading as an immortal demigod who's way to OP.

Therefore, when he meets Phantom he's like "oh wow another kid with super crazy powers and no adult hero mentor. We should be friends."

And it goes from there.

[1982brucespringsteen]

the way eddie has at least three layers of clothing on at all times but also acts like a crackhead for funsies and likes riling up straight jocks and the way chrissy is always dressed in her cheerleading uniform with full make up on and perfect hair and is still not enough for some people and the way eddie’s uncle was absolutely supportive of him when everyone turned on him and the way chrissy developed a tca as a result of being relentlessly body shamed by her mom and and the way they both knew each other from middle school but not really and the way chrissy said “do you sometimes feel like you’re losing your mind” and eddie said “yeah on a daily basis” and the way people just couldn’t believe they could ever be friends or even something else and the way they clicked so effortlessly despite being so radically different. t4t

[hadesknockedupintheunderworld]

You know, I'm glad that some of us take the step to embrace things that we like even if they're "cringe" or "objectively bad"

But perhaps we could take the next step forward and embrace the idea of reading into books/shows/movies/etc even if they don't seem deep. Perhaps we could understand that the two kinds of media aren't either "shallow and meaningless so you're weird and brainrotted to read into it" or "incredibly and profoundly deep in every way so if you don't analyze every single angle of the thing then you're brainrotted". Some media is deeper than others, but all I propose is that no matter how deep it seems it's acceptable to dig into the thing and take the media seriously instead of just assuming that because of ____ thing (such as target audience or how cringe it is) the media not deep and will never be deep and everything good about it happened on accident.

[bylertruther]

do you ever think about the fact that throughout the entirety of stranger things we’ve always seen mike practically shout his love for will from the rooftops by throwing his everything into believing, protecting, and helping will no matter the stakes, and how a majority of byler moments are initiated by him, and how will has always loved him back quietly despite being the one canonically confirmed to be in love, and how will is almost always on the viewer’s right in iconic byler moments but in season four we find him on the left in what used to be mike’s spot because their “roles” have switched AND when we’re taken out of the viewer’s pov and put in jonathan’s pov we see jonathan Come To A Realization here because while mike has always made it clear how special will is to him and how different their relationship is, will has always managed to keep the true depth of his feelings a little closer to his chest and it’s only when he publicly takes up that support role that mike has played for him previously that the audience is purposely made to realize, too, how romantic it truly is, because coming from mike everyone might have thought it was his usual overzealous theatrics but when the same tenderness and earnest love comes from will they realize oh. this is... this is actually something more. this is how they are this is mike and will like nothing has changed and no time has passed but it’s now that we realize just what it is, and now that will is starting to slowly but surely come out from this curtain he’s hid behind his whole life and voice that yes he loves mike of course he does he’s always loved him and loves him in precisely the way that mike expresses he needs to be loved there is simply NO conceivable way that they can come out of this hellish slow burn miscommunication trope not in full acknowledgement and eager acceptance of this love they have for each other and have always had and always will !!!!!!!!

[magentagalaxies]

hi @liliana-von-k, thanks for the follow! i have answered this question before but i love talking about kids in the hall and my "origin story" with them so i'm happy to tell it again (jsyk it will be a long post bc i always have to tell the full story bc i love it so much)

basically my parents have both been kith fans since the 90s, so even before i had seen any of the show itself there were certain kith quotes that were just part of my family's vocabulary. the first sketch i watched was "these are the daves i know" when i was like 8 years old and i became obsessed with that song. i watched a few other sketches/the first few episodes from season one but i didn't truly get into kith until after their documentary "comedy punks" was released

see, my mom is a big documentary person so she was like "oh hey there's a new kids in the hall documentary! do you want to watch it?" and i just kind of shrugged and was like sure i'll be in the room while it's on, probably working on my own stuff or scrolling on my phone. but like not even five minutes in i was hooked. while i'd always enjoyed kids in the hall's comedy, something about hearing the very personal histories of how the troupe came together and survived for all these years was so affecting. i think it was scott specifically that really signaled to me that this show was something special, and the part where bruce talked about comforting scott while he had cancer by telling him how the rest of the troupe would die first was so powerful. honestly no individual movie has changed my life more than comedy punks did specifically bc it gave me that push to get into kith and approached it from such a human perspective, which definitely informed my approach to the rest of their work and them as people. i remember watching comedy punks for the first time and getting this strange feeling i couldn't pin down yet that was like this is important, not just referring to the show or the troupe, but like this feeling that i had just crossed a turning point in my life, and i remember feeling this pull towards toronto which seemed frivolous at the time but has been so heavily solidified as i'm now planning to move there in just over a year.

so i bingewatched all of the kids in the hall tv show in summer 2022, as well as brain candy, death comes to town, the amazon season, etc. basically as much kith stuff as i could find. but i needed more. so i started getting into side projects, which brought me to "mouth congress" (a queer-punk band scott thompson and paul bellini had in the early 80s that they've recently started putting out new music with again). i found a youtube channel with a bunch of recent live performance clips of the band and each video had like less than 10 views. so since i didn't have anyone to infodump about kith with irl (aside from my very patient mother lol) i started commenting on every video, complimenting the performances and pretending i was talking to a friend, confident no one would actually see it

after 2 weeks of this, turns out someone did see it. PAUL BELLINI HIMSELF. this led to a whole back-and-forth which eventually ended up with him emailing me a copy of the unreleased mouth congress documentary, i emailed back asking if he'd be interested in meeting on zoom (since i am a queer comedy writer myself so both he and scott are my biggest comedy inspirations), and yeah bellini is a delightful person to talk to and we very quickly became friends. i ended up offering to run mouth congress's social media, which can be found on both tumblr and instagram as @mouthcongress and posts both vintage videos from the 80s/90s and recent live clips. they're currently working on an album of entirely new material written in the past 2 years which is going to be released soon (we don't have a specific release date but the recording is completed and they've started filming music videos for it!! but i'm getting ahead of myself lmao)

a few months pass and mouth congress is set to perform at a new year's eve show at a local club in toronto. i'd never been to toronto before, never even left the united states, but paul says it would be so great to have me there and by some miracle my parents say yes to making the trip (they still can't believe this is happening either, since they were kith fans first!). the trip is wonderful, i immediately fall in love with the city, i get lunch with paul irl for the first time and get to have my very first face-to-face conversation with my number one comedy inspiration scott thompson. it's honestly a little awkward but in an adorable funny way. i also have my first legal drink at that show (bc canadian drinking age is lower than the us), specifically saying i want to have my first drink with buddy cole, which both scott and paul are very into

it's actually only a couple weeks until i'm in toronto again, because scott is debuting a new buddy cole show consisting of monologues that were all censored by amazon that he pitched during the revival season. this is my first time traveling a long distance without my family which my mom is anxious about so paul bellini lets me have him as my emergency contact. the show is amazing, i get to stay for the afterparty, and while i'm there i casually mention that i'm surprised no one has made a buddy cole documentary yet. like, this character has such a rich history even beyond the kids in the hall (which i can infodump about all day lmao) and is such an important staple of queer comedy that doesn't get the attention he deserves. the kith documentary is great, but where's my buddy cole documentary? paul accepts my pitch (that i didn't even realize i was pitching), passes along the idea to scott, and yeah now i'm legit directing a film with my number one comedy heroes and i haven't even graduated college yet. what the fuck. i expected this to be the type of thing i accomplish over 20 years into my career, not at twenty!! so yeah that's how the buddy cole documentary started. i'm still in preproduction on it but we're launching an indiegogo crowdfunding campaign for it in the next 2 weeks bc this has evolved into a full feature-length film with some incredible celebrity interviewees, both kith and otherwise.

anyway a few months later it's announced bruce mcculloch is bringing his one-man-show to the city i go to school in. not only that, but his theater is literally 2 blocks from campus. i ask paul if he'd give me bruce's contact so i can set up an interview for my school's newspaper, paul gives me bruce's assistant's email, and i set up a 30-minute zoom two weeks before bruce will be in town. the conversation honestly goes bizarrely well. like it's honestly surreal how close bruce and i got after only knowing each other for a half hour? he's such an easy person to talk to and literally by the end of that conversation he was already calling himself my mentor, asking about my comedy, and offering to let me meet him backstage after his show. which is exactly what i did, launching yet another incredible friendship-slash-mentorship with one of the kids in the hall.

bruce eventually signed on to executive produce the buddy cole documentary (alongside paul bellini), i've been up to toronto in january, april, june, august, and october this year (so essentially every 2 months, though it was slightly offset by going twice in january) and i'm planning on going up in december, every time not only do i find time to meet up with scott, paul, and bruce but they all deliberately try to reserve as much "jess time" as they can because i have a unique and powerful friendship with each of them, every time i finish a new creative project paul has to see it bc he loves how ambitious i am, i repeatedly wake up to texts scott sends me at 3am about the documentary and how excited he is to have me on tour with him to film it next year, bruce thinks it's hilarious he used to think i was "shy" bc i've gotten so comfortable going on infodumps and tangents about things i'm passionate about, and the three of them all feel like extended family. best of all, i actually have plans to graduate from college a semester early so that i can use the money (and time) i've saved to find a place in toronto and start making even more connections with the comedy community up there (also for the record: no i have not met mark, kevin, or dave yet. i know kevin is aware of my existence from bruce giving me a shoutout at a show they both did but that's about it. but i know i will interview all of them for my documentary)

so anyway that's how i got into kids in the hall. i know only the first 2 paragraphs answer your question, but at this point my love for this show has become so so intertwined with my relationships to bruce and scott and paul as humans that i don't really consider getting into kids in the hall and getting to know the kids in the hall as separate things in my life.

(also if you have any follow-up questions on anything mentioned feel free to reply or dm me, this goes for everyone else too!)

[demadogs]

you know how people say love simon is a gay movie for straight people and portrait of a lady on fire is a gay movie for gay people?

byler: gay ship for gay people

steddie: gay ship for straight people

[drewsaturday]

long rambly annie appreciation post

i love my feral gremlin child annie SO much and i think something really fun about her is how she just... has no Need for relationships besides Dog?

she does seem to benefit from hanging out with charlie, and there's some potential there with irene. but she's stuck it out on her own so long she and dog can take care of themselves. she doesn't need to be nice and polite because she doesn't need anything from anyone else and even if she did she'd more realistically use force to get it lol.

and i mean, i can't even blame her because the first humans she came across in a decade shot at her best friend. besides the fact force is a solution she knows works and the fact she's been alone so long she's never HAD to consider any other solution, how can she trust any of the humans she just got thrown into these situations with?

we did see her actually develop a bit as well when she decided to stay with irene's camp, possibly showing a willingness to be open to relationships (or at least her knowing she and dog can't brave this one alone.) she had irene apologize instead of letting dog maul her. but i like that her personality didn't change all that much in the meantime.

i like that she's didn't feel pressured to start playing nice because like, she doesn't owe that to anyone. she has pretty much no reason to act nice and polite... i don't even think she knows HOW to honestly (see: her immediate "oh my god this coffee?? it's DISGUSTING" reaction in episode 1 instead of trying to pretend she's grateful for their attempt to warm her up j;lkLKJ).

and i particularly love how she didn't fall into the pitfalls of like, in stranger things having el see herself in the mirror and go "pretty o:" because... annie has no concept of society anymore. she has vague memories of a mom, she has a small child's understanding of the world she came from, but the only expectations she feels are 1) to survive and 2) to be dog's best friend.

i also loved that despite forgetting so much and adapting so hard, she DID still care that irene didn't find her for 10 years. she did love her dad. and so i have to wonder if that sense of betrayal, the impending doom of knowing someone you love will just die, is another factor in her being so Annie. she said it herself - any time someone had told her she's safe, they've died. people are weak and fragile and they're going to fail her, but she and dog are strong and invincible and that's Safe (i say, hoping dog survived that finale).

why change that now?

[corellonsblessing]

A BLACK OUT/SLAM POEM based on the teletubbies (tv) tag on ao3

TRIGGER WARNING_MILK.

stray dogs literature clubs, the school for good and evil. ink sans angel—stranger things

horror sans guy—don’t hug me i’m scared. don’t hug me i’m scared, (don’t hug me i’m scared.)

free form plot twists. tragedy/comedy. alternate universe—high school. alternate universe—music.

the chaos unfolds each day, pristine, centuries ago, fight the many.

post divorce, living together, implied drug use, alcoholism. snippets from the end of the show, renunion, although it takes place a couple years before. we were the stars (but space was a void) by ponfarrpussyqueen.

corporate clash, bug, duck, the guardian pest, the prince, macarena, kissing, crack, as a joke, boys kissing, regret everything

underage julius caesar, emo napoleon, mating bond, tentacle dick, magic healing cock, holy water, holy roman empire, kissing in the rain, the battle of waterloo, a true story.

crossover, insanehappymealgiver, original character, original, simulator, mentioned, i’m at my limit, intentionally bad, wearing the other character’s skin, start praying because this sure ain’t holy, my dad went to get the milk because of this, sent to the void, put me in a coffin, rancid hope’s peak

we greet you with good luck and prosperity.

we love gay anal and lesbian smut and we hope you do too.

diminishing flame, not for kids, you’ll cry so hard you won’t have eyes, not sorry, commit a clarity, vaporized, freeform, sewer rat

2020 presidential election, spit as lube.

chaos bear, crack, crack, crack, has religious trauma, gay, gay, lesbian, lesbian sex, orgy, moist naked bodies rainbow is jesus, sex during tornado, this is NOT. finished.

there she was, in a new world. guess she’ll play the cards she’s dealt.

jesus confessed, sin shock, tears streaming down her face. “i fucked your sister.” crack. treated seriously, why did i write this. gay best friend—i can see that (i’m safe here.)

why did i write this!

crack. treated seriously.

slowly losing our sanity, we die.

crack, treated seriously. the moon of hope and the sun of despair LET IT GOOOOO LET IT GOOO.

crack, treated seriously, blue balls, orphan account

his little purse. what was once an inside joke is now taken seriously. crack. crack. fluff and crack. angst and crack. i am a man of my word, and i speak for the people.

a million other projects to complete

crack, crack, i dont know what’s going on, we’re idiots so we made this

it starts out all nice then it all goes downhill

satan, crack, this is a joke, please help me, please don’t hate me, i’m so sorry, i cannot think of anything else, please don’t read this. but. do, the author regrets nothing, the author regrets everything, why do i still exist? (discontinued, at least until further notice.) by even moderner prometheus

forbidden love, dead dove:do not eat.

so small in the midst of it all. rolling with the weird and unusual, traumatized teens to comfort, and an important decision to make

i came up with this, i will go down with this

i can’t believe i write this, why did i write this, i wrote this while listening to mother mother, sleep deprived, wrote this instead of sleeping, the guardian witnessed sex and is now scarred, touching, addiction, slut shaming

insufferable with apologies to all my followers, hell (literal), sewage

i got problems, so fucking random, pulled out of my ass, hard to explain, hard to word, each chapter will be posted, find me on wattpad,

near death experiences, major illness, declarations of love, love confessions, eating, marking, delay/denial, knotting, marking, mating bites, overstimulation, based on taylor swift songs, missing spleen

help me pleease, im scared, why did i write this?, just this really chill person who wants to take over the world, humanized teletubbies, my friend and i wrote this over the summer

you better not forgive me for this, im serious, vaginal fingering, a hushed voice, the contact making her shiver.

may your heart stay strong. torture, vomiting, blood and gore, self-indulgent, touch starved guardian, all characters are adults, electricity, suicidal thoughts, medical inaccuracies,

and yet… you lie again. i like noo-noo i hope he explodes, don’t show up

crack. i am so sorry. not in detail but it could’ve been so count your blessings

gods this can’t end well, good parent, to two children, bad parent, to the other one

IM SO SRRY BUT THIS WAS FOR THE GREATER GOOD, HAHA SUFFER,

attempt at humor, death, gore, i don’t even know, i’m so sorry, you have been warned, i posted this for my brother’s birthday

plague, companionship, through the fields we ran

it quickly turns into anti-demon propaganda

a play in one act, post-war, no sex, no killing

the prize of reading this is to meet god

help my poor soul this is a disgrace but it was my first fic so i refuse to orphan it, and the teletubbies followed

help, i was forced to write this and i’m sorry, i don’t even know what to call this monster, the southern pansy, aziphrale, the prince of hell, and the archangel gabriel

angst, satire, this is not serious, it’s meant to be funny

DO NOT TAKE THIS SERIOUSLY, IT WAS WRITTEN BY THREE HIGH THIRTEEN YEAR OLDS.

this is what you’ve been waiting for and hoping would never come

hearing voices, broken bones, emotional manipulation,

live, work, play, a simple life, protected, until a stranger comes.

i can’t give you a summary of the plot. that would ruin the story.

the eternal rioting continues as it always will (part one)

the eternal rioting continues as it always will (part seventeen.)

let me know if i forgot to tag anything!!

blame the painkillers. i blame the painkillers.